Author Archives: The Don

EP REVIEW: BARDS FROM YESTERDAY – (EP)DEMIA (2021)

The first review of 2021 features the new EP from Italian band Bards From Yesterday. Five young, capable and multi-talented musicians , originally from the areas of Lake Maggiore and Lake Orta, in northern Italy have chosen to embrace an ancient and distant culture, just as the bards did, Celtic minstrels who wandered from land to land, looking for as many incredible stories to retell and entertain.

And so 2021 carries on from where 2020 left off… Nevermind we get on with it and carry on the best we can don’t we? The Bards From Yesterday emerged over the last twelve months onto the Celtic-Punk scene despite being formed originally back in 2015. With 300+ gigs behind them and two official releases: Barney! their studio debut an EP with their favourite songs and Live In Brintaal! This was the culmination of over sixty gigs across northern Italy and Switzerland, ending at the Brintaal Celtic Folk Festival where the album was recorded. The album also contains the first song entirely written by the band, ‘Johnny Is Ainm Dom (Johnny Is My Name)’. So there you go this wee site carries just a drop in the ocean of all the bands out there and it is a battle we are more than happy to keep losing as it shows the scene is in a healthy state!

On (EP)Demia they have again recorded five songs and they are all covers bar the opening track. I was a bit disappointed initially as this is a band with undoubted talent and potential so it would be nice for them to take a risk and push their own material. I am sure they are more than capable of doing it and doing it extremely well. Still that disappointment subsided when I played the EP. Instantly a band we are very fond of’s influence can be found. That of fellow Italian Celtic-Punk band Uncle Bard And The Dirty Bastards. Both bands strive for as authentic as possible Irish music. One of the most beautiful and powerful instruments in the world are the uileann pipes and similar to Uncle Bard they are used to tremendous effect here and they give the songs that authenticity missing from some Celtic bands. Giovanni (who also plays the flute and tin whistle here) really is an excellent player, as are all the members of this great band!

(the Bhoys blasting through three traditional polkas as recorded in their homes in quarantine during while they should have been on their St. Paddy’s Tour Of 2020. Titled ‘The Unlucky Paddy’s Set’. Enjoy)

The EP opens with the trad instrumental ‘Pali’s Jig’ and the sound of the uileann pipes is a truly wonderful thing. How their aren’t more players in the Celtic-Punk scene I don’t know as it adds so much to the songs. Here the band go ‘hell for leather’ and it just emphasises they they should try and branch out with their own material if they can write songs like this. Utterly brilliant. Next up are a couple of live favourites and Irish music staples ‘Rocky Road To Dublin’ and ‘Star Of The County Down’. Both have almost been done to death but their is no denying they are fantastic songs and really when it comes down to it I never tire of hearing them. Especially of course when they are done with a bit of flair and individuality and Bards Of Yesterday give them plenty of both. Mattia’s vocals are clear and ‘Rocky Road’ is hard enough to keep up with in your native tongue so he does a great job not missing a beat while ‘Star’ starts off nice and slow before becoming exactly what you’d expect! A nice jolly upbeat romp to bump into people on the dance floor to. Next up is the pipe heavy Irish trad tune ‘Mick O’Connor’s Reels’. The song, written by north-west London based banjo playing Mick O’Connor, is quite simply superb and has an Horslips/Planxty feel to it. It also reminded me of the great late 80’s Yorkshire band You Slosh. Turning away from from Irish music for the EP’s final track with a song titled ‘Hector The Hero’. A beautiful song and one I first heard by The Bothy Band but the Bards Of Yesterday again give it their own stamp and refuse to just give us a straight cover but do their own thing. Which is exactly how it should be! It may also be familiar to any Mickey Rickshaw fans out there! Composed by Scots fiddler James Scott Skinner to honour Major-General Hector MacDonald, who had a distinguished career in the British Army, rising up the ranks from enlisted soldier. He tragically committed suicide in 1903 in Paris.

Bards Of Yesterday from top left to right: Mattia Gavin – Vocals, Guitar * Alessandro ‘Pali’ Lovisi – Greek Bouzouki, Mandolin * Glauco Guala – Drums * Giuseppe ‘Geppo’ Mastria – Bass, backing vocals * Giovanni Davoli – Low whistle, Tin Whistle, Uilleann Pipes *

So our first review of the year and already an absolute corker. Much more trad and less ‘punk’ than Uncle Bard And The Dirty Bastards but cut from the same cloth as regards how they treat and play Irish (and Celtic) music. One great thing the band do is a series of videos where they play a song like ‘Drunken Sailor’ or ‘The Parting Glass’ and tell of the history of the song and how to play it. Sadly for me it’s all in Italian! The friendly links between Ireland and Italy go back further than anyone can imagine and their have been many great Italian bands who play better Celtic music than the Celts do and Bards From Yesterday could just be another one.

“We’re storytellers that tell myths and legend about alcohol and shenanigans.
From the fairy tale of the drunken sailor till the mad dance of the premier bootleggers of Connemara.”

Buy (EP)Demia  Amazon  Apple

Contact Bards Of Yesterday  WebSite  Facebook  YouTube  Instagram

REMEMBERING MICHAEL KILROE 1957-2021

It was with great sadness that on last Saturday morning I woke to the very sad and shocking news that Mike Kilroe had passed away peacefully in his sleep at his home in New York state. At a time when the Celtic-Punk scene was floundering Mike started the Celtic Punk, Folk And Rock Fans group on Facebook. Pleasing everyone in such a diverse scene would prove impossible but I doubt anyone else would have come as close as Mike did. His regular postings and light handed but firm management kept the group on track and would prove massively successful with the group growing to over 8,000 members. We chatted regularly about all sorts of things but what shone through our conversations was his passion and enthusiasm for music (not only Celtic-Punk) and his Irish heritage. Ireland has lost one of her own. Back in May last year I had the pleasure of interviewing Mike for this site where we talked about music, being Irish. the Irish community and sports. Besides music Mike was a massive sports fan particularly baseball and the NY Yankees. He was especially proud that his cousin pitched for them in the 1950’s. Mike was also a coach in the little leagues teaching kids for many years. He had a hard life losing his Mother as a teenager and struggled somewhat after that but found peace in nature and music and was incredibly gifted with numbers. When I did the interview he was absolutely adamant that he did not want a picture of himself to accommodate the interview. Instead he wanted the ‘My Nation My Heritage’ graphic as he thought that summed him up. This I found very endearing and yet another reason, if I needed one, to like the man! A very sad loss for the Celtic-Punk family and our thoughts and prayers go out to his family and friends.

Go n-éirí an bóthar leat
Go raibh an ghaoth go brách ag do chúl
Go lonraí an ghrian go te ar d’aghaidh
Go dtite an bháisteach go mín ar do pháirceanna
Agus go mbuailimid le chéile arís,
Go gcoinní Dia i mbos A láimhe thú.

May the road rise to meet you
May the wind be always at your back
May the sun shine warm upon your face,
The rains fall soft upon your fields
And until we meet again
May God hold you in the hollow of His hand.

HARLEM VALLEY NEWS OBITUARY

Michael J. Kilroe, Sr passed away at his home in Millbrook, NY on Tuesday, January 5, 2021 at the age of 63.

A resident of Millbrook for 28 years, he was born in Sleepy Hollow, NY on April 25, 1957 and was the son of John and Jean (Haines) Kilroe.  Mike attended and graduated from Roy C. Ketcham High School.

Mike was a groundskeeper for Hallmark Farm, a horse farm in Millbrook.  He had a great passion for music and baseball and was an avid amateur ham radio operator.

He is survived by his son Michael Kilroe and his wife Nina of North Adams, MA; his grandchildren, Mia Dillmann of Centereach, NY, Max Dillmann of Kenai, AK, and Dylan Nastasi of Marietta, GA; his brother John Kilroe of Highland, NY; his former wife and close friend, Marybeth Kilroe, and step-daughter Katie Nelson, both of Pawling.

“I’m glad that we met man, it really was nice talking and I really wish there was a little more time to speak” – Lou Reed.

Thanks to Mikes cousin Karen for the wonderful photo of Mike and his daughter-in-law Nina on her wedding day.

CELTIC PUNK, FOLK AND ROCK FANS

INTERVIEW WITH MIKE KILROE FROM THE ‘CELTIC PUNK, FOLK AND ROCK FANS’ GROUP

2020 ROUND-UP’S. THE MAHONES, RUNA, ALESTORM, MAGGIES FLOCK, BARBAR O’RHUM

2020 was by and large a shitty year for music. Sure their were a few bright spots… off the top of my head the many Live Streams but it was never going to replace live gigs for the Celtic-Punk scene where live gigs are everything. Even in a year with much fewer releases we still couldn’t keep up with everything! At London Celtic Punks we pride ourselves on giving detailed and extensive reviews but sometimes this isn’t quite possible so here’s the ‘Round-Up’s’ of some of the records we missed first time round.

THE MAHONES –  ’30 Years And This Is All We’ve Got To Show For It’

Just a couple of weeks ago we reviewed the 30th anniversary album of German band Fiddlers Green and around the same time was released another album by a Celtic-Punk giant on the other side of the planet celebrating thirty years in the game this time from The Mahones. Yes 30 years. THIRTY. Hard to believe isn’t it? Popular throughout the world they have recorded eleven studio albums, two live albums, an acoustic album and a compilation marking their 25 year anniversary and have covered more miles than British Airways! Here they have carefully chosen nineteen tracks of their best from across the 30 years of their career. The album is available as a ten track vinyl release (on green!) and also on CD and download with nine bonus tracks from True North Records. As for the songs they are everything you would expect. We may have heard them all before but their really is something for everyone here as The Mahones flit from raucous Irish Punk rockers to maudlin and sad ballads. The mix of songs is perfect and the balance between the harder songs and the ballads is as well. For a band that tours as much as The Mahones do 2020 must have been a particularly difficult year for The Mahones but already with dates released for 2021 (see you in London in February!) they are well prepared to take their 31st year by the throat when it arrives.

Contact The Mahones  FacebookPage  FacebookGroup YouTube  Instagram

RUNA – ‘The Tide of Winter’

American Irish ‘supergroup’ Runa are one of the best Irish Folk/Trad bands around. This is due in no small part to the beautiful voice of lead singer Shannon Lambert-Ryan (who also plays quite a mean harp!) and that they also have the ability to weave other influences into their signature sound without you even noticing. Several LP’s in Runa have become famous on both sides of the Atlantic now and continue their path with The Tide Of Winter. Now by rights this ought to have been done pre-Christmas but it slipped the net and we ran out of time. A beautiful, at times haunting and at others spirit lifting, collection of thirteen Christmas themed songs and carols. All the favourites are here (‘In The Bleak Midwinter’, ‘God Rest Ye Merry Gentlemen’, ‘Silent Night’) as well as a few new ones including a stunning version of ‘The Wexford Carol’ (also known as ‘Enniscorthy Carol’) recorded in its native Irish Gaelic.

It was in May 2019 that Runa got together for a weekend to get into the Christmas spirit and started working on arrangements for the album. Highlights beyond those already mentioned include the track ‘Instrumental’ which features the songs ‘Hark the Herald / Dixie Hoedown / Red Prairie Dawn / O Come Emmanuel / Road to Cashel’ seamlessly joined together with some amazing musical work from Fionán, Chery, Caleb and Jake. One for next Christmas I suppose but hopefully by then Runa’s joyous album really will be something to celebrate.

Buy The Tide of Winter  CD- FromTheBand  Download- Here

Contact Runa  WebSite  Facebook  Instagram  YouTube

ALESTORM – ‘Curse Of the Crystal Coconut’

From traditional Christmas folk music now to Heavy Metal! Founded in 2004 in Perth, Scotland by Christopher Bowes Alestorm are one of the pioneers and certainly the leading light of Pirate Metal! Basically the combination of Heavy Rock/Metal and Pirate music. Now Pirate music is often confused with Celtic music and for good reason too. The similarities are obvious to anyone with a pair of ears with plenty of the same melodies (and even some of the same songs) criss-crossing the genres. Alestorm have been together for fourteen years and they may have toned down the Metal side of their music a little but their popularity seems set to continue with this their sixth album. Now I don’t claim to know much about this genre but it does seem to be growing and their have been a few high profile gigs in London over the last couple of the years with Alestorm headlining some of the towns biggest venues. Released in May on Napalm Records and recorded in Thailand this is as good a place as any to start if this genre interests you. Songs like ‘Treasure Chest Party Quest’, ‘Fannybaws’ and ‘Pirate’s Scorn’ give you an idea but it is the epic eight minute ‘Wooden Leg Pt. 2 (The Woodening)’ that really stood out for me showing there’s more to Alstorm than gimmick.

Contact Alestorm  WebSite  Facebook  Instagram

MAGGIE’S FLOCK – Party At The Cemetery

The debut release from Dutch Celtic-Folk-Rockers Maggie’s Flock. The six-piece band from Nijmegen / Arnhem that play a style of music that veers from Celtic-Rock to traditional Folk with more than a little Celtic twist. The band had the novel idea to release a video/song a month on You Tube from January 2020 through to December and then compile the songs into an album and release it. We have tracked these videos over the last year and it really is worth checking them (the Party At The Cemetery YouTube play-list) out yourselves as the work the band put into them deserves it. So quite a novel idea in quite the ‘novel’ year! The Netherlands has quite the cool Celtic scene and one of our gigs last year that Covid killed off was a Dutch Celtic-Punk double-header with Pyrolysis and The Royal Spuds. Musically Maggies Flock come across to me as a ‘mature’ Dropkick Murphys. I mean the Dropkicks sound of recent rather than their punky years. Catchy, tuneful songs with chugging guitars and superb whistles and accordion. ‘The album opener ‘The Poguey Club’ is one of the many highlights here and you can tell this album has not been rushed into. The idea of releasing a song a month has worked perfectly here as the balance of songs is great and the music is not solely Celtic veering into more Folk-Rock/Punk at times. Personally I love me Tipp songs so I especially loved ‘Travelling Laddie’ but the fast ‘Bored Beyond Death’ is sure to get the toes tapping.

A lot of effort then and not just in the music with the vinyl version coming in a luxurious fold-out cover with all the lyrics while the CD has an extensive 24 page illustrated booklet.

Buy Party At The Cemetary – Vinyl/CD FromTheBand

Contact Maggie’s Flock  WebSite  Facebook  YouTube  Instagram

BARBAR’O’RHUM – Journal de B’O’R

Drawing in inspiration from sea-shanties, traditional music, Celtic-Rock and Celtic-Punk, Irish-Punk and Folk-Metal, Barbar’O’Rhum inhabit an area that sits somewhere between Alestorm and The Mahones. Founded in 2014 in the South-West Of France the band offer up their own style of music they call ‘Rock ‘n’ Rhum’. The musical style here owes much to theatrics making them more a band you would want to witness live but they have captured the sound of the band here rather well and also the atmosphere too which I would think is a lot harder. From beginning to end it’s an accessibly joyful Punk Rock stomp from album opener ‘Pirate des Champs’ which brings in some offbeat but delightful influences to eight minute epic ‘Freres de Bitte’ which brings down the curtain on the album and manages to capture all the various parts of Barbar’O’Rhum in one bombastic theatrical campy triumph. Yet in a album that lasts over an hour and the majority of the songs are around the five minute mark it’s that opening track that stand outs head and shoulders and one listen to that will tell you all you need to know about whether you would like this album or not. Me I fecking loved it!

Contact Barbar O’Rhum  WebSite  Facebook  YouTube  Instagram

So their you go our ‘last’ post of 2020. Apologies to all the bands that we weren’t able to give each album the full London Celtic Punks treatment but was just not possible this time. Remember if you are in a band then we cant do a review if we haven’t heard your release!

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HAPPY NEW YEAR FROM LONDON CELTIC PUNKS. 2020… THE STATISTICS

Well not much to say about 2020 is there. The pandemic and the subsequent lockdown was a disaster for music in general but for Celtic-Punk especially. In a genre where bands have many more members than ordinary bands it was harder to get together and with the cancellation of gigs its been even harder. Still though we have got through it and finally the light at the end of the tunnel is not the light of an oncoming train (for now!). During 2020 we here at London Celtic Punks have published a whopping 122 posts which is the most we ever had in a year. It’s also the fifth year in a row our number of posts has increased. Most of these posts have been reviews and we also introduced the popular Odds’n’Sods feature making us the only place to find out what’s going on in the Celtic-Punk world. We have again had fantastic feedback from bands that our reviews have had a positive effect on music sales and things like Facebook Likes so we’re even more grateful that you seem to be listening and acting upon our recommendations.

TOP TEN COUNTRIES VIEWING

(2013/2014/2015/2016/2017/2018/2019 in brackets)

1. United Kingdom ( (1/1/1/1/1/1/1)

2. USA (2/2/2/2/2/2/2)

3. Ireland (4/7/4/4/5/4/3)

4. Germany (7/3/3/3/3/3/4)

5. Canada  (6/6/7/8/9/5/5)

6. Spain (8/8/6/7/6/8/8)

7. Italy (9/10/9/8/9/9/9)

8. Australia (5/4/8/6/7/7/6)

9. France (3/5/5/5/4/6/7)

10. Norway (29/22/18/19/26/23/18)

11. Netherlands 12. Sweden 13.Belgium 14. Indonesia 15. Finland 16. Japan 17. Czech Republic 18. Brazil 19. Switzerland 20. Poland

To go to the relevant article/review simply click on green link.

TOP TEN ARTICLES VIEWED

We tried during 2020 to steer the site away from just doing reviews and we achieved that somewhat as you can see from our top ten. Thanks to all who contributed and we welcome articles so please get in touch.

1. The Day The Fighting Irish Took On The Ku Klux Klan

2. London Celtic Punks Presents The Best Of 2019

3. Let The Music Keep Your Spirits High – Part One

4. Pogue Laurete – The Lyrics Of Shane MacGowan

5. The Irish Soldiers Of Mexico In Film And Song

6. The Best Song Ever Written

7. ‘Return To Camden’ by Terence O’Flaherty

8. Top Ten Anti-War Songs

9. Let The Music Keep Your Spirits High – Part Two

10. Film Review: Clash Of The Ash

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TOP TEN MUSIC REVIEWS VIEWED

1. UNCLE BARD AND THE DIRTY BASTARDS – ‘The Men Beyond The Glass’
2. OGRAS – ‘No Love In The City’
3. KRAKIN’ KELLYS – ‘Burn Your Flag’
4. THE POGUES – ‘BBC Sessions 1984 – 1986
5. BATALLON DE SAN PATRICIO – ‘Hermanos De Guerra’
6. PADDY WAGGIN – ‘Race To The Bottom’
7. 1916 – ‘Meant To Be’
8. THE MAHONES – ‘Unplugged’
10. PADDY MURPHY – ‘Rams Rebels Goats And Girls’
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2013 THE STATISTICS 2014 THE STATISTICS * 2015 THE STATISTICS * 2016 THE STATISTICS * 2017 STATISTICS * 2018 STATISTICS * 2019 THE STATISTICS *

Despite 2020’s problems (!) live music continued to come out and this Christmas has seen a flurry of releases the like of which we have never seen before and as we never like to miss a chance to give you some new music so here’s Rover MacChroi, better known as The Irish Rover- the essential Irish Punk singer and lyricist and his brand new track based on you know what!

IRISH ROVER – Fairytale Of Cov!d Flu

Irish Rover  WebSite  Facebook  YouTube 

REMEMBER TO TUNE BACK IN ON JANUARY 17th WHEN THE LONDON CELTIC PUNKS BEST OF 2020 LISTS ARE REVEALED!!!

ODDS’N’SODS. CELTIC-PUNK ROUND UP JANUARY 2021

In a attempt to get away from just doing ‘ReviewReviewReviewReview…’ we started a monthly feature of all the Celtic-Punk news that passed us by. All will get a mention but I need YOU to help if it’s going to work. Any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page.

In case you missed this month has seen a flurry of Celtic-Punk Christmas song releases from across the world. Anti-Depresants from Ireland, Grass Mud Horse from China, The Feelgood McLouds from Germany, Batallón De San Patricio from Mexico, Nova Scotia’s Stanfields and London’s very own Clan Of Celts all putting out new songs and videos in time for Christmas Day. These were featured in a special post just after Christmas Day so if you missed it then click below to find it.

NEW CHRISTMASSY CELTIC-PUNK SONGS FROM MEXICO, GERMANY, CHINA, IRELAND AND LONDON

One band that would have featured in that post was London’s MAN THE LIFEBOATS Crimbo song ‘Whisky For Christmas’. Sadly I didn’t hear it until recently so be happy I could sneak it in here.

..by the way that aint how you spell whiskey!!

A compilation release of northern Irish Oi!/Punk/Ska/Reggae bands in the memory of Desi Cush and Colin Riot. Dancing With The Fallen normally organise a charity all-dayer but as the pandemic has ground everything to a halt it was decided to raise money through a compilation of bands that would normally be on the festivals bill.

LORETTA PROBLEM are back with another wonderful song and video (please take the time to watch their 2019 smash hit The Waltz Of My Drunken Dream featuring Juha Lagström on vocals. As close to Poguesy perfection as anyone has ever got!). 30 years old this year this bunch of Finnish Punks and Celts just keep on getting better and better and just to prove it ‘Another Kind Of Love Song’ is a remake of one of the songs from an LP they made about 25 years ago.

A new Folk release from DECLAN MILLAR recorded in the back of a caravan with a 30 year old microphone. Produced and recorded by Jay Terrestrial from Punk/Dub legends the Inner Terrestrials. As Jay says

“This LP is about one bard with his voice and instrument, grass roots and no frills. I’m really impressed with the result, the man’s still in his early 20’s and is a songsmith with a voice that speaks from the heart.”

Boston singer/ songwriter BRYAN McPHERSON has a new double album in the planning stage titled How to Draw Everything provisionally set for release in September 2021. You can get on board at the very beginning by checking out the Kickstarter Campaign and pledging. Therefore keeping Bryan out of the hands of record company vultures!

KIRK McLEOD of the bloomin’ brilliant Celtic-Rock band SEVEN NATIONS has a solo album out. He has released A Time For Pilots earlier than expected and even though I’ve not heard it I am sure it will be his usual brilliance. The album is available on his website now, and will be available on streaming services soon!

Official video for the new song ‘Away’ by IRISH STEW OF SINDIDUN from Belgrade, Serbia. Founded in 2003 this band is massive at home and are one of the best known bands in Eastern Europe.  ‘Away is their first release from their album, City of Grigs.

CALLUM HOUSTON fresh from his two summer London Celtic Punks Live Streams is still knocking them out the ball park and he recently recorded The Pogues highly under rated classic ‘Tranmetropolitan’. Callum is back playing live gigs in Brittany so give him a shout if you’re nearby.

MAGGIES FLOCK – Party at the Cemetery

THE MAHONES – 30 Years and This Is All We’ve Got To Show For It …

DROPKICK MURPHYS – ‘Christmas (Baby Please Come Home)’ Single

DROPKICK MURPHYS – ‘I Wish You Were Here’ Single

Remember if you want your release featured then we have to have heard it first!

Now not only is the accordion the backbone of Irish music but also of Celtic-Punk as well and their are plenty of fantastic players around but I only recently came across the album Roaring Accordion by STRANGELY. He is based in Bellingham, Washington and plays oddball Folky drinking songs. Think along the lines of a higher pitched pirate Tom Waits with Celtic roots. Strangely performs this music usually as part of a solo show that incorporates theatre and comedy and is joined here by a whole host of mates.

THE RUMJACKS recorded an acoustic version of their new song ‘Sainted Millions’. The proper version will feature on their new album Hestia. Out next March and available for pre-order now.

Dutch Celtic-Folk-Punk band MAGGIES FLOCK recently performed for the on-line People 4 Music Festival which has now been uploaded onto You Tube.

Absolutely stunning new video for ‘I’m Free’ taken from THE CELTIC SOCIAL CLUB album From Babylon To Avalon which we reviewed recently and heartily loved.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

NEW CHRISTMASSY CELTIC-PUNK SONGS FROM IRELAND, CHINA, GERMANY, CANADA, LONDON AND MEXICO

Well that’s it. Christmas is over and done with and hopefully you all had a festively good time despite everything.  BUT if you are still in need of some good cheer though then wait no more as we here’s a selection of six brand new 2020 Christmas-ish Celtic-Punk songs for you to delight over.

Craic open what’s left of the Jamesons and enjoy!

ANTI-DEPRESANTS – ‘If It’s Gonna Be Cold’

Anti Depresants are four piece Rock‘n’ Roll band coming from the hills of Armagh in the north of Ireland with a lot of Punk attitude an’ a sprinklin’ of Ska to get your ass movin’, your heart beatin’ and your mind racin’ with their diverse sound embracing heavy rock, reggae, male and female vocals and blistering guitar work.

Contact Anti Depresants  Facebook  YouTube  Bandcamp

GRASS MUD HORSE – ‘Christmas Time In China’

Possibly the busiest band in Celtic-Punk this year (and definitely the busiest on these pages!!) Grass Mud Horse have been making, and releasing, music throughout the ‘clampdown’ to us lucky folk. Led by award-winning musician Chris Barry, a Scouser living in Qinhuangdao, China. They blend together the traditional Folk sound of Chris ancestors in Ireland with an distinctly raw and untamed Punk-Rock energy. 2020 while being quite the lame year has seen Grass Mud Horse become quite the name on the Celtic-Punk scene with their last single released dually across North America by Paddyrock and Europe by us! The song is available for download over on Bandcamp for next to nothing.

Contact Grass Mud Horse  WebSite  Facebook   YouTube

THE FEELGOOD McLOUDS – ‘Driving Home For Christmas’

St. Nicholas is on his way and The Feelgood McLouds have come up with a little present for you. Are you bored of long dark winter nights without pubs and concerts? Then here’s the solution the brand new Christmas song from these fantastic German Celtic-Punkers. Imagine if the Dubliners were only in their mid-twenties, very, very thirsty and had discovered punk for themselves. Then punk rock anthems would merge with bagpipes, banjo, tin whistle and accordion, there would be a good smell of beer and whiskey and sweat would drip from the ceiling. And that’s exactly what The Feelgood McLouds is all about. With their energetic punk rock show, the 6 Saarlanders make every concert room shake and everyone to empty their beer glass. In a nutshell: Sounding like NOFX and the Dropkick Murphys are meeting in an Irish pub for an endless party!

Contact The Feelgood McLeods  WebSite  Facebook  YouTube  Instagram

THE STANFIELDS – ‘(I’ll Stay Home) With Bells On

The Stanfields trod a well trodden path to 2020 from the Seahorse Tavern in their hometown of Halifax, Nova Scotia to where they are now. Their trajectory from full on their Celtic-Punk to “the bastard child of AC/DC and Stan Rogers” where their music blends Working Class Hard-Rock with the many strands of Folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland. Here they massacre pay tribute to the great Dolly Parton and Kenny Rogers song. Stanfields front man John is joined by his Mrs Shannon on this cheeky number that follows on from our review just a couple of weeks ago of their fantastic new album Welcome To The Ball.

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

CLAN OF CELTS- ‘A Christmas Quarantine’

Fusing together all their musical experiences & influences ranging from, Rock, Metal, Country, Punk, Classical and of course traditional Irish. Clan Of Celts have created a unique style and an unmistakable sound that is brought to you with Celtic pride, passion, commitment and respect for our traditional roots. The new team on the London Celtic-Punk scene bring you a classic cheesy Christmas song out now and available to download through Spotify and all decent streaming services. Will they ever complete the interview I sent them? Who knows what 2021 will bring!!!

Contact Clan Of Celts WebSite  Facebook  YouTube  Soundcloud

BATALLON DE SAN PATRICIO – ‘F*ck Merry Christmas And F*ck You’

And finally the new single from Mexican Celtic-Punk newcomers Batallón De San Patricio. Why they got such a downer on Christmas is anyone’s guess but ding-dong merrily on high here it is anyway! It’s been a busy year for these guys with a hit album Hermanos de Guerra under their belts as well as making themselves known right across the Celtic-Punk world. The band’s name comes from the famed St. Patrick’s Battalion (see The Irish Soldiers Of Mexico In Film And Song). A group of immigrants, mainly of Irish descent, who deserted from the US Army because of anti-Catholic bigotry and went to fight for the Mexican Army during the Mexican-American War (1846-1848). It’s a tale of great adventure and heroic valour. Batallón de San Patricio were formed in 2017 in Guadalajara and right from the start the idea was to pay tribute to their namesakes. In many ways the name was a obvious choice for a band whose chief aim was to play Celtic-Punk mixing Irish and Mexican culture.

Contact Batallón De San Patricio  Facebook  Bandcamp  YouTube

So that’s almost it for 2020. Tune in on Wednesday for our final post of the year. A fun packed Odd’n’Sods – Celtic Punk Round Up full of the most recent videos and news from around the scene.

CELEBRATING A CELTIC CHRISTMAS 2020. MERRY CHRISTMAS TO ALL THE LONDON CELTIC PUNKS FAMILY

Each December we pick the best Christmas themed song we’ve heard that year to showcase in our end of year message. Their was a time when it was a easy choice but over the years its become quite common, so much so that we will have a special feature on 2020’s Celtic-Punk Christmas songs on St. Stephen’s Day (or Boxing Day to you Brits!).

Celtic-Punk is about embracing the traditions of the past and bringing them to the present so you also get a chance to check out the Christmas customs from each of the Celtic nations. 

The PoguestrA – ‘Fairytale Of New York’

The PoguestrA have created a rendition of Fairytale of New York that includes an amazing 71 musicians from around the world. The PoguestrA community was established in May 2020 during the lockdown with musicians playing together remotely. While we agree with Shane with regards the changing of the words the song still packs a punch. If you are interested in joining the PoguestrA for future songs then get in touch with the gang viaYouTube orFacebook

CELEBRATING A CELTIC CHRISTMAS

According to long standing theory, the origins of Christmas stems from pagan winter festivals. One main reason early Christians were able to spread their religion across Europe so quickly came from their willingness to embrace celebrations already common among regional populations. One such example is the Celtic ‘Alban Arthuan’, a Druidic festival that took place around December 21st. the Winter Solstice. This traditional fire festival celebrated the re-birth of the Sun. Although a celebration of the Son’s birth replaced that of the Sun’s, still a number of ancient Celtic Christmas traditions remain today.

As we look across the Celtic nations, it is interesting to note some similarities among Christmas traditions that cross geographic boundaries. They include, for example: Holly (a symbol of rebirth among Pagan Celts, but also of hospitality—it was believed fairies sought shelter inside the evergreen leaves to escape the cold); Mistletoe (believed to have healing powers so strong that it warded off evil spirits, cured illnesses and even facilitated a truce between enemies); fire and light (most notably the Yule log or candles placed in windows to light the way for strangers and symbolically welcoming Mary and Joseph); and door-to-door processions, from wassailing to Wren Hunts.

Each of the seven nations possesses its own variations of Celtic Christmas customs. Surrounding cultures and local identify shape theses practices as well.

SCOTLAND

Christmas was not officially recognized in Scotland for nearly four centuries. The Puritan English Parliament banned Christmas in 1647 and it did not become a recognized public holiday in Scotland until 1958. However, according to Andrew Halliday, in his 1833 piece Christmas in Scotland, Scots were not discouraged from celebrating Christmas. Halliday wrote

“We remember it stated in a popular periodical, one Christmas season not long ago, that Christmas-day was not kept at all in Scotland. Such is not the case; the Scots do keep Christmas-day, and in the same kindly Christian spirit that we do, though the Presbyterian austerity of their church does not acknowledge it as a religious festival”

Halliday’s 19th century account went on to describe festive sowens (sweetened oat gruel) ceremonies, “beggars” (actually “strapping fellows”) singing yule song, dances and card parties and children’s teetotum games. Despite Puritan rule, some long-time Christmas traditions are preserved. These include burning the Cailleach (a piece of wood carved to look like an old woman’s face or the Spirit of Winter) to start the new year fresh; or on Christmas Eve burning rowan tree branches to signify the resolution of any disputes. The Celtic tradition of placing candles in windows was also done in Scotland to welcome “first footers” (strangers, bearing a small gift) into the home. Traditional dishes also continue to be featured at Christmas lunch and throughout the holidays, including Cock-a-Leekie soup, smoked salmon, beef or duck, Clootie dumplings, black buns, sun cakes, Christmas pudding and Crannachan.

Because Christmas was not an official holiday until the late ‘50s it is no surprise that today, for some Scots, Hogmanay (New Year’s Eve) is the most important event of the season. Arguably, locals ring in the new year with much more gusto than any other place on the planet.

IRELAND

An Autumn clean up was a common practice in Irish homes to prepare for Christmas. Women looked after cleaning the interior, while men took care of the outdoors, including whitewashing all exterior surfaces. Then holly, grown wild in Ireland, was spread throughout the house with cheer. Contemporary Ireland also highlights this clean-up ritual; once complete, fresh Christmas linens are taken out of storage.

Other customs include the Bloc na Nollaig or Christmas Block (the Irish version of the Yule log), candles in the window (perhaps one for each family member), and leading up to Christmas, ‘Calling the Waites’ where musicians would wake up townspeople through serenades and shouting out the morning hour. Christmas Eve Mass is still a grand affair; a time for friends and family to reconnect. It is not uncommon for churchgoers to end up at the local pub after service to ring in Christmas morn. On Christmas Day, traditional dishes include roast goose or ham and sausages, potatoes (such as champ), vegetables (such as cabbage with bacon) and plum pudding, whiskey, Christmas cake and barmbrack (currant loaf) for sweets. Traditionally on December 26th, St. Stephen’s Day, Wren Boys with blackened faces, carrying a pole with a dead bird pierced at the top, tramped from house to house. Today the custom sometimes sees children caroling throughout the neighbourhood to raise money for charity. It is also quite common to go out visiting on this day.

WALES

Music was and still is a major part of Welsh holidays. Plygain is a Christmas day church service, traditionally held between three and six in the morning featuring males singing acapella in three or four-part harmonies. While today this may be mainly practised in rural areas, Eisteddfodde (caroling) is abundantly popular in homes, door-to-door and as part of annual song-writing competitions.

Dylan Thomas’ story ‘A Child’s Christmas in Wales’ is renowned around the world. An excerpt offers a glimpse of a traditional Welsh festive season:

“Always on Christmas night there was music. An uncle played the fiddle, a cousin sang ‘Cherry Ripe’ and another uncle sang ‘Drake’s Drum’… Looking through my bedroom window, out into the moonlight and the unending smoke-coloured snow, I could see the lights in the windows of all the other houses on our hill and hear the music rising from them up the long, steady falling night”

Other intriguing Welsh traditions include toffee making; drinking from a communal wassail bowl of fruit, spices, sugar and beer; children visiting homes on New Year’s Day looking for their Callenig gift; and Mary Lwyd (Grey Mare) featuring wassail singers going door-to-door carrying a horse’s skull and challenging residents in a contest of mocking rhymes.

ISLE OF MAN

Carolling also holds a special place in Manx Christmas celebrations, but traditionally an unconventional twist characterized it. On Christmas Eve, large numbers attended church for Carval. While the congregation sang, all of a sudden women would begin the traditional food fight, having peas on hand to throw at their male counterparts! Accounts from the 1700s and 1800s describe 12 days of non-stop Christmas celebrations where every barn was filled with dancers accompanied by fiddlers the local parish hired. The Reverend John Entick recorded in 1774

“On the twelfth day the fiddler lays his head on one of the women’s laps, which posture they look upon as a kind of oracle. For one of the company coming up and naming every maiden in the company, asks the fiddler, who shall this or that girl marry? And whatever he answers it is absolutely depended on as an oracle”

As in Celtic fashion, Hunting the Wren processions occurred on the Isle of Man and today the practice is going through a revival, characterized by costumes, singing and dancing.

Other Manx customs include Mollag Bands, wearing eccentric clothing, swinging a mollag (fishing float) and demanding money (a practice since outlawed); the kissing bush (a more elaborate ornament than a sprig of mistletoe); and Cammag, a sport that originated on the Isle of Man traditionally played on December 26th and/or Easter Monday. In older times but even as recently as the early 20th century, Christmas decorations were not taken down until Pancake Tuesday (when they were burnt under the pancake pan). Now holiday décor tends to be packed away on Old Christmas (January 6th).

CORNWALL

As a result of Oliver Cromwell banning Christmas, authentic holiday carols began to fade through much of Britain. However, throughout the 1800’s, Cornish composers and collectors sparked a revival of local Christmas song.Certain carols well-known around the world, such as Hark the Herald Angels and While Shepherds, are credited to Cornish origins.

“Contrary to the effect Methodism might have had on the English carollers, in Cornwall its impact was to stimulate song,” states the Cornwall Council (Cornish Christmas Carols – Or Curls, 2011). “In those areas where Methodism was strongest, music and signing had their greatest appeal, and notably so at Christmas. The singers would practice in chapels and school-rooms, some of them walking miles to be there”

Today, Cornwall erupts in festivals, fairs and markets during the holidays. The Montol Festival in Penzance (named for Montol Eve on December 21st) is a six-day celebration highlighting many Cornish traditions. These include Mummers plays, lantern processions, Guise dancing (participants dress in masks and costume, such as mock formal dress, to play music and dance).

Montol is also the time for burning the Mock (yule log). A stickman or woman is drawn on the block of wood with chalk. When the log burns, it symbolizes the death of the old year and birth of the year to come.

BRITTANY

Brittany boasts a wealth of folklore and supernatural beliefs around Christmas time. Christmas Eve was known as a night of miraculous apparitions from fairies to Korrigans, and at midnight, for just a brief moment, waters in the wells would turn into the most sweet-tasting wine. It was also at midnight, when families were either at mass or in bed, that ghosts would surface; traditionally food was left out for deceased loved ones just in case they visited.

During the holidays, Christmas markets come alive in many Breton towns vending hand-made crafts and toys, baked cakes and bread and ingredients for Christmas dinner. You can also buy Gallette des Rois at stalls, as well as bakeries, which is traditionally eaten on January 6th (Epiphany). A tiny figurine (the fève) is hidden inside the puff pastry cake; the person who finds the figurine in their piece gets to be king or queen for the day and wear a crown. Another special tradition through all of France is a meal after Christmas Eve’s midnight mass, called Réveillon. Specifically in Britany, the traditional dish for this occasion is buckwheat crêpes with cream.

GALICIA

Galicia has its own unique Christmas gift-bearer that pre-dates Christianity. He is called Apalpador, a giant who lives in the mountains. For Christmas, he descends into the villages below to make sure each child has a full belly. He brings treats, such as chestnuts, and well wishes for a year full of delicious sustenance. While Apalpador may not be widely observed in Galicia, his legend is seeing a revival.

Food is very important during the Galician holidays, featuring at least two feasts (on Christmas Eve and Christmas Day). Not surprisingly, seafood is on the menu, including lobster, prawns, shrimp, sea bass, and cod with garlic and paprika sauce. Other culinary delights consist of cured meat, cheese and bread, roast beef with vegetables and for dessert tarta de Santiago (almond cake), filloas (stuffed pancakes) and turrones (nougats). The children of anticipate the coming of the Three Kings or Magis by filling their shoes and leaving them outside on Epiphany Eve, January 5th. Many Galician’s communities also parade on the 5th.

So there you have it the old traditions just like the traditional music we all love live on…

Nollick Ghennal as Blein Vie Noa (Manx Gaelic)

Nollaig Chridheil agus Bliadhna Mhath ùr (Scottish Gaelic)

Nollaig Shona Dhuit agus Bliain Nua Fe Mhaise (Irish Gaelic)

Nedeleg Laouen na Bloavezh Mat  (Breton)

Nadolig Llawen a Blwyddyn Newydd Dda (Welsh)

Nadelik Lowen ha Bledhen Nowyth Da (Cornish)

Further Christmas themed fun with this London Celtic Punks Top Twenty

GET IN THE FESTIVE SPIRIT WITH THE LONDON CELTIC PUNKS CHRISTMAS CELTIC PUNK TOP-TWENTY!

CLICK HERE

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Now go have a drink…

ALBUM REVIEW: CELT AND PIPER – ‘No Mercy’ (2020)

Breton Celtic-Punk group Celt And Piper unleash their debut album No Mercy. Eight songs of bagpipe heavy rocking Celtic music!

What could be a more Celtic band name than Celt And Piper I wonder? Answers on a postcard please but this newish band from Nantes in Brittany (NOT France) certainly nail their colours to the wall and their debut release No Mercy has to be one of the most authentic ‘Celtic’ Celtic-Punk releases of 2020.

Most of the band have played together before Celt & Piper so an actual start date is a bit vague but they reckon on October 2018. Put together by lead singer Fabien and his drummer brother Hervé who had both plenty of experience playing in native Breton and Celtic bands. Joined by Alain, Jean Jacques, Maxime and Jonathan the band was not only complete but every base was covered and looking for a name that conveyed ‘celtitude’ that also had a bit of an memorable and original feel to it and so they settled on Celt & Piper. Gig offers flooded in and the Celt & Piper sound was soon heard at home from Nantes to the Côtes d’Armor moors and Penn Ar Bed while also crossing the border into Vendée, Paris and even eastern France. Their march was sadly soon halted by the dreaded ‘clampdown’ and like a lot of bands whose major concern is playing live they decided to record instead and on the evidence here I’m very glad they did and look forward to a few more too.

https://youtu.be/87dJlpyzIP8

No Mercy begins with ‘Go Hard Or Go Home’ with AC/DC style guitars followed in quick succession by bagpipes it’s a real foot tapper about a St. Patrick’s Day night out in a Irish pub.

“Go hard or go home you’re all in a Irish pub”

Not clear if this is a Irish pub or Ireland or Brittany but as they are all closed anyway at the moment it don’t matter so much. Fabien’s vocals remind me instantly of Jesse from legendary Baltimore Irish Celtic-Punk band the Charm City Saints. A kind of hoarse growl that gives the music a Punky edge and with the pattern set by the opening track Celt & Piper continue in the vein with firm Irish Folk favourite ‘The Wild Rover’. It’s impossible not to think of this song as a rabble rouser. We use to sing this in school music lessons as it was one of only a handful of songs they could get the boys to sing as we could beat up the desks with our fists in the chorus! Here it’s Jonathan’s fiddle that leads things along as Celt & Piper breathe new life into this well known song.

‘It’s Gone Again’ is up next and you can hear influences from across the Rock scene here with the song taking in several genres. Catchy as hell with some cool chugging guitar work and piping. Title track ‘No Mercy’ is my standout track here though the album is a good mix of covers and originals it’s always the original songs that get my juices flowing and their is of course nothing like the sound of bagpipes to stir the blood and in Maxime they have a superb piper.

‘The Last Day’ starts off as another Dropkicks/AC/DC flavoured but has several Folky interludes along the way. Time for another trad Folk song and the raucous ‘All For Me Grog’ may have started off as a sailor’s song before being adopted by the Irish. Made popular by the Dubliners the song tells of a man who sells everything, and even his wife, to buy drink and tobacco. As is the way in Irish music a man’s life is ruined by drink but the song is celebratory rather than regretful. Celt & Piper play in ‘pub style’ win a ska-ish style. Great fun and nice to hear this standard done in a unusual manner. The pipes reign again during ‘Brace Yourselves’ and No Mercy comes to an end with the brilliant Irish Folk standard ‘The Foggy Dew’. Nowadays quite common on the Celtic-Punk scene (any idea who was the first to record their version of it?) not many songs suit being ‘punked’ up like this one. Celt & Piper again give it a respectful thrashing and once again the superb piping takes it to another level. A great way to end proceedings.

No Mercy came out on November 1st and was mixed at Garage Hermétique in Rezé by Nico and Pierre who have done a fantastic job. Only eight songs but still over thirty minutes, Celt & Piper have produced a great record here though I would like to hear more of their own compositions as they are the standout tracks here for me. For lovers of harder edged blue-collar style Celtic-Punk and bagpipes Celt & Piper have leapt into the list of best European bands with No Mercy and I can’t wait to hear more.

(you can stream or download No Mercy on the Bandcamp player below)

Buy No Mercy  FromTheBand

Contact Celt And Piper  WebSite  Facebook  Instagram  YouTube

ALBUM REVIEW: FIDDLERS GREEN – ‘3 Cheers For 30 Years’ (2020)

30 years after the band was founded Fiddler’s Green have released a collection of the most well known traditional Irish Folk songs! And all in the ingenious Fiddler’s Green sound: honest and direct, playful and brutal, dreamy and drunk.

Two of the Celtic-Punk scenes giant bands celebrate their 30th anniversary this year. One is The Mahones from Canada whose non-stop touring has garnered them fans around the world while the other is the biggest and probably the most popular band in Europe – Fiddlers Green. Since their formation in 1990 Fiddlers Green have released an incredible fifteen studio albums and just in case that wasn’t enough their have also been a further six live albums plus EP’s and DVD’s galore earning them the reputation as one of the busiest acts in Rock music let alone Celtic-Punk! Already during 2020 they have released the Acoustic Pub Crawl II – Live in Hamburg album back in March. 2020 was set to be a busy gigging year for them too with an extensive ‘unplugged’ tour playing an acoustic set in intimate settings across Germany. Sadly as we know Covid has caused the cancellation of live music so the band has kept busy instead  writing new material and recording. On Acoustic Pub Crawl II Fiddlers Green picked sixteen of their favourite tracks from across their extensive back catalogue played as if they were in front of a roaring fire in a cosy wee Irish pub. The tour has been put back to 2021 so keep a well peeled eye out for that.

So here’s one band that haven’t let the ‘clampdown’ keep them down and they celebrated their anniversary with a live stream last week live on both Facebook and You Tube. The set was recorded at The Dubliner pub in Bayreuth in northern Bavaria, Germany. Interspersed with songs from 3 Cheers For 30 Years while Alexander Prinz, aka ‘The Dark Knight of Parables’ interviews the guys from the band with stories from their three decades together. They welcomed many friends and guests to the stage as they played live old and new Fiddlers Green classics.

The event and album release was financed through the Crowdfunding web-site and supported by their legions of fans ensuring that Fiddlers Green stay true to their DIY roots and out of the clutch of greedy businessmen! Their are still some amazing merchandise packages available if you fancy grabbing one.

The album itself is everything you could expect from Fiddlers Green. A polished, well played, exciting romp through the national music archives of Ireland as played by a band with a Celtic soul. Irish music, especially Celtic-Punk, is very popular in Germany and if this was a court of law then the evidence presented would be this album! The eleven songs here have all been played to absolute death of course and are well known to everyone who has ever set foot in an Irish pub or walked past a busker but as ever the achievement is to breathe new life into ancient songs and keep them alive. This is something Fiddlers Green have no problem achieving. The list of songs are all new to the Fiddlers Green set-list and swings from Dubliners faves like ‘The Wild Rover’, ‘All For Me Grog’ and ‘Seven Drunken Nights’ to ones that The Dubliners recorded but became better known through others like ‘Whiskey In The Jar’. Several songs have been become mainstays of the Celtic-Punk scene for decades now like ‘Wild Mountain Thyme’, ‘The Drunken Sailor’ and ‘Molly Malone’ while their is even room for the ‘newest old song’ in the Irish pub singers repertoire ‘Galway Girl’. The album ends with a spirited version of ‘Greensleeves’ and while their are no massive revelations here it is nevertheless another great album from the Bhoys as these old songs take on new life in the hands of these fabulous musicians.

3 Cheers For 30 Years sees against all the odds Fiddlers Green’s year end in style and shows the rest of the Celtic-Punk scene how to handle and interpret an old song and turn it into a modern ‘speedfolk’ classics.

Buy 3 Cheers For 30 Years CD – FromTheBand  Download – Here

Contact Fiddlers Green WebSite  Facebook  Instagram  YouTube

NEW SONG AND VIDEO RELEASE FROM OGRAS

Ogras are a six piece Celtic-Punk band from Norway that shot to fame this year with the release of No Love In The City acclaimed as one of the best Celtic-Punk albums of 2020.

Back in April an album dropped through the digital letterbox at London Celtic Punks Towers that’s fair to say blew us all away. No Love In The City, the second full length studio album from Celtic-Rockers Ogras from western Norway, hasn’t been off our stereo since! On Friday they released their new single recorded in the world renowned studio Ocean Sounds Recordings and accompanied by a music video, shot in Aalesund. Joining Ogras on bagpipes is Anders Norudde, from the famous Swedish Folk music band Hedningarna/The Heathens.

OGRAS – ‘SIDESHOW HALLELUJAH’

Hear the Big Top windjammer
(Hear the screamers, all you dreamers)
I play the very sound of sin
To the drum beat of the sledgehammer
(Hear the screamers, all you dreamers)
The euphonium will lure you in
And as I sit there, I observe
Your angry eyes, I think we struck a nerve
This masquerade is challenging your faith
It’s hard to love when you’re so full of hate
And you all scream hallelujah,
You say that we sin, but it’s the world we’re living in
We’re tired of “How do you ya do” now!
It’s one – two – three, and we’ll punch you on the chin
You think you caught us by surprise
(Hear the screamers, all you dreamers)
Surrounded by your ragged friends
We play the Stars and Stripes Forever
(Hear the screamers, all you dreamers)
We know how the story ends
*
Ogras last album No Love In The City while not quite a concept album told varied stories of travellers. Those who up sticks and take to the road. Tales of outcasts, freaks and other round pegs in square holes. Most of the songs centred on circus performers and their difficult and lonely life on the road. ‘Sideshoe Hallelujah’ tells of a fictional travelling circus in the USA about 100 years ago and the hypocrisy in cheering for the sideshow freaks during the show and mocking them afterwards. Payback is due!

The song will be available for download (on iTunes Music Store and others) as well as for streaming.

*

No Love In The City stands out as one of the highlights of 2020 and it’s great to hear new music from the guys. They promise another single release in early 2021 before their next album, due next year.
 
“No Love In The City came as a complete surprise to me. Expecting wild Poguesy style Irish Folk what we actually get is on of the most imaginative and novel Celtic-Punk records of recent years. With it’s tales of circus strong men and disasters and bleak dark themes all wrapped in music that stays firmly in its own lane with influences from the American scene that we don’t often hear in Europe and from the East that Ogras incorporate into their own sound. A truly magnificent record and one that be can already be guaranteed to be one of the albums of the year.”
Not only that but they also had one of the standout Live Streams since the ‘clampdown’ playing a full band set aboard the MS Progress a 1914 built former fishing boat these guys showed why are they rapidly gaining a name for themselves in the Celtic-Punk scene. Well they just re-mastered and re-cut the show and put it up on You Tube so please I implore you to make yourself comfortable and feast your eyes and your ears on this magnificent production.

Contact Ogras  WebSite  Facebook  Instagram  YouTube

‘RETURN TO CAMDEN’  BY TERENCE O’FLAHERTY

Beautiful song from London based Irish singer/songwriter Terence O’Flaherty name checking memories of a bygone era in the north of London. This original recorded version is due to be released on Terence’s upcoming album Backtracks with the Claire Egan, Eoin O’Neill and John Kelly accompanying.

Terence is a traditional Irish singer and songwriter from Ennistimon, County Clare on the west coast of Ireland. He comes from a traditional music background learning his earliest songs from his family as well as local musicians and travelling storytellers and singers. Playing guitar and bouzouki in the early 1970’s, he emigrated to London and joined the thriving Irish music scene in the capital as part of the popular band Crusheen. He has spent many years involved in the traditional music scene in London playing with all of London’s leading musicians and touring across Britain, Europe, and America playing with everyone from the Chieftains, Planxty, The Pogues,The Fureys and De Danann. He has collaborated with musicians from a variety of other genres and from across the world playing at many major festivals including Cambridge Folk Festival. Terence has released three albums (Crosscurrents, Ghosts, Trace) with a fourth on it’s way soon titled Backtracks which will feature ‘Return To Camden’.

When I first arrived in Old London Town
Along Camden High Road I did walk down
Fell into the back of John Murphy’s van
Full of youth and vigour and white bread and ham
By ten that first morning I thought I’d expire
Stuck down a hole with Connemara Seán
Who for an extra ten bob a week
Set out a pace that would kill Hercules
*
Then the ganger man came and says ‘lads take a break’
Old Seánín jumped out with a ballerina’s grace
I felt I was climbing the Post Office Tower
My poor legs and arms like wilting flowers
He wolfed down his sandwich and before I did know
Old Seánín was back down in John Murphy’s hole
Diggin away like an Olympian
Twas with great reluctance that I rejoined him
*
I crawled out of the hole at the end of the day
All of my senses in terminal decay
Crawled into the back of John Murphy’s van
Too tired for talk or for white bread and ham
To the favourite in Holloway Seánín did go
To hear Bobby Casey, Con Curtin, John Bowe
Roger Sherlock, Brian Rooney or Finbar O’Dwyer
Danny Meehan, Raymond Roland or Brendan Mulkere
*
And as I was sleeping the sleep of the dead
Old Seánín was lilting to reels and to jigs
Firing back pints and singing Sean Nós
Where he got his energy God alone knows
And early next morning fresh as a rose
He’d be back down one of John Murphy’s holes
Lobbing up muck in his trousers and vest
Such was the life that the Irish possessed
*
And at the weekends we would all go
To The Forum, The Gresham, The Galtymore
The Harp and the Shamrock, the Garryowen
The Bamba, Hibernian or Buffalo
Waltzin and jiving and singing along
To Joe Dolan, Larry Cunningham or Big Tom
Or horsin’ out sets till too tired to stand
To the Tulla or Kilfenora Céilí Bands
*
When many years later I met poor Seánín
His energy spent and his back bent and lean
He smiled and he said ‘Ah sure times they were lean’
When we worked for the man from Caherciveen
For although times were tough, sure the craic it was good
In Camden, in Kilburn and Cricklewood
And we could escape for the nights they were long
Far away from the cruel, brutal Elephant John
*
But to work on the building sites now you and me
We’d almost need to have a degree
For with health and safety and the CSCS
You need method statements and assessments of risks
There’s not too much craic now in John Murphy’s vans
Albanians Poles and Lithuanians
Have taken the place of the likes of Séanin
*
The craic once was ninety but now it is lean
So here’s to the music we did enjoy
In the pubs and the clubs with a tear in our eye
And fair play to the players and the singers of songs
Who lifted our hearts when our hearts needed them
Tom O’Connell, Martin Byrnes, Andy Boyle, Lucy Farr,
Seán O’Shea, Julia Clifford and Tommy Maguire
Michael Hynes, Tom McCarthy, Jimmy Power and Reg Hall
Raise up your glasses now here’s to them all
*

ALBUM REVIEW: THE STANFIELDS – ‘Welcome To The Ball’ (2020)

London Celtic Punks favourites Nova Scotian Folk’n’Rollers The Stanfields have just released the incendiary live album Welcome To The Ball.

The Stanfields trod a well trodden path to 2020 by beginning their career back in 2008 playing cover songs during open mic performances at the Seahorse Tavern in their hometown of Halifax in the Canadian province of Nova Scotia. As the years rolled by The Stanfields may sound like have taken some dramatic turns but to any long turn fan (ahem!) it’s been easy to follow their trajectory from full on their Celtic-Punk to where they are now. Influenced by the many many strands that make Canada and the description of them as “the bastard children of AC/DC and Stan Rogers” their music blends Working Class Hard-Rock with the strands of Folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland.

So far the guys have released seven albums, multiple singles, and have toured extensively throughout North America and Europe – sharing the stage with many of the Rock scene’s most popular bands. So, despite the Covid lockdown, they have been especially busy compared to a lot of bands with the release of the critically acclaimed Classic Fadeout, a bunch of great video releases (be sure to check out their You Tube channel) and now they have returned with their second full-length release of 2020, Welcome To The Ball. Band frontman Jon Landry says

“Since Covid-19 has effectively made it impossible for us to play live shows safely, and on our own terms, we thought that the time was right to release a live album. Luckily, we had this performance in the can, it’s fun to see how much the songs have evolved over the years, although it’s been a stark reminder to us of how much we miss our natural habitat.”

Welcome To The Ball documents The Stanfields performance at the 2019 Blacktop Ball and includes tracks from across their career along with an added bonus track. Welcome To The Ball begins with the aptly titled ‘Blacktop Blues’ from their 2012 album Death And Taxes, as do the first three songs.

The first thing to say is that the songs here are well chosen and include not just the fan favourites but also some important songs from the bands history. The other thing is that many of these songs are quite lengthy (notice I said lengthy NOT boring!) with three over seven minutes long! The sound recorded, mixed and mastered by Darren van Niekerk (hats off!!) and is absolutely fecking brilliant. Taking you right into the heart of the mosh pit! Nothing is spared as the band steam along at full pelt with the traditional anti-war Folk ballad ‘Mrs. McGrath’ given the epic Stanfields treatment next followed by ‘The Road to Guysborough’. Now I’ve never been much a fan of live records but when they are done well like here they can be explosive, capturing the very essence of a band. Next up are firm fan favourites ‘Fight Song’, taken from 2015’s Modem Operandi, and ‘Hard Miles’ from 2013’s For King And Country. Both songs saw the band tweak their original Celtic sound and bring in more harder Rock elements. 

‘Dagger Woods’ is the first of three tracks here from debut album ‘Vanguard Of The Young And Reckless’ from 2010 and is over eight minutes long and while that may displease the Dead Kennedys it fully deserves the word epic. A fantastic song that literally spills emotion and while it’s not just worthy it’s catchy as hell too. ‘Ship To Shore’ is relatively short at just four minutes while ‘Ghost Of The Eastern Seaboard’ at almost eight returns us to epic territory along with the final song from their set that night, the outstanding ‘Fox in The Heather’ at over eight.

‘Welcome To The Ball’ brings the curtain down as the bonus track and the only new song and sees The Stanfields accompanied by the Hatchet Lake Reverb Choir (Heather Harris, Sasha DeSouza, Brad MacDougall, Craig Eugene Harris, Trevor DeSouza) in a song that fully deserves to be the curtain puller at any future gigs.
“Take a look at the one beside you
Let the power of us provide you
The means to guide you, right beside you
Welcome to the Ball”
Written as a tribute and in the spirit of the Blacktop Festival which was sadly cancelled this year but The Stanfields love for the fest grows and they will return for their annual visit next year. Written as an over the top, 80’s-style Pomp-Rocker it comes with the most brilliant video you really ought not to miss. 

The line up for the gig that night was Jon Landry – Vocals, Guitar, Calen Kinney – Fiddle, Vocals, Jason MacIsaac – Guitar, Vocals, Dillan Tate – Bass, Vocals and Mark Murphy on Drums and the show is that kind of rambleshackly perfect that Celtic-Punk bands seem to be perfect at. Their may not be a better band around doing what The Stanfields do. Combining hard rock music with Celtic and Americana in a perffectly acessible way. Not only that be here they proove they can do it in style on the stage too. As they say themselves 

“we play what we want, sing what we feel and leave nothing on the table”.

Buy Welcome To The Ball FromTheBand

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

EP REVIEW: PENNILESS TENANTS – ‘Lockdown Session’ (2020)

Traditional Irish scally Punk!

Penniless Tenants are a five-piece from Liverpool, playing traditional and Irish Folk music and probably the best Irish Music in Liverpool. No Folking About.

The Irish community in England is supposedly shrinking I hear but only just a couple of weeks after we reviewed the debut release of Luton Irish band Missing The Ferry we have the pleasure of doing the same for another new band to us Penniless Tenants. The band hail from another hotbed of Irishness in Liverpool. Their is plenty written on the history of the Irish in Liverpool and unsurprisingly immigration from Ireland to Liverpool has been ongoing since the year dot and the city could possibly even lay claim to being the most Irish city in England.

With no shortage of Irish bars in the city a band playing Irish music would be pretty damn busy except for this poxy clampdown but Penniless Tenants have responded perfectly with a EP of five self written songs (with a few varied influences!) unsurprisingly titled Lockdown Sessions. They did actually already release a few songs over on Soundcloud way back in 2013 called the Penniless Tenant Sessions of a few covers of Irish Folk standards made famous by The Pogues, Dropkick Murphys, Christy Moore and The Dubliners among others. Their they keep it respectful and played the songs close to their origins so nice to her them let loose a bit on the recent release. Like all the best bands they are too proud to play anywhere and they have from Liverpool Anglican Cathedral to the Baltic Market and St George’s Hall to the corner of Pilgrim Street!

Lockdown Sessions begins with ‘The Hare And The Fainleog’ and a slow fiddle led mournful Irish tune which soon becomes a bit of a foot stamper and in Benjamin Hughes they certainly have a highly talented fiddler player. Superbly played leading us into ‘Green And Red Paper Planes’ which, while keeping in line with the Irish theme of the EP, expands beyond the opening few lines taken from another well known second-generation Irish band and takes us on a surprising, though bloomin’ brilliant, direction taking in modern Pop with a song that I must have heard a 100 times but I’ve no idea who sings it. It’ll probably come to me 10 minutes after this review is published. These Bhoys got a knack for an unusual cover in a way that reminds me of their London counterparts The Bible Code Sundays. ‘Jiggin’ Up To Boston’ is another fiddle led trad Irish tune until the half way point and BANG in comes the banjo and mandolin and we get the full Dropkicks style Folk version. This is followed by the Eric Bogle penned ‘My Youngest Son Came Home Today’. Eric is perhaps most famous for writing the well known anti-war ballads ‘The Green Fields Of France’ and ‘And The Band Played Waltzing Matilda’ two absolutely stunning songs covered by The Pogues and the Dropkicks, among others, in their time. Here the theme is visited again except in a more modern setting in a tale of a young man killed during the war in the north of Ireland.

“My youngest son came home today
His friends marched with him all the way
The pipe and drum beat out the time
While in his box of polished pine
Like dead meat on a butcher’s tray
My youngest son came home today
And this time he’s home to stay”

Penniless Tenants play it slow and respectful and Billy Hughes voice portrays exactly the right amount of emotion this great song needs. The EP comes to an end with the Country/ Bluegrass influenced ‘Trouble In Yer Mind’. Fast and furious Banjo plucking and fiddling and more foot stampin’ to see the EP out the door.

Penniless Tenants: Benjamin Boo – Fiddle * Billy Skank – Laud and Vocals * Dr Rosa – Flute and Whistle * Jay G – Tenor Banjo * JDillon – Bass * Paulie O’Riley O’Hanrahan – Banjolele * Tom Jones (not that one) – Bodhran * REGFX – art *  (actual lineup may vary)

Lockdown Sessions was released on November 10th and was recorded live at the Liverpool Irish Centre (suitably social distanced of course!) a and mastered by Jeff Jepson. It’s available on Bandcamp and can be got as a ‘Name Your Price’ download meaning you can pay anything from a fiver to the cost of a couple of cans to sod all if you would like but with the way things are it would be nice to throw a few coppers their way. The music here is totally acoustic but just going from what I heard here I reckon they can tear it up when required too so lets not forget The Pogues were once called “the loudest acoustic band on the planet”. They have a new EP, A Penniless Christmas, out very soon in time for Christmas and they promise “festival mashups and winter warmers”.

(Stream or download Lockdown Sessions on the Bandcamp player below)

Download Lockdown Sessions  FromTheBand

Contact Penniless Tenants  WebSite  Facebook  Instagram  YouTube

ODDS’N’SODS. CELTIC-PUNK ROUND UP DECEMBER 2020

In a attempt to get away from just doing ‘ReviewReviewReviewReview…’ we started a monthly feature of all the Celtic-Punk news that passed us by. All will get a mention but I need YOU to help if it’s going to work. Any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page.

So much has written about it but here is our one and only take on FONY and it comes from the man himself. The Pogues’ Shane MacGowan brands decision to censor Fairytale of New York ‘ridiculous’  from The Irish Post, 25th November 2020.

We may have heard it a million times before but here’s a different spin on FONY but with a New York Puerto Rican influence by ST. DOYLE AND THE LAST CALL PHILHARMONIC.

‘Johnny Depp Presents’ it states right at the beginning of this feature length documentary on the Godfather of Celtic-Punk the legendary Shane MacGowan. Featuring unseen archival footage from The Pogues and Shane’s family, as well as animation from Ralph Steadman, Julien Temple’s rollicking love letter spotlights the iconic frontman up to his 60th birthday celebration, where singers, movie stars and Rock’n’Roll outlaws gathered to celebrate the man and his legacy. Available everywhere December 4th!!

The BRICK TOP BLAGGERS are a wicked band and here’s a full band live performance originally streamed on the internet but shown here on You Tube. The Blaggers been as active as any band can over the last few months and we’ve enjoyed some great Live Streams from them but this one, performed for the 2020 Samhain Celtic New Year Festival, is one of the better ones regarding sound.

We’ve seen plenty of the DROPKICK MURPHYS since Paddy’s Day but each time with no one there so here’s a recently released video of their storming full set from their last tour at Zenith in Paris on the 9th of February.

Two new songs have been released by the DROPKICK MURPHYS. A cover of Darlene Love’s ‘Christmas (Baby Please Come Home) and a new song ‘I Wish You Were Here’ are out on limited edition 7″ flexi-discs available from the Murphys store. They, unsurprisingly, have some wicked new merch available too and just in time for Christmas! At the same time it was announced that the new album will be out in mid-January.

BARBAR’O’RHUM – Pirate Des Champs

EFA SUPERTRAMP – Rhyddid yw y Freuddwyd

LQR – Barrel-Aged

PYROLYSIS – Alotsle

PENNILESS TENANTS – Lockdown Sessions (review next week!!)

Remember if you want your release featured then we have to have heard it first!

Love these daft feckers! They done the Murphys ‘Shipping Up To Boston’ a while back and now they turn their attention to The Rumjacks absolutely-mega-fecking-internet hit ‘An Irish Pub’. I’ll not go into it but sit back and have a listen and again top marks for destroying the ridiculous notion of cultural appropriation. Yes lads it is bollocks.

Life goes on and THE RUMJACKS have a brand new video out seeing them performing ‘McAlpine’s Fusiliers’ dahn an Irish pub in Milan, Italy with new vocalist Mikee from Mickey Rickshaw.

French Pirate Punkers BARBAR’O’RHUM have a new album out and also released the epic ‘Pirate Des Champs’ video. Nearly ten minutes of Pirate themed fun!

Mariner Rock, and Celtic Shenanigans, homebrewed on the South Shore of Nova Scotia. Even doing this we still come across stuff we missed from the past that is worth another look. This time we turn once again to Nova Scotia where we turn our attention to THE STAB ROVERS. Nova Scotia is home to vast amounts of Celtic folk and Celtic folk Folk bands and the area has featured here regularly. The Stab Rovers debut album came out in June, 2018 and is available as a ‘name your price’ download. The Bhoys are happily still together and looking forward to recording soon.

Now I don’t pretend to know anything about Hip-Hop and I do know what I like and here’s a couple of new releases that got me. The first video is ‘Back Around The Way’ featuring a bunch of rappers from Boston and New England including our auld favourite SLAINE and American Irish bhoy MILLYZ.

Another rapper to feature on these pages before is the Manchester born Irish D’LYFA REILLY who has a new single out available as a ‘name your price’ download. If you remember he performed with DANNY DIATRIBE on the utterly fantasticPaddys Cure’. Irish immigrant Hip-Hop at its finest!

The Polish band PIJUN have released their debut release, a 5-track demo called Jigra. The band play Slavic Folk which I’m sure you’ll hear is close to Celtic in both sound and vibe.

Dutch band PYROLYSIS had to postpone their dates in England earlier in the year but have just released a mini album of six songs. They play an incredibly joyful mix of Celtic music and Folk and are still not wearing any shoes!

Swedish Celtic/ Folk/ Irish Punk-Rock band PUNK MAHONE performed a bloomin’ brilliant Live Stream on Facebook at the end of October and it has just come out on You Tube. Not to be missed!

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

ALBUM REVIEW: THE CUNDEEZ – ‘Teckle An Hide’ (2020)

Dundee is a truly unique place in Scotland becoming known as YES City after 57% voted in favour of Scottish independence in 2014’s referendum – the highest proportion of Yes votes in Scotland.

Like their hometown The Cundeez are also unique. Unashamedly Dundonian Working-Class with a fast and heavy sound, straight out of the Punk-Rock tradition, but with pipes and kilts!

The Cundeez are back with their fifth album of Highland bagpipes driven Punk Rock hot off the presses. One of the London Celtic Punk favourite bands they safely saw off their 10th anniversary recently and never ones to rest on their laurels five minutes after finishing Teckle An Hide they began work on their next album!

Teckle An Hide kicks off with the simply titled instrumental ‘Dundee’. The first of a trio of home town dedicated songs dotted through the album. Now every town needs an anthem, one to play as the local football team comes out and with two teams, Dundee and Dundee United, I hope one or both take the opportunity as the song is a belter. Building up slowly (for them anyway!) before Gary’s brilliant piping comes in and you can tell why for years opposition forces on the field of war recoiled in fear as the sound of pipes filled the air. This takes us into ‘Peat & Diesel’ a song dedicated to their friends in Peat & Diesel, a three-piece band from Stornoway on the Isle of Lewis in the Highlands of Scotland. They are a young band that have been steadily on the rise over the last couple of years so great to see this solidarity between an experienced band like The Cundeez and a band just setting out. The song itself shows The Cundeez wicked sense of humour as new drummer Shaun Kerr stamps his arrival in the band with fierce tribal drumming while long time members Stevie and Trotsky on guitar and bass supply the perfect backing. At nearly six minutes it’s the albums longest track and sways from Gothic in places to hardcore Punk and back to melodic rock while the pipes are again in evidence.

Never afraid in throw in a bit of Ska and with ‘Teckle’ an obvious comparison here is with early Rumjacks when they were based in Oz. Now we are three songs in and my Dad was Scots but a lot of this is passing even me by! The Dundee accent has a very particular sound and is integral to the band’s identity. The band take their name from the Scots word ‘cundie’, meaning a drain, which comes originally from the French word conduit. Having said that piper and songwriter Gary’s vocals are very clear despite being delivered in trademark Punk Rock shouty sneer. ‘Scooby Dubh’ tells of a serious pub crawl delivered in speedy breakneck form. They follow this with the first of the albums three cover versions and ‘LWTUA’ is a fancy unexpected instrumental Ska version of Joy Division’s ‘Love Will Tear Us Apart’ with skanking guitars and piping. Who would have thunk it possible and it may have hardcore JD fans writing to their MP’s but I bloody love it! The Cundeez have always enjoyed themselves and their sense of humour is legendary but they also have a serious side and in ‘Bow To No One’ they take the well trodden Punk path of anti-religion.

They continue the combativeness with ‘Them And Us’ as the band unleash on the divides in society that leave the working classes at the bottom while pumping out a 1981 style UK Punk classic. Another cover next and after two Punk thrashers it’s time for Gary to get out the pipes for ‘Horo’, a cover of ‘Horo Gheallaidh’ by the aforementioned Peat & Diesel. Now this is another highpoint with the catchiest track on the album. Fast, thrashy guitars telling the tale of a night out in the Highlands. Brilliant!

Another hometown anthem next with ‘Made In Dundee’ but perhaps not one for the Tangerines to run out to. A warts an’ all expose of Dundee in all it’s misery and glory wrapped in a dark plodding ‘dub’ number. Next up is ‘Rebellion’. Originally released as a 7″ vinyl single on Urinal Records in early 2016 and at the time The Cundeez were on a bit of a high performing at Punk festivals in England and even travelling all the way down from Dundee to London town for a couple of gigs in north and south London. The single was limited to only 300 copies and sold out in no time so its fair to say it probably passed most fans by seeing as it was just before the return of vinyl as a popular format.

The album continues with ‘Up For The Craic’ a jolly Punk Rock ride that again shows the bands lighter side before they again tackle something a bit darker in ‘I Am Gangster’ about the desperate life of a poor soul destined for jail. Appearing on the album listings as ‘Buzzcocks’ the lads next tear into ‘Ever Fallen In Love’ and it’s another corker of a cover with the pipes lifting it out of this world. We’re steering towards the end and if I was to have one wee quibble it would be that the album is a tad on the long side with sixteen songs with a running time of almost a hour. You certainly get yer hard earned worths but I wonder if the album could have been trimmed a little with the album closing with two reworked versions of ‘Sehturday Night’ from 2011’s ‘Lend Wiz Yir Lugz’ and ‘Gangs O’Dundee’ from 2010’s album Radio Cundee taking us into the anarcho styled curtain closer ‘Austerity’.

Released on the American Punk label Tarbeach Records and recorded at Seagate Studios in their hometown the album is an outstanding success, especially considering that a lot of it was done under the restrictions placed upon the band because of the Covid ‘clampdown’. Make no mistake it may have been very tempting for us to rope The Cundeez in with other bagpipe heavy Celtic-Punk bands but they are no Real McKenzies and, more importantly, have never tried to be. The Cundeez are a Punk band with Celtic roots but even then there is much more to them as they are never afraid to stray off into other genres. Teckle An Hide is possibly their most accessible album to date. It still has their trademark fast, punchy, catchy Punk-Rock and the same shouty vocals delivered in that raw Dundee dialect but their Celtic and Ska influences see them moving into new territory without ever watering down their music or their identity.

(The Cundeez playing a socially distanced Facebook Live Stream from the end of last September. As Gary said afterwards “a crazy surreal experience doing a ‘gig’ all split from band members but thankfully we got there. It was rough and raw and absolutely nerve-wracking.”)

Buy Teckle An Hide  TarbeachRecords

Contact The Cundeez  Facebook  YouTube  Spotify  Twitter

EP REVIEW: BEAVER SECRET HANDSHAKE – ‘Beaver Secret Handshake’ (2020)

A new band on the Celtic-Punk scene Beaver Secret Handshake from Finland may have formed at an awkward time but their excellent debut release a 4-track EP manages to capture both their energy as well as their great live sound. 

The days are long gone when anyone would be shocked by a band from Finland playing Celtic-Punk music. Yes their was a time when only the offspring of the Irish diaspora felt the need to affix traditional Folk music to Punk Rock to express their identities. Even a country like Finland, where the sole public face of the Irish diaspora is the Finnish defender Daniel O’Shaughnessy, who plays his football in the land of his birth but also would have qualified for Ireland through his Irish father, has while not quite a thriving Celtic-Punk scene but a very good one nevertheless. Bands like Loretta Problem and & Stout Clan represent both ends of the Celtic-Punk scale and are both pretty active (when they are allowed to be!). The new band on the Finnish scene then is the rather interestingly named Beaver Secret Handshake who hail from the country’s capital Helsinki. I was tempted to ask them where they got their name from but I think a bit of intrigue does no harm at all. This four-track self/titled EP is the band’s debut release and was recorded at the end of 2019 at Sonic Pump Studios in their hometown. The band were gigging regularly right up until clampdown with a lengthy set made up of originals and Irish themed covers.

Beaver Secret Handshake left to right: Samppa Salminen – Guitar * Perttu Ruotsalainen – Lead Vocals, Mandolin, Banjo * Jukka Polvi – Bass, Backing Vocals * Petra Vedenpää – Fiddle, Backing Vocals * Olli Ruotsalainen – Drums, Backing Vocals. Photo – Kuutti Haapanen

The EP begins with ‘Captain John’ and its high tempo dancing music from the off. Fiddle led but not too in yer face it’s produced excellently with all the instruments complementing each other. Perttu’s vocals are clear and sit nicely between the Punk and Folk styles. This is music to get down to and in ‘Sins Of Our Fathers’ a slight Country influence is added and the song while slower still has enough of a bounce not to empty any dancefloor. Nay ballads here and ‘Walk Of Shame’ takes us to the embarrassing world of going home in your clubbing clothes after spending the night ‘out’. The music has that Irish/Country feel but not an Irish Country feel. That last sentence may only make sense to anyone who grew up listening to Brendan Shine, Margo or Big Tom! The EP comes to an end with the rather Poguesy ‘Last Day Of The Summer Sun’ and perhaps the EP’s standout track for me. Catchy as hell and reminiscent of not just The Pogues but also The Levellers and more recent English Folk-Punk bands like The Jamestown Brothers. The whole release is a foot-tappers dream and after several listens I get the feeling that it is pretty much how they would sound live which as you know in Celtic-Punk that is not a bad thing.

All in all an outstanding first release and just a pity it’s confined to just four songs and thirteen minutes. Beaver Secret Handshake are very much and a band that I will be checking out in the future when normality returns. Scandinavia has produced more fantastic Celtic-Punk bands than I care to mention and already this year Ogras have captured my ear and now I can add another one to the list too.

Now to find out what their name means???

(You can hear the EP in its entirety on the Soundcloud player below)

Buy Beaver Secret Handshake EP  DaddyKoolRecords  Amazon

Contact Beaver Secret Handshake Facebook  YouTube  Spotify  Instagram

FREE DOWNLOAD OF JOE STRUMMER’S LAST CONCERT

Viva Joe Strummer!

A *Free Download* of the last ever concert performed by Joe Strummer before his sad death on this day in 2002.

I remember exactly what I was doing when I heard of Joe Strummer’s untimely death. It was Sunday 22nd December 2002 and myself and a mate had spent the whole night listening to Punk records and boozing and carousing at the home of a close friend. In the morning when we were saying goodbye at the door I thought I heard the radio say that Joe Strummer had died. “Bloody hell” (I exclaimed or something stronger) “I think the radio just said Joe Strummer had died”. We all instantly dismissed it as not possible and probably a result of my delirium tremens and all went on our separate ways. It was later that day recovering from an insane hangover the news was confirmed when I saw the news.

Joe died at home in Broomfield, Somerset suddenly due to an undiagnosed congenital heart defect, He had collapsed after returning from walking his dog and he could not be revived. He was survived by his wife, two daughters and a stepdaughter. Now almost twenty years after his death it’s fair to say his legacy still lives on through his music and the Joe Strummer Foundation charitable trust which continues to do good works in his name.

https://joestrummerfoundation.org

Joe’s last concert was performed at Liverpool University on November 22, 2002 just a month before he sadly passed away. The set was recorded and is of a very high standard and is available for you to download today on the 18th anniversary of that gig. Joe chose a cross selection of songs from his extensive career in the twenty song set but with the majority from his days in The Clash and his more recent project Joe Strummer And The Mescaleros, whose final album, Streetcore, was released posthumously the following year.

Joe once said

“When you meet people who say you had an effect on their life, you realise it was all worth it. So sit back, relax, and enjoy the music. Remember, The Future Is Unwritten”.

(You can stream the whole set lasting just over ninety minutes over on You Tube)

To download click on either of the following links

LINK ONE   LINK TWO

THE POGUESTRA WITH **EXTRA SPECIAL GUESTS**

The PoguestrA is a flexible group of musicians from around the world who are also fans of The Pogues. It was established in May 2020 during the lockdown with musicians playing together remotely.
A community powered by passion, diversity and inclusion.

The PoguestrA is a flexible group of musicians from around the world who are also fans of The Pogues. It all started in May 2020, during the lockdown, when Daniele Rubertelli, an Italian fan who plays accordion, launched a ‘Call For Musicians’ to perform (remotely) Dirty Old Town within the Facebook community of Pogues fans. As a result, sixteen musicians from the UK, Ireland, Italy, The Netherlands and USA contributed to the cover of the great Ewan MacColl track. The song even reached the ears of Peggy Seeger, the late Ewan’s wife and renowned singer/songwriter in her own right, who sent over words of appreciation. Since then The PoguestrA have covered other songs of The Pogues, always using “public calls” on Facebook to ensure inclusion for all the musicians moved by the same passion. They recently covered the Shane MacGowan penned ‘The Broad Majestic Shannon’ with an amazing twenty-eight musicians from around the world and featuring Cisco, the founder and former frontman of the legendary Italian band Modena City Ramblers. Their latest video release is ‘Misty Morning Albert Bridge’ from The Pogues fourth album, Peace and Love. Written by banjo player Jem Finer about the famous Albert Bridge that connects Chelsea on the north bank to Battersea on the south and features scores of brilliant musicians from right across the world including Irish international Kevin McManamon on mandolin!!

For their new song the PoguestrA has recruited Celtic-Punk royalty to their ranks with Jem Finer and James Fearnley from the faraway shores of London and Los Angeles respectfully. Anyone interested in joining the gang then get in touch with them through their Facebook page.

Misty Morning Albert Bridge (Jem Finer) performed by The PoguestrA

Recorded in November 2020

I dreamt we were standing
By the banks of the Thames
Where the cold grey waters ripple
In the misty morning light
Held a match to your cigarette
Watched the smoke curl in the mist
Your eyes, blue as the ocean between us
Smiling at me
*
I awoke so cold and lonely
In a faraway place
The sun fell cold upon my face
The cracks in the ceiling spelt hell
Turned to the wall
Pulled the sheets around my head
Tried to sleep, and dream my way
Back to you again
*
Count the days
Slowly passing by
Step on a plane
And fly away
I’ll see you then
As the dawn birds sing
On a cold and misty morning
By the Albert Bridge
*

Jem Finer: Hurdy Gurdy (London) / James Fearnley: Accordion (Los Angeles) / Daniel Al-Ayoubi: Mandolin (Bonn, Germany) / Moisés Álvarez Rodríguez: Ukulele (Madrid, Spain) / Juan Brown: Vocals, Tin Whistle (Shetland Islands) / Brendan Burke: Tin Whistle (England) / Brandon Caylor: Mando-Guitar, Melodica (CaliforniA, USA)/ Dana Caylor & Samantha Caylor: Vocals (California, USA) / Helena Cooke: Renaissance Recorder (England) / Chris Cunningham: Banjo (Indiana/USA) / Tijl Delannoy: Vocals (Belgium) / John Dunne: Vocals, Trumpet (England) / Leigh Fowler: Fiddle (Chicago, USA) / Chris Goddard: Fiddle (England) / Matt Goddard: Drums (England) / Elizabeth Harman: Fiddle (California/USA) / Robin Hiermer: Vocals (Germany) / Dave Keating: Guitar, Vocals (Chicago, USA) / Jeff Ingarfield: Vocals (England) / Erwin Lemmens: Trumpet (The Netherlands) / Heather Macleod: Harp (Isle of Arran) / Mattia Malusardi: Bouzouki (Italy) / Vince Martini: Stand-Up Bass (California, USA) / Kevin McManamon: Mandolin (Dublin, Ireland) / Sean McManamy: Vocals (Chicago, USA) / Rick Nuttall: Vocals (England) / John O’Donnell: Guitar, Vocals (Chicago, USA)/ David O’Donoghue: Vocals (Ireland) / Daniele Rubertelli: Accordion, Vocals (Italy) / Frits Sieswerda: Vocals, Harmonica (The Netherlands) / Marcel van Bergen: Guitar (The Netherlands) / Tim van den Hombergh: Low Whistle (The Netherlands) / Paddy Vervoort: Vocals, Bodhran (The Netherlands) / Zac: Vocals (Italy). Dancers: Lian and Hans-Jürgen Klischat (Göttingen, Germany) / Rick and Heather Nuttall (England) / Jeff Ingarfield and Justine Stampton (England) / Daniele Rubertelli and Simona Rossi (Italy).

Audio & Video editing by Tim van den Hombergh.

If you are interested in joining the PoguestrA for future songs then get in touch with the gang viaYouTube orFacebook

NEW SINGLE FROM LUTON IRISH BAND MISSING THE FERRY

The sound of a second generation…

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging.
With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.
Anyone who has ever missed, or nearly missed, the Dublin-bound ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!
 

Released November 13, 2020
Music and Lyrics by Paul Anderson.
Produced by Chris Anderson and Luise London

A barely heard phrase spluttered over the noise of a dimly lit Hackney Irish bar. A snatched image of an old fella nursing a pint and a chaser in a backstreet, Luton boozer. Just a couple of influences that lead to the creation of this tune.
Remembering a generation fast dying out along with their stories of love, loss, heroism and the mundane.
Our small tribute also this November to the bravery, senseless loss and sacrifice induced by war.
“God bless you and keep you.”
An old man leaves the pub his final farewell, coughing into the cold night air his breath still visible for a few moments before disappearing into the darkness.

(stream God Bless You And Keep You  on the Bandcamp player below)

Download God Bless You And Keep You  FromTheBand

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

ALBUM REVIEW: THE STUBBY SHILLELAGHS – ‘Glass To Mouth’ (2020)

High-Energy northern Colorado acoustic Celtic-Folk-Punk Band The Stubby Shillelaghs release their fifth studio album, Glass to Mouth, to celebrate the band’s tenth anniversary.

The Stubby Shillelaghs new album (out this week!!) is self-produced and self financed as well as being recorded and mixed as a result of quarantine due to the COVID-19 pandemic. It’s a great risk to put out an album in these bleak times as their are no proper chances to promote any new releases but life must go on and for many music is one way to help get through the dark times. As Shaughnessy McDaniel, the bands songwriter and guitarist says

“I think this album really sums up what we are about, this year has been tough for everyone and I hope that a little of our band’s aggressively positive attitude and slapstick sensibilities can shine a little light on people’s days,”

Glass To Mouth celebrates the bands 10th anniversary together and you have to go back to June, 2010 to the very start when the small northern Colorado town of Greeley saw three long-time friends Andrew Mithun, Ryan Knaub, and Shaughnessy McDaniel looking to start a Celtic influenced band as a small side project. Later that year Greg Farnsworth, owner of local Irish bar Patrick’s, was looking for an act to play a Halloween show and took a chance on the as-yet unproven Stubbies. The success of this show led to what became known as ‘Stubby Tuesdays’, a weekly residency at the bar and in the process becoming a staple in Colorado nightlife with their four hour sets legendary. The following year saw the release of their debut album Stubbies Assemble! (available as a free download) and also the band gigging further afield into neighbouring states. They went on to release further studio albums Whiskey Business, Celtic American and Critical Fail in 2015, a live album Parental Advisory Live!, a Live DVD Uisce Beatha: The Water Of Life and a greatest hits release Bangerz! the Greatest Hits (2010-2019).

For Glass To Mouth the band continue on the DIY path setting up a Kickstarter appeal that raised all the necessary money to both the record Glass To Mouth and to also release it on vinyl, something that the band have always wanted to do, and with the growing popularity of vinyl among music fans who can blame them. Glass To Mouth kicks off with the instrumental ‘Butter Up That Jig’. A short acoustic fiddle led song to open proceedings that leads into ‘Buyer Beware’ and demonstrates the Stubby Shilleaghs eclectic nature, influences, and musical style perfectly. Laid back Folk music with an American-Irish flourish warning people against buying the CD as they are much better live. I don’t do the lyrics justice as they made laugh out loud on hearing this song! They continue along the same route with ‘Sails And Sorrow’ which features fellow Colorado band Bolonium an American comedy-rock band famous for their satirical style parodies and music soundtracks. Accordion and the fiddle led Pirate song and we’re only four in. Plenty of Aaaarrrrgggghhhh! but they do resist the urge to shout “Ahoy, Me Hearties!”.

Title track ‘Glass To Mouth’ is up next and begins with the band telling us

“People ask us, “Stubbies, How are you so positive and cheerful all the goddamn time?” Well here’s our secret. Now listen up, cuz this is some Mary Poppins-ass shit!”

Anyone out there remember Tenacious D? Well these guys are the Celtic-Punk equivalent of them! Not much serious shit so far on this album and sometimes that is exactly what we need. I mean life would drive you up the wall and as someone i knew once said ” We are here for a good time not a long time”.

After saying that they go and play a political number next which for me is the album’s standout song ‘Rebel Heart’. Catchy as hell and and a real footstomper to beat the floor up to.

We back on more humorous ground next with ‘Shagnasty McHammerhands’ about the bands guitarist and songwriter. 2020 will go down as the ‘The Year With No St. Patrick’s Day’ and personally the first since I was a teenager that I went to bed sober. The song features another Colorado band, Keep Britain Irish, helping out on the chorus. One of the albums fastest songs it still keeps to the albums style that would see them being able to be enjoyed by all. Punk enough for the Punks, Celtic enough for the oldies and irreverent enough for the Dads!

We steering towards the albums end and we have the interesting Sobermen Trilogy up next. A three-part song set that tells the story of the meeting in 1783 of the great Irish alcohol suppliers Arthur Guinness and John Jameson. Part 1 is ‘Prophecy Conspiracy’ a Country influenced song that also takes in Irish and sea-shanty along the way as the tale is regaled. Part 2 is the Scots tinged ‘The Fall Of Speyside’ while the final epic part is ‘The Siege Of St. James Gate’, with St. James Gate being of course the home of delicious Guinness Stout, and the guys rock the hell out of it with a Celtic-Metal finale. Over ten minutes of brilliant storytelling with all the humour we have come to expect from The Stubby Shilleaghs. That’s not the end though as the final song of the album is ‘Merry Bards Of Metal’ and a gentle and tuneful way to bow out.

Glass To Mouth was recorded at Crunchtronic Studios in their home town and marks the Bhoys tenth anniversary of goofiness and irreverence that has made the band a popular feature on not just the Celtic scene in Colorado. An album with instant appeal to anyone and everyone who enjoys a laugh with their Folk music.

Buy Glass To Mouth  CD/Vinyl

Contact The Stubby Shillelaghs  WebSite  Facebook  YouTube

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART THREE

Welcome to the final installment of Let The Music Keep Your Spirits high. Over the last three Sundays Andy Nolan of the most popular and influential Irish band in England over the last 20 years – the Bible Code Sundays – has shared with us the history and meaning behind some of his songs. A fascinating trip through the Irish diaspora in England, Ireland and the USA and their historical figures. So here is Part Three (links to the previous two are at the bottom) so get yourself a cup of tea (or maybe something stronger) and sit back and enjoy.

GHOSTS OF OUR PAST

I wrote this about growing up in Hammersmith, West London during the 1970s and 80s. Most of the pubs around Hammersmith, Fulham and Shepherds Bush were Irish back then – ‘The Hop Poles And Swan’.
“You’re not wanted here, stopped by the law, comin out of the station, just like before”.
My dad used to get stopped by the police all the time going to & from work simply because he was Irish. ‘What’s in the bag Paddy?’ they’d bark, referring to his work bag holding his sandwiches & tea. The truth was they were looking for guns and explosives or to fit someone up. But for the grace of God go I – look what happened to the Birmingham Six, the Guildford Four and the Maguire Seven. My dad and his mates sometimes worked seven days a week on the buildings back then and were in the pub every night sinking back 15 pints. They’d still be up for work in the morning of course and they worked their fingers to the bone rebuilding this country. The ‘riverside strolls’ refers to our walks by The Thames and Hammersmith Bridge when we were kids and all the down and out winos (who were mostly Irish or Scottish) we’d meet along the way –
“the broken old men, battered and down, down by the riverside falling around”.

NOW WE’RE PRINCES

I wrote this as the soundtrack for my crime drama feature film project Clan London, which unfortunately didn’t receive the industry funding it required to go into production. Looking back, it wasn’t the right time for that movie to be made for several reasons which I won’t go into now. Rest assured and God willing it will be made one day with a fantastic cast and crew on board! The money we did raise through crowdfunding was used instead to make my two short films Tax City (Steve Collins, Jon Campling, Razor Smith) and Jack Mulligan (Terri Dwyer, Steve Collins, Dean Smith, Ruth Adams). Both films were premiered at BAFTA, Piccadilly to sold out screenings. Jack Mulligan won Best Overall Film at the Ambassador Reel Film Festival in Cork, Ireland and was premiered on the London Live channel in 2019.
We filmed the music video itself with Darren S Cook around Ladbroke Grove, West London where the Clan London storyline is set and also at Under The Bridge, Chelsea and Roughrockers Studio, Uxbridge. The lovely Lorraine O’Reilly sang on this track too which featured on our album New Hazardous Design!

NIGHT CROSSING

Next up – Night Crossing. I wrote this about the Syrian refugee crisis & the photo of the little boy Alan Kurdi RIP washed up dead on the shores of Turkey after his boat capsized while trying to reach Greece with his parents. I wanted to open peoples minds with a song written from the viewpoint of a refugee family embarking on a desperate & perilous journey to Europe. All too often we witness deplorable comments on social media such as ‘good, that’s one less of them coming over here’ when these tragic stories break. Where’s your humanity? Where is your solidarity? Imagine if this was your family living in a war-zone trying to escape being blown to bits on a daily basis, what would you do? Of course, you would do exactly the same thing & try and escape to give them a better life. And who sells the weapons of war to these governments – making profit from innocent people’s heartbreak? Yes, quite probably your own government so think before you judge!
We got the brilliant Brian Kelly in to play banjo & mandolin on this track which featured on our most recent album Walk Like Kings. Enjoy, rethink, reflect X

THE PITTSBURG KID

Well I couldn’t just write one song about an Irish American fighter could I? There’s so many to chose from! Our good friend Gary McDonald was onto me for ages to write a song about his adopted home of Philadelphia. The nearest I could get was Pittsburg (sorry Gary) because of my love for one of its finest sons. My affection for Billy Conn goes back to when I was a kid and the boxing stories my dad RIP used to tell me. He’d always be raving about Conn, Gene Tunney, Jack Dempsey, Gerry Quarry and Rocky Marciano:

‘My father told me when I was six
Of Billy Conn, the Pittsburg Kid
And as he spoke I wished that I had been there
To the Steel City his parents came
From Ireland’s shores in search of fame
The streets of S’Liberty became their home where –
William David Conn was born,
A tough street fighter, hands of stone
With film star looks and a left that fighters dream of….’
Conn really was a great looking dude and Morrissey even put a photo of him on the front cover of his 1995 single ‘Boxers’. He wasn’t just a pretty face though that’s for sure and in 1939 he met World Light Heavyweight Champion Melio Bettina in New York, outpointing him in 15 rounds and winning the World Light Heavyweight title. Conn defended his title against Bettina and twice against another World Light Heavyweight Champion, Gus Lesnevich. He also beat former World Middleweight Champion Al McCoy and heavyweights Bob Pastor, Lee Savold, Gunnar Barlund and Buddy Knox in non-title bouts during his run as World Light Heavyweight Champion.
But he will forever be remembered for coming so close to beating arguably one of the greatest fighters of all time – Joe Louis. In 1941, Conn gave up his World Light Heavyweight title to challenge the brilliant Louis who was now the World Heavyweight Champion. Conn wanted to be the first World Light Heavyweight Champion in boxing history to win the World Heavyweight Championship and to do so without going up in weight. The fight became part of boxing folklore because Conn held a secure lead on the scorecards going into Round 13 – unlucky for some! According to many experts and fans who watched the fight, Conn was outmaneuvering and outboxing Louis right up until that point. In a move that Conn would regret for the rest of his life, he tried to go for the knockout in Round 13 and instead ended up losing the fight himself by knockout in that very same round. Ten minutes after the fight, Conn told reporters ‘I lost my head and a million bucks.’
‘Of all sad words of tongue & pen
The saddest are ‘what might have been’
One night in ‘41 in New York City
For 13 rounds he outboxed Louis
Blew away The Bomber but his Irish pride for once was his undoing’
Sleep well Billy RIP.

RUNNING FROM OUR SHADOWS

This will be the final Bible Code Sundays track I’ll be posting written by myself with a brief description about the song. I hope you’ve enjoyed my ramblings on here over the last three Sundays. Thanks for all your very kind words and for taking the time to listen to the songs X
Next up – Running From Our Shadows. I wrote this as a submission for the movie Black Mass which starred Johnny Depp as the notorious, real life Boston gangster Whitey Bulger. Although they really liked the song, in the end the producers decided to go with one specific musical piece throughout the film. It is written from the perspective of a fugitive on the run from the law, his reflections on the life he has chosen, how it brought him to this point and how it has affected the ones he loves:
“I can hear the bells of home
As I whisper down the phone
It’s a Black Mass, baby
It’s that ancient Irish code
I will always be a part
Of your New England heart
So don’t stop lovin now the Feds are on us”
We shot the video for this with Adie Hardy at Panic Studios, Park Royal literally weeks before we lost our dear Carlton RIP. I couldn’t watch it for a very long time. It was hard to go back to that day when we were all together and having the craic as usual. Little did we know what the following few weeks and months would bring. We deliberately went for a dark, moody shoot to tie in with the film’s subject matter but it took on a whole new meaning when we lost Carlton. It’s like watching a moment in time now where darkness would soon descend on us all. Very surreal.
Once again we asked the brilliant Lorraine O’Reilly to sing on this track. Her beautiful vocals on here sound angelic. I wanted a female vocalist because the song is about the relationship between a fugitive on the run and the girl he left behind back in South Boston:
“I’m remembering the air
The colour of your hair
Those Old Colony girls
With their tough & friendly stare
The projects where we ran
Our dreams held in our hands
They were right from the heart
Letters written from my…”
We love and miss you always Carlton but we know you’re around us all the time. Until we meet again, save us a seat at the bar buddy.

The Bible Code Sundays have been regulars on the London Irish circuit for over a decade and continue to pack them in across London. You can catch the band or some variation of them on most days of the week somewhere in the capital. The best place to find out their gig dates is on their Facebook page. Their records are still available on Spotify above or Amazon and iTunes or at their gigs. Most recently they starred on the compilation album Quintessential Quarantunes featuring six bands, three from Ireland and three based in London and recorded during the lockdown.

ODDS’N’SODS. CELTIC-PUNK ROUND UP NOVEMBER 2020

We want to move away from just being ‘ReviewReviewReviewReview’ so we have started this monthly feature that comes out on the last day of each month. All news items that we otherwise miss will get a mention but I need YOU to be the eyes and ears if it’s going to work so send over to us any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., to us at londoncelticpunks@hotmail.co.uk or through the Contact Us page and it will go in here!

We start off November’s Odds’n’Sods with the shocking news that the classic FLOGGING MOLLY album Swagger celebrated its 20th anniversary (yikes!!!!) last month and it is now available remixed and remastered in a limited edition vinyl box set that includes a bonus LP, a never-before-seen DVD documentary plus full live performance, expanded lyric booklet featuring many unseen before photos and much more! Orders for the box set are now available at floggingmolly.com/swagger!

More news from FLOGGING MOLLY was the recent announcement that they will be returning to these shores next Summer for gigs in Manchester, Birmingham and north London. Tickets on sale here.

One of the best and productive scenes in Celtic-Punk is the one in Indonesia and one of the best of a great bunch is THE CLOVES AND THE TOBACCO who play Irish music just as if they were raised on the Emerald Isle itself. There’s not many who play Celtic-Punk and Irish music with this much talent and passion. Enjoy their great new video a bit subdued for them but still outstanding. ‘Denting Gelas Akhir Pekan’ from their new album Jalan Pulang.

The new album from Doyle Duff and his band has landed. Mistakes Were Made by ST. DOYLE AND THE LAST CALL PHILHARMONIC is available for download below.

Dutch Celtic band MAGGIE’S FLOCK continue to release a song a month through 2020. Autumn is upon us! Check out this atmospheric beauty!

BEAVER SECRET HANDSHAKE are from Helskini and have a EP out on YouTube and Spotify.

RUNA have released a cover of Hoagy Carmichaels auld hit ‘Buttermilk Sky’. The video was filmed in the French Quarter of New Orleans and I defy anyone not to enjoy it. Shannon has after all one of the best voices in Irish music.

THE PLACKS one of the brightest new bands in the scene released a new video/single ‘Sail Away’ about the Highland Clearances. Shot in Dunoon and Gourock and filmed in the first week of September. It’s been likened to an ad for Visit Scotland! Available for download for the princely sum of a fifth of a pint of beer here in London or under half a pint in Bonnie Scotland!

There was a time when SMZB were the sole Celtic-Punk band in China but since the arrival of Grass Mud Horse we could even start to claim their is some sort of scene now!! SMZB have a new album out of Punk with Pipes and its bloody great. Try and support this great band.

Speaking of GRASS MUD HORSE they have released a download only version of their debut album Beijing Bikini featuring ten songs never released before. These songs are from the band’s first year and are described as “very eclectic” and is made up of songs written in their first year together before they settled in as one of the best Celtic-Punk bands around.

Not Celtic-Punk but I really enjoyed the debut track from Scots band BRòGEAL. As they say themselves ‘four wise boys on that folk noise fresh outta Falkirk’ and it really is quite superb Celtic music. Send the lads a ‘like’ over at their Facebook Page as they just getting started.

Remember if you want your release featured then we have to have heard it first!

THE CUNDEEZ – Teckle An Hide

THE STUBBY SHILLEAGHS – Glass To Mouth (review later this week!)

ST. DOYLE AND THE LAST CALL PHILHARMONIC – Mistakes Were Made

SMZB – Once Upon A Time In The East

THE CLOVES AND THE TOBACCO Jalan Pulang

STEVE WHITE AND THE PROTEST FAMILY – The Debased Street Music Of The Vulgar

KILMURA – Hybris

Even doing this we still come across stuff we missed from the past that is worth another look. This time it’s something again a bit different… well a lot bloody different! Irish Meet the Blues by ANTONI O’BRESKEY is the first and as far as I know the only album ever recorded on piano where traditional Irish music meets Blues and Jazz. For Antoni “musical cultures are not defined by borders, but by historical roots that reach deeply across all areas of the globe.”

Another interesting band we just came across is ‘The American Irish band’ BEGORRAH. Celtic Punk/Metal band that formed in 2010 in New York City by music veterans Kevin Patrick Corrigan and Shane O’Connor. Begorrah have two albums out Molly B’gee in 2012 and Tough Guy Prayer in 2017 that you can listen to and download on Bandcamp.

Aussie band FOX’n’FIRKIN have a new song out ‘Get On The Boat’ urging us to get behind a fellow Brisbane Punk band they are mates with called Flangipanis. It’s out on Folk Til Ya Punk Records and is available for download here.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

OíCHE SHAMNA SHONA DAOIBH! NEW HALLOWEEN SINGLE FROM GRASS MUD HORSE

Chinese Celtic-Punk band Grass Mud Horse release a special Halloween themed single today but do you know that Halloween is a lot more than trick or treating and fancy dress? It’s origins go back to Ireland over a thousand years ago. Regarded as time of ‘The Celtic New Year’ marking the end of summer and the end of the harvest period. 

Woah Oh Woah Oh feed the hungry ghost
*
Come to the sea and swim at night
Where the darkness keeps us out of sight
We’ll drag you down and hold on tight
accept your fate don’t try to fight
When your spirits gone and I’ll let myself in
I’m free to walk about inside your skin
Come swim with us late at night
Where the darkness keeps us out of sight
*
Woah Oh Woah Oh feed the hungry ghost
*
When you’re walking home late at night
Try to keep yourself in the light
If you hear your name whispered slight
Don’t turn around don’t respond take flight
When your spirits gone and I let myself in
I’m free to walk about inside your skin
So don’t go walking late at night
Where the darkness keeps us out of sight
*
Woah Oh Woah Oh feed the hungry ghost
*

The Dead are literally rising from the grave

It’s pure chaos mass hysteria
The gates of hell have been thrust open
The souls of the hungry and forgotten march forth to exact their revenge
We’ll stay with you to the very end
May God have mercy on us all
*
Woah Oh Woah Oh feed the hungry ghost
*
Our new album Beijing Bikini is a collection of recordings we made in our first year, most of these where written before we had a band name or any musical direction. Many of the songs deal with life in China from a foreigners perspective. One of the songs I’m particularly proud of is the Hungry Ghost. I wrote it during the Chinese Ghost Month festival. It’s actually a really annoying time of year, cos people burn paper money, cell phones, e-bikes, and even little paper guitars and houses and things in the middle of the streets. We have to close all our windows in the height of the summer.
Anyway I was told some stories about why they make these offerings and I thought it was some of the spookiest shit I’ve ever heard! They burn these paper offerings to keep the ghosts of their ancestors happy and satiated, because during the ghost month the gates of hell open and they (the ghosts) can return to earth. Ghosts who have been forgotten by their families or committed evil during their life return as really dangerous hungry ghosts.
One thing they warn is not to swim during at night as the hungry ghosts are waiting to pull you under and drown you. But the story I thought was really cool and spooky, was if you’re walking home late at night and you hear someone calling your name behind you, DO NOT look behind you…it’s a hungry ghost who wants to eat your soul. Me and Rocco wrote some lyrics and I put it to music in the style of horror-punk for obvious reasons. We’ve made this video for the song to reflect the halloween season and the times we’re currently living in. I hope you enjoy it very much and Happy Halloween! 饿鬼👹
Chris from Grass Mud Horse. Qinhuangdao, China

Beijing Bikini is available on download only from the Bandcamp link below. You can support the band by buying the album or even just the song if you wish for just a measly dollar!

To find the origin of Halloween, you have to look to the festival of Samhain in Ireland’s Celtic past. Samhain had three distinct elements. Firstly, it was an important fire festival, celebrated over the evening of 31 October and throughout the following day. The flames of old fires had to be extinguished and ceremonially re-lit by druids. It was also a festival not unlike the modern New Year’s Day in that it carried the notion of casting out the old and moving into the new. To our pagan ancestors it marked the end of the pastoral cycle – a time when all the crops would have been gathered and placed in storage for the long winter ahead and when livestock would be brought in from the fields and selected for slaughter or breeding. But it was also, as the last day of the year, the time when the souls of the departed would return to their former homes and when potentially malevolent spirits were released from the Otherworld and were visible to mankind.

SAMHAIN AND ITS PLACE IN THE CELTIC CALENDAR
The Celts celebrated four major festivals each year. None of them was connected in anyway to the sun’s cycle. The origin of Halloween lies in the Celt’s Autumn festival which was held on the first day of the 11th month, the month known as November in English but as Samhain in Irish.

The original Celtic year 

Imbolc: 1st February, Beltaine: 1st May, Lughnasa: 1st August, Samhain: 1st November

The festivals are known by other names in other Celtic countries but there is usually some similarity, if only in the translation. In Scottish Gaelic, the autumn festival is called Samhuinn. In Manx it is Sauin. The root of the word – sam – means summer, while fuin means end. And this signals the idea of a seasonal change rather than a notion of worship or ritual. The other group of Celtic languages (known as Q-Celtic) have very different words but a similar intention. In Welsh, the day is Calan Gaeaf, which means the first day of winter. In Brittany, the day is Kala Goanv, which means the beginning of November. The Celts believed that the passage of a day began with darkness and progressed into the light. The same notion explains why Winter – the season of long, dark nights – marked the beginning of the year and progressed into the lighter days of Spring, Summer and Autumn. So the 1st of November, Samhain, was the Celtic New Year, and the celebrations began at sunset of the day before its Eve.

THE ORIGIN OF HALLOWEEN’S SPOOKINESS

For Celts, Samhain was a spiritual time, but with a lot of confusion thrown into the mix. Being ‘between years’ or ‘in transition’, the usually fairly stable boundaries between the Otherworld and the human world became less secure so that puka, banshees, fairies and other spirits could come and go quite freely. There were also ‘shape shifters’ at large. This is where the dark side of Halloween originated.

To ward off the evil let loose at Samhain, bonfires were lit and people wore disguises to confuse the spirits and stop the dead identifying individuals who they had disliked during their own lifetime. They also made a lot of noise to unsettle the spirits and drive them away from their homes. The timid, however, would leave out food in their homes, or at the nearest hawthorn or whitethorn bush (where fairies were known to live), hoping that their generosity would appease the spirits. For some, the tradition of leaving food (and a spoon to eat it!) in the home – usually a plate of champ or Colcannon – was more about offering hospitality to their own ancestors. Just as spells and incantations of witches were especially powerful at Samhain, so the night was believed to be full of portents of the future.

DOWNLOAD A FREE BOOK ON HALLOWEEN

The National Folklore Collection, which is managed at University College Dublin, has published a free booklet for Halloween. It explains the origins of Halloween and explores old Irish tales, legends and customs. You can download it (pdf 950Kb) here: Dúchas – Halloween.

ALBUM REVIEW: THE POGUES – ‘BBC SESSIONS 1984 – 1986 (2020)

The first ‘new’ release from The Pogues for quite a while compiles all their various BBC Sessions between April 1984 and July 1985. This CD/ digital release includes two sessions not included on the recent vinyl version of this album. 

The Pogues – BBC Sessions is the definitive complete collection that The Pogues recorded for the BBC during that era. All the tracks date between 1984 and 1986 and thirteen of the recordings are previously unreleased. That is not to say they are unheard as apart from their initial airing they have long been available on bootleg tapes back in the day and CD’s plus most can be heard on You Tube too. The album is available on CD, digital and streaming platforms and will be released on October 30. If you have already heard of it then that is because a special vinyl only version was released for Record Store Day on Saturday 29th August. That release was limited to 5000 copies and only includes sixteen songs which begs the question why not make it a double album and include all the songs that would be on the CD/ digital release? The vinyl version was available for Record Store Day only but is still readily available around the net but shop around as it varies in price quite considerably.

Record Store Day is an annual event inaugurated in 2008 and held on one Saturday every April and every Black Friday in November to celebrate the culture of the independently owned record store. The day brings together fans, artists, and thousands of independent record stores across the world.

This twenty-three track album features a collection of songs from six separate live sessions from BBC radio shows: The John Peel Show (April 1984), The David ‘Kid’ Jensen Show (July 1984), The John Peel Show (December 1984), The Phil Kennedy Show (March 1985), The Janice Long Show (July 1985) and The Janice Long Show (November 1986). The album groups each session together in chronological order from their first session recorded in April, 1984 when they were still called Pogue Mahone.

TRACKS 

Broadcast  April 17th 1984 (as Pogue Mahone) on The John Peel Show
1)      Streams Of Whiskey*
2)      Greenland Whale Fisheries*
3)      Boys From The County Hell*
4)      The Auld Triangle
Broadcast July 9th 1984 on the David ‘Kid’ Jensen Show
5)      Dingle Regatta*
6)      Poor Paddy On The Railway
7)      Boys From The County Hell
8)      Connemara, Let’s Go*

Broadcast December 4th 1984 on the John Peel Show 
9)      Whiskey You’re The Devil*
10)    Navigator*
11)    Sally MacLennane
16)    Danny Boy
Broadcast March 2nd 1985 on The Phil Kennedy Show 
13)    A Pair Of Brown Eyes ***
14)    Muirshin Durkin ***
15)    Sally MacLennane ***

Broadcast July 11th 1985 on the Janice Long Show
16)    Wild Cats Of Kilkenny*
17)    Billy’s Bones
18)    The Old Main Drag
19)    Dirty Old Town*
Broadcast November 5th 1986 on the Janice Long Show
20)    If I Should Fall From Grace With God ***
21)    Lullaby Of London ***
22)    The Rake At The Gates Of Hell ***
23)    Turkish Song Of The Damned ***
     *** Not featured on RSD vinyl release  * Previously unreleased

The collection captures The Pogues sound as heard through their first three albums: 1984’s Red Roses For Me, 1985’s Elvis Costello-produced Rum, Sodomy & The Lash, and 1986’s If I Should Fall From Grace With God along with a handful of single B-sides and novelties like the immortal ‘Danny Boy’. Ten of the album’s twenty-three tracks were previously collected on the career-spanning box set Just Look Them Straight In The Eye and Say…Pogue Mahone!! released in 2008. From the first chords of ‘Streams Of Whiskey’ when they were still going by the Pogue Mahone moniker. They were fresh from a tour supporting The Clash and had recently signed to Stiff Records but the BBC were reluctant to play their debut single due to their name. Being a rough Irish translation of ‘Kiss My Arse’ had the BBC clutching their handbags and so the band reluctantly changed their name to The Pogues. Throughout the controversy John Peel was the only one to use their original name. The album covers The Pogues great range from moving ballads all the way to the raucous punk they were more than capable of and ends with a selection of songs that would appear on If I Should Fall From Grace With God released two years after the session they appear on here.

Buy The Pogues BBC Sessions  AppleMusic  Amazon  iTunes  Spotify

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART TWO

Our short series on the songs of Andy Nolan continues today with another five of Andy’s masterpieces. As a past member of Shane MacGowan And The Popes and Spider Stacy’s Vendettas he has a great musical legacy but it’s as accordion player and songwriter for London Irish musical tour-de-force The Bible Code Sundays that Andy’s songs have defined a generation. The words to these songs are now known and sung by fans across the world and their influence is immeasurable with many bands trying to capture the Bible Codes sound. No band since The Pogues have helped define what it is to be London Irish and it is a common feeling on watching The Bible Code Sundays that these songs speak directly to the heart of the listener and encompass the same feelings and much of the same upbringing and beliefs that we had too! As we said before Andy is also a talented screenwriter, artist, producer and author. He was born in Hammersmith, West London surrounded by immigrants from across the world and, of course, a more than healthy contingent from Ireland but as you can see here from his songs about Irish-America he knows the Irish diaspora very well. Among his many achievements are the short films Tax City, and Jack Mulligan. And if anyone out there has spare few hundreds of thousands he is still raising funds for the feature film Clann London. So without further ado and again with Andy’s kind permission here is Part 2.

McBRATNEY FROM THE KITCHEN

About the notorious Westies gang that operated out of Hell’s Kitchen, NYC from the 1960s through to early 2000. There had always been dangerous Irish gangs on New York’s westside since the 1840s, going right back to the Gangs Of New York era but none were more ruthless than the Westies. A favourite pastime of these volatile Irish American hoods was kidnapping Mafia guys and holding them to ransom until they received payments of roughly $150,000 each time. On most occasions the ransom was paid and the wiseguys were released relatively unharmed. On one occasion however, James McBratney along with Eddie Maloney and John Kilcullen kidnapped Vincent D’Amore a capo in the Gambino crime family and during the commotion on the street someone noted their licence plate & handed it over to the Mafia who by this stage were at their wits end with the wild, uncontrollable Irish mob. On 22 May, 1973 John Gotti along with two henchmen entered Snoopes Bar on Staten Island where, after a furious struggle with the 6 foot 3” 250 pounds McBratney, they finally deposited three bullets into the Irishman’s body at close range killing him instantly. This did not spell the end for The Westies, far from it. A new breed of bloodthirsty Irishers in the form of Mickey Featherstone and Jimmy Coonan soon followed in their predecessors footsteps. Rudolph Giuliani, a federal prosecutor at the time who would later become the mayor of New York announced a devastating RICO indictment against Coonan & the gang for criminal activities going back twenty years. Featherstone testified in open court for four weeks in the trial that began in September 1987 and concluded with major convictions for the gang in 1988. Coonan was sentenced to sixty years in prison on assorted charges while Featherstone remains in the witness protection programme.
I remember Spider Stacy telling me about the time The Pogues played at the NYC launch of TJ English’s famous true crime book ‘The Westies’ and the Westies gang threatened to bomb the event! The movie State Of Grace starring Sean Penn, Ed Harris and Gary Oldman is based on Coonan and Featherstone.

WHITEY

This caused quite a stir when we released it back in 2006 especially in Whitey’s home city of Boston! Some people loved it while others viewed it as a glorification of Bulger who had recently been outed as an FBI informer. Being a rat in the criminal underworld is of course unforgivable. The truth is I wanted the song to be a raucous foot stomper laced in both glorification and hatred, so while Whitey’s meteoric rise through the Boston underworld is revealed, there is also a dark undercurrent of menace in the chorus from his associates who wish to lure him to his death:
“Whitey, Whitey where the hell are you?
There’s a barroom of poitín here waiting for you,
All the boys here in Southie with Tullamore Dew,
For the South Boston chieftain a right loyal crew”
Whitey was at one time second only to Osama Bin Laden on the FBI’s Most Wanted List after he fled Boston and went on the run for 16 years! Karma eventually caught up with Boston’s most infamous gangster when he was finally captured in Santa Monica, CA in 2011 then murdered in his Virginia prison cell in 2018. The movie Black Mass starring Johnny Depp, Kevin Bacon and Benedict Cumberbatch is about Whitey and The Winter Hill Gang. Enjoy the song, or don’t fuckin enjoy it, the choice is yours!

MY TOWN

I originally wrote this for a Boston based mob movie called ‘Townies’ which was set in Charlestown MA and I wanted it to sound like The Rolling Stones with an Irish twist. The opening guitar riff is very ‘(I Can’t Get No) Satisfaction’ and we deliberately went for that vibe from the outset. It is written from the perspective of a young street hood working his way up through the ranks of the Irish Mob to become top dog in the city. The path he has chosen is a very dangerous one as he negotiates his way through age old, bitter mob family feuds but his lust for money and power knows no bounds. This kid will take out anyone in his way in order to become the King of Charlestown. ‘The Town’ starring Ben Affleck is also set in Charlestown and had a similar storyline to Townies which unfortunately never went into production

THE BOYS OF QUEENS

A tribute to the FDNY, I wrote this song about an Irish American family steeped in the tradition of the Fire Department of New York – but from the words of one son, a US marine, who finds himself behind enemy lines during the Iraq war. Just before he dies he recalls how he lost his father and brothers in 9/11 and longs to be back with his wife and children in his native Queens. No one has a monopoly on grief, but 9/11 hit New York’s Irish community hard. The Irish were the rock on which the FDNY and NYPD were built during their inception many years ago and sons traditionally followed their fathers and grandfathers into the ranks of the fire department and police – a tradition still prevalent to this day. When everyone else was running out of the Twin Towers, these guys along with their Italian, Puerto Rican and black American brothers were running in.
May they rest in peace.
The song was used in the CBS TV show Unforgettable in 2012.

THE LORDS OF WINTER HILL

The Winter Hill district of Somerville MA has a long, bloody history of deadly Irish gang wars played out primarily between The Winter Hill Gang originally led by Buddy McLean, Howie Winter and Joe McDonald and the Charlestown Mob headed by brothers Bernie and Eddie McLoughlin. The bitter feud began in 1961 and lasted until 1967 resulting in the deaths of more than 60 people. The song also outlines the arrival of the Famine Irish into Boston during the 1840s and the dramatic rise and fall of their descendants including the Kennedys via bootlegging and politics and Whitey Bulger who eventually became leader of The Winter Hill Gang. In typical Boston Irish tradition, Whitey’s brother Billy was a former Democratic politician, lawyer and the President of the Massachusetts Senate for 18 years. The long tradition of war veterans from these working class neighborhoods is celebrated too:
“We gave to you our sons
For the Stars And Stripes they stand
They fought in North Korea and they died in Vietnam
Shot down on the beaches, butchered in the fields
Then carried home to Boston and their homes in Somerville’
The chorus then is an anthem of adoration for the city of Boston from the hundreds of thousands of Irish immigrants who were forced to flee Ireland and make it their new home:
‘You opened your arms to me
We’re home from the sea
Boston, we love you still
Now forever the Lords of Winter Hill’
The outro details the age-old blood ties with the old country through Boston politics and gangsterism:
‘The Gustin Gang, the Mullens, The Provo’s and Killeens
Their blood ran down The Mystic and far across the sea,
Celtic cross and tombstones, a monument there still
To Ireland’s sons and daughters and The Lords of Winter Hill’
The reel featured throughout is written by the late, great Tommy McManamon who played with the legendary Shane MacGowan And The Popes. I swear I can hear his banjo on this track, can you hear it too? RIP Tommy.

The Bible Code Sundays have been regulars on the London Irish circuit for over a decade and continue to pack them in across London. You can catch the band or some variation of them on most days of the week somewhere in the capital. The best place to find out their gig dates is on their Facebook page. Their records are still available on Spotify above or Amazon and iTunes or at their gigs. Most recently they starred on the compilation album Quintessential Quarantunes featuring six bands, three from Ireland and three based in London and recorded during the lockdown.

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART ONE

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART ONE

Photo- Paul Gallagher

Andy Nolan is best known on these pages as the accordion player and songwriter for the London Irish musical tour-de-force The Bible Code Sundays and as an ex-member of Shane MacGowan And The Popes and Spider Stacy’s Vendettas but there’s a lot more to him than just being an expert accordionist. Andy is also a talented screenwriter, producer and author. Born in Hammersmith, West London at a time when the Irish influence on London was at its greatest his songs speak not only of home in London and Ireland but stretch across the worldwide Irish diaspora with an special a focus on the United States. Among his many achievements he wrote and produced the short film Tax City, and the London Irish crime drama, Jack Mulligan, which premiered on London Live. Here over the last few weeks on his Facebook page he posted a brief description of a few of the standout songs he has written and the history behind the words. Well we thought it was too good not to share with you lot so with Andy’s kind permission here over the next couple of Sundays is Part 1 with Part 2 to follow next week.

THE SWAMP RATS OF LOUISIANA

A tribute to the 30,000 Irishmen who died in New Orleans digging out the New Basin Canal – a navigational waterway linking Lake Pontchartrain with the Mighty Mississippi. Over a four year period from 1832, thousands of Irishmen jumped into the swamps & dug in a straight line towards the lake. Many of them had been tricked by cotton brokers back in Liverpool that they were being transported to Philadelphia, Boston or New York which by now were already overflowing with poor Irish immigrants. Yellow fever and unforgiving heat ravaged workers in the swamps of Louisiana therefore the loss of black slaves doing such work was judged too expensive. As a result most of the work was carried out by Irish laborers who could easily be replaced at no cost with more and more now arriving by the boatload on a daily basis. Many were buried without a grave marker in the levee and roadway-fill beside the canal itself.

Abject poverty gave birth to New Orleans first criminal gangs such as the Corkonians, the United Irishmen and The Live Oaks. Sheehan, our hero in this song, becomes so demoralised at the hell-hole he now finds himself in that he throws down his work shovel for good and instead rises up through the ranks of the powerful Live Oaks Gang. I strongly recommend the book ‘Paddy Whacked’ by TJ English who covers this period in American history in greater depth!
A big thank you to Stephen Gara for his fantastic uilleann pipe playing on this track!

SEE YOU AT THE CROSSROADS

I wrote this song about my dear pal Noel Stephen Smith after reading his autobiography ‘A Few Kind Words And A Loaded Gun’ for the very first time many years ago. The title of the song was inspired by the opening pages where Noel dedicates the book to his son Joseph Stephen Smith RIP – ‘See you at the crossroads, kid’. Noel ‘Razor’ Smith was part of the notorious Laughing Bank Robbers gang from South London racking up 58 criminal convictions and spending the greater portion of his adult life behind bars. The dangerous outfit committed over 200 bank robberies but while serving a life sentence in prison Noel decided to turn his back on the life of crime teaching himself to read and write, gaining an Honours Diploma from the London School of Journalism and an A-level in law. Since then, Noel has been awarded a number of Koestler awards for his writing and has contributed articles to the Independent, the Guardian, Punch, the Big Issue, the New Statesman and the New Law Journal.
The melody instrumental throughout the song is taken from ‘My Lagan Love’ – an old traditional Irish song and I wanted the finished version to have that ‘She Sells Sanctuary’ vibe by The Cult – full of swagger and attitude!
“Racing through London in the pouring rain
I feel the rush go through my brain
Finger on the trigger, mask in my hand
Nothing can touch us, Butch & Sundance”
Noel has been a great friend & inspiration to me down through the years. We cast him in two of my short films Tax City & Jack Mulligan & he is now my literary agent for my own forthcoming true crime book Green Bloods. Keep marching on comrade & thank you for everything! Love ya mate!

THEY BUILT PARADISE

Our love for Celtic FC  is something we’re very proud of & the reason why I wrote this song. Formed in the east end of Glasgow in 1887 by poor Irish immigrants escaping genocide and famine back in Ireland, Celtic FC became a beacon of hope for those starving and penniless who made the short but urgent crossing over to Scotland. Andrew Kerins, also known as Brother Walfrid, was a Marist Brother from Ballymote, County Sligo who witnessed at first hand the plight of his own people in a very hostile and anti-Irish city of Glasgow. All soup kitchens in the city at the time were established by the Church of Scotland and in order to receive a meal there, the newly arrived, hungry Irish Catholics were ordered to denounce their own faith and convert to Protestantism before receiving it. Brother Walfrid, along with a group of fellow Irishmen including John McLaughlin, John Glass, John O’Hara and Willie Maley (and with the help of Hibernian FC who had already similarly been established in Edinburgh by Irish immigrants) immediately stepped in and formed a charitable football club in St. Mary’s Church in the Calton to stop this cruel exploitation of Irish refugees –
“A football club will be formed for the maintenance of dinner tables for the children and the unemployed”
The rest as they say is history!
We’ve been very fortunate and honoured to have been invited to play on the sacred pitch at Celtic Park on several occasions, including some unforgettable Champions League nights when we beat Barcelona 2-1 & also outside the Nou Camp itself! For me personally, supporting Celtic has taught me some invaluable lessons in life in regards to treating others with respect & offering both solidarity & charitable support to those who are still fighting their own injustices today – unity is strength

THE KIDS FROM THE CITY OF NOWHERE

Some of the stories here aren’t for the faint hearted, but they’re all true! I wrote this as a tribute to our London Irish community. For so long we were overlooked and dismissed like we didn’t exist but the truth was we were London’s oldest and biggest immigrant community who contributed so much in terms of rebuilding the UK’s decimated infrastructure after WW2. Musically too – John Lydon, Boy George, Kate Bush and Shane MacGowan are all born or raised in London of Irish parents, to name but a few. Chas Smash’s nutty dancing in Madness was heavily influenced by his own parents who were Irish dancing champions. I remember Chas and his ol fella used to come into our gigs in the Good Mixer in Camden Town many moons ago and they’d both be suppin Guinness and Irish dancing at the bar while we played. I reference the late, great Patsy Farrell too who was a singer in the James Connolly Folk Group. He was from Longford, as were my parents and Gavin Hayes dad Shay sang in the same group. They used to play all around Hammersmith (where I was born) when we were kids and on one occasion in The Salutation pub someone took exception to Patsy belting out the rebel songs and lobbed a penny at him. Patsy dived straight down off the stage on top of the culprit and made very short work of him – ‘down jumps Farrell on top of Thatcher’s man.’ The reference to the ‘high rise on the streets of Acton’ is when a group of my dads mates masked up and armed with hurley sticks dished out some sweet revenge on some bullies that were treating their wives and children like shit. They started on the bottom floor of the high rise flats and worked their way to the top until every culprit had been taken care of. Their families were never bothered again!
I remember us rehearsing this song for the first time in the back hall of the Adam And Eve pub in Hayes (thanks Anlon O’Brien). It wasn’t clicking and I was trying to explain to our dearly departed Carlton the drum feel I wanted but it wasn’t quite right. I jumped in my car, raced home and grabbed the B-side single of ‘Round Are Way’ by Oasis and drove back to the pub. I stuck it on the CD player & Carlton understood and got the rhythm straight away! Round Are Way is a big influence on this song. We even got Tony Rico Richardson and the brass boys in to record on the album version!

THE CINDERELLA MAN

I wrote this as a tribute to the incredible story of James J Braddock who defied all the odds to become Heavyweight Champion of the World back in 1935. The man he beat, Max Baer and nicknamed ‘The Killer’, had already killed Frankie Campbell in the ring while the mauling he dished out to Ernie Schaaf would contribute to his death five months later. Braddock was born in the Irish slum of Hells Kitchen, NYC until his family moved to Bergen, New Jersey. He came from a long line of fiercely tough Irish American boxers who at one stage ruled supreme in the early days of the noble art – John L Sullivan, Gene Tunney, Billy Conn, ‘Philadelphia’ Jack O’Brien, ‘Gentleman’ Jim Corbett, Tommy Loughran, ‘Terrible’ Terry McGovern and Jack Dempsey to name but a few. Forever the people’s champion but a huge underdog nonetheless, Braddock spectacularly beat Baer in a bruising 15 round battle to become the Heavyweight Champion of the World. He held onto the crown until he was beaten by a young Joe Louis in 1937.
The Hollywood movie The Cinderella Man (featured in the video above) starring Russell Crowe is based on Braddock’s life story. Russell famously tweeted this video (made by Padraig Clarke, a fan of our band) to his 3 million fans on Twitter which brought our band to a whole new audience! He would later sing on our most recent album Walk Like Kings! Thank you Mr Crowe!
The Bible Code Sundays have been regulars on the London Irish circuit for over a decade and continue to pack them in across London. You can catch the band or some variation of them on most days of the week somewhere in the capital. The best place to find out their gig dates is on their Facebook page. Their records are still available on Spotify above or Amazon and iTunes or at their gigs. Most recently they starred on the compilation album Quintessential Quarantunes featuring six bands, three from Ireland and three based in London and recorded during the lockdown.

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART TWO (soon!)

DANNY SHEEHAN – AMERICAN IRISH WARRIOR

Sending our greetings to the wee American-Irish warrior young Danny Sheehan.

DANNY SHEEHAN #1

Their is nothing worse than the illness of a child, Something Dan and Natalie Sheehan know all about after they received the news that every parent dreads. Their young son Danny was only four when he was rushed to the hospital emergency Room to alleviate Danny’s sporadic vomiting and terrible headaches. Subsequent scans would show there was an abnormal mass on Danny’s brain. Transported to Boston Children’s Hospital, Danny immediately underwent surgery for hydrocephalus, swelling of the brain caused by what is now known to be Pineoblastoma, an aggressive and cancerous brain tumor.

Danny with his Mum and Dad at home in Marshfield, Massachusetts.

Danny has battled the disease since January 2017 and Officer Danny (yes, he was made an honorary police officer in by his hometown Police Department last year!) is a cheerful, energetic, funny, gregarious, and loving little boy who revels in making friends and mischief. Life has not dealt him a good hand but Danny continues to battle on and remains positive. The embodiment of the ‘warrior spirit’ and a inspiration to us.

You’re the fighter, you’ve got the fire
The spirit of a warrior, the champion’s heart
You fight for your life because the fighter never quits
You make the most of the hand you’re dealt
Because the quitter never wins
No!

You can keep up with Danny’s fight by connecting with the Facebook Page 4TheLoveOfDanny which regularly updates his progress to his legions of fans and admirers. Head over there and leave a message of support and join us and lend your hearts, prayers, and love to Danny as he, his family, and medical team fight his cancer.

GOFUNDME FUNDRAISER

Sending best wishes to our mate Vinny at this time too. All the best.

ALBUM REVIEW: ShamRocks – ‘FCP LIVE’ (2020)

With a new studio album on its way ShamRocks, founding fathers of Ukraine’s Celtic-Punk movement and originators of ‘Stout Rock’ – a blend of Irish, Scots, Breton, Finnish Folk -release FCP Live a album that sounds like it could have been recorded down Mannions!
When exactly did the ‘clampdown’ begin? Well for me it was a bit earlier than most as a couple of days after St. Patrick’s Day my Doctor rang me and told me the date for an operation and so I was confined to base as it were. This made my long walk up to the local Lidl to get 4 cans of Guinness to watch the Dropkick Murphys Live Stream my last venture out for quite a while. While those few days saw some fantastic live music streamed over the internet with the Dropkicks, Brick Top Blaggers, 1916 and Bryan McPherson standing out in my memory one Live Stream deserved a much wider audience but went under the radar a little and that was ShamRocks from far away Ukraine. On March 20th the Bhoys got together with a bottle or two of Jamesons and played one hell of a show over Facebook and You Tube. One hour + of some of the best Celtic-Punk played that weekend.

It‘s been four years since the release of their acclaimed debut album Captains Log which hit the dizzy heights of the Top 5 in that years London Celtic Punks Best Of 2016. A real innovative and interesting album that took songs like ‘The Rising Of The Moon’ and  ‘Wild Cats of Kilkenny’ and injected them with just enough of the original but with an equal amount of themselves as well. They followed this up the following year with an EP Ye Olde Chariot which did even better at #2 in our Best Of 2017 charts so this is a band with a pretty good pedigree and one that we are big fans of.

ShamRocks left to right: Serge Vdovychenko – Lead Vocals, Bass * Andrew Neretin – Guitar, Vocals * Alexey Sletkov – Drums * Anatoliy Khomenko – Violin, Mandolin, Vocals * Sergiy Khudoliy – Keytar, Accordion, Vocals *

ShamRocks have continued to play and tour in the intervening years and plans were laid this year for their follow up album which has of course had to be delayed. So in the meantime ShamRocks have handed us this. A live album which has taken the songs from their St. Patrick’s Live Stream session and seamlessly edited them together. The album features songs from both previous releases and also a handful from their forthcoming album. ‘We’ll Be Drinking’ kicks off the album and we are straight into it. I commented before that they have a way of recording that gives it a real ‘pub feel’ while not taking away any of the professionalism and that is evident here. These guys must be one hell of a blast to catch live… Well of course you can kind of experience that via that Paddy’s Live Stream here.

A couple of songs fell by the wayside but thirteen survive and end up on this forty-five minute album. The guys do play some well trodden Folk tracks like ‘Leaving Of Liverpool’ but add to it a skanking beat making it as different a version as I have ever heard. It even closes with something more resembling Reggae! Next up is their ‘pièce de résistance’ the amazing ‘Rising Of The Moon’ which takes John Keegan Casey’s, the ‘Fenian Poet’, 1866 poem and conjures up something absolutely brilliant. The tune is still (mostly) intact but ShamRocks have real fun here mixing the Sex Pistols song Anarchy In The UK into it and while it may upset some folk music snobs purists I thought it was an absolutely fecking belter! Serge has a great voice for this Punk/Trad/Folk hybrid switching from one to the ther with ease. The band have Anatoliy covering the Celtic bases on fiddle and mandolin and Sergiy on the keytar manages to replicate bagpipes as well as a myriad of other sounds too. ‘Bring It On!’ is a new song and from this showing I’m very excited to hear the new album.

A very catchy and hard driven Celtic rocker followed by the Bobby Sands penned ‘Back Home In Derry’. A song that began behind the bars of the Maze Prison in the north of Ireland has become a staple of the Celtic-Punk scene over the last few years. Popularised first I think by Neck but here the song becomes a thrashing Punk-Rock classic. ‘Yellow Ribbon’ is the shortest song here. A cover of the trad Folk song that is also the official anthem of the United States Cavalry! Not a song you may think you know but wait till you hear it. Like every cover here they may change and adapt and add to the songs but they still manage to make them instantly recognisable. ‘Roll The Old Chariot’ is next and starts off in acapella style before the mandolin comes in and you may suspect that the time for a slow one is now but ShamRocks soon blow the lid off and the song ends off speeding towards the end with Sergiy’s keytar sounding remarkably like Tex-Mex trumpet! ‘Sails To The Wind’ is another new one and has an American Celtic-Punk feel to it while ‘Kiltartin Cross’, based on the poem ‘An Irish Airman Foresees His Death’ by Irish writer and nationalist W.B.Yeats, is a beautiful song and Serge’s vocals are fantastic as he sings in Ukrainian about an Irishman in WW1 fighting for Britain but dreaming off his home in Kiltartin in Galway. ‘Rogers Rangers’ is another new one and you get the feeling that the new album will be a lot more heavier Rock style then their previous stuff but still very much within Celtic-Punk. ‘Jacobites’ is the old Scots Folk rebel song, re-written by Robert Burns around 1791, about the 1688–1746 Jacobite risings. ‘F​!​C​!​P!’ is of course F**K Corona Patrick’s the name of this album and is dedicated to “all those who play Celtic-Punk… badly” and is a rollicking great ride through several styles of Celtic-Punk and has several auto-biographical passages I think! Great fun all together and one of the highlights of the album. FCP Live comes to an end with one of the great Irish Folk classics ‘Molly Malone’ and for once the Bhoys play the song straight up… except in Ukrainian!

ShamRocks are definitely one of the most innovative and original bands in the Celtic-Punk scene and usual deserve a much wider audience. The album is the fully fledged ShamRocks experience with no ‘post-production magic’ or any such nonsense, just the live mix with a bit of mastering on top and edited together to make something pretty damn good. I’m not a fan of live albums usually but every now and then I hear one that really hits the spot and as an example of their old and new stuff it’s well worth getting while we wait for their new album. I will end with the words I used to review their album as i don’t think I have said it better since.

“There is plenty to upset the folk purists (or snobs as I prefer to call them) here but these people like to keep Folk music locked up in a box. Put away and kept out of the hands of people who (in their opinion) don’t respect or cherish them as much as they do. Their way is noble yes but is also a surefire way to kill off folk music. They attacked the Dubliners and then The Pogues in their time and now they fawn longingly over the bands they once called sacrilegious.”

(Download or stream FCP Live on the Bandcamp player below) Buy FCP LiveBandcampHereContact ShamRocks  WebSiteVK.comFacebookYouTube

POGUE LAUREATE: POGUETRY – THE LYRICS OF SHANE MacGOWAN 

It’s thirty-eight years to the day that The Pogues, then known as Pogue Mahone first trod the boards at their debut gig at The Pindar of Wakefield in Kings Cross, London. 

At their height, The Pogues were as vivid an embodiment of the Irish of London as you’re ever likely to see. Their songs bled London and bled Irish — they sang of drunken winter weekenders in Camden and summer days in the old country on the banks of the Shannon with the smell of freshly-cut hay in the air.

By Oliver Farry

The band, of course, had their famously raucous side. By 1983, when they were formed, other ex-punks had cleaned up their act and their music and embarked on musical careers but Shane MacGowan and Co weren’t finished the business of the late 70’s and continued to get up the noses of most, including the BBC on countless occasions, such as when the band’s Alex Cox-produced video for ‘A Pair Of Brown Eyes’ was banned from the airwaves for its insolent depiction of Margaret Thatcher. In 1988, the Beeb banned ‘Streets of Sorrow/Birmingham Six’ for daring to argue that the sextet of the title were framed by British justice. If getting up the nose of the British establishment wasn’t so difficult, there were more natural allies put out by them back home, such as Noel Hill, the squeezebox player with Planxty — one of the group’s idols — who told them to their face during a stormy RTÉ radio forum that they were an “abortion of Irish music.” Even in the band’s afterlife they have been a discomfiting presence. ‘Fairytale Of New York’, probably the earthiest song ever to become a Christmas standard was belatedly censored by the Beeb for using the word “faggot”. A slavish sop to political correctness that ignored both narrative dialogue and the fact that the Pogues, with a gay guitarist and sympathetic ballads about abused rent boys, had been taking a stand against homophobia long before the mainstream media got the memo.

There was a time however when a certain esteemed British institution did court The Pogues and their dentally-challenged front man. In September 1989 Faber & Faber published a large format edition of Shane MacGowan’s lyrics under the title Poguetry (the band had already used this pun for their 1986 EP Poguetry In Motion). It was essentially a handsome but low-end coffee-table book; MacGowan’s lyrics were accompanied by surreal sketches by illustrator John Hewitt and photographs by The Face and NME alumnus Steve Pyke, both of whom joined the band in the studio and on tour throughout 1988. At the time it was a puzzling publication, especially as MacGowan’s lyrics, excellent as they often were, looked a little flat on the page. The sketches and photographs add context and texture but MacGowan’s oeuvre, by that time, was relatively slim, being drawn from The Pogues’ first four albums and assorted b-sides (and even those were not all his work, with other members contributing lyrics, not to mention many traditional songs). You got the sense that Faber, that soberest of British publishing houses – home to Pound, Eliot, Larkin, Heaney and Beckett – was viewing Shane as a future Bob Dylan. If they were, they can hardly be blamed for it, as MacGowan was surely the closest thing to Dylan Ireland has ever produced, with a lyrical versatility and strength of personality approaching that of the Bard of Duluth.

The book is a curiosity, with Pyke and Hewitt ably capturing the essence of The Pogues, a band that straddled tradition and iconoclasm, sartorial decorum and drunken disorder, gregarious sociability and taciturn sensitivity. It also marks the moment where the group turned to the US, of which ‘Fairytale Of New York’ was also a product. The band soon realised there was a huge diaspora (and non-diaspora) following Stateside to play to and nowadays, with appearances on countless soundtracks, including, most famously The Wire, The Pogues are arguably more synonymous with Irish America than the London Irish. Unfortunately there was not to be much more of it. The Pogues and Shane would be together for only one more album, 1990’s Hell’s Ditch. Shane’s drinking, already the stuff of contemporary lore, was making him increasingly unreliable and at times incapable of performing. The end came in September 1991 during a tour of Japan when the rest of the band sacked him. Neither party ever performed as well again (though it can be argued the quality of The Pogues’ own music had begun to fall off after the peak of 1988’s If I Should Fall from Grace with God). The Pogues, now fronted by long-time number two Spider Stacy, released two anemically directionless albums in the 1990’s but continued to successfully tour in the States.

You can hardly blame them for not giving up their livelihood but Waiting for Herb and Pogue Mahone are like the albums The Spencer Davis Group recorded after Stevie Winwood’s departure, missing all the spark of an emblematic lead singer. MacGowan hardly fared any better, spending most of the last two decades as a celebrity drinker, with a couple of albums here and there with his new group The Popes. There were glimpses of the old Shane (and the odd coup, such as getting Johnny Depp to play guitar when The Popes performed ‘That Woman’s Got Me Drinking’ on Top of the Pops) but much of The Popes’ output seemed like an afterthought, similar to the post-cocaine-hell K-Tel moments of ageing rockers.

Poguetry – The Lyrics of Shane MacGowan has been long out of print and copies now fetch a small fortune on Amazon. Hewitt and Pyke have both had successful careers themselves – particularly Pyke, who is now a successor in portraiture to Richard Avedon at The New Yorker. He later collaborated with the Irish-American writer Timothy O’Grady on the brilliantly Sebaldian I Could Read the Sky, which, like The Pogues’ early work was an elegiac account of 20th-century Irish emigration to England. He also contributed to this beautiful visual tour of Poguetry, which allows those not fortunate enough to own the book to have a look at the unique collaboration between three artists who are each wonderful in their own way.

A visual tour of Poguetry, published in 1988 that combines the lyrics of Shane MacGowan, illustrations by John Hewitt and photographs by Steve Pyke. Foreward read by Steve Pyke.

Oliver Farry was born in Sligo in 1975 and has been chasing the vulgar and sublime in equal measure ever since. These days he’s a journalist in Paris where he writes the news for France 24.

Some Pogues-related links:

In The Wake Of The Medusa   Paddy Rolling Stone  The Parting Glass   Pogues Facebook Page

ODDS’N’SODS. CELTIC-PUNK ROUND UP OCTOBER 2020

We want to move away from just being ‘ReviewReviewReviewReview’ so we have started this monthly feature that comes out on the last day of each month. All news items that we otherwise miss will get a mention but I need YOU to be the eyes and ears if it’s going to work so send over to us any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., to us at londoncelticpunks@hotmail.co.uk or through the Contact Us page and it will go in here!

Sad news for us as we have had to cancel the BENJAMING’S CLAN tour. As you can imagine being in a band is a very precarious business at the moment and risking the expense of coming over when the gigs may be cancelled at short notice is just not a option. The band though are going to do a special LCP exclusive Live Stream instead on Saturday 24th October. Keep a eye out for more details!!!

Coming to London (and the rest of the UK soon) the OLD TIME SAILORS is a musical show taking the audience back in time to the 19th century. Every audience member receives the Sunday Sailor, a newspaper shaped program including the lyrics to all our songs in order to sing along and become a Sailor for one epic night! The crew is composed of 17 musicians playing fully unplugged to ensure the most authentic experience. A 3 hour show featuring over 30 songs and tunes where the audience will sing and dance surrounded by drunken sailors. Everything takes place within a magnificent stage set, designed to give the audience the sensation of being inside a 19th century vessel.  Facebook  YouTube

Boston Paddies THE GOBSHITES are back! Bloody love this crowd and they got a new video out from their upcoming album St. Patrick’s Favorite Band. A cover of ‘Come On Eileen’ merged with the song that ‘inspired’ Kevin Rowland to write it- ‘What Does Anybody Ever Think About’ by The Blue Ox Babes.

THE CLOVERHEARTS are from Italy though their singer Sam is an Aussie and they’ve been releasing some really solid Celtic-Punk for the last couple of years…

and here’s another one!

We only just reviewed Atlanta’s THE MUCKERS latest album (its a corker!!) Irish Goodbye  a few weeks ago and here’s an interview with Jeff from the band with Ronan ex-lead singer of the London based Bible Code Sundays for a chat all about his band, the Celtic-Punk scene (surprised we never got a mention though) and their shared experiences in the Irish music family.

It’s fantastic to see life beginning to get back to normal. Lets keep our fingers crossed it continues. A new video hit You Tube last week from the brilliant THE TAN AND SOBER GENTLEMEN with a song from their forthcoming second album.

German Celtic-Punkers TIR NAN OG have a new album Sing, Ye Bastards! due out any day so they have put out a crowd-funder on Start Next.

We don’t want the CDs to rot away in some dark, forgotten corner of our rehearsal room, nor do we want our beautiful new songs to remain unsung. We want to bring them to you – live and loud. So we are going on tour and for that we need your support! Join us Let’s celebrate the music and make sure no-one has to live without our new album!”

The ever prolific PADDY FINNEGAN’S GREEN MACHINE have put out the Little Red EP for Labor Day 2020. A 3-track digital release as a ‘name your price’ download. Basically the new solo project for Raymond from Buffalo’s The Fighting 69th. 

Labor Day is an ‘Irish holiday,’ as the Irish created the union movement.

From Philadelphia in Pennsylvania Misanthropic bare-knuckle country punk, no chaser SIDE POCKET LOUIE. AS Bryan McPherson says “Gritty Working-Class Street-Folk-Punk-Americana and the such!”

Irish Psychobilly legend Philip ‘Doyley’ Doyle guitarist has not stood still for ten seconds during the ‘clampdown’ and continues to put out some superb music on Diablo Records. His new album of Psycho-Surf-Punk, the aptly named Influenza Hysteria, came out last week.

One of the best Celtic-Punk bands around and one of my personal favourites 1916 from New York City have a new song outcoming from their forthcoming new album Revolutions.

High-Energy Celtic Folk Band based out of Northern Colorado THE STUBBY SHILLELAGHS have a new album pout at the end of October and have a new song/ video.

Dutch Celtic-Rockers MAGGIE’S FLOCK were featured on Dutch TV show Podium Kabam performing a great song ‘Maggie Of The Moor’.

Got sent this in and at first didn’t know what to make of it but have a look at ‘Rappers React To DROPKICK MURPHYS I’m Shipping Up To Boston’ and I’m sure it will tickle you too. Approach with a sense of humour and top marks for rubbishing the bullshit ideology of ‘cultural appropriation’.

Remember if you want your release featured then we have to have heard it first!

THE POGUES – BBC Sessions 84-85 (Vinyl only!)

SIDE POCKET LOUIE – Dirty Hands, Dirty Money

ShamROCKS- FCP Live! (review next week!!)

FINNTROLL – Vredesvävd

THE CUNDEEZ – Teckle And Hide

How did we miss this!!!! Melting Punk is a 20 (twenty!) band Folk-Punk / Acoustic-Punk compilation from Quebec, not in Canada. Yes 20 bands and not only that but its available as a ‘Name Your Price’ download that was released back in October, 2018. Loads of bands new to me and the Web-Zine so definitely worth the couple of minutes it takes to download.

Crusty Folk-Rockers the NEW MODEL ARMY are one of the hardest working and touring bands around so having had all their plans quashed they are doing a special Live Stream over on their Facebook page. The concert will be a high-quality, pay-to-view, two-hour (plus) event filmed with multi-cameras, graphics and artwork – with the band playing a wide range of material spanning the 40 years. We will be selling tickets at £10 for which you will be sent an exclusive code to access the broadcast in the hours before the show. Details here. Tickets here.

Germany based MacSLONS SHOP do the merchandise for a whole range of Celtic-Punk bands and they always have a interesting range of sale items including t-shirts and CD’s and much much more!

Swedish Celtic/Folk/Irish punk rock band PUNK MAHONE are planning a Live Stream on October 31st. Check their Facebook page for more details.

Based in Copenhagen, but originally from England, Ireland, Scotland and the northern-most tip of Denmark, BROPHY’S LAW toured the UK a couple of years back with Sir Reg and have released the excellent ‘Record Collector’ for International Record Store Day.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

In case you missed it Irish-American Celtic-Punkers THE TEMPLARS OF DOOM played a storming hour-long full-band Labor Day Live Stream set for the London Celtic Punks direct from their home in Ulster County, New York State.

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

EP REVIEW: LEXINGTON FIELD – ‘Win The Day’ (2020)

Formed in 2009, hundreds of shows, three national tours, five albums and a whole bunch of EP’s and singles, Lexington Field from San Diego, CA is Rock music but with an Irish fiddle right in the epicenter!!

“Don’t let the little things bring you down. Rise up, fight, and Win the Day!”

On a list of bands that have graced these pages the most Lexington Field would be high up on that list. Maybe even at the top. Now this is not just because they are a prolific band when it comes to recording but also because they are one of our favourites and while the music may not be strictly Celtic-Punk anymore, or even Celtic-Rock, it still fits on these pages absolutely perfect.

Lexington Field from top left to right: Bryan Hane – Electric Guitar * Cami Smith – Fiddle * Beau Gray – Lead Vocals, Acoustic Guitar * Nick Freeling – Bass * Jon Berghouse -Drums, Percussion

Formed in 2009 the band from the sunny climes in California release their latest EP, Win The Day, in just a few days time and the record follows quickly the release of their greatest hits compilation Here’s To You- Ten Years Of Fiddle Rock (including a couple unreleased tracks!) earlier this year which gathered together the best songs from their five albums and four EP’s in one place. A busy band they spent 2018 recording the dual release of an album, Modern Times, and an EP, Dreamers, on the same day (#13 and #5 in 2018’s Best Of list). The band label what they do as Fiddle Rock and it’s a good moniker for them as the fiddle is integral to what they do and in Cami Smith they have one of the best players in the scene. While their early releases were full of Irish spirit and led the wave of American Celtic-Punk bands of their era subsequent releases have shown their progression to a band that is unafraid to bring in influences from across the board and unlike most bands around their message is always a positive one, even if I do sometimes hark back to the wild abandon of songs likeTracy Boys Fight The World’ from their debut album.

Here on, as on all their releases, the production is second to none with Sean Tolley down at Clarity Recordings in downtown San Diego in charge of all recording and mixing. The EP opens with the title track ‘Win The Day’ and as is the Lexington Field way it’s all incredibly tuneful and Beau and Bryan have written some fantastic lyrics that leave you with a warm fuzzy feeling but sometimes the lyrics have a much deeper and darker meaning than you would imagine from the joyous music accompanying them.

“I wonder if I’m right to question everything
I need a special someone to break it down to me
Tell me I am wrong
Give me a second chance
To face my inner demons and try to take a stand
This is my moment to shine”

‘Dear Sorrow’ is abit of a throwback to their olden days but with the ‘wild abandon’ reigned in somewhat. Chugging guitars and loud drums at first give the song a Punky feel but the influence of Folk and Americana loom large and you would be forgiven for considering that the song was Folk or Punk on alternate listens.

Not many can capture the true meaning of the phrase Folk-Punk. It is after all a hell of a lot more than music students playing acoustic guitar with fake working class accents. While on the surface it is held together by Beau’s distinctive vocals and Cami’s brilliant fiddling the whole band work seamlessly together. One must is to check out the video above. Recorded on iPhones and edited together by mate of the band Rick Romero. A true example of the DIY spirit. As someone once said “necessity breeds ingenuity” F**K Covid! ‘Turns’ is the EP’s first slow song but Bryans guitar gives it a heavier feel and needless to say they can’t help giving it  bit of pace after a while. Probably my favourite song here the catchiness is unbearable and had me tapping me toes while I tap away at the keyboard writing these words! ‘Steps’ is another rocker that will leave you with a glow and sore feet!!! 

“Alone in my thoughts once again
Anxieties are never the same
Turn up the music to ten
Depression will not win the day”

We coming up towards the end and one thing Lexington Field always supply and that is value for money. Here their six tracks last twenty-three minutes which is just as long as plenty of albums I have to listen to. ‘Fake Paper Money’ is another slow burner though it’s not quite what you would call a ballad. The song slowly builds up and Beau’s aching vocals giving it a real passion. At almost five minutes the EP’s closing song ‘Alive’ brings down the curtain on Win The Day and its countryfied opening leads us into classic Lexington Field territory with a song that sits nicely on the fence between rocker and ballad. A grand way to see things out with a especially poignant outro.

Beau says of the EP

“We spent 2019 writing a collection of songs as a follow-up to our uplifting, optimistic, double release Dreamers/Modern Times. We wanted to tap into the reality of our current lives, some past experiences, while still capturing that true fiddle rock sound. We kept with the catchy theme throughout the record, and found a really good balance throughout all six songs. We are so lucky to continue writing fiddle rock songs and performing them on stage for over 11 years. We are very proud of Win the Day and can’t wait to share it with the world!”

and it is heartwarming to hear a band who have lost none of their joy at playing together. The band has been a constant throughout the existence of this site and we look forward to them accompanying us into the future. As they say in ‘Steps’

“Embrace what is next, A new day has just begun”

(Stream or download Win The Day on the Bandcamp player below)

Buy Win The Day  Bandcamp (released October 2nd)

Contact Lexington Field  WebSite  Facebook  YouTube

Lexington Field performed a acoustic set during the Paddyrock ‘Halfway to St. Patrick’s Day’ Live Stream all-dayer on 19th September and despite some sound issues played an excellent set. It’s now available on You Tube and features the whole days line up. Eight hours in total of superb Celtic-Rock and Punk but if you just want to jump to Lexington Field they come on stage (!) at three hours seven minutes.

You can also catch Beau alone this time chatting to Timmy D on the recently aired Timmy D And The Industry pod-cast about the new EP.

CLASSIC ALBUM REVIEW: THE HUMBLEBUMS with Billy Connolly Gerry Rafferty- ‘Open Up The Door’ (1970)

The next in our series of ‘Classic Album Reviews’ this time features Scottish Folk-Rock group The Humblebums. Formed in 1965 by Billy Connolly and Tam Harvey it was the arrival of the soon to be legendary singer-songwriter Gerry Rafferty in 1969 that would see the band move in a new direction with Gerry’s sensitive, beautifully written songs and Billy’s anarchic humour combining magnificently, especially here on their last album before they split the following year

Billy Connolly and guitarist Tam Harvey founded The Humblebums in 1965, both having been regulars on the Glasgow folk circuit while Connolly had also been playing old-time country music in The Skillet Lickers. The bands name coming from a Connolly quip that,

“I am humble and Tam Harvey is a bum.”

The duo quickly became popular due in no small part to Billy and his between-song patter, which over time became a much larger part of their act and would eventually lead Billy Connolly to superstardom! The band was active from 1965 to 1971 and recorded their debut album, First Collection of Merrie Melodies, in 1969 for Transatlantic Records. Regulars in the Old Scotia Bar. Billy sang, played banjo and guitar, and entertained the audience with his humorous introductions to the songs while Tam was an accomplished bluegrass guitarist.

They were soon joined by Gerry Rafferty, who would also go on to superstardom, and for a short while performed as a trio. Tam soon departed and the remaining twosome recorded two more albums, The New Humblebums (perhaps most famous for the Gerry Rafferty penned ‘Her Father Didn’t Like Me Anyway) and Open Up The Door, before going their separate and lucrative ways. Their repertoire back then was split between trad Folk songs and songs penned by each of them. Billy Connolly is much better known these days as a stand up comedian whose appeal has lasted over four decades now. Even as a comedian he still managed to put out some great music including his #1 parody of Tammy Wynette’s song ‘D.I.V.O.R.C.E.’ and the Village People’s ‘In the Navy’, subtlety changed to ‘In the Brownies’. Encouraged by his audience reaction Billy Connolly began to put more and more effort into his comedic side and in 1974 the release of the live double album, Solo Concert would take him far beyond Glasgow. But it was a appearance on the Michael Parkinson Show in 1975, where he had Parky in stitches with a joke, rather risque for the time, about a man burying his wife ‘posterior up’ that showed he was set for stardom and he never looked back. His years in the Glasgow Folk scene gave him ample material for his stand up and soon his natural ability and popular appeal saw him also appear in countless films and television work. A true working class folk hero in every sense. Gerry Rafferty, would after the Humblebums, record the solo album, Can I Have My Money Back?, and then formed Stealers Wheel before eventually emerging as a major recording act with Baker Street who would record mega-hits like ‘Stuck In The Middle With You‘, (if you saw Reservoir Dogs you might remember the scene where Michael Madsen’s character, Mr. Blonde, tortures a captured Policeman whilst doing a little dance to this jaunty tune) ‘Star’ and the worldwide smash hit ‘Baker Street‘ in 1978 and would continue to perform to legions of adoring fans till around 2008 when he shunned the limelight. Sadly the death of his elder brother in 1995 affected him greatly from which family and friends said he never fully recovered and he slunk into alcohol abuse which would ultimately contribute to his death of liver failure on the 4th January, 2011.

Billy Connolly is quoted as saying of his friend and former bandmate:

“Gerry Rafferty was a hugely talented songwriter and singer who will be greatly missed. I was privileged to have spent my formative years working with Gerry and there remained a strong bond of friendship between us that lasted until his untimely death. Gerry had extraordinary gifts and his premature passing deprives the world of a true genius.”

Both men came from Irish Catholic working class backgrounds and it was perhaps this that led to such a wonderful partnership in the Humblebums with their different approaches working wonderfully together. Plenty of songs from these days would re-appear over the years on Billy’s many comedy albums and on Gerry Rafferty compilations and all were re-released in the aftermath of the duos rise to international stardom.

Open The Door was the duos last album and sees them backed up by several of the bands friends to flesh out the songs somewhat. One of the nice things here is that both Gerry and Billy sing their own songs and while both are quite different they complement each other perfectly. For Gerry the influence of The Beatles can be heard while for Billy its hardcore Folk and Blues that comes through. The albums biggest hit was ‘Shoeshine Boy’ outselling everything in Scotland but failing to attract much interest in the rest of the UK. However, there was disagreement about the direction of the band and Billy’s off stage drinking had got out of hand and he had become unwell. Gerry’s material having a more serious side and with Billy’s humorous offerings and that in-between song patter taking up more and more of the Humblebums show time, it reached a point where Gerry wanted the comedy cut out altogether. Also with the recordings now using extra musicians it made it harder to replicate the record on stage as a duo and it came as no surprise to those who knew them when the Humblebums broke up in 1971.

Both guys went on to far bigger things but we can be grateful for the three albums they did record.

01. My Apartment (Billy Connolly)
02. I Can’t Stop Now (Gerry Rafferty)
03. Open Up The Door (Billy Connolly)
04. Mary Of The Mountains (Billy Connolly)
05. All The Best People Do It (Gerry Rafferty)
06. Steamboat Row (Gerry Rafferty)

07. Mother (Billy Connolly)
08. Shoeshine Boy (Gerry Rafferty)
09. Cruisin’ (Billy Connolly)

10.  Keep It To Yourself (Gerry Rafferty)
11. Oh No (Billy Connolly)
12. Song For Simon (Gerry Rafferty)
13. Harry (Billy Connolly)
14. My Singing Bird (Gerry Rafferty)

Billy Connolly – Vocals, Guitar * Gerry Rafferty – Vocals, Guitar
with special guests
Bernie Holland – Guitar * Barry Dransfield – Fiddle * Jimmy Tagford – Drums * Terry Cox – Drums
“I hope for nothing, I fear nothing, I am free”

DOWNLOAD OPEN UP THE DOOR

LINK1   LINK2(not UK)   LINK3   LINK4

for more like this…

NEW SINGLE FROM GLENN HODGE BANNED ‘As It Is’

Glenn Hodge Banned is an alternative, contemporary folk singer. An independent artist who has been bastardising nice music for some time now!

London based Kent born singer-songwriter Glenn Hodge has been recording music since 2014 but got his big break by penning the lively festive Folk song ‘Santa’s Coming Round’ for the homeless charity The Big Issue Foundation in 2015. The song featured London based Big Issue vendors and their 4-legged companions and is available as a free download.

He has been compared to Billy Bragg by many but those that do must mean the Billy Bragg before he moved to a massive Dorset farmhouse and started telling us to vote Lib-Dem. Glenn lives on a narrowboat in London moving from place to place like an old-fashioned travelling bard, drawing upon London’s many characters for inspiration. His songs draw upon everyday life topics bringing a degree of candour and often humour. He still works closely with The Big Issue Foundation, raising money through his music for those who desperately need it. With seven singles and one EP behind him he has released the outstanding ‘As It Is’ the first song from his upcoming album Behind Closed Doors due to be released later this year.

There was a fella on the news today, who suffered some abuse
For a mind with an obtuse that comes with privilege
In a look as old as money never hungered for a day
But would showcase a disdain for those were born to it
*
But we are the undisputed engine the ones that have to give
Working on the frontline and nursing your kids
And we are building the houses you live in
We work
*
Chorus
All over Scotland
Have you met the fierce Irish nation
As it is all throughout England
What you want is a Welshman beside you
*
They’re looking ragged in the alleys
In the streets they’re all done in
Put their money on the man who took it home with him
Should we push away our neighbours? Well let’s put it to a vote
On a whim and in the hope that a new age begin
*
But we’re the anger in the voices of the many over years
Destined to be choice-less invested in fear
And we’re calling to everyone listen
And we’re calling to everyone listen
We live
*
Chorus
*
It’s the same the whole world over with an ounce of life to live
Bet your life you’ll give it up and take it all they will
Maybe no amount of protest could change the way it is
But it is the way it is at least it is for now
We’re taking this future if you give in
Get calling to everyone listen
We’re building the houses you live in
Get calling to everyone listen
We are
*
Chorus X 2
*
Download As It Is  iTunes  Amazon

Glenn Hodge Banned  WebSite  Facebook  Instagram  Bandcamp  YouTube

ALBUM REVIEW: NEVER SAY DIE – ‘Punk Rock Pirates’ (2020)

Maryland Irish PUNK-ROCK band Never say Die release their third studio album of loud blaring noisy as hell Punk-Rock!! 

The journey of most Celtic-Punks (Particularly those of Irish descent and of a certain age) seems to be that you grew up listening to your parents music. This tended to be Irish Folk and Rock’n’Roll. This was replaced by Punk as they got a bit older and then at some point in their adult life the love of Irish Folk music came back to them and luckily their was a whole genre of music specifically for them! This was my journey anyway and for a solid twenty years inbetween the Folk/R’n’R of my childhood and my late thirties all I listened to was loud blaring noisy as hell Punk-Rock. Maybe its a mellowing but I’m as likely these days to listen to the Clancy Brothers as I am the Anti-Nowhere League but that’s not to say those days are completely behind me and so it is I love it when I hear a band playing that loud blaring noisy as hell Punk-Rock but with a Irish edge to it. Never Say Die are a band that does just that.

They hail from the strangely named Germantown in Maryland in the mid-Atlantic region of the South-Eastern United States. The town was founded in the early 19th century by European immigrants and was named Germantown due to the prominence of German businesses, even though most residents of the town were of English or Scottish descent. These days the Irish population of Maryland stands at just under 13% which is just above the national average and so no signs that the Irish are going anywhere and a good example of that is Never Say Die. They play good old fashioned Punk-Rock but with an Irish edge to it. You wouldn’t tell straight away as they have no Celtic instruments or any overt tunes but it’s there in the spirit of the band!

Punk Rock Pirates is the bands third album after Surrender Is Not An Option from 2010 and Convictions & Addictions in 2014. They also had six tracks on Live Your Gimmick from last year, a compilation from Tuna Forsushi Records featuring the classic ‘Irish Goodbye’. All their previous material is available on Soundcloud (link below).

The album kicks off with the band’s theme tune ‘Battlecry’ and it’s over in just sixty-five seconds. Gang vocals shouted over a fast and furious Punk number gives you all you need to know about where this album is going. It leads straight into Irish Folk and Celtic-Punk favourite ‘Drunken Sailor’ and Never Say Die play it dark and heavy. No great surprises here but its spirited and a nice nod to their Irish roots.

(Never Say Die live at Fishhead Cantina May 2019. Never Say Die performing ‘Battlecry’, ‘Drunken Sailor’ and ‘Saturday Night’)

They get into their stride with ‘I Hate Punk Rock’ and ‘Six Gun Lullaby’ mid=paced Punk but played with a heavyness making you imagine its lot faster. Vocalist and guitarist Captain Kelley has a great voice for this style of music with clear and distinctive ‘gruff’ vocals meaning you can hear every word he utters! Sadly though this as this album came out both bassist Thunderbilly and drummer Ziggy Bax both left the band. There’s never been a worse time to be in a band especially a DIY band but things are bound to get better so if you’re in or know some musicians near Never Say Die then send them their way.

(Never Say Die live at O’Gannigans Bar December 2019)

‘The Cursed Mariner’ is and to the pirates of the albums title while ‘I’ll Stand Strong’ slows it down with a Punk Rock ballad. Of course this means its nothing like your usual ballad but the same themes of standing strong in the face of daily life and keeping your chin up are present. The standout track for me here is the title song ‘Punk Rock Pirates’ and even those all the songs here are catchy dance floor fillers this is one that would even persuade the likes of me onto the pit. Never Say Die could, if they wanted, make a pretty damn decent Celtic-Punk if they went the acoustic route but I get the feeling that they make like the odd acoustic number like ‘The Legend Of Stingy Jack’ it’s not where their hearts lie and its songs like ‘Working Class Nobody’ where their full power comes into play that they prefer. Gang vocals and “Oi! Oi! Oi!” belted out alongside the important message of standing your ground and relying on you mates to get you through the bad times with the help of a beer or two. Like on many a Celtic-Punk album the theme of alcohol pops up regularly and ‘Raise Your Glass’ is another ode to that most wondrous of things! pretty much all the songs here hover around the two and a half minute mark which is on the short side of what we usually review but about average for Punk songs. ‘The Outlaw’ is the exception here and at three and a half minutes can be described as the Punk Rock Pirates ‘epic’ song. I like the extra length giving it a chance to develop and stray into both grunge and metal.

(Never Say Die live at Sparta Inn August 2019)

‘Breakaway’ is another great track. Well played, simple, no fuss, uncomplicated, no ego Punk. Chin up and chest out songs for simple, no fuss, working class people. The curtain comes down with another great number and ‘One More Time’ sees the album out admirably. Punk Rock Pirates was funded by the band and their fans through Kickstarter and they raised all the money for recording and printing the CD easily. The ‘clampdown’ over Covid came at the just the wrong time for Never Say Die and as their name suggests the show does go on and there’s a lot more to come from these guys I am sure.

Buy Punk Rock Pirates  FromTheBand

Contact Never Say Die  Facebook  Soundcloud  YouTube  Bandcamp

FILM REVIEW: CLASH OF THE ASH (1987)

Phil Kelly is the young anti-hero of Clash Of the Ash. A restless teenager, a fan of The Cramps and The Pogues, great at Hurling but with a strong aversion to studying. Pressured by those around him – from his Mum to do well at his exams, his Dad to take a job at the local garage and his hurling manager to prove himself on the field. This short film manages to tell its story of the frustration of small-town Irish life with a great deal of humour and compassion.

Release: 1987 * Director: Fergus Tighe * Music: The Pogues * Writer: Fergus Tighe
Duration: 50 mins * Country: Ireland * Language: English
Starring: Liam Heffernan, Gina Moxley, Vinny Murphy, Alan Devlin

Clash Of The Ash was written and directed by Fergus Tighe in 1987. It was shot on 16mm with a running time of just over 50 minutes and won Best Irish Short at the Cork Film Festival that year. Some months later the film was broadcast on RTÉ 1 where it made quite an impression on my teenage self – primarily because it contained a lot that I could identify with.

Phil Kelly (played by William Heffernan) is the anti-hero; a restless teenager imbued with natural hurling ability and a strong aversion to studying. The location is not fictitious but instead it’s the very real Fermoy in County Cork which is a welcome touch. Like much of 1980s smalltown Ireland it’s a claustrophobic place that drives people away but inexplicably retains a strange sort of hold on them. The latter is exemplified by Gina Moxley’s character, the tempestuous Mary Hartnett who has returned after a stint in London. The other members of their gang are languid Martin (Vincent Murphy), uptight Willy, and mousey Rosie who carries a torch for Phil. Control and the expectations of others are what Phil fights against. Kelly Senior wants him to take on a job in the local garage while his nagging and snobbish mother has her sights set on him getting a good Leaving Cert. Meanwhile on the sports field the coach Mick Barry (Alan Devlin) has high hopes that his star player will make the county minors and by extension a job in the bank.

“The GAA looks after its own”.

There is a keen build-up to the upcoming match against local rivals Mitchelstown. But Phil isn’t happy. He prefers to train alone (running down a hill backwards and belting a tennis ball around a handball alley) and just can’t apply himself in school. He has little interest in what his well-meaning father can arrange for him and clashes with his mother about late nights and “cavorting with gurriers”.

“It would be more in your line to think about the Leaving Cert”.

Music plays a key part in Clash Of The Ash. Phil wears a Cramps t-shirt, has a Rum, Sodomy and The Lash poster stuck to the bedroom wall and spins Dirty Old Town on the turntable. Mary complains about sharing a house with NME hopefuls The Saints and Scholars while it’s revealed that Martin is talented musician but lacks the motivation to take it to the next level. In a pivotal sequence the gang borrow Willy’s father’s car and drive into Mitchelstown to see The Big Guns play the local nightclub. An exercise in pint stealing means a clash with angry punters and an increase in tension with Murphy (Phil’s nemesis and hurler on the opposing team). The ill-feeling between the two players explodes during the crucial game. It proves to be a turning point in Phil’s life.

Clash Of The Ash takes place in a world of Silk Cut posters in shop windows, radio clips of Michael Lyster reading soccer results, interminably boring Irish classes and lessons in how to skip mass effectively. The television in the pub is tuned to RTÉ’s Closedown (national anthem), the Sunday Press costs 50p, the dole is paid on Tuesdays and the bank is seen as an ideal career choice. While drifting down the river Martin wistfully remembers a time when local trains still ran and flattened ha’pennies so wide that they could be used to buy penny sweets from the almost-blind shopkeeper. However the sense of claustrophobia is ever-present and the drift towards emigration an inevitable outcome. The moral: when others try to run your life then escape becomes necessary.

ALBUM REVIEW: PADDY MURPHY- ‘Rams Rebels Goats And Girls’ (2020)

If you want to indulge in Celtic Folk Rock, you will definitely take pleasure in Paddy Murphy. Homesickness, the struggle for freedom, sailor’s yarns, love of the odd drink and the rebellious Irish spirit coming together in a musical whirlwind from Austria!

With the popularity of Celtic-Punk in Germany second to none it’s perhaps no surprise that this love should have spread to their next door neighbours in Austria. Still it’s not a country particularly well endowed with bands with only Scotch from Weyer in Upper Austria making a mark upon the scene (their fantastic debut EP Last In The Bar is still available for free download). In common with the bands from Germany Paddy Murphy (a band not a fella!) don’t just perform straight up Celtic-Punk but rather their own interpretation. An individualist streak that flows through the scene that manages to stop bands being too samey.

In common with Scotch Paddy Murphy also hail from Upper Austria in particular the town of Steyr and though they not be particularly well known this side of the English channel in Europe they have a strong pedigree of touring going back well over a decade. Paddy Murphy have been taking their brand of Irish Speed ​​Folk Rock as they describe it themselves to a multitude of festivals across Germany, France and Switzerland in particular and headlined to tens of thousands at festivals in Italy in Padova and Rasa. Founded in 2008 Rams, Rebels, Goats & Girls is Paddy Murphy’s third studio album after 2012’s Dog’s Dinner and 2014’s Coffin Ship. Both of which you can hear on their Web-Site. They also released a handful of singles and EP’s over the last few years (all with absolutely stunning artwork most featuring their logo of a goat!) which has boosted their popularity with a great selection of covers and original material.

Paddy Murphy from left to right: Florian Aufreiter – Drums * Franz Höfler – Acoustic Guitar, Banjo, Mandolin, Irish-Bouzouki, Harp, Vocals * Ingolf Wolfsegger – Bass, Vocals * Hermann Hartl – Fiddle, Vocals * Oliver Loy – Electric Guitar, Vocals

Rams, Rebels, Goats & Girls was released in early March and came out on ATS Records. It’s been sitting round LCP Towers ever since and due to a mix up over who was going to do it it never got the review it deserved at the time. Still hopefully this will make up for it! Fourteen songs (the CD has a extra two live tracks) in total that comes to just under a hour about that green island, women, whiskey and Guinness! The album begins with ‘We Hoist The Sail’ and bursts with energy out of the speakers and if its top quality Celtic-Punk you are after then you have come to the right place my friends. Echos of fellow German bands The O’Reillys And The Paddyhats and The Feelgood MacLouds but this band have their own style. A great opener and vocalist and multi-instrumentalist Franz Höfler certainly knows his history of Ireland in a song that even uses the popular Irish term ‘Amerikay’. ‘My Dark Foamy Friend’ is a song that has a dual meaning of the sea or the pint but I know which one is preferred! Released as a single it reached over 20,000 listeners within a few weeks on Spotify. I have to say that the fiddle on this album is absolutely brilliant so hats off to Hermann Hartl for his incredible work. It is seriously some of the best fiddle I have ever heard on a Celtic-Punk album and i Happy to hear it used extensively throughout the thirteen tracks. ‘Black Ones Brown Ones Blond Redhead’ is another dual song meaning beer and this time women and this time they prefer women to beer! Fast and energetic and whats that I hear its the harmonica one of my favourite instruments and criminally underused in Celtic-Punk.  When I first played this album the next track stood out on its own. Paddy Murphy like their own stuff but are not averse to the odd cover and their ‘Basket Case’ by Green Day done Irish style and it is an absolute belter of a song! Give it a listen and be hooked.

Very clever and highly original it is a great choice of song and makes a change from ‘I’ll Tell Me Ma’. If I’ve played this song once I’ve played it a 1,000 times. Another couple of drinking songs follow telling the different sides of life ‘Just One Drink’ is a jaunty wee number while ‘Time to Make Some Changes’ sees a life in turmoil on a visit to Ireland. Slow, sad and swirling in that traditional Irish way that makes you want to put your arms around a complete stranger (even in these strange times!). Who said Celtic-Punk can’t do emotional? We do it better than fecking anyone! Time for a famous song and they don’t come more famous than ‘The Irish Rover’. Known to everyone and covered by just about everyone too. They make a decent job of it nothing particularly special but you know if you heard this down the pub you’d be banging on tables and shouting your lungs out along to it. The Country influenced ‘At Least for Tonight’ is catchy as hell. What I call a thigh slapper.

“Get up and dance and drink all night”

‘American Dreams’ is the albums longest song heading towards six minutes and not for one second outlives its welcome. Franz again opens up and his aching vocals make for a great song. Irish themes abound and one of the standout things about this album is the quality of the lyrics. Pure poetry and proper story telling whether its a pub song’ or a Punk-Rock thrasher. We in Pop-Punk territory next with ‘You’ll Never Bring Us Down’ with the Celtic competing with the Punk. The song ends with being both and will be a real dance floor filler once we’re allowed back on the dance floor that is.

So we’ve had quite the album so far that has taken us around the Celtic-Punk scene and it’s many influences and they may have almost gone ballad in places they deliver it next with ‘The Cliffs of Grey’. A beautiful and touching yet haunting ballad whose depth will shock those here only for the drinking songs. After that the aptly titled ‘Gloomlifter Jig’ shows Paddy Murphy have even more left in their arsenal with a perfect traditional Irish that soon enough sees the electric side of the band coming in and we end up with a song that would have graced any Horslips album. Another catchy as hell number on a album where their is absolutely no filler at all. Each song is of an incredibly high standard and it’s no surprise why when you trawl their photos on Facebook their live gigs are always packed out. The work for Rams, Rebels, Goats & Girls began a whole year before its release and the hard work shows. ‘Epic Scene of Life’ is a perfect example of their sound.

Uplifting and bursting with energy and at all times refreshing in a scene that as I said can be a bit samey. The curtain comes down on the album with a amazing version of Scottish singer-songwriter Eric Bogle’s ‘No Man’s Land’, probably better known as ‘The Green Fields Of France Written in 1976 it’s message is ever lasting sadly and here Paddy Murphy perform one of the best versions I have ever heard. Bagpipes add to the songs emotional roller-coaster and is the perfect way to see the album out.

Irish and Celtic music appeals to people of all ages and nationalities. That is what is really special about it and Paddy Murphy are immersed in that sound and this Austrian Irish Folk-Rock Band is committed to continuing that tradition! Celtic-Punk is often derided or misunderstood by Irish Folk snobs purists who think the artists are more influenced by Sid Vicious than Matt Molloy but this is a direct descendant of the music played in Ireland 100’s of years ago. That they can keep that tradition while also throwing in the Punk/Rock sound they have is testament to the bands outstanding musical ability. Fiddle, banjo, mandolin, acoustic guitar, bodhran, drums, electric bass, electric guitar and five male voices have made this album what it is and it would be a act of criminal negligence for the Irish music scene and its fans to pass it by.

Buy Rams Rebels Goats & Girls – CD- FromTheBand   ATS Records  Download- AppleMusic  

Contact Paddy Murphy – WebSite  Facebook  Instagram  YouTube

ALBUM REVIEW: THE JAMESTOWN BROTHERS- ‘Rebels, Rogues and Regrets’ (2020)

Debut album full of Celtic tinged anthemic songs from Somerset based band The Jamestown Brothers. Soul stirring, foot stomping originals drawn from the well of Country, Blues and Celtic Folk.

Don’t know what they put in the water (or the cider!) down there in the South-East of England but when it comes to bands with a Celtic influence the counties of Devon, Dorset and Somerset can’t get enough. Bands like Black Water County, Mad Dog McCrea and Sinful Maggie have all reached headliner status across England playing a variation of Celtic-Rock/ Punk that is particularly popular down where the cider flows freely. The reasons for this I cannot really put my finger on. The Irish in England are numerous but outside urban areas they may still be found but they never settled in the countryside in any sort of numbers so I think we can discount Irish heritage so maybe its just the unabashed reckless abandon and fun of Celtic music that does it for them. After all in Folk music everywhere is sort of connected and these are also the areas where old English customs are not just maintained but flourishing too. Might not be connected but they also have had a reputation for many years of being a bit lawless with smuggling and the like years ago and even in the present day where unjust or unpopular laws are not fought and campaigned against just totally ignored!

So this is the part of England that the 9 (yes nine) piece band The Jamestown Brothers hail from, in particular Somerset. The area is these days best known for farming and agriculture, tourism and the manufacture (and drinking) of cider with several of the best known producers originating from here. The locals though much prefer ‘scrumpy’ a type of rough cider made from non-premium apples and significantly stronger in alcohol content. They were formed by lead singer and main songwriter Colin Batchelor in 2017 but it took them almost two years for their first release the EP Singing For Our Supper to come out. This EP gained them a large local following and saw them appearing on the plentiful local festival circuit of which their are many in the area the band come from, including the world famous Glastonbury festival.

The Jamestown Brothers from left to right: Simon Reilly – Bass * Del Walker – Drums * John Trimble – Fiddle/ Mandolin * Ian Burton – Guitar/ Vocals * Colin Batchelor – Guitar/ Vocals * Phil Price – Keyboards * Sharon Eastwood – Recorder/ Vocals * Andy Williams – Trumpet/ Flugelhorn * Charlie Fisher – Trombone *

Rebels, Rogues And Regrets is the bands debut album and was released just a couple of days ago and kicks up a right (un)royal storm from the first notes of the recorder till the last. ‘Cut ‘Em Down’ is a great start telling the stories of local rebellion as well as of the Peterloo Massacre in Manchester on 16th August 1819. Cavalry charged into a crowd of 60,000 demanding parliamentary representation causing 18 deaths and severe injuries to 100’s. Though acoustic you just know these guys could go louder than most Punk band’s. Catchy and tunesome and great vocals from Colin on the whole it reminds me of the folkier side of The Men They Couldn’t Hang.

“cut ’em down, the rebels are arising we’ll have no talk of reform or liberty

 cut ’em down, the cavalry came riding into the crowd of peace and harmony”

‘Rebel Rousing Few’ follows and TMTCH comparison continues with a song that starts as a ballad before becoming a jaunty Country influenced number based again on the local history of rebellion and transportation to Australia of men and woman from this beautiful part of England. Fiddle and recorder are the main stand out instruments but that’s not a disservice to the other seven members as the sound is deep and multi-varied and the production is immaculate.

Two songs in and they finally get around to a drinking song and ‘If You Can’t Have A Drink’ opens with brass and a humorous take on heaven hoping their favourite bar is open up there. Mind you with the death of so many boozers in the last few years I’m hoping Luke Nolan’s up there pulling pints in a heavenly Acton Arms. Piano gives the song a olde timey music hall feel with great lyrics set to give the stoniest face a smile. ‘Salvation Alley’ has a darker edge to it then previous songs with trombone giving it a sinister feel. ‘Please Let Me Go’ straddles the fence nicely between Folk and Country and sees Colin accompanied by Sharon on backing vocals. ‘Whitley Girl’ sees The Jamestown Brothers take on a love song to the local girls of South Somerset and the joys of alcohol.

(just released the promo video for the album featuring excerpts from each song)

‘Bring Your Moma Down’ has a Kinks thing going on and is a nice change of pace too with the brass instruments playing their part here. We steering up towards port now and another change of pace with the beautiful and personal ‘The One’. The curtain comes down on Rebels, Rogues And Regrets with ‘Long Walk Home’ with another jaunty Celtic number that sees them go out with a fight. Hard to pick a favourite but I’d say this or the equally as good ‘Salvation Alley’.

The album came out just a couple of days ago on the 31st August 2020 and will definitely gather them some new fans and plenty of attention. In fact with 2020 officially cancelled they have already been booked to play festival’s in Godney, Watchet, Exmouth, Wimborne, Sheppy, alongside Seth Lakeman, and a Saturday night headline slot at Home Farm where their reputation for high-energy live performances, equally at home in the pub or the festival stage, will steal the show from a lot more well known bands. So plenty of chances to catch them play, especially if you’re a fan of camping like me. Guitars, drums, mandolin, fiddle we are use to here but recorder, piano and a brass section we are not and it comes together brilliantly.  Throw in what the band actually has to say and their willingness to tell the stories of the past to us today and we have a band that is hopefully bound for bigger things. Definitely worth checking out especially if you like your acoustic music to dance to as well as ever-so-fecking-loud!

Buy Rebels, Rogues And Regrets  CD- FromTheBand  Download- Apple  Spotify

Contact The Jamestown Brothers  WebSite  Facebook  YouTube  Instagram

ODDS’N’SODS. CELTIC-PUNK ROUND UP SEPTEMBER 2020

We want to move away from just being ‘ReviewReviewReviewReview’ so we have started this monthly feature that comes out on the last day of each month. All news items that we otherwise miss will get a mention but I need YOU to be the eyes and ears if it’s going to work so send over to us any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., to us at londoncelticpunks@hotmail.co.uk or through the Contact Us page and it will go in here!

BRENDAN MULKERE -REST IN PEACE – 28th AUGUST 2020

Such sad news that the legend of Irish music in London, Brendan Mulkere passed away in the early hours of this morning.
Brendan’s all-consuming passion for traditional Irish music, his unfaltering determination to pass the culture on to the next generation and put Irish music on the London stage for the first time has left an indelible mark on London’s cultural landscape.
His epic work over decades produced countless fabulous second generation traditional Irish musicians and brought a wide audience to value and respect our music as much as any other genre in this city.

Deepest sympathies to Sharon, Claire, Sinéad, Collette, all of Brendan’s family, friends and to the huge number of his ‘jellybabies’ who will undoubtedly continue his legacy.

May he Rest in Peace.

DROPKICK MURPHYS are never ones to hide their political views when it is warranted and the Bhoys did a short but brilliant acoustic Live Stream to promote Joe Kennedy III in the Democratic primary for United States Senate. The vote takes place on Tuesday, September 1st so vote early and vote often as they say in the 6 counties! The music kicks in after ten minutes.

We put on THE DIRTY ARTICHOKES in London a couple of summers ago. Jeez The Fighting Cocks was hot that night. Maybe the hottest gig I ever been to! Glad to hear some new stuff from this massively multi-talented Italian band.

Godfather of Celtic-Punk SHANE MacGOWAN is looking better than he has done in years and he has even defied Covid-19 with two all-night sessions which continued into a third late one but the 62-year-old is recording — not boozing — into the small hours as he called band members back to work on his new solo album.

San Diego Fiddle Rock band LEXINGTON FIELD have graced these pages many times and have hit the jackpot again with their brand new video just out featuring ‘Dear Sorrow’ from their forthcoming new EP Win The Day due out later in the year and is previewed here.

Dutch band MAGGIES FLOCK continue with their plans to release a new song on the 23rd of every month during 2020. At the end of the year all twelve songs will become the album Party At The Cemetery. This months song is called ‘The Pogey Club’ and can be heard here but check out some of their previous songs ‘Battle Song‘,Bored Beyond Death‘ and ‘Maggie Of The Moor‘. To be kept in the loop like them on Facebook.

London Celtic Punks Facebook page put on two Live Streams during August. Both were very well ‘attended’ and seemed to have gone down a storm. CALLUM HOUSTON of Psychobilly legends The Graveyard Johnnys accompanied by Alban performed a wonderful set of Dubliners classics while TIM HOLEHOUSE did an interesting a varied set of his own material. Don’t forget to tune in on Monday 7th September for the next Live Stream starring THE TEMPLARS OF DOOM doing a full band live set.

CALLUM HOUSTON    TIM HOLEHOUSE

Remember if you want your release featured then we have to have heard it first!

THE JAMESTOWN BROTHERS – Rebels, Rogues And Regrets

ASHPIPE – Sbandati (13 Years And Still Waiting For Wave)

THE WATERBOYS – Good Luck, Seeker (Deluxe Edition)

PADDY O’TURNER – Rocky Road To Wherever

LEVELLERS – Peace

CATGUT MARY hailed from Melbourne, Australia and released their one and only album Bourbon And Black Porter twelve years ago way back in June, 2008. Twelve songs of Australian Colonial Punk taking in a couple of Irish classics among the bands mainly own compositions. Catgut Mary received plenty of critical acclaim at the time and were famous for their high energy blend of ‘Folk’, ‘Punk’ and ‘Rock’ in a very Australian context. You can stream the album from the link above. It’s also available to download for only five Aussie dollars which works out around three quid or US $’s.

They may have abandoned progressed from Celtic-Punk but another great video for THE STANFIELDS came out last week and as to be expected its quality. These guys use to tour England regularly but haven’t seen them for a few years now.

It’s not Celtic-Punk but it sure is powerful and incredibly beautiful too. Check out the brand new album from Portland based duo KATE POWER AND STEVE EINHORN. If you’re a fan of traditional Irish Folk like Solas or Runa then you’ll love this album I guarantee.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

… and finally some great news over at the London Celtic Punks Facebook page as we reached the fabled target of 5000 likes. Needless to say we were steaming along with likes coming in left, right and centre and then as we got closer it slowed right down dooooooowwwwwnnnnnnn and took forever to get over the line!! Still we have made it and though it may seem silly we are all very proud of ourselves and you all of course.

So you get the idea so all we need to do now is fill it with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

ALBUM REVIEW: THE KONA ROGUES- ‘Batten Down The Hatches’ (2020)

Debut release of Celtic Rock Rebels The Kona Rogues from Kailua Kona, Hawaii. Rock/Punk fueled music with Celtic roots taking rebellion to a whole new level making music for an insurrection we can all dance to. Among the many great original songs it takes a lot to give songs like ‘The Foggy Dew’ or ‘ Whiskey In The Jar’ something new but these Bhoys manage it.

Well here’s a first for the London Celtic Punks! We thought we had covered just about every corner of the world but then somewhere pops up that totally astounds you. Today’s review is of the band The Kono Rogues from the beautiful island of Hawaii right out there in the middle of the Pacific ocean. It is the only U.S. state located outside North America, the only island state, and the only state in the tropics encompassing 137 islands spread over 1,500 miles and just as you would imagine the Irish even washed up here with almost 5% of the island of proud Irish heritage.
So it is that the charismatic Irminsul a native musician of the island who has spent most of his life playing Celtic music and who was guesting on St. Patrick’s Day for the band Creacialtie on his Celtic harp (another first for London Celtic Punks. A Celtic-Punk band with a harp!!!) alongside fiddle player and island musical icon Joanie Collins, who was also guesting. Well a year on Irminsul calls Joanie and the end result has been The Kona Rogues. Kona for their home town on the island and Rogues because no one had ever tried to do what they were doing. They were literally smashing conventions. As Irminsul says
“Be open to what comes next, because this aint your granddaddy’s Celtic music.”
As I said Irminsul has spent years of his life playing in Celtic bands, both as a solo artist and singer/ songwriter. Joanie had a similar background in Celtic music while guitarist Seishi Saegusa is famous on the island for his musical ability and drummer Todd Oldham has played with some of the greats in the music world but their short time together hasn’t been without controversy.
“We got a fair amount of flack from traditionalists who just think it’s not possible to perform original, modern Celtic rock on this island but thanks to some ground breakers like Creacailtie and The Kilt Lifters, that was completely wrong.”
Batten Down The Hatches is the perfect title for an album representing both the island that is regularly hit by hurricanes and a style of music that most will never have come across before. The album kicks off with ‘The Pikes Will Be Together’ and if unabashed catchy as feck rebel music is your thing then we’re all in the right place! Music and lyrics are by Irminsul, like on most of this album, and based upon ‘The Rising Of The Moon’. A pike is a long pole used by infantry until the early 18th century when it was later replaced by the bayonet and was used extensively by Irish rebels during this time.
“The pikes will be together and the nation will be one.”
The music is as I said is very catchy with the fiddle and harp leading the way and Irminsul’s great and distinctive vocals while electric guitar and tribal drums give the tune a very modern twist to its ancient Celtic roots. Next up a couple of songs well known to readers with ‘Whiskey In The Jar’ and Celtic-Punk favourite ‘The Foggy Dew’. Not a lot to say except yeah, they are very good and are not just simple covers with ‘Whiskey In The Jar’ also including the famous traditional Irish jigs ‘Swallowtail’ and ‘Kesh’ showcasing Joanie’s amazing fiddle skills while ‘The Foggy Dew’ is played significantly different to any version I have heard before with the tribal beat of the drums and a great almost ballad like speed. Tremendous.

Next a bunch of more originals written by Irminsul beginning with an ode to the legendary Michael Collins. Collins was the driving force behind the Irish revolution during the War Of Independence (1917-1921). A soldier and politician who was was unafraid to get his hands dirty if you know what I mean! He was assassinated in August 1922 during the Irish Civil War.
“If I had a dime for every Irish hero
Taken in the height of all their fame
They would see his face, in every Irish hero
Laid into a dark and early grave”
Beautiful lyrics that make the hairs stand up on your neck. One thing sadly missing from Irish music these days is decent modern Rebel songs. Most tend to be pretty cheesy and predictable while The Kona Rogues have plenty of good ones that don’t follow the ‘Irish rebel song blueprint’ like most. ‘The Bairns Of The New Brigade’ even has Gothic pretensions while cheering the Bhoys home in a song that is quite poppy and accessible.
“What remains of the old Sinn Fein
A marketing charade
Now the Royal Fop sent a mob to stop The Bairns of The New Brigade’
‘Crofters Song’ is an amazing trad ballad that sounds 300 years old. Again stunning lyrics and Irminsul’s clear, distinctive and heart aching voice giving the lyrics a real passion.
“Now we sail for a strange land, we don’t know a soul
They’re telling us that now we’ll be harvesting coal”

Next is ‘Link Arms (Until Freedom Has Won)’ and a heart lifting song giving hope that one day injustice will be banished not just from Ireland but everywhere. For the first time we hear more traditional harp playing from Irminsul and it is indeed a beautiful instrument that adds much to this song that switches several melodies along the way. Definitely a standout song on the LP. ‘Oro Se Do Bheatha Bhaile’ is a traditional Irish song meaning ‘Oh, Welcome Home’ in English. It’s origins are unclear but it has become associated with Irish nationalism and recorded by many Irish Folk greats. Perhaps the most amazing thing here is Irminsul’s immaculate Irish in telling the songs story. At a time when most Irish bands know as much Irish as I do (basically nothing!) it’s great to hear. The song itself is quite unlike any version you’ve ever heard with a lengthy Prog-Rock interlude in the middle led by Seishi’s electric guitar work. The Kona Rogues take a much darker route next with ‘Yeah’ which just so happens to be my favourite song here. Clever and humorous lyrics (this man Irminsul is a true seanchaí) abound with a song that manages humour, revenge and bloodlust with ease with a song that encompasses The Cure, The Cult and Siouxsie And The Banshees!

We are steering up towards the end now and its about time for a love song and its delivered via ‘Whiskeys The One I Take Home’. Not yer traditional Irish love song it has to be said with the object of his desire not some lass- not for the want of trying though but that other well known subject of many a Irish song. Another class song bursting with humour so in a way it is a traditional Irish love song. Batten Down The Hatches comes to an end with ‘Lenadoon Lament’ a beautiful commemorative funeral air for all the battles lost by the Irish Republic. A quite amazing way to bring down the curtain.
Batten Down The Hatches is over forty minutes and eleven songs of mostly original material and even the few covers can be described as anything but covers really given The Kona Rogues treatment. To say I am surprised at this album is a MASSIVE understatement. From the lyrics to the musicianship displayed it is simply an outstanding piece of work. Added to all that is Irminsul leading the way (like someone said ‘Sid Vicious on electric harp’ !!) achingly re-telling and telling of the struggle that is still ongoing now to unite one island far away from it on another island known by many to be a paradise. Irish music that would make you believe it is from ancient times butting up against ‘electric high octane rock bordering on punk’ that even then seems to come from another era. From beginning to end I heartily loved this album and recommend it to all who love a good shout out to Ireland from across the world.

(you can stream and download Batten Down The Hatches from the Bandcamp player below)

Buy Batten Down The Hatches  Here  Amazon

Contact The Kona Rogues  Facebook  Soundcloud  

EP REVIEW: LUCKY LAD GREEN- ‘Get There Somehow’ (2020)

Hailing from a small town just east of Pittsburgh, PA, Lucky Lad Green take Punk Rock, Hardcore, and old school Rock’n’Roll and make into a Celtic jigger that’s best served straight on a Saturday night at the local pub!

Now technology ain’t my thing anyone can tell you and London Celtic Punks always arrived on a new social media platform a good while after everyone else has discovered it and got bored. So it was with Instagram but it was on that platform I first discovered Lucky Lad Green and their always interesting posts. So it was I had to wait a short while to see if their posts matched their music and they prove it amply with this short ten minute long three track EP.

Like all bands it’s been a difficult time but that they ever recorded at all can be laid at the door of the fellow Pittsburgh-based Celtic-Rockers the Bastard Bearded Irishmen! Formed in early 2013 Metalheads Ryan and Eric were friends who had just been kicked out of left a local Rock band and were jamming a few songs celebrating Ryan’s Irish roots. Interest in what they were doing grew and before too long a band had fully developed and in November of 2013 after a summer full of writing, Lucky Lad Green landed their first show in Ebensburg, Pennsylvania at The Castle. Regular shows followed and they developed a decent following too leading to their debut release, a four track self titled EP. I can’t say much about it as I have just downloaded it myself but it is available as a ‘Name Your Price’ download so grab a copy yourselves at the link below.

It was after this release that things began to fall apart beginning with drummer Bret leaving and in 2016 after a show with the Real McKenzies the band called it a day. That was until the Bastard Bearded Irishmen rolled into Pittsburgh and saw the guys reunite for a photo that went viral and led to the reformation of Lucky Lad Green and the new EP. I say new but we are a bit late as the EP touched down at the beginning of March which unfortunately coincided soon after with the ‘clampdown’ as we call it here! So with a host cancelled gigs and festival appearances all cancelled we are very glad to hear that the Bhoys have performed a few intimate shows in the last couple of weeks.

(There’s nay videos out there of them performing songs from the EP so enjoy this one from St. Paddy’s Day which shows them pretty damn well!!)

Get There Somehow begins with the powerful ‘Through The Door’ and chugging electric guitar and accordion and we have ourselves a rather nifty little number here. Catchy as hell and superb musicianship and great vocal too from new band member Andrew.

“And I can’t hold on to you anymore, I’m moving on, I’ve got one foot through the door.”

The song stays at the same pace throughout thanks to that guitar chugging away but has a very interesting arrangement that is hidden slightly behind the guitar/accordion but adds to it magnificently. ‘Chase The Snakes’ takes a far more ‘rocky road’ but again Jim’s accordion is given a starring role in a song chock full of fist in the air moments and a guitar solo at the end. The song ends with ‘Irish Eyes’ and unsurprisingly the guys go Gaelic with a song that shows 2020 American Celtic-Punk still knows where its roots are. Love Shane’s drums on this song. I suspect he was allowed to whack ’em as hard as he liked so the song has a much more Rock feel to it than the song would have otherwise.

Lucky Lad Green from left to right: Shane Boyer – Drummer * (top middle) Ryan McDonald- Mandolin and Guitar * (bottom middle) Jim Vizzini – Accordionist, Jim Berkin – Bass * Andrew Roberts – Vocals and Rhythm Guitar *

All in all a great start to Lucky Lad Green Mk.2 and even though it s over in a flash things look pretty good for their future and with things getting back to normal the guys look to have the ability and drive to produce some fantastic music and I for one cannot wait.

(Hear the whole EP by streaming Get There Somehow on the Bandcamp player below)

Buy Get There Somehow  Bandcamp

Contact Lucky Lad Green  Facebook  ReverbNation  SoundCloud  YouTube

ALBUM REVIEW: TIM HOLEHOUSE- ‘Come’ (2019)

Come is the eleventh studio album from nomadic troubadour Tim Holehouse and sees him drift away from his normal mutant delta blues to more Folk territory than on any of his previous records.
Recorded with a full band including lush strings and vocal harmonies this may not be typical London Celtic Punks fare but all the better for it!

Back in May we were set to put on a double header gig starring London Celtic Punk regular TC Costello and a friend of his by the name of Tim Holehouse. Well it barely needs repeating what happened to the gig (rest assured though the date has only been postponed not cancelled!) but it fell to the great gig massacre of 2020. Pompey born Tim is not a artist I was familiar with before this and when I looked him up and saw he was in album release double figures I felt shivers go down my back. Now the last thing you want to be doing as a music reviewer is have the eleventh album release of an artist land on your doorstep. That’s just his studio albums as well he has a host of live and split recordings under his belt as well. It’s fifteen years since Tim began on the path that would change his life. Fifteen years on the road touring pretty much every country in Europe, Iceland, Japan, Australia, USA and Canada playing anywhere between 250-300 gigs a year continuing to seek new adventures and build upon the hard work he’s already put in.

On the very first listen it struck me that it reminded me of someone but I couldn’t for the life of me think who. It was probably on the 20th listen seconds after I had shared that dilemma with TC Costello that I remembered who. Everlast. Yes he of Gaelic Hip-Hop legends House Of Pain. You may scoff but I’m sure anyone familiar with his solo work, especially the Countryfied ‘Whitey Ford’ material will get it straight away. How it is a man from the South coast of England can nail that American drawl is another thing but then if your thing is ‘mutant delta blues’ then it’s really not that difficult! As I said I’m not familiar with his previous work bar an afternoon spent whiling away watching his You Tube channel so Come is a new start for me. The album may be a nominally solo effort but here he is backed by a full band including a string trio and pedal steel guitar at Silent City Studio by Robert Hobson. Hobson is perhaps better known for producing hard rock albums, including those of A Forest Of Stars of which two members appear on this record.

Written over five years it has been a real labour of love to get this album as perfect as possible and patience has paid off. After several listens I am forced to place Tim somewhere between the aforementioned Everlast, Bonnie Prince Billy (who the song Prince of the Palace is a tribute to) and off-kilter bands like Low or the sadly missed Noah And The Whale.  Come begins with ‘Numbers Game’ the American drawl taking us on the first of nine journeys. Gentle acoustic guitar and double bass gives way to a cello and Tim steps it up while still narrating his story to us. This may not be our usual fare but we are lovers of catchy music and this is as good as any I heard this year. I always compare it to how my Grandad gave it away he loved something musical. His foot would be tapping away or is standing he’d gently tap the side of his leg with his hand. This is that kind of music I think. It’s music to really listen too and take in. Maybe with headphones so you won’t miss the swirling melodies and numerous instruments going on.

‘Next up is ‘Averio’ and again its a cacophony (big word!) of instruments slotted together perfectly. Tim has only three rules 1) I will not appear in my own music videos! 2) I will not have my name or face on a shirt! 3) I will not sell my soul! so don’t expect to see him featured in any of the vids I have posted here from You Tube.

‘The albums two shortest songs follow ‘One Day’ and ‘Sleep’ both hovering around two minutes and consist mainly of heartfelt thoughts on life. ‘Prince Of The Palace’ as I already said is about the legendary Bonnie Prince Charlie. My mate Simon got me into him a few years ago but as he’s about the most prolific recording artist I have ever known I decided there and then that I couldn’t afford to be too much of a fan! Labelled a ‘Appalachian post-punk solipsist’ whatever that is I recommend his music to anyone likes who what they hear here and someone who performs

“a fragile sort-of warble frittering around haunted melodies in the American folk or country tradition”.

To be honest I thought he had died but no he’s still knocking them out and is well past his 30th album! Tim’s song is a glowing tribute and I can well imagine the Bonnie Prince giving it a go. ’24 Hours’ is my favourite song of the album with Tim’s drawl and the full band coming in given a bit of bite by drums. The story unfolds and the music changes direction several times but always in fitting with the original tune as it progresses through what seems a lot longer is only just over three minutes.

‘(I’m Not) Icarus’ rolls in next and continues with the lush melodies and singer/songwriter story telling style. The story of Icarus comes from Greek mythology who attempted to escape from Crete by means of wings that his father constructed from feathers and wax but flew too close to the sun causing his wings to melt and him to crash into the sea. Icarus’ story has come to symbolise recklessness and the defiance of limitations. Another fabulous song among many.

(solo version of ‘ (I’m Not) Icarus’ recorded as part of Adventskalender Session 2019)

Steering up towards the end with two standout tracks the rocky ‘Placid Lake’ and ‘London’, Come’s longest song, where Tim takes us through the dirt and grime and anonymous streets where you can hide away. A grand song to see us out and the end of an album I can honestly say I never imagined I would get quite so into.

The album is out on Aahh!!! Real Records based in Cambridge a fiercely independent label proud to not specialise in any particularly style of music, but in good people with good ethics. Come comes in a gatefold CD and a rather beautiful special limited edition orange sunrise vinyl with alternate artwork. Tim plays his own music with his own lyrics and thoughts and is like the best music inspired by all good music. Punk, Hardcore, Blues, Jazz, Country, Metal and even electronic music it’s all the mix somewhere. 

“I’m not very keen to be boxed in as a song writer of a certain style. Each album has a different take on myself and the music is very much written from the heart about subjects I either am interested in or personal experiences.”

Good music is good music right? A rather excellent album that will be on my playlist for a long time after this review has passed into the ether and an artist I look forward to seeing a lot more of too. I’ll end this review with Tim’s catchphrase borrowed from one of his favourite films, Bill and Ted’s excellent adventure…

“Be excellent to each other!” 

(You can listen to Come on the Bandcamp player below)

Buy Come  Download  CD/Vinyl

Contact Tim Holehouse  WebSite  Facebook  YouTube  Bandcamp

Discography  Where? (2019) * Kill (2017) * Hail (2017) * Past (2016) * Just (2016) * Odd/Even (2016) * Down (2014) * Bar (2014) * Antidote (2014) * Fighter (2013) * Grit (2011) * From The Dawn Chorus (2007) * Found Dead On The Shoreline (2005)

Tim will performing live over on the London Celtic Punks Facebook page on Thursday 20th August from 8pm for a hour of Mutant music for people who are excellent to everybody! Expect anything from Hardcore-Punk to Jazz to Trip-Hop anything can happen. He hasn’t told us what he has planned!!

Facebook Event- https://www.facebook.com/events/3121307697990090/

NEW SINGLE FROM MEDUSA’S WAKE ‘War Of Independence’. LATEST IN A LONG LINE OF CLASS AUSSIE CELTIC-PUNK BANDS!

Sydney based Celtic-Folk-Rockers Medusa’s Wake new single ‘War Of Independence’ has dropped over the weekend and as expected is bloody amazing!

Ryan and McGrath polish up their Guns,
 As we sit and wait for the English Huns
 The hills alive with Summer a beauty to be seen,
*
Washed and fed by the Dunnes
Prayed for by Priest and Nuns
Quigley gently whistles the ‘Wearing of the Green.’
(The best you’ve ever seen)
*
 Chorus
 Tipperary’s banner flying,may you rise and never fall
Wedger Meagher Marched them “One by One” from Toome to Moneygall.
*
 Singing songs to raise your spirits of dear Ireland brave and bold
 To keep the will of living in your heart and Soul.
 To keep the will of living in your heart and your Soul.
*
 Black and Tan’s sent by the crown
 A plague in every village and town
Brave Son’s of Erin stand bravely now and fight,
*
Dan Breen say’s We’ll not lie down”,
Shoot from the hip of your Sam Brown,
Round the valley at nightime
gun fire’s burning bright (With Delight)
*
Chorus 
Tipperary banner flying,may you rise and never fall
Wedger Meagher Marched them “One by One” from Toome to Moneygall.
*
Singing songs to raise your spirits of dear Ireland brave and bold,
 To keep the will of living in your heart and soul.
 To keep the will of living in your heart and soul.

If there was a World Cup to work out the best country for Celtic-Punk music, then without a doubt Australia would win it hands down every time. Not sure what they put in the water down under, but they continue to churn out the best Celtic-Punk bands over and over again! The latest band on every bodies lips is Medusa’s Wake from Sydney town. They released their debut album in 2018 and made waves immediately across the whole scene making all the Celtic-Punk end of year Best Of lists reaching #2 in the London Celtic Punks list, #3 for The Celtic Punkcast, #8 for Celtic-Folk-Punk And More, #9 for Mersey Celt Punks, #13 for Paddyrock and #17 for MacSlons so obviously a highly acclaimed album that even though it’s not a recent release I still find myself playing regularly. The album is still available for download below for the princely sum of $12 Aussie dollars which translates to a lot cheaper in the States , UK and Euros.

The song written by Medusa’s vocalist and native of the best county in Ireland at everything (Tipperary of course!) Eddie Lawlor, and tells of the Irish War Of Independence fought between 1919 and 1921. Just a couple of years after the failed Easter Rising and with An Gorta Mór (the so called ‘famine’) still in living memory when the British Government attempted to erase the Irish Catholic from the island of Ireland. Anger at British misrule reached a crescendo one night in January 1919 with the Solohead Ambush when members of the Tipperary Irish Republican Army ambushed the Royal Irish Constabulary. Two RIC officers were killed and their weapons and the explosives were seized. The Volunteers had not sought permission for their action and it is seen as the first engagement of the Irish War of Independence.

the legend Dan Breen

The War would only last a couple of years but would be a bloody and hard fought nominal victory for the Irish given that that victory would lead to the partition of Ireland and to a even more bloody Civil War that would see brother set against brother and comrade set against comrade. Tipperary where the song is set was the home to some of the most fierce battles and most loved figures of the War who fought tooth and nail to remove any trace of the British flag from Irish soil. Wedger Meagher was in fact the great gran uncle of Eddie and my own family were related to the Ryans much to my Grandad’s delight. How he use to regale me as a kid with stories and figures of the time and often my bedtime stories would be of exciting ambushes and battles that happened not in the Wild West and between cowboys and indians but between Irishmen and the British just a short walk from our family farm. The bravery of these men who were often farmers and students who fought against the best trained army in the world cannot be doubted and ought to be celebrated and remembered proudly just like in Eddie’s marvelous modern day rebel indie folk ballad.

Medusa’s Wake from left to right: Elise Capiro- Fiddle * Frank Sallie – Acoustic Guitar *   Eddie Lawlor- vocals/Mandola *Zane Mc Rae – Bass * Liam Ó Faoláin – Electric Guitar * Owen Watson – Accordion *

The song is available on all digital streaming platforms. Have a listen, subscribe and share it around. 👍☘. You can stay informed with all the best in Australian Celtic-Punk and Folk-Punk by joining these two excellent Aussie Facebook groups AUSSIE CELTIC PUNKS andAUSTRALIAN FOLK PUNK SCENE where you will find some of the best Celtic-Punk out there.

Download War Of Independence  HERE

Contact Medusa’s Wake  WebSite  Bandcamp  Facebook  YouTube  Instagram

THE TOP TEN ANTI WAR SONGS

There hasn’t been a day since the invention of the phonograph record when the world has not been at war someplace.

We are told that the world stands on the edge of a precipice, and there is very little we can do so instead of a fallout shelter I’ve built a list of the ten best anti-war songs ever.

By

Starting at number ten we have….

10. ‘The Ballad Of Penny Evans’ – Steve Goodman

The best ‘one guy with a guitar’ performer who ever lived, Goodman’s music was primarily in the ‘good times and more beer’ zone peppered with moments of genuine pathos but rarely political. On a 1973 album on the Buddha label he included a powerful acappella treatment of a song sung by a 21 year-old woman whose husband has been killed in Vietnam and whose rage against the government who sent him there can barely be contained:

“And now every month I get a check from an Army bureaucrat / And it’s every month I tear it up and I mail the damn thing back / Do you think that makes it all right, do you think I’d fall for that?”

In his clear voice, loud with anger, it’s an amazing performance.

9. ‘Jimmy Newman’ – Tom Paxton

Paxton’s ‘Talking Vietnam Pot Luck Blues’ about a young soldier’s discovery that everyone on both sides is smoking dynamite dope is almost as funny as this song about a hospitalized soldier’s slow realization that his friend has died during the night before they are scheduled to be shipped back home is emotionally devastating.

“Get up damn it Jimmy! They’re loading us next, and you’ve only to open your eyes.”

8. ‘And The Band Played Waltzing Matilda’ – Eric Bogle

An Irish songwriter’s story about a soldier returning home from the battle of Gallipoli in 1915. The song is in the voice of a soldier whose legs have been blown off

“I never knew there were worse things than dying”

who watches as all the people who’ve come to greet the returning soldiers turn away in silence as the injured are brought off the boat. There are a million or more ways to ruin this kind of song and Bogle avoids every one. The song’s been done by many people including The Pogues but this version is beautiful and heartbreaking.

7. ‘Machine Gun’ – Jimi Hendrix

All the elements of a great screenplay are here. New York City, New Year’s Eve, hours from the end of the 1960’s, The Fillmore East and the greatest electric rock guitarist in history is a black man, a former US Army paratrooper. Pressured by a growing black militancy, he’s fired his white British backing band and has formed his ‘Band Of Gypsys’ with Billy Cox (bass) and Buddy Miles (drums). He knows he has to address Vietnam somehow, and in the twelve minutes and thirty-nine seconds of ‘Machine Gun’ Jimi says as much about the war as John Coltrane said about God in ‘A Love Supreme’. Here’s the audio footage from that New Years Eve Fillmore show.

6. ‘Universal Soldier’ – Buffy Saint-Marie

This is the anti-war song that speaks an awful truth that we would really prefer to ignore: while we can point fingers at the presidents and generals all we want, it is the individual soldiers who feed the war machine. The fact that these are our sons and brothers and sisters and daughters (and fathers and mothers) makes it a horrible and ugly truth (and, who knows, maybe some truths are best turned away from) but the Lysistrata solution offered here is a hard one to ignore.

5. ‘Between The Wars’ – Billy Bragg

Billy Bragg was to Margaret Thatcher in the 1980’s what Phil Ochs was to Richard Nixon in the 1960’s. Far from his most vitriolic political song, ‘Between The Wars’ examines the British working-class experience with verses like

“I kept the faith and I kept voting / Not for the iron fist but for the helping hand / For theirs is a land with a wall around it / And mine is a faith in my fellow man / Mine is the green field and the factory floor / Theirs are the skies all dark with bombers / And mine is the peace we knew / Between the wars.”

4. ‘I Feel Like I’m Fixing To Die’ – Country Joe And The Fish

The archetypal 1967-San Francisco-LSD-hippie-band led by a psychedelicized and politicized US army vet, ‘Country Joe’ McDonald. I remember in 1968 or 1969 sitting behind a row of guys in Navy uniforms either on their way to or back from Viet Nam at a Country Joe And The Fish show in Philadelphia as they played this song

“Be the first one on your block to have his boy come home in a box.”

Watching them cheer every line was around the time I began to suspect that the world was, well… complicated. Bring back the draft and we’d have this again in twenty minutes, half hour tops.

3. ‘Masters Of War’ – Bob Dylan

The studio version from 1963 is brilliant, but the live-in-Italy version on 1984’s ‘Real Live’ with former Rolling Stones’ guitarist, Mick Taylor, on a distorted, almost heavy metal, lead guitar is 1,000 times angrier than Johnny Rotten ever was or will be. There’s a talk that the critic Griel Marcus gave to the Department of Rhetoric at the University of California, Berkeley called ‘Stories Of A Bad Song’ that is really worth reading.

“Come you masters of war, you that build the big guns / You that build the death planes / You that build the big bombs / Not even Jesus would forgive what you do / I hope that you die”

2. ‘What’s Going On?’ – Marvin Gaye

“Father, father, father we don’t need to escalate / You see, war is not the answer / For only love can conquer hate”

wasn’t the kind of rhyme one expected to hear in 1971 from a million-selling soul artist who had earned the title ‘Prince Of Motown’. The title track from an album that his label flatly refused to release at first, calling it commercial suicide, became the crown jewel in what Smokey Robinson still calls ‘the greatest album of all time’. This version is all the evidence of his incredible power over audiences anyone should require.

1. ‘I Ain’t Marching Anymore’ – Phil Ochs

In 1976 Phil Ochs, the best ‘Protest Folk’ songwriter of his (or maybe any) generation, hung himself at his sister’s home. The victim of the sort of clinical depression we now have the drugs to treat and feelings of despair in the aftermath of Watergate, the rise of disco and the failure of the 1960’s to live up to its grand promises of social change (let’s face it, if the 60’s had succeeded Nixon would have died in prison and Kissenger would have gone on trial). Put simply, any top-whatever-list of anti-war songs that doesn’t start with Phil isn’t worth the ether it’s printed on. The solo acoustic version on the 1965 album of the same name remains the finest two minute and thirty-two second lesson in the history of international conflict ever recorded on to a roll of magnetic tape.

To be honest, “best of” lists are almost always a bit of a sham and Bob Marley, Elvis Costello, The Clash, R.E.M., Edwin Starr, The Dead Kennedys, Sun Ra, Fred Small, Richie Havens, Neil Young and, OK, even the Sex Pistols are all absent here. But these ten songs collectively represent a diverse body of response to our shared history and any one you may not be familiar with is deserving of your time and attention.

First published on These Things Too. Thanks to Stan.

ODDS’N’SODS. CELTIC-PUNK ROUND UP AUGUST 2020

We want to move away from just being ‘ReviewReviewReviewReview’ so we have started this monthly feature that comes out on the last day of each month. All news items that we otherwise miss will get a mention but I need YOU to be the eyes and ears if it’s going to work so send over to us any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., to us at londoncelticpunks@hotmail.co.uk or through the Contact Us page and it will go in here!

New re-arranged dates are starting to trickle out and STIFF LITTLE FINGERS have announced new tour dates for the UK for March 2021 including London at the Roundhouse in Camden on the 20th.

I’ve made no secret of my love for the Norwegian band OGRAS over the last few months and at the end of June they made one of the best Live Streams of anyone during the whole ‘clampdown’. Playing as a full band aboard the MS Progress a 1914 built former fishing boat these guys showed why are they rapidly gaining a name for themselves in the Celtic-Punk scene. Well they just re-mastered and re-cut the show and put it up on You Tube so please I implore take just twenty minutes off and make yourself comfortable and feast your eyes and your ears on this magnificent production.

We had expected to be putting on PYROLYSIS live in London in July along with fellow Dutch Celtic-Punkers The Royal Spuds but the clampdown put paid to that! They have been busy though with a few irons in the fire starting with the release of ‘Leave Me’ on You Tube.

Chinese Celtic-Punk pioneers SMZB have a new album Once Upon A Time In The East coming out soon and released a superb video on July 1st for ‘Man Jiang Hong’ their first single from the album.