DYLAN WALSHE INTERVIEWS STEVE IGNORANT

Irish singer-songwriter Dylan Walshe may now be living it up in Nashville, Tennessee (a long way from South Dublin!) but has not forgotten his roots and here on his Stirring Foot radio show he interviews the legendary Steve Ignorant, co-founder of the Anarcho-Punk band Crass. Since then he has performed with several bands and at the moment is frontman of Steve Ignorant’s Slice Of Life.

Back in May, earlier this year I had a zoom call with Steve Ignorant. Steve is now based out of Sea Palling, Norfolk on the coast of England. A few days after our chat, I found out that a throat infection had kept Steve awake the night before. Steve didn’t postpone or cancel the zoom call, because that’s the kind of person Steve is. He never even mentioned it. Steve’s journey with life and art has truly been unique. Possibly best known as the founder and frontman of the culture changing band Crass, over the years, Steve has worked with many musical artists and groups. For me, Steve is a working class folk hero, not that he would accept that title. A wood carver, a Punch And Judy professor (using the name Professor Ignorant), a volunteer on the Sea Palling Independent Lifeboat and has recently published his autobiography ‘All The Rest Is Propaganda’. Steve’s creativity and spirit has gone from strength to strength, as he continues to explore the journey of life, head on, with his most recent group Slice Of Life. In this episode, Steve talks about his earliest influences, his arrival at the renowned Dial House, his relationship with Penny Rimbaud, the formation of Crass and the other groups who were around during that time. Steve goes on to talk about how Crass challenged male dominant Punk scenes, he talks about his passion for animals, his many other music and art projects and how film has often shaped his work. With the Crass art collective having been pioneers of D.I.Y. multimedia presentation, Steve also discusses how this led to the KGB, MI6 & CIA “sniffin’ around” the Crass camp.

In recent years, Steve has recorded and performed with Irish group Paranoid Visions, as well as occasionally touring Crass songs. He now performs with his new band Slice Of Life. A far cry from the aggression of Crass, nevertheless compelling, with powerful songs delivered in an acoustic style.

“Impossible to categorise, Slice Of Life’s music is up-front and soul-baringly personal. It’s a mixture of songs and spoken word that draws you in and stays with you long after the final note has been played.”

click on the link below to go direct to the episode

https://www.buzzsprout.com/1760652/8880180

More of sound a collage than a conversation, The Stirring Foot series merely sets out to stir the waters. Their are no sign ups, subscriptions, fees or sponsors, just a free audio series with a single button to press. Search it out on your preferred streaming platform or visit www.StirringFoot.com

Support the show https://www.paypal.me/dylanwalshe

Music and merch available directly from Steve Ignorant at www.steveignorant.com

Donation link for the Sea Palling Independent Lifeboat www.seapallinglifeboat.co.uk

ALBUM REVIEW: SETH MARTIN – ‘Through Dark Valleys’ (2021)

Hear the new album from Seth Martin, Oregon born singer/songwriter from Oregon living in South Korea. T.C. Costello reviews his latest album, Through Dark Valleys, and discovers his music has deep roots in the American Folk tradition as well as strong political convictions.

During these unprecedented new-normal and blah blah blah times, artists across the globe have been forced to adapt, improvise, and learn to create in new ways. While I’ve dealt with said times by entering a period of unprecedented unproductivity, other artists have embraced the new normal and have turned to the internet. Live streams have been ubiquitous across social media these last 12 months, often times with stylish masks and links to fundraisers.

But Seoul-based folklorist and singer-songwriter Seth Martin, with his reputation for collaborative efforts bringing together various artists and traditions from around the world, was faced with a unique challenge. How was he to collaborate at a time when social interaction was to be kept, by law, to a minimum? In the end, despite his fairly pronounced luddite sensibilities and approaches to performing and recording, turned to the internet. The result was an album that never would have happened, had it not been such an unprecedented, blah blah blah, nightmare of a year.

“Through Dark Valleys,” says Seth, “is both part of a half-decade long project and a fairly sudden decision to finish an album, however unconventionally, that resulted in an unusual and explosive collaborative final recording process.”

A part of this “Mountain Trilogy,” ¨Through Dark Valleys” is built around a set of studio performances from 2015-2016 in Portland, Oregon, with Seth and his longtime producer and collaborator David Fuller, “as well as “a handful of live, lo-fi phone or camera recordings I had made in recent years here in Korea,” Seth adds.

Different versions of the album had been in the works for years, but circumstances kept getting in the way of its completion. Finally the needed spark came unexpectedly last winter. The album would not have happened without the sudden chance to perform with and get inspired by well-known Korean folk rocker Hahn Dae Soo, one of Seth’s musical heroes. Hahn was not part of the album, but his influence is largely what made its completion possible.

Hahn Dae Soo was so kind, hilarious, and fun to work with, and the experience of joining him for a recording session, a show, and several meals and times of sharing stories deeply inspired me. He only had a few weeks to make a full album, and his main concert in Korea to support the album–which he claims, sadly, is his “last”–had to be switched from in-person to online due to Corona regulations.

But instead of disappointment, writes Seth, Hahn Dae Soo “used his influence to simultaneously include and encourage a large group of musicians in his project,” and to preach “caution, cooperation and solidarity in efforts to respect mask and group regulations, to keep one another safe during this pandemic.”

Seth remembers his time with Hahn as “fresh water to my pandemic-depressed soul,” and after the collaboration, he suddenly felt that it was not only possible, but that winter 2020, with all its isolation and limits for artists, was the perfect time to finish the album. In early December, he contacted violinist Zoe Youngmi Blank, producer David Fuller, and his younger brother and fellow artist Joel Martin, with hopes of finishing the process by Christmas.

All agreed to take a shot at building and completing the album together, with plans of a final project ready to share by Christmas. Zoe, who contributed backing vocals and violin from her home in Seoul, called it the “most fulfilling remote collaboration (she’s) been a part of”:

Due to the Corona music hiatus, it was a relief to finally play music together, though it being remote. Actually it being remote lead to a unique synergy between Seth, David Fuller and Joel Martin that surprised me. The project existed somewhere beyond space and time. We, all spread across the planet, could meet in this nonphysical recording space… online. In folk tradition, we echoed past generations’ struggles and strengths, yet grounded ourselves to modern day relevance present in Seth’s lyrics.”

Joel, who added guitar and vocals mostly from his homemade studio in the hills of small-town Toledo, Washington–his and Seth’s hometown–where he had been spending the fall and winter in isolation with his parents, said he is “awestruck at how spectacular a job… David Fuller did with the messy pile of tracks he got from all of us.”

Seth describes the process as “a flurry of experimentation and track sharing between myself, David, Joel, and Zoe–two of us in Korea, two in the US, all isolated from each other.”

This rag-tag and somewhat intentionally haphazard, free-flowing collaboration resulted in a low-fi, psychedelic album with atmospheric and at times disconcerting arrangements, and the choice of songs were frankly a perfect reflection for such a year.

Heavy themes aside, the album starts with a simple fiddle-and-banjo tune with that one can easily whistle or hum along to, and indeed, the cast of the album joins in with humming and whistle along.
Next comes one of the highlights of the album, the stream-of-consciousness “April 1st (Rusty Roads)”.

The base track was Martin performing the ten-minute song for the first time ever into his phone, “So parts of it were inspired and kind of made up on the spot, as I read the paper in front of me in my room and also improvised as felt right in the moment.” Martin adds, “we embraced rather than cleaned up the messiness, and real grief and wobbliness in the recording.”

Seth follows this with an interpretation of Mother, Sister, a poem by Kim So-Wol, a Korean poet under Japanese colonisation. Providing lead vocals on Mother, Sister is Gwon Jaehyoung, a Korean folk musician and leader of SMB mountain school. Martin joins him, and Seoul singer-songwriter eeho adds some wonderful background vocals. Next comes “Don’t Forget It,” which Seth wrote in 2014 when he was hiking in Korea, falling in love with Lee Nan Young, now his wife, and decided to move to Korea. The track begins with a familiar refrain from a classic children’s song about a bear that went over a mountain, but these lines are soaked in a current and heavy feeling of loneliness fitting the times we are in, and carry added significance given the mountain symbolism and themes that run through the project. There is also the Korean symbolism of bears and mountains being referenced here, adding to the beauty and intertwined, heavy history in the song, personally, and with Korea-US relations generally. As the song winds and rambles down its path, it features some truly impressive violin work from Zoe that really adds unexpected rhythms and several climaxes to the song.

Then, after nearly ten minutes of singing about the importance of walking the long and hard roads together and promising not to let go of love when life is at its loneliest and hardest, we are suddenly brought to another scene of grief and pain. Track 6 features the traditional American spiritual ¨Climbing High Mountains,¨ which is quite the pertinent hymn for 2020.

“I’ve been climbing high mountains trying to get home.
I’ve been wading deep waters trying to get home.
I’ve been burying my loved ones trying to get home.
I’ve been climbing high mountains trying to get home.”

Musically, this a slow build featuring multilayered violin tracks by Zoe, and a chorus of background singers from either side of the Pacific Ocean, that is too time consuming, if not impossible to identify by name.
In Korea, Seth recruited Yamagata Tweakster, Eeeho, Choi Sung-Hee, and No Soon Cheon, about half of whom I know, and on the US’ West Coast, David recruited close family and friends, Nicholas Von Pless, Sarah Fuller, Maya Fuller, Jonathan Behr, and Elizabeth Hadley -“All from his Corona “pod,” Seth adds.” Further, students from SMB mountain school as well as friends at an ant-gentrification vigil added background vocals throughout the album, if not this song specifically.
Next stop is America in the 1860s with Civil War ballad “Going Across the Mountain,” popularised by Frank Proffitt, who claimed it was written by a family member from South who crossed the mountains “to give (President of the Confederacy Jefferson Davis’) men a little of my rifle ball.”

Another, slow build, it starts with a spacey intro of the well known Korean folk song, Doraji, and ends up with a bit of a disco rhythm courtesy of Joel Martin and David Fuller on bass and percussion. The effect is a more than a bit disconcerting, particularly with the different backup vocalists chiming in and cutting out seemingly at random. Even more disconcerting is that the song descends into another controlled-chaos remix of field recording of a Korean grandmother’s singing a protest tune called “Little Giant”

It is a mixture of David’s experimental mixing, and banjo chiming alongside a field recording of a Korean grandmother singing a satirical tune in protest of a gentrification project in (A Seoul neighbourhood), in which a group of newtown apartment folks pressured the local government to bulldoze her small diner along with many other streetside shops, to “improve” and “widen” and make more safe a street between an outdoor market and a school. The grandmother is calling out the apartment collective defiantly. Her shop had been a popular stop for locals for around 3 decades, and was called “Little Giant.”

Next is the only track on the album that Seth had absolutely no part in. It’s a sound collage put together almost entirely by David Fuller in his Portland studio–the central headquarters and final destination of everyone’s individual recordings done in isolation across Korea and the States. Using passages from the dark and often caustic verses of “45 Voices: Overheard in an American Graveyard,” Seth’s book of poems reflecting on the first 100 days of the Trump regime, written as a sort of continuation or companion piece to the first Mountain album-t proves very zeitgestiy with delivery of lines like:

“Of course not all immigrants are rapists and drug dealers, but don’t you think the stereotypes for a reason?¨Seth adds, “Fuller’s own voice is featured but in a deeply distorted fashion, and he also included several other voices of album collaborators, each taking on various disturbing Americana “characters” as they were depicted in the book. In creating this sound collage, Fuller creatively included the poetry book follow-up to This Mountain into Through Dark Valleys, not only linking it to both albums, but also endowing sections of it with its own sound, and thus cleverly recasting it as a musical work itself.” Regarding the experimental sounds in the background, Martin adds, “I couldn’t tell you all the technical weird stuff David did in that track exactly, but I love it, and I am glad it is there.”

Next, the crew of the album plays Martin’s “The Ballad of Eric Garner,” Set to the tune of the American work song “900 Miles,” the song is a tribute to Eric Garner,” famously murdered by police in New York City, but also serves as a statement on the realities of current systemic racism and police brutality across the States.

“Out in famous New York City
Famous for its lack of pity
That’s where a man named Eric Garner used to live
He was big and Black and proud
Had friends and family all around
And despite so many hassles with police
Garner’s neighbors knew him as a man of peace“

A very raw recording, you can hear Martin’s chair squeaking as he sings of Garner’s last day on earth, and his ensemble delivers some particularly psychedelic instrumentation with producer David fuller adding keyboards, trumpet and clarinet.

Another experimental track, “Ferry Boat and Passenger & smoke break during an air raid drill” follows.

The lyrics come from Buddhist Korean Independence activist Manhae’s famous poem, and Martin’s wife, Lee Nan Young, reads the poem in Korean:

“I am the boat that carried you
across the river…
You pressed your dirty feet
against my sides,
while I kept you safe and dry.
When you reached the other side
and began to walk away,
you did not look back.
Every day,
every day,
I am still here
waiting for you to return…”

Martin’s original, “Grown up Soul (These Dark Valleys)” proves to be a perfect ending to the album, once again with a raw, but multilayered psychedelic sound, Seth sings:

“I’ve been walking these dark valleys
trying to find a place called home
And everywhere I laid my head
I felt so cold and all alone”

(You can stream or download Through Dark Valleys at the Bandcamp link below)

Buy Through Dark Valleys  Bandcamp

Contact Seth Martin  Facebook  Bandcamp  YouTube

Thanks to TC for the review. TC is currently shacked up in Barcelona and playing the odd gig or two there so give him a nudge over at his FB page to find out where and check out our review of his last album The Blackbird to hear more from him.

MUIRSHEEN DURKIN RELEASE NEW SINGLE. COVER OF THE UK SUBS ‘RIOT’

German Celtic rockers Muirsheen Durkin release ‘Riot’ as a tribute to old school indestructible Punk-Rock legend Charlie Harper of the UK Subs.

“Closing down our club for no good reason” A wake-up call after the forced Corona break!

Having known each other for some thirty years it was only a few years back in 2009 that the idea to start something new came up. Wanting a band with its feet based firmly in traditional Irish music and with an emphasis on emigration songs Muirsheen Durkin & Friends was born. Their feet may be in trad music with mandolin, banjo, tin whistle, accordion and two pipers but the addition of classic rock and Punk sees Muirsheen Durkin as one of the leading lights in the German Celtic-punk scene.

Their latest single is a pretty damn good cover of the UK Subs ‘Riot’. Released in 1997 on the album of the same name which was the first in decades to re-unite original members Nicky Garrett and Alvin Gibbs back together with the Peter Pan of Punk Charlie Harper. Formed in 1976 the UK Subs were one of the original bands in the first wave of Punk in the UK. Famous outside of Punk for their album releases starting with consecutive letters of the alphabet from Another Kind Of Blues in 1979 to Ziezo in 2016. Since then this most prolific of bands have added another two albums and a EP. Born in Hackney and now aged an incredible 77 years old Charlie Harper has been the mainstay of the band throughout the years. Still energetically performing at up to 200 UK Subs gigs a year he is an inspiration to us all.

Inner City life
Is getting me down
Police and gang wars
All over town
Closing down our clubs
For no good reason
Hassle us on the street
Take away our freedoms
*
Oh, oh, we want a riot
Oh, oh, so sick and tired
*
Here come the riot squad
They’re closing in
Guns and riot shields
And gas grenades
They see us standing there
All in a line
Black and white unite
Confrontations high
*
Oh, oh, we want a riot
Oh, oh, we’re sick and tired
*
Oh, oh, leave us alone
They have a justice bill
That’s what they say
Now, they have the power now
To put us away
There were four of us
Minding our own
We’re a riotous assembly
Walking down the road
*
Oh, oh, we want a riot
Oh, oh, so sick and tired
Oh, oh, we wanna riot
Oh, oh, leave us alone
*
The song is available on the MacSlon’s Irish Pub Radio compilation album Raise Your Pints #6 – Coronoa Sessions which features twenty bands from eleven countries celebrating (might be the wrong word- editor) the virus lockdowns in Celtic-Folk-Punk style. Every variation of Celtic-Punk is covered from trad to Hardcore and is available from the link below.

RAISE YOUR PINTS #6

Contact Muirsheen Durkin  WebSite  Facebook  ReverbNation  Spotify  YouTube

ALBUM REVIEW: THE RUMPLED – ‘The Perfect Match’ (2021)

Another release from prolific Italian Celtic-Punkers The Rumpled. With a sound influenced by traditional Irish Folk they are already one of the best bands in the scene and a band to expect big things from in the near future.

The last few years have been quite a time for fans of Celtic-Punk in Italy. While the genre has always been popular due in no small part to to the friendly relations between Italy and the Celtic nations never before has Italy had quite so many great bands, among them some of the best in Europe. I won’t go into the names as I’m afraid to miss one of them but a simple search among the posts here will give you the opportunity to give your ears a real treat. The Rumpled are one such band and in their relatively short existence they have been as prolific as any band in Celtic-Punk. Formed in Trento in the north in 2013 it was five years before they got some songs down on record and the result was Ashes & Wishes, recorded and produced by Gianluca of Black Dingo Productions, who have supported The Rumpled ever since. A sixty date tour of Switzerland, France and Italy in 2119 promoting the Grace O’Malley EP was followed by another EP, Toss The Coin, and tour the following year. Of course Covid soon arrived and any plans the band had were shelved while the world came to terms with what was going on.  Despite this the band ploughed on and did manage to release both Home Sessions, a EP of covers with the help of some pretty well known faces in Firkin and Uncle Bard And The Dirty Bastards, and an acoustic EP Rumplugged.

The Rumpled from left to right: Michele Mazzurana- Drums, Backing Vocals * Davide Butturini- Guitars * Patrizia Vaccari- Fiddle * Marco Andrea Micheli- Lead Vocals * Luca Tasin- Bassman, Backing Vocals * Tommaso Zamboni- Accordion *

The new album is called The Perfect Match and was released late last month again for Black Dingo and while new material is thin on the ground, with it being basically a re-recorded and re-vamped compilation of The Rumpled’s last two studio releases it is still an outstanding release and the perfect place to enter if you are new to the band. The Perfect Match kicks off with ‘Time To Go’, the album’s only new song and which was also the lead single for the album. The song is dedicated to Italian para-olympian athlete Giuliana Chiara Filippi and her story of fortitude and resilience, despite her many obstacles to overcome, and her dream to represent Italy in the Paralympics. Inspired they choose her to be featured as the main character in the video. A truly Perfect Match.

A great rocking start and a lovely tribute. We wish her well. Talking about the single The Rumpled said

“The song is an invitation to return to life with energy and enthusiasm and move into the future, throwing the difficult situation of last year behind us. After this long break, our desire to restart, to get back on stage and perform for a crowd is uncontainable, that’s why we all sing the in chorus: “hey ho, it’s time to go, we’re gonna raise hell tonight – So let’s go to another show and everything’s gonna be alright”!”

Musically The Rumpled play an energetic and lively style of Celtic-Punk. While The Rumjacks influence casts a shadow over much of the Italian Celtic-Punk scene The Rumpled have always done their own thing with a sound influenced by traditional Irish Folk music as much as anything. ‘Stand Up’ was the opening track on the Toss The Coin and sees the band accompanied by the Bold Rumjacker himself Frankie McLaughlin. Accordion led and with one hell of a catchy chorus it’s fist in the air time here as you swing your mates round and round. The energy is unrelenting and continues throughout the albums forty minutes with only a handful of pauses for breathe.

The following six songs also come from the Toss The Coin with ‘Take A Drop’ and ‘The Gipsy Dancer’, a lead single from Toss The Coin and you will see where the EP gets its title from in the excellent accompanying video. ‘The Road’ is less ‘traditional’ and more modern sounding Celtic-Punk combining elements of Ska with some great ‘Woah-Woah-Woahh’ gang vocals. ‘One Love’ is the first of two songs to feature guests from fellow Italian Celtic-Folk-Rockers Folkamiseria from western Piedmont. More Folk orientated but still with that harder edge while ‘Broken Romances’ has a more harder edge.

‘Patty’s Jig’ was the final song on the EP but here marks half way. Accompanied again by Folkamiseria on bouzouki The Rumpled show they can go full on traditional with a self penned Irish Folk tune that could have been written a hundred years ago!! Song #9 here is the song that began the Grace O’Malley EP ‘Song of Ill Repute’, a speedy accordion and fiddle led whirling dervish of a song which is followed by the EP’s title track, a extended version, ‘Grace O’Malley’. With over 1,000,000 plays on Spotify and a place in the Top Ten Celtic-Punk EP’s Of 2019 on this here web-zine. Grace O’Malley was known as ‘The Pirate Queen’ and until recently was largely known only to Irish communities around the world with tales of her exploits being told and re-told through the generations. A fearless leader over land and sea, a politician and tactician, rebel and pirate, and the ’most notorious woman in all the coasts of Ireland’.

‘Fearless And Brave’ sees the band accompanied by Paddy O’Reilly from the awesome Celtic-Punk band Paddy And The Rats. Utterly brilliant the dual vocals work to great effect while the Celtic-Punk crosses into Ska and back. ‘Feelin’ Fine’ keeps up the pace going and finally ‘The Maiden’ brings down the curtain.

So while it’s a shame for us long time fans of the band not to have an album of brand new music its perfectly understandable that The Rumpled want to get their music out to as wider audience as possible and this is a great opportunity for them to do so. So if you’re a fan pass this on to someone who isn’t (yet!) and make their day. The album is available on both download and physical release and also why not read up on Grace O’Malley it really is a fascinating story.

Buy The Perfect Match  Here  Contact The Rumpled  WebSite  Facebook  Instagram  YouTube

Black Dingo Productions  WebSite  Facebook

ALBUM REVIEW: NO MURDER NO MOUSTACHE – ‘The Odds Are Stacked Against’ (2021)

Pync Roc efo dylanwadau Celtaidd. Weithiau acwstig, weithiau ddim, wastad pync.

One man Welsh Punk Rock with Celtic influences. Sometimes acoustic, sometimes not, always Punk

The Odds Are Stacked Against is the second release from Welsh one man band Owen Crawford in the guise of No Murder No Moustache. It seems to be the trend these days that any wishy-washy drip of a student armed with an acoustic guitar gives themselves a grandiose name with a bit of edge (to make up for the music having none I suppose) and a place at a local NHS benefit gig is assured! No Murder No Moustache hail from the Welsh capital Cardiff and don’t play wishy-washy music. This is what I think generally passes ‘Folk-Punk’ these days. Go to any Ferocious Dog gig and they will have something not a million miles away as support. The lyrics are nearly all politically driven with not even a single drinking song. Though their is one sung in Welsh so maybe that’s it? It’s not all po-faced and serious though and the music is upbeat and dare I even say jolly.

Their debut release came out in the Summer of last year and ‘Hold My Beer’ was a welcome release at a time when the Celtic-Punk scene had become a near desert! The title track would eventually go on to win 2020 track of the year on the HRH radio Punk show. Since then a bunch of singles have followed, including a couple of Christmas themed ones that are available for free download on the No Murder No Moustache Bandcamp site. (link below) all in much the same vein. The Odds Are Stacked Against is a collection of seven songs of ‘punkishness’ played on fiddle, ukulele, accordion and banjo but with a strong Folk influence. While the ‘Celtic’ touches here are not quite as prevalent as on Hold My Beer their are several moments where it does come to the fore.

The EP kicks off with the title track ‘The Odds Are Stacked Against’ and starts with some nicely placed news dialogue before speeding off into Celtic-Pop-Punk territory. Upbeat, fist in the air music to jig around to as Owen sings about the dispossessed. If I had one criticism it would be that it lacks a bit of oomph. The mix is a wee bit quiet and while Owen’s voice is as powerful and as clear as a bell (no need for a lyric sheet here) the guitar could have done with beefing up a bit. ‘Sing! Fight! Run! Survive!’ is pure Celtic-Punk. Fast and fun (think Black Water County) and with a bit to skank along to too or even “beat up the floor” as BWC call it. This is the only song where Owen is accompanied by anyone else with Chris Hopkins stepping in on bass. ‘Since The War Started’ is a slow ballad. The sort that you might hear from the New Model Army or Alarm. The song does get louder later on as Owen delivers an anti-war ballad either of those mentioned would be proud of. ‘A Million Whispers’ takes us back to fast’n’fun and they manage to pack quite a punch in just forty-four seconds. The last three tracks here are my favourite beginning with ‘Let The Anger Into Your Heart’, one of the more Celtic sounding numbers with great use of the ukulele, a much much maligned and under-rated instrument, especially in Celtic-Punk. My favourite song here is ‘Sut Tyfodd Y Gath Mor Dew?’ which according to the translate button is ‘How Did The Cat Grow So Fat?’ in Owen’s native Welsh language. I never tire of hearing Punk sing in Welsh. A love that first began when I heard Punk-Rock legends Anhrefn on Snub TV back in the late 80’s. Accompanied by a bunch of mates on backing vocals it does sound remarkably like Black Water County which is to Owen’s credit rather than any criticism. The EP comes to an end with ‘Feels Like Home’ and a mish-mash of influences soon comes together in a call to arms but done in that style of No Murder No Moustache with Owen sounding an awful lot like Justin Keenan of Aussie Celt-rockers The Go Set. 

The EP is released on Smash Mouse Records, a collective based DIY label based in Cardiff, Wales. The seven songs run in at just under seventeen minutes so as you can imagine things rattle along at a fine auld speed with most songs around the two minute mark and Owen is certainly a very talented musician. A great release with my only quibble being that it lacks a little in the mix. With words and music like this it needs to have a big background and sometimes that is lacking. Music like this is best heard in the pub and it is notoriously hard to transfer that sound or feeling onto disc and with No Murder No Moustache being a one man band I can imagine it’s even harder. Still this shows Owen’s sound developing and I look forward to hearing more from him soon. 

Download The Odds Are Stacked Against SmashMouseRecords (CD/ Download)
Contact No Murder No Moustache  WebSite  Facebook  Spotify  YouTube  Bandcamp

THE DAY THE MUSIC DIED. THE MASSACRE OF THE MIAMI SHOWBAND

In 1975 The Miami Showband were riding high in the Irish music scene, known as The Irish Beatles and credited with being Ireland’s #1 band. The showband scene had enjoyed huge popularity from the late 1950’s, through the 60’s and on into 70’s… until one fateful night in July 1975. Here we discuss the background and the devastating aftermath of what became known as The Miami Showband Massacre. 

Led by singer Dickie Rock and later by Fran O’Toole the Miami Showband had thirteen Top 10 singles, including seven number one records in the Irish singles chart. From their debut #1 in 1963 a cover of Elvis’ ‘There’s Always Me’ until that fateful day in 1975 The Miami Showband reigned as Ireland’s premier ‘showband’. In the 1950’s the Irish music scene was dominated by Ceili bands, orchestras and ballad singers and it was from all those influences that the ‘showband’ in the 60’s/70’s took their sound. There’s an excellent history of the progression of the Irish Showbands on the aptly named Irish Showbands site. The term would come to be used to cover many different bands and styles but in its very early days, in the 1950’s it was used to describe a show where a band would play two sets with another act in the middle, more than likely a comedian. Success didn’t come easy for the Miami Showband travelling the length and breadth of Ireland every night to play anywhere from village halls to large city venues. The hard work paid off with several high points for the band like representing Ireland in the 1966 Eurovision Song Contest and appearing on British TV on Sunday Night at the London Palladium. Band members came and went and by 1975 all the original members had left and the new line up of the now bell-bottomed, wide-collared Miami Showband comprised of Des Lee, Brian McCoy, Tony Geraghty, Fran O’Toole, Steve Travers and Ray Millar.

Steve Travers joined the band at 24. Six weeks later half the band would be murdered.

From left: Stephen Travers, Tony Geraghty, Ray Millar, Brian McCoy, Fran O’Toole, Des Lee

The band were a ‘mixed’ band meaning they had members who were both Catholic and Protestant and from both sides of the border. Politics was not on the agenda for them. All they cared about was the music and bringing joy and excitement into peoples lives. It is estimated at the height of the showband scene there were over 650 fully professional groups operating across the island. At the time violence in the north and censorship in the south were rife and folk longed for a escape and they found it through music. Later Punk would fulfill the same role in bringing people together. As Stephen Travers explains

“There was no sectarianism at these dances, people left their religion at the door.”

So popular were they that they breezed through Police and Army checkpoints on the border often being recognised and asked for autographs. No stranger to the London Irish scene either performing regularly at famed London venues The Galtymore and The National to packed houses. There really was no one to touch them at the time. London Celtic Punker Gerard recalls

“I was only 12 and I knew very little about them, but I could realise something terrible had happened, the sombre mood about the place, people involved in the entertainment business (like my relatives in Galway) were shocked and very scared. Bomb scares were a regular part of a night out to our pub. They were seriously worried that these murders would escalate things. They were scared that the places the Showbands played in would become a target, like Seapoint ballroom in Salthill.”

It’s hard to fathom how popular a band they were and the Showband scene was. Ireland was littered with these places at the time and they were absolutely central to rural nightlife as well as cities.

(the BBC documentary The Day The Music Died)

On the 31st July 1975 the band had played another successful gig in the northern town of Banbridge. After loading their gear drummer Ray Millar bid farewell and headed off on his own back to nearby Antrim. The bands manager Brian Maguire got in the van containing the groups equipment and set off just a few minutes ahead of the remaining five band members on the trip back home to Dublin.

Sometime after 2.30am they were stopped in the townland of Buskill outside Newry by what they thought was a routine military checkpoint. The Ulster Defence Regiment (a local part time regiment of the British Army) regularly patrolled the border and random stop and searches and harassment of nationalists was common. They were directed into a lay-by and ordered to exit the van while their van was searched. They were questioned at gunpoint and told to give their names and other details. While the search continued, another member of the gang appeared on the scene and according to Stephen Travers and Des McAlea began barking orders at  the others in what was described as a “crisp English accent”. Naturally concerned that the UDR men who were searching the van would damage their instruments Stephen Travers attempted to go towards the van to ask them to be careful but was pushed back into line and it was at that moment an massive explosion ripped through the van throwing band and gang members in all directions.
The bogus checkpoint had in fact been set up the Ulster Volunteer Force (an illegal Protestant paramilitary force involved in the indiscriminate murder and intimidation of innocent Catholics and Republicans) dressed in UDR uniforms. A bomb with a timer had been placed on the van that had gone off. Intended to explode after they has crossed the border into the Irish Republic killing the Showband and giving a convenient excuse for sealing the border completely. Two of gang, Wesley Somerville and Harris Boyle, died instantly. Besides being members of the UDR they were also senior members of the UVF who gave them a full paramilitary funeral. 

None of the band members were killed in the bomb blast. Des McAlea was thrown over a ditch by the force of the explosion, suffering minor injuries and managing to make good his escape across fields. Fellow band members Fran O’Toole, Tony Geraghty and  Brian McCoy were not so lucky. They survived the blast but the gang were intent on killing and opened fire. Stephen Travers was hit and was seriously wounded, the bullet that struck him breaking into sixteen pieces. Tony and Fran had tried to help him off to safety but were unable and as Stephen lay there pretending to be dead he could hear the men chase down his friends in the neighboring fields and despite their pleas for mercy murder them in cold blood. Brian McCoy, hit by machine gun fire, was the first to die. Tony Geraghty was shot four times laying helpless on the ground. Frontman Fran O’Toole died after being shot twenty two times. The gang walked around the aftermath of the explosion kicking at bodies to ensure that they were all dead. Seriously wounded, traumatised and terrified, Stephen decided to lie still as he was approached. Luckily for Stephen, just as he came near, one of the other soldiers shouted that

“those bastards are dead.  I got them with dum-dums”.

The soldiers then departed the scene, and despite suffering horrific injuries Stephen survived the attack.

A leaflet distributed in Catholic areas during the war.

The 6-man gang involved in the massacre included Wesley Somerville’s brother and alongside other UDR men were all part of the ‘Glenane gang’, a notorious UVF unit responsible for countless sectarian atrocities. This unit led by Robin Jackson were suspected of killing up to 50 Catholics, and who organised the bomb attacks in Dundalk in 1975 that killed two and the worse atrocity of the War the 1974 bombings in Dublin and Monaghan that killed 33 and a unborn child and injured almost 300. The weapon used to kill Brian McCoy was traced back to other murders in the Mid-Ulster area and fingerprints found on a silencer would link Robin Jackson to the massacre, but charges were mysteriously dropped with allegations he was protected from prosecution by British special branch. Only three members of the gang would be convicted, with two members and one former member of the UDR, sentenced to life in prison. Former British army Intelligence operatives have gone on record since to confirm that undercover British Military intelligence were collaborating with the Glenane Gang and heavily involved in the planning and carrying out of the Miami Showband massacre.

The involvement of the British state in the murders of the Miami Showband and other atrocities have been dismissed as the actions of ‘rogue’ soldiers, RUC (Northern Irish Police force) or Intelligence operatives but the evidence shows otherwise. The refusal of the British government to co-operate with the inquiry into the Dublin/Monaghan attacks and the record of shady British military engagement shows they have something to hide. The history of the army in Ireland has been a bloody one, directly, and indirectly through collusion with their allies in groups like the UVF. Catholics and nationalists throughout the north of Ireland at the time lived with the British state actively assisting Loyalist death squads to terrorise whole communities through intimation and murder. Any attempt to get to the truth of what happened on 31st July 1975 has been hampered and blocked by the British state. Back in 2017 the Ministry of Defence was ordered to release documents relating to the murders. It was also revealed that a substantial amount of documents were destroyed in 2005 with no explanation as to why, or how, this happened. Despite this, the families and surviving members of the band continue to campaign tirelessly for the truth and justice that for too long has been denied to them.

Further Information

For those of you with Netflix the Miamia Showband were featured as part of eight ReMastered music documentaries. ReMastered claims to “investigate high-profile events affecting some of the most legendary names in music” such as Bob Marley, Johnny Cash and Sam Cooke. March 2019 saw The Miami Showband Massacre come under the spotlight and Stephen Travers’ search for the truth of what happened on 31st July 1975.

The Miami Showband Massacre: A Survivor’s Search for the Truth – by Stephen Travers and journalist Neil Fetherstonhaugh, was published in 2007.

The Miami Showband web-site.

ALBUM REVIEW: PHANTOM OF THE BLACK HILLS – ‘That Witch’ (2021)

One of the best bands to wield a banjo IN THE WORLD Phantom Of The Black Hills  soak in influences as varied as Country, Punk, Goth, Folk, Bluegrass with distorted vocals and mysterious mystique and a dark (very dark) western ethos. 

That Witch is their 6th studio album and they are accompanied by Mather Louth from renowned ‘Gothic Americana’ band Heathen Apostles.

To put it simply Phantom Of The Black Hills are fantastic!!

When I saw that their was a new Phantom Of The Black Hills album on the way I can admit to being pretty bloody excited. Even though I love music we receive so much here at London Celtic Punks Towers that it is hard sometimes to rally up enthusiasm for new releases but for That Witch I was even willing to pay (those that know me will know how incredible that is!). Luckily for my Scots /Yorkshire sensibilities I was incredibly lucky to receive a free download from Ratchet Blade Records and it’s not left my lugholes ever since!

The Phantom and Mather Louth

That Witch had originally been planned for release in 2020 but with all the shit going on was delayed almost a year. For those wishing to pigeonhole the label’s most bandied about for the Phantom Of The Black Hills are ‘hellbilly’, ‘frontier-core’ or ‘doom country’ and all capture them pretty fairly squarely and imaginatively. Taking elements of Country, Folk, Punk, Psychobilly, Bluegrass and mixing traditional instruments like mandolin, banjo and fiddle but combining them with fiercely dark and angry polemic, crunching guitars, snarling distorted vocals, intense sound effects and cleverly used movie dialog this is one ‘country’ band you won’t see at the Grand Ole Opry! Shrouded in secrecy hiding themselves away from the glare of publicity the bandana’s they wear in their videos and photos are very careful not to give away any clue as to their identities so it’s kind of hard to tell you anymore about the band themselves! That Witch is their sixth album, the last being Scalped in 2017. That album was to first to feature guest vocals from the lovely Mather Louth on ‘Wild Witch Of The West’ (be sure to check out the brilliant video). She also doubles up as the lead singer of excellent fellow ‘Gothic Americana’ band Heathen Apostles and she guest vocals on pretty much the whole of That Witch giving the album that little extra special range.

The Black Hills of the bands name are in the American state of South Dakota and are most famous for the Mount Rushmore memorial of the four presidential heads of Washington, Jefferson, Roosevelt and Lincoln, each measuring over forty feet high,  carved into the granite by Gutzon Borglum from 1927 to 1947. It’s also an area where huge numbers of Scots and Scots-Irish settled. This may explain the propensity for moonshine in the area! Production of illegal alcohol that is still widespread today. Another possible by-product of the Celt on the local population is widespread mistrust of all government institutions and even today in a age where yuppies and hipsters seem to have overtaken everywhere you are unlikely to find a Vegan coffee shop or a demand for stricter gun control laws in the Black Hills. Having been forced out of their homes over here they brought that mistrust with them and it still permeates through the local populace.

That Witch begins in superb form with ‘Rising Son’ and The Phantom snarling his way through a song that takes the point of view of Native American’s and their resistance to the early settlers who sought to steal their land and force them onto special reservations.

“This ain’t Oklahoma
And I was here long before ya
Mistress Darkness has come
And when the night is done
I’m the rising son”

The song is a slow burner. A dark foreboding of what is to come building to a climax in the lyrics rather than the tune. Excellent fiddle throughout from El Gato is matched by Popeye on guitar, banjo and bass and Deacon on drums.

‘That Witch’ sees The Phantom and Mather dueling it out on vocals and it’s another dark slower song and I think it’s fair to say that while their albums have progressively darker the sound has mellowed somewhat though the heaviness of the music does mitigate that. You often think you’re listening to a much faster song than you actually are. We get a fast one next with the album’s lead single ‘Buck Knife’ and the tragic tale of a veteran of the Civil War suffering from PTSD. On returning to his home town he is shunned and the story climaxes in a orgy of deadly violence before ending with the kind of twist to make the hairs stand up on the back of your neck.

Heathen Apostles are one hell of a band in their own right and it is absolute genius to team her up with the Phantom Of the Black Hills. The perfect foil to The Phantom’s vocals her beautiful voice on ‘Lady Judas’ belies the story while we do see a lot less of the electric guitar like on next track ‘Moon Killer’ with vocals now dominating but it works a treat and the distorted vocals are still clear enough to understand every word and the various tales of  violence, drunkenness, debauchery and revenge.

“Time to take a vow and consecrate

Using skin and motion as my bait

The cauldron is a-bubblin’
Got to go and show him sin

Lucifer just don’t want to wait…”

‘Hunger’ is co-written by Mather Louth and the band and she leads here her voice soaring above the bands train-like rumble and that majestic fiddle.  The Phantom takes the rein back for ‘Road To Bleeding’. This is the kind of song that previously they would have slung hard and heavy electric guitar all over but now they treat more gently. ‘Sin & Sanctify’ is as close (still not that close really) as they come to a traditional Country song while the album continues to its violent conclusion with two of the album’s best songs ‘Wicked Storm’ and the storming ‘Attack’.

That Witch was released July 2nd on Ratchet Blade Records. The Los Angeles based label home to the Heathen Apostles, Doghouse Lords, the Mau Maus, Charley Horse, Berlin Brats and many more. Ratchet Blade Records describes itself, correctly, as “the best in dark roots music”. Once again it features the amazingly talented former Cramps bassist, and current Heathen Apostles one, Chopper Franklin on production duties. The digital sale of the album is only $7 and the CD not much more but comes with buttons and stickers. Their is also an option for international orders which has drastically reduced ($5 international shipping as opposed to $15) postage charges. To be honest I’m kinda upset this ain’t a Celtic-Punk album as it would definitely be up there in our end of year Best Of awards. Looks like I’m going to have to make up a special new category just for them!

The Phantom Of The Black Hills have come a long way since Ghosts and while their sound may not be quite as raucous as then they still are as powerful and heavy and even more darker than ever before. The teaming up with the beautiful Mather Louth adds a whole new dimension to the sound. It’s a dark world out there and the imagery The Phantom Of The Black Hills conjure up in the mind may not be a pleasant one but it’s an imaginative one filled with the ghosts of the wronged, deserted mines and villages, dust and dirt and the people who lived there and also the  best music the ‘old’ west can produce.

(you can stream/download the whole of That Witch on the Bandcamp player below)

Buy The Witch  Bandcamp (Download/CD)

Contact Phantom Of The Black Hills  Facebook  YouTube  Bandcamp

Ratchet Blade Records  WebSite  Facebook  YouTube

Discography: Ghosts (2009) * Born To Gun (2010) * ENEMY! (2012) * Black Hearted Killer EP (2013) * Moonshine Bright (2014) * Scalped (2017)

If you would like to check out the Phantom Of the Black Hills previous albums (and I’m sure you can tell from our glowing review what we think!) then we ran a feature back in late 2018 where we tried to introduce the band to a wider audience, especially this side of the Atlantic. Links are included to listen to all their previous releases so click below and enjoy being lasso’ed in! You can but their entire catalogue for less than £20 through Bandcamp.

PHANTOM OF THE BLACK HILLS

NEW SINGLE FROM OGRAS ABOUT NORWEGIAN IMMIGRANTS IN RED HOOK, BROOKLYN

Yes its been rather slim pickings so far in 2021 for Celtic-Punk fans. There’s been a few gems (The Black Clover, Real McCoys, The Peelers, Sean Tobin and, of course, the new Dropkick Murphys album) but if there’s one band that can be relied on for providing some decent tunes it’s Ogras! The six-piece band from western Norway shot onto the scene last year with the release of their album No Love In The City. The album went on to hit the #1 spot in the Best Of 2020 polls for both us and Paddyrock and never before had we both agreed on the best Celtic-Punk album of the year. Not bad for a band no one outside Norway had heard of 12 months previous.

One of the joys of Ogras music is not just the music, though that is damn good, is the stories they tell within the song. These guys have truly embraced the ancient Irish way of the Seanchaí who would roam the land recording and then telling the history and stories of the old ways. That Ogras can tell a tale within the confines of a three or four minute song is an amazing feat and all a million miles away from the usual drinking’n’fighting we usually hear. On No Love In The City it was circus performers, outcasts, freaks and other round pegs in square holes while the follow up single ‘Sideshoe Hallelujah‘ stayed in the same territory and the hypocrisy in cheering for the sideshow freaks during the show and mocking them afterwards.

GOSPEL

We’ve seen trouble

in kerosene light
We’ve seen murder
over methanol delights
And we’ve seen worries
in the cold, cold rain
And we’ve seen pain
*
There’s a shadow in Red Hook
It’s there day and night
Through the smoke of ol’ barrels
You can see the Brooklyn lights
But it’s home to the queen, the mayor
the wolf and to me.
So we’ll stay here
We’ll cry here
We’ll pray here
We’ll die here
We’ll never grow old
So we’ll make us a life here
It’s home to the queen, the mayor
the wolf and to me.
GOSPEL
Love’s the only thing brave girl
Love’s the only thing to slip away
I still miss the old country
Sometimes I even miss the snow
I keep my dreams to myself
So no one can ever know
That this is the home to the queen, the mayor
the wolf and to me.

Ogras new single ‘Red Hook’ is a gospel-infused up-tempo Folk-Rock tune, as always done with a very particular acoustic/electric mix. The lyrics are inspired by the horrific stories of poor and unemployed Norwegian immigrants to New York 100 years ago. The homeless gathered in a community called ‘Ørkenen Sur’ (‘The Bitter Desert’) in Red Hook, Brooklyn. At a time when people from every European nation were fleeing from poverty, oppression and unrest in search of happiness and prosperity in the States, between 1825 and 1925 almost a million Norwegians left for North America. Roughly a third of the entire population of Norway, a higher proportion of any other country other than Ireland. Those early immigrants were almost all farmers so settled in rural areas in the Midwest becoming the most rural of any group arriving in America in the nineteenth century. Others, mainly sailors, were drawn to the city where competition for jobs and housing were high and many slipped through the gaps thankful for a place where they would find if not material needs at least a little comfort and love.

“Between barrels, pipes and in wrecked cars they made their home and where they lived, in summer and winter. Instead evolved into a separate small community.”

The setting for both On The Waterfront and Last exit To Brooklyn, Red Hook was, in the 1990s, named  in Life magazine as one of the “worst” neighborhoods in the United States and as “the crack capital of America”. A legacy no doubt of how much was cared for the working classes and the places they lived.  Today the Norwegian diaspora in the States is the tenth largest from Europe and the ancestors of those early settlers still celebrate their roots and traditions in high numbers.

Ogras (left to right) Knut Peder Voldset – Guitars * Aleksander Eidsvåg – Fiddle * Filip Eidsvåg – Drums * Thomas Dahle – Bass * Pål Elnan – Piano, Organ and Trumpet * Paul Solåt – Vocals

‘Red Hook’ was recorded at Ocean Sound Recordings in Norway and mixed by Jordon Silva (California), known for mixing The Avett Brothers, Flogging Molly among others. The video was shot in the landfill docks of Åndalsnes and, as usual, made by the exceptional one-man production team of Thomas Dahle.

Download Red Hook  Here

Contact Ogras  WebSite  Facebook  Instagram  YouTube

ODDS’N’SODS. CELTIC-PUNK ROUND UP JULY 2021

Summer’s here. You can tell from the rain!

This time of year is normally pretty quiet in the Celtic-Punk world as bands concentrate on the upcoming Festival season but we still hunted down all the band news, record releases, videos from bands big and small across the Celtic-Punk scene. 

We start off this month with the new single/ video from FEROCIOUS DOG. ‘Pentrich Rising’ is right up the Dog’s street. A tale of England’s fight for trade union rights in the 1800’s. A brilliant professional looking video it deserves to be splashed all over the TV. The new album The Hope is out in October and is available for pre-order here https://thehope.ferociousdog.co.uk/

20,000 views in just three days shows why FIDDLER’S GREEN are one of the most popular Celtic-Punk bands around. They are also one of the busiest and even the Covid lockdown didn’t slow them down too much!

“One and half years of forced isolation later and we’re back in the studio working on the new album. The numbers are down and falling every day. The tour calender is filling up again. Back in the studio someone goes: „Na, da ist doch Land in Sicht. (See! Land in sight!)” That’s it—the moment grabs us by the balls! That same evening we start fleshing out ideas for a song. Inspired by the moment, the lyrics start to flow. In German. For the first time ever. A glimmer of hope for us all, born of the moment—Land Ahoy, lads! Enjoy!”

All round talented musician and nice guy KANE O’ROURKE has a new single ‘Farewell To Erin’ out now on Celtic Bulldog Records. The track is taken from Kane’s forthcoming album Dance In The Fourth and the video was filmed in New York, London, Hill of Ward, Rathmore Abbey and Trim Castle.

Time to get your wallets out for French band THE MOORINGS. They have just launched a Ulele campaign for their new record called ‘March On ?’. It will be coming out in digital, CD vinyl. The  promotion/pre-order campaign can be contacted here.

At one point the Celtic-Punk scene in Hungary was to be admired the world over. Loads of bands and it seemed there was a new release every couple of weeks (we even ran a feature called Hungarian Celtic-Punk week!!). Well with the lockdown over there the bands are returning. FIRKIN got a new singer and single out and now THE CRAZY ROGUES have released the first track, a semi live version of ‘Empire Of sand’, from their forthcoming new album expected later this year.

One of many great bands out there in the Celtic-Punk scene that deserve a wider audience is the Russian band ZUNAME. I’ve followed them since the early days and always really enjoyed their music so delighted to hear they are half way through the recording of a new album. Punk-Rock with bagpipes from Moscow ‘Señor Diego’ was their last release and is available for just a dollar!

Boston band MICKEY RICKSHAW have a new song out, their first since their last album I think. ‘Athens To The North’ is available on all streaming sites.

South America may not be blessed with many Celtic-Punkk bands but the ones they do are utterly brilliant. Here’s the single from a forthcoming EP from LA FIESTA DEL DIABLO called ‘A Flote’ all the way from Chile. Dedicated to all the people who have lost family members and have suffered as a result of the pandemic and have had to be separated from their loved ones. This link from linktree takes you to all their social media to find out more and download the song.

THE RUMPLED – The Perfect Match

THE BLACK CLOVER –

PUNKREAS – Funny Goes Acoustic

LES NAUFRAGES – Les Naufrages

remember we can’t review what we haven’t heard!

West Midlands based SONS OF CLOGGER would normally around this time preparing to spend every weekend for the next five months playing festivals up and down the country. I’m sure they’ve a few in the bag but they have also just released a new album The Neolithic, available from their web-site.

RAMBLERS PARADE formed in Lisbon in late 2020, mixing Folk music from around the world with the energy and spirit of Punk-Rock, adapting traditions with Balkan, Latin American and European Folk. They have a new 5-track EP out available via Bandcamp.

Load of free Punk-Rock courtesy of Canadian one mand band WilkSHAKE. Brendan Wilkie plays all the instruments here and is also a accomplished writer and poet in true Irish ‘seanchai’ style! The music touches on several themes of interest to Celtic-Punks so give it a look.

Pirate speedfolk band LILY OF THE VALLEY from Berlin have a new song out this week. They play fast and evil music with lots of songs about whaling and trouserlessness. Anyone refusing to dance at their gigs is made to walk the plank! 

LES NAUFRAGES are not a band I know much about but they play a very interesting mix of Rock, Punk, Ska and trad. Folk. Formed in 1986 in Montpellier, France they have released over a dozen albums and have just started to re-release each one re-mastered and re-packaged.

This month we re-visit a free download from six years ago from New York’s THE NARROWBACKS. A official bootleg of five songs from their show playing at the legendary Stone Pony in Asbury Park, New Jersey supporting Flogging Molly. The Narrowbacks have over the years become an integral part of the new York Irish community and continue to go from strength to strength.

A sort of ‘folkier’ offshoot from French Celtic-Punk band THE BOOZE BROTHERS the debut EP from TARA’S FOLK has just come out.

Some London Celtic Punks news now and we still have a handful of Green’n’White ‘Skully Cap’ ringer t-shirts available. They come in all sizes from Small right up to XXX-L and are available from our online store. Also check out our full range of other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the diserning Celtic-Punk fan needs!

https://the30492shop.fwscart.com/

The more I see of Facebook the more and more I am disliking it. If you feel the same you can now subscribe to London Celtic Punks posts via our group on the new phone app Telegram. Very similar in style (but better and easier to use) than What’s App and completely free from Facebook control. Join us on Telegram and don’t miss a single post! https://t.me/londoncelticpunks/  
*
A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. We post a couple of times a weeks so we won’t fill up your in-box. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

ALBUM REVIEW: RAISE YOUR PINTS. CELTIC- PUNK SAMPLER. VOLUME 6 – VARIOUS ARTISTS (2021)

From the scene. For the scene.

After months of planning, organising and fund-raising the compilation album Raise Your Pints #6 has finally been delivered. Twenty bands from eleven countries celebrating (might be the wrong word- editor) the virus lockdowns in Celtic-Folk-Punk style. 

Anyone remember the original Celtic-Punk samplers from Shite’n’Onions? I think they stretched to three volumes and came at a time when I had never been on the internet. Yes I was one of the select few who never even had a MySpace account! So to come across these samplers with upwards of twenty  bands on and pretty much all new to me (even the English ones) was eye-opening… or should that be ear-opening? Them days are long ago and we can thank Shite’n’Onions for being early pioneers of the Celtic-Punk sampler though they have long passed the baton onto MacSlon’s Irish Radio. Now in their 11th year the radio station brings out the best in Celtic-Rock, Celtic-Punk and trad Irish Folk both modern and ancient(!). They have also for the last few years been a major player on the merchandise front organizing merch for a whole host of bands from across mainland Europe and even the United States.

This is the 6th in the Raise Your Pints series and all the songs have been written and recorded over the last 16 months while the Corona virus has done it’s best to wreck the music industry. We are yet to see what long term damage the lockdown have caused but already here in London, and across England, many music venues have closed their doors permanently and several bands have handed in their guitar straps. The thirst for live music though seems at a all time high but bands are still finding it difficult to book gigs and tours with so much uncertainty around about whether or not the lockdown will return.

So the arrival of Raise Your Pints #6 is to applauded for many reasons but chiefly among them is that the bands will directly benefit from the sales of the CD and with not much else going on it’s a chance for them to remind their fans and followers that they are still here and still fighting.

Reviewing a compilation album is hard enough but one made up of different bands is even harder so I will forego the usual review and just tell you a small bit about each artist and song and link to them so they can tell you more. Of course the best way to find out more is to buy the album!!!

RAISE YOUR PINTS VOLUME 6

THE MULLINS (France) – ‘Part Of Me’

The album kicks off with The Mullins. Hailing from the south of France their song began life before the lockdown but the band took the opportunity to perfect it and even managed to get together inbetween lockdowns to record the cracking video!

THE CEILI FAMILY (Germany) – ‘Corona Chesay’

The album is perhaps a bit top heavy with German bands but that is totally understandable. They do have the #1 scene in Europe you know. The Ceili Family are one of the better known established bands. The band first stirred back in 1996 and even had a great recommendation from the late Philip Chevron: “Enjoyed listening to the CD, by the way. Always good to see people doing something of their own with the basic idea we invented!”

THE FEELGOOD McLOUDS (Germany) – ‘Dirty Bastards’

More Germans here with The Feelgood McLouds formed in January 2015 southwestern Germany. More than any country in Europe the Germans have embraced Celtic-Punk with the number of bands, gigs and fans far outstripping anywhere else this side of the Atlantic. This track is taken from this years critically popular ‘Saints & Sinners’ EP.

GRASS MUD HORSE (China) ‘ Absent Friends’

Grass Mud Horse only seem to have around a year or two but already have more releases than many more well established bands. Formed when Scouse-Irish musician Chris Barry mover to China the band has had some set backs with members coming and going because of the virus (they are based in Wuhan) but luckily things have settled down and they recently recorded a single with yer man Frankie McLoughlin.

UNCLE BARD AND THE DIRTY BASTARDS (Italy) – ‘Back On Your Feet’

From playing with ALL the Celtic-Punk superstars to headlining festivals across Europe and even getting to the United States several times Uncle Bard And The Dirty Bastards are without a doubt one of the select few you could describe as ‘Premier League’ Celtic-Punk bands. ‘Back On Your Feet’ is one of the standout tracks from last years album Men Behind The Glass that the Bhoys have recorded an acoustic version for here. One of many great Celtic-Punk highlights during the lockdown was the Bastards hour long acoustic live stream. Brilliant!

JACK IN THE GREEN (Germany) – ‘Old Maui’

Yeah we may have all heard it a 100 times by now but popular covers are popular for a reason. That we never tire of hearing them! Hamburg’s Jack In The Green play a great acoustic version rather than the ‘choir/acapello’ type I’m more use to hearing. Vocals remind me a lot of from The Whisky Priests who in their day were massive so wonder if they were an influence here. 

THE MOORINGS (France) – ‘Champion At Keeping It Rolling’

Cracking version of the Ewan MacColl penned classic about lorry driving from French band The Moorings. Formed in 2011 the band have released several albums and EP’s a Folky version of this song appears on their debut EP Pints & Glory but they have re-recorded it in proper Celtic-PUNK style here. They have just completed a successful crowd-funding campaign for a new album so can’t wait for that.

JOHNNY HASH (Ireland) – ‘Ride On’

Johnny Hash is a bunch of people from various Belfast bands who got together during the lockdown and released a few videos of Irish Folk classics. Christy Moore’s ‘Ride On’ was their first attempt at a video. Still knocking them out months later let’s hope they develop into something more permanent.

THE RUMPLED (Italy) – ‘If I Should Fall from Grace With God’

The Pogues track gets an airing here from the Italian band The Rumpled. Hard to compete with the originals but gutsy to try and they give it a great go. A relatively new band having got together in 2013 in Trento, Italy. Known for fast paced Celtic-Punk, combining Irish Folk, Rock, Ska and Punk. They have a new album out at any moment so watch this space for news on that.

MEDUSAS WAKE (Australia) – War Of Independence

The debut album from Sydney based Celtic-Folk-Rockers Medusa’s Wake hit the top spots in all of 2018’s Celtic-Punk medias yearly ‘best of’s’ and since then they have gone from strength to strength. Writted by Tipperary born Eddie Lawlor, he sings from the heart of the war back home between 1919 and 1921 against the British. Much of that war took part in the fields and villages of the ‘Premier County’ and those of us with Tipp backgrounds grew up hearing of the tales of heroic activities of those ordinary men who took on the worlds strongest army.

HELLRAISERS AND BEERDRINKERS (Germany) – ‘Stay At Home’

Hellraisers And Beerdrinkers may just have the best name in Celtic-Punk but they are a pretty shit-hot band as well. They take their name from a song by rockers Motorhead so should give you an idea about them! Another band that hails from Germany from the small town of Schwäbisch Gemünd. ‘Stay At Home’ is a re-recorded re-jigged new version of a song from their debut album Folk’s Gaudi in 2016.

AN SPIORAD (Germany) – ‘Carry Me Home’

German band that began life as a two-piece band “The Plästik Päddies” in 1997 before changing name to the far more complicated An Spiorad (Scots Gaelic for The Spirit). ‘Carry me Home’ is taken from their recent album Album Dord Na Mara.

SONS OF O’FLAHERTY (Brittany) – ‘The Pack’

More Celtic Celtic-Punk now from Vannes in Brittany Sons Of O’Flaherty formed as a duo in 2010 they soon fleshed out to a whole band due in no small part to the popularity of Irish music in this Celtic nation. ‘The Pack’ is a new song and with it being four years since the release of their last album The Road Not Taken hopefully this signifies some new sounds on the way.

NEVERMIND NESSIE (Belgium) – ‘Lock Him Up’

Formed in Belgium in 2009 Nevermind Nessie‘s track comes from this years EP Another Six Pack Of Drinking Songs that came out in March. A fast, raucous song about Donald Trump.

KILKENNY BASTARDS (Germany) – ‘Be A Bastard’

More bastards!! This time from Iserlohn in North Rhine-Westphalia, Germany. Like many German bands their emphasis is on playing live such is the demand for their music so their recording output sometimes doesn’t match up with the age of the band. Kilkenny Bastards are one such band and we look forward to them rectifying this soon!

ALL THOSE EMPTY PUBS (Switzerland) – ’40 Days’

Based up in the Swiss alps ’40 Days’ was the debut release from All Those Empty Pubs (what a great name!) earlier this year. We loved it so much we ran a feature and a small interview with Diego the genius behind this one-man-band. Diego utilises all his talents here with mandolin, flute, acoustic guitar and even Hammond organ alongside your more usual Rock band instruments. It just don’t get more DIY than this.

RAPPAREES (Germany) – ‘Las Vegas (In The Hills Of Donegal)’

Another band from Hamburg Rapparees kicked off thirty years ago in the dive bars before changing their name. A straight up acoustic cover of the Goats Don’t Shave song. A ‘raparee’ was the name given to Irish soldiers who survived the Williamite war with the British in the 1690’s and used guerilla tactics or became highwaymen after the war ended.

LA STOATS (Germany) – ‘Raise Your Pints’

German band La Stoats come from Essenbach in Bavaria in the south-east of Germany and incorporate the traditional tunes and melodies of their Bavarian home into their brand of Celtic-Punk. ‘Raise Your Pints’ is one of the standout songs here with chugging guitar and a real cool early 80’s Punk Rock sound with some superb bagpipes. Definitely a band worth checking out.

MUIRSHEEN DURKIN (Germany) – ‘Riot’

The last of nine German bands on Raise Your Pints features one of the best Muirsheen Durkin And Friends. ‘Riot’ is a bloomin’ brilliant Celtic-Punk cover of a UK Subs song from 1997. The original is superb but here it is mastered with the energy intact and growling vocals and a core of Celtic instruments chugging along.

SEAN TOBIN (USA) – ‘St. Patrick’s Day Forever’

The last of the 20th songs belongs to New Jersey Irish singer/ songwriter Sean Tobin. Theirs 2 versions of ‘St’ Patrick’s Day Forever’ and I guess you could call this the ‘radio edit’. Blue-collar, working-class Irish American Folk music and one of the standout tracks on the album to bring down the curtain.

So that’s yer lot. There’s bound to be a load of bands here that you have never heard of. Some are new even to us and the styles of music is varied from Folk and trad right across to Punk but the songs are all totally accessible at all times. This (like the previous five volumes) is essential listening to all fans of Celtic-Punk and we cannot put it any clearer than that! Raise Your Pints #6 is out on July 9th and is available for pre-release order from the link below.

https://macslons-shop.com/v-a-raise-your-pints-vol-6-cd

EP REVIEW: THE BLACK CLOVER – ‘Just Another Pub’ (2021)

One of 2021’s best Celtic-Punk releases so far The Black Clover are an innovative and somewhat unusual band that may take a listen or two before you fall for them… but I promise fall you will do!

This is the second appearance The Black Clover have made on these pages. Back in 2017 they released an excellent five track EP, From Sailor To Hobo, and they return four years later with another five tracker to thrill us. Founded in 2016 from the ashes of the short lived (but bloomin’ brilliant!) Seagulls Are Drunk who released one excellent EP before disbanding. The Black Clover hail from Grand Est in  France and have, like their predecessors, a very unique take on Celtic-Punk. Their debut release touched on all the various wings of Celtic-Punk from Folk to trad to Punk while all fitting seamlessly together …and all with a really nice Tom Waits-y twang.

Veterans now of hundreds of shows playing every conceivable kind of venue they bring that ‘live’ sound to this recording and you can sense the enjoyment in the air as they play. Just Another Pub kicks off with a classic drinking song ‘We Drink So Much’ and the much missed sound of a pint glass filling up before fiddle and chugging guitar fills the air. Seb chimes in with that Waits-ish (perhaps not as pronounced as before but still there) voice before organ unexpectedly joins in and we’ve a right catchy wee number. A really enjoyable thigh slapper!! ‘El Poco’ takes another turn and I have to say I’m finding the organ here really great fun. A western style Tex-Mex rocker that sounds much better in French than it would in English I wager. The halfway point in the EP is reached with ‘Tonight In Dublin’ and a sort of laid back Jazzy, Folky, Poppy mash-up that once again stretches the boundaries of what The Black Clover play. These lot could give us ‘I’ll Tell Me Ma’ and we’d fail to recognise it. ‘Tonight In Dublin’ was the lead single for the EP and the video, released at the height of the ‘clampdown’, consists of the guys playing in their own homes ‘isolating’ from each other.

‘Sloggy Trip’ whisks us back to the Celtic lands and again Seb’s vocals are in French and have a lot more bite to them in what sounds remarkably like a battle song. It’s a slowish swirling number with trademark brilliant fiddle playing from Nicolas who quite rightly is pushed to the fore throughout this EP. We end where we came in on a classy, pure thorough-bred Celtic-Punk drinking song! ‘Pure Whisky’ hits the spot but this time it is Olivier’s accordion taking the lead and the sort of song to get even the most reluctant of dancers to slap that thigh and be punching the air.

All in all a fantastic release my only disappointment being that it is only eighteen minutes long which while that isn’t bad for a EP I do find myself wanting to hear an whole album from the guys. lust like on that debut release they have a canny knack for bringing in lots of different influences but still managing to make it sound like a Black Clover song. This may have been a thin year for Celtic-Punk releases so far but this is definitely one of the very best of 2021. Now for them to get writing that album!

(You can stream and download Just Another Pub on the Bandcamp player below)

Just Another Pub Download  CD

Contact The Black Clover  WebSite  Facebook  Spotify  YouTube

ALBUM REVIEW: DROPKICK MURPHYS – ‘Turn Up The Dial’ (2021)

Now the dust has settled and everyone else has had a go and published their reviews of the latest Dropkick Murphys album ‘Turn Up The Dial’ it is our turn. We see our role here as to promote the little known bands in the Celtic-Punk scene but we have always got time for the ‘big-hitters’ too. We are pleased to have guest reviewer Rory Quinn of New York-Irish-Celtic-Punk band The Templars Of Doom to give us a unique insight of the album from a American-Irish perspective. 

The Bastion Bhoys of Boston do it again!

After a year like 2020 you have two options for your fans: wallow in the suffering, or present the world a reprieve. Dropkick Murphys have (wisely I feel) opted for the latter. Not particularly a surprise from a band that spent the pandemic raising money for others and offering live-streamed performances to keep people entertained. So before you listen you have to ask yourself? Am I ready to say “forget the nonsense, let’s crank the music!”

Anyway, let’s dive in!

Arrangement wise this album has hooks and riffs for days between the multiple instrumental melodies to the gang vocal chant of chorus’s urging you to sing along before you’ve even finished the first listen! This band is tight, the parts fleshed out, the vocals good and snarky. Really what more could you want from classic Celtic-punk?

The Dropkick Murphy’s have had the means to create sonically fantastic worlds on record for a while now and ‘Turn Up That Dial’ is no exception. Every facet is crystal clear from the roar of the guitars to the lightest folk instruments. What really draws me in is their ability to match the intensity of their legendary live performances. At points I completely lost track of the fact I was listening home alone. I would have sworn I was in the middle of a crowd cheerfully chanting as I picked up the lyric!

Speaking of lyrics DKM are known for a combination of comedic and heartfelt songs with ’Turn Up That Dial’ continuing that tradition. You’ve got classic self deprecating “Middle Finger” vs the longing/sorrow of “I Wish You Were Here.” And of course, the occasional grateful power song as found with the albums namesake. Without explaining every song to you dear reader I believe you’ll get the idea, it’s the DKM, they have a style they love and we love ‘em for it!

We are blessed to be living in an age where the internet allows access to Celtic-Punk from throughout the globe. It’s easy to forget that not long ago this wasn’t so. My first experience with Dropkick Murphys came in the late 90’s. A cousin of mine HAD to show me this new record he got, one that combined Punk with our Irish heritage. I didn’t believe it until I heard it, and my life changed from the first riff. Being Irish was something that (as an American) was celebrated by my family and not much else. Sure the St. Patrick’s Day parade existed but it seemed more an excuse to party than to honor heritage. To hear in that music a shared sense of community opened my eyes to a world in which I firmly belonged, an understanding of family that exists from afar. Every year I hear more people dismiss DKM, maybe because they’re the easy target or because they’ve survived long enough to suffer “It’s not as good as their old stuff” syndrome. My retort is NONE OF THAT MATTERS. Love ‘em or hate them Dropkick Murphy’s opened the door for Celtic-Punk and a celebration of Irish culture all the world over, and for that I am eternally grateful. 

If you’re a Celtic-Punk fan lend this album your ear. It’s a prime example of what the DKM have been about for a while, story songs to improve your life from the sheer enjoyment of it all. This collection of 11 songs will have you moving, laughing, forgetting your problems, and most importantly turning up that dial!

Dropkick Murphys  WebSite  Facebook  Store

Now seems the perfect time to mention the #1 Dropkick Murphys group on Facebook. Ran by fans for fans. Simply click the link and join up and join in the Murphys related fun.

Dropkick Murphys – Fan Page

Thanks to Rory for the great review. The Templars Of Doom are soon to begin the recording of their third album but you can listen for free to both their previous albums at the link below.

https://templarsofdoom.bandcamp.com/

AULD ENEMY BEWARE. McGREEVEYS AND FRANKIE Mc ARE HERE!

With Scotland heading to London tomorrow to play the ‘auld enemy’, McGreevey’s Tartan Army with a little help from Mr. Francis McLaughlin offer up their own party anthem to try and inspire the lads onwards to victory.

Nae Scotland, Nae Pairty! ‘Mon the Scotland!!!

Tomorrow night sees the 115th time Scotland and England have met in a football international. The English have had the slight edge so far winning 48 games to Scotland’s 41 with 25 draws. They may be outsiders for the game but that’s how we like it and there’s plenty evidence to show a major upset is on the cards. Here’s five times Scotland put the ‘Auld Enemy it it’s place.

1. England 2 Scotland 3 – 1967

Scotland became ‘Unofficial World Champions’ after defeating the World Cup champions on the very ground where they had lifted the cup the previous summer. The Scots line-up featured four of Celtic’s European Cup winning Lisbon Lions plus Denis Law and the mercurial Jim Baxter. It was Baxter who provided the most memorable moment, playing keepie-uppie at walking pace deep inside the England half. Law, Bobby Lennox and Jim McCalliog got the goals but it could have been so many more such was Scotland’s superiority.

2. England 1 Scotland 2 -1977

Best remembered for after the game which saw thousands of tartan-clad away fans celebrating on the pitch and hauling down the goalposts and digging up the turf as souvenirs. The first time Scotland had beaten England in a decade came via goals from Gordon McQueen and Kenny Dalglish on an afternoon when those in dark blue sunk England’s hopes with a dominant display.

3. Scotland 2 England 1 – 1874

It all began on this day at the West of Scotland Cricket Ground in Partick. A London-based sports magazine reported that England “played splendidly” but had been defeated because the Scots – who lined up in a 2-2-6 formation – “completely puzzled their opponents in the art of passing the ball.”

4. England 1 Scotland 2 – 1963

As strong a squad of players as Scotland have ever had they followed up the previous years win over England with another here to seal the Home International crown. Two first-half goals from Jim Baxter sealed a deserved win in front of 100,000 spectators.

5. England 1 Scotland 5 – 1928

Remembered as the day the ‘Wembley Wizards’ demolished England beneath the twin towers. Scotland’s first win at the Empire Stadium came courtesy of a forward line none of whom were above five foot seven. Alex Jackson scored a hat-trick while Preston’s Alex James nabbed two. Later James would say “we could have had ten.”

‘Mon all ye guid yins o’ every degree,
All sons & daughters o’ Scotia tae me,
Let fly the colours o’ yer wilds and yer toons,
The fire o’ yer spirits and yer best dancin’ tunes.
*
CHORUS
If yer efter a perrty, yer efter a show,
We’ll bring the magic where e’er we go,
Across every ocean, and hunner’s o’ miles,
Here come The Scotland, we’re your best wee pals!
*
All witches, madmen & heroes its true,
Merchin’ a’gither neath our banner sae blue,
Heres tae us wha’s like us? Damn few an they’re a’ deid!
Intae ’em oor Scotland, noo mind & keep the heid.
*
Ring oot the bells, take the drums roon’ the streets,
NAE SCOTLAND, NAE PAIRTY! we’ll lift ye tae yer feet,
We’ll heave away, haul away,
Portpatrick up tae Stornaway,
Elgin doon Belhaven Bay,
We’ll dance the country roon’
*
CHORUS
If yer efter a perrty, yer efter a show,
We’ll bring the magic where e’er we go,
We’re all in it th’gither Come win or bloody lose,
We’re McGreevy’s Tartan Army and we’re here tae tan yer booze!

Written and performed by Frankie McLaughlin, featuring McGreevy’s Tartan Army

The McGreevy’s Tartan Army what was soon tae become the McGreevy’s 45 Tartan Army back in 2014 after a trip tae Boston fur St Paddy’s day tae see the DKM and spent most of the five day trip getting looked after fae McGreevy’s and the good folk of Boston so when we came hame we started the McGreevy’s Tartan Army for folk who like Celtic-Folk-Punk, fitbaw and Scottish Independence. You will see oor banners at all the Indy marches, Scotland games and gigs if they let us in 😆 . Wae met Ken Casey in McGreevy’s and Dunfermline wae Ken Paul and Aspy fae the McKenzies and then thurs yin eh oor ain Oor Frankie McLaughlin who like his wife Shelby has become part of oor family. She has her ain shithot band The Gallowgate Murders we got the gether wae Frankie fur a song fur the Euros we gave him……Nae Scotland Nae pairty and he came up wae the rest so thats us maybe see yi all doon in Wembley  🏴󠁧󠁢󠁳󠁣󠁴󠁿🍀⚽️🍺🍻🏴󠁧󠁢󠁳󠁣󠁴󠁿

McGREEVEY’S TARTAN ARMY  Instagram

NEW COLLABORATION FROM GRASS MUD HORSE AND FRANKIE McLAUGHLIN

Two exiles. A Scouser living in China and a Aussie living in Glasgow collaborate on a traditional Liverpool-Irish song. Performed by Grass Mud Horse and featuring Frankie McLaughlin on lead vocals and tin-whistle. Read on for an exclusive interview with Grass Mud Horse founder Chris Barry.
The international nature of modern Celtic-Punk rears its head again as two of the scene’s major players get to together to collaborate on the new single from Grass Mud Horse. Fusing the worldly storytelling of traditional folk with the fiercely untamed energy of Celtic-Punk; Grass Mud Horse are an emerging band made up of international talent. Currently based out of China and bringing their raw, Celtic anthems to the worldwide stage. Award-winning musician Chris Barry formed the group, which has gone on to perform alongside some of the biggest names on the Celtic-punk scene. To date, the group have released three singles, an acoustic EP and have another album and EP in the works. We spoke to Chris about the history of the song and the recording process.
Johnny Todd he took a notion
For to cross the ocean wide
And he left his love behind him
Waiting by the Liverpool tide
*
For a week she wept with sorrow
Tore her hair and wrung her hands
Till she met another sailor
Walking by the Liverpool sands
*
Fair young maiden are you weeping
For your Johnny gone to sea
If you’ll wed with me tomorrow
I will kind and constant be
*
I will buy you sheets and blankets
I’ll buy you a wedding ring
You shall have a silver cradle
For to rock the baby in
*
Johnny Todd came home from sailing
Sailing on the ocean wide
And he found his fair and false one
Was another sailors bride
*
All young men who go a sailing
For to fight the foreign foe
Do not leave your love like Johnny
Marry her before you go
I’m from a proud Liverpool-Irish family, me Grandad read Irish history at Liverpool Uni and I grew supporting Everton and Celtic. I remember going me first match, was about 7 or 8…was in the late 80s, we drew with Nottingham Forest I think. I don’t remember that much, but I do remember the crowd going silent as drum rolls started over the speakers and then erupting when the boys in blue all ran out as our Everton’s anthem ‘Z Cars’ kicked in. I remember fuck all about the match like, it was thirty odd years ago…but i remember that moment the drum rolls started and the crowd going mental as the players ran out, it was the first time I had the hairs on the back of me neck stand up.
A bit of background ‘Z Cars’ is essentially a sixties telly theme song based on an old Liverpool Irish kids song ‘Johnny Todd’ and it was infused with whistles and snare drums as a sort of homage to the Liverpool-Irish community the TV programme was set around. The original song isn’t that well known, but even Bob Dylan did a version. I wanted to do this song for me Grandad, who sadly passed a few years back. He was a mad Evertonian, and fiercely proud of our Irish roots. When I got older he taught me a lot about our roots as well as the city of Liverpool and Everton football club. I also wanted to do it for me Dad, Evertonians everywhere and all the Scousers with Irish roots whether red or blue.
Frankie’s involvement came about as we’d been writing together and discussing ideas about the future of Celtic-Punk for some time. I asked if he fancied collaborating on a track and he felt the time was right to get his hands dirty again so I sent him some stuff I was working on and he jumped at ‘Johnny Todd’ right away as he’s always loved it too. I recorded everything at my home studio in Ginhuangdao China, sent it to Frankie and he laid down the vocals and whistle parts at his studio in Scotland. I was cast in a Korean War film and left for a desert location right as I got his tracks. When time allowed me and me mate Didi, who was also on the film, but is also a talented engineer mixed the track. That was five months ago and I’ve just wrapped that film and now the singles coming out. Our plan is to release an album of pirate songs and sea shanties with ‘Johnny Todd’ being the lead single, it’ll feature previously released stuff like ‘No Prey No Pay’ as well as some new originals, versions of traditional songs and some reworks of other things we did previously but wanted to improve.
Anyway we all hope you enjoy it!

JUSTICE FOR THE CRAIGAVON 2 BENEFIT SINGLE FROM NEW YORK’S ALTERNATIVE ULSTER

A new track from New York State Celtic-Punk band Alternative Ulster to raise awareness of the campaign to free the innocent Brendan McConville and John Paul Wootton. Now in their twelfth year of imprisonment and otherwise known as The Craigavon 2.

Justice for Brendan McConville and John Paul Wootton, who were unjustly convicted of murder and sentenced to life imprisonment. We believe the case to be corrupt and the ‘evidence’ inconclusive, contradictory and discredited. Both men are victims of a system that sought to find suitable scapegoats in the wake of the political and media backlash following the killing. All money raised from the sale of the track go directly to #JFTC2.
The campaign, which is run by the families of the two men, was supported by the late Gerry Conlon, himself falsely imprisoned for 15 years as a member of the Guildford Four, who argued that the case was “inconclusive, contradictory and in places discredited”.
“We can’t have innocent people going to jail and 15 years down the line them being released, their lives ruined … I believe a miscarriage of justice took place here on the basis of all the evidence I have read.”
You can contact the #JFTC2 campaign via The C 2 Justice for the Craigavon Two Facebook page.
*

(CHORUS)
Here’s what I’ve got to say to you,
Justice for the Craigavon Two
Next time it could be me or you,
Let’s have justice for the Craigavon two.
*
Craigavon 9th March the news man read,
constable Stephen Carroll was shot dead
A police investigation soon began
and they would stop at nothing to get their man
CHORUS
Mc Conville and Wooton got the blame
Since that day their lives have never been the same
The spooks have framed before and they’ll do it again
Unless we come together and break their chains
CHORUS
The trial of these two innocents was a sham
Justice without a jury was the scam
They produced a single witness with bad eyesight
And claimed that he saw everything on that dark and rainy night
CHORUS
Witness ‘Z’ was the father of witness ‘M’
‘My son’s a Walter Mitty’ was his claim
An eye specialist cross examined said the same
That he could not have see clearly in the dark and through the rain
CHORUS
Gerry Conlon, thank you and farewell
You rotted 14 years in a prison cell
For something that you had never done
You drove this campaign hard so it wouldn’t happen to another one
CHORUS
While the British injustice system does prevail
Any one of us can be framed and sent to gaol
The Birmingham 6 and the Guildford 4
Are among the many of whom the Brits have done this kind of thing before
CHORUS
Let’s have justice for the Craigavon two (last line repeats)
*
Written and originally recorded by Pol Mac Adaim @Polmacadaim

Justice For The Craigavon 2 is performed by Alternative Ulster. A kick ass North American Irish Celtic-Punk band from NY State’s Catskill’s region. Members are John McGovern on bagpipes and banjo, Todd Henry on vocals and drums and Jay Anderson on guitar and bass as well as all recording and mixing. This song is taken from their album Craic Agus Ceol and the CD and download is available from

alternativeulster1.bandcamp.com/album/craic-agus-ceol

The song is available for just a single pound and can be downloaded through the Bandcamp player below. Please share through your social media and sign the petition to demand the Criminal Case Review Commission (CCRC) to thoroughly examine all evidence disclosed and undisclosed in the case.

https://www.change.org/p/ccrc-the-craigavon-2-deserve-justice-now

JUNE 2021 EPISODE OF THE CELTIC PUNKCAST #44 OUT NOW

I think they call it ‘technical difficulties’ on the telly but all is now well and good and The Celtic Punkcast is back and has returned with an hour of the best Celtic-Folk-Punk around.

Follow the link below and stream live or download to listen to later and enjoy!

Hi, remember me? Been on hiatus for a while but now we’re ready to go again. And man was I rusty doing this! But anyway, I FINALLY have episode 44 in the can and to paraphrase one of my personal heroes Bob Ross it’s ‘slick and wet and ready to go’. Before I list all the songs this month (and there’s a LOT of new music!) a big thanks to everyone for listening and waiting for a new episode.  Here we go:

THE NEW RUFFIANS – ‘The Parkdale Jig’

THE WELCH BOYS – ‘Methadone Mile’

BROPHYS LAW – ‘The Bachelor’

MICKEY RICKSHAW – ‘Rope’

SHANGHAI TREASON – ‘Wildfire’ (ft. Dan Booth)

THE LANGERS BALL – ‘Real Old Mountain Dew’

THE RUMJACKS – ‘Hestia’

THE WORKING CLASS SYMPHONY – ‘The Holy Ground’

DIAMONDS AND GUNS – ‘Cheers To Us’

MR. IRISH BASTARD – ‘You Spin Me Round’

THE BLACK CLOVER – ‘Pure Whiskey’

THE MAHONES – ‘Shakespeare Road’

THE TOSSERS – ‘The Crutch’

BLACK WATER COUNTY – ‘There Will Be A Day’

DROPKICK MURPHYS – ‘L-EE-B-O-Y’

THE GO SET – ‘Treasures’

SHAMBOLICS – ‘Goin’ off!!’

THE CELTIC PUNKCAST #44

Contact The Celtic Punkcast  Facebook  WebSite  Shop  Twitter  E-Mail

Check out the London Celtic Punk interview with Gareth the ‘Podmaster’ here and find out what possessed him to join the #OneBigCelticPunkFamily. Also worth checking out was the special article written by Gareth for people who haven’t yet experienced the joys of Celtic-Punk- Bring Your Mates To The Hooley: A Starter’s Guide To Celtic-Punk here. In August 2010 they did a Special Edition to celebrate our tenth anniversary with a episode dedicated to the bands here that helped form and shape the London Celtic Punks from 2009-2019.

THE POGUESTRA LATEST RELEASE ‘TURKISH SONG OF THE DAMNED’

Just over a year old The PoguestrA is a flexible group of musicians from around the world who love to play and record the music of The Pogues playing together remotely.
A community powered by passion, diversity and inclusion.

The PoguestrA strike gold again! A flexible group of musicians from around the world who are also fans of The Pogues. It all started in May 2020, during the lockdown, when Daniele Rubertelli, an Italian fan who plays accordion, launched a ‘Call For Musicians’ to perform (remotely) ‘Dirty Old Town’ within the Facebook community of Pogues fans. As a result, sixteen musicians from the UK, Ireland, Italy, The Netherlands and USA contributed to the cover of the great Ewan MacColl track. The song even reached the ears of Peggy Seeger, the late Ewan’s wife and renowned singer/songwriter in her own right, who sent over words of appreciation. Since then The PoguestrA have covered other songs of The Pogues, always using “public calls” on Facebook to ensure inclusion for all the musicians moved by the same passion. They recently covered both ‘The Broad Majestic Shannon’ and ‘Misty Morning Albert Bridge‘ and they have begun to attract some pretty amazing star guests with Cisco, frontman of the legendary Italian band Modena City Ramblers alongside Irish international Kevin McManamon on mandolin and Pogues members Jem Finer and James Fearnley joining the gang to perform.

Of ‘Turkish Song Of The Damned’ Shane has said it was the result of a hilarious mix up that the song got it’s title and inspiration when he misheard a German fan asking if he liked “The Turkey Song” by The Damned. Their are of course, it is the internet after all, several different versions of this  but we’ll stick with the one credited to Shane himself. The song itself mentions several maritime myths and legends with tales of [un]dead pirate and sailors. In the song the debt is collected by a servant, who is already dead and carries a “shadow” on their back (Meaning a curse) from whoever has not paid, dead or alive. Such stories go back centuries in Celtic mythology as does the “Woman with a comb in her hand” which refers to a Banshee, a type of faerie spirit from Ireland (or sometimes Scotland) who forewarns someone of a death by singing a song of mourning and typically carries a silver comb. The special guest this time is Justin Adams playing guitar one of the worlds most popular music producer’s having worked with Robert Plant, Brian Eno, Sinead O’Connor and many world music artists.

Turkish Song Of The Damned performed by The PoguestrA

Recorded in May 2021

I come old friend from Hell tonight
Across the rotting sea
Nor the nails of the cross
Nor the blood of Christ
Can bring you help this eve
The dead have come to claim a debt from thee
They stand outside your door
Four score and three
Did you keep a watch for the dead man’s wind
Did you see the woman with the comb in her hand
Wailing away on the wall on the strand
As you danced to the Turkish song of the damned
*
You remember when the ship went down
You left me on the deck
The captain’s corpse jumped up
And threw his arms around my neck
For all these years I’ve had him on my back
This debt cannot be paid with all your jack
*
And as I sit and talk to you I see your face go white
This shadow hanging over me
Is no trick of the light
The spectre on my back will soon be free
The dead have come to claim a debt from thee

(Written by Jem Finer and Shane MacGowan)

Justin Adams: Electric Guitar, Req Tambourine (Bath, England) / Brendan Burke: Tin Whistle (England) / Brandon Caylor: Mando-Guitar (California, USA) / Giacomo Chiaramonte: BanjoBass (Faenza, Italy) / Chris Cunningham: Banjo, Octave Mandolin (Indiana/USA) / John Dunne: Ukulele, Vocals (England) / Chris Goddard: Fiddle, Guitar, Vocals (England) / Matt Goddard: Drums (England) / Roy Geurts: Mandolin, Vocals (The Netherlands) / Aapo Halme: Vocals (Kuopio, Finland) / Robin Hiermer: Vocals (Germany) / Marc Hoper: Vocals (Dortmund, Germany) / Jeff Ingarfield: Vocals (England) / Kim Karvonen: Mandolin, Vocals (Finland) / Mattia Malusardi: Bouzouki (Italy) / Vince Martini: Bass (California, USA) / Nick Neale: Drums (Lanzarote, Canary Islands) / Rick Nuttall: Vocals (England) / John O’Donnell: Guitar (Chicago, USA) / Moisés Álvarez Rodríguez: Ukulele (Spain) / Daniele Rubertelli: Accordion (Italy) / Marco Scheepers: Accordion (Dongen, The Netherlands) / Stuart Swann: Guitar, Vocals (London, England) / Marcel van Bergen: Guitar (The Netherlands) / Tim van den Hombergh: Tin Whistles (The Netherlands) / Derk Venema: Mandola (The Netherlands) / Paddy Vervoort: Vocals (The Netherlands).

Audio & Video editing by Tim van den Hombergh.

If you are interested in joining the PoguestrA for future songs then get in touch with the gang viaYouTube orFacebook

WE’RE ON THE MARCH WITH STEVIE’S ARMY! THE CUNDEEZ ANTHEM FOR THE SCOTLAND NATIONAL TEAM

Ready to banish all memories of 1978 Scotland have qualified for Euro 21 and to start off the campaign Dundee band The Cundeez present ‘Kilts On Taps Aff’. A football anthem to beat all other football anthems 6 (six)- 0!

This year members of the Scotland national team will have to find someone else to tend their gardens as they will be otherwise occupied! 2021 sees a rare summer outing for the Scotland national team and it’s only fitting that our favourite Scottish band The Cundeez should celebrate Scotland’s qualification for this years European Championships with a rockin’ Celtic-Punk number that’s sure to be a big hit among the Tartan Army and their fans in the Celtic-Punk scene.
Scotland narrowly missed out on automatic qualification for UEFA Euro 2020, but nail-biting victories in penalty shootouts in the play-offs against Israel and Serbia meant Scotland under the leadership of manager Steve Clarke were into their first major tournament since 1998.

*
Thirz an army massed, see the banners fly
Thirz a saltire set on a clear blue sky
The pipes fire up an wir on wir way
Oor time, oor place, this is oor day
*
Kilts on taps aff, Kilts on taps aff
Kilts on taps aff, Kilts on taps aff
*
Highs an lows we’ve had a few
Ups and doons but we’ll follow you
Fae the Highlands, islands, hills and glens
Fae the city streets. here we go again
*
Kilts on taps aff, Kilts on taps aff
Kilts on taps aff, Kilts on taps aff
*
Voice of the past, hear the Hampden Roar
The terrace chants singin’ “We want more!”
Itz in the blood, runnin’ through oor veins
The Celtic spirit they can never tame
*
Kilts on taps aff, Kilts on taps aff
Kilts on taps aff, Kilts on taps aff
*
Battle hardened an wir on the move
The Tartan Army gonna raise the roof
Thirz a Lion Rampant an a beatin’ heart
So come on boys, this is just the start
*
We’ll be backing Na H-Abhagan Breacan (The Tartan Terriers) through the tournament up to the final on Sunday 11th July and will be glued to our telly’s watching their games.

Monday 14 June: Scotland vs Czech Republic (3pm, Glasgow)

Friday 18 June: England vs Scotland (9pm, London)

Tuesday 22 June: Croatia vs Scotland (9pm, Glasgow)

The Cundeez don’t have a huge media machine or major record company backing, just the small but brilliant independent label Tarbeach Records based in New York so give a lads a hand to take over the Summer by sharing and, of course, purchasing. The track is available to download direct from Tarbeach via credit card or PayPal. The band recently released their fifth album Teckle And Hide which hit the dizzy heights of #4 in 2020’s London Celtic Punks album of the year.
“Bagpipe heavy Celtic-Punk that is never afraid to stray off into other genres. Possibly their most accessible album to date it still has their trademark fast, punchy, catchy Punk-Rock and the same shouty vocals delivered in that raw Dundee dialect but their Celtic and Ska influences see them moving into new territory without ever watering down their music or their identity.”
Teckle And Hide is available on CD and vinyl(download coming soon I am told!) from Tarbeach Records.
Contact The Cundeez  Facebook  YouTube  Spotify  Twitter

ODDS’N’SODS. CELTIC-PUNK ROUND UP JUNE 2021

Summer’s here, the pubs are re-opening, live music is returning and the world of Celtic-Punk is getting back to normal as well! This months Odds’n’Sods features all the band news, record releases, videos from bands big and small across the Celtic-Punk scene. 

Kicking off this month with the new video from THE DROPKICK MURPHYS continue their tradition of celebrating their bagpipers with this beauty dedicated to new piper Lee Forshner. The vid is animated by Adam Murphy (@adammurphyart).

A whole host of new tour dates have been released too with several English and Scots dates culminating in a gig at Wembley Arena!

New tour dates announced today from THE RUMJACKS of their most extensive tour of Ireland, Scotland, Wales and Ireland ever for Jan/ Feb 2022. Supported on most dates by the fantastic SHANGHAI TREASON. Check both bands FB pages for dates.

Speaking of SHANGHAI TREASON they put out the third track from their upcoming debut album last week. ‘On The Ropes’ tells of a boxer approaching retirement and again shows their the hottest band in Celtic-Punk at the moment.

English Celtic-Folk-Punk rockers FOLK THE SYSTEM release their second album soon and it’s available for pre-release sale from http://www.folkthesystem.co.uk

Eddie Lawlor from the fantastic Aussie Celtic-Punk band MEDUSA’S WAKE has been releasing the odd solo track here and there and his new one ‘The Orange And Green’ shows what a great talent this fella is. You can watch it on Facebook here.

Exciting news from the Orient (and I don’t just mean the appointment of Kenny Jackett) that the new single from Chinese/ Liverpool Irish band GRASS MUD HORSE lands next week and features the incredible vocal talents and tin-whistling of yer man himself FRANKIE McLAUGHLIN. Tune in here on June 8th to hear it.

Cool as hell video from THE POSITIVE AUTISM of the Murph’s ‘Shipping Up To Boston’. The Positive Autism is 2-Man Band featuring an autistic singer (Micah) and his dad (Danny). We make music to promote autism acceptance. Micah has difficulty talking to people so music gives him a voice. Exact;ly what music ought to do. Support the guys and if you have a song request for Micah leave it in the comments.

Norway’s Premier League Celtic-Punk hitters the GREENLAND WHALEFISHERS have re-visted, re-mastered and re-released their first four albums. Mainstreet Sword, Loboville, Streets Of Salvation and the collection of B-Sides and other crap, Amazing Space (b-sides and other crap). The albums are available on all digital platforms now.

Toronto band OLD MAN FLANAGHAN’S GHOST have a new album out. Re-mastered and re-jiggered from their Covid Live Stream performance. Fourteen tracks of covers and originals they have never recorded before.

I can’t remember how I came across TEDDY HORSE but imagine a sound somewhere in the middle of Tom Waits, Nick Cave, Will Oldham and the Godfather of Celtic-Punk Shane MacGowan. A sort of Celtic-Emo if you will. Unusual but a real grower.

FIDDLER’S GREEN premiered their new track ‘Haul Away, Joe’ on You Tube this month and it features the comforting sound of a hurdy-gurdy!

THE POKES – Sail

LEWIS BURNER – Dark Wheels Turn Above Our Heads

LIDDINGTON HILL – Cow

SHAMBOLICS – Goin’ Off

THE BLACK CLOVER – Just Another Pub

remember we can’t review what we haven’t heard!

The ever prolific London Celtic Punks fave TIM HOLEHOUSE has a new album out called simply ‘?’. It’s a collection of tracks from compilations, and some other unearthed gems.

Galician street punk / Oi! band KELTOI! celebrate 15 years together in 2021 and have just released a 2-track single. If you’re into bands like the Cockney Rejects then check these guys out. The very definition of a CELTIC-punk band!

This month we are re-visiting my favourite album from Canadians KNACKER’S YARD. High energy traditional Celtic-Folk from Victoria, BC, since late 2012. Gangers, Chancers And The Craic was released on July 6, 2018 and features an amazing seventeen songs and is available as a ‘name your price’ download on Bandcamp. Strongly committed to the preservation of over four centuries of Irish, Scottish, and English traditional music. For fans of The Dubliners, Pogues, Wolfe Tones, Ryan’s Fancy, Stan Rogers, Ewan MacColl, Shirley Collins, Dominic Behan, Planxty, and many more! Knacker’s Yard are still playing and releasing albums and are now up to seven with last year’s Strayaway Child.

Facebook has become an unlikeable monster with more and more good folk leaving. Can’t say I blames you. So we have set up a Telegram group. Similar but better (and easier to use) than What’s App and free from Facebook control. Join us on Telegram and don’t miss a single post! https://t.me/londoncelticpunks/

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

SINGLE REVIEW: THE POKES – ‘Sail’ (2021)

The Pokes rock. The Pokes are danceable.
Berlin’s No. 1 Folk-Punk band are back with a new 7″ vinyl release.

It’s been seven years since The Pokes were last featured on these pages for their album Mayday, and the intervening years seem to have done them no harm judging by this their new single. Now two tracks in seven years doesn’t seem like much of a return but I have to say that both these songs are top notch and I thoroughly enjoyed them and hopefully they point to a rejuvenated Pokes and new recordings to come. Based in Berlin, Germany ‘Sail’ is the bands sixth release since their debut EP Hello, My Dear in 2005 and show a band that has always took it’s time and never rushed out their releases. On their web-site you can download for free a whole bunch of songs from their previous albums which track their progression from those early days and their incorporation of genres like Klezmer and Ska into their trademark sound. In the review of Mayday I compared them to legendary Geordie Folk-Punkers The Whisky Priests but here on ‘Sail’ they have a far more punky sound while still retaining a whole host of Folk and Celtic instruments.

The first track here is ‘Catch Me’ and a tale of a harassed delivery driver rushing from delivery to delivery (“Call me wanker, Call me Santa, I’m the parcel guy on the run”) and a plea for us all to be nicer to them though I must admit to not finding it easy when you find a parcel outside in the rain because they haven’t rang the doorbell! Catchy as feck with chugging guitar and fiddle the song soon sweeps away with accordion and drums kicking in. The Pokes manage to convey their message with humour something a lot of bands ought to realise makes it easier to digest. (“Yeah, one day I am going to burn, Burn all your parcels and quit”) A fantastic start which even sees the pipes taking a turn halfway though the song and we can never resist the sound of that magical instrument. The title track ‘Sail!’ is the flipside and again is sung in English, not untypical for German bands at all. The song has a sea-shanty feel to it unsurprisingly and while it may have been middle-class hipsters that brought the sea-shanty back out into the open again Celtic-Punk bands have been singing them for decades now. The accordion is king here and leads from beginning to end as the catchiness reaches #11!

Together the 7″ lasts almost eight minutes so decent value too. Released primarily on vinyl which has slowly but surely started to return to Celtic-Punk the cover features accordion player Matthias and is released on the famous German DIY label Mad Butcher Records. These two songs can be viewed as a taster as the good news is that a fifth Pokes album is currently on the way and will also be released by Mad Butcher. What can we say except more of the same please guys!!

Download Sail  MadButcherRecords (Vinyl) Amazon (Download)

Contact The Pokes  WebSite  Facebook  YouTube

 

CLASSIC ALBUM REVIEW: BOB DYLAN – ‘The Ghost Of Woody Guthrie’ (1961)

Today is the 80th birthday of Bob Dylan so in celebration here’s a set of live recordings from 1961 the year before his debut album. None are original songs and as the name suggests, the legendary American singer-songwriter Woody Guthrie’s influence hangs like a specter over much of the material here.

The latest addition to our Classic Album Review series where we re-discover hidden gems from a bygone. Lost and sometimes forgotten songs from legends and unknowns that have inspired Folk music and musicians right up to modern Celtic-Punk music. These records are usually out of print so we can provide a free download link for you.

29 January 1961:

Number 19 In The Series Of The 50 Key Events In The History Of World And Folk Music

In September 1960, Bob Dylan borrowed a copy of Woody Guthrie’s autobiography Bound for Glory from a college classmate and became obsessed. Written with the encouragement of Alan Lomax and published in 1943, it rendered its protagonist an almost mythical figure. Dylan started mimicking his hero’s speech patterns and even told the crowd at the Cafe Wha? when he arrived in New York for the first time the following January:

“I been travellin’ around the country, followin’ in Woody Guthrie’s footsteps.”

The “dust bowl troubadour” – author of this This Land is Your Land, whose guitar bore the legend “this machine kills fascists” – had himself almost reached the end of the road: he was now in his fourth year at the Greystone Park Psychiatric hospital in New Jersey, suffering from Huntingdon’s disease, which finally led to his death in 1967. But Dylan hunted him out there, and the two men met – Guthrie apparently giving Dylan a card after their first meeting saying: “I ain’t dead yet.” Dylan wrote, and played to his idol, a new piece of his own called Song to Woody. It met with the older man’s approval and was one of only two original compositions that made Dylan’s 1962 debut.

Caspar Llewellyn Smith June 2011

Surprisingly Bob Dylan has barely featured on these pages much. He has been name checked along the years but this is the first time we have highlighted some of Dylan’s recordings. Woody Guthrie on the other hand has appeared numerous times with various tribute albums and biographies dedicated to him. The recordings here are among Dylan’s earliest known with him beginning his journey towards musical stardom. Starting off shyly the later recordings show a Dylan more confident in himself cracking jokes and entertaining the audience between songs. Unsurprisingly given it’s age, sound quality at times does go in and out but mostly it is perfectly listenable however none of the recording quality detracts from the songs. Only a cover of Blind Lemon Jefferson’s ‘See That My Grave Is Kept Clean’ made it onto Dylan’s self-titled debut LP, though ‘1913 Massacre’ would become ‘Song To Woody’.

Track Listing

01. 1913 Massacre – November 4, 1961 (Live at Carnegie Chapter Hall)
02. Ain’t Got No Home – December 22, 1961 (Minnesota Hotel Tape)
03. Baby Please Don’t Go – December 22, 1961 (Minnesota Hotel Tape)
04. Car, Car – September 6, 1961 (Live at The Gaslight Cafe)
05. Cocaine Blues – December 22, 1961 (Minnesota Hotel Tape)
06. Don’t Push Me Down – May 1961 (Minnesota Party Tape)
07. Gypsy Davy – Early 1961 (Gleason Tape)
08. Handsome Molly – July 29, 1961 (Riverside Church Tape)
09. How’d You Do – May 1961 (Minnesota Party Tape)
10. In The Evening – December 22, 1961 (Minnesota Hotel Tape)
11. In The Pines – November 4, 1961 (Live at Carnegie Chapter Hall)
12. It’s Hard To Be Blind – December 22, 1961 (Minnesota Hotel Tape)
13. Omie Wise – July 29, 1961 (Riverside Church Tape)
14. Pastures Of Plenty – Early 1961 (Gleason Tape)
15. Poor Lazarus – December 22, 1961 (Minnesota Hotel Tape)
16. Railroad Bill – May 1961 (Minnesota Party Tape)
16. Railroad Boy – May 1961 (Minnesota Party Tape)
18. Remember Me – Early 1961 (Gleason Tape)
19. Stealin’ – December 22, 1961 (Minnesota Hotel Tape)
20. Talking Merchant Marine – November 4, 1961 (Live at Carnegie Chapter Hall)
21. This Train Is Bound For Glory – May 1961 (Minnesota Party Tape)
22. Young But Daily Growing – November 4, 1961 (Live at Carnegie Chapter Hall)

LINK1   LINK2   LINK3   LINK4*

( * file including artwork, notes, bonus tracks )

WOODROW WILSON ‘Woody’ GUTHRIE (1912-1967)

Woody Guthrie is the most influential American folk musician of the first half of the 20th century. Best known for his Folk ballads, traditional and children’s songs, and improvised works, often incorporating political commentary. He was closely identified with the Dust Bowl and Great Depression of the 1930s and his songs from that time earned him the nickname ‘Dust Bowl Troubadour’.

Born in 1912 in Okema, Oklahoma, Woody moved at 18 to Pampa, Texas, a small town in the hardest-hit area of the Dust Bowl. It was in Pampa that he experienced the fury of Black Sunday—a severe dust storm that swept across the Midwestern states on April 14, 1935, and inspired Guthrie to write the song, ‘So Long, It’s Been Good to Know You’. After Black Sunday, Guthrie joined the ranks of Okies migrating to California in search of work. Many of his works – ‘Do Re Mi’, ‘I Ain’t Got No Home’, ‘Talking Dust Bowl’ and others – chronicle the conditions faced by working class Okies in their new home. At the close of the 1930s, he left California for New York City and it was there that he wrote his best-known song, ‘This Land Is Your Land’. In the often-omitted fourth and sixth verses of the song, Guthrie rails against class inequality.

Guthrie died in 1967. Despite his decline, he had a major impact on American popular music in the second half of the 20th century and the rise of the Folk movement, and many of Woody Guthrie’s recordings have been archived in the Library of Congress.

As I went walking, I saw a sign there,
And on the sign there, it said “Private Property.”
But on the other side, it didn’t say nothing!
That side was made for you and me.
In the squares of the city, in the shadow of a steeple,
By the relief office, I’d seen my people.
As they stood there hungry, I stood there asking,
Is this land made for you and me?

for more like this…

EP REVIEW: LIDDINGTON HILL – ‘Cow’ (2021)

New 4-track EP of high adrenaline Celtic-Punk and Alternative Rock from the South West of England’s Liddington Hill. 

It was only in February that we featured Liddington Hill for the first time. As surprised as we were that their was a band out there in southern England playing brilliant kick-arse Celtic-Folk-Punk that we had not come across we decided straight away that we had to do something. Without any new releases at the time we advertised that their back catalogue was available for free (they still are if you follow the link!). Free Downloads From Liddington Hill the articles title shouted out at you and by the look of it plenty of you did too. This time we are pleased to say that the music is new having been released only yesterday as I write this review.

Liddington Hill: Front- Tamzin – Vocals / Bass * Left to right – Ethan – Rhythm Guitar * Liam – Lead Guitar / Vocals * Chris – Drums * Matt – Fiddle / Vocals *

Formed in 2015 when Matt and Emily began performing traditional Celtic and English folk songs around their local area and taking their name from an ancient hill in Wiltshire. As is par for the course in Celtic bands the sound changed and members came and went before eventually moving away from the more trad sound to a heavier darker approach. A shadowy mix of Celtic and Folk tinged Metal and Punk giving them a rather unique sound for these days, added to which the dual male / female vocals gives them a further range than most bands we hear. Not that it’s downbeat but if you like this is more Joy Division and The Pogues rather the usual Clash and Pogues we get to hear.

Well in common with every band the months of C***d lockdown had a dramatic effect on the band abut rather than just sit around and mope they decided to concentrate on the music and finally they got to finish Cow their new EP. Two original songs and two traditional songs recorded at Evolution Recording Studio in Oxford, by Nick Moorbath. Cow is the first recordings from the new line up of Liddington Hill and one the band have preparing for throughout lockdown. Cow begins with the sea-shanty ‘Whip Jamboree’. Described by A.L. Lloyd who performed the song on the 1957 album Blow Boys Blow as “one of the wildest and most exultant of homeward-bound shanties” and here its played fast as hell and the sound and subject matter reminds me of Yorkshire band Blackbeard’s Tea Party. The second of the four tracks is the original ‘Pub Crawl’, written about a night out the band had around Oxford. Again here the fiddle dominates as the sights and sounds of a night on the lash are conveyed to us. It’s been a while so memories need refreshing! The third track is ‘Marshlands’ and the darkest song here both lyrically and in tone. Much heavier than the rest of the EP which ends with a spirited version of the anti-war song ‘Johnny I Hardly Knew Ye’. This song needs no introduction I am sure as by now its been covered by all and sundry but Liddington Hill manage to convey the horror of war suitably enough and ensure their version loses none of the originals power. The fantastic artwork for the EP was the brilliant work of Rob Warren from Paper Plane Consulting and the sound is also excellent though sadly distorted on the Spotify player below. So please don’t judge the EP on these snippets of song.  

Download Cow  Amazon  iTunes

Contact Liddington Hill  WebSite  Facebook  Instagram  YouTube

NEW SINGLE FROM AUSSIE CELT-ROCKERS SHAMBOLICS

Things have been a bit quiet on the Aussie Celtic-Punk scene of late but just like buses prepare for some of the best Celtic-Punk in town with todays offering from Shambolics and the new EP from The Ramshackle Army coming soon. 

Shambolics (there’s no The!) hail from Adelaide which is the capital city of South Australia (and yes they do a knock out version and play good auld fashioned Poguesy style Irish Celt’n’Roll. The sort of tunes you are just as likely to hear at your local Irish centre with yer Nan as well as at a Punk gig at some rundown dive. Formed out of the ashes of another Celtic-Punk band, The Gartloney Rats, they have featured here in the past with reviews of their debut release the six-track EP Pogue Mahone (in gaelic ‘póg mo thóin’) which is of course the Irish for ‘kiss my arse’ and also the original name of The Pogues (until the Brit media realised what it meant and made them change it!). The Pogues reference fits Shambolics well as unlike the majority of Aussie Celtic-Punk bands they follow a much more folkier path than. Well that was 214 and two years later came there debut album Riot On Race Day with ten original songs from rollickin’ Celtic-Punk to Country and spaghetti western.

“A love and respect for folk music but which is never afraid to take it and shake it and give it a nudge up to the modern day”.

So it’s been a good few years that the Bhoys have graced the pages of London Celtic Punks not that they haven’t been busy and their regular updates have shown a band that gigs regularly in and out of town and is more than a little well known overseas too.

The new track ‘Goin Off’ takes Celtic-Punk into the realm of Surf-Rock and a sorta Irish take on both the Beach Boys and The Ramones. Catchy and totally different but yet unmistakably Shambolics still. Written by frontman Jimmy I hope this heralds a new wave of releases from the band as they have been sorely missed. The song is available for just a measly single dollar so support Celtic-Punk musicians in these shitty times.

Contact The Band  Facebook  Bandcamp  Soundcloud  Twitter

BODH’AKTAN – ‘De part et d’autre de l’Atlantique’ (2021)

A new album from Bodh’aktan to whet your appetite for when live concerts return. Recorded during their last major tour across venues in France, Italy, Germany, Switzerland, Italy and Quebec.

Anyone out there remember live gigs? For me it was a great night out in Staines enjoying a very nice evening of culture with Peter And The Test Tube Babies but all seems like a long distant fading memory now. So it seems rather apt now that we are on the verge of a semblance of normality returning that we should be reviewing a live album. The ever prolific Bodh’aktan, this is their eighth album now, recorded all their live shows from their 2019 summer tour and handpicked the best versions of eleven of their most loved songs for this release on their 10th anniversary.

Bodh’aktan formed in Québec in 2011 so eight albums is pretty damn good and judging by their placing’s on the various Celtic-Punk end of year awards they have been pretty well received by all. The songs here come from pretty much their entire back catalogue with four taken from debut album Au Diable Les Remords in 2011. Only their last album De Temps et de Vents is absent no doubt because of the lack of gigs since its release.

The album begins with ‘Nothing But A Game’ the first of a couple of songs taken from the Paleo Festival in Switzerland. From their album of English speaking songs Ride Out The Storm it’s a jolly romp that is made solely for enjoying yourself. Like all the songs here a Bodh’aktan concert is a time to forget yourself and immerse yourself and have a good time. Concerts are the life blood of Celtic-Punk and like no other genre it is all about enjoying yourself. ‘Les Dames Du Large’ is from that debut album and has a slight ‘western’ tinge to it. More thigh slapping follows with ‘La Bonne Journée – La Suite De La Capitale’ and a album standout. Catchy and lyric packed (I can’t tell you what they are saying) Alex’s voice fits superbly. This song is is from a intimate performance on the Magdalen Islands, in the heart of the Gulf of St. Lawrence, a place with much symbolic meaning for Irish-Canadians. The music up to now has been fairly laid back and it can perhaps be forgiven that they haven’t packed the album with their rowdiest Celtic-PUNK songs but ‘Zimmerman’ certainly gets the blood racing. Mostly acoustic the electric guitar is placed behind the acoustic guitar but the still rocks in that way that The Pogues showed us (“the loudest acoustic band in the world”). These fella’s are great musicians and show it off with the traditional instrumental ‘Le Medley Du Mal De Pieds’ with Alain’s lectric guitar allowed to come out of the shadows and enter the limelight along with Marc-Etienne and his fiddle. Breton and Irish influences abound here as the song reels off several reels packed together in just three minutes. The next couple of songs come from a concert in their home of Québec and show the width of the bands talents with Par Chez Nous’ showcasing their stadium skills with the audience singing along to a slow, swirling ballad while ‘La Bouteille Est Agreable’ shows their other side with a rockier/ punky number. The nest three songs come from gigs in Italy, Shamrock Castle in Italy and Celti’Teuillac in France. The fiddle led ‘Ici’, the Newfoundland traditional ‘Heave Away’ and the country-ish ‘Samedi Soir Au Fais Dodo’ all crowd pleasers that continue the romp! The album ends with ‘Le 31 Du Mois D’Aout’ (in English ‘August 31st’) I’m sure it has some important significance so forgive me Québécois for my ignorance. A call to arms perhaps and a pint in the air / arms round your mates ballad to round things off with the obligatory fast ending to send you off into the night sweating and smiling.

Eleven songs may seem like a short album but Bodh’aktan don’t do short songs. Their songs are given a chance to breathe and at almost 45 minutes the album is both entertaining and even on the more lengthy songs never drags. With all the songs taken from different shows you might expect the album to be a bit disjointed but it flows absolutely perfectly. A triumph of the mixing room! A great album all told but then I am a big fan and with their frequent visits to Europe it’s not unreasonable to think I may get to see them live. Certainly on this showing it will be a experience worth saving up for!

Buy De part et d’autre de l’Atlantique  Backlink

Contact Bodh’aktan  WebSite  Facebook  YouTube  Twitter  LastFM  Soundcloud

Disography Au Diable Les Remords (2011) * Against Winds And Tides (2013) * Tant Qu’il Restera Du Rhum… (2013) * Mixtape (2015) * Bodh’aktan (2016) * Ride Out The Storm (2018) * De Temps Et De Vents (2019)

NEW SINGLE ‘As I Roved Out One Morning’ FROM CALLUM HOUSTON

Acoustic Alternative Folk Rock.
Made in Bretagne. Inspired in Ireland.

We’re big fans of Callum Houston and when we heard he had a new single out we had a quick chat to find out the lowdown on what it was all about.

This song first started out as a chord pattern I randomly came up with and posted on Facebook. I was then convinced to make a song out of it by my friend Anthony who plays with the Ska band The Groovin’ Jailers from the North of France. I had meet him previously while on tour with the Graveyard Johnnys when we had shared a stage together. I quickly made a structure for the song and sent it to him to put record some Dobro over the top. I had just got back from doing a week long St Patrick’s Facebook tour where I played live with a number of musicians in different locations all across Bretagne. My head was full of old Irish ballads so I cut a load of lines from songs and pasted them together to make a Frankenstein style ballad of my own. The words seemed to fall into place easily and actually pretty well portrayed the week that proceeded them. Both my parts and Anthony’s parts were recorded in our own home studios. I then sent the track over to another great friend and even better musician Sleeper Bill from Rennes, he added some piano and then with ease took over the mixing and mastering malarkey which I am hopeless at. The beautiful artwork was hand crafted by my good neighbor Maire Pauline. It was great fun creating it together and I hope you can enjoy it as much as I did. More music will follow in the coming months and some concerts (fingers crossed).

As I roved out one morning, at the dawning of the day,
I meet a pretty maid, traipsing along my way,
Like a fox caught in the headlights,
I looked with surprise,
My mind being bent on rambling,
away I did fly
*
I said no nay never, no never again,
I’ve traveled many miles, from glen to glen,
There’s some that you fuss over, and some that you forgo,
I fell right for a raggle taggle gypsyo,
*
 Her eyes they shone like diamonds,
she’s the queen of this town,
Like an angel I have lost my wings, fallen to the ground,
There was whiskey in the jar, and the maid behind the bar, it was the parting glass,
Her eyes they shone like diamonds,
she’s the queen of this town,
Like an angel I have lost my wings, fallen to the ground,
There was whiskey in the jar, and the maid behind the bar gave the parting glass,
That went just a little too far
*
 Now through the Foggy Dew,
I search for you, as I rove around,
the streets of this Dirty old Town.
*
Callum Houston – Guitar, Vocals / Anthony Francois – Dobro / Sleeper Bill – Piano
Mixed and mastered by Sleeper Bill / Artwork by Marie Pauline Van Parys
To promote the single Callum performed a craicing live stream set of original material. If you missed it fear not click here to be re-directed straight there! Music begins from 3 minutes in and lasts just over a hour. The single costs just €0.99 so help out struggling artists by helping them to get a pint!

Download As I Roved Out One Morning  FromCallum

Contact Callum Houston  Facebook  Bandcamp  YouTube  Spotify

ALBUM REVIEW: BUGUL NOZ – ‘Chat In The Freezer’ (2021)

The second album from Bugul Noz. Belgian Celtic-Punk with major influences from both Metal and Brittany especially.

Apologies to Bugul Noz as their email somehow ended up in a file I no longer use so when I came across it four months later I dashed off an apology to the Bhoys and settled down to have a listen to their new album with a big mug of tea. The band hail from Namur in Belguim which is the capital of Wallonia one of the three federal regions that make up the country and has a history of coal mining and iron works. The band were formed in 2016 and as is usual their list of Celtic-Punk influences cites all the usual suspects but also bands like Les Beruriers Noirs and Trust and and Celtic music, whether Irish, Breton or Scottish.

Their debut self titled album of thirteen original tracks was released in the Summer of 2017. With the songs split fairly even between French and English it is the opening track that is my favourite even though I don’t speak French! Another great highlight is ‘Fucking Irish Song’ with Metal guitar and over the top vocals. Class! The whole album can be streamed via YouTube here. The Metal influence sometimes outstrips the Punk here but always with both feet anchored by Celtic music. The music does seem to have a Breton edge to it which is hardly suprising I suppose especailly when we learn that the band take their name from a Breton legend.

The Bugul Noz ‘Night Shepherd’ is a fae-like being who lives in the woodlands of Brittany. He is the last of his kind and is said to be incredibly ugly, which causes him distress. His appearance is so awful that even woodland animals avoid him, and he sometimes cries out to warn others nearby of his approach, so that he won’t frighten them and that they will go home. He is called the night shepherd because it is generally not safe in forests late at night. The Bugul Noz is not malicious (indeed, rather kind and gentle), he is always alone because of his hideous visage.

The bands second album was released back in January and no doubt they were expecting London Celtic Punks to be a bit more professional …well now now they know! Still here we are in the end and just a shame I missed out on hearing this earlier. The album is again all original tracks and with the songs split between French and English. I look forward one day to being able to write a review without having to mention the dreaded co*id lockdown but the inevitable delays and problems the lockdown presented don’t seem to have affected the finished article at all an Bugul Noz still managed to work together to get the album delivered.

Chat In The Freezer begins with ‘I’m Not Crazy’ and the familair drone of the pipes. How someone from Belguim decides to learn the bagpipes is a mystery to me but Fred is an excellent player and accompanied here by Candice on fiddle the song soon opens up into a real Celtic-Punk-Rocker. There’s plenty of Metal style flourishes and the song flashes by despite its length at almost five minutes. This is not Celtic-Punk for your Nan this is for the moshpit and shaking the dandruff out your hair. Tremendous!! As Bugul Noz are a brand new band to my ears I literally had no idea what to expect but one song in and I’m already loving it. ‘Ton Opinion’ is a more basic number and I can’t understand but the words are flying out at me as the fiddle leads. Next up is ‘Cat In The Freezer’ and no I haven’t left out the ‘h’. Strange name for a album song and being a cat fan I wondered what was ahead of me. Starting off with a sort of Gothic rumble and a cat meowing it soon develops into a punky chugging guitar classic. My favourite song of the album it builds up and up taking in a multitude of influences telling of a poor cat trapped in a freezer… I think anyway.  A couple of songs in French follow with ‘Meurs En Silence’ and ‘Chance D’exister’ and one thing that stands out a mile is the amount of lyrics here. Imagine that chorus of ‘The Rocky Road To Dublin’ over and over again. The music is fast and furious and I’m stuck somewhere between the Dropkicks and the Mollys here as a way to describe them. Of course they sound nothing like either but have perhaps the power of the Murphys and their Folkier side is more akin to Flogging Molly, To keep the tunes so faithful to Celtic music when ‘punking out’ is quite an achievement. ‘Donald’ begins with a spoken word intro in French so I can’t tell you anymore but the song does have a medieval feel to it, at least until Andy and Gilles come marching in with loud thrashy guitars. ‘From Hell To Freedom’ is, at five minutes, the albums longest track and with the whole album lasting nearly fifty minutes all the songs are given a chance to develop and its good to see the band taking their time. Not that they do here as Fred shouts out Conflict style over a thrashy-hardcore number not for the faint-hearted or them dreaded snowflakes I keep seeing mentioned everywhere.  Fred exhibits his superb piping again next on ‘Copier – Coller’ and believe me it is superb.

‘Sunday Morning’ has a more overt Murphys influence as well as 80’s English Punk thing going on. After several months confinement the band took advantage of the temporary cessation of the lockdown to get together to record the video for the lead single of the album ‘No Way’. As with all the songs on Chat In The Freezer the English language tracks take a more Punk approach while the French have a more Celtic feel. Still the bagpipes blare loud as hell and God alone knows how Fred managed to keep up with himself at the rate he does!

They pushed the boat out for the video for ‘Comme Une Licorne (Punk En Kilt)’ a hilarious romp through the Walloon countryside with transvestites, unicorns and drumming horses! The song is all pipes, fiddle, drums, pounding bass and chugging guitar and, of course, Fred and his distinctive vocals. We have reached the end and the decision must have been “shall we go out in style or show the skeptics that Celtic-Punk bands can play a mean traditional tune”? Well ‘Ciao L’ami’ takes both routes starting with with a nice gentle folky tune with gang vocals before the heavens open and they go out in Punk rock style.

So a cracker of an album that came as a very pleasant surprise. As I may have hinted this album is for the rockers out there but the all round musicianship is extremely good and the Celtic instrumentation is particularly good. You won’t be shocked to hear that I have a feeling that it is in the live setting that Bugul Noz really come into their own. Having already reached Moscow it’s not beyond the realm of possibility that London may be on their radar. I certainly hope so!

Contact Bugul Noz  WebSite  Facebook  YouTube  Instagram

GUESS WHOSE BACK? THE SOUTH SHORE RAMBLERS ARE BACK!

It must be pretty hard being the sole Celtic-Punk representatiove for a whole continent but The South Shore Ramblers represented Africa superbly till they called it a day a few years back. Well the good news is their back at the wheel and with some free downloads to give away too!

Formed out of the ashes of another superb Celtic-Punk band, The Sunday Punchers (check out the video for one of Celtic-Punk’s greatest ever songs here) , in late 2014 and after recruiting Martin Bezuidenhout as lead vocalist and frontman The South Shore Ramblers released a flurry of EP’s and videos during their short existence. Based in Johannesburg the South Shore Ramblers were always on the punkier side of things but always entertaining and their releases were always well received. In fact they achieved a pretty good double in our end of year Best of lists with Bare Knuckle Blackout  reaching #5 in the Best Of 2015 and Open Room Sessions #6 in the Best Of 2015.

Debut release Bare Knuckle Blackout’ was all tales of hard lifes and hard lives, drinking to forget and drinking for the sake of it and the occasional happy time when all the bad times are forgotten. It began with the brilliant ‘Thirstday’ and from the very beginning you understood what the band is about.

The following year saw the release of Open Room Session and captured the guys in a raw live form. Rough and ready, but in a good way! Only three songs and just over ten minutes but it saw the release of the outstanding ‘Own Wicked Device’ accomapnied by a equally outstanding video. More music followed like a couple of covers from the Dropkick Murphys and even talk of a European tour before they dropped off the radar.

At the time all their releases were available for free download but the links are long gone now sadly BUT the guys have just released a couple of songs from back in the day. Two never-heard-before practice recordings of NoFx’s ‘The Greatest Country”‘and ‘Miami’ by Against Me!.

DOWNLOAD

so with gigs returning and new music in their arsenal The South Shore Ramblers are back so get on their social media and keep a finely tuned ear out for them when they take the Celtic-Punk scene by storm.

Contact The South Shore Ramblers Facebook  Soundcloud  YouTube

ODDS’N’SODS. CELTIC-PUNK ROUND UP MAY 2021

That time of the month again! Odds’n’Sods our regular monthly feature of all the Celtic-Punk news that’s fit to print. Band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page. All will get a mention but I need YOU to help if it’s going to work.

We kick off this month with some sad news that THE MAHONES are retiring from touring. Easily the busiest band in the Celtic-Punk world they’ve been just about everywhere there is to go… and several times too! I think for many out there they are the only out of town Celtic-Punk band people will have seen. They will pop up for the occasional local gig or festival but that’s yer lot.

“After 30 years, it’s time for The Mighty Mahones to stop touring. There will be no farewell or reunion cash grab tours. We are done the big tours. If you didn’t come in the last 30 years, ya snooze ya lose, but we still love you! “

Other Mahones news leads man Finny has his debut solo album out soon on TrueNorth Records titled The Dark Streets Of Love and is booking now for a solo acoustic World Tour in 2021 / 2022.

Justin Sullivan of Brit Folk-Rockers NEW MODEL ARMY releases his 2nd solo album Surrounded at the end of May released on earMUSIC. Sixteen original songs written through the lockdown.  Pre-order the album(s) here: https://JustinSullivan.lnk.to/Surrounded

You lot must have heard the new DROPKICK MURPHYS album by now and personally I think it’s bloody brilliant! Been playing it non-stop and boucing off the walls here in LCP Towers for the last fortnight. New video from the boys landed in the month and as usual top quality! Turn Up The Dial is out now and we are letting the hoo-har die down before our review which we are very lucky to be able to have a stalwart member of the American-Irish community and the American-Irish Celtic-Punk scene to write it so expect a perspective you won’t see anywhere else.

LONAN are a Folk trio from Leeds and have just released their debut release a beautiful new song with  the proceeds going to St. George’s Crypt who do excellent work in Leeds providing shelter, food and support to the homeless and vulnerable.

Formerly of The Dead 60s and a recent live guitarist for The Specials, MATT McMANAMON has spent a decade putting out his debut album Scally Punk. It is released May 28, 2021 and you can hear a couple of songs on the Bandcamp player below. It is available now for pre-order from Fretsore Records.

The collaboration between NICK BURBRIDGE and DAN BOOTH of Ferocious Dog now has a confirmed release date at the end of May 2021, with pre-orders (including a t-shirt and signed print option) available now from www.nickanddan.co.uk 

THE REAL McCOYS – Outlive Death

TEUFELSTANZ – Decennium

UNCLE BARD AND THE DIRTY BASTARDS – The Cellar Tapes

BODH’AKTAN –  Live From Both Sides Of The Atlantic

One of the more interesting bands around are TEUFELSTANZ. They hail from Russia and have put out a new live album, Decennium. Recorded at their 10th anniversary concert at The Glastonberry in Moscow. Their unique sound, they call ‘Alternative Medieval Music; is well worth hearing. 

THE SCALLY CAP BRATS formed in Ottawa in the summer of 2010 out of a chance meeting between Mike Pusiak and Mike Franey. They quickly discovered a mutual love for Punk, Oi! and Celtic music which led to talk about starting a band. Take A Shot was their debut release a powerful 5 track EP that first introduced me to this excellent bands. Check out their Bandcamp page for more ‘name your price’ downloads and some very cheap albums. One of the best Celtic-Punkbands of the last decade. 

More Canadian Celtic-Punk from THE GRINNING BARRETTS from Ladysmith, British Columbia. They put out a couple of bloody awesome EP’s back in 2018 but have been a bit on the quiet side since but they have put out a couple of songs already this year. Divided By A Negative is also available as a ‘name your price’ download below.

Yet more from Canada and BODH’AKTAN have a live album out now – De Part Et D’autre De l’Atlantique. Eleven songs recorded at different venues throughout 2019. It is, of course, an absolute belter and watch this space for a upcoming review very soon.

UNCLE BARD AND THE DIRTY BASTARDS enjoyed live streaming so much that they have gone and recorded an album in the same acoustic style. The Cellar Tapes Vol.1 is out on platforms on May 7th.

Facebook has become an unlikeable monster with more and more good folk leaving. Can’t say I blames you. So we have set up a Telegram group. Similar but better (and easier to use) than Whats App and free from Facebook control. Join us on Telegram and dont miss a beat! https://t.me/londoncelticpunks/

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

ALBUM REVIEW: THE REAL McCOYS – ‘Outlive Death’ (2021)

Folk Drunk Folk Punk!

Third album from Texan Celtic-Punk band The Real McCoys. Combining Folk-Punk with Celtic influences for a rowdy bar or any revolution-ready extravaganza!

Funny how things work out and just a couple of weeks after reviewing an album from Houston band The Dead Rabbits comes another album from the same city. The Real McCoys have been together since 2015 when Josh left The Dead Rabbits with a notebook of songs he had written and began looking for a band to record them. Roping in Tommy on drums and a workmate on bass things soon led to the release of debut album Folk Drunk, coming out in May, 2016 and was fifteen original songs dedicated to the memory of Glen Campbell. After recording they went on a short tour and on return their bassist  would later give them the ‘Irish goodbye’ (look it up if you’re not American!). A friend Jeremy took his place and they wemt on to record Barfly in 2017, a collection of songs written from Josh’s time as a hopeful drinker. Listening to all kinds of stories and watching people’s lives unfold in wild ways sitting at the same old hole in the wall every night. Again it was all original songs and the twelve songs whizz by in under twenty-five minutes. Definitly on the jokier side of things both albums are both a fun ride through Celtic-Folk-Punk and are higly recommended.

Somehow they have only featured on these pages with only the briefest of mentions. A mystery to me personally as I’m actually a big fan of The Real McCoys and have all their releases. Anyway we got here in the end and nows a good a time as any to wax lyrically about this class band. With the Covid lockdowns musicians have suffered imeasurably but Josh has used the time wisely despite not being able to practise and gone back to his DIY Folk-Punk roots and recorded the album pretty much by himself and that is about as DIY as it can possibly get!

So now onto the present day and whats the score with The Real McCoys here in 2021. Well I was really suprised that Outlive Death just sort of appeared. One day just popping up on my Bandcamp feed, somewhere I very rarely check, It certainly deserved more than its low key arrival and hopefully this will review will go a tiny way to rectifying that. The album kicks off with ‘We All Fall Down’ and the album is pretty much sign posted from this one song. Fast, catchy, clever and over in just over 100 seconds. The kind of song yoy’d love to go on a lot longer but perfect for some of us to dance around to before we get too tired!! Josh has got a distinctive voice that really suits this style (and that accent is pretty damn cool as well!) and writes a real good tune as well as managing to tell quite a story too. ‘True Punx Don’t Need Kidneys’ is lashed with the kind of humour that The Real McCoys are famous for and even lasts three minutes plus!

The title track is up next and features Marissa Sendejas of anarcho-folkies Days N Daze and Asa Martin on baritone guitar. It’s a slow moving song that Josh wrote about the passing of his Dad when he was only 21.

“My Dad passed away from cancer when I was 21, it was a really crazy point In my life that was the source of my excessive drinking in my barfly days. Helping my mother clean her house over quarantine she was throwing some books so I had a look. I pulled out The Road by Cormac McCarthy and when I opened it up to start reading a few days later on the first page in my dad’s handwriting was “to Micah (my brother) love Dad, 2009” (a year before he passed). All through the book were little notes written to him of various little things… like my Dad was passng me wisdom from the grave..it was beautiful. And it got me thinking about how even those passed can speak to us sometimes in various ways. The Road is about a father who’s dying and trying to teach his young son how to survive in a post apocalyptic world. It culminates in him passing away and his son going on to use what he’s learned … It was very very very fitting. Uncanny. It was like all that I went through in the 11 years since he died kinda resolved in part from my father after the fact from the grave…it was beautiful. And ‘Outlive Death’ just came spewing out as a result.”

An emotional ballad and one that a loving son should be very proud of. The kind of song that would make even the stoniest face shed a tear. ‘Barfly’ is one of a handful of songs here that was originally planned to make the debut album but didn’t make the cut. Reworked and partly rewritten again managing to be both catchy and tell a real story of someones life. ‘Sonder’ is 90 seconds long but seems so much longer. Great use of the mandolin here and it certainly has a sound of the full band.

‘LADADA Whiskey’ is the catchiest song here with a lovely tune and a beat to slap your thigh red raw too. Again a nice wee short number we love both our serious songs and pour drinking/fighting songs here we are against all that Folk snobbery and The Real McCoys have the perfect blend of both.  ‘Stingers’ again  comes with some furious strumming and I’ve only just realised this album is purely acoustic. ‘You’ll Be Fine’ is the most Celtic-ee number here and they slow it down but not too much. My favourite track of the album with great lyrics and a great sound. It’s worth saying at this point that the whole albums production is perfect which leads us nicely to the final track and ‘Cold Moon’ brings down with another catchy number packed full of meaning and even manages to incorporate a Poguesy ‘See You In Hell’ style Western vibe.

All three of the Real McCoys albums are available for free as a ‘name your price’ download but there is aso an option to leave some money and while I am sure Josh don’t mind we would like him to have a beer of two out of it so feel free to leave something… or not. I would recommend grabbing all three at once and we give you the London Celtic Punks promise that you’ll not be disappointed. A sort of seal of approval if you like! Outlive Death flies past in only twenty-two minutes but it is time well spent with someone with a lot of talent that I feel has lot more in him once things return to normal.

(You can stream or download Outlive Death on the Bandcamp player below)

Download Outlive Death  Bandcamp

Contact The Real McCoys  Facebook  YouTube

NEW SINGER, NEW SINGLE, NEW ERA FOR FIRKIN

Firkin ‘the crazy Irish band’ from Hungary have some important changes afoot. Read on and introduce yourself to their new frontman!

While it is always sad to hear that a band is losing members that sadness is always lessened when it is followed with news that the band will go on. Andy the vocalist from Hungarian giants Firkin has decided his time is up for the band. Nearly six years of commuting from his home in Serbia for gigs and practises has understandably become too much on top of his full time acting work and family commitments. The guys all remain good friends and he will always be a dear member of the Firkin Family!

“We are immensely thankful for his hard work over the years, the always cheerful atmosphere in the rehearsal room, in the tour van and on stage, too, the many songs we wrote and the nearly 250,000 km we travelled together across Europe”.

So life goes on and we welcome Ákos into Andy’s big shoes. A friend of the band for many years his band Zágba Cat even supporting Firkin in the past on occasion. This may not be the first time Firkin have changed singers but the spirit of the band outlasts the individual members and a whole new era begins and with a rather aptly named opening song as well.

(We are) still alive!

When the morning sun rises
high above the hills
The stars shyly hide from
the shining of the creek

The chime of the bells
is the beat of my heart
The scent of the spring brings
Me a fresh star

O-a-hey O-a-hay We are still alive!
O-a-hey O-a-hay We’re dancing through the night
O-a-hey O-a-hay We are still alive!
Hey-hey-hey-hey

The silence of the field
is trampled by the herd
Return from south again

All our chirping birds
Buds gently burst
in the heat of the sun
Summer memories
I ain’t complain ‘bout none

O-a-hey O-a-hay We are still alive!
O-a-hey O-a-hay We’re dancing through the night
O-a-hey O-a-hay We are still alive!
Hey-hey-hey-hey

Spring’s at long last here
The village comes to life
The muddy road is dry
We gather every night

The evenings are still cold
We have no other chance
Tap a barrel in a jiffy
And let’s dance!

O-a-hey O-a-hay We are still alive!
O-a-hey O-a-hay We’re dancing through the night
O-a-hey O-a-hay We are still alive!
Hey-hey-hey-hey

Oh, the winter was so long
The rust ate the blades
The horse is skinny, too
The glory’s long been frayed
All that has remained
Just mem’ries from afar
They hang on my belly with
Me in the bar

O-a-hey O-a-hay We are still alive!
O-a-hey O-a-hay We’re dancing through the night
O-a-hey O-a-hay We are still alive!
Hey-hey-hey-hey

 

Contact Firkin  WebSite  Facebook   YouTube  Instagram

ALBUM REVIEW: HEADSTICKS – ‘C.O.W.’ (2021)

Fresh from their utterly brilliant ‘Live Sessions’ broadcast at Christmas English Folk-Punk-Rockers Headsticks release their fourth studio album having signed to Chapter 22 Records. Hard hitting, emotive, infectious anthems and barbed lyrics a plenty.

Straddling the Punk and Folk scenes and still managing to keep everyone happy is quite a feat but one that Headsticks manage quite admirably. A couple of weeks ago we ran a feature on 80’s band The Glasgow Tremens titled ‘Punky But Not Punk, Folky But Not Folk‘ well this can not be said of Headsticks! The band describe themselves as “where folk and punk collide” and while you can’t help but make comparisons with a host of big names like the New Model Army, a more punky Levellers, Billy Bragg (when he was good) and even more recent bands like Ferocious Dog but Headsticks are still very much their own band. Formed out of the ashes of two much loved, and long gone, Celtic-Punk bands. ‘Tower Struck Down’ who were one of first English Celtic-Punk bands back in 1985 and Jugopunch, who had a song ‘Blackheart’ on the Shite’n’Onions compilation What The Shite #2 back in 2006. This brought them to international attention so popular were this series of CD’s. Well the Celtic touches are mainly gone but what remains is the plain good old folk’n’roll that made them popular first time round.

C.O.W. is their upteenth release and they have been reviewed here quite a few times so regular is their output. The last time was for an 4-track EP ‘Lies, Lies,Lies‘ featuring Punk Rock legend Steve Ignorant. With such a regular output they are also one of a few bands who also put out their releases on vinyl, even going so far as to have had vinyl only releases in the past. Hailing from Stoke in Staffordshire an area once famed for the manufacture of pottery (the area is known as The Potteries), coal mining and steel making. The area has gone into decline with the disappearance of these industries and neglect from both national and local government. Betrayed by the party the people bled red for they now vote for other parties. An area with a proud working class and trade union tradition is where Headsticks come from and this seeps through their music. Kicking off with ‘Red Is The Colour’ an anthem for those that gave their lives on battle fields everywhere. Sounding more like Jello Biafra than I can remember vocalist Andrew Tranter portrays the right ammount of passion and be sure these are passionate songs. Bands like Headsticks have always had plenty to sing about and these days when the ordinary bloke in the street is seemingly despised by everyone their is plenty ammunition. Next up is the apocalyptic love song ‘Peace & Quiet’ foretelling of environmental disaster but like all things Headsticks it’s told in a beautiful way. The art of writing lyrics that tell a complete story is some achievement and one that not just Celtic-Punk bands are adapt at.

The first song from the album to be released late last year it came out as 7″ single backed with a tremendous cover of ‘In The Ghetto’ (still available here).

“Don’t Predict A Riot! I want some peace and some quiet, I don’t to be the one who has to be the one to be so strong!”

‘Miles And Miles’ is a great example of their Folked up Punk while the next songs both show their range from 1980’s Anarcho-Punk in the style of early Chumba’s or Blyth Power to gentle acoustic musing. ‘A Tear For Yesterday’ and ‘Tyger, Tyger’ though poles apart on the surface fit together perfectly. ‘This Ain’t Politics’ is another on the folkier side and one I’m sure will be more popular at 50% of their gigs.

‘Naked’ was the second song to be released from C.O.W. on St. Patrick’s Day just gone and a great chugging Punk-Rock number. Simple but effective. The music takes quite a turn for the next couple of songs with ‘Red Sky’ and a pumping funky bass line my favourite track on C.O.W. while ‘Burn’ turns out a metally rocker. Both songs leave you with plenty to digest. Headsticks are one of those bands that its good to have the lyrics in front of you. ‘Opium’ is another acoustic number the shortest track on the album. We are into the last two songs and you can be among the first people to see the new Headsticks video for it comes out later today! ‘Speak Out’ comes at 9pm here so be sure to tune in and leave a comment. A bombastic rocker based upon the post-war poem by German pastor Martin Niemöller about the cowardice of German intellectuals to stand up to the rise of the Nazi’s. To ignore the persecution of others until it lands on your own doorstep. The standout and most memorable song here brings the curtain down and ‘Sing Danny Boy’ will raise the hairs on your neck. Andrew speaks over a gentle swirling backdrop about child abuse and psychological scars with a rare emotion found in music of any era or style. Some people are damaged before they get a chance to live it’s a terrible heart breaking thing. The passion spills out and I implore you to listen to the song below.

C.O.W. is Headsticks fourth studio album and their first, having recently signed, for the independent Midlands label Chapter 22 Records. The CD comes with a beautifully produced 20-page lyric booklet. C.O.W. is the bands best album so far and unusually each album they have released I have said that about. This may not be the usual kind of fare that readers are use to here but we have a sort of artistic license sometimes to include bands we love that we feel you will love too.  Headsticks have always been one of those bands and their constant innovation and evolving sound deserves to be heard and loved by many more. 

Buy C.O.W. Vinyl/CD Here  Download Here

Contact Headsticks  WebSite  Facebook  YouTube

NEW SINGLE FROM SHANGHAI TREASON FEATURING DAN BOOTH FROM FEROCIOUS DOG

‘Wildfire’ the second single from their forthcoming new album sees South Yorkshire’s Shanghai Treason teaming up with Dan Booth from Ferocious Dog on fiddle!

Swiftly becoming one of my favourite bands Yorkshire rockers Shanghai Treason knock it out the ball park again with their new single. Fiddle and banjo go together like a Steak pie and Hendersons (that be South Yorkshire talk!) so it is that when I heard they were working with Dan Booth of Ferocious Dog I did get a little excited. And as you will see it was justified!!

Wildfire is the second single to be released from their new album, due in the Summer on Black Dingo records. The St. Patrick’s Day release of ‘Emerald Causeway‘ came out to much accalim and the album seems to be shaping up rather nicely. Shanghai Treason arrived in 2019 just in time to lay down a few roots before the Covid lockdowns came in but that didn’t see them slow down (well much anyway) and continued to write and produce new music as best they could. By now they have become a recogniseable name on the Celtic-Punk scene and their string of singles and EP’s have all been well received among the many Celtic-Punk focused blogs, radio stations and publications. Beginning to write their new album last year via e-mail’s between the band they managed to pick up a record deal with the Italian label Black Dingo Productions (home of artists like The Rumjacks, The Real McKenzies, The Rumpled ). Earlier this year they booked into Arch Audio recording Studio in Mansfield to work with Dan Booth and Gianluca from The Rumjacks under the watchful eyes of Luke Wheatley, Ferocious Dog’s sound-engineer.

“We’ve really up’d the ante on Wildfire, Dan Booth’s fiddle playin’ smacked the track into the stratosphere, it’s fast, in your face celtic punk, wi’ a Yorkshire twist, tha knows” – Sam Christie (Vocals)

Soon as things get back to normal the #1 thing on my to-do list is to get up to Yorkshire and catch these boys in the flesh. The quality of their previous releases has been incredible and in a year where several albums have been hotly anticipated it is Shanghai Treason’s that has excited me the most and on the evidence of the two singles released so far then this album will be challenging for Album Of The Year!

Contact Shanghai Treason  Facebook  YouTube  Instagram

ALBUM REVIEW: THE PEELERS – ‘Down And Out In The City Of Saints’ (2021)

Immersed in a hotbed of Gaelic culture that smashed head on into a love of whiskey, poetry, footy, debauchery, ska and punk The Peelers may not be the most prolific band on the Celtic-Punk scene but  for 20 odd years they have certainly been one of its best! 

Sadly for The Peelers the release of their fantastic new album Down And Out In The City Of Saints was overshadowed by the release of the new Rumjacks album. Coming out around St. Patrick’s Day we are normally overwhelmed with releases but it’s understandably been more of a slow trickle so far during 2021!

The Peelers left to right: Scotty Mitchell – Bass * Jonny Mooreman – Fiddle * Steve Creep – Lead Guitar * Dave Barton – Lead Vocals/ Rhythm Guitar * Eric Diamond – Organ/ Irish Whistles * Will Laurin – Drums *

One of North America’s more popular bands The Peelers are celebrating their 22nd anniversary this year after forming in 1999 in a small farmhouse kitchen in North Glengarry County in Eastern Ontario, Canada. Glengarry holds a special place in Canadian Irish history being separated from New York State by the St. Lawrence river it was originally settled by Irish immigrants who chose the name Glengarry in memory of home. It was where, during Án Gorta Mór, the coffin ships sailed to after being refused entry from America. It is thought over 15,000 Irish people are buried on the small island of Grosse Île where a huge Celtic cross now stands as a memorial to their poor souls. Nowadays though The Peelers are based in Montréal, the largest city in the French speaking province of Québec and The Peelers and their fame has long spread beyond Canada.

Their debut album Boots And Suits came out in 2002 followed by Liquordale in 2004 but it was an incredible 13 (thirteen!) years before they released another album with Palace Of The Fiend arriving on January 3rd, 2017. Recorded in five different studios, located in Montreal, Toronto and Morocco it was very well received across the Celtic-Punk world reaching #4 on the LCP Best Of 2017 list that year. So it is that a four year gap is not bad at all for The Peelers! The new album was again recorded in multiple places in Montreal, Dundee and Vancouver (sounds a bit like a version of Del Boy’s three wheeled van!) between December 2019 and June 2020. We can thank Covid for the gap this time with recording and production interrupted for several months while most of the world went into lockdown. The new material again reflects the North American experience of the Irish diaspora

“blending truth and fiction, glory and sport, love and loss, darkness and despair, while introducing composites of individuals, companions, friends and foes met along the punk rock journey.”

​Now signed to local record label Stomp Records Down And Out In The City Of Saints begins with ‘Give Us A Roar’ and its Celtic-Punk in it’s purest form. A backbone of Irish music ably joined by Punk and Rock’n’Roll that from the first few notes lets you know what you’re in for here! The title track follows and ‘Down And Out In The City Of Saints’ follows in the same energetic mode of music to beat up the floor to. Lyrically these are not your usual Celtic-Punk fayre of drinking and fighting songs (though their is some of that!) and these songs tell stories in the traditional sense.

“You can drive me to drink, I’ll give you the keys And I’ll chart a path to the sea”

The first track from the album to be released was ‘Prizefight’ and a great decision being the album’s standout track for me with singer/songwriter Dave Barton again coming up tops with a sing that channels both Rancid and The Tossers. Bagpipes appear for the next track on ‘Spirits Seldom Sober’ and if you can keep up with Dave here singing along to the words then hats off to ye. Heavy but not fast it has slower interludes of gang vocals and a brilliant pint in the air chorus.

“In bliss or torment judge him now but it’s not what you are thinking. It was an angel that put it in his hands but a devil made him drink it”

We step into real Irish territory with ‘Stick And Move’ a corker of a Gaelige rocker about Irish boxer Gary ‘Spike’ O’Sullivan, the pride of Cork city! Holder of multiple belts including Irish, WBA and WBO titles he also tread the boards starring in several films. ‘Rakes Around The Point’ carries on in the same Irish vein with a track telling of hoods, gun and gangsters.

The only video to promote the album was for ‘Glad To See The Back Of You’ which came out on St. Patrick’s Day. The song itself was actually a reworking of a demo from 2004 along with the album closer ‘From Here To Halifax’. The band excell themselves next with ‘Last Glass’ a rather beautiful wee gentle number with piano with Dave’s words spilling over with emotion proving again this guy is up there with the best in Celtic-Punk history.

“And what if this is our last glass
Just know I loved you all along
If all we’ve done is all we have
And all I’ve left you is this song”

The boxing metaphors continue on ‘Harder They Fall’ an irish rocker laced with a spirit of rebellion and defiance. The curtain comes down with ‘From Here To Halifax’ and I don’t think they mean the market town in West Yorkshire so it must be Halifax in the overseas Celtic territory of Nova Scotia. A working class fishing port it has long been associated with Celtic culture and immigration. The track is a cracking light hearted drinking song celebrating the town and a real good way to end things.

It may only be their third album in 22 years but isurely a case of quality over quantity! The albums ten tracks last almost forty minutes and has superb production as well as a pretty amazing cover by Canadian / Filipino artist @therealdannyrebel. Hope you guys are getting this knocked up as t-shirt? So St. Patrick’s 2021 did come good in the end and I look forward to still be playing this on next years one too!

(Stream / download Down And Out In The City Of Saints on the Bandcamp player below)

Buy Down And Out In The City Of Saints  Download / Vinyl – Bandcamp

The album is also available from Stomp Records

Contact The Peelers  WebSite  Facebook  YouTube 

PUNKY BUT NOT PUNK, FOLKY BUT NOT FOLK. THERE WENT THE GLASGOW TREMENS

The 1980s weren’t all gloom and misery. Emerging from the smog of wars, strikes, unemployment, police corruption and pop charts clogged with over-produced music were a little-known Scottish band called The Tremens. They were loud, brash and full of it. They were like some kind of Glaswegian mutation of The Pogues and Tom Waits. They were punky but not Punk. They were folky but not Folk. And for a few years they were the freshest band in town…

During the recent lockdown I decluttered a room that was stuffed to the rafters with junk. Mountains of it. In a far corner I clocked a box ink-marked “Tremens”. The box contained a trove of old vinyl, master tapes, pictures, cassettes, Press cuttings and lyric sheets. It was like exhuming a corpse. Suddenly, it all came back to me…

Early publicity photo intended for an NME article that never happened!

I formed The Tremens as a 4-piece around 1985, most of us from the Govanhill area in Glasgow’s Southside. This first incarnation of the band was shouty and thrashy, second generation Punk, musically limited but bristling with attitude. We sold cassettes of our material at gigs around Glasgow and through the burgeoning Cassette Underground scene. I still love cassettes by the way. Great format. Songs from this period included Here Come The Plods and the boozy Shake Prattle And Fall. Both were included on a now very hard-to-find compilation called Dougie Donnelly’s Robot Pants which changes hands for silly money these days.

Our audiences always had a good time!

I was a huge fan of John Peel’s anything-goes music policy at the time and decided to widen the band’s output by incorporating folkier elements into the set. My influences at that time would have included The Pogues, Alex Harvey, Ivor Cutler, Half Man Half Biscuit and a lot of stuff released on the Ron Johnson label (Bogshed, Stump, Big Flame etc). I drafted in new members and this second version of the band played about 40-50 gigs up and down Scotland for a couple of years. The addition of a sax gave us a near unique sound, described in one review as

“Alex Harvey auditioning for X-Ray Spex”

and by 1987 or so The Tremens were a formidable live draw. Bands we supported around this time included Toxik Ephex, Nyah Fearties, Attila The Stockbroker, Pregnant Neck, Distorted Truth and many others. We were always a support act. Promoters liked sticking us in the middle of multi-band line-ups to give the running order more variety, more colour.

Ray belting something out at a mid-80’s gig

Members came and went, and a newer third version of the band released a 6-track EP in the late 80s called Feral Children, which was played to death on the BBC’s Beat Patrol show on Radio Scotland. For some reason the record became very popular in Germany, selling out in a few months, but full-blown tours abroad never materialised. We were too disorganised. Too lazy and probably too drunk. We continued for another year or two, but I then started going abroad for extended periods, busking and hitching, and I jacked-in the local gig scene. For the next 10 years The Tremens were an occasional recording unit only, releasing about half a dozen albums on CD and cassette, with whatever musicians were passing through. All in, I think there must have been around 30-40 floating members over the years. At one point we had banjo, bagpipes and xylophone in the ranks competing with the standard bass/drums/guitar line-up. Crazy. But it kept the material fresh. We never stayed in the one place, musically speaking. It was always evolving, but the attitude remained the same.

Other bands were by now using the name “Tremens” (there’s at least 3 of them out there), so we eventually became The Glasgow Tremens to distinguish us from the others.

Sometimes there were 8 or 9 of us on stage having good rammy

Listening to the band’s material recently for the first time in decades, it’s clear we were neither Punk or Folk in the conventional sense, but contained elements of both. The Punk element was in the attitude and delivery, not the musicality. Listening back, I was also surprised

by the amount of humour in the songs. We were an antidote to the legions of po-faced bores around at the time. As I said, the 1980s weren’t all gloom and misery.

Selection of Glasgow Tremens releases

The original vinyl, cassettes and CDs are long gone, occasionally popping up in the second-hand market for ridiculous money. I therefore decided to upload a batch of stuff on music site Bandcamp. I’ll put more songs up at a later date but for now, if you’re curious, you can download a 10-track album called SAWNEY BEAN’S GOT THE MUNCHIES.

Cheers, Raymy Tremens

*

Thanks to Raymy and we hunted down the album for you. You get three free listens then your free ride is over and you have to fork out a measley fiver. So get on it Folk-Punk folk.

ALBUM REVIEW: THE DEAD RABBITS- ‘7 Ol’ Jerks’ (2021)

Fueled by cheap whiskey and Lone Star beer The Dead Rabbits have emerged out of Texas as one of the American Celtic-Punk scenes best bands. Charged by the ole songs of Irish rebellion and the speed and harmony of Punk, they combine a potent mix of Irish Folk, Bluegrass, Gypsy and Punk Rock.

Taking their name from the real life street gang of American-Irish criminals active in Lower Manhattan in the 1830s to 1850s The Dead Rabbits hail from Texas but these guys are from your typical Texans! These original Dead Rabbits took their name after a dead rabbit was thrown into a gang meeting, prompting some members to treat this as an omen, their battle symbol becoming a dead rabbit on a pike. Besides their criminal activities they often clashed with so-called ‘nativist’ groups and gangs who viewed Irish Catholics as threatening and dangerous.

Formed in mid-2009 with the band’s founder, Seamuis Strain, a guest of the state at Louisiana prison he returned to Houston and bagan to put together what would become known as the ‘Warren’. Since that day, as with all bands, members have come and gone but always Seamuis has led from the front pushing and promoting the band across social media and he has become a known face on the many Facebook groups and pages specialising in Celtic-Punk. Their debut release was the excellently titled ‘Tiocfaidh Ar La’ which went onto be voted one of the best releases of 2013 by both Paddyrock Radio and Celtic Folk Punk web-zine! As far as I can tell the band spent the next few years playing gigs and touring and it came as a suprise to me that it wasn’t till last year that they followed up ‘TAL’ with the sort of greatest hits self-titled album The Dead Rabbits. It was basically a re-release of TAL but with a handful of new tracks and covers.

The Dead Rabbits: Seamuis – Lead Vocals, Guitars * Banjovi – Vocals, Banjo * Danger Dave – Fiddle * General Woundwort – Vocals, Guitar * Bigwig – Drums and Vox

So a new album is long overdue and their is certainly no messing about here on 7 Ol’ Jerks with the nine tracks clocking in just short of twenty-one minutes it’s a fast and furious, blink and you’ll miss it rollercoaster ride through the angrier side of Celtic-Punk alternating between Discharge styled hardcore Punk and a just slightly more Celtic version of them. Not for the faint hearted these are not likely to turn at Renaissance fayre’s or family orientated Celtic festivals (mores the pity!). Laced with humour and Irish spirit(s) I bloody loved it but then again I am an aging auld anarcho-punk but these days with better politics and hair!

They follow this up with another quick blast through the Shane MacGowan penned ‘If I Should Fall From The Grace With God’. The title track of what is often thought to be the pinnacle of The Pogues career it is here given the full Punk-Rock treatement with some great fiddle work giving it that Irish feel. Played at breakneck speed Seamuis has a great voice for this style but the rest of the band too showing how good the production/mixing is. Another ‘quickie’ with ‘L-Elaine’ not even breaking the minute mark but still manages to tell a story of love and love of the bottle. ‘Father McGregor’ is a oldish song with the version below from Bandcamp a few years old now but has been reworked for 7 Ol’Jerks.

You might expect The Dead Rabbits to not be the kind of band to play the ‘auld favourites’. The kind of song that when your Mammy walks in while you’ve got Celtic-Punk turned up to 11 asks “do they play such and such?”. You reply of “don’t be daft. Of course not Mum, this is Celtic-Punk” and then the next song that comes on is ‘I’ll Tell Me Ma’ and she walks away smiling! Well here the Rabbits turn their ear to that most loved of all Irish songs, especially among the American-Irish, ‘Danny Boy Medley’ in which they stick in half-a-dozen classics before the clock strikes three minutes. ‘Train Song’ is a song about trains. Just that but with banjo and fiddle before we get another classic and  ‘The Leaving Of Liverpool’ is one of many Irish Folk tunes that is perfectly suited for ‘punking up’. The sound of the Dubliners version is still intact and recogniseable while the Rabbits add a new dimension to the song. The album ends with two original tracks the short more trad Celtic-Punk sounding title track, ‘7 Ol’ Jerks’, and the epic 4 (four!!) minute ‘Dreams’, originally recorded by The Cranberries. I think it’s a shame they didn’t choose this as the opening single to promote the album as its is utterly brillliant!! They can do the hardcore stuff very well but this song lifts the album from just pretty good into album of the year material, yes it is that good. Seamuis voice aches and strains over a tune to die for that depsite being classic Celtic-Punk still has that harder edge than most bands which I’m sure is what they were striving here on 7 Ol’ Jerks.

Buy 7 Ol’ Jerks  Amazon  Apple  Spotify

(Pre sale orders for vinyl are available now from Grimace Records)

Contact The Dead Rabbits Facebook  YouTube  Instagram

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Facebook has become an unlikeable monster with more and more good folk leaving. Can’t say I blames you. So we have set up a Telegram group. Similar but better (and easier to use) than Whats App and free from Facebook control. Join us on Telegram and you wont miss a beat!

ALBUM REVIEW: AFTER HOURS- BLACK 47 TRIBUTE COMPILATION (2021)

Thirty years since the release of Black 47’s eponymous first album comes the first part of a trilogy of tribute albums celebrating this popular and controversial band of who Time magazine wrote in 1993 it was

“the proletariat passion of Black 47’s songs that make the group stand out”.

Seven songs from Larry Kirwan and Black 47 with Celtic Cross, Pat McGuire, Screaming Orphans, The Gobshites, Rory K, Gary Óg and Martin Furey produced by Peter Walsh of The The Gobshites and Larry Kirwan of Black 47.

Taking their name and inspiration from the worse year of An Gorta Mór (the Great Hunger) in Ireland Black 47 were one of the brightest lights of the Irish music scene on the American east-coast for twenty-five years from 1989 till they called it a day in 2014. Their influence still spreads across the whole of America and wherever Irish music in America is mentioned then the name of Black 47 will be included. So it is fitting that Valley Entertainment have announced a series of tribute albums to be rleased over the next few months starting with After Hours celebrating thirty years since the release of their debut self-titled album in 1991.

Executive produced by Peter Walsh of the much loved Celtic-Punk band The Gobshites and Black 47’s very own Larry Kirwan, After Hours will be released in three parts, each comprising a selection of reworked Black 47 favourites beginning with the first volume that came out on St. Patrick’s Day 2021. Playing over 2500 live shows across three continents during their time together (including one memorable evening down the Haringey Irish Centre in north London) these collections feature musicians that the band met along the way while performing everywhere from stadiums to theatres, rock clubs to Irish bars. In addition to working on these releases, the ever busy Larry Kirwan has been working on several other projects:  His latest novel Rockaway Blue was published by Three Hills/Cornell U. Press on March 15th.  He conceived and co-wrote the Broadway bound musical Paradise Square that tells the story of the immigrant Irish and African-Americans in the Five Points neighborhood of New York City during the Civil War. While for Peter Walsh and The Gobshites they have come storming back onto the Celtic-Punk scene with their latest single ‘Carry Me Away’. The music on After Hours includes songs from the entire Black 47 catalogue, each one featuring a guest artist.

(Each song is featured individually but to hear them together go to the Bandcamp link at the bottom)

Celtic Cross – ’40 Shades Of Blue’

Pat McGuire – ‘Too Late To Turn Back’

Screaming Orphans – ‘Sleep Tight In New York City (Her Dear Old Donegal)

The Gobshites – ‘Livin’ In America’

Rory K. – ‘Desperate’

Gary Óg – ‘James Connolly’

Martin Furey – ‘Rockin’ The Bronx’

 

Buy After Hours  Fanlink  ValleyEntertainent  Bandcamp

Released by Valley Entertainment. Independent record label based in New York City. The label includes an eclectic repertoire with focus on singer-songwriters, modern Irish musicians and World music.

WebSite  Facebook  Twitter

Facebook has become an unlikeable monster with more and more good folk leaving. Can’t say I blames you. So we have set up a Telegram group. Similar but better (and easier to use) than Whats App and free from Facebook control. Join us on Telegram and dont miss a beat!

NEW SINGLE FROM A NEW BAND! ALL THOSE EMPTY PUBS

There’s a new band on the Celtic-Punk scene and what a great name! All Those Empty Pubs hail from up in the Swiss Alps and have just put out their debut release. We got to ask Diego the bands only member (!) a few questions.

Not a great year for music was 2020 but it did have small rays of sunshine and one has to have been the birth of All those Empty Pubs, created as a solo music project by talented multi-instrumentalist Diego. With over twenty years of Punk-Rock experience, with brief sidetracks into Medieval Folk and Ska, backed up with more live shows than hot dinners and multiple publication and internet features he has finally arrived at the best music in the world. That of Celtic-Folk-Punk.
It’s not uncommon these days for solo acts to give themselves grandiose names but these are usually of the dreary, wailing and whining singer-songwriter type. Here although the band is but Diego he’s not averse to new band members hopping on board so if you live near him then give him a shout and bring your talent. The ‘groups’ first release is ’40 Days’ and as a solid a opener as any band had. Diego utilises all his talents here with mandolin, flute, acoustic guitar, bag pipes and even Hammond organ alongside your more usual Rock band instruments. It just don’t get more DIY than this and the song rattles along at a great pace. Having no musical talents at all (I wasn’t even trusted with the triangle at school!) I find it absolutely incredible what has been achieved here. The track is available for the equivalent of around £/$ 1 so time to support new artists and more all-new All Those Empty Pubs tracks will be arriving soon I am promised.

Diego says of his arrival in the Celtic-Folk-Punk

“All Those Empty Pubs was founded 2020 in the Swiss alps as a solo project. I had been playing for nearly twenty years as a guitarist and singer,  with fifteen of those in the German speaking Punk band, Die Grimmelshäuser. I had the opportunity to play over 100 live concerts and to record some albums. Over the years I’ve contributed to the punk scene as a concert organiser and I’ve also had  the chance to create some Punk compilations.

Some years ago I played in a Medieval Folk band. We experimented a lot and everyone played all the instruments a wee bit. So I came into contact with the Irish bouzouki, tin whistles and the Hümmelchen (small baroque bagpipes). I’ve also tried some musical stuff like early Reggae and Ska. Two or three years ago I started to play the mandolin and learned some traditional Scottish and Irish tunes. Before that, I used to mainly listen to modern Celtic-Punk and Celtic-Rock.

Since I’m living in a rural, mountainy place, it’s hard to find other musicians. Of course there are some great ones. But to find people who like the same music as you, have talent and time is pretty hard. So after the Corona outbreak I decided to start a solo project. Maybe it’s easier to find other people, if there’s already a foundation.

For my first track, my band member of Die Grimmelshäuser lent me his voice for the backing vocals. Thanks Matthias! As a part of the do it yourself attitude I learned over the past years to record and mix audio tracks. At the moment I’m also training to be an audio engineer. So I have the great opportunity to record and mix my songs in my home studio.”

So there you go. A fantastic debut and we look forward to hearing more and in the spirit of these more enlightened times not a single mention of Toblerone’s or cuckoo clocks or even my second favourite Laurel And Hardy film.

(Stream / download ’40 Days’ from the Bandcamp player below)

Contact All Those Empty Pubs  Facebook  YouTube  Bandcamp

ODDS’N’SODS. CELTIC-PUNK ROUND UP APRIL 2021

That time of the month again! Odds’n’Sods our regular monthly feature of all the Celtic-Punk news that’s fit to print. Band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page. All will get a mention but I need YOU to help if it’s going to work.

Your favourite pirate band from Osnabrück in the Caribbean! MR. HURLEY AND DIE PULVERAFFEN released their 7th album recently and this track is the first single taken from it.

Celtic music has plenty of offshoots and not just Punk Rock. Ever heard of Renaissance Folk? Well its pretty massive in the States and Europe (here I don’t know. Maybe someone can enlighten me?) but the kings of it are BLACKMORE’S NIGHT. Created by the utter legendary guitarist Ritchie Blackmore founder of Metal icons Rainbow and his Mrs, the American singer Candice Knight. Nature’s Light is their 11th album and their first in 5 years combining Folk music traditions and their love of the Renaissance, inspired by myths and legends of a bygone age.

FIVE LEAF CLOVER from Prague with their new single a vigorous Celtic-Rock ballad about the life of the infamous legendary Irish hero Grace O’Malley, the queen of the sea.

New 14 track album from Bristolians THE SURFIN’ TURNIPS.

“We had considered going more folky as we get older – but no! We have created this album in honour of the old Cider Punk scene, you will hear plenty of new cider punk anthems as well as stories of the olden times when cider was stored down the park er else yer Mum would drink it when you got home, of adventures off to brave new lands where you’d risk hoards of local tribes chopping yer head off and using it as a football. There be some salty songs of the sea, some of the fields and orchards too. So when you listens to this, turnip up loud and get thy dancing boots on, get in the pasties and invite round the neighbours, let the party begin and dance like lunatics! We all bin locked up fer too long! See ya all down the allotment!”

Doesn’t seem like it but it’s been 10 years of THE O’REILLYS AND THE PADDYHATS. Celebrate with them on their free full band live stream on Saturday 10th April. They also have a really nice set of new merchandise out too. Details on their FB page.

NEVERMIND NESSIE – Another Six Pack Of Drinking Songs EP

MR. HURLEY AND DIE PULVERAFFEN – Seemannsgrab

BLACKMORE’S NIGHT – Nature’s Light

THE DEAD RABBITS – 7 Ol Jerks (review in the next few days!!)

SURFIN’ TURNIPS – Down The Allotment

EBRI KNIGHT – Carrer

remember band folk we can’t review it if we don’t hear it! 

This is our feature where we showcase bloomin’ brilliant albums that passed us by when they were originally released. This months ‘Blast’ is from 2018 from Canada and the northern shore of Nova Scotia, a place we have visited many a time and a place steeped in Celtic culture.

“Six passionate musicians come together to create a unique high energy blend of Celtic rock that has a little something for everyone to enjoy as well as a live presence and performance that will keep you dancing and singing all night long.”

THE EAST RIVER RATS are one of many bands in the region proud of their Scottish heritage and their album is available as a ‘name your price’ download from the link below.

Barcelona band EBRI KNIGHT have a new eleven track album out and it is available as a ‘Name Your Price’ download on Bandcamp.

DONNY ZUZULA of Michigan Celtic-Punk band THE TOSSPINTS has released his first solo music since his well received album Chemicals a couple of years ago. Written for St. Patrick’s D as part of a ‘100 songs in 2021 Songwriting Challenge’.

“Beer, Beer, Beer” a great way to celebrate Paddy’s Day from brilliant Russian Medieval-Folk-Punk band TEUFELSTANZ. A pretty unique band they call ‘Alternative Medieval Music’.

More St. Patrick’s Day releases with WIDACRE from Milwaukee playing a supercharged Punked version of the Irish Folk classic ‘Molly Malone’. Available as a name your price download.

As usual lots of news out the FEROCIOUS DOG camp with a massive new tour announced going right from end of Britain to Scotland! (I fancy Edinburgh birthday weekend myself if they’re watching hint hint!!!). Their new album The Hope is also available on pre-order from Graphite Records.

If you missed the St. Patrick’s Day FLOGGING MOLLY live stream from Dublin like me the pre-show video is now out but no sign of the ‘proper’ show yet. Dave King was interviewed by Folk ‘n’ Rock magazine about it.

After 21 + albums with THE MAHONES frontman Finny will be going it alone for his next release. His first solo album will be coming out on True North Records soon.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

EP REVIEW: THE WORKING CLASS SYMPHONY – ‘Mulat Sarira Angrasa Wani’ (2021)

A island nation with a great seafaring tradition and history of invasion and occupation that became a republic two years after Ireland. Why Indonesia of course and one of the leading lights of the Celtic-Punk scene are The Working Class Symphony.

Over the years that this site has existed we have reviewed many Celtic-Punk releases from Indonesia. In fact I’d go so far as to say that the scene there rivals Germany in it’s number of bands away from the traditional Irish/ Celtic diaspora communities. Tenholes, Black Rawk Dog, The Cloves And The Tobacco, Rain In Summer, Dirty Glass have all graced these pages but it was the magnificent Wind From The Foreign Land compilation that really exposed the Celtic-Punk scene to many outside the region. Featuring fourteen bands it is still one of the best compilation albums I have ever heard. Of course todays band The Working Class Symphony were one of the highlights and have gone on to feature here several times subsequently, the last time being August last year.

Founded in 2010 in Surakarta, in central Indonesia, a couple of good friends (one a drunk and the other a musician!) were working together in an internet cafe listening to Irish pub song compilations. Inspired by the music it sparked an idea to get together with some other friends and play similar music. When this became a solid group shortly afterwards they decided to take the name The Working Class Symphony to reflect their roots and positive attitude.

Life in this country is already very difficult, if it still has to be added by listening to mainstream music as it is today … Really it will be FORGETTING..There is no other way than making music that can be uplifting … God Save The Working Class !!!!!

So having missed their 10th anniversary due to the Covid lockdown they see in their 11th with the new EP Mulat Sarira Hangrasa Wani. Recording did actually begin last year at the Biru Solo Studios but were delayed until recently. For those of you not too fluent in Indonesian the phrase translates roughly as “brave with sincerity to see one’s shortcomings”.

The Working Class Symphony in no particular order: @alby.moreno – Guitar/ Vocals * @andreaspyex – Lead Vocals * @mistergomz – Bass * @ami.ragil.sagita – Bagpipes * @erwin_ardz – Tin Whistle * @bimoaryp – Banjo/Mandolin @dannyfvckinshit : Drums @tuan.duaempat : Violin

Their are six songs here. Four new ones a previously released single and a cover. The EP begins with ‘Wani Perang’ and the drone of bagpipes soon gives way to the rest of the band and this is top quality Celtic-Punk. It owes a lot to the sound of Oi! (another genre popular in the underground music scene there) with its catchy rockin’ tune, gang vocals, great hooks and the pure ‘pint in the air’-ness about it! Several elements at play here that all work great together.

Next up is ‘Alerta Song’. This came out as a single last year and is a tribute to Cornel Simanjuntak an important figure in the development of Indonesian music. The song includes many of Cornel’s words and still inspire many today.

The Working Class Symphony dedicate this song to Cornel. With straightforward lyrics, as a picture of the reality that is happening here. Finally, keep on loving our country no matter what happens until the end of closing of your eyes… Freedom.

‘Don’t Forget Your Roots’ sees the Symphony take a much more Punk/ Hardcore route but still with their trademark sound intact. Not a band to stand still and without the confines of a more traditional Celtic-Punk band The Working Class Symphony show their not afraid to get a bit heavy at times. We can only guess at the lyrics but I’m sure from the title we can all agree. A lot of the island’s Celtic-Punk bands play more Trad Folk based Celtic-Punk while The Working Class Symphony have always edged towards that early Dropkicks sound but on ‘Lelaki Bekarja Dan Kemaki’ they show they can do the trad Folk sound too. They continue in this style with ‘Sahabat Yang Telah Pergi’ and every Celtic-Punk release needs a ballad and this is this ones and it is terrific. Sung with passion and gusto it really does soar and it needed worry you that you can’t understand the words. Wrapping up the EP is a cover of ‘The Holy Ground’ and what a fantastic cover it is too. On hearing it I am actually a bit surprised it hasn’t been covered by more Celtic-Punk bands as it has the perfect chorus for shouting and banging tables! Made famous by The Dubliners and Luke Kelly and his dulcet tones here the guys give it the pub feel with plenty of oomph among the “fine girl you are” chorus. The best song here for me but I love the whole EP so I’ll probably change that to something else by the time this comes out. Lyrically The Working Class Symphony usual staples are that of hard work, football and the real events that surround them. To close with The Holy Ground is a real good touch and I’m sure Luke is looking down with a twinkle in his eye at a bunch of young Indonesians paying this tribute to him and Irish music.

The EP artwork is by good friend of the band Jahlo Gomez from Belukar and those with an interest in Indonesian Celtic-Punk will recognise his artwork from other bands releases and logos. It is great to hear from the band that for this release many people were asking for a physical release and has been not only across Indonesia but the entire world. All the great things about Celtic-Punk are present here. Think of the Claddagh ring and its motto of friendship, loyalty and love. That is The Working Class Symphonys message and I’ll leave off with their words

“We hope that this can be the embryo of the rebirth of the punk spirit with its various variations.
Keep on trying, towards infinity and beyond.”

For the moment contact TWCS to buy the CD via Instagram/Facebook

Download coming soon!

Contact The Working Class Symphony Facebook  ReverbNation  Instagram  YouTube

NEW SINGLE ‘Camden Lullaby’ FROM TRAVIS O’NEILL FROM PINTS AND PIPES

First new solo music in four years from Travis O’Neill Sligo born resident of Prague and vocalist for legendary Czech Celtic-Punk band great Pipes And Pints. An ode to his days in North London!

Camden and North London at the time I lived there was a real stronghold of the Irish and the London Irish and it had a massive sense of community. Like all cities, sometimes it could get dangerous but mostly fun. However it always had a this sense of family especially among the minorities and outcasts, I count the Punks, Skins, Goths, Irish and London Irish. The diaspora as big family or a movement. It made you feel like you were living in a separate island apart from the rest. It was an amazing time, I have friends that still feel as close as family from there and that will never leave, although I moved on from Camden. Ten incredible years that made me more streetwise, a better musician and more connected to my roots than actually living in Ireland. Very proud of what we had there, Miss the old stale beer smell of the Elephants Head and stagger home after a night there.

Travis O’Neill. March 2021

Walking down by Camden lock
Punker’s, Skins and the junkies flock
We sat on our leather jackets and listened to the band
Hearts full of dreams,
Black stout in my hand
*
 The Irish, Flats, Goths stood as one
this was our home, castle, kingdom
Call me a romantic ol drunken fool
Those were days we stood together we ruled
*
 Sweet Camden lullaby
Memories soaked in whiskey till we die
raising our glass to London Irish skies.
*
 Ronnie, Damo, Luke singing scripture
Philo Lynott comin to get ya
Don’t you ever feel so alone,
Céad míle fáilte in every Irish pub around the world
we scream, Sláinte
*
Camden lullaby
Memories soaked with whiskey until we die
and we fly raising our glass from London Irish skies.
*
 I will leave you one day, for distant winds I am sailing
Singing the parting glass through tear soaked eyes
 This is my Camden lullaby

Vocals/Guitar Travis O’Neill / Guitars, Bass, Keys, Drums and everything you hear by the Maestro Guy Bennett / Violin by Martin Manouche Horse

Dedicated to the Irish diaspora spread across the world, one family. This is my love letter to Camden, Sligo, Punk-Rock, the London Irish, The Boogaloo, The Elephants Head, Filthy McNasty’s and the MacGowan man who proved it was possible!

Happy St Patrick’s day to all! To my Jameson Whiskey Czech Family.Thank you!

Download Camden Lullaby  Spotify  Apple

Contact Travis O’Neill  WebSite  Facebook

Contact Pipes And Pints WebSite  Facebook  Instagram  YouTube

EP REVIEW: NEVERMIND NESSIE – ‘Another Six Pack Of Drinking Songs’ (2021)

Held over from last year the new EP from Belgian Celtic-Punks Nevermind Nessie finds the band in top form with six original songs of up tempo Celtic-Folk-Punk.

Another Six Pack Of Drinking Songs was recorded in 2020 and was all set for release when the dreaded Covid reared its ugly head and slowly the world shut down. Terrible timing for any band but with the shutdown happening just days before St. Patrick’s Day it can be argued it affected Celtic-Punk bands worse than most with that time of year the busiest time with releases, tours and gigs booked well in advance. Stripped of any chances to promote the release Nevermind Nessie decided to delay release until better days and with light appearing at the end of the tunnel now is Nessie’s time.

Formed in Belguim in 2009 Nevermind Nessie in common with a lot of Celtic-Punk bands have always concentrated on the live side of things so their recorded output has been limited to just three releases, a self- titled EP in 2012, Story of A Lost Generation in 2015 and Best of Foes in 2017. All were put out by the band themselves as is this new EP. Through the last  year they grabbed every opportunity possible to rehearse and so on St. Patrick’s Day came Another Six Pack Of Drinking Songs. Ironically a EP containing only one drinking song! The EP’s songs are all written by the band, no ‘Fields Of Athenry’ or ‘The Wild Rover’ here and touch upon a multitude of subjects. The opening track is ‘About Her’ and a tender love song about falling for a hippy chick! I say tender but it’s far from a ballad with clashing guitar and Pop-Punk style drums. Flute leads though with the fiddle subtly playing in the background.

The track was written three years ago in Lille and the video recorded and filmed last year and it finally saw the light of day this month. The video is great telling the story of the song with humour and style. This is followed by that solitary drinking song and ‘Another Drinking Song’ is the highlight here for me and not just because I’m a sucka for drinking songs! Catchy and with profound lyrics the fiddle is more up in the mix here and the song is a guaranteed floor filler. ‘Greyhound Lovesick’ is an punky ode to coach travel while ‘A Deadly Quest’ is a sea-shanty-ish rocker but remember these songs were well in advance of the current popular hipster trend. Another highlight here with the accordion leading reminding me a bit of Matilda’s Scoundrels. Underneath these songs are classic Folk tunes powered by whistle, accordion and fiddle but backed with a solid Punk rhythm section. The first single from the EP was ‘Lock Him Up’ a rather obvious song about Donald Trump released six months ago but it gives the boys a chance to Punk it up and give the gang in the pit a chance to go wild. 

The EP ends with a rather topical song ‘The End Of The Show’ about live concerts (remember them?) and sees them go out in style with a real catchy slower tempo number.

https://open.spotify.com/embed/album/0r3dg29rLXALfBHZEX6DFV

Nevermind Nessie are first and foremost a live band playing in sweaty bars and summer festivals. The EP is only out as a digital release only at the moment on all streaming channels but physical copies will be available as soon as gigs start happening. The songs were recorded and mixed at Studio Trad by Jeroen Geerinck and he has done a marvelous job. Sadly this is the last stand for Vincent the bands accordion player as he leaves on good terms so if you live locally and can play then get in touch with the band. But for now grab yourself a pint, get comfy and give Another Six Pack Of Drinking Songs a quick listen.

Contact Nevermind Nessie  WebSite  Facebook  YouTube

 

ALBUM REVIEW: THE RUMJACKS – ‘Hestia’ (2021)

The long awaited and hotly anticipated new studio album from The Rumjacks is now out and available everywhere. We missed the release date last week as we didn’t get an advance copy for the first time (!) but better late than never and who better to judge it for us than the ‘FolkPunker’ himself Anto Morra

This arrived just in time to put on while I made my breakfast on St Patrick’s Day, the opening track ‘Naysayers’ had me pogoing around the kitchen and the second ‘Bullhead’ had me attempting to step dance on the tiled floor so that’s a pretty good start I’d say! Both songs have Irish Rebel fury and ‘Bullhead’ not only has a tongue twisting refrain ‘If my will is the wind, then I will die willing and free’ but also borrows the brilliant line ‘I’ll not die ‘till you bury me’ from Shane MacGowan’s song ‘Aishling’ from there it’s straight into the mouth of the craicin’ title track ‘Hestia’ which starts like a sea shanty before bursting into a pure rock wig-out. The celtic sound freely ploughs through but if it wasn’t there you might think you were listening to a hair less Punk band.

I think they must have channeled the late great Ennio Morricone for the intro of ‘Through These Iron Sights’ just over 60 seconds of moody bliss before 15 seconds of metal, then we remember we’re listening to a Celtic-Punk band again. ‘Sainted Millions’ can only be described as an anthemic war cry to the Celtic diaspora and it’s fantastic to hear a really distinctive accent from down under in the shared lead vocal. Here is a great live acoustic version (that makes me wonder is Mick a closet morris dancer with ‘bells on his toes he’ll have music where ever he goes’)

“Sleeping sainted millions, can you tell me what you know? Sing to me a song you wrote beneath your pile of stone.”

“I wouldn’t trade it for another, and I would do it all again.”

It’s a challenge for any band to replace a vocalist when they’re as established as The Rumjacks but the choice of ‘Mickey Rickshaw’s’ Mike Rivkees is a very wise one as he clearly has the range and aggressive delivery needed. This is very different from past offerings but still has the elements we love. More of the same would be… well just the same and bands and audiences need to progress and grow and the Celtic-Punk genre needs this new line up. The musicality is top notch and with a younger singer the energy pours out of the recordings. The generation that saw Punk arrive in ’76 / ’77 and then The Pogues carry a certain amount of baggage that a band like The Rumjacks new line up don’t and that makes them much more confident to lift influences from places us oldies would never dream of.

The Rumjacks left to right: Johnny McKelvey- Bass, Vocals * Pietro Della Sala- Drums, Vocals * Mike Rivkees – Vocals, Tin Whistle, Accordion * Gabriel Whitbourne- Guitar * Adam Kenny – Bouzouki. Mandolin *

Although there is a lot more of heavy rock influence here, it still maintains a celtic charm and punky reggae party feel even if it lacks some of the humour of punk and Irish folk. That is until we hit ‘Tell me what Happened’ which ticks both boxes ‘The girls that carried you home have left you to rot in the bars alone’. There’s a beautiful simplicity to the ‘Rhythm Of Her Name’, it’s catchy and classy and one of those songs that you could do anything to and it would work. I could even imagine The Proclaimers doing it. As for ‘Lizzy Borden’ the folk story telling tradition at it’s gruesome best. ‘Light in My Shadow’ is up there with the best really abrasively catchy with bagpipes to die for.

‘Wunderlust’ is for some reason reflective of something that may have come out on the Two Tone Label in 1979. ‘Goodnight & Make Mends’ is the perfect closer.

In conclusion this is a belting new start for one of the best bands on the Celtic Punk scene. There is not a bad track on it, 14 songs and no dud’s or fillers- what you hear is a band re-invigorated and joyous. They’ll probably hate me for saying some of this but I was hearing all sort through this record so I’ll just list ‘em in no particular order, Big Country, Metallica, Green Day, Madness, Kiss, The Levellers and most obviously The Rumjacks right back on form.

Buy Hestia  (CD/ Download/ Vinyl) Here

Contact The Rumjacks   WebSite  Facebook  Instagram  YouTube

Born and raised in London by immigrant parents from Ireland Anto Morra swapped the Smoke for the Swamp in 1989 and adopted Norfolk as home but still returns often to visit his Mammy and play for London Celtic Punks. At times a pogoing, gobbing Punk, a lazy pot smoking hairy Hippy, a bopping Rock-A-Billy, a sharp dressed Mod and even a Bauhaus loving Goth he’s soaked it all in and none of it and all of it has been an influence on him.

https://www.antomorra.com/

NEW POGUESTRA SONG FOR ST. PATRICK’S DAY 2021

The You Tube sensation the PoguestrA are back again with another classic Pogues cover for us. This time they are again supported by two musicians who played large parts in The Pogues story. Read on to find out who! 
The PoguestrA are a group of musicians from across the world who are big fans of The Pogues. Beginning in May 2020, during the lockdown, when Daniele Rubertelli, an Italian fan who plays accordion, launched a ‘Call For Musicians’ to perform (remotely) Dirty Old Town within the Facebook community of Pogues fans. As a result, sixteen musicians from the UK, Ireland, Italy, The Netherlands and USA contributed to the cover of the great Ewan MacColl track. The song even reached the ears of Peggy Seeger, the late Ewan’s wife and renowned singer/songwriter in her own right, who sent over words of appreciation. Since then The PoguestrA have covered other songs of The Pogues, always using “public calls” on Facebook to ensure inclusion for all the musicians moved by the same passion. They recently covered the Shane MacGowan penned ‘The Broad Majestic Shannon’ with an amazing twenty-eight musicians from around the world and featuring Cisco, the founder and former frontman of the legendary Italian band Modena City Ramblers and their last video ‘Misty Morning Albert Bridge’ from The Pogues fourth album, Peace and Love, featured Celtic-Punk royalty with the songs writer Jem Finer and James Fearnley joining from the faraway shores of London and Los Angeles respectfully.
The Boys From The County Hell tells the story of a group of workers out to gain revenge on their boss. One of MacGowan’s more swearier tracks it first appeared on their debut album in 1984 and is famous for the bands performance on The Tube TV Show with Shane valiently trying to avoid swearing on the show broadcast at tea-time! Another lyrical masterpiece from the man one of the more interesting parts of the song is “The boys and me are drunk and lookin’ for ya’, We’ll eat your frickin’ entrails and we won’t give a damn, My father was a Blueshirt, my mother a madam, my brother earned his medals at My Lai in Vietnam.” The Blueshirts were Irish fascists from the 1930s, his mother was a prostitute and his brother was involved in the My Lai massacre in Vietnam. Joining the Poguestra here are yet more Celtic-Punk royalty with original Pogues member Spider Stacey on tin-whistle and vocals and Andy Nolan from Shane MacGowan And The Popes playing accordion.

Boys Of The County Hell (Shane MacGowan) performed by The PoguestrA

Recorded in March 2021

On the first day of March it was raining
It was raining worse than anything that I have ever seen
I drank ten pints of beer and I cursed all the people there
And I wish that all this raining would stop falling down on me

And it’s lend me ten pounds and I’ll buy you a drink
And mother wake me early in the morning

At the time I was working for a landlord
And he was the meanest bastard that you have ever seen
And to lose a single penny would grieve him awful sore
And he was a miserable bollocks and a bitch’s bastard’s whore

And it’s lend me ten pounds and I’ll buy you a drink
And mother wake me early in the morning

I recall we took care of him one Sunday
We got him out the back and we broke his fucking balls
And maybe that was dreaming and maybe that was real
But all I know is I left that place without a penny or fuck all

And it’s lend me ten pounds and I’ll buy you a drink
And mother wake me early in the morning

But now I’ve the most charming of verandas
I sit and watch the junkies, the drunks and pimps and whores
Five green bottles sitting on the floor
And I wish to Christ, I wish to Christ
That I had fifteen more

And it’s lend me ten pounds and I’ll buy you a drink
And mother wake me early in the morning

The boys and me are drunk and looking for you
We’ll eat your frigging entrails and we won’t give a damn
Me daddy was a blueshirt and my mother a madam
And my brother earned his medals at My Lai in Vietnam

And it’s lend me ten pounds and I’ll buy you a drink
And mother wake me early in the morning

On the first day of March it was raining
It was raining worse than anything that I have ever seen
Stay on the other side of the road
‘Cause you can never tell
We’ve a thirst like a gang of devils
We’re the boys of the county hell

And it’s lend me ten pounds and I’ll buy you a drink
And mother wake me early in the morning.

Spider Stacy: Tin Whistle, Vocals (London) / Andy Nolan: Button Accordion (London) / Daniel Al-Ayoubi: Mandolin (Bonn, Germany) / Patrick Arnehall: Tenor Banjo (Sweden) / Juan Brown: Vocals (Shetland Islands) / Scott Buhrmaster: Drums (Chicago, USA) / Brendan Burke: Tin Whistle (England) / Brandon Caylor: Mando-Guitar (California/USA) / Derek Cryan: Vocals (Dublin, Ireland) / Chris Cunningham: Mandolin (Indiana/USA) / Maxim De Kìnnjele: Guitar (France) / Tijl Delannoy: Vocals (Belgium) / John Dunne: Vocals (England) / Bob Gibson: Whistle, Vocals (London) / Chris Goddard: Fiddle (England) / Matt Goddard: Drums (England) / Roy Geurts: Vocals, Mandolin (The Netherlands) / Robin Hiermer: Vocals (Hagen, Germany) / Jeff Ingarfield: Vocals (England) / Kim Karvonen: Vocals (Finland) / Dave Keating: Mandolin (Chicago, USA) / Sophie Liebregts: Harp (Italy – The Netherlands) / Heather Macleod: Bodhran (Isle of Arran) / Mattia Malusardi: Banjo (Italy) / Vince Martini: Bass (California, USA) / Rick Nuttall: Vocals (England) / John O’Donnell: Guitar (Chicago, USA) / Moisés Álvarez Rodríguez: Ukulele (Madrid, Spain) / Daniele Rubertelli: Piano Accordion (Italy) / Andy Scarborough: Vocals (Zante, Greece) / Marcel van Bergen: Guitar (The Netherlands) / Tim van den Hombergh: Bagpipes (The Netherlands) / Derk Venema: Banjo, Mandolin (The Netherlands) / Paddy Vervoort: Vocals, Vibraslap (The Netherlands) / Zac: Vocals (Italy).
Audio and Video editing by Tim van den Hombergh.

If you are interested in joining the PoguestrA for future songs then get in touch with the gang viaYouTube orFacebook

BEANNACHTAÍ NA FÉILE PÁDRAIG ORAIBH

Shamrocks, leprechauns and gallons and gallons of Guinness must mean it’s almost St. Patrick’s Day. But who was St. Patrick and why has this Saint’s day become so popular?

Well it may surprise you to hear that St. Patrick (or Padraig to use the Irish spelling) wasn’t actually irish. He’s believed to have been born to Roman parents, in Scotland or Wales, in the 5th century AD. It is not known if his family were Celtic or from modern-day Italy. St. Patrick penned two surviving documents writing in Latin and signing his name ‘Patricius’, but it is thought by some his birth name was Maewyn Succat. At the age of 16, Patrick was kidnapped in a raid by pirates and taken to Ireland and sold into slavery. For six years, he herded sheep on Slemish, historically called Slieve Mish, a small mountain in County Antrim. It lies a few miles east of Ballymena, in the townland of Carnstroan., until he managed to escape and flee Ireland. One night he had a vision a few years after returning home. Acting on his vision, Patrick decided to dedicate his life to converting people to Christianity. Saint Germanus of Auxerre, a bishop of the Western Church, ordained him to the priesthood and he returned to Ireland and began to spread his message. Today St. Patrick is regarded as the founder of Christianity in Ireland.

On his return around about 432 he set about converting the pagan Irish to Christianity. He founded schools, churches, and monasteries throughout the country but it wasn’t all plain sailing for Patrick and his life was littered with periods of imprisonment when his teachings upset local chieftains or Celtic Druids. For twenty years he travelled the length and breadth of the island, baptising people as he went. By the time of his death on the 17th March 461 he had left behind an island of Christians. It is thought his final resting place is at the Hill of Down where his gravestone is now situated. This area has historically been a centre of prayer and worship for thousands of years. Muirchu, who wrote of St Patrick’s soon after his death, described St Patrick’s body being brought to his burial place and on the site on which a Church would be built.  A memorial stone of Mourne Mountain Granite marks the spot of his burial. He is buried alongside Saint Brigid and Saint Columba.

However, it may surprise you to learn that he was never canonized as Saint by the Catholic Church. Nothing dodgy it just because of the time he lived in there was no formal canonization process. Calling him Saint Patrick caught on and stuck over time due to his popular acclaim. In 1631 the Catholic Church made the 17th March a feast honoring the Patron Saint of Ireland. Because St. Patrick’s Day falls during Lent, it became a day for Catholics to have a day off from the abstinent demands of the weeks leading up to Easter. It is believed that St. Patrick’s Day was first celebrated back in the 17th century. Held to mark St. Patrick’s death, it was a humble, religious celebration up until the 1920’s . An annual military parade started in Dublin in 1931, but the day remained mainly a time for religious reflection, rather than painting yourself green and wearing a funny hat. Bars were even closed on St. Patrick’s Day right up until the 1960’s.

Beannachtaí na Féile Pádraig oraibh! – St. Patrick’s Day blessing upon you

(/ban-ock-tee na fay-lah paw-rig ur-iv/)

Across the broad Atlantic, it was a different matter. there St. Patrick’s Day became a day for Irish immigrants and their children to celebrate their heritage. By the mid-19th century, parades and festivities were held right across the United States. According to author Mike Cronin,

“St. Patrick’s Day was a public declaration of hybrid identity – a belief in the future of Ireland as a nation free from British rule, and a strict adherence to the values and liberties that the United States offered them.”

Mike McCormack, national historian for the Ancient Order of Hibernians says

“Many who were forced to leave Ireland during the Great Hunger brought a lot of memories, but they didn’t have their country, so it was a celebration of being Irish, but there was also a bit of defiance because of the bigotry against them.”

Boston, with its massive Irish population, held the first St. Patrick’s parade in 1737, with New York City following suit 25 years later. Today, along with Chicago which is famed for turning its river green since 1962, these cities are the most famous for its celebrations. In the 20th century, corporations started to pay attention, and figure out how to take advantage of the celebrations. Pretty soon, t-shirts with shamrocks, inflatable bottles of Guinness (and them hats!), green McDonalds milk shakes, started to become synonymous with St. Patrick’s Day, initially in America but nowadays wherever St. Patrick’s Day is celebrated.

Though beware anyone who would tell you how to celebrate St. Patrick’s Day and your Irish heritage. Dust off the auld Eire/GAA/Celtic top or even that bloody leprechaun outfit and be proud of your roots if you got ’em. If you ain’t got them then come join us anyway everyone is welcome at this hooley. If possible try and spend some of the day in the company of family and elder members of our community and raise a glass, whatever your poison, to the sky for those who you love who are no longer here with us. Sláinte.

EP REVIEW: THE FEELGOOD McLOUDS – ‘Saints & Sinners’ (2021)

A new five track EP of original top class Celtic-Punk from German band The Feelgood McLouds.

Before all this Covid nonsense March use to be the busiest month for us by far. We would still be reviewing St. Patrick’s releases into April and May but as with everything else normal service is suspended. Luckily their are a places where gigs are allowed and even better that some bands have still managed to get releases out in these strange times. So with the light of the end of the tunnel not a upcoming train for the first time in over a year we can only hope the bands we love can return to the stager and the recording studios soon.

The Feelgood McLouds were formed back in January 2015 in the city of Saarbrücken in the southwestern German state of Saarland. More than any country in Europe the Germans have embraced Celtic-Punk and with the scene there and number of bands it’s hard to make yourselves stand out but The Feelgood McLouds have managed it with ease. Most of the German Celtic-Punk bands take a more traditional route while the McLouds are unashamedly Celtic-PUNK ROCK! You could maybe categorise the difference as that between Flogging Molly and the Dropkick Murphys. Their combining of an authentic Streetpunk sound with Irish/Celtic melodies and instrumentation works really well. Make no mistake they sacrifice none of their Celtic side to be a Punk band and everything revolves around their Celtic instrumentation. So far they have released two long-players, their debut self titled album in 2017 and the well received Life On A Ferris Wheel from last year.

Saints And Sinners is released on Wolverine Records, one of  the best known labels in Germany that is home to several Celtic-Punk bands (Bastards On Parade, Jamie Clarkes Perfect, Malasaners) alongside some of Europe’s best Psychobilly, Rockabilly, Ska and Punk bands. Saints & Sinners is four new original McLouds songs (plus a bonus acoustic number) released just in time for St. Patrick’s Day. The EP begins with ‘Dirty Bastards’ and the dual sound of bagpipes and banjo played expertly by Woll and Benni before Gunther’s vocals kick in. I would describe him as a ‘gruff’ singer. You know the sound of Tom Waits when he was a heavy smoker!! It works very well in Punk usually and here among the fast paced Celtic sounds it does as well. The recording is brilliant and the various Celtic instruments at play here compliment each other perfectly. They folk it up next with a bit more than a tinge of country with ‘Tales Of Snotty Nosed Sam’ introducing accordion to the EP. Thrashy guitars come in eventually but the catchiness doesn’t stop and even the mouth organ appears (one of my favourite instruments and sadly underused in Celtic-Punk) at one point. A talented band with very good musicians. Sally is the lass as featured on the EP’s cover as well a as on the next song too. ‘The Ballad Of Sally And Sam’ has a Celtic opening before again the thrashy guitars erupt and they have by now carved out a typical McLouds sound. One that even though the songs have different styles and tempos you would recognise. Time for the title track and ‘Saints & Sinners’ doesn’t disappoint. A fast, catchy track to beat the floor up to with some smoking banjo work. The highlight here but all the songs are high quality and absolutely no sign of the ‘Fields Of Athenry’! Take away the Celtic-ness and you would still have a decent enough Punk song but its thanks to that Celtic-ness that The Feelgood McLouds are lifted into something really special. The EP comes with a bonus track the acoustic ‘Cheerio (dirty pub version)’ and a nod to traditional Celtic-Punk with a catchy folky drinking song that ends proceedings nicely and fits just right.

The Feelgood McLouds: Gunther – Vocals * Matze – Drums * Schirra – Bass * Ben – Guitar * Benni – Banjo/ Accordion * Woll – Bagpipes/ Accordion/ Tin Whistle *

The EP is available direct from the band and Wolverine Records and is available in a couple of different packages so support the band and get the CD, patch, stickers, buttons and McLouds beermats. Not a great time to release anything that is obvious so we should do our best to those that are helping to keep the Celtic-Punk ship afloat during these troubled times.

Buy Saints & Sinners  FromTheBand

Contact The Feelgood McLouds  WebSite  Facebook  Instagram  YouTube

Wolverine Records  WebSite  Facebook

NEW SHANGHAI TREASON SINGLE OUT TODAY!

Big news from Yorkshire Celtic-Punkers Shanghai Treason with the release of new single and video ‘Emerald Causeway’ the first release from their upcoming self titled debut album which is due in summer 2021.

Sometimes a band doesn’t have to be around long to make a big splash in the Celtic-Punk scene. Two bands I can immediately think of that this applies to are China’s Grass Mud Horse and another band with a somewhat tenuous Chinese connection. Shanghai Treason though hail from less exotic realms in the post-industrial working class heartlands of South Yorkshire. Formed in only 2019 a flurry of releases made them THE band to see when their debut release the absolute belter ‘Devil’s Basement’ came out in late 2019. We had the privilege of premiering that release and we have followed the Bhoys eagerly ever since. Sadly Covid and the lockdown that followed put paid to their progress but not being a band to rest on their laurels they still continued to release material as best they could and the last few months have seen the band writing their debut album, bouncing back and forth song ideas via e-mail and getting ready for the recording studio to reopen. Along the way they signed to the Italian record label ‘Black Dingo Productions’, already home to some of Celtic-Punks biggest and best bands of artists like The Rumjacks, The Real Mackenzies, The Rumpled & more) and as soon as they were able they booked into Arch Audio recording Studio in Mansfield to work with producers Dan Booth (Ferocious Dog) and Gianluca Amendolara (The Rumjacks) under the watchful eyes of engineer Luke Wheatley (Ferocious Dog full time sound engineer). The good news is that the bands self titled debut album ‘Shanghai Treason’ is due to be released in June 2021 and will feature eleven tracks including guest violin from Dan Booth. Shanghai Treasons resident multi instrumentalist Tom Hardy has said

“We used a small arsenal of instrumentation on the album. In addition to the core instruments, we have brought in the Bouzouki, Acoustic Guitar, Tenor Banjo, Bluegrass Banjo, Piano, Accordion and the Fiddle. The Dulcimer can also be found in a small section of one particular song, see if you can hear it!”

Produced by Dan Booth & Gianluca Amendolara
Engineered by Luke Wheatley at Arch Audio

Many have tried, many have fallen
Some men lie, some men steal, I know many who went all in
Many have died, before they found their calling
Some saved lives, some men feel that they’re above the weighing
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
*
Many have fought, many have pillaged
Some have killed, some have hoarded way more then their fair share
Many hit the jackpot, still wound up distraught
Some have given their whole lives to an ideal that proved irrelevant in the end
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
*
Between this world and the next
*
Castaway
On the emerald causeway
Between this world and the next
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
What will the scales weigh?
As you climb up to the pearly gates
Castaway
Between this world and the next

Download Emerald Causeway  Here

Contact Shanghai Treason  Facebook  YouTube  Instagram

SINGLE REVIEW: THE ROYAL SPUDS – ‘The Couch Potato Specials’ (2021)

A bit of Punk, a pinch of good old rock music and whole load of folkie tunes. In the studio, festival or concert venue The Royal Spuds are at home everywhere. So, if you want a party, you know where to go!  

Oh we got so damn close to getting The Royal Spuds over to London last year. We had even booked the iconic Dublin Castle in Camden for a Dutch Celtic-Punk double header with Pyrolysis but then the dreaded lockdown and despite my prayers and promises to never miss mass again the gig was eventually cancelled. Still hope remains that it will happen again. After all nothing is off. It is only put off for now!

The Bhoys have kept themselves busy through lockdown and just recently have released a couple of singles. It’s been a couple of years since their full length studio album Forgotten Lore was reviewed on these pages so it’s time to re-visit Leiden in the south Netherlands and see what The Royal Spuds are up to. ‘Alien’ came out in February and is available as a ‘Name Your Price’ download. Fast, furious and happy Celtic-Punk with plenty of gang ‘ooooooo oooooo’s’ throughout. Accordion Punk-Rock with a sense of humour. It isn’t illegal yet to have a laugh but you never know in these strange times!

They followed this up last month with the release of The Couch Potato Specials. A two track single also available as a ‘name your price’ download. This basically means if you’re skint then download for free but if you’re rich like a politician then you have no excuses not to send a few beer tokens to the guys. The first track is ‘The Wellerman’ a sea-shanty about the workers on board whaling ships owned by the Weller Brothers. Just recently the se-shanty has seen somewhat of a renaissance with it’s discovery by hipsters on Tik-Tok but Celtic-Punk bands have been singing these songs for decades now. The Royal Spuds describe it perfectly as

“what happens when six couch potatoes miss the hype train but still run to catch the bandwagon.”

Only two songs here but both quality and ‘The Scotsman’ is another cover lovingly covered by the Spuds. Also known as ‘The Drunk Scotsman’ it was originally written by Tennessee singer-songwriter Mike Cross, in or about 1981 but this somewhat bawdy (!) ballad has become a bit of a folk staple, covered by countless folk singers most famously I suppose by American Bluegrass artist Brian Bowers and is performed by Brian as an acapello song.

Well a Scotsman clad in kilt left the bar one evening fair
One could tell by how he walked that he’d drunk more than his share
He fumbled round until he could no longer keep his feet
Then he stumbled off into the grass asleep beside the street
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
He stumbled off into the grass asleep beside the street
*
About that time two young n’ lovely girls just happened by
One says to the other with a twinkle in her eye
“See yon sleeping Scotsman so strong and handsome built
I wonder if it’s true what they don’t wear beneath the kilt”
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
I wonder if it’s true what they don’t wear beneath the kilt
*
They crept up on that sleeping Scotsman quiet as could be
Lifted up his kilt about an inch so they could see
And there behold for them to view beneath his Scottish skirt
Was nothing more than God had graced him with upon his birth
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
Was nothing more than God had graced him with upon his birth
*
They marveled for a moment then one said, “We must be gone
Let’s leave a present for our friend before we move along”
As a gift they left a blue silk ribbon tied into a bow
Around the bonnie star the Scot’s kilt did lift and show
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
Around the bonnie star the Scot’s kilt did lift and show
*
Now the Scotsman woke to nature’s call and stumbled towards the trees
Behind a bush he lift his kilt and gawks at what he sees
And in a startled voice he says to what’s before his eyes
“Ah, lad I don’t know where you’ve been but I see you won first prize”
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
“Ah, lad I don’t know where you’ve been but I see you won first prize”

*

So a fantastic wee single from The Royal Spuds. Two auld songs updated and brought back to life so get straight onto the downloads and hopefully look forward to seeing them in the flesh sooner rather than later!

(stream or download The Couch Potato Specials on the Bandcamp player below)

Buy The Couch Potato Specials  FromTheBand

Contact The Royal Spuds WebSite  Facebook  Twitter  YouTube  Bandcamp

ALBUM REVIEW: TIR NAN OG – ‘Sing, Ye Bastards!’ (2021)

Love, life, death and lots of alcohol! Yeah the sort of themes you expect to hear on a Celtic-Punk album but in the hands of German band Tir Nan Og on their new album Sing, Ye Bastards! these traditional themes are anything but traditional!

Fifteen years and hundreds of gigs later sees the the sixth album from the Bavarian based Tir Nan Og. Germany is the epicenter for all things Celtic-Punk in Europe and if any North American bands are reading this forget about touring anywhere else if you want to actually play to more than 2 men and a dog! We’ve touched on the various reasons for why they love the music before so no need to go into it again suffice to say the mutual love of alcohol between the Irish and the Germany plays a large part in it. Tir Nan Og play a mean drinking song but by no means is that all they’ve got in their cannon and they are as likely to delve into Irish mythology as dive into a public house.

The album begins with ‘Fear Gorta’ and a story about the Great Irish ‘famine’ of 1845–1852. I say ‘famine’ because their was plenty of food available in Ireland at the time but it was being escorted by large military force outside the island while the Irish literally starved by the roadside. Numbers vary but millions died and many more were forced to flee overseas to escape death (sadly for many this wasn’t possible as the ships that took them across the Atlantic ocean were later to be called ‘coffin ships’). 

There are many legends about the time, one being the story of the Hungerman (Gaelic: Fear Gorta). A ghost that would collect the souls of the starving.

“God Almighty have mercy on our souls.
Save us from Fear Gorta and please fill our bowls.”

The song is fast paced and with great dual male/female vocals with a multitude of instruments smoking away. The best Irish Folk music tells a story and Tir Nan Og put many Irish bands to shame with this little known story. Robert sings in that very distinctive German way. Hard to explain but it is very clear and absolutely no need of a lyric sheet as every word is crystal clear and without even a hint of a German accent too! Most of the album is original material without any of the Irish standards beloved by most German bands. Maybe they got them out of their system in their previous albums but its original material that impresses us and here we have plenty to be impressed by. The quality of the music here is superb and on ‘Last Order’ a combination of piping and ‘poppy-country-ish’ Folk works well but the Celtic-Punk tag is maybe a tad too much for them as they are in essence a trad Folk band and no better on this album is that proved on the fiddle led ‘Maelstrom’, the upbeat ‘The Wanderings Of Oisin’ (a poem by William Butler Yeats) and ‘Green Pill’. Three songs which showcase the bands range from fast as hell right through to fast and then just catchy. Through all the songs different instruments are given the lead and used to perfection but no matter which is leading the songs still have that Tir Nan Og trademark sound. The first inkling of the band’s Celtic-Punk roots is the short (but sweet) ‘We’ve Been Everywhere’ and again Sarah and Robert work brilliantly together on vocals on a tongue in cheek song about dragons! I was thinking this may have been the start of the album turning in a heavier direction but ‘Sláinte’ is a bit too jolly for this gnarley faced old Punk rocker! Work on Sing, Ye Bastards! took two and a half years from beginning to end product and right when they might be thinking of a release date Covid lockdown appeared and everything was postponed or cancelled. Tir Nan Og rose to the challenge as drummer Volker said.

This album was created in difficult times and that’s why we were particularly able to empathize with the Irish attitude towards life, to stick together despite difficult times and to make the best of it.“

‘I Sold My Soul’ introduces a slight Ska beat to the bands repertoire with great bagpiping from Andreas. A song that would not be out of place in a Irish pub with the album’s title as the song’s chorus it’s a song to be played as fast as you can and shouted as loud as you can. It was often said that The Pogues were louder with their acoustic instruments than many Punk bands and this song shows that you don’t even need to pay particularly fast or manic to achieve that Punk ‘feel’ while playing what is in reality trad Irish Folk music. Sarah takes the vocal duties on ‘Stone Cold Heart’ and it kind of reminds me of the type of rock ballad (with a Celtic edge though) that Springsteen would have sung in his hey day. The second single to be released from Sing, Ye Bastards! was the ballad ‘Sea Of Sorrow’. The song was written about migrants crossing the Mediterranean sea.

A topic not too dissimilar to the ‘coffin ships’ mentioned earlier. The song completes the cycle for Tir Nan Og. Listening to the album so far the only thing is was missing was a hard hitting ballad and both lyrically and musically it delivers.

“You’re asking me, to sing a happy song
But how could I when happiness is gone?
See the tears and the world is going by,
Sing a happy song when all I want is cry”

We down to the last three songs and Sarahs voice is as strong and powerful as ever on ‘The Song Remains’. It’s the last of the Tir Nan Og compositions with the final two numbers covers from the Dutch Harmony Glen and fellow Germans The O’Reillys And The Paddyhats. ‘O’Hanlan’s Last Words’ is magnificent banjo led tune about a convicted criminal with one hell of a bagpipe solo and the album ends with a superb version of the Paddyhats ‘The Firestorm’.

So love, life, death and plenty of alcohol. It’s all here on an album that sees Tir Nan Og’s progression into a band that could oh so easily fall into the Irish Folk category. The quality of the music, songs, lyrics all point to a band that has outgrown the Celtic-Punk tag but we’ll hang onto them for a bit longer yet! Thirteen songs and eleven original Tir Nan Og compositions that come in just short of fifty minutes long. Songs that uplift in parts and make you think in others. The gloom sometimes descends but is soon followed by something to raise your spirits whether in anger or joy. Another great album from Tir Nan Og and considering the circumstances of its release a massive achievement. Well done folks.

Buy Sing, Ye Bastards!  Prosodia: CD or Download

Contact Tir Na Og  WebSite  Facebook  YouTube  Instagram

EP REVIEW: SEAN TOBIN AND THE BOARDWALK FIRE- ‘St. Patrick’s Day Forever’ (2021)

Influenced by local hero Springsteen and countless other country troubadours, Sean Tobin grew up in the New Jersey bar scene and owes his high-energy performances to his time spent busking on the streets of Galway. With a handful of releases behind him his excellent new EP celebrates his Irish roots and St. Patrick’s Day.

Born and raised on the New Jersey shore, Sean Tobin was influenced by Folk-song troubadours like Guy Clark, Merle Haggard and Willie Nelson, as well as high-energy rockers like Bruce Springsteen, Bob Seger and Tom Petty. Self-taught and trained by the New Jersey bar scene, Tobin owes much to his time spent busking on the streets of Galway, Ireland throughout 2015 and 2017. 
 After graduating college in 2017 and uncertain of which direction to take he undertook the El Camino de Santiago, a 500-mile trail through Spain, with his guitar tied to his pack. Upon completion, the future became obvious and on returning to New Jersey he worked hard to fund his music. He released his first album, This Midnight, in the summer of 2018, and in 2019 he played Frank Turner’s Lost Evenings III Festival at the House of Blues in Boston and soon after quit his day job.

In July 2019, Sean released ‘Dreams & Black Caffeine,’ a four-song EP recorded in Ocean, NJ with his band, The Boardwalk Fire. The group played several shows promoting the work, and had planned a tour for the summer of 2020, but were forced to cancel due to the Covid lockdown. The last year has seen the release of ‘East Coast Artifacts’, a compilation of his first EP, various tracks recorded through lockdown and three new songs.

“We’ve all played together as duos or trios in the past, but St. Patrick’s Day Forever really fortified us as a band,” said Tobin. “I just wish we could play live. That’s what we’re best at.”

Well he has a lot of catching up to do and on his new 4-track EP, accompanied by his band The Boardwalk Fire, he has made a pretty good start.

Released at the end of February, 2021 the EP features two originals and two covers and kicks off with the title track, a fast paced Irish trad influenced Celtic-Punk song about the lockdown and it’s first anniversary in New Jersey. It was after all the cancellations of St. Patrick’s Day events around the world that set the scene for what was going to follow. Lively, upbeat and catchy as hell Sean Tobin tells a great story with a brilliant accompanying video too!

‘St. Patrick’s Day Forever’ by Sean Tobin And The Boardwalk Fire

Directed by Jarrett Allen * Edited by Sean Tobin

It was winter 2020, we were playing on the roof,
Jack was slapping stand-up to another song by Bruce.
A mere twenty hours later, we heard it on the news:
the Jersey Shore’s in lockdown, so stock up on your booze!
*
Now it’s one, two, three fuckin’ months inside this house.
There’s not too much I need, but I need fuckin’ out.
So I make my way down Main Street, the flag’s on every door–
it’s St. Patrick’s Day forever on the Jersey Shore,
St. Patrick’s Day forever on the Jersey Shore.
*
Not long later it was Easter, I was sippin’ on some stout.
I’d horded fifty cases out of fear that they’d run out,
but I couldn’t taste a drop ’cause I gave it up for Lent.
So come Easter, fifty cases, up the field they went!
*
Now it’s one, two, three fuckin’ months inside this house.
There’s not too much I need, but I need fuckin’ out.
So I make my way down Main Street, the flag’s on every door–
it’s St. Patrick’s Day forever on the Jersey Shore,
St. Patrick’s Day forever on the Jersey Shore.
*
Murphy! Your laws are screwin’ me!
But frankly, I don’t blame you. If it’s what we gotta do,
to keep people from dyin’, then I’ll stay home for you.
I just miss my friends…and the bar…
*
So now it’s comin’ up on summer, and I’m still drinkin’ stout.
I would be switchin’ to Corona, but I don’t think that’s allowed…
So instead I’ve got a toucan on one can, three cans, five.
If Guinness makes you stronger, I’m the strongest man alive!
*
Now it’s one, two, three fuckin’ months inside this house.
There’s not too much I need, but I need fuckin’ out.
So I make my way down Main Street, the flag’s on every door–
it’s St. Patrick’s Day forever on the Jersey Shore,
St. Patrick’s Day forever on the Jersey Shore.
Now it’s one, two, three fuckin’ months inside this house.
There’s not too much I need, but I need fuckin’ out.
So I make my way down Main Street, the flag’s on every door–
it’s St. Patrick’s Day forever on the Jersey Shore,
St. Patrick’s Day forever on the Jersey Shore.
*

The EP’s other original song is titled ‘Ode to Anna Liffey’s’ a bittersweet love song to the now closed Irish bar Anna Liffey’s in New Haven, Connecticut. As with all of Sean’s songs and in common with Irish music in general the songs tell intricate stories and at over six minutes the song gives him plenty of scope in telling his story of days spent propping up the bar there. A swirling gentle song with Sean’s strong voice backed by accordion and percussion that soon enough gets faster and faster with Sean’s guitar and Sean-David’s fiddle smoking! A real Irish tinged bluegrass/country floor filler that ends on a sad note (especially for us Irish!) with the last chorus going out to all the bars that are forced to close but “go down swinging”.

Ending with two covers, the first ‘Dirty Old Town’ has seen it’s fair share of Celtic-Punk records but here Sean strays from the well trodden Pogues/ Dubliners versions and keeps it upbeat and catchy even, in fact the perfect speed to be belting it out at the top of your lungs in the pub or Celtic Park or just your living room. The EP ends with the traditional Scottish ballad ‘The Parting Glass’ and Sean keeps it simple with just his voice and acoustic guitar. Two popular covers with new life breathed into them. Obviously a difficult thing to achieve with such popular songs. The record was recorded, mixed and mastered by David Patiño at Tannery Studios and, as with everything here, is absolutely perfect. Sean has severl live streams planned over March but you can still catch his most recent stream from Watermark in Asbury Park, NJ on February 20th to celebrate the EP’s release via Sean’s Facebook page. A fantastic start to the Celtic month of March and can only say we glad he went to Spain!!

Buy St’ Patrick’s Day Forever  Here

Contact Sean Tobin  WebSite  Facebook  YouTube  Bandcamp  Instagram

ODDS’N’SODS. CELTIC-PUNK ROUND UP MARCH 2021

Our regular monthly feature of all the Celtic-Punk news that’s fit to print. Band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page. All will get a mention but I need YOU to help if it’s going to work.

Well it looks like St. Patrick’s Day is cancelled again this year. Still loads to keep us occupied during the ‘Celtic month’ of March. Here’s all the Celtic-Punk news that’s going on and a load of new music and videos to check out as well to forget your troubles to!

No question what the big news recently has been. The announcement of the release date for the new DROPKICK MURPHYS album. Turn Up That Dial is out on April 30th and is available for pre-order here. No doubt their will be multitudes of different packages and merchandise options so get saving now! They also put out the first song from the album, ‘Middle Finger’.

New Jersey Irish singer/ songwriter SEAN TOBIN is my new favourite artist and he played a Live Stream last week on You Tube well worth checking out. Blue-collar, working-class Irish American Folk music. Watch out for a review of his new EP in the next few days!

BROPHY’S LAW release their favourite live track ‘The Bachelor’, a traditional authentic Folk-Punk sound with an alternative edge. Neil Brophy says he wrote this aged 18 influenced by watching The Pogues performing in their glory days on the London scene. They sang about the drinking holes of London, a great recipe for ‘The Bachelor’ a song that paints a picture of a working class guy who surrenders his life to the devil in the jar and drinks himself insane.

FEROCIOUS DOG have signed to Graphite Records and are currently recording their 5th studio album called The Hope!

More news out of the Ferocious Dog camp is that FD’s Dan and Nick Burbridge (ex- McDermott’s Two Hours) have collaborated on a new album titled Icons. A year in the making now of 12 songs, maybe 13. Once the FD album is off for  mixing it will be finished and out by the end of spring/early summer. Jeremy Leveller is doing the album and t-shirt artwork. To pre-order the CD, t-shirt or bundle visit the web-site at  https://nickanddan.co.uk/

The Bandcamp vultures are waiving their massive revenue share on all sales next Friday, March 5, 2021, from midnight to midnight Pacific Time. If the greedy bastards really wanted to “support musicians during Covid-19” then maybe they wouldn’t take so much of their money the rest of the time. So only buy on that day for the next couple of weeks and you can support us here, we have a handful of releases where all money raised goes to support the Justice For The Craigavon 2 campaign (#JFTC2)

There’s a extensive interview from NY State Celtic-Punk band THE TEMPLARS OF DOOM in the new Winter edition of Punk N Praise. Its a new internet Christian Punk fanzine and is available for **FREE** simply by sending your email address to pamsbnb@aol.com or at tinasaol@aol.com. This issue also includes British Christian Punk band, Peter118.

Lockdown Lullabies is a 5-band compilation CD featuring four major kick-ass Celtic Rock and Punk bands THE SHAMROGUES, KILMAINE SAINTS, BARLEYJUICE, POEHEMIA and JAMISON. Twenty tracks from the Tri-state area’s best bands. Available from Ryf Records.

THE PLACKS from the Scottish Highlands and Islands are one of the most prolific bands around at the moment and not letting the lockdown hold them back too much! The Sabbath’ is their fourth single in the last 12 months and comes out on the 5th March but is available now for pre-order.

To France now and hot on the heels of the Toxic Frogs recent EP comes the Folk’n’Punk band THE MULLINS with a great new video. Lots of new music on their You Tube channel worth checking out.

Fellow Frenchies THE MOORINGS have a new album out soon and you are invited to help get it released here.

The first news out of the MATILDA’S SCOUNDFRELS camp in a very long while sees them release a new 7″ single/ download. Available to buy now on pre-release from Bandcamp. Also a new video featuring ‘Jousting Crowd’ from the single.

The legendary show that started PEAT & DIESEL’s sold out 2020 tour at Glasgow’s most iconic venue, The Barrowlands Ballroom. All the favourites from their first two albums Uptown Fank and Light My Byre played live in front of 2000 diehard fans and the atmosphere they brought with them that special night. It is not in any way recorded with any fancy tools to sort any mistakes or nonsense, its 100% raw, just the way Peat & Diesel wanted it!

THE RUMJACKS – Hestia

PEAT & DIESELLive at the Barrowlands 2020

MATILDA’S SCOUNDRELS – The Devil’s Dues

THE PEELERS – Down And Out In The City Of Saints

SEAN TOBIN – St. Patrick’s Day Forever (reviewed soon)

THE FEELGOOD McLOUDS – Saints & Sinners (reviewed soon)

NEVERMIND NESSIE –  Another Sixpack Drinking Songs

Remember if you want your release featured then we have to have heard it first!

Thanks to Owen for putting me onto the Grand Rapids, Michigan band THE BILLIES. Dedicated to bringing Celtic music to a more main stream audience, blending modern Pop/Rock tunes and Celtic songs. Never heard this band before and I can’t find them on Facebook so we have to suppose that they are no more. Still they have left their mark and Who Wants Some is a fantastic album. Seven mostly original songs that includes one of the best (and surprising) covers I have ever heard- ‘Mighty And Superior’ by London anarcho-punk band Conflict!

Sad news from Australia and the demise of one of the countries best Celtic-Punk bands FOX ‘N’ FIRKIN. A bit of a cryptic announcement on their FB page but we wish the guys well and thanks for some bloody brilliant music. You helped make the Aussie scene the best in the world!

In light of a recent event and information we have only just been made aware of we are no longer able to move forward as a band. We wish to give no further comments on the situation. Robbie, Adrian & Leigh want to thank our fans for the years support.

Originally from Cork, Ireland, CATHAL COUGHLAN is the co-founder and singer of acclaimed 80s/90s groups Microdisney and Fatima Mansions. Widely considered to be one of Ireland’s most revered singer/songwriters, beloved by fans of caustic literate lyricism and erudite song craft. He has a new album, Song Of Co​-​Aklan, out at the end of March available for pre-order now.

A new song of high-octane Folk from Massachusetts (and a little bit Rhode Island) band THE KING’S BUSKETEERS. Traditional songs from the British Isles and North America shake the rafters, with some bardic acapella hollering and floor-stomping originals added in for flavour.

A new track from Dutch band THE ROYAL SPUDS over on Bandcamp. The Spuds were one of the bands whose tour we had to sadly cancel due to the original Covid lockdown last year. Available as a ‘name your price’ download is all you need to know. Well that and that it is brilliant!

Great new song/ video of ‘Finnegan’s Wake’ from Italian Celtic-Folk-Punk-Trad band PATRICK’S telling the story of Tim Finnegan the only man who escaped death thanks to whiskey and the incredible adventures of poor Tim and his drunken friends during his funeral wake!

Loads of live streams going on around St Patrick’s Day. The main ones of course being Flogging Molly and the Dropkick Murphys of course. It will go live at 2am on the Thursday but loads of live music to take you up to then. Expect sets from 1916, Cutthroat Shamrock and more. Check the London Celtic Punks Facebook page on Paddy’s Day for what we will be watching and recommending!

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

and before we end something a little bit different. Celtic-Folk-Metal pioneers TUATHA DE DANNANN from Brazil release their 7th album In Nomine Éireann. Known for their merry Celtic dance rhythms, flute melodies and Celtic mythology-inspired lyricshere they pay tribute to Irish music and culture. Songs and Tunes taken from the traditional lore with special guests like John Doyle (Solas) and Keith Fay (Cruachan) making this album truly unique and special.

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

CLASSIC ALBUM REVIEW: THE JOHNNY CASH SHOW (1970)

Songwriter. Six-string strummer. Storyteller. Country boy. Rock star. Folk hero. Preacher. Poet. Drug addict. Rebel. Saint AND sinner. Victim. Survivor. Home wrecker. Husband. Father. Son. and more…

FREE DOWNLOAD

I was rather fortunate to grow up with The Man In Black in my ear. It was thanks to my Mum who kept up a steady stream of Johnny Cash, Rock’n’Roll and Irish-Folk that me and my siblings all developed huge interests in music. Johnny himself may have passed away sixteen years ago but interest in him and his life still hasn’t waned and as new material is periodically released it is snapped up eagerly by fans old and new. He still remains the coolest man ever in Rock’n’Roll.

The Johnny Cash Show was Johnny’s 35th album and was released to tie in with the TV series that he was hosting at the time. From the summer of 1969 through to spring 1971, pretty much the whole of America sat down together in front of the TV set waiting for the famous opening line “Hello, I’m Johnny Cash”. The perfect gentleman with an indomitable spirit and down to earth grit the ever popular Johnny struck a chord with people right across the country. All creeds, classes and colours were united in their love for this great man. His willingness to take risks is what made his show incomparable. Johnny knew talent when he saw or heard it, and his word meant a lot. So, it was no small feat, nor beyond reasonable expectations, that many reclusive stars joined Cash on the pilot show. Though this album is one of Cash’s lesser-known records, it did spawn the highly successful single ‘Sunday Mornin’ Comin’ Down’, which helped kick start the career of singer-songwriter turned actor Kris Kristofferson with the song and album eventually both going on to reach #1.

This song is about the dreaded hangover, with Johnny singing about ‘coming down’ on a Sunday morning after being ‘stoned’ on a Saturday night. In the song, our hero puts on his cleanest dirty shirt, drinks a few beers, and heads out to face a lonely day.

Well I woke up Sunday mornin’, with no way to hold my head that didn’t hurt
And the beer I had for breakfast wasn’t bad, so I had one more, for dessert
Then I fumbled through my closet, for my clothes and found my cleanest dirty shirt
And I shaved my face and combed my hair and, stumbled down the stairs to meet the day

I’d smoked my brain the night before on, cigarettes and songs that I’d been pickin’
But I lit my first and watched a small kid cussin’ at a can, that he was kickin’
Then I crossed the empty street and caught the Sunday smell of someone fryin’ chicken
And it took me back to somethin’, that I’d lost somehow somewhere along the way

On the Sunday morning sidewalks, wishin’ Lord, that I was stoned
‘Cause there’s something in a Sunday, makes a body feel alone
And there’s nothin’ short of dyin’, half as lonesome as the sound
On the sleepin’ city side walks, Sunday mornin’ comin’ down

In the park I saw a daddy, with a laughing little girl who he was swingin’
And I stopped beside a Sunday school and listened to the song that they were singin’
Then I headed back for home and somewhere far away a lonely bell was ringin’
And it echoed through the canyons like the disappearing dreams of yesterday

On the Sunday morning sidewalks, wishin’ Lord, that I was stoned
‘Cause there’s something in a Sunday, makes a body feel alone
And there’s nothin’ short of dyin’, half as lonesome as the sound
On the sleepin’ city side walks, Sunday mornin’ comin’ down

Before Johnny performed the song on The Johnny Cash Show, ABC censors asked him to change the lyric, “Wishing, Lord, that I was stoned” to “Wishing, Lord, that I was home” but never being one to accept being told what to do Johnny sang the song the way Kris Kristofferson wrote it, even stressing the word ‘stoned’!

( Sadly none of the series have been released officially so any that appear the sound and picture quality is definitely not DVD quality. What does appear are random performances some better than others. Here athough the possibility of a third season existed, Cash knew the writing was on the wall. The last twelve minutes of the last episode of the last Johnny Cash Show features Cash performing ‘I’ll Take You Home Again Kathleen’, ‘He’ll Understand And Say Well Done’, The Statler Brothers singing ‘When You And I Were Young’, June Carter singing ‘Thinking Tonight Of My Blue Eyes’, Carl Perkins playing ‘Your True Love’, the Carter Family singing ‘Come All Ye Fair And Tender Ladies’ and Cash’s final words to his television audience)

The ratings for the show were excellent (reaching #17 in the nationwide Nielsen ratings in 1970) and ABC extended the original 15 show run to a whopping 58 (fifty-eight!) episodes. The end of the series came in 1971 as the show was cancelled as part of the so-called ‘rural purge’ in which urban executives at all three major broadcast networks eliminated rural and older skewing programs. ABC viewing figures over all were in massive decline and so they cancelled one of their only successes a horrifying testimony to just how mismanaged the network was at the time. That the copies of all the shows still lay unreleased in the vaults is I think a terrible mistake and we can only hope someone pulls their finger out about it soon.

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With the exception of the album’s obvious highlight, ‘Sunday Mornin’ Coming Down’, each of these songs sings of the history of the working man in the United States with the centerpieces of the album the two jaw dropping medleys: the first concerning truckers, the other concerning the cotton belt. Performed with backing vocals and music by the Tennessee Three, The Statler Brothers, and The Carter Family and Bill Walker’s Orchestra the closing performance of the spoken word ‘Here Was A Man” is a superb piece of Gospel and shows how easily Johnny could turn his hand to different styles.

To these ears though it sounds like classic Cash. His voice instantly taking me back to my childhood of sitting round the record player listening to my mammy’s Johnny Cash collection. All the adults I knew, especially the Irish ones, seemed to be a massive fan of his with their record collections bulging with his albums. it was impossible not to like him. The subject matter was so much darker than other country artists and lets face it he was as cool a fecker as ever there was in music! He was himself the quintessential Scotch-Irish American, with a bit of Native American too he use to say!

Johnny Cash  WebSite  Facebook  YouTube  The Johnny Cash Trail  

(this amazing video popped up on my feed recently and it never takes much to set me off on The Man In Black so give it a twirl. Its great to hear Johnny just chatting away and the animation is top notch capturing Johnny perfectly)

for more like this…

INTERVIEW WITH WU WEI FROM CHINESE CELTIC-PUNK BAND SMZB

We here at London Celtic Punks have a passion for music but what about those who use music to try and achieve a higher goal than just pure enjoyment. The Chinese Celtic-Punk band SMZB are such a band and here Michael X. Rose interviews WuWei their lead singer/ songwriter and reviews their latest album, Once Upon A Time in The East.

Interview with Wu Wei, vocalist and songwriter for SMZB. January 2021.

I was discussing Once Upon a Time in the East, with him, the latest LP from SMZB released in August, 2020. It’s a great album and a fantastic follow up to 2016’s The Chinese are Coming.
If you haven’t heard SMZB before, their sound is a blend of classic Punk- energy and chords- with Celtic rhythms and instruments. They use bagpipes, tin whistle, banjo that give it the Celtic feel. They also add brass trumpets on some which give those songs a kind of totalitarian terror, like the Communists are about to kick down your door.
I asked WuWei about the band name, what does it mean? There is a microphone called an SM7B, was it related to that? I was curious. WuWei replied,

It is the abbreviation of the band’s earliest Chinese name Pinyin SHENG MING ZHI BING, Chinese name means “BREAD OF LIFE” or “BISCUIT OF LIFE.” In 2002, the Chinese name was no longer used, only the acronym was retained, and the band’s logo (attached) was a four-letter acronym, we love it!

Biscuit of Life, there you have it. I love it too!

If you go to purchase the album on Bandcamp, don’t be afraid of the 78$ price tag, that’s in Hong Kong Dollars, and is only about 10$ US/Euro or so.

Many of the songs on Once Upon a Time… are listed on in Chinese, so here are the translated titles, the * means its in Chinese only on the Bandcamp;

1. Red Riot
2. All Red the River *
3. Lumo Road
4. Slap Like Teen Spirit
5. Old Guns *
6. Great Hall of Rock ’N Roll *
7. Brewing Freedom *
8. Get the World Drunk *
9. Emma the River Dolphin
10. Mao’s Great Famine
11. Happiness Camp ( Slavery Manifesto) *
12. A New World Of Misery *
13. Three Women *

First, Thank You for doing this interview. I’m so excited about this. I am a big fan of SMZB ever since I heard The Chinese are Coming.
Red Riot, first song on the album. The siren intro is amazing, it’s like the Bell tolling Doom. You mention several times kids and parents ratting out on each other, and not being able to trust anybody. What is it like to live in a Police State?

My feeling is that there is no safety or dignity in China.

SMZB – Red Riot (Fight Or Die)’ Official Video

There are six members of SMZB, a large group. Where are you all from, is anybody Irish or of partly Irish descent? How did you get into doing the Irish Sound? Personally, I hear a Chinese influence you bring to the Irish Punk, and it fits well and adds a new dimension.

Our band members are from three different cities in China, Wuhan, Beijing and Changsha. None of us have Irish links but enjoy the music from the Pogues and the Dubliners. That began my interest in Irish Punk.

How many LP’s does the band have out? When did you switch from “plain” Punk to Celtic Punk and why? What converted you?

The band has 10 albums. I wanted to do Celtic punk from the beginning but it was difficult for me to find the instruments or the musicians. But in 2005 I met the bands bagpipe player and we toured Europe where I was able to buy some instruments such as the tin whistle. From then on we made the Celtic Punk music.

Who writes the songs, is it collaborative, or separately?

I write the lyric and melody and then work together with the band to complete the songs and get their input.

I hope you don’t mind me asking, your songs are so clearly and strongly against the CCP (Chinese Communist Party) which is fantastic, how do you not get arrested? Are you worried about that?

Well so far I haven’t been arrested but my social media and phone is under surveillance. Probably my band is not big enough to cause the CCP much trouble, if I was too famous then perhaps I would be arrested by now. But it doesn’t worry me.

What do you think of the One Child Policy and the deaths that it caused? Is the Common Chinese person fed up with the CCP? Will there be Freedom for the good people of China anytime soon?

The one child policy was scraped a few years ago now, it was a stupid policy and of course had tragic consequences. Most Chinese people are content with the CCP, they don’t question them. I think one day there will be freedom in China but who can say when, although my thoughts and hopes are that it will be soon.

Where is the band from? I think it says Wuhan on Bandcamp, do you still live there? Sometimes it says you are located in Hong Kong. Do you think you need to defect? Where are you located currently?

The band began in Wuhan, at the moment there are two band members still living in Wuhan. I moved to Portugal last year and other band members live in Beijing and Changsha.

How has the Corona Virus impacted you in ways we may not expect? Is Wuhan devastated? Are you aware that it was made in a CCP lab as a Bio Weapon? Is the average Chinese citizen aware that the CCP created this virus?

Thankfully the virus has not impacted me or my family and friends very much. Other than we of course stay home more. Wuhan has recovered very well since last year and the virus rate is low, most daily life is back to normal. I believe the virus was created in the bio lab but most Chinese people do not think this.

Slap Like Teen Spirit, fourth song on the album is such a great song. My reflection on the lyrics is; Do you feel like China is one giant prison camp? Do you know about the Uighur prison camps and their extermination by the CCP? What advice do you have for Westerners now that CCP style censorship has come to the West?

Yes my feeing is that China is a prison camp, I know about the Uighur camps but most Chinese people are not aware of it.

Lyrics:
Sit around a table with your classmates,
Remember how people fight on the streets,
Watch violent videos on your cellphone,
No one is your friend, everybody is your enemy.

You can learn nothing, waste time in your school,
Make yourself brutal and cold-hearted,
Practice abuse, Insult and bully,
Laws and rules mean nothing to you.

Stand in a circle, rip off your uniform,
Slap each other, then kick kick harder.
Spit like a gangster, speak like a rogue,
Stare like a killer, hurt like an avenger.

Track 6, Great Hall of Rock ‘N Roll, the chorus musically references an Irish song The Waves Down in the Ocean. I love it. Can you talk about its inspiration?

I hadn’t heard the waves down in the ocean, but the song is inspired by traditional Irish music. This songs title translates to ‘Great hall of rock and roll’.

Emma the River Dolphin (Track 8). You sing a lot about pollution, Communist China is well known as one of the most environmentally polluted countries on Earth. What are your goals here? Can China be saved?

China is developing fast and it is destroying the nature. But nature is strong and it can be saved if things change. I hope they do.

SMZB – ‘Mao’s Great Famine Official Video

The song Mao’s Great Famine. I’m sure many Chinese know how Mao killed over 100 million Chinese and the horrors of the Cultural Revolution. Most Westerners don’t know this history and may even hang paintings of Mao on their wall by Andy Warhol or carry a Little Red Book. Tell me about the Lyrics for Mao’s Great Famine for the Westerners reading this interview.

Most people in China know about the famine but they don’t blame Mao, they have been taught it was a natural disaster.

Song 11, Happiness Camp. This song is so great. There is a slide guitar lead break in it, maybe mixed with a woman’s vocal on the breaks? It’s a very ghostly haunting sound. Can you tell me about the production of this song a little bit?

Track 12,this songs title is ‘Happiness camp’ with the camp referring to the prison camps. The women’s vocal is with the guitar solo, it’s a tribute to Ennio Morricone.

Lyrics:
HAPPINESS CAMP(SLAVERY MANIFESTO)
Cleanse your brain, or change its makeup, and use your anger as needed at all times.
No more extra complaints, no more words, let them play and emasculate you, cooperate with their hand-to-hand combat.
You suck what they exhale and eat what they shit, nothing is important, as long as you can flirt.
Even the cold will be proud, the hunger will be proud, and it is here that you will have equality and still feel the embrace of God.

Sign this declaration of slavery, there is no bottom line to happiness here.
Serve your master with all your heart and soul, and you will be happy in this concentration camp.

Be reluctant to open those doors and windows and let the sun shine in front of you, be infinitely loyal to your leaders and help them move bricks and build walls.
You say you are all sober, you are all calm, and say forget those sufferings and enjoy the happiness and peace that you have now.

Sign this declaration of slavery, there is no bottom line for happiness here.
Serve your masters with all your heart and soul, there is only happiness in this concentration camp.