2021 CATCH UP REVIEWS. PART 2 – WILD COLONIAL BHOYS, THE POKES, HAWTHORN, SURFIN’ TURNIPS,

Our last post was an attempt to catch up with a few albums that we loved but had missed for reviewing during 2021. Part One wasn’t originally planned to be but they all ended up being ‘solo’ albums and so today we have a bunch of albums from bands. Apologies for not being able to do more detailed reviews but as we say each and every month “we can’t review what we don’t hear”. 

WILD COLONIAL BHOYS – Remote Ruaille Buaille

Not a band I’m particularly knowledgeable about bar coveting one of their great t-shirts but here goes. I’m pretty sure I had some stuff from them in the past but was all lost in the great external HD crash of a few years ago. Hailing from Minnesota the album was recorded remotely, hence the name, which makes the expert production even more impressive.

Things start with the self penned ‘Red haired Lass’ and a upbeat bouncy Country /Celtic number. The production here is maybe one of the best I’ve heard all year. The sound is so full with the many instruments here all complimenting each other. The talented band show their ability throughout the album able to switch from more rocking numbers even to trad Folk. Their harder edge comes out early on, on the first of a handful of covers and ‘Rocky Road’ never fails to disappoint. Their are several excellent covers like  Ewan MacColl’s ‘Homes of Donegal’, and Luke Kelly’s ‘Schooldays Over’ but as usual it’s the originals that I’m really interested in. The standout track here is the ‘Tragedy At Duffy’s Cut’ where the Bhoys tells the tragic story of the death of 57 Irish immigrants whilst working digging the railroad near Philadelphia in the 1830’s. The death and unmarked grave containing these men’s remains was hidden for decades and is a stark reminder that the lives of working-class Irish Catholics in those days were worthless. A fascinating story well worth reading more about but the story is well told here. The album ends with a great upbeat version of ‘The Auld Triangle’ and it all reminds me what I have been missing. A fantastic album that captures the spirit of Irish-America perfectly.

THE POKES – Another Toast  (Here)

The Pokes had quite a lengthy several year hiatus between this album and their last but have returned with an album that reminds me of them at their best. Another Toast is their fifth studio album and takes off from where Mayday ended. Their distinctive Folk-Punk sound is left intact as well as the humour they are famous for. Kicking off with an ode to their beloved Berlin wart’n’all. Accordion led with a real catchy beat chugging along. As I’ve said before The Pokes remind me a hell of a lot of the Geordie band The Whiskey Priests. Unafraid to venture into political commentary but it’s pure bold and absolute brazen entertainment that is the goal here and is achieved 100%. My personal favourite here is ‘Gambler’, now talk about bloody catchy! but several songs could all be described the same. With the album’s artwork it’s no surprise The Pokes take a deep look at death here but always with a jig in their heart and a beer glass being slammed into a table.

The CD album comes with the added bonus of the vinyl only Sail single from earlier this year and also with a extensive 16-page booklet. The album was released on the famous Mad Butcher Records and is available in all formats. This to me is Celtic-Punk without being particularly Celtic but it is nevertheless absolutely superb party music!

HAWTHORN – All The Light We Cannot See  (Download)

We have just literally done a review of another band from Arizona (the new album from Swainn) and his has been in the to-do pile for a few weeks without us giving it much of a chance. hawthorns roots began in another local Celtic-Punk West Winds and they have previously released a 6-track EP in 2017 before this. Hawthorn are, rather unbelievably, a duo with Sarah Elizabeth and Brent Anderson playing all the instruments. The band is rather mysterious with blurred videos and artsy photos never quite giving you a decent view of the band. Still we here for the music and that is damn good.

I didn’t know they were a duo for a good while after I heard this album and I still find it hard to believe now after several listens. The amount of instruments here is incredible with flute, tin-whistle, uileann pipes, upright bass, mandolin, banjo and plenty more all in the mix here. At times the music is aggressive Celtic-Punk and at other times gentle Celtic inspired Folk. Basically the perfect model for an album on these pages. Of the former the brilliant intro ‘Beltane’ that leads into the fast bagpipe led ‘A Green And Ancient Light’, ‘Gardner’s Ghost’ and the album’s closing song ‘Raven’ all rock along with Celtic intensity, while of the latter the Irish trad instrumental ‘Lughnasadh’, the atmospheric ‘Samhain’, with almost Gothic sounding uileann piping, and the gentle ‘Solstice’ all stand out. Overall it’s a great album with a bit extra than most Celtic-Punk albums. Definitely not yer typical American album with both it’s style and lyrics. The album is available at the link below for ‘name your price’ download so basically a £100, a pint of Guinness or bugger all. Up to you but make sure you do download it.

THE SURFIN’ TURNIPS – Down The Allotment  (Download)

The Surfin’ Turnips have been with us now a good few years and round their way (Bristol and the south-west of England) they have become quite the institution. Known primarily as a festival band they have a decent enough back catalogue too and their latest album Down The Allotment came out back in March.
These guys are the real deal when it comes to West country Cider Punk anthems and its all heads down Folk’n’Roll as on the album opener the Ramonesy ‘Mermaids Leg’ that leads into the Folky but Punky but still Folky ‘Windbound’. It’s all done in great spirit and with tongue lodged firmly in cheek with salty songs of the sea, some of the fields and some of the orchards too. There’s plenty here but maybe you have to be a local for it to really click with you. Some of the subjects sailing right over me head but I loved the uncomplicated Punk-Rock sound that is only improved by the addition of accordion. The kind of band that when asked your standout tracks it would change every listen. At the moment the spoken word ‘Evesham Wheel’, UK82 style ‘Cider Police’, the piss taking ‘You Are My Cider’ and the album’s closing song, and also one of my favourite songs, ‘The Bonnie Ship The Diamond’ all stand out though I can guarantee that will change. One for ‘turnip’ up loud and getting your dancing boots on!
 

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