Category Archives: Canada

2016 REVIEWS ROUND-UP PART ONE. PINT KILLERS, THE MUCKERS, NOWHEREBOUND, HOIST THE COLOURS, SKILTRON, BAY STREET BASTARDS

Every year we have been doing this has got better and better for celtic-punk releases. As happy as we are that this is so it also means that we just cannot keep up with everything out there. We haven’t had the chance to review everything we received or heard so here is Part 1 of our 2016 Round Up where we catch up with some of the releases that we missed first time round. Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but it has been impossible to keep up so here’s a few quick ones just to catch up and get 2016 out of the way. Each and every one are worthy of your time so go ahead and check them out. This time round we head to the America’s. Well four from the USA, one from Canada and one from Argentina!

PINT KILLERS- ‘Boston Brewed’ EP (CDbaby)

pintkillersYeah I know we are hardwired to like ANYTHING that comes out of Boston but this is some killer street punk right enough. Only founded earlier this year Pint Killers feature ex-members of Nowhere USA, Dot Rats, Third Knuckle, The Struggle and the Pug Uglies. “Boston Brewed Punk Drinking Songs And Anthems” they call it and fair enough that’s exactly what you get. Their shared Irish ancestry looms large over everything they do in this four track EP about celebration, drinking, friendship, and brotherhood. The songs flash by in… well a flash of only eight minutes. Fists in the air and heads down working class punk rock, or blue collar as the Yanks prefer to put it. All the songs burst with energy but it’s the longest track ‘Around The Hood’, all of two and a half minutes!, that tick’s all the boxes for me. It may not have bagpipes but so what! And what a great name too…

 THE MUCKERS- ‘The Muckers’ LP (iTunes  GooglePlay)
the-muckers-2016The Muckers are coming at you from Atlanta city in Georgia in the deep south of America. The city rose from the ashes of the Civil War to become a major city and later on in the decades following the Civil Rights Movement, during which the city earned a reputation as too busy to hate for it’s progressive views compared to other cities in the deep south, attained international prominence. The band take their name from the word ‘mucker’, a colloquialism meaning good friend used in main by the Irish and people from Yorkshire in England. The Muckers are Atlanta’s only Irish rock band with a massive following in the city among the Irish and their friends. A five-piece folk-rock band that as well as a strong emphasis on Irish music also blends in influences of gypsy music, sea shanties, country, rockabilly and anything else they can get their hands on. Eleven songs( and a mental hidden track!!) lasting well over forty minutes and what you get is exactly what is outlined above. Kicking off with a short accordion intro it soon launches into the superb ‘There is A Time’ with very much a bluegrass feel. Other notable songs here include both ‘Molly’ and ‘Eddie Connors’ which were originally recorded by a couple of The Muckers old bands but given a real lease of life here. A few self penned numbers and some standard Irish covers make up the rest of the album. A great knees up of an album with a grand sense of humour and infectiously good fun and well played.

NOWHEREBOUND- ‘Hearts And Arrows’ LP  (Bandcamp)
nowhereboundWe have been long time fans of Texan band Nowherebound and while they may not be a celtic-punk band, or even a folk-punk band, but they are simply fantastic so deserve their spot here. If you can imagine a fast and heavy punk rock band that somehow manages to squeeze enough folk melodies into their songs then that’s them. A folk band in all but their music! Coming out of the same camp as punk bands like Social Distortion, Rancid, and Gaslight Anthem but with their cap tipped firmly in the direction of the Murphys or The Pogues. Much more straight up punk rock then their previous releases have been they toured Europe again in 2016, for the umpteenth time, but unfortunately have not made it to Blighty yet. From hard rock in-yer-face to pop punk melodies to raise-your-glass-and-sing-along-anthems Nowherebound that hit you in both the heart and the head.
HOIST THE COLORS- ‘Mourners’ LP  (FromTheBand  iTunes)
hoistthe-colorsOne of the better known of the North American celtic-punk bands Hoist The Colors come from the urban metropolis Los Angeles. They play a blend of punk rock, trad Irish, Americana and bluegrass that is as original as the city they call home. Now this is one album I would have loved to have gone into real detail about but it only landed in LCP Towers a few days ago so I am having to write this on just a handful of listens. And my first impression is the same as my tenth. It’s a fecking masterpiece! A wonderful LP that really shows the depth of the scene and the willingness to push the boundaries of what is celtic-punk. From first track ‘Little Rebel’ right through to ‘Something More Than This’ their is not a single bad track on Mourners. The title track was the first song released from the album and came with a superb video. Excellent use of the mandolin and the punchy punk rock keeps the toes a tapping.

The second release from Mourners was ‘Rainier’ and for me was the album standout. Fast paced, punk rock that is accessible without being at all lame and again some excellent mando to keep the celtic among us happy. The rest of the album flows as smoothly as a pint of Guinness with the music uptempo and catchy as hell. Twelve songs and a running length of almost fifty minutes of non-stop quality celtic-punk that would surely be loved by anyone from you’re studs’n’spikes nephew to your auld Nanna.
and from South of the border we have

SKILTRON- ‘Legacy Of Blood’ LP  (From The Band  iTunes)

skiltron

At the forefront of the Folk-Metal genre, though really it is in fact Celtic-Metal, Skiltron were formed in 2004 and come from Argentina. Now thats not so strange as it may appear as plenty of Celtic people emigrated there back in the day mostly Irish and Welsh. In 2016 they embarked on an epic European tour taking in an amazing nineteen countries in under two months. I missed their London date as it was my brothers wedding unfortunately but was absolutely stunning from other people told me. We have touched on metal a few times here and there seems to be a quite a scene growing out of what was once a handful of bands. We even have a London based celtic-metal band worth checking out Isamos (here). Legacy Of Blood is only eight songs long but as you can imagine it’s all quite epic and the songs take their time. The longest track is also my favourite, ‘Sawney Bean Clan’, about a clan of Scottish  murderers who reportedly killed and ate over 1,000 people anywhere between the 13th and 16th centuries.

It’s fast metal music with two bagpipes at times and the sound is quite incredible. The whole album is brilliant and if you like the sound of bagpipes then open your mind and get on board here. Fast as feck with rapid drumming and Scottish topics with clearly sung lyrics. No growling or grunting here!! I love it and seeing as how we have recently made friends with the people who put the gig on in London we hope to be bringing some more of this interesting scene to London soon.

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BAY STREET BASTARDS- ‘Small Batch’  (Bandcamp)
baystreetbastards
The Bay Street Bastards from the wonderful sounding Thunder Bay in Ontario in east-central Canada. The band proclaim their influences on their Facebook page as
“Canada, hockey, metal, punk, beer”
and listening to this corker of an EP that figures! WE caught their debut album in last years Round-Up’s here and if they keep releasing things in December then we’ll never get the chance to do a proper one! Anyhow that was bloody brilliant and this EP continues where they left off. Small Batch begins with ‘Hooligan Crew’ and its fast paced accordion led celtic-punk rock with some great dual vocals, which I always think works well. This is followed by ‘Blood, Sweat & Teeth’ and things speed up with a song that is significantly different from the opener but carries all the same elements. ‘Ships of November’ slows it down a tad and just as you think you’ve a lovely ballad coming along ‘Bang’ and we’re back into celtic-punk territory. ‘Slappywag’s’ appeared on that debut album and has been re-recorded here. It was the standout track then and it’s the standout track here as well. A ton more energy and a ton more oompf where you thought it would be impossible to add but they done it.  Where the fiddle held court last time here it’s the mando and the accordion in charge in a brilliant song about the Bastards favourite boozer. The EP comes to an end with ‘Private Reserve’ and another beauty of a song. Less manic than the previous songs and perhaps the closest they come to sounding like the Dropkick’s. So what you get here are five songs that is over and done in a fast and frantic seventeen minutes. Every song here stands up on it’s own and the Bastards show they ape no one with their subtle changes of style. One of the many things that made their debut album stand out was their innovative style and they have lost none of that here. This isn’t just music for beer swillin’, foot stompin’, mosh pittin’ Canadians it’s music for beer swillin’, foot stompin’, mosh pittin’ wherever you come from!
So ends Part 1 and we are sorry we weren’t able to give each album the full on London Celtic Punks treatment. Apologies to all the bands as each and every release deserved the full treatment. We are always looking for people to join the reviews team so don’t be shy. Anyhow more to come in Part 2 so check back after Christmas Day and catch up with some more of our favourite 2016 releases from around the world this time. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

ALBUM REVIEW: THE SURFIN’ TURNIPS- ‘Awake The West’ (2016)

Proper scrumpy punkers from old Bristol town. Cult legends in the South West. Fusing The Ramones and The Wurzels in an orgy of fast riffs, cider and marrow dancing!
SurfinTurnips
Now The Surfin’ Turnips been around for a few years now since 1991 (ish!) and though I have heard great things about them our paths have never crossed. They have played a few times in London over the years but things just haven’t connected right for us. So here we are with The Surfin’ Turnips new album Awake The West which was released back in January this year but actually recorded back in the Summer of 2014. The various band members hail from Cornwall, Devon and Somerset but have strong associations with the town of Chipping Sodbury where they met while working, and the areas around Bristol where they currently live. Now one of the long lost and lamented celtic-punk bands of recent years has been The Dreadnoughts from Canada. For a few years their star shone bright as they toured relentlessly from one end of Europe to the other seemingly all year round. Well they may have hung up their fiddle but they did briefly reform for a few gigs back in 2014 and they played a solitary gig in England with The Surfin’ Turnips in Bristol. While over they also played on this recording so if you a Dreadnoughts fanatic, like most of us, then this is for you.
The album begins with ‘Turmut Hoer’ and its straight forward, heads down, classic punk rock with clear vocals and lyrics sung in a broad Bristol dialect and a vocabulary that leaves me baffled most of the time. When I looked up what a Turmut Hoer is it just came up as the name of pub after pub after pub all over the west country!

“I am a turmut hoer, from Wiltshire I were born. Me parents they be workin’ folk.  The fly be on me turmut”

So lyrically I am but lost except I do know that its all a loving tribute to the boys home. ‘The Quaker’ carries on the punk rock and sails into ‘Evenin’ in the Village’ a spoken word tribute to The Surfin’Turnips favourite beverage Cider which is followed appropriately enough by ‘Oh Apple Tree’. Featuring the first appearance here of the accordion

“Pass round the jug and take a supp, Cutler’s name drifts into the night.

Nought could compare with this pasty we share – the souls of the West join the light”

A cover of the sea shanty ‘Eddystone Light’ is up next. Made famous by Scots folk band The Weavers the song is about the lighthouse in Eddystone which kept ships from washing up and wrecking on the dangerous Eddystone Rocks, nine miles south of Rame Head.

While Rame Head is in Cornwall, the actually rocks are in Devon and the song tells of the lighthouse keepers son who meets his mammy, a mermaid.
“From this union there came three, A porpoise and a porgy and the other was me”
‘Ciderman Killed The Radio Star’ is another cider fixated song and it aint the last either!

They keep it local next up with a grand wee folky accordion led track ‘Sampford Peverell Pig Farmers Polka’. Thrashy guitars and that accordion keep the music up tempo and if nothing else this album is rollicking good romp and completely different from the celtic kind of folk punk I am more use to. Another spoken word piece follows and comes with a small dialect guide of west country words to help you through it.
“Gert = Big. Body = person. Axed = Asked. Batch – an areal of rough land. Ee = you. Queer – unexplainable. Shepton Mallet Races – Mid Somerset cider making town. Vleshy = fat. Vlat Voot – flat foot. Ar – Yes”
‘A Cottage On Dartmoor’ keeps the folk punk flag flying and finally Awake The West comes to an end with the traditional song ‘Spanish Ladies’ and for me is the true highlight of the album. Fast tuneful accordion punk rock with a real buzz to it except it doesn’t end there though as there is a secret track at the end that I won’t say anything about ‘cept to say it’s fecking brilliant!
The home of The Surfin’ Turnips the West Country has a proud, diverse and rich cultural, musical and literary heritage. In this time of globalisation and the creeping influence of London across England just as it is important for the celtic languages to survive we must not forget that tradition and language is not just confined to only the celtic countries. Places like the West Country and the northern counties and anywhere who had them also need to preserve their old ways. After all as a wise man once said

“If you do not know where you come from, then you don’t know where you are, and if you don’t know where you are, then you don’t know where you’re going. And if you don’t know where you’re going, you’re probably going wrong”

or something like that. West Country renaissance folk-punk aiming, and succeeding, in spreading the word of the West to those in need of apple salvation.
Ar, awake the West!

(you can have a sneaky listen to ‘Awake The West’ by pressing play on the Bandcamp player below then afterwards for just a measly fiver you can own it by following the link!)

Buy The Album

FromTheBand or Fuelled By Cider

Contact The Band

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LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

2015 REVIEWS ROUND UP PART ONE- BAY STREET BASTARDS, THE STANFIELDS, THE WAXIES, SEAMUS STOUT, THE SHILLELAGHS

This year has been quite brilliant for celtic-punk releases, and they haven’t all been Hungarian either, but sadly we haven’t had the chance to review everything we received or heard so here is Part 1 of our 2015 Round Up where we catch up with all the bands we missed first time round. This time two American and three Canadian bands.

THE BAY STREET BASTARDS- ‘Self/Titled’  (BUY)

Bay Street BastardsThe debut release from this seven piece celtic-punk band, and devotees of Ice Hockey, from Ontario in Canada. This seven track, half an hour long mini album came out in May and is typical of a lot of Canadian celtic-punk. A strong working class ethos runs through the lyrics while the music is fast and furious and hard to compare. They certainly know what they are doing and there are plenty twists and turns on this album with instruments like cello appearing. The music veers from straight up celtic-punk to Tom Waits style ‘pissed-up’ ballads to even a sort of psychobilly number. All the tracks are quite lengthy and despite that don’t outlive their welcome due to the speed at which they are played. Stand out track is probably ‘Slappywags’ where the fiddle holds court in a song about the Bastards favourite boozer. Just a bunch of beer swillin’, foot stompin’, mosh pittin’ Canadians.

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THE STANFIELDS- ‘Modem Operandi’  (BUY)

Stanfields-Modem OperandiAnother cracking Canadian band who play a similar style of celtic punk to the Bay Street Bastards but mainly concentrate on thrashing out some brilliant fast as hell punk rock. They have toured over here a couple of times and even played the prestigious trade union music Tolpuddle Martyrs festival last year. Catchy hooks galore and some proper toe tappers and mosh pit favourites but The Stanfields can give it the celtic treatment too and the album’s influences are plenty. So much more to this band than just thrashing out. Again that working class ethic beats strong in their hearts and dominates what they do. Only eight songs but over half an hour and a couple of real epics here too. ‘Fight Song’ stands out especially and the band chose it, quite rightly, to be the first single from the album.

The album ends with ‘Will The Circuit Be Unbroken’ that takes through a trawl of pretty much every style of music that The Stanfields have in their arsenal. A great album and we look forward to seeing them back in London again though hopefully this time with a better promoter!

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THE WAXIES- ‘Down With The Ship’  (BUY)

the waxiesHailing out of Michigan these Irish-American lads have a stack of releases behind them and I intend to get round to hearing the lot of them so impressed I was with this album. Released in September with twelve tracks and over forty minutes of music The Waxies keep it acoustic but they also keep it loud and in fitting with the way they describe themselves- Irish Gypsy Punk. The music though firmly with both feet in Irish music does take in influences from the sea as you will see from the album cover. Catchy as hell once again and with great vocals and lyrics. The lyrics are all included on the Bandcamp page by the way and theres a poignant song in tribute to fellow Irish-American musician and Grand Rapids resident Nate Carey who passed away last year. Only two covers and The Waxies have a real feel for their community with plenty here for anyone who is proud of their Irish roots but they also can play and the instrumental ‘The Silver Spear’ shows that they can play a pretty fantastic reel as well. Another cracking album and I know there’s some ‘electric’ bands out there that wish they could kick up a storm like the The Waxies! The album ends with a good a version of ‘The Parting Glass’ as I have ever heard… seriously.

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SEAMUS STOUT- ‘For Your Purchasing Pleasure’

Seamus StoutFormed in 1999 Seamus Stout have been around a good while and have built up a healthy following around their home state of Texas playing their local hostelries with a grand assortment of irish and Scottish classics. Of course they don’t confine themselves to covers and with five previous full length albums under their belts they sure do have a healthy amount of songs to choose from. Musically its straight up celtic music well played and with a shitload of gusto. Again its purely acoustic but kicking up a real racket. ‘For Your Purchasing Pleasure’ is a live album that has a perfect production that ensures all the instruments are clear as a bell and the vocals come out nice and strong too. Sixteen songs officially squeezed onto this CD but its actually a load more as they play some pretty damn good reels as well. There’s a whole host of instruments at play here giving the impression that this four piece band is more akin to a troope so busy are they. Can’t find a link for this album but you can find Seamus Stout’s previous releases here and here.

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THE SHILLELAGHS- ‘Bury Me At Sea’  (BUY)

The Shillelaghs- Bury Me At SeaHere’s another Canadian band to end our North American round up. The Shillelaghs hail from Calgary in Alberta and despite being founded in 2005 ‘Bury Me At Sea’ is the bands first release and even though its been a long time coming its certainly been worth the wait. Twelve tracks and 3/4’s of an hour long and only one cover means The Shillelaghs sound is stamped all over ‘Bury Me At Sea’. Fiercely independent the music is fast, well played and mostly acoustic with raspy vocals and tales of the sea, drinking and other dark themes. Our comrades over at Celtic Folk Punk & More noticed that the singer sounds like an angrier Mark Chadwick from The Levellers and by George that’s amazingly accurate. There’s quite a Poguesy sound going on here but the electric guitar steers it just away while also keeping it firmly in celtic-punk country. Album opener ‘Shillelagh Justice’ lets you know exactly where the album is going but there’s some real suprises here with the beautiful ballad ‘Dark The Days’ with dual male/female vocals and the closing number the acoustic ‘Better To Bleed’ which begins with just Dave’s voice and acoustic guitar before the band join in. It is though the heavier numbers I prefer and it’s the title track that grabs you by the throat and rocks your socks off. If you like this song then you simply MUST get this album!

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So ends Part 1 and we are sorry we weren’t able to give each album the full London Celtic Punks treatment but just not possible with time on our backs. Anyhow more to come in Part 2 so check back in a few days and catch up with some European releases. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

ALBUM REVIEW: TIN CAN HOOLEY- ‘ Racket In The Parlor’ (2015)

folk that rocks… not folk rock!

Featuring over 75 years of artistry in Boston punk and hardcore bands playing old time Celtic pub music

Tin Can

Tin Can Hooley are a Boston Irish band right out of the Boston Irish community. Despite never having set foot there I feel I know Boston well what with the Dropkick Murphys and films like The Departed or TV shows like The Black Donnellys or Cheers and a multitude of factual programmes raking over the Irish mafia/ mob that have ruled in Boston up to the present day. Therefore it should come as no surprise to anyone that the Irish do indeed run Boston. Perhaps not as blatantly as in years gone by, and certainly no longer with guns and muscle, but Boston is still to this day an Irish city with over 20% proclaiming their Irishness. The Irish first arrived in the early 17th century as indentured servants, merchants, sailors or tradesmen. Catholicism was still illegal so many hid their religion but it was the years of The Great Hunger that saw the Irish population explode. Between 1845 and 1849, 100,000 Irish refugees arrived in Boston, fleeing starvation and pestilence. They transformed Boston into a distinctly Irish city and by the end of the 19th century, Boston’s core neighbourhoods had become enclaves of ethnically distinct immigrants with the Irish dominating, for example, the whole of South Boston. It wasn’t all plain sailing though and the Irish were met with considerable discrimination. From the first moment of their arrival, the Irish occupied the basement of American society. Much of this discrimination was the result of anti-Catholic sentiment. Catholicism was extremely important to the Irish community. Attending church was mandatory and defined what made a good citizen. No single group of individuals did more to change the face of Irish-Americans than the Kennedy family. Through their military service and political careers, Joe Kennedy and his sons became American royalty. The entrance of the Irish into politics marked the turning point and the end of blatant Irish discrimination. Famous actors and TV stars- Denis Leary, Ben and Casey Affleck, Mark Wahlberg, Mike O’Malley, Conan O’Brien, Politicians- The Kennedy’s, Tip O’Neal, and sportsman like John L.Sullivan, Micky ‘Irish’ Ward, Kevin McHale, and its basketball team- The Boston Celtics, and its infamous gangsters like James J ‘Whitey’ Bulger and James ‘Spike’ O’Toole all show the pride that Bostonians have in their Irish roots. A walk around the working class Irish areas of Boston and you could be back in Ireland or even Kilburn of the 70’s/ 80’s and you can see why Boston is known as America’s most Irish town. Added to these is perhaps the reason we are here at all, The Dropkick Murphys! I am sure they need no introduction other than to say that it was their Irish-American background growing up that inspired them to become a band fusing punk and Oi! and traditional Irish music and lyrics.

CAC down May 2014

(photo credit Billy Calmovita)

With all this in mind it’s no surprise then music has figured high in the culture of the Boston Irish. As well as the celtic-punk bands that have emerged from the city from the Murphys and The Street Dogs to bands like The Larkin Brigade and The Gobshites who took over and newer bands like Mickey Rickshaw and The Welch Boys, Boston has been at the very forefront of blending traditional Irish music and rock and punk and other music too. Punk bands like Negative FX, Death Before Dishonor and Gang Green have also all given a fair nod to their celtic roots while playing the uncompromising music you would associate with ‘Boston Hardcore’.

Left to right: Will

Left to right: Will “Sully” Toxic (guitars, bouzouki, vocals), Heavyset Joe (fiddle, vocals), Dynamite Jack (drums), Paddy Keys (piano, vocals), Benny the Fireman (accordion, vocals, tin whistle, harmonica, bagpipes)

So with all that history behind them how can a relatively new band make a name for themselves? Well one way is to make a shit-kicking album of traditional folk standards, jigs and reels that is high on energy and expertly played instruments with enough of a punk rock edge to prevent it going into ‘finger-in-the-ear’ folk territory. This is what Tin Can Hooley have managed to do with ‘Racket In The Parlor’. Fifteen songs clocking in at just under an hour’s worth of top notch punky Irish folk music.

Playing together on and off since 1999 Tin Can Hooley are a combination of two distinct Boston Irish bands. Firstly the legendary punk band Toxic Narcotic, who played a style of hardcore punk known as crust who were not for the sensitive or faint hearted. They were the real deal, working class anarchist punk rock with a ‘F’The World’ attitude and absolutely no compromises. The other band was The Larkin Brigade, who actually happen to be one of my all time favourite celtic-punk bands, and who would, I am sure, have gone onto much better and bigger things if they had managed a follow up to the brilliant ‘Paddy Keys For Mayor!’ album and managed to tour a bit more. They were described, brilliantly, as

“if the Wolfe Tones had sex with Ben Folds Five, and then, nine months later, a tearful Ben Folds Five left a bassinet on the doorstep of a bewildered Minor Threat, who, after attempting to raise the little bundle itself, passed the kid off into the social services system, where it went through a series of foster homes including the Pogues and Blood for Blood, before it was taken under the wing of the Rolling Stones, who paid for it to take piano lessons from Scott Joplin and then Jerry Lee Lewis, each of whom in turn kicked the kid out of class for not practising, and finally the kid ran away and worked in an Irish pub, where it osmotically memorized every song in the book while mopping puke off the floor, until one day the Wolfe Tones walked in to order a pint and recognized its own offspring running cases of Magner’s behind the bar, and, after a brawl that caused thousands of dollars in damage and a bar tab that cost hundreds, bestowed upon the kid a lucky Claddagh ring with special powers, then that kid would grow up to be the Larkin Brigade”

So Tin Can Hooley come from quite a musical heritage themselves and boy they don’t let Boston down one bit as these Bhoys can certainly play! ‘Racket In The Parlor’ clocks in at just under one hour and kicks off with the Irish air/Scots barn dance ‘Loch Na gCaor/Killiecrankie’ and is instantly reminiscent of The Larkin Brigade and that feeling gets stronger when Paddy sings in the next song, ‘Johnsons Motorcar’.

“Well we put that car in motion and filled it to the brim
With guns and bayonets shining which made old Johnston grim
And Barney hoisted a Sinn Fein flag and it fluttered like a star
And we gave three cheers for the IRA and Johnston’s Motor Car”

Based on a real event in 1920 during the Irish War Of Independence when a IRA flying column desperately needed transport to a town over fifty miles away. They called out Henry Johnston, the local doctor, and then ambushed him and his car at a railway bridge and commandeered the car. Humour and real history captured in a great song. A selection of more reels and jigs follow and the wonderful fiddle work drives it along with piano, accordion, bagpipes, bouzouki, tin whistle and harmonica all popping up again and again giving the album a well rounded and full sound. The piano gives it all a music hall feel but there is a respect for the people and musicians who sang these songs first while Tin Can Hooley add to and adapt so these songs can be passed onto the next generation who will perform them and celebrate them.

The usual standards are also here with ‘Tell Me Ma’, McAlpines Fusiliers’ and ‘The Fields Of Athenry’ all getting an airing and though you may have heard them a thousand times don’t be letting that put you off as Tin Can Hooley perform everything with their own personal flair and touch. ‘The Moonshiner’ again shows the bands great sense of humour

“I’m a rambler, I’m a gambler,
I’m a long way from home
And if you don’t like me,
Well, leave me alone
I’ll eat when I’m hungry,
I’ll drink when I’m dry
And if moonshine don’t kill me,
I’ll live till I die”

Tin Can Hooley must go down an absolute storm in the pubs and clubs of Boston and they have transferred their fun and raucous sound onto ‘Racket In The Parlor’ and it doesn’t fail to surprise. There is so much here within the fifteen songs with excerpts of countless songs slotted in unannounced to shock you. Its a brilliant album and chock-a-block with energy and fire to fill your hearts and stomachs. ‘John Ryans Polka/ Wild Colonial Boy’ leads you on a merry dance and this reminds me of The Pogues with their ability to make folk instruments sound as loud and as punk as any punk band. A slow version of ‘Fields Of Athenry’ features the beautiful voice of twelve year old Siobhan Hayes. It seems Tin Can Hooley are already aiding that next generation of Boston Irish. ‘Derry Air/ Gravel Work’ shows the serious traditional side to the band and if anyone would ever accuse them of not being able to play then I’d suggest they shove this in the accuser’s face! ‘Its A Long Way To Tipperary’ ends the album and the music hall favourite written by 2nd generation Irish Brummie Jack Judge in 1912 has never sounded such fun. A great finale and this song shows everything great about Tin Can Hooley.

All in all a wonderful album and one to be filed among the more trad side of celtic-punk. The assortment of punk rockers playing gives it an definite feel of a punk rock record while the music stays within the confines of a folk record. Superb musicianship and some really great adaptations of some classic, and not so, songs from Ireland, Scotland, Cape Breton and America. Would love to hear some originals from this band but with their pedigree it shouldn’t be too long I am sure.

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*interview with Tin Can Hooley here from the excellent celtic-punk web site Shite’n’Onions

ALBUM REVIEW: LE VENT DU NORD- ‘Têtu’ (2015)

new music but with deep ties to Québécois tradition that speaks to the fiercely independent spirit of today’s Québécois

LE VENT DU NORD- ‘Têtu’ (2015)

As is usual with us we don’t cover an awful lot of solely traditional music on the blog but when we do then it must mean it is something special and take my word this album certainly is! Earlier this year deep in the woods of Québec, a group of mates huddle around a few microphones, putting the finishing touches on their epic eighth record. Their musical intimacy comes from over a decade of being one of Québec’s most popular groups and with ‘Têtu’ (Determined), the multi award winning Le Vent du Nord (translated as The North Wind) hold to a steady course, staying faithful to their Québecois roots while at the same time taking an unyielding approach to innovative new ideas. Sadly they have just completed a small UK tour back in March so we’ll have to wait to sample them in the flesh.

The albums opening track is the atmospheric ‘Noce Tragique’ and from the very first sounds of the hurdy-gurdy and despite the introduction of a string quartet there is nothing to be scared of here for your average celtic-punker. Those first notes that leave your speakers ‘Têtu’ hits the spot perfectly and so begins nearly an hours worth of traditional foot-stomping folk tunes and a smattering of ballads covering politics, love and satire.

The album drives along with the whole band (Nicolas Boulerice- hurdy-gurdy, piano, voice, Olivier Demers -fiddle, feet, voice, Réjean Brunet- accordion, bass, jaw harp, voice and Simon Beaudry- bouzouki, guitar, voice) combining brilliantly and nowhere on the album is the foot-tapping so intense as on ‘Cardeuse – Reipoel’. An instrumental with the power to transport you to wherever you want to go. An excellent example of piano, fiddle, accordion and other instruments coming together. This may be the traditional music of Quebec but the influences from across the celtic nations are obvious too, as well as undertones of the offspring of Quebec folk, Cajun music. I am unable to understand French so I can’t give you much more than a rundown of some of the major themes on the album but I am of the opinion that bands should sing in their native languages anyway. Music crosses all boundaries and bands shouldn’t feel the need to sing in English just to make it. Don’t despair though the album comes with a booklet providing not only the entire lyrics in French but also a brief introduction to all the songs in English. There’s the biting politics of ‘Confédération’, where Le Vent Du Nord show their independent streak. As Nicolas Boulerice said in a recent interview of the songs lyrics

“I owe the premise for this song to S. Harper [Prime Minister of Canada], who announced that he would hold grand celebrations in 2017 for the 150th anniversary of Canada, the Confederation having been signed in 1867. What a strange idea! My ancestors’ Canada is over 400 years old! And my Native great-grandmother probably would have added a few thousand years to that count. So I did a number on our country’s memory. Often times, people have tried to make us believe things, swallow dates, and integrate ideas that had been pre-thought for us. ‘Confédération’ is about our collective selective memory when it comes to the historical events at the core of my people’s existence—French, Metis, Celtic. Events that were meant to put us out a little, to numb us quietly, to bring us to ‘acceptance’. Our memory cannot serve our past. Actually, it should be used to build our future.”

There’s the moving ‘Pauvre Enfant’, which skips along beautifully with amazing fiddle work and the album finally closes with the superb ‘Amant Volage’, a totally uplifting number with the whole band joining in to sing and the music flowing seamlessly away and ending exactly where you came in!

Le Vent du Nord (Rejean, Nicolas, Olivier and Simon)

Le Vent du Nord
(Rejean, Nicolas, Olivier and Simon)

‘Têtu’ is the bands eighth album and the sixth with this line up giving them a stability that has come in useful to become one of the very top bands in their field. Though the lyrics are dark (Satan popping up is not an uncommon thing in Quebec music by all accounts) the music buzzes along leaving you feeling great. It shows that Le Vent du Nord ontinue to hold steadfast to their roots while also remaining uncompromising in their identity as movers and shakers in the Québécois tradition. The album is available to listen to on Bandcamp (see below) so take a chance and a hour out of your lives and give it a whirl. Superb traditional arrangements with beautiful male vocal harmonies, call & response, and even a cappella but there is so much going on in this record that I cannot help but feel that this is a very sorry review of ‘Têtu’, certainly there are better ones on the internet, but what I do hope comes across is how much I liked it and that my friends is all anyone is surely interested in.

(you can listen to the whole album by pressing play below)

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get the beers in and gather round the laptop as here’s a fantastic video of a whole Le Vent du Nord concert from Sunfest 2014.

we recently interviewed Quebec’s number one celtic-punk band so click here to find out more about the amazing Irish Moutarde.

ALBUM REVIEW: THE REAL McKENZIES- ‘Rats In The Burlap’ (2015)

The original celtic-punk band!

The Real McKenzies- 'Rats In The Burlap' (2015)

In the crazy world of celtic-punk we have to admit that their are two levels when it comes to bands. The top level of course belongs to by far the two most famous bands in celtic-punk, The Dropkick Murphys and Flogging Molly. Their appeal has outgrown the scene and most people would name them when asked about celtic-punk music. After them is level two where you would find bands who work their arses off releasing records, touring like mad and keeping the flag flying. At the very, very top of this level I would put bands like The Mahones, Flatfoot56, The Tossers and, of course, The Real McKenzies. Each of them probably spend the majority of their year on the road playing shows from across North America to every corner of Europe. What sets The Real McKenzies apart from the rest of the bands I have just mentioned, is that while the others have embraced their Irish heritage the McKenzies are a Scottish band and play Scots style celtic-punk that even though not a million miles away from their Irish celtic-punk brothers is certainly different enough to stand out like a haggis in a fridge full of Clonakilty puddings!

Real McKenzies

It all began sometime around 1992 in Vancouver when Scots-Canadian Paul McKenzie’s band split up and looking for something new he came up with the idea of combining the classic punk rock sound of his old band with the music of his Scots background and lo and behold, what we think of as modern post-Pogues celtic-punk was born. Bagpipes had of course been used by all sorts of bands throughout rock history but a proper punk band with a piper was a first and The Real McKenzies showed the world that it was no novelty either. Pre-dating The Dropkick Murphys by a handful of years, they perfectly combined the glorious soaring of the pipes with ferocious electric guitars and frantic drumming. These were not a band that wrote punk songs and just had a piper playing along with them, they were written with the pipes as an integral and important part of the band. Now having achieved legendary status they haven’t taken their foot of the pedal and still tour the world relentlessly and, even better still, release great album after great album and ‘Rats In The Burlap’ is another in a long line of classic albums from The Real McKenzies. Their eighth studio release and out on the infamous ‘FatWreck’ Record label it took only a second listen to know that this would rank among their best.

Real McKenzies The album kicks off with ‘Wha Saw The 42nd’ and its all pipes and rocking out. The Real McKenzies have long been acknowledged to be the best pipe-punk band and the quality of the piping is amazing, so hats off to their pipers Aspy Luison and Gord Taylor. ‘Up On A Motorbike’ carries on with a more folky tune about riding through Ontario. ‘Who’d A Thought’ starts off with crashing guitars and is the story of the downtrodded man fighting back. Not much celtic going on here till the chorus and then you realise just how perfect the pipes and punk do work together.

“we wrote ‘Who’d a Thought’ for the political/social climate that people just like you and I are facing today and, even more so, in the future. One of my favorite all-time bands, the MC5, were the ones who first awakened political awareness within me at a very early age. That was back when tha ‘boil’ was already infected, but just coming to a head. Now that the ‘boil’ has burst, who is expected to clean it up? Who’d a thought? Know your opponent. Here’s to the MC5 and to the awakening of all individuals in terms of worldwide political awareness. Don’t be caught with your kilt up”

Straight up punk rock dominates the story of touring,’Midnight Train To Moscow’, with  the pipes coming in again to help the chorus along. ‘Lilacs In The Alleyway’ is almost reminscent of modern day Murphys but as one of the slower songs on the album. Totally dominated by brilliant piping the song steams ahead with a great chorus. The huge disappointment of the defeat of the Scottish independence Bill last September hits home on ‘Yes’. As Paul has stated

“It’s painfully apparent the skulduggery and cheap tricks that once again played out. We as the Real McKenzies wish to let our fans and the world know how we stand on this. Scotland belongs to the Scottish….period.”

and he doesn’t mince his words in the song either evoking visions of a past filled with enforced emigration and poverty and of a future where Scots finally control their own destiny. The bright light at the end of the tunnel though is that many who voted no in the Bill have since seen the light and have embraced the idea of a Scottish republic. Its now only a matter of time before the Scots kick the empire out… the clock is ticking! Absolutely classic McKenzies with the pipes leading the way. Catchy just doesn’t describe quite how… err, well err…how catchy it is!

There’s more than a nod to Irish punk on ‘You Wanna Know What’ with the tin whistle bringing things along nicely while ‘What Have You Done’ takes on those that have irked the band and earned their wrath. The hilarious ‘Bootsy The Haggis-Eating Cat’ brings some of the bands well known humour to the fore with the brilliant jazzy/ old timey story of a cat who stole Paul McKenzie’s haggis on Robbie Burns Day. True or not it gives the listener a welcome rest before they dive head first back in with ‘Spinning Wheels’. More tales of international touring and for a band that play so many gigs, it is not suprising that they have got plenty of stories. ‘Stephen’s Green’ tells of a man facing execution. Up until the 1770s, most public hangings and executions took place in St. Stephens Green in Dublin. Great lyrics and Pauls vocals sound especially good, it is definitley one of the album’s standouts songs for me. ‘The Fields Of Inverness’ brings them back to land of their hearts. ‘Catch Me’ could be the most radio friendly track on the album and the brilliant video ought to get the Bhoys some airplay but without losing any of their appeal and sound.

“My legs are bending at the knees
I’m seeing things nobody sees
Don’t know my name perhaps it’s may be ‘Paul’
Trapped in a drunken travesty
Battling with gravity and
Feeling like I’m standing ten feet tall”

‘Rats In The Burlap’ comes to an end with ‘Dead Or Alive’ and a better pint/fist in the air song you’ll never hear. Death looms large in celtic-punk lyrics and no larger than in this. A story of loss that may well relate to the sad death of long-time Real McKenzies member Dave Gregg who passed away in 2014. Just Paul and a slow strumming acoustic guitar builds up but never takes off and I mean that in a good way. Gradually the rest of the band join in and the song soars to the heavens and back before the final sounds of a fading banjo are heard and its gone. These guys can certainly do serious too when they need it. Fourteen songs and over thirty five minutes long and not a single filler among them.

Real1The Real McKenzies like the Dropkick Murphys have been accused by the folk purist snobs of being a ‘cartoon’ band or, worse than that, of being ‘Plastic-Scots’. What they are though and what they represent is a Scotland for the diaspora of foreign born Scots who see no positive representation of themselves in the media. What these snobs should realise is that Scotland is more than shortbread and Scotty dogs and its bands like The Real McKenzies who have evolved Scots music into the modern age while still showing the utmost respect for what went before.

The Real McKenzies have been travelling the globe now for twenty three years spreading their high-octane, booze-fuelled brand of celtic-punk rock fun and thank heavens they show absolutely no sign of letting up for years yet!

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ALBUM REVIEW: SCALLY CAP BRATS- ‘Our Storied Past’ (2015)

Capital City Folk ‘n Oi!

ALBUM REVIEW: THE SCALLY CAP BRATS- 'Our Storied Past' (2015)

Now I know we’re not really allowed to have favourites and we are suppose to be ‘objective’ and all that but there’s a handful of bands that can do no wrong for me at all and if they released an album full of techno songs then I have a feeling i would still bloody like it. One band, for example, is The Rumjacks and another, you may not of heard of, is The Scally Cap Brats from Ottawa, Ontario, Canada.

Scally1

Formed in 2010 out of a chance meeting between Mike Pusiak and Mike Eff they quickly discovered a mutual love for punk, Oi! and celtic music which led to talk about starting a band. They got together in Mike Pusiak’s basement and began writing songs and learning a few traditional tunes. Over time members have come and gone and now the current lineup of The Scally Cap Brats is Mike P – vocals and guitar, Mike F – mandolin, Danny – drums, Collin – bass and Chris – guitar. In the spirit of Oi! music there’s no gimmick with The Brats and what you get is just good time music that will have you both jigging and moshing your brains out.

the Scally Cap Brats signature tune!

This is the Brats follow up album to their debut ‘Let us Drink, For We Must Die’ back in 2012. The bhoys self funded ‘Our Storied Past’ along with their fans via an Indiego campaign where fans could buy special Brats gifts or get the album on pre-release. Previously they have also released three well received EP’s that have fired The Scally Cap Brats into the top division of celtic-punk.

The album kicks off with ‘Our Storied Past’ and fast and furious mandolin competes with an old-school traditional Oi! sound that will certainly blow any folky cob-webs away!

“Our Storied Past it makes us who we are
We have no regrets, just our memories and scars
If you sent us back again we’d do it all the same
No time to second guess, no time to doubt the pain
We’ve lost a few friends as we’ve gone along the way
Made a few enemies but we’re here to stay
After all this time and the roads we had to take
We’re not going to quit after coming all this way”

Next up is ‘Barry Square’ and the tale of a group of the bands friends who found themselves held up at gunpoint in Hartford, Connecticut. ‘Going Down The Line’ reminds me of the Charm City Saints and is a real celtic-punk classic but with a punk rock chorus. The mandolin could get lost in the mix and hdespite having t compete it comes across really clear in the mix and stands out proud. Mike P’s vocals are of the raspy shouty sort and they work really well. Close harmonies may suit some celtic-punk but not this celtic-punk! ‘Two Chord’ continues with the mandolin put away and its heads down for some more catchy punk.  The mando is back for ‘Claw And Dig’ and a slight ska beat soon changes into the Brats fastest song before slowing right down again. One of the albums standouts for me. As soon as ‘Take Me Away’ starts you can hear the Irish tune hidden inside the punk tune and with some one guesting on bagpipes makes you wish they had a permanent piper. This leads onto ‘The Shiner’s War’ the albums most overt celtic-punk song. The mando is turned up to eleven and its all about the working class on this one and how we always get shafted! ‘Help Our Heroes’ returns them to harder territory and tells a story of a friend who joins the Army and whose life takes wrong turns and who ends up homeless. Catchy as hell and with a strong message. ‘You Never Know’ and ‘Yankee Jim’ has Mike P sounding like a forty cigs a day man while ‘No Matter What’ returns them to celtic-punk again with mando leading the way. With the LP drawing to a close ‘Lonely Days And Drunken Nights’ ensures it’s not going to be going quietly and Mike F’s mandolin starts ’18th To 21st’ off before the band blast into what could be an early-Murphys ‘Do Or Die’ era song. The final track ‘Dress Sharp, Drink Hard’ is a proud skinhead anthem that The Cockney Rejects would be proud of. Yet more catchy punk with a shouty gang chorus to raise your pint in the air and is an absolutely brilliant way to end ‘Our Storied Past’.

Fourteen tracks and near forty minutes of music that in the end blends Oi!, celtic, Rock’n’Roll, punk, folk and pretty much everything else in between. The Scally Cap Brats are impossible to pidgeonhole into one sound and their appeal as a band reflects that. There is nothing too overly complicated here I am sure the Bhoys won’t mind me saying but its done with gusto and the music is pure energy and blue-collar pride. If as I say early-Dropkick Murphys is yer thing then I swear to God you will fecking love this as much as I do.

(press play below to hear the whole album)

Scally Cap Brats

(left to right) Collin, Mike P, Mike F, Danny, Chris

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you can read our article on the Scally Cap Brats indiego campaign to raise money to record ‘Our Storied Past’ here. There’s a full biography of the band and much more music!!

NEW DROPKICK MURPHYS TRIBUTE ALBUM OUT TODAY!

Take a Shot Records are proud to announce the release of their first major album as a record label. The idea for ‘Famous For Nothing: A Tribute to Dropkick Murphys’ came from Mike Franey (The Scally Cap Brats) and Chris Arias (Blackthorn Billy), and their love for the band. It was decided that the best way to pay tribute to the band that has influenced them so much was to recruit others who felt the same way and to make a tribute compilation and donate all the proceeds to The Claddagh Fund (Dropkick Murphys’ own charity).

As Mike said

“both of us have listened to the band for a long, long time, and we felt that just covering their songs ourselves wasn’t enough. A quick chat with Ken Casey and he gave us permission to go forward with it and here we are!”

Famous For Nothing A Tribute To Dropkick Murphys

With the permission of Ken Casey and Dropkick Murphys, the compilation features eighteen bands from a wide array of places such as the United States, Sweden, Australia, Germany and Canada and 100% of the proceeds will be donated directly to the Claddagh Fund. Work on the release has been going on for over a year and it promises to deliver an eclectic mix of sounds from celtic-punk to street punk to folk to everything in between. Spanning the Murphys entire career, a wide array of songs have made the final roster for your listening pleasure.

The full track listing is as follows and you can click on the individual band name for more information.

Nowhere USA (Boston) – Never Alone
Blackthorn Billy (San Antonio) – A Few Good Men
BarRoom Heroes (Boston) – Barroom Hero
East End Radicals (Montreal) – Buried Alive

Murder State (Ottawa) – Worker’s Song
Saturday’s Heroes (Finspång) – Surrender
Hoist the Colors (Los Angeles) – Take ‘Em Down
The Ramshackle Army (Melbourne) – State of Massachusetts
Penalty Kill (Boston) – On The Attack
The Lucky Ones (St. Catharine’s) – Get Up
Irish Moutarde (Quebec City) – The Dirty Glass
Skullians (Toronto) – Heroes From Our Past
Machine Gun Dolly (Ottawa) – The Torch
Emscherkurve 77 (Oberhausen) – Fightstarter Karaoke (featuring Al Barr)
Brain Damage (Ottawa) – Curse of a Fallen Soul
The Scally Cap Brats (Ottawa) – Boys On The Docks
Hex Bombs (Kalamazoo) – Forever

and the CD ends with irish-American celtic-punk legends

The Gobshites (Boston) – Shipping Up To Boston

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Official release date is today Tuesday, February 24th, 2015.

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Contact The Claddagh Fund

Claddagh FundThe Claddagh Fund was founded in 2009 by Ken Casey of the Dropkick Murphys.  Ken, his bandmates and their families have supported charities throughout the history of the band.  Understanding the power of their position to harness the passion and generosity of their fans, the Claddagh Fund was created to raise funds for and broaden our impact on worthy, underfunded non-profits that support the most vulnerable individuals in our communities.
Utilizing a grassroots approach to fundraising, The Claddagh Fund supports community-based non-profits, with a focus on children and veterans organizations and programs that support alcohol and drug rehabilitation in cities across the country and around the world.

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LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2014!

TOP TWENTY CELTIC PUNK ALBUMS OF 2014

Last year our ‘Best Of’ list was completely dominated by bands from these shores but this time there’s a much more international flavour to 2014’s Best Album’s list. Again Irish influenced bands dominate but the absolute standout album for me was without a doubt Uncle Bard And The Dirty Bastards from Italy who nailed their fusion of punk rock and traditional music completely. With their own roots and influences included along with some amazing uilleann piping they are deserved winners of the Best Album spot. Kitchen Implosion join them in what has been a great year for Italian bands. Sure not all of these twenty bands are celtic-punk in the dictionary definition of the phrase but sod that anyway. These are what we liked and they all fit in in some way. Twenty bands from thirteen countries (Italy, England, Sweden, Brittany, Canada, Ireland, USA, Australia, Brazil, Catalonia, Germany, Switzerland and Belguim) which only goes to show the international appeal of the celtic-punk scene these days. A special mention for London Irish band Creeds Cross superb debut album. Only just caught them live and they were awesome so hoping to see much more of them around town in 2015.
As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review.
We compiled the ‘Best Of’ lists together from the scraps of paper handed to me by the various admins from the London Celtic Punks facebook page.
1. UNCLE BARD AND THE DIRTY BASTARDS- ‘Get The Folk Out!’ (here)
2. CREEDS CROSS- ‘Gods And Fighting Men (here)
3. ROVERS AHEAD- Always The Sinner, Never The Saint (here)
4. LES RAMONEURS DE MENHIRS- Tan Ar Bobl (here)
5. THE MAHONES- The Hunger And The Fight
6. BLOOD OR WHISKEY- Tell The Truth And Shame The Devil (here)
7. THE ROUGHNECK RIOT- Out Of Anger
8. BASTARD BEARDED IRISHMEN- Rise Of The Bastard (here)
9. JAY WARS- Carry Me Home (here)
10. THE RAMSHACKLE ARMY- Letters from the Road Less Travelled
11. 6’10- The Humble Beginnings Of A Rovin’ Soul (here)
12. LUGH- Quando Os Canecos Batem (here)
13. SIGELPA- TerraMorte (here)
14. KITCHEN IMPLOSION- Pretty Work Brave Boys! (here)
15. THE KILKENNY KNIGHTS- Bradys Pub Tales (here)
16. BEYOND THE FIELDS- The Falcon Lives (here)
17. THE YOUNG DUBLINERS- ‘Nine (here)
18. KELTIKON- Agenbite Of Inwit (here)
19. FM 359- Truth, Love And Liberty (here)
20. THE BLACK TARTAN CLAN – Scotland in Our Hearts
a special special mention for three absolutely brilliant compilation albums too. Can’t really include them in the Best of charts so heres all three in no particular order at all as they are all 11 out of 10!
a class album with 4 songs per band and an absolutely beautifully put together record. THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS 4-WAY SPLIT DOUBLE ALBUM- ‘Welcome To The Folk Punk Show’ (2014)  here
a mostly Russian compilation paying tribute to all (lets just face it they are!) our favourite celtic-punk band- ‘Ex-USSR Tribute To The Dropkick Murphys’ (2014)  here
this ought to be the number one album of the year to be honest. a fecking amazing compilation of Indonesian celtic-punk bands.the quality is amazing throughout.absolutely stunning. I cannot recommend enough!! ‘Wind From The Foreign Land- Indonesian Celtic-Punk Compilation’ (2014)  here

TOP FIVE CELTIC PUNK EP’S OF 2015

No question which EP deserved this and Russia’s Middle Class Bastards just blasted us away with their follow up to their 2013 album. Superb use of bagpipes and brass instruments combined with fast but tuneful punk rock. A bit unfortunate for Black Water County who looked nailed on to win this for most of the year with their fantastic 2nd EP. The Breton band The Maggie Whackers released their EP back at the start of the year while The South Sea Ramblers from South Africa literally released theirs just a couple of weeks ago while LQR from Holland slipped theirs out in time for St Patricks Day… ooh err missus! So spread out across the year but these are the ones that left their mark. Looking forward to hearing more from them all and long players must be arriving soon I hope.
1. MIDDLE CLASS BASTARD- Rebel To The Core (here)
2. BLACK WATER COUNTY- Fellowship Of the Craic (here)
3. THE MAGGIE WHACKERS- Naoned Whisky (here)
4. LQR- A Touch Of Liquor (here)
5. SOUTH SHORE RAMBLERS- Bare Knuckle Blackout

TOP FIVE TRAD ALBUMS OF 2014

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved them all to bits. Hard to decide which order they should go in but this is how we ended up. Turned out to be an all Irish list with I DRAW SLOW from Dublin with beautiful alternative country sounds and both Cork’s THE BUACHAILLS and London’s THE CRAICHEADS going head to head with both bands playing similar styles of music while Irish-American supergroup THE ALT’s debut album was a worthy runner-up to fellow Irish-Americans RUNA’s brillliant fourth album.
1. RUNA- Current Affairs (here)
2. THE ALT- ‘The Alt (here)
3. THE CRAICHEADS- Brewed in London (here) 
3. THE BUACHAILLS- At Your Call (here)
5. I DRAW SLOW- ‘WhiteWave Chapel (here)

BEST CELTIC PUNK WEB-SITE OF 2014

Celtic Folk Punk And More Blogonce again there is no question who gets this
CELTIC FOLK PUNK AND MORE
 keeping the whole wide world up to date with what’s going on and who is doing who within celtic punk (and more!) while also supplying us with regular free downloads and free compilations. Waldo you’re great. Keep it up mate!

BEST GIGS

Apart from the ones we put on which were all amazing and showcased some amazing performances from JAY WARS and THE DEAD MAGGIES from Aus, THE GREENLAND WHALEFISHERS from Norway, a couple of benefit gigs for Mad Dog out The Popes (hope youre back on your guitar highkicking soon pal!), BLACK WATER COUNTY played their London debut and went down a fecking storm, me O’s mates STEVE WHITE AND THE PROTEST FAMILY were as superb as ever and released a fantastic album. One of the major highlights was discovering the quintessential London Celtic Punk in ANTO MORRA and we look forward to working with him again in the future. We teamed up with fellow Londoners of Urbankelt and will be doing so again too.

I also saw DAVID ROVICS for the first time, THE MEN THEY COULDN’T HANG’s amazing 30th anniversary show was incredible, NECK and their sadly ended residency at TChances which had us all pissed on Polish lager on Sunday afternoons for the first 6 months of the year, FLOGGING MOLLY in Reading in June which showed they havent lost a thing and are as great as ever, THE POGUE TRADERS were the best Pogues tribute band I ever seen. Disappointing was missing so many gigs where I just didnt have the cash especially The Pogues various outings. THE STANFIELDS from Canada seemed like a decent bunch of lads but their London gig was a total rip-off. The pre-gig ticket price was £7-50 which more than doubled to £15 on the door on the night. Oi bands watch out for charlaten promoters won’t you? Rebellion music fest brings loads of decent bands over to play but that means that they all end up playing in the same week so I had to forgo THE GO-SET’s return to London. Missed out on THE WOLFE TONES London gigs too due to work. All three of them! THE LAGAN have been brilliant. Far far too many of their gigs to go into detail so we have choosen the whole of St Patricks Weekend as our Number One! With NECK playing three gigs over the weekend and both THE BIBLE CODE SUNDAYS and THE LAGAN playing on the same day as well it seen a clean sweep of all the London bands done. Afterwards sick days were phoned in, headache pills were taken and the best St Patricks in donkeys was had.
Now were just looking forward to catching THE DROPKICK MURPHYS ‘Celtic Invasion ‘ Tour in Dublin and London this year round St Patricks Day.
Sláinte, The London Celtic Punks Crew- 2015
 London Celtic Punks
Of course all these things are very subjective so don’t be dismayed if your album ain’t here. What appeals to one don’t neccessarily appeal to another. It would be impossible to keep up with the multitude of celtic-punk related releases so these are the best of of what we actually did get to hear. All the various sites in the celtic-punk family had different winners so to see what they thought check out the Best Of lists of the following sites…
click on the blog logo at the top of the page to find more of this kind of stuff…

THE IMPORTANCE OF MUSIC IN IRISH LIFE

welcome back and a happy new year to us all!

Irish

In all of the celtic nations, music serves a much larger role than simply entertainment, but in Ireland especially it has had significant historical, social and economic implications that have shaped the nation’s identity. Storytelling truly embodies Irish music. Songs that not only focus on the political and social issues of the day, but are also used to tell of the nation’s history. The Irish have faced many challenges in their past, most notably the so-called ‘famine’ and the resulting emigration that still plagues Ireland to this day as well as the oppression that comes with colonization. As a result of hardships like these, many Irish citizens were forced to leave their land and loved ones behind. However, they never forgot their origins or their culture, and music was a perfect means of preserving and showing pride in their Irish roots. So on this day can we wish you all a great 2015 and may it result in health and happiness to us and in the words of an old Irish proverb may our enemies turn their ankles so we may know them by their limping.

keep an eye out for our famous Best Of 2014 polls due any day… soon as some lazy buggers can get there lists in!! we have lots and lots happening in the upcoming months so keep an eye on the Facebook page and here.

keeping the celtic traditions alive in the belly of the beast!

as well as this web-zine thingy you can find us on each of the following but don’t be expecting too much

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SINGLE REVIEW: BIG JOHN BATES- ‘Black Timber’ (2014)

poverty, criminal behavior, religious imagery, death, ghosts, family, lost love, alcohol, murder, the devil, and betrayal
Big John Bates- 'Black Timber' 2014)
Can consider myself lucky to have come across this very interesting quartet of twisted Americana and country. Suffering from a very serious illness (or hangover as its also known) a day was spent in bed with only cups of tea, made by a adoring (and put upon) wife, a massive bar of chocolate and the laptop, I was surfing away and found this recently released single.
Very reasonably priced and pressed on three different colours of heavy vinyl, the ‘Black Timber’ 7″ vinyl single was created just for their 2014 EU Tour. Only 200 hand-stamped, hand-numbered copies were made so it may already be sold out but don’t despair its also available as a download for just $2.
Big John Bates
The roots of Big John Bates lay in the Canadian metal band Annihilator but there’s no traces of that in this his new project. Blues, garage, Americana, billy, trash and just flat-out rock’n’roll all chucked into a grinder and this single emerged. With two album’s and a 12″ single behind them as well as a European tour Big John Bates are certainly capable of becoming a fixture on the ever growing alternative country scene. A-Side ‘Black Timber’ hits the spot and is incredibly catchy with the twanging of guitar and Bates vocal style a perfect fit for this tale of the passing of time. Brandy Bones provides backing vocals which she then gets to exploit on the superb B-Side’ Bitter Root’. Brandy’s voice and the song remind me a wee bit of Imelda May but with lashings of dark atmosphere and story of life as an outsider.
Two great songs which keep the Big John Bates legend growing and I cant wait for them to cross the pond again for some more ‘Gothic Americana’.

Contact The Band

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Buy The Single

Bandcamp

ENTER THE HAGGIS TO CHANGE THEIR NAME TO BECOME JUBILEE RIOTS

EXIT THE HAGGIS!!!

Startling news from Toronto on a name change for one of North America’s most favourite celtic-punk/rock bands. Formed back in 1996 they released six studio albums and one live one, and in the process built up a massive following who called themselves ‘Haggis Heads’. Anyroad here’s what the band themselves have to say on the matter, lifted directly from their web-site.

Enter The Haggis

It all happened rather quickly, as is often the case with musical endeavors.

In March, 1995, Craig had just secured a gig and although the songs had been written, he didn’t actually have a band or even a band name. Amazingly, within a matter of weeks, Craig had a kilt-rocking band of Canadians ready to take the Toronto pub scene by storm. Looking back to those early days, one could say that the world was a different place than it is today. By the same token, Enter The Haggis is a different band today than it was then, with Craig remaining as the only original member. Most of us were teenagers when we joined Enter The Haggis and today some of us are married and have kids of our own. Many of you have witnessed this transformation before your very eyes.

During this time, we’ve tried to push ourselves to continue learning and improving as musicians, songwriters and hopefully, as people. Ultimately, we feel like every bit of growth we’ve achieved has been realized honestly, organically and always with the best interest of the music at heart – but nothing can grow and thrive as we have without an incredible support system and for us, that support system is you: our fans, friends and supporters.

After almost twenty years as Enter The Haggis we have decided to change our name.

Truth be told, we’ve been wrestling with the idea since 2004, when we released our album, Casualties of Retail. This debate has come up with every new album and we feel that now is the right time to take this next step on our musical journey. We’re very proud of our history as Enter The Haggis, but the legacy of that name no longer fits our identity. While it does convey the Celtic side of what we do, it also paints a one-dimensional picture that doesn’t represent our varied musical influences. Since Craig is the only original member of Enter The Haggis, a new name also gives a common start for something that we’re all creatively invested in.

As for our new music, we describe it as ‘Northern Roots Rock’. We feel that that speaks to our Canadian spin on American roots music and our use of traditional instruments with a rock edge. Folk music focuses on the power of meaningful lyrics, which continues to be a focus in our writing.

Rest assured that when you come to a show you’ll find the same five guys pouring their hearts and souls out on the stage, playing all of your favourite ETH songs, happy to say hello and share a pint with new and familiar faces. We’re super excited for what the future holds and we hope that you will allow us to continue to bring you the very best of what we have to offer as musicians and as people.

Enter The Haggis celebrate their last show as Enter The Haggis on October 11th, 2014, at the Westcott Theater in Syracuse, NY.

– Your friends, Jubilee Riots (Brian, Bruce, Craig, Mark and Trevor)


Any questions? Yes? Okay, shoot:

YOU: This is a great decision and I support you 100%!
US: That’s not a question but THANK GOD!!! We thought you were going to hate us.

YOU: How can I help?
US: The best thing you can do is purchase a ticket for one of our upcoming shows in your area. And if you want to take it one step further, you can contact the venue in your area that we’ll be performing at and let them know that you continue to support us and you will be attending the show.

YOU: I’m a card carrying Haggis Head. Can I keep my card?
US: Well… we never printed cards but for sure!

YOU: What is Jubilee Riots’ official bird?
US: The African Swallow.
Enter The HaggisYOU: Can I still buy a Haggis Head t-shirt?
US: Yes, but we aren’t printing any more so order them online or come to a show before they’re gone!

YOU: What does Jubilee Riots mean?
US: The Jubilee Riots are an integral part of Toronto’s Irish cultural history. You can find it on “The Google.” They came at a cost but the positive outcome was greater freedom of expression. Our band formed in Toronto and we’ve been influenced by Celtic music, so our new band name is a nod to both our geographic and musical roots. This new name also reflects our many contrasts: the celebration and sorrow found in many of our songs (One Last Drink for example), our use of traditional and modern instruments, and our story as a Canadian band finding love and affection in the USA.

YOU: I have a Haggis Head tattoo and have devoted my entire life to your teachings. I’m now spiraling in a spiritual vortex of confusion. What do you recommend?
US: Your unbelievable devotion isn’t something we take lightly. You’ve chosen to carry us with you – both in your hearts and ON YOUR BODIES through all your life’s twists and turns, and it’s humbling. That’s why Brian is collecting the names of everyone with ETH ink – once he’s confident he has a comprehensive list, he’s going to design a tattoo for himself with all of your initials, so we can carry all of you forward with us.

YOU: Will you continue to play my favorite ETH songs?
US: Yes!

YOU: Great, I want to hear “Donald, Where’s Yer Troosers?”
US: No.

YOU: But –
US: NO.

YOU: If I’m not a Haggis Head, what am I?
US: You guys are amazingly creative so we’ll leave this up to you. Let us know when you figure it out!

YOU: Will http://www.enterthehaggis.com and social media sites continue running?
US: Yes, but we’d love you to join us at http://www.jubileeriots.com, and get active in our new social media communities: http://www.facebook.com/jubileeriotsband http://www.twitter.com/jubileeriots http://jubileeriots.tumblr.com

YOU: What other names did you consider?
US: Today’s Modern Camel, The Strolling Drones, Lewd Reeds, Early Machines, A Portrait of Penguins, Schmenter the Shmaggis, Whaggis, Trevor Lewington and The Shipwrecks… it was so hard to choose.

YOU: Can I use the name Enter The Haggis for my band now?
US: No, this is like an ex-girlfriend situation where we don’t want to be with them but don’t want anyone else to have them either.

YOU: When is Jubilee Riots’ “Penny Black” being released?
US: November 1st at Port City Music Hall in Portland, ME – and November 4th worldwide!

YOU: When is the band’s first show as Jubilee Riots?
US: October 15th and 16th at Hugh’s Room in Toronto. We thought it fitting as the first Enter The Haggis show was in Toronto.

YOU: Can we expect anything different at a Jubilee Riots show or will it basically be the same as an Enter The Haggis show?
US: We’ve got a few things up our sleeves to make the live experience even more exciting, and of course we’ll be featuring music from Penny Black. We’ve also ordered a massive Stone Henge-looking set piece that will be lowered down behind us during our shows – it’ll be at least 18” tall.

YOU: In a fight between Batman and Superman who would win?
US: According to Trevor’s 3-year-old, Superman would win. More specifically he would use his super strength and throw Batman into the garbage then he would make a fort out of the couch cushions and hide there because there are moose coming.

YOU: If I wear my Haggis Head garment to a show can I have something for free?
US: Ummm… sure. How about a free copy of the new CD?

YOU: Can I have a free domestic beer or well drink too?
US: No.

So their you have it! Hopefully the name change will lead to bigger and better things for the band but I’m sure there’ll always keep their celtic roots close to their hearts. Do the band a favour and follow them on their new media and share this news if possible.

for more on the anti-catholic Jubilee Riots go to the facebook page Pilgrims: The Jubilee Riots And The Irish Experience In Victoria Toronto which has all you need to know. Pilgrims is a short film that seeks to tell the story of Toronto’s Irish population in the mid-1800’s through the largely forgotten Jubilee Riots of 1875. Beginning in 1847 thousands of Irish immigrants poured into the newly industrialized city of Toronto. Though they came to Canada seeking a better life they faced extreme poverty and fierce discrimination but they began Toronto’s transformation from a British city to a multicultural one.

or you can try Wikipedia!

ALBUM REVIEW: THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS- ‘Welcome To The Folk Punk Show’ (2014)

THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS- ‘Welcome To The Punk Rock Show’ (2014)

I’ve noticed lately that vinyl is becoming more and more popular within the celtic-punk scene and it’s more recent releases. Not just ordinary vinyl either but the really heavyweight discs that are the super duper best quality you can get. Like the those early Dubliners albums your Da’s got indoors. Still though a bit of a shock though when this, ‘Welcome To The Folk Punk Show’,  landed on our doorstep… well when the postman handed it to me anyway! A four way split, double album of two of the scene’s biggest and best bands and two I had never heard of was not what I was expecting.

The PortersThis double album starts with The Porters who along with The Auld Corn Brigade and Mr Irish Bastard are at the forefront of the German celtic-punk scene which is probably the biggest in Europe. With three albums tucked into their belts already this five piece from Düsseldorf have traversed Europe with their folk-punk-country sounds. They’ve admittedly moved away a little from the overt celtic-punk roots sound of their debut album ‘A Tribute To Arthur Guinness’ but The Porters sound is still recognisable and is all the better for bringing in a few wider influences.

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They’ve recorded three brand new songs for the compilation and here’s the video for the album’s opening song

The Judas BunchNext up are The Judas Bunch who hail from Sweden. They call themselves call ‘Honky Tonk Punks’ and I have to say I really enjoyed their three songs. Fast Rancid style punk rock with the accordion very much up front and very good female vocals to boot.  The singer has a uncanny American accent so it should be no surprise that their mixture of punk, folk, celtic and country has, despite them being relatively unheard of, seen them touring the USA a couple of times already. A band to be filed with others like Old Man Markley or Nowherebound or even Social Distortion I’d say.

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The MahonesComing round the bend now is the album’s biggest hitters. Yeah its The Mahones. All the way from Canada is the celtic-punk scene’s most prolific and hardest working band. Fresh from releasing a live album and the first part of their new double album ‘The Hunger And The Fight’ they include three live tracks for this comp and they are all Mahones super standards. The recording is crisp and clear and shows The Mahones at their raucous and rowdy best! Not much to be said about The Mahones as everyone has seen them play and everyone owns at least a couple of their albums so you know how brilliant they are!

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MalasanersFinally closing the second disc with their trio of songs are Malasañers who are named after a district of Madrid in Spain. Two of the band are from Spain while the rest are German and the band now reside in Germany completely. They play lovely Irish style celtic-punk with clear vocals in English. They may not have  been together very long but it certainly doesn’t sound like it on these recordings. These working class madrileño musicians certainly bring their music to life and supply two fast numbers and one slower one. They have one album already under their belt ‘Spanish Eyes’ and it is well worth picking up.

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The whole package is beautiful with both the music on the discs and the sleeve artwork as good as it gets. I would get a wiggle on though as there’s only 500 of them and once they’re sold out that will be it. No more will be released. My only gripe is that for such a Irish influenced project why the disc’s on orange vinyl!! A very minor gripe as they look wonderful. That shouldn’t put anybody off as clocking in at forty minutes it is great value and very reasonably priced as well. Wolverine Records are to be congratulated on putting out such a work of art!

Side A:
THE PORTERS
1.Barfly 2.Fathers And Sons 3.Hellbound Lovers
THE JUDAS BUNCH
4.Honkytonk Punks 5.Hey Bartender 6.Jim Dennys Diner
Side B:
THE MAHONES
1.Great Night On The Lash 2.Paint The Town Red 3.Blood Is On Your Hands
MALASANERS
4.Rights 5.Immigrants 6.For A Pint

you can get the album from www.wolverine-records.de at this link here.

THE SCALLY CAP BRATS LAUNCH INDIEGOGO CAMPAIGN

Oi! with a folk twist

Scally Cap Brats

For the last couple of months Canadian celtic-punkers The Scally Cap Brats have been working on a new album called ‘Our Storied Past’ and will hopefully be released in October through their own label Take A Shot Records.

“We’ve put our blood, sweat, and tears into this one and I truly believe it is the best work we’ve done to date. It’s a more mature, heartfelt effort than our previous album and is something I desperately want to share with the world”

Now, the band is going to need your help to make that happen. They’ve set up an Indiegogo campaign to fund the release of the album in both CD and vinyl format. All the typical perks you would find in such a campaign plus some cool unique ones. Any little bit helps and it would mean the world to the band if you could contribute. And if you can’t share this link on their facebook, twitter, instagram, etc…

http://igg.me/at/scbalbum/x/8394706

Over the next 30 days of the campaign, we’ll be releasing more details like the song titles, and artwork so stay tuned for that as well. So here’s your chance to help out one of the best bands in the scene and give yourself a nice warm feeling of helping others!

Scally Cap Brats

THE SCALLY CAP BRATS BIOGRAPHY

Scally Cap BratsThe Scally Cap Brats formed in the summer of 2010 out of a chance meeting between Mike Pusiak and Mike Franey. They quickly discovered a mutual love for Punk, Oi! and Celtic music which led to talk about starting a band. The original lineup was then solidified by the fall, with Kevin Grace on Drums and Katherine Maziec on bass. Soon after, a set list was completed. This set would include traditional folk songs, aggressive folk punk, and many songs with an Oi! Influence. It was soon time for the first show, in Ottawa, at Maverick’s bar. No one was sure what to expect beforehand but the band took to the stage with a vengeance, making an immediate impression on the attendees. The Scally Cap Brats tore through their set, bursting with energy and excitement that had the crowd clapping and dancing along all night. After the first show The Scally Cap Brats went on to celebrate St. Patrick’s day by playing two nights at Zaphod’s Beeblebrox. The first night, March 16th, saw the Brats opening up for Celtic Punk legends The Mahones; The second night, March 17th, saw them honour St. Patrick alongside local Oi! juggernauts, the Rookers. It was the beginning of a momentous start for the Scally Cap Brats as they quickly began making a name for themselves throughout the city and beyond.
Scally Cap BratsWith 2012 came several lineup changes Danny DeVille (The Matadors, Sick Sick Sicks) joined the band on bass for a brief period before moving behind the drum kit, while Collin Hanes of Murder State agreed to fill in on Bass. Just one month after Danny’s arrival, The Brats entered the studio to record their debut album, “Let us Drink, For We Must Die”. A 12 track effort featuring catchy celtic riffs, pounding bass, and sing along choruses. You can hear the influence of bands such as Dropkick Murphys, Street Dogs, Stiff Littler Fingers, The Dubliners, and Stan Rogers, yet also hear the band’s own unique voice coming through. The release of this album was celebrated on September 14th, 2012 alongside their good friends, Machine Gun Dolly. The show turned out to be the most raucous, beer soaked show to date for the band, yet it is still just the beginning. Since their first show in February of 2011 The Scally Cap Brats have shared the stage with bands such as The Mahones, Matadors, Koffin Kats, 3tards, The Dreadnoughts, The Oppressed, Prowlers, Planet Smashers, Razors in the Night, Bishops Green and King Size Braces.
Scally Cap Brats2014 will see the release of the band’s second studio album, to go along with their previous 3 EP’s and debut full length. The band’s expanded sound will be showcased, bringing to light a harder edge and mature undertones which will make the album a unique experience that builds on their first but also outshines it in every way. In order to do this, and to bring that same feeling to their live shows, the band also welcomed Christian Rapley this year, on rhythm guitar, to fill out their sound.
Contact The Band

30492-LONDON CELTIC PUNK’S TOP TWENTY CELTIC-PUNK ALBUM’s OF ALL TIME‏

HAPPY BIRTHDAY TO US!

Where We Going?

Today we celebrate the blog’s first anniversary so, in a case of obvious self-indulgence, we thought we’d share with you our TOP TWENTY CELTIC-PUNK ALBUM’s OF ALL TIME. The last year has flown by and, even better, feedback for the site seems to have been universally good. As long we’re appreciated it’s all well worth doing. The celtic-punk scene has gone from strength to strength over the last twelve months and hopefully we’ve helped toward that in a small way. Big thanx to all who sent in stuff for review and also to our wee gang of reviewers and contributors.

Now before we get going thought I’d chuck in a couple of things. We’ve only chosen one album per band as let’s face it otherwise it would be dominated by 3, maybe 4, bands at best. There’s no time limit on it although it does tend to be the older rather than the newer albums chosen and their picked not just on music on the albums themselves but sometimes on the circumstances around hearing them for the first time, which I’m sure your all dying to hear!

 NUMBER 20

SAINT BUSHMILLS CHOIR- ‘S/T’ (2004)

Saint Bushmill's ChoirAttending the Anarchist Bookfair back in 2004 an old mate Booksie sez get yourself to the Active stall and get this album. So off I trot and I find it and its got a lovely celtic design on the front and a even lovelier Irish tricolour on the back. Not the sort of thing you’d expect to find at a Anarchist event! The song titles were all known to me and mostly Dubliners songs. Problem is its the last one so I have to buy it and lump it around for the rest of the day, and night!, trying not to lose it/break it/cover it in Skol Super. Any road I gets it home and play it and its f’king brilliant. Extremely well played Irish folk punk with great left politics and the only Anarchist celtic-punk song I’ve ever heard. I find out later that Saint Bushmills Choir are a kind of punk-crusty supergroup and that’s why the label Profane Existence released it. I did wonder why as everything I’d ever heard from the label before was an unlistenable racket! And it’s on very nice green vinyl!

 NUMBER 19

THE GENTLEMEN- ‘Stick To Your Guns’ (2009)

The GentlemenFirst time I came across these was a video on YouTube of them at a West Virginia American Football game racing around with a Irish flag to ‘Country Roads’ so when their album popped up on the now defunct Paddy Punx web-site i downloaded it immediately. For such a young band they really were very very good but nothing has been heard from them in a long time and there’s not much to be found on them on the internet either. Aggressive celtic-punk but plenty of emphasis on traditional instruments too. ‘War Time In North London’ and ‘Under The Rowan Tree’ show their style at either end of the celtic-punk spectrum.

 NUMBER 18

CHARM CITY SAINTS- ‘Hooligans And Saints’ (2009)

Charm City SaintsEmerging from the seedy punk rock clubs of Baltimore the Charm City Saints were one of a bunch of American celtic-punk bands inspired by the Dropkick Murphys. The LP begins with ‘Egans Polka’ which wouldn’t be out of place on one of your nanna’s records before blasting into the blistering ‘Night Paddy Murphy Died’. Catchy hooks and fist in the air choruses ensure the LP whizzes past as fast as anything. Blue-collar working class Irish American pride aplenty! Chuck in a couple of rebel songs and more trad punked up to 11 and you got yerself a classic of American celtic-punk. Far from the polish of the Murphys and the Mollys and all the better for it.

 NUMBER 17

KEVIN FLYNN AND THE AVONDALE RAMBLERS- Live At the Double Door 09-15-09

Kevin Flynn And The Avondale RamblersTill they released ‘Broken Pavements Of Avondale’ last year all anyone had of these was a couple of EP’s and this fantastic live album, which consists only of the songs on the EP’s. Once again I came across it on the Paddy Punx blog and despite the name sounding like a old fogies band i thought i’d take a chance, and boy was i was not disappointed. I’m not normally a fan of live recordings but this is one of those rare occasions where the sound and music is immaculate. The bands mix of celtic-Irish-Americana and Chicago folklore plus solid working class roots and politics really hit the spot with me. Great sense of humour, as evident on crowd favourite ‘You Don’t Want Me’.

We reviewed their new album earlier this year here.

NUMBER 16

BETWEEN THE WARS- ‘Carried Away’ (2010)

Between The WarsMelbourne based celtic-folk-punk band who have now sadly broken up. They’ve left us a discography of great records of which this, for me, is the pick of the crop. Great story-telling from lead singer Jay with dark and light themes battling it out with understated humour! A few trad songs ‘Ride On’ and ‘Come Out Ye Black And Tans’ are in turn beautiful and uplifting but its when Between the Wars play their own songs they come into their own. ‘Ciaran’ about the love of a father for his son and the son for his father is heart achingly good while ‘Superherosong’ and ‘You Were The One’ raise the roof with that distinct Aussie celtic-punk sound but with a tinge of country.

Plenty more on the blog including a review of their last LP here and a interview with Jay, the lead singer, here.

NUMBER 15

CRAIC HAUS- ‘Whose Yer Paddy Now?’ (2009)

Craic HausNow this was a first for me and for anyone else whose ever come across Craic Haus too I bet. What you get is a album of ‘shamrockabilly’ that’s right 12 songs of celtic-rock’n’roll. They ought to be Imelda May’s backing band truth be told. Mostly self-penned titles like ‘Bottom Of A Guinness’ and ‘Shilleagh Bop’ show the bands great sense of humour plus theirs two incredible covers of The Wild Rover and Danny Boy with the original words but to the tune of something equally as famous. Hard to explain. Great production too and quite incredible work considering that their only a trio!

 NUMBER 14

THE MEN THEY COULDNT HANG- ‘How Green Is The Valley’ (1986)

The Men They Couldn't HangThe day this came out I legged it back with the LP under me arm to me Nanna’s house in town. She had an old record player encased in a big massive cabinet about 5 foot long. The sound that came out was crystal clear but it was only ever use to playing country’n’western so how was it gonna handle ‘The Men’? Putting it on and the first song ‘Gold Strike’ came out and the guitar and mandolin giving it the impression of a folky LP she relaxed and then nearly fainted as it kicked into ‘Gold Rush’ a punky folky celt rocker. Things got worse for her as anti-fascist anthem ‘Ghosts Of Cable Street’ advocated hitting fascists and then miners strike song ‘Shirt Of Blue’ advocated attacking the police…she also found some of the language appalling!! Looking back it was nowhere near as punk as I thought it was at the time but The Men are still rocking out and recently celebrated their 30th anniversary with a grand sell-out big London gig. Definitely one of the early pioneers of the celtic-punk scene.

 NUMBER 13

JASPER COAL- ‘Thousand Feet Closer To Hell’ (2010)

Jasper CoalMy dad was a coal-miner and so was his dad and his granddad too so coal-mining is in my blood you could say. Another album I came across via the Paddy Punx blog and it had a massive impact on me. Coming from the coalfields of Alabama these Irish-American lads sing a variety of mostly old standards and a few of their own songs. With very strong vocals and a banjo leading the way its a incredibly ‘full’ LP despite being acoustic and having no drums just the bodhran keeping the beat. Its also notable for having a song, O Caide Sin, in gaelic too.

 NUMBER 12

FLATFOOT 56- ‘Jungle Of The Mid West Sea’ (2007)

Flatfoot 56Saw these the night after the only time I ever saw Blood Or Whiskey. Can’t remember how I came across it as the London celtic-punk scene was non-existent back then, but I did, and it was a weekend that went onto change my life forever! At the BorW gig I made a great friend without whom I doubt the whole London Celtic Punks thing would even exist and the following day at Flatfoot 56 i had my first date with the lady that was to become my future wife! The gig itself was outstanding. Fuck all people in a tiny wee cellar venue but great sound and those that were there were a enthusiastic lot. First on and all over before 9pm, we legged it when they finished playing and the rest is history. A short while after I got the album off another pal with ‘Knuckles Up’ on the same CD. I played it so damn much i cannot bear to put it on anymore but if it comes up on my I-Pod shuffle then i’m instantly reminded of why i love it!

There’s a review of the album of the Flatfoot 56 off-shoot 6’10 here.

 NUMBER 11

BIBLE CODE SUNDAYS- ‘Boots Or No Boots’ (2010)

The Bible Code SundaysThe Bible Code’s are to London what The Tossers are to Chicago or The Murphy’s are to Boston. Probably more celtic-rock than punk they gig relentlessly across London and have a massive and loyal fan base. Reading about them in The Irish Post every week I first saw them play at one of their fortnightly resident shows in London’s west end. Starting off with their own stuff and then returning after a break to play ‘Irish-ed’ up pop hits they certainly had the crowd in the palm of their hands. I got the album that night and bugger me but on listening to it it seemed like it was auto-biographical!! The perfect album for the second- generation Irishman. ‘Maybe Its Because I’m A Irish Londoner’ is by far the fans stand out track but i prefer ‘Paddy Devil’ telling the story of the evil influence that makes us go on the lash instead of staying in and behaving ourselves…

 NUMBER 10

SHANE MacGOWAN AND THE POPES- ‘Crock Of Gold’ (1997)

Shane MacGowan And The PopesWith Shane kicked out of The Pogues and supposedly spiraling off into oblivion he shocked us all by teaming up with County Holloway celtic-rockers The Popes. Their first album together was ‘The Snake’ and was only so-so i thought but this album was something else. Freed from the confines of The Pogues Shane could let his pen do the talking. He calls it the Pogues fifth album. He doesn’t count anything The Pogues did after ‘If I Should Fall From Grace With God’. While hinting at nationalism with The Pogues for years this LP is defiantly pro-republican with stories of “burning London to the ground” and shooting coppers and soldiers. Received with glee by his fans and horror by the middle-class press both here and in Ireland. Dominated by jigs and reels The Popes prove themselves able to fill The Pogues shoes and even fit in a reggae song reminiscent of The Clash.

“The years they go by quickly/ I know I can’t remain here/ Where each day brings me closer/ To that final misery/ My kids will never scrape shit ’round here/ And I won’t die crying in a pint of beer/ I’m going back to Ireland/ And me Mother Mo Chroi.”

More on Shane from the blog here and The Popes here.

 NUMBER 9

BLOOD OR WHISKEY- ‘Cashed Out On Culture’ (2005)

Blood Or WhiskeyStraddling the celtic-punk fence nicely between the Molly’s folk and the Murphy’s punk is Ireland’s Blood Or Whiskey. This is their third album and they’re best one yet. Fourteen tracks of pure Irish folk ska punk. This was the first recording’s with new singer Dugs taking over from Barney and guest vocals from Cait O’Riordan of The Pogues add that special touch. Blood Or Whiskey have a instantly recognizable sound but don’t be thinking they’re stuck in a rut as they stand out in the celtic punk scene as a constantly evolving band. They are also the only band actually from a celtic nation on our list. ‘They Say No’ ends the album and is the standout track with all the BorW elements coming together perfectly!

This years new album from Blood Or Whiskey was reviewed on the blog earlier in the year, read it here.

 NUMBER 8

THE MAHONES- ‘Irish Punk Collection’ (2007)

The MahonesCatchy and upbeat this is the must have album of Irish-Canadian band The Mahones. They’ve been around for twenty years and are one of the innovators and movers and shakers of the celtic-punk world. Their is plenty here for all fans of celtic or punk music and the songs flow seamlessly from raucous punk to reflective ballad with ease. Dublin born singer Finny leads The Mahones and they are easily the hardest working band in the scene. ‘Queen And Tequila’ and ‘Drunken Lazy Bastard’ are still solid staples of the bands live set. Fourteen tracks and well over a hour long  and not a single bad track. Scruffy from the Dropkicks pops up to show exactly how widely regarded The Mahones are.

NUMBER 7

DROPKICK MURPHYS- ‘Do Or Die’ (1998)

Dropkick MurphysSeems like an age ago now (and it bloody is too) that a old skinhead mate from Belfast put me onto these and I got to see them on their first London gig before I’d actually heard anything by them. To say they blew me away is a understatement and my love affair with them only got worse on hearing this album. Yeah the Pogues and The Men They Couldn’t Hang were there first but the Dropkicks were a proper punk band. Our families all liked what passed for celtic-punk before this lot but the Dropkick Murphys? NO FACKING WAY! My mams heard them and thinks there awful racket! I use to call this album ‘celtic-Oi!’ and if you’re a recent convert to the DKM’s there’s not a lot of what passes for the band now. For a start Mike McColgan, from the Street Dogs, was the bands original singer and there’s very little celtic tunes and no instruments but plenty of references in the lyrics for those of us looking for them. By the time Finnegans Wake came on that was it for me!

 NUMBER 6

FLOGGING MOLLY- ‘Drunken Lullabies’ (2002)

Flogging MollyTheir second album and easily their best yet. After ‘Swagger’ the band realised they didn’t need a new approach. Slow songs, fast songs and combinations of both was good enough to last them right up until their last album ‘Speed Of Darkness’ when they changed it around a bit. Formed in a LA pub by Dublin native Dave King their sound is as authentic as it comes. Full on Irish folk played with the spirit of punk that captured the imagination of untold numbers of punk rock kids across the globe. Despite their success it’s as a live band Flogging Molly are at their best and they’ve released a handful of excellent live releases. The title track and the heart aching ‘The Sun Never Shines (On Closed Doors)’ show them at their fast and slow best. Listen side by side with the Murphy’s and you’ll see these are the celtic side of celtic-punk while the Murphy’s are more punk but both compliment each other enormously.

 NUMBER 5

THE TOSSERS- ‘The Valley Of The Shadow Of Death’ (2005)

The TossersA mate worked in Reckless Records in the West End and one day down the pub he announced to me “you like all that Irish folk shit, here have these” and presented me with a 1960’s LP of rebel songs, a Wolfe Tones CD and this by The Tossers. Maybe not their best album (I actually prefer ‘Emerald City’) but this has The Tossers greatest song ‘Good Mornin Da’ and a host of other Chicago South Side Irish folk-punk classics. Older than the Murphy’s and the Molly’s they well deserve their place at the top table of celtic-punk. More like the Pogues than the before mentioned bands they have The Pogues knack of playing lengthy songs that don’t bore the arse off you or go off into decadent meandering and keep your interest till the end! Saw them play once in London and they were every bit as good as i thought they would be.

You can find a review of the excellent new album from The Tossers, ‘Emerald City, here.

 NUMBER 4

CUTTHROAT SHAMROCK- ‘Dark Luck’ (2011)

Cutthroat ShamrockComing from the hills of Tennessee they mix Irish and Scots folk with their native Appalachian music. Dark themes abound on this all the way through and the vocals and music really capture the emotions of the lyrics.  Completely acoustic with superb banjo playing to the fore they would in fact go down well absolutely anywhere and with anyone I’d say. ‘Rich Insteada Pretty’ is a brief interlude of humour before ‘Dark Hallow’ takes us back to some more misery. A superb album with all the best bits of celtic-punk but with enough of Cutthroat Shamrock’s own definitive stamp to single them out as real innovators of the scene. ‘Fly Away’ would easily make my Top Ten Songs of all time.

 NUMBER 3

THE POGUES- ‘If I Should Fall From Grace With God’ (1988)

The PoguesYou simply cannot underestimate the influence The Pogues had on this nation when they came racing out of the blocks in the mid-80’s. To put it simply the amount of Irish born people in Britain was massive but few of their offspring felt in anyway Irish. Hardly surprising when the rest of the nation was stacked up against them and to be Irish meant to be either a bomber or be thick or an alkie or feckless or violent or many other number of racist epitaphs. Who then could find pride in those roots when it was something we ought to be ashamed of? Well The Pogues could. Their first two albums were met with amazement and relief that we could actually be proud of our backgrounds and shout it out as well. By the time of this their third album The Pogues had started to agitate and their song ‘The Birmingham 6’, while only reinforcing what our families had already told us, brought the issue of the many innocent Irish jailed in Britain to a wider audience. That to be in possession of an Irish accent could land you in jail for a very long time. This is the record that saw them move away from being a band only Irish people could like and includes their mega-mega hit ‘Fairytale Of New York’. Though I cant stand ‘Fiesta’ the rest are pure brilliance and Shane’s lyrics are sublime. I especially loved the Tipperary themed ‘The Broad Majestic Shannon’. But even despite all of Shane’s brilliance its the late Phil Chevron song ‘Thousands Are Sailing’ that stands out and gets you on every single level. Possibly the best song about Irish emigration of all time…and that’s a pretty congested subject. More from us on The Pogues here.

 NUMBER 2

NECK- ‘Sod `Em & Begorrah!’ (2005)

NeckNeck have been a solid fixture on the London punk scene for donkeys years now and this LP is their masterpiece. All 12 tracks are fully imbibed with the spirit of the two London bands that have inspired them the most- The Pogues and The Clash. I’ve been a major fan of Neck since the very beginning and no matter how often I’ve seen them play they never fail to give it their all and put on a great show. Lead singer and lyricist Leeson is up there with yer Shane’s and yer Christy’s and your Luke’s in the songwriting stakes and portrays perfectly what it feels to be a, so called, ‘plastic paddy’ or as Neck put it, much better, ‘PLASTIC AND PROUD’. The album has two expertly played trad songs and the rest are pure self-penned celtic-punk Neck classics. As impossible as it is to pick out a standout track, ‘Blood On The Streets’ about the racist murders of two young men in Ireland and London deserves a nod. The CD comes with a huge booklet with the lyrics and background story to each song which alone makes this a must have. More from us on Neck here.

NUMBER 1

THE RUMJACKS- ‘Gangs Of New Holland’ (2010)

The Rumjacks

Bejaysus I really wish I had heard this when I was a young gun, i would have definitely picked up a mandolin instead of untold tinnies and done something with me life! From start to finish this debut album from Sydney, Australia’s The Rumjacks kicks you squarely in the teeth. Whether its the full on celtic-punk rock of ‘Green Ginger Wine’ or the sadness of, nearly a ballad, ‘Bar The Door Casey’ The Rumjacks blue-collar stories of working class immigrant life really hits home. It isn’t without humour mind, check out their enormous (5,500,000 hits and counting!) internet hit ‘An Irish Pub’ which puts the boot firmly into fake plastic Irish pubs. The band is a mix of Scottish immigrants and others from descended from the various celtic nations which gives them a very definite authentic feel. This knocked the flaming socks off me when I first heard it and its still doing it now. Australian celtic-punk bands rule the planet and The Rumjacks rule Australian celtic-punk…that should tell you all you need to know. Plenty more on The Rumjacks here and the wonderful world of Aussie celtic-punk here.

well there you have it. hope you liked and if you like feel free to leave a comment below if you agree or disagree…maybe even leave your best ofs!

if you would like to check the blog out proper like then simply click on the logo at the top of the page unless you’re on a mobile that is!

FREE DOWNLOAD: IRISH PUB SONGS COMPILATION (2014)

FREE DOWNLOAD!

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To celebrate Saint Patrick’s Day 2014, and courtesy of GET ROCK MUSIC, we are super pleased to offer you this superb collection of some of the finest celtic-punk bands around to download completely for *FREE*. Seriously this is as good a sampler as you’ll find of what’s alive and kicking and fecking brilliant in the world of celtic-punk 2014. Download link below but you can follow the links to find out more about each band.

TRACKLIST

01. Celkilt (France)- Everyday’s St Patrick’s Day  WebSite
02. Drink Hunters (Catalonia) – Drinking Song  Facebook
03. The Ramshackle Army (Australia) – Boilermaker’s Hands  Facebook  WebSite
04. Auld Corn Brigade (Germany)- Day To Day  WebSite
05. The Vandon Arms (USA) – Streets Of Gold  Facebook
06. Sunday Punchers (South Africa)- Guinness – Facebook
07. Lexington Field (USA) – Crazy Eyes  Facebook  WebSite
08. The Lagan (London)- Fields Of Athenry  Facebook  WebSite
09. Fiddler’s Green (Germany)- A Bottle A Day  WebSite
10. The Detonators (Serbia)- My World  Facebook
11. The Tosspints (USA) – Blood or Whiskey  Facebook
12. Pint Of Stout (Ukraine)- We All Deserve To Die Facebook  Album Review here
13. The Fatty Farmers (Spain) – At The Counter Bar  Facebook
14. Cheers! (Czech Republic)- Cliffs Of Galway  Facebook
15. Fox’n’Firkin (Australia)- 1788  Facebook
16. 1916 (USA)- Wild Rover  WebSite  Facebook
17. Bastards On Parade (Galicia)- Drunken Haze  Facebook
18. The Tossers (USA) – Here’s To A Drink With You  Facebook  WebSite  Album Review here
19. Irish Moutarde (Quebec)- Farewell to Drunkenness  Facebook  Album Review here  Band Interview here
20. LochNesz (Hungary)- Have Another Whisky  Facebook
21. Brutus’ Daughters (Spain) – 6 Beers  Facebook
22. The Scally Cap Brats (Canada) – Dress Sharp, Drink Hard  Bandcamp
23. The Irish Rovers (Canada) – Drunken Sailor  Facebook 
if any links go dead leave a comment or use the Contact Us form via the top of the page
YOU CAN LISTEN TO THE ALBUM BELOW
CLICK ON THE ALBUM SLEEVE BELOW AND FOLLOW DOWNLOAD INSTRUCTIONS
you can download Irish Pub Songs for free if you wish but there is also an option to donate to the Justice For The Craigavon 2 campaign. Brendan McConville and John Paul Wootton have been locked up unjustly convicted of murder and sentenced to life imprisonment. To find out more information on the case visit
jftc2.com
www.facebook.com/JFTC2/
So there you have it. The CD clocks in at a whopping 70 minutes + and its not even dominated by North American bands with 15 countries represented on the compilation.
So get downloading, get a drink in your hand and get listening…

LESS THAN A MONTH TO THE MAHONES NEW LP!

by Spider Mahone

The Mahones
So the time is nearly upon us, the 11th Feb is approaching fast, what’s so special about this date I hear you ask. Well it’s the official release date of the latest offering from THE MAHONES. ‘A Great Night On The Lash’ Live in Italy.

The MahonesRecorded in the summer of 2013 at Rock Im Ring, Arena Ritten, Bolzano, Italy in front of a sell out crowd of over 5000 people. It will be a festival I will never forget, for 2 reasons. The Mahones were headlining the Arena and Finny McConnell said to me ” Spider, your going to DJ for an hour or so before THE MAHONES go on stage ” “Ok happy days ” was my reply. It then dawned on me I would be spinning Irish Punk tunes to a crowd of over 5000 people who were mainly into heavy rock. Oh feck what the hell do I play to get them into the party spirit. Was I nervous, I think everyone in the building could smell how nervous I was . So when I took my position at the side of this huge stage and looked out over that vast sea of faces, to say I was a wee bit worried would be an understatement, so with trembling fingers I flipped the switch on my mixer unit and let the sound of Londons Calling by The Clash, fill the airways, to my amazement, the crowd went loco and were dancing like maniac’s, happy days indeed, I was lucky enough for the crowd to continue in the same way for the next 80 minutes. I think that was the night that I came of age as a DJ.

The Mahones

The second reason is that The Mahones, were headlining that night and Finny McConnell decided to record the show live, something he failed to mention to the rest of the band. Now the problem with live albums is do they live up to a bands recording abilities in the studio, as sometimes a band will fall short live, well with this album, not only does it match anything that the band have done in the studio, but it also captures the energy and passion that The Mahones are known for when playing live.

This album is going to leave you in a sweat drenched daze and begging for more.
This is possibly one of the best live albums I have ever heard and for me personally brings back some fantastic memories.
From the opening bars of ‘A Great Night On The Lash’ to the closing chords of ‘Drunken Lazy Bastard’, you will feel as though you are in the mosh pit at a Mahones gig. The passion and the energy of this recording just grabs you by the scruff of the neck and refuses to let go.
The album catches the band at the top of their game and with an adoring crowd hanging on every lyric sung and every note played, it all adds up to a very special piece of work indeed. And with three extra tracks included that were recorded with the legendary Belfast punk group THE DEFECTS, it really is an album that you need to get into your music collection sooner then later.
It is an outstanding piece of work, so all you boys and girls out there in Paddy Punk land, my advice to you is to grab yourself a copy as soon as possible, get the beers in, lock the doors, crank up the volume and enjoy A Great Night On The Lash.

Let me introduce myself, my name is spider mahone aka the whiskey devil, I am the mahones touring dj, and have been lucky enough to have toured Europe, uk and Canada over the last 7 months or so, I also do a wee bit of tour management and have been lucky enough to work with The Urban Voodoo Machine, Louise Distras and The Movement in the last couple of months. I also am known to write the odd lyric or two and in the new year there are four bands who will be releasing albums with my lyrics on them. I am also available for private parties, birthdays, festivals as one is known in Germany as the only dj who spins the old shamrock n roll.
email is spider0135@msn.com or Facebook here

Contact The Mahones

WebSite  Facebook  Twitter  YouTube  Wikipedia

click on the blog logo at the top of the page to find out more…

INTERVIEW WITH ‘IRISH MOUTARDE’

We were so blown away after reviewing their debut album last week we thought we’d ask the lads and lasses from Irish Moutarde a few questions so heres their replies!

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What’s the music backgrounds of IRISH MOUTARDE? – In the band, we all have specific music backgrounds, but I guess that it is safe to say that we all like punk and metal music in general. Christian and Dominic really dig celtic and traditional music, Sebastien and I love progressive music, Andréa-Anne really love the Beatles, Fred has a strong background in punk music and Jérôme has a strong background in metal music.
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Do any of the band come from celtic backgrounds? Where did the idea come from to start a celtic-punk band? –
Nope. Apart from Dominc and Christian being in a traditional celtic music band, we have no other celtic backgrounds. – Irish Moutarde was founded in July 2009. Before that, myself, Fred Vandal, Andrée-Anne McHalley, Jérôme Bélanger and Sébastien Malenfant were playing in a band called Eerie. I was also involved in the newly re-established St. Patrick’s Parade in Quebec City in March 2010, and I suggested to my fellow Eerie members to put together a tribute to Irish and Celtic rock. Everyone in the band responded enthusiastically to the idea. Four years later, we got an album that we are really proud of!

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As Quebecians (is that right?) where do you stand on Quebec being a independent nation/republic? Is there much support for independence? – I think that the right word in english in “Quebecers”, though I’m not 100% sure. As a band, we do not have any political stance (we strongly believe that our shows, our public pages and the band as an entity are not appropriate for statements regarding politics). That being said, I can say that we had a referendum in 1995 that got very close to separate the province of Quebec from the rest of Canada (50.58% “No” to 49.42% “Yes”). But it’s something of the past now, people have moved on and the majority of the people who live in Quebec want to stay united with Canada.
Is their much of a Breton population in Quebec do you know? As a celtic nation it would be nice to know that their traditions and culture are surviving in Canada, much like the Scot’s. – As far as I know, there is not much of a Breton Population in our province. Most of our Celtic traditions and culture comes from the Irish.

Montreal has the largest Irish population in Canada i read once. How have the Irish influenced Irish Moutarde and if so why? – Most of our inspiration comes from the Irish and Scottish folklore. We just like the old traditional songs, the history of both nations, as well as their modern folklore. 3 or 4 of us have recently been in Scotland and Ireland, and these two countries are just beautiful.
You have had some amazingly good press recently but has it led to anything that could see you break out of the ‘CP’ bubble! – We are of course very happy that our album got good reviews all around the world. Even though we are a celtic punk band, it does not prevent us from playing all kind of festivals that are not centred around celtic music or even punk music.

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The Canadian scene has thrown up some amazing celtic-punk bands over the years but who among the newish bands is worth looking out for? – All of these bands already have a few albums out, but I really like Sir Reg and Paddy and the Rats. I also recently discovered a fellow Canadian band called The Stanfields, which I find really amazing!
What’s the future got in store for the band? – We just released our album “Raise ‘Em All”, so the next year will be to directly support it. We will be playing 5 or 6 shows this fall across the province of Quebec, and 2014 will be a big year for us. We will have a lot of shows in March (for St-Patrick’s Day celebrations), and then the summer festivals will kick in in May. We will also be working on new songs already, we left some great ideas on the table, and we want to develop them for album 2 as soon as possible! Thanks!

ALBUM REVIEW: IRISH MOUTARDE- ‘Raise ‘Em All’ (2013)

“Electric guitars, bagpipe and whisky: Celtic rock as it should be”

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Moutarde2Formed in 2009 in Quebec city (a French speaking province of Canada) as a covers band playing traditional Irish songs but with a punk feel and attitude  and they’ve now gone on to develop into one of Canada’s best new celtic-punk bands. This their debut album  has exploded across the globe and brought them to everyone’s attention with reviews from your usual suspects like Celtic Folk Punk & More and Celtic Music Fan to loads more with no connection to celtic-punk.

Moutarde3Combining the usual punk rock instruments with banjo, mandolin and highland bagpipes, on my first listen they instantly reminded me of a celtic-punk NOFX. Rapid drumming and the up-tempo songs add a touch of rock, punk, celtic and even metal yet it all remains totally accessible in that unique celtic-punk way so that your punky mates as well as your mammy right down to yer wee nephews and nieces would love it. Of course it helps that the vocals are both crystal clear and perfectly sung whether on the ballad ‘Glasses To The Sky’ or the most NOFXie song ‘The Black Mill’. The most unusual thing about IRISH MOUTARDE is that they have duel male and female vocals. In a scene where the audiences are split evenly the actual bands with female vocalists are few and far between, BRUTUS DAUGHTER from Spain/Astures being the only one that springs to mind, most females are confined to fiddle or tin whistle duties and the only usual times you hear female vocals are when someone is guesting on a album!

Moutarde5Fields Of Athenry’ and ‘The Wearing Of The Green’ are the LP’s only covers the rest is all self-penned and mostly in English. The lyrics are mostly about drinking and rebellion. Dominant themes in celtic-punk I know but what the fucks the matter with that I say! The bagpipes are a ever present and it goes without saying are what pushes the album into celtic-punk territory. The Irish diaspora over here in our tiny bit of western Europe never really ever embraced the bagpipes as they did in North America and although I do prefer the sound of the Irish uilleann pipes its the Scots bagpipes that were made for accompanying loud and rocking punk and rock music. You can hear bands like the DKM’s and Real McKenzies in there but they have made the sound their own and in a scene where it is increasingly hard to be original that is a incredible thing. Twelve tracks in all and not a disappointing one among them and the fact that they even managed to do ‘Fields’ without it being a clone of anyone else’s version puts this LP into the classics section already!

Moutarde4Contact The Band:

Web-Site Facebook You-Tube

Buy The Album: Here

Three Interesting Whisky-Fuelled Band Facts:
1. The name Irish Moutarde was chosen because it is a pun on the French expression “relish-moutarde,” which the founding band members felt the name was (and still is) humorous, light and expressed their musical quality.
2. The band’s mascot is Olaf the Irish Giraffe, who was created by fans of the band Julie Lévesque and Guillaume Racine. The sixth song on their debut album is a tribute to this whisky drinking, green metal giraffe who sports a long white mane and long white goatee.
3. Their first original song was based on a song from one of the novels that inspired the hit TV show Game of Thrones. The song came out a year before the show debuted.

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