Thirty-six years since their last album Scottish post-punk pioneers The Skids, currently on a hugely successful comeback tour, have released their fifth album ‘Burning Cities’ and could it be the greatest comeback album of all time?
The reason for this little history lesson is that The Skids ‘reformed’ a couple of years ago; they went on a nationwide tour and received rave reviews for their performances. Following on from this tour they went into the studio and the result is the fantastic new album ‘Burning Skies’. The line-up of the band is, Jobson, Simpson, Baillie (he joined the original band in 79 after Kellichan left) and most interestingly Bruce Watson and his son Jamie. Whilst Watson wasn’t in the original Skids he was in Big Country with Adamson and obviously learned a lot from him. When you get these old bands re-forming, it’s usually a nostalgic trip down memory lane for most fans (witness the Rebellion festival every August) and The Skids of course play many of the old favourites when they perform. Burning Cities however is chock full of new original music. The sound is unmistakably Skids and this is where you see the wisdom of bringing the Watsons in. All the years that he played with Stuart obviously gave Bruce an insight into his playing style and sound. He’s not imitating Stuart in any way, but the ‘feel’ of him can be heard here.
(The Skids and their iconic and legendary hit single from 1979)
The album starts off with what could be called a ‘clarion call’ in the shape of This Is Our World, an up-tempo rail at the world, don’t let the opening piano fool you it soon bursts into life. One Last Chance follows and the almost bagpipe like sound of the guitar is there in all its glory. Next up is Kaputt with some choppy sounding lyrics that put one in mind of Belfast’s very own Defects (not a bad sound to make!). Jobson’s delivery over the recurring guitar riffs show he still has the cohones for a row. A World On Fire is next and this one has the anthemic lyrics in the chorus for everyone to sing along to. The kind of track you could imagine a football crowd belting out!
The title track is another anthemlike offering, the pace is a bit slower, but all the power is still there, a track that (if you’re anything like me) you’ll have running around in your head all day. Up On The Moors comes next speeding things up again, it sounds quite lively like some of the early Skids offerings, a catchy number that would have made a good single back in the day! Refugee is a much slower paced almost reverential track. There is a sound that brings Clannad or Enya into my head which just sounds daft, but listen to it yourself and then try to categorise it!! Subbotnik brings you out of the Celtic misty meanderings into another punky typical Skids tune. The intro alone into Kings Of The New World Order is worth the price of the album. The guitar work makes such a unique sound and is a joy to listen to. Into the Void is a fast-paced track with edgy sounding guitars and lyrics from Jobson that will make it another ‘earworm’ of a track with its “down and down and down we go“ hook.
The final track is like a ballad, Desert Dust tells the tale of someone signing up for the army. It has wonderful fiddle work weaving through it and will definitely be many people’s standout track. For me there are at least 6 standout tracks and 0 duff tracks. Although I have gone on at length about the guitar sound here, I don’t want to take away from the rest of the band, they sound tight and certainly contribute to making a unique all-round sound. This album was released in January and is already a contender for the album of the year slot. It really is that good, old fellas like me will revel in the feelings it brings and those who have never heard The Skids are in for a real treat!
Scared to Dance (1979) * Days in Europa (1979) * The Absolute Game (1980) * Joy (1981) * Burning Cities (2018)
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Tagged: The Skids