Formed from a grain of sand on baladewa streets in early 2008!
Indonesian celtic-punk of the punky variety.
Without going too far into the history of celtic-punk it can be said that the genre was back in the day originally a product of the Irish diaspora living in England and mainly in London. With the worldwide popularity of The Pogues it very soon spread across the Atlantic to north America to the Irish communities there and from there we had a couple of bands who went on to become absolutely massive and helped spread the modern day celtic-punk scene into every corner of the globe. In just the last few weeks on this site for instance we have published reviews of records from Hungary, France, USA, Netherlands, Belarus, Germany and Galicia and now we have a band from one the biggest and best celtic-punk scenes in the world- Indonesia. Yes it may seem strange and even unbelievable but the Indonesians have embraced celtic-punk and seem to have taken to it completely. Rather than go into the various bands of the scene you’d be better off checking out ‘Wind From The Foreign Land- Indonesian Celtic Punk Compilation’ from 2014. An album of fourteen tracks from fourteen different celtic-punk bands from across Indonesia. From folky almost traditional folk to celtic-Oi! and hardcore it’s all there and is one of the best album’s I have ever heard (here). Out in the Indian ocean and a thousand or two miles from Australia Indonesia gained independence from Holland after the second world war. The country itself has a population in excess of 230 million and comprises nearly 13,500 different islands and for a country that is 87.2% Muslim the scene has adopted one or two of celtic-punks better known subject matters, if you know what I mean…
Rain in Summer have been going almost a decade having formed in 2008 and this is their second release. It came out in a short run of 100 CD’s for Record Store Day in May just gone. That first release was a 6 track EP titled Untuk Kutaku which you can hear below on the ReverbNation player.
Discordant Anthem From The Gutter begins with ‘Suara’ and it sounds like about two dozen musicians locked in a pub! At least three singers giving it welly with electric guitar keeping time but with the sound (suara) of tin whistle, mandolin and fiddle throughout giving it that unmistakable celtic sound. A catchy as hell wee punky number to begin with. ‘Are You Okay?’ is up next and starts off in a kind of trad celtic-punk style before going punky and then returning, thanks to tin whistle, back into celtic-punk. The vocals are brilliant throughout and while it may not be polished it sounds all the better for it. Growing up listening to DIY punk releases means I can overlook some things and appreciate the rawness of others and the passion here shines through. Lyrics this time are sung in English while the rest of the EP is in Indonesian. ‘Semua Terekam Dalam Media’ follows and is a fast paced punk number with throaty vocals and mandolin. ‘Kita Semua Saudara’ is next and slows it down not that most will notice though. The electric guitar is still there as well as the gang vocals and heavy drums. It’s one of those moments when played live that you reach for the sky and grab your mates and your loved ones. A swirling and catchy as hell three minutes of perfection. ‘Eksploitasi’ (‘Exploitation’) is another fast paced punk song which slows down a couple of times only to get faster again. The EP is all over in less than twenty minutes. It grabs your attention and then just as quickly is gone. We are now onto the last song ‘ Warrior’ and straight from the off its reminiscent of Belfast punkers Stiff Little Fingers. For me the standout track of the EP with its perfectly paced fast punk rock and the celtic instruments just nicely accompanying. Again the tin whistle, fiddle and mandolin are all over this song and place the band firmly within celtic-punk. The production on the last song seems a bit clearer too to these big ears as well.
The EP was released on WLVR Records who not only released the Indonesian Celtic-punk compilation mentioned above but also fantastic records by The Cloves and The Tobacco, which we reviewed here, and Dirty Glass, here. Discordant Anthem From The Gutter places them firmly on the punkier side of celtic-punk and with a sound that straight away informs you they are a part of that blossoming Indonesian celtic-punk scene. As already stated it’s not polished but too many releases are tinkered with and all that manages to do is to remove that live feel that is crucial to any celtic-punk release. Here listening to this you could almost be in the pub sweating away with the lads on stage. Six songs of catchyness that will have you headbanging away and anyone planning on a holiday to Indonesia be sure to contact some of these bands as I get the feeling a concert out there would be a once in a lifetime opportunity.
Contact Rain In Summer
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WLRV Records is a Yogyakarta based independent record label, focusing on celtic punk and punk. Started by YK Mass in 2012 we are here to support Indonesian Celtic Punk / Irish Folk Punk / Paddy Punk movement.
- There is a fantastic Facebook group called ‘Indonesian Celtic Punk’ (here) we recommend you join. The Cloves And The Tobacco are only the tip of the iceberg when it comes to Indonesian celtic punk so invest a bit of time and find out a bit more about this great scene.
Tagged: Cloves And The Tobacco, Dirty Glass, Rain In Summer
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