Category Archives: Canada

BODH’AKTAN – ‘De part et d’autre de l’Atlantique’ (2021)

A new album from Bodh’aktan to whet your appetite for when live concerts return. Recorded during their last major tour across venues in France, Italy, Germany, Switzerland, Italy and Quebec.

Anyone out there remember live gigs? For me it was a great night out in Staines enjoying a very nice evening of culture with Peter And The Test Tube Babies but all seems like a long distant fading memory now. So it seems rather apt now that we are on the verge of a semblance of normality returning that we should be reviewing a live album. The ever prolific Bodh’aktan, this is their eighth album now, recorded all their live shows from their 2019 summer tour and handpicked the best versions of eleven of their most loved songs for this release on their 10th anniversary.

Bodh’aktan formed in Québec in 2011 so eight albums is pretty damn good and judging by their placing’s on the various Celtic-Punk end of year awards they have been pretty well received by all. The songs here come from pretty much their entire back catalogue with four taken from debut album Au Diable Les Remords in 2011. Only their last album De Temps et de Vents is absent no doubt because of the lack of gigs since its release.

The album begins with ‘Nothing But A Game’ the first of a couple of songs taken from the Paleo Festival in Switzerland. From their album of English speaking songs Ride Out The Storm it’s a jolly romp that is made solely for enjoying yourself. Like all the songs here a Bodh’aktan concert is a time to forget yourself and immerse yourself and have a good time. Concerts are the life blood of Celtic-Punk and like no other genre it is all about enjoying yourself. ‘Les Dames Du Large’ is from that debut album and has a slight ‘western’ tinge to it. More thigh slapping follows with ‘La Bonne Journée – La Suite De La Capitale’ and a album standout. Catchy and lyric packed (I can’t tell you what they are saying) Alex’s voice fits superbly. This song is is from a intimate performance on the Magdalen Islands, in the heart of the Gulf of St. Lawrence, a place with much symbolic meaning for Irish-Canadians. The music up to now has been fairly laid back and it can perhaps be forgiven that they haven’t packed the album with their rowdiest Celtic-PUNK songs but ‘Zimmerman’ certainly gets the blood racing. Mostly acoustic the electric guitar is placed behind the acoustic guitar but the still rocks in that way that The Pogues showed us (“the loudest acoustic band in the world”). These fella’s are great musicians and show it off with the traditional instrumental ‘Le Medley Du Mal De Pieds’ with Alain’s lectric guitar allowed to come out of the shadows and enter the limelight along with Marc-Etienne and his fiddle. Breton and Irish influences abound here as the song reels off several reels packed together in just three minutes. The next couple of songs come from a concert in their home of Québec and show the width of the bands talents with Par Chez Nous’ showcasing their stadium skills with the audience singing along to a slow, swirling ballad while ‘La Bouteille Est Agreable’ shows their other side with a rockier/ punky number. The nest three songs come from gigs in Italy, Shamrock Castle in Italy and Celti’Teuillac in France. The fiddle led ‘Ici’, the Newfoundland traditional ‘Heave Away’ and the country-ish ‘Samedi Soir Au Fais Dodo’ all crowd pleasers that continue the romp! The album ends with ‘Le 31 Du Mois D’Aout’ (in English ‘August 31st’) I’m sure it has some important significance so forgive me Québécois for my ignorance. A call to arms perhaps and a pint in the air / arms round your mates ballad to round things off with the obligatory fast ending to send you off into the night sweating and smiling.

Eleven songs may seem like a short album but Bodh’aktan don’t do short songs. Their songs are given a chance to breathe and at almost 45 minutes the album is both entertaining and even on the more lengthy songs never drags. With all the songs taken from different shows you might expect the album to be a bit disjointed but it flows absolutely perfectly. A triumph of the mixing room! A great album all told but then I am a big fan and with their frequent visits to Europe it’s not unreasonable to think I may get to see them live. Certainly on this showing it will be a experience worth saving up for!

Buy De part et d’autre de l’Atlantique  Backlink

Contact Bodh’aktan  WebSite  Facebook  YouTube  Twitter  LastFM  Soundcloud

Disography Au Diable Les Remords (2011) * Against Winds And Tides (2013) * Tant Qu’il Restera Du Rhum… (2013) * Mixtape (2015) * Bodh’aktan (2016) * Ride Out The Storm (2018) * De Temps Et De Vents (2019)

ALBUM REVIEW: THE PEELERS – ‘Down And Out In The City Of Saints’ (2021)

Immersed in a hotbed of Gaelic culture that smashed head on into a love of whiskey, poetry, footy, debauchery, ska and punk The Peelers may not be the most prolific band on the Celtic-Punk scene but  for 20 odd years they have certainly been one of its best! 

Sadly for The Peelers the release of their fantastic new album Down And Out In The City Of Saints was overshadowed by the release of the new Rumjacks album. Coming out around St. Patrick’s Day we are normally overwhelmed with releases but it’s understandably been more of a slow trickle so far during 2021!

The Peelers left to right: Scotty Mitchell – Bass * Jonny Mooreman – Fiddle * Steve Creep – Lead Guitar * Dave Barton – Lead Vocals/ Rhythm Guitar * Eric Diamond – Organ/ Irish Whistles * Will Laurin – Drums *

One of North America’s more popular bands The Peelers are celebrating their 22nd anniversary this year after forming in 1999 in a small farmhouse kitchen in North Glengarry County in Eastern Ontario, Canada. Glengarry holds a special place in Canadian Irish history being separated from New York State by the St. Lawrence river it was originally settled by Irish immigrants who chose the name Glengarry in memory of home. It was where, during Án Gorta Mór, the coffin ships sailed to after being refused entry from America. It is thought over 15,000 Irish people are buried on the small island of Grosse Île where a huge Celtic cross now stands as a memorial to their poor souls. Nowadays though The Peelers are based in Montréal, the largest city in the French speaking province of Québec and The Peelers and their fame has long spread beyond Canada.

Their debut album Boots And Suits came out in 2002 followed by Liquordale in 2004 but it was an incredible 13 (thirteen!) years before they released another album with Palace Of The Fiend arriving on January 3rd, 2017. Recorded in five different studios, located in Montreal, Toronto and Morocco it was very well received across the Celtic-Punk world reaching #4 on the LCP Best Of 2017 list that year. So it is that a four year gap is not bad at all for The Peelers! The new album was again recorded in multiple places in Montreal, Dundee and Vancouver (sounds a bit like a version of Del Boy’s three wheeled van!) between December 2019 and June 2020. We can thank Covid for the gap this time with recording and production interrupted for several months while most of the world went into lockdown. The new material again reflects the North American experience of the Irish diaspora

“blending truth and fiction, glory and sport, love and loss, darkness and despair, while introducing composites of individuals, companions, friends and foes met along the punk rock journey.”

​Now signed to local record label Stomp Records Down And Out In The City Of Saints begins with ‘Give Us A Roar’ and its Celtic-Punk in it’s purest form. A backbone of Irish music ably joined by Punk and Rock’n’Roll that from the first few notes lets you know what you’re in for here! The title track follows and ‘Down And Out In The City Of Saints’ follows in the same energetic mode of music to beat up the floor to. Lyrically these are not your usual Celtic-Punk fayre of drinking and fighting songs (though their is some of that!) and these songs tell stories in the traditional sense.

“You can drive me to drink, I’ll give you the keys And I’ll chart a path to the sea”

The first track from the album to be released was ‘Prizefight’ and a great decision being the album’s standout track for me with singer/songwriter Dave Barton again coming up tops with a sing that channels both Rancid and The Tossers. Bagpipes appear for the next track on ‘Spirits Seldom Sober’ and if you can keep up with Dave here singing along to the words then hats off to ye. Heavy but not fast it has slower interludes of gang vocals and a brilliant pint in the air chorus.

“In bliss or torment judge him now but it’s not what you are thinking. It was an angel that put it in his hands but a devil made him drink it”

We step into real Irish territory with ‘Stick And Move’ a corker of a Gaelige rocker about Irish boxer Gary ‘Spike’ O’Sullivan, the pride of Cork city! Holder of multiple belts including Irish, WBA and WBO titles he also tread the boards starring in several films. ‘Rakes Around The Point’ carries on in the same Irish vein with a track telling of hoods, gun and gangsters.

The only video to promote the album was for ‘Glad To See The Back Of You’ which came out on St. Patrick’s Day. The song itself was actually a reworking of a demo from 2004 along with the album closer ‘From Here To Halifax’. The band excell themselves next with ‘Last Glass’ a rather beautiful wee gentle number with piano with Dave’s words spilling over with emotion proving again this guy is up there with the best in Celtic-Punk history.

“And what if this is our last glass
Just know I loved you all along
If all we’ve done is all we have
And all I’ve left you is this song”

The boxing metaphors continue on ‘Harder They Fall’ an irish rocker laced with a spirit of rebellion and defiance. The curtain comes down with ‘From Here To Halifax’ and I don’t think they mean the market town in West Yorkshire so it must be Halifax in the overseas Celtic territory of Nova Scotia. A working class fishing port it has long been associated with Celtic culture and immigration. The track is a cracking light hearted drinking song celebrating the town and a real good way to end things.

It may only be their third album in 22 years but isurely a case of quality over quantity! The albums ten tracks last almost forty minutes and has superb production as well as a pretty amazing cover by Canadian / Filipino artist @therealdannyrebel. Hope you guys are getting this knocked up as t-shirt? So St. Patrick’s 2021 did come good in the end and I look forward to still be playing this on next years one too!

(Stream / download Down And Out In The City Of Saints on the Bandcamp player below)

Buy Down And Out In The City Of Saints  Download / Vinyl – Bandcamp

The album is also available from Stomp Records

Contact The Peelers  WebSite  Facebook  YouTube 

ODDS’N’SODS. CELTIC-PUNK ROUND UP APRIL 2021

That time of the month again! Odds’n’Sods our regular monthly feature of all the Celtic-Punk news that’s fit to print. Band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page. All will get a mention but I need YOU to help if it’s going to work.

Your favourite pirate band from Osnabrück in the Caribbean! MR. HURLEY AND DIE PULVERAFFEN released their 7th album recently and this track is the first single taken from it.

Celtic music has plenty of offshoots and not just Punk Rock. Ever heard of Renaissance Folk? Well its pretty massive in the States and Europe (here I don’t know. Maybe someone can enlighten me?) but the kings of it are BLACKMORE’S NIGHT. Created by the utter legendary guitarist Ritchie Blackmore founder of Metal icons Rainbow and his Mrs, the American singer Candice Knight. Nature’s Light is their 11th album and their first in 5 years combining Folk music traditions and their love of the Renaissance, inspired by myths and legends of a bygone age.

FIVE LEAF CLOVER from Prague with their new single a vigorous Celtic-Rock ballad about the life of the infamous legendary Irish hero Grace O’Malley, the queen of the sea.

New 14 track album from Bristolians THE SURFIN’ TURNIPS.

“We had considered going more folky as we get older – but no! We have created this album in honour of the old Cider Punk scene, you will hear plenty of new cider punk anthems as well as stories of the olden times when cider was stored down the park er else yer Mum would drink it when you got home, of adventures off to brave new lands where you’d risk hoards of local tribes chopping yer head off and using it as a football. There be some salty songs of the sea, some of the fields and orchards too. So when you listens to this, turnip up loud and get thy dancing boots on, get in the pasties and invite round the neighbours, let the party begin and dance like lunatics! We all bin locked up fer too long! See ya all down the allotment!”

Doesn’t seem like it but it’s been 10 years of THE O’REILLYS AND THE PADDYHATS. Celebrate with them on their free full band live stream on Saturday 10th April. They also have a really nice set of new merchandise out too. Details on their FB page.

NEVERMIND NESSIE – Another Six Pack Of Drinking Songs EP

MR. HURLEY AND DIE PULVERAFFEN – Seemannsgrab

BLACKMORE’S NIGHT – Nature’s Light

THE DEAD RABBITS – 7 Ol Jerks (review in the next few days!!)

SURFIN’ TURNIPS – Down The Allotment

EBRI KNIGHT – Carrer

remember band folk we can’t review it if we don’t hear it! 

This is our feature where we showcase bloomin’ brilliant albums that passed us by when they were originally released. This months ‘Blast’ is from 2018 from Canada and the northern shore of Nova Scotia, a place we have visited many a time and a place steeped in Celtic culture.

“Six passionate musicians come together to create a unique high energy blend of Celtic rock that has a little something for everyone to enjoy as well as a live presence and performance that will keep you dancing and singing all night long.”

THE EAST RIVER RATS are one of many bands in the region proud of their Scottish heritage and their album is available as a ‘name your price’ download from the link below.

Barcelona band EBRI KNIGHT have a new eleven track album out and it is available as a ‘Name Your Price’ download on Bandcamp.

DONNY ZUZULA of Michigan Celtic-Punk band THE TOSSPINTS has released his first solo music since his well received album Chemicals a couple of years ago. Written for St. Patrick’s D as part of a ‘100 songs in 2021 Songwriting Challenge’.

“Beer, Beer, Beer” a great way to celebrate Paddy’s Day from brilliant Russian Medieval-Folk-Punk band TEUFELSTANZ. A pretty unique band they call ‘Alternative Medieval Music’.

More St. Patrick’s Day releases with WIDACRE from Milwaukee playing a supercharged Punked version of the Irish Folk classic ‘Molly Malone’. Available as a name your price download.

As usual lots of news out the FEROCIOUS DOG camp with a massive new tour announced going right from end of Britain to Scotland! (I fancy Edinburgh birthday weekend myself if they’re watching hint hint!!!). Their new album The Hope is also available on pre-order from Graphite Records.

If you missed the St. Patrick’s Day FLOGGING MOLLY live stream from Dublin like me the pre-show video is now out but no sign of the ‘proper’ show yet. Dave King was interviewed by Folk ‘n’ Rock magazine about it.

After 21 + albums with THE MAHONES frontman Finny will be going it alone for his next release. His first solo album will be coming out on True North Records soon.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

2020 ROUND-UP’S. THE MAHONES, RUNA, ALESTORM, MAGGIES FLOCK, BARBAR O’RHUM

2020 was by and large a shitty year for music. Sure their were a few bright spots… off the top of my head the many Live Streams but it was never going to replace live gigs for the Celtic-Punk scene where live gigs are everything. Even in a year with much fewer releases we still couldn’t keep up with everything! At London Celtic Punks we pride ourselves on giving detailed and extensive reviews but sometimes this isn’t quite possible so here’s the ‘Round-Up’s’ of some of the records we missed first time round.

THE MAHONES –  ’30 Years And This Is All We’ve Got To Show For It’

Just a couple of weeks ago we reviewed the 30th anniversary album of German band Fiddlers Green and around the same time was released another album by a Celtic-Punk giant on the other side of the planet celebrating thirty years in the game this time from The Mahones. Yes 30 years. THIRTY. Hard to believe isn’t it? Popular throughout the world they have recorded eleven studio albums, two live albums, an acoustic album and a compilation marking their 25 year anniversary and have covered more miles than British Airways! Here they have carefully chosen nineteen tracks of their best from across the 30 years of their career. The album is available as a ten track vinyl release (on green!) and also on CD and download with nine bonus tracks from True North Records. As for the songs they are everything you would expect. We may have heard them all before but their really is something for everyone here as The Mahones flit from raucous Irish Punk rockers to maudlin and sad ballads. The mix of songs is perfect and the balance between the harder songs and the ballads is as well. For a band that tours as much as The Mahones do 2020 must have been a particularly difficult year for The Mahones but already with dates released for 2021 (see you in London in February!) they are well prepared to take their 31st year by the throat when it arrives.

Contact The Mahones  FacebookPage  FacebookGroup YouTube  Instagram

RUNA – ‘The Tide of Winter’

American Irish ‘supergroup’ Runa are one of the best Irish Folk/Trad bands around. This is due in no small part to the beautiful voice of lead singer Shannon Lambert-Ryan (who also plays quite a mean harp!) and that they also have the ability to weave other influences into their signature sound without you even noticing. Several LP’s in Runa have become famous on both sides of the Atlantic now and continue their path with The Tide Of Winter. Now by rights this ought to have been done pre-Christmas but it slipped the net and we ran out of time. A beautiful, at times haunting and at others spirit lifting, collection of thirteen Christmas themed songs and carols. All the favourites are here (‘In The Bleak Midwinter’, ‘God Rest Ye Merry Gentlemen’, ‘Silent Night’) as well as a few new ones including a stunning version of ‘The Wexford Carol’ (also known as ‘Enniscorthy Carol’) recorded in its native Irish Gaelic.

It was in May 2019 that Runa got together for a weekend to get into the Christmas spirit and started working on arrangements for the album. Highlights beyond those already mentioned include the track ‘Instrumental’ which features the songs ‘Hark the Herald / Dixie Hoedown / Red Prairie Dawn / O Come Emmanuel / Road to Cashel’ seamlessly joined together with some amazing musical work from Fionán, Chery, Caleb and Jake. One for next Christmas I suppose but hopefully by then Runa’s joyous album really will be something to celebrate.

Buy The Tide of Winter  CD- FromTheBand  Download- Here

Contact Runa  WebSite  Facebook  Instagram  YouTube

ALESTORM – ‘Curse Of the Crystal Coconut’

From traditional Christmas folk music now to Heavy Metal! Founded in 2004 in Perth, Scotland by Christopher Bowes Alestorm are one of the pioneers and certainly the leading light of Pirate Metal! Basically the combination of Heavy Rock/Metal and Pirate music. Now Pirate music is often confused with Celtic music and for good reason too. The similarities are obvious to anyone with a pair of ears with plenty of the same melodies (and even some of the same songs) criss-crossing the genres. Alestorm have been together for fourteen years and they may have toned down the Metal side of their music a little but their popularity seems set to continue with this their sixth album. Now I don’t claim to know much about this genre but it does seem to be growing and their have been a few high profile gigs in London over the last couple of the years with Alestorm headlining some of the towns biggest venues. Released in May on Napalm Records and recorded in Thailand this is as good a place as any to start if this genre interests you. Songs like ‘Treasure Chest Party Quest’, ‘Fannybaws’ and ‘Pirate’s Scorn’ give you an idea but it is the epic eight minute ‘Wooden Leg Pt. 2 (The Woodening)’ that really stood out for me showing there’s more to Alstorm than gimmick.

Contact Alestorm  WebSite  Facebook  Instagram

MAGGIE’S FLOCK – Party At The Cemetery

The debut release from Dutch Celtic-Folk-Rockers Maggie’s Flock. The six-piece band from Nijmegen / Arnhem that play a style of music that veers from Celtic-Rock to traditional Folk with more than a little Celtic twist. The band had the novel idea to release a video/song a month on You Tube from January 2020 through to December and then compile the songs into an album and release it. We have tracked these videos over the last year and it really is worth checking them (the Party At The Cemetery YouTube play-list) out yourselves as the work the band put into them deserves it. So quite a novel idea in quite the ‘novel’ year! The Netherlands has quite the cool Celtic scene and one of our gigs last year that Covid killed off was a Dutch Celtic-Punk double-header with Pyrolysis and The Royal Spuds. Musically Maggies Flock come across to me as a ‘mature’ Dropkick Murphys. I mean the Dropkicks sound of recent rather than their punky years. Catchy, tuneful songs with chugging guitars and superb whistles and accordion. ‘The album opener ‘The Poguey Club’ is one of the many highlights here and you can tell this album has not been rushed into. The idea of releasing a song a month has worked perfectly here as the balance of songs is great and the music is not solely Celtic veering into more Folk-Rock/Punk at times. Personally I love me Tipp songs so I especially loved ‘Travelling Laddie’ but the fast ‘Bored Beyond Death’ is sure to get the toes tapping.

A lot of effort then and not just in the music with the vinyl version coming in a luxurious fold-out cover with all the lyrics while the CD has an extensive 24 page illustrated booklet.

Buy Party At The Cemetary – Vinyl/CD FromTheBand

Contact Maggie’s Flock  WebSite  Facebook  YouTube  Instagram

BARBAR’O’RHUM – Journal de B’O’R

Drawing in inspiration from sea-shanties, traditional music, Celtic-Rock and Celtic-Punk, Irish-Punk and Folk-Metal, Barbar’O’Rhum inhabit an area that sits somewhere between Alestorm and The Mahones. Founded in 2014 in the South-West Of France the band offer up their own style of music they call ‘Rock ‘n’ Rhum’. The musical style here owes much to theatrics making them more a band you would want to witness live but they have captured the sound of the band here rather well and also the atmosphere too which I would think is a lot harder. From beginning to end it’s an accessibly joyful Punk Rock stomp from album opener ‘Pirate des Champs’ which brings in some offbeat but delightful influences to eight minute epic ‘Freres de Bitte’ which brings down the curtain on the album and manages to capture all the various parts of Barbar’O’Rhum in one bombastic theatrical campy triumph. Yet in a album that lasts over an hour and the majority of the songs are around the five minute mark it’s that opening track that stand outs head and shoulders and one listen to that will tell you all you need to know about whether you would like this album or not. Me I fecking loved it!

Contact Barbar O’Rhum  WebSite  Facebook  YouTube  Instagram

So their you go our ‘last’ post of 2020. Apologies to all the bands that we weren’t able to give each album the full London Celtic Punks treatment but was just not possible this time. Remember if you are in a band then we cant do a review if we haven’t heard your release!

*

If you don’t want to miss any of our posts in future then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending on how you are viewing and you will receive every post to your in-box.

NEW CHRISTMASSY CELTIC-PUNK SONGS FROM IRELAND, CHINA, GERMANY, CANADA, LONDON AND MEXICO

Well that’s it. Christmas is over and done with and hopefully you all had a festively good time despite everything.  BUT if you are still in need of some good cheer though then wait no more as we here’s a selection of six brand new 2020 Christmas-ish Celtic-Punk songs for you to delight over.

Craic open what’s left of the Jamesons and enjoy!

ANTI-DEPRESANTS – ‘If It’s Gonna Be Cold’

Anti Depresants are four piece Rock‘n’ Roll band coming from the hills of Armagh in the north of Ireland with a lot of Punk attitude an’ a sprinklin’ of Ska to get your ass movin’, your heart beatin’ and your mind racin’ with their diverse sound embracing heavy rock, reggae, male and female vocals and blistering guitar work.

Contact Anti Depresants  Facebook  YouTube  Bandcamp

GRASS MUD HORSE – ‘Christmas Time In China’

Possibly the busiest band in Celtic-Punk this year (and definitely the busiest on these pages!!) Grass Mud Horse have been making, and releasing, music throughout the ‘clampdown’ to us lucky folk. Led by award-winning musician Chris Barry, a Scouser living in Qinhuangdao, China. They blend together the traditional Folk sound of Chris ancestors in Ireland with an distinctly raw and untamed Punk-Rock energy. 2020 while being quite the lame year has seen Grass Mud Horse become quite the name on the Celtic-Punk scene with their last single released dually across North America by Paddyrock and Europe by us! The song is available for download over on Bandcamp for next to nothing.

Contact Grass Mud Horse  WebSite  Facebook   YouTube

THE FEELGOOD McLOUDS – ‘Driving Home For Christmas’

St. Nicholas is on his way and The Feelgood McLouds have come up with a little present for you. Are you bored of long dark winter nights without pubs and concerts? Then here’s the solution the brand new Christmas song from these fantastic German Celtic-Punkers. Imagine if the Dubliners were only in their mid-twenties, very, very thirsty and had discovered punk for themselves. Then punk rock anthems would merge with bagpipes, banjo, tin whistle and accordion, there would be a good smell of beer and whiskey and sweat would drip from the ceiling. And that’s exactly what The Feelgood McLouds is all about. With their energetic punk rock show, the 6 Saarlanders make every concert room shake and everyone to empty their beer glass. In a nutshell: Sounding like NOFX and the Dropkick Murphys are meeting in an Irish pub for an endless party!

Contact The Feelgood McLeods  WebSite  Facebook  YouTube  Instagram

THE STANFIELDS – ‘(I’ll Stay Home) With Bells On

The Stanfields trod a well trodden path to 2020 from the Seahorse Tavern in their hometown of Halifax, Nova Scotia to where they are now. Their trajectory from full on their Celtic-Punk to “the bastard child of AC/DC and Stan Rogers” where their music blends Working Class Hard-Rock with the many strands of Folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland. Here they massacre pay tribute to the great Dolly Parton and Kenny Rogers song. Stanfields front man John is joined by his Mrs Shannon on this cheeky number that follows on from our review just a couple of weeks ago of their fantastic new album Welcome To The Ball.

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

CLAN OF CELTS- ‘A Christmas Quarantine’

Fusing together all their musical experiences & influences ranging from, Rock, Metal, Country, Punk, Classical and of course traditional Irish. Clan Of Celts have created a unique style and an unmistakable sound that is brought to you with Celtic pride, passion, commitment and respect for our traditional roots. The new team on the London Celtic-Punk scene bring you a classic cheesy Christmas song out now and available to download through Spotify and all decent streaming services. Will they ever complete the interview I sent them? Who knows what 2021 will bring!!!

Contact Clan Of Celts WebSite  Facebook  YouTube  Soundcloud

BATALLON DE SAN PATRICIO – ‘F*ck Merry Christmas And F*ck You’

And finally the new single from Mexican Celtic-Punk newcomers Batallón De San Patricio. Why they got such a downer on Christmas is anyone’s guess but ding-dong merrily on high here it is anyway! It’s been a busy year for these guys with a hit album Hermanos de Guerra under their belts as well as making themselves known right across the Celtic-Punk world. The band’s name comes from the famed St. Patrick’s Battalion (see The Irish Soldiers Of Mexico In Film And Song). A group of immigrants, mainly of Irish descent, who deserted from the US Army because of anti-Catholic bigotry and went to fight for the Mexican Army during the Mexican-American War (1846-1848). It’s a tale of great adventure and heroic valour. Batallón de San Patricio were formed in 2017 in Guadalajara and right from the start the idea was to pay tribute to their namesakes. In many ways the name was a obvious choice for a band whose chief aim was to play Celtic-Punk mixing Irish and Mexican culture.

Contact Batallón De San Patricio  Facebook  Bandcamp  YouTube

So that’s almost it for 2020. Tune in on Wednesday for our final post of the year. A fun packed Odd’n’Sods – Celtic Punk Round Up full of the most recent videos and news from around the scene.

ALBUM REVIEW: THE STANFIELDS – ‘Welcome To The Ball’ (2020)

London Celtic Punks favourites Nova Scotian Folk’n’Rollers The Stanfields have just released the incendiary live album Welcome To The Ball.

The Stanfields trod a well trodden path to 2020 by beginning their career back in 2008 playing cover songs during open mic performances at the Seahorse Tavern in their hometown of Halifax in the Canadian province of Nova Scotia. As the years rolled by The Stanfields may sound like have taken some dramatic turns but to any long turn fan (ahem!) it’s been easy to follow their trajectory from full on their Celtic-Punk to where they are now. Influenced by the many many strands that make Canada and the description of them as “the bastard children of AC/DC and Stan Rogers” their music blends Working Class Hard-Rock with the strands of Folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland.

So far the guys have released seven albums, multiple singles, and have toured extensively throughout North America and Europe – sharing the stage with many of the Rock scene’s most popular bands. So, despite the Covid lockdown, they have been especially busy compared to a lot of bands with the release of the critically acclaimed Classic Fadeout, a bunch of great video releases (be sure to check out their You Tube channel) and now they have returned with their second full-length release of 2020, Welcome To The Ball. Band frontman Jon Landry says

“Since Covid-19 has effectively made it impossible for us to play live shows safely, and on our own terms, we thought that the time was right to release a live album. Luckily, we had this performance in the can, it’s fun to see how much the songs have evolved over the years, although it’s been a stark reminder to us of how much we miss our natural habitat.”

Welcome To The Ball documents The Stanfields performance at the 2019 Blacktop Ball and includes tracks from across their career along with an added bonus track. Welcome To The Ball begins with the aptly titled ‘Blacktop Blues’ from their 2012 album Death And Taxes, as do the first three songs.

The first thing to say is that the songs here are well chosen and include not just the fan favourites but also some important songs from the bands history. The other thing is that many of these songs are quite lengthy (notice I said lengthy NOT boring!) with three over seven minutes long! The sound recorded, mixed and mastered by Darren van Niekerk (hats off!!) and is absolutely fecking brilliant. Taking you right into the heart of the mosh pit! Nothing is spared as the band steam along at full pelt with the traditional anti-war Folk ballad ‘Mrs. McGrath’ given the epic Stanfields treatment next followed by ‘The Road to Guysborough’. Now I’ve never been much a fan of live records but when they are done well like here they can be explosive, capturing the very essence of a band. Next up are firm fan favourites ‘Fight Song’, taken from 2015’s Modem Operandi, and ‘Hard Miles’ from 2013’s For King And Country. Both songs saw the band tweak their original Celtic sound and bring in more harder Rock elements. 

‘Dagger Woods’ is the first of three tracks here from debut album ‘Vanguard Of The Young And Reckless’ from 2010 and is over eight minutes long and while that may displease the Dead Kennedys it fully deserves the word epic. A fantastic song that literally spills emotion and while it’s not just worthy it’s catchy as hell too. ‘Ship To Shore’ is relatively short at just four minutes while ‘Ghost Of The Eastern Seaboard’ at almost eight returns us to epic territory along with the final song from their set that night, the outstanding ‘Fox in The Heather’ at over eight.

‘Welcome To The Ball’ brings the curtain down as the bonus track and the only new song and sees The Stanfields accompanied by the Hatchet Lake Reverb Choir (Heather Harris, Sasha DeSouza, Brad MacDougall, Craig Eugene Harris, Trevor DeSouza) in a song that fully deserves to be the curtain puller at any future gigs.
“Take a look at the one beside you
Let the power of us provide you
The means to guide you, right beside you
Welcome to the Ball”
Written as a tribute and in the spirit of the Blacktop Festival which was sadly cancelled this year but The Stanfields love for the fest grows and they will return for their annual visit next year. Written as an over the top, 80’s-style Pomp-Rocker it comes with the most brilliant video you really ought not to miss. 

The line up for the gig that night was Jon Landry – Vocals, Guitar, Calen Kinney – Fiddle, Vocals, Jason MacIsaac – Guitar, Vocals, Dillan Tate – Bass, Vocals and Mark Murphy on Drums and the show is that kind of rambleshackly perfect that Celtic-Punk bands seem to be perfect at. Their may not be a better band around doing what The Stanfields do. Combining hard rock music with Celtic and Americana in a perffectly acessible way. Not only that be here they proove they can do it in style on the stage too. As they say themselves 

“we play what we want, sing what we feel and leave nothing on the table”.

Buy Welcome To The Ball FromTheBand

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

ALBUM REVIEW: THE REAL McKENZIES- ‘Beer And Loathing’ (2020)

Their eleventh full-length album Beer And Loathing is a true return to form for Canada’s The Real McKenzies. Dueling guitars double up against soaring bagpipes while Paul regales the listener with epic tales of alcohol soaked debauchery, historic sagas and hard-fought personal battles.

The Real McKenzies need little introduction having founded in 1992 in Vancouver, Canada. They have established themselves as one of the most formidable the Celtic Punk bagpipe bands on the scene. Hard to believe they have been around for almost 30 years!!!!

(Great interview with Paul from The Real McKenzies from April, 2020)

Although they have gone through many line-up changes, Paul McKenzie remains at the helm leading the crew into another decade of Scottish influenced celtic punk and mayhem. The Real McKenzies have kicked off 2020 with the release of their new album Beer and Loathing. Now its fair to say 2020 hasn’t been the best year so far but its not all doom and gloom. Beer and Loathing is guaranteed to take your mind off small matters such the worldwide pandemic, the potential for WW3 etc etc. It’s a crackin album and I must say one of my favourite from the Real McKenzies.

(Video by: Eric Dieterich  https://solomanmedia.com)

The new album has been released on Fat Wreck Records and contains 12 rockin’ tunes. It opens with a bagpipe lead instrumental The Widow’s Watch but quickly ramps up though the gear to a faster tempo with notable song such as Nary Do Gooder, Death of the Winnepeg Scene and The Cremation of Sam Mcgee. The Real McKenzies stick with the Scottish flavour with Cock up Your Beaver. It’s a slower song which is a version of a Robert Burns poem. Probably not what you were thinking when you read the title first (tut, tut)!!! All in this is a great album and good to have the Real McKenzies back three years after the last release. It’s a reminder why the band have lasted almost 30 years on the scene where others have fallen by the wayside. So grab yourself a wee dram, stick on Beer and Loathing and crank it up to 10. It’s time like this we need music like this to get us through all the other crap in the world !!!

The vinyl for the album is available on swamp green and beer, oxblood and gold!

(Grab a listen to Beer And Loathing on the Bandcamp player below)

Buy Beer and Loathing  CD/LP-FatWreckRecords  Download

Contact The Real McKenzies  WebSite  Facebook  YouTube

(On March 13th, 2020 the Real McKenzie’s live show at the Starlite Room in Edmonton, Alberta, Canada was canceled by Alberta Health Services due to the COVID-19 virus. As to not let the all their fans down, the gig went ahead as a live stream!)

ALBUM REVIEW: THE MAHONES- ‘Unplugged’ (2020)

The Mahones have always been one of Celtic-Punk’s heavyweights and last month celebrated their 30th anniversary in style with another knockout album to add to their ‘Irish Punk Collection’!

The Mahones are well regarded amongst Celtic-Punk fans and recognised indeed as pioneers of the scene. Formed in 1990 on St. Patrick’s Day in Kingston, Ontario as a band for a one-off show their reception was such that they would go onto become one of the most famous DIY Punk bands in the world and one of the hardest working bands out there. Their tours each year take them right across Europe and North America to every nook and cranny. In fact at this moment in time they ought to be on tour in Australia with The Go-Set! With a stack of studio albums behind them as well as Best Of’s, Live Albums, Compilations even tribute albums their back catalogue is second to none in the scene and to add to them now is this compilation of acoustic, mainly original, Mahones tracks taken from throughout their career.

I’m a sucker for albums like this and I’m sure those of you of a certain age will well remember Nirvana’s triumphant Unplugged album that set the scene for many albums of this kind afterwards. The Mahones may be one of the biggest ‘good time’ bands around but these songs given a raw and intimate performance gives them a new lease of life. The Mahones main attraction has always been their songwriting and whether wrapped around a three minute Punk Rock mosh pit filler or a five minute ballad the effect is much the same. Here Dublin born frontman Finny McConnell comes into his own and already famed for his ached and emotional way of singing his voice really suits these songs new arrangements.

The album begins with the romantic ‘Girl With Galway Eyes’ originally recorded for 2010’s Black Irish. Played at much the same tempo like the majority of songs here it becomes a new song played like this. ‘Rise Again’ is from the album of the same name from 1996 and is a bit of a cheat as it was acoustic then too! Still it’s a nice updating. ‘A Little Bit Of Love’ comes from 2006’s Take No Prisoners and Finny is accompanied on vocals by Canadian-Irish singer-songwriter Damhnait Doyle. So far the influence of country has been trying to make it’s presence felt and here it takes over but not in a cheesy way at all. This is followed by a couple of live set favourites with the fiddle heavy ballad ‘London’ and ‘Draggin’ The Days’ both from the early days of the band as well as the next, ‘Cocktail Blue’ and these songs lyrically show The Mahones singing about the Irish emigrant experience of drink, work and loneliness. The days of the Irish student gap-year supported financially by Mammy and Daddy were decades away. Back then the Irish emigrant was almost exclusively working class and like the generations who left before them worked the shittiest jobs and lived in the roughest and toughest areas. Like the best Irish singer-songwriters Finny takes you back to those days and makes you re-live them with him. ‘Far Away’, ‘Night Train To Paris’, ‘Will Ya Marry Me’, ‘100 Bucks’ and ‘Back Home’ also come from those early days and ‘Unplugged’ is becoming a really nice overview of those early albums and it’s even better to hear a few songs that don’t get played anymore. This is the sort of album that will have you re-visiting your record collection to search out the original. I haven’t played The Mahones so much since I started listening to this one!! Next up is arguably their most famous song, ‘Celtic Pride’, and the one that introduced yours truly to The Mahones. The title track for the 1996 film of the same name about two Irish-American Boston Celtics basketball fans starring Dan Aykroyd and Damon Wayans. I remember watching the film and sitting by the telly with a pen and a bit of paper trying to catch the name of the band on the soundtrack! It’s commendable that Finny has recorded an album of mostly originals and also songs from across The Mahones songbook but ‘Hurt’, famously recorded by the legend Johnny Cash towards his final days, is one of the albums highlights here, Finny’s vocals fit superbly and the slow accordion easily nails the sound. Written by Trent Reznor of Nine Inch Nails he described the song as being “a track I wrote in my bedroom at a black moment” but it was Johnny’s amazing version that brought the song to the public’s attention. Another highlight is Simon Townshend of The Who providing acoustic guitar and harmony vocals on ‘Stars’ telling the sad tale of Irish poet and playwright Oscar Wilde. Convicted of “gross indecency” at a time when homosexuality was illegal, he was imprisoned and died in poverty in 1900 at the tragically early age of 46. One of The Mahones best more modern songs it has a chorus that is out of this world and would I am sure have Oscar looking down with grace and a twinkle in his eye. We are nearing the end and it’s clear Finny writes directly from the heart and on ‘Someone Saved Me’ it can sometimes feel like you’re sitting in on a private conversation. Finny has experienced much tragedy in the last few years which we won’t go into here but if music can save us (the listener) then it can also save them (the performer) too. The curtain call for the album is another in the same style ‘Never Let You Down’ featuring singer-songwriter  Sarah Harmer and her stunning voice is the perfect counterpoint to Finny’s. A slow burner of a song that slowly builds and builds and with the aid of tin-whistle and mandolin it’s the most Celtic sounding song on their last album Love + Death + Redemption from 2018.

So another release from the ever prolific Mahones and for me one of their best in recent years. Their is nothing here that most die-hard Mahones fans won’t have heard before but these new interpretations are worth getting as the often subtle and occasionally overt differences in the songs really make he songs sound fresh and even original. Their is plenty left in The Mahones cannon but this is probably the best imaginable way they could have celebrated thirty years on the road.

(Stream The Mahones Unplugged on the Soundcloud player below)

Buy The Mahones Unplugged  Download- NorthEndRecords  CD- Here Here

Contact The Mahones  WebSite  FacebookPage  FacebookGroup  Twitter  YouTube 

ALBUM REVIEW: PADDY WAGGIN- ‘Race To The Bottom’ (2020)

The debut release of seven originals and a Pogues cover from Paddy Waggin a new Celtic-Punk Rock outfit straight outta East Vancouver, BC.

Canadian music use to be a regular feature on these pages but has been relatively quiet the last couple of years so it’s great to be able to feature a band that is just setting sale! Paddy Waggin are a gang of Irish-Canadians hailing from Vancouver in British Columbia. East Van, as it is known, has traditionally been known as the first port of call for many immigrant communities from the Irish and Welsh in the early days of settlement right up to the modern day. Historically, it was a more affordable area and the home for mainly working class people thought the rapid increase in housing prices and gentrification that is affecting pretty much all cities is destroying much of the areas character. Still the auld world is still well represented with the WISE (Welsh, Irish, Scottish, English) Hall, The Celtic Connection newspaper and The Irish Sporting and Social Club all thriving alongside the Irish pub scene.

Paddy Waggin left to right: Andrew Whyte- Guitar * Aidan Carroll- Lead Vocals/ Songwriter * Rob Stewart- Percussion * Jonny ‘Needles’ Poliquin – Bass/shrieking *  Philip Meyer-  Accordion * Johnny ‘BBQ’ Jandara – Banjo/ Mandolin/ Harmonica * not pictured Bourton Scott- Fiddle and Lisa Ronald- Tin Whistle *

So a new band kicks off or so we thought. A debut release ought to signify that but Paddy Waggin have been playing on and off for more than twenty years, mainly as singer Aidan’s St Patrick’s day project. Aidan in fact was born in Dublin but grew up in Canada while others in the band come from Irish and Scottish backgrounds and, accordion player, Philip is of Dutch descent. So a long wait to get that debut release out but they have delivered a craicing album of eight songs, all but one an original and a cover of one of the best songs in Celtic-Punk. Race To The Bottom begins with ‘Gilding The Liffey’ a fiddle and banjo led song about an imaginary trip taken by the band to Dublin to play music and party. The music is upbeat and jolly and Aiden’s vocals slip perfectly in alongside.

The Bhoys keep it up with ‘Broken Teeth’ a song telling of the perils of getting old and about the joys of youth and partying till the early morn but those things soon catch up with you and “Now I’m getting on in years” those days are well behind them. The music is still fast paced and only two songs in and you get the impression that Paddy Waggin are a band to kick yer boots to. The video for ‘Broken Teeth’ is utterly fantastic too so be sure to check that out.

‘Davy Jones’ is not dedicated to the sadly missed singer from The Monkees but a tragic tale of lost love. Davy Jones is the name given to the mythical resting place of drowned mariners at the bottom of the sea. The first source that mentions Jones’ locker is in 1803

“…seamen would have met a watery grave; or, to use a seaman’s phrase, gone to Davy Jones’s locker.”

The longest song here at just over three minutes it’s what I would call a thigh slapper! Nice chorus and I’m wracking my mind to find a band to compare them to but I’m coming up short. The Pogues influence looms large but they don’t sound like them if that makes sense. ‘King Of The Faeries is one hell of a tune with a ‘piratey’ edge to it and shows that Paddy Waggin are not just in it for the free drinks with a spot of trad Irish though dedicated to the misfortunes of one of the bands mates who got caught on the wrong side of the law. Another trad influenced song is next up with ‘Paddy Traddy Rad’ about an Irish fella the life of the party. Proper acoustic Celtic-Punk with just Johnny ‘Needles’ bass amplified Paddy Waggin sound like they kick up a hell of a storm.  ‘Race To The Bottom’ is a Country influenced song that is super catchy and as the guys say a “tune for East Van people about East Van” leading into ‘Dirty Looking Up All Night’ which keeps the boots kickin’ about the so called ‘Walk Of Shame’ where people end up staying out (!) after a night on the lash and have to walk home in the morning in their evening finery the next day.

That Pogues influence shows up nicely on Race To The Bottom’s final song the Pogues standard ‘Streams Of Whiskey’. Written by Shane MacGowan about a night out with Brendan Behan the famed Irish writer and drinker… thinker. Paddy Waggin play an outstanding version very very close to the original and I’m sure if they ever need the money another life as a Pogues tribute band awaits them.  

The album’s official release is on St. Patrick’s Day- March 17 but it is already available on the band’s Bandcamp site (see below for link) but if you wish to avail of a hard copy of the CD then you’ll have to contact the band. The great artwork is by Fenix Ashborn and it was recorded at home in East Van by Larry Lich at Eagle Ears studios. Paddy Waggin are definitely a band to enjoy life to. Eight foot stomping songs, mainly original tracks too, to beat the floor up to. Checking out a few songs on You Tube they have a tremendous live show with their own catchy as feck original songs with the odd auld Irish tune thrown in alongside. Their sound is infectious and, I am sure,  more than able to get their audience dancing and singing along. Here on Race To The Bottom they have captured their live sound pretty well and though well rooted in traditional Irish folk their Rock and Punk influences keep them from becoming too safe. A welcome addition to the Canadian Celtic-Punk scene and a band I look forward to hearing a lot more from.

(you can stream Race To The Bottom on the Bandcamp player below)
Download Race To The BottomFromTheBand  DistroKid
Contact Paddy WagginWebSite  Facebook  YouTube  Soundcloud

EP REVIEW: THE STANFIELDS- ‘Classic Fadeout’ (2020)

The Stanfields are a folk punk band from Halifax, Nova Scotia, Canada. On Classic Fadeout they have released six original brand new sons for their sixth release all written and recorded within six months!

The Stanfields have been around now for well over a decade having been formed in 2008 and have a very impressive back catalogue with five very well received albums that each have troubled the top spots of the various Celtic and Folk-Punk end of year Best Of polls including ours. Never being one to accept the label of ‘Celtic’ The Stanfields have always travelled under the banner of Folk-Punk and thus far has served them well. Described rather well i think as “the bastard children of AC/DC and Stan Rogers” their music blends working class hard rock with the strands of folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland. The band started out playing cover songs during open mic performances at the Seahorse Tavern in Halifax, Nova Scotia quickly gained notoriety for their rowdy, entertaining performances and with the benefit of a relatively stable line up the boys few years together have seen them traversing the globe even washing up at the Tolpuddle Martyrs festival here in England  for a few years in a row.
Their new release Classic Fadeout is six original songs that span the history of The Stanfields throughout their illustrious career. Opening with ‘Southlands’ definitely the most Celtic influenced song here with a song evoking a long distant past. Next up is ‘Born On The Wrong Side Of Town’ is the kind of song that Bruce Springsteen is singing these days. A sort of Country/ Rock/ Folk mash up that streams along at a grand pace and has the feel that it could (does) appeal to a whole multitude of different genres. I love the idea that bands can make music that will reach the young and the old. After all that is how it use to be. When I was a young kid we use to beg Mum to put music on and now decades later I find myself still listening to that music she introduced me to. One subject I like to hear tackled is the scourge of drug addiction and The Stanfields sensitive and beautiful ‘Breakers In The Dark’ does it superbly.

(Shot at Churchill House in beautiful Hantsport, Nova Scotia)

Right across North America young people are falling foul to this terrible affliction and working class communities are suffering.

“Your eyes tonight are little pins
Looking for a friend
And tell a story locked inside of you
Your lips provide a different spin
One to be believed
If we were strangers on an avenue”

We are half way through and ‘Laser Beam’ may be many miles away from the fast folk and roll of their early days but it shows a maturity in their willingness to never to stand still and always keep moving and adapting. I mean who wants to be like The Queers still singing songs about your Mum finding your porno mags when your fifty! Slow and steady and perfectly balanced and accompanied by a video that I don’t think I have ever seen the like of it while writing for London Celtic Punks site.

Definitely take a few minutes out of your time to watch this incredible video. After that we need a bit of a lift and ‘Rules Have All The Fun’ supplies it with another catchy folk-country-Americana blend.A real foot tapper here among a bunch of songs that are perhaps a bit too on the reserved side.

The EP comes to an end with ‘Good Night, So Long, Goodbye’ the longest track here and a real epic to see us out. The emphasis may have changed from Celtic to Americana but the fire in their belly is the same and music with passion and emotion is what we love here. Classic Fadeout is not yer typical Stanfields release (as they say in their press release “predictably-unpredictable”) but another step in the progression of a band that have achieved much more then most in their time together.

(you can stream Classic Fadeout on the Bandcamp player below)

Buy Classic Fadeout  FromTheBand

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

Discography Vanguard of the Young & Reckless  (2010) * Death & Taxes (2012) * For King and Country (2013) * Modem Operandi (2015) * Limboland (2018)

ALBUM REVIEW: BODH’AKTAN- ‘De Temps Et De Vents’ (2019)

The seventh album of Bodh’aktan from Québec. Seven rogues fusing elements of Celtic, Rock, Trad, Pop and Punk and the music of the Celtic Nations, especially Brittany and Ireland. With bagpipes, flute, accordion, violin and bouzouki and vocals in both French and English they are a force to be reckoned with!

We are well into 2020 now but we couldn’t let last year go without paying homage to one of the best, and most active, bands in the Celtic-Punk scene. This will definitely be the last review from 2019 and what a great way to bid farewell then with a band that really encapsulates everything that Celtic-Punk should be about. A link from the traditions of the past to both the present and the future. On their last album, Ride Out The Storm, they were assisted by the legendary uileann piper Paddy Moloney of The Chieftains and it was not the first time Bodh’aktan have embraced the ‘old world’ of Celtic music.

Bodh’aktan formed in Québec in 2011 and they have released several acclaimed albums. Regular visitors to Europe, especially, of course, France they are yet to visit the Irish and British isles but as their fame spreads I’m sure it is only a matter of time. The vast majority of their releases have been in their native tongue but they have also had the novel idea of re-recording a couple of albums into English for their Anglo fans. Their new album De Temps Et De Vents has been recorded in French or as one reviewer hilariously described it as a

“return to the language of Molière after an incursion in Shakespeare”.

The Québec flag, the Fleurdelisé (Lily-flower)

Québec is a semi-autonomous region of eastern Canada and is home to 8,500,000 residents. The official language is French and is spoken by the vast majority of residents (78%). The region has a totally different feel to the rest of Canada and French dominates every aspect of life. Within this French culture is a strong Breton influence and their are no shortage of Celtic influenced bands both traditional and modern. The French population of Québec stands at around 30% with the Irish and the Scots making up a further 10% so the Celt identity there is very strong! Their have been referendums about independence in 1980 and 1995 that have been defeated (in 1995 by a margin of only 1%!) and so they remain, for the time being, subjects of the British crown. This led in 2006, to the House Of Commons of Canada passing a motion to recognise the “Québécois as a nation within a united Canada”.

So onto the actual album and De Temps Et De Vents is twelve original songs lasting nearly forty minutes that starts off where Ride Out The Storm left us. They have been moving away from the harder rock/punk sound of their earlier days into a much more Folk and trad style that is instantly recognisable in modern day Celtic-Punk. With all the lyrics in French and being a pupil of the English school system my knowledge of the language is pretty damn basic to non existent! With that in mind I can really only review the music here so please bear with me.

The album begins with the short ‘Ouverture’ a Celtic-Punk heavy intro which starts with drums but with the rest of the band joining in at intervals building up and up and leading straight into ‘Capitaine Deux-Cennes’. My first impression is that Alexandre Richard has a fine voice that really jollies the music along during the fast songs but can also wrap itself around a ballad too. The music is reminiscent of Flogging Molly with its high tempo danceable style. For the album Bodh’aktan added a fiddler and Marc-Etienne Richard’s work is pure excellent shining alongside the rest of the band. Hopefully he will become a permanent fixture. Only a couple of songs in and you are already left with the impression this is the type of album that is for celebrating along to. The tempo does change from time to time with ‘L’orage’ for example when the bagpipes add a sorrowful side to the song. It’s the first ‘slower’ song but played with a heaviness that belies its speed. ‘L’amer’ is a straight up rock number and also one of the highlights of the album with a ‘Wo-Ho-Oh’ chorus that is just ripe for roaring along to!

‘Le Jardinier Du Couvent’ (in English ‘The Gardener Of The Convent’) is a slow beautiful ballad which slowly builds into a wonderful song. Despite not knowing the words it seems full of sorrow and sadness with Alexandre wringing every bit of emotion out of it. Hidden away among the Breton/French influenced tunes is the Irish trad ‘Set Béquate’ played to absolute perfection and a great example of a band that can turn it’s hand to anything. From Celtic-Punk rockers to trad tunes like this they know how to fill up a dance floor and the song speeds along at such an intensity that i’m sure by the end many drinks will have been spilt and many ankles turned over!

‘La Tournée’ is a fast and furious (120 seconds) number that takes in bands like Neck and The Tossers. Banjo heavy and over in a flash before ‘Le Retour’, a bagpipe Celtic-Rock number with a definite Scots feel and not just because of the pipes while ‘Le Dernier Bateau’ is a slower number with very much a ‘epic’ feel to the song. We are nearing the end of our voyage and Bodh’aktan see us out with two of the longest songs on the album. ‘Dans Le Bois’ carries on in in the same vein with an acoustic Celtic jolly wee number while the curtain comes down on De Temps Et De Vents with the amazing ‘Tant Qu’il Restera Du Rhum’ (in English ‘As Long As There Is Rum’!). At over five minutes all Celtic-Punk fans will know the kind of song when i say that its the end of the night, drink has been taken and you find yourself in the middle of the dance floor holding onto a stranger with your fist (or pint) in the air belting out the words at the top of your lungs. A slow heavy swirling way to see things out.

There is literally something here to keep everyone happy. When they ‘punk’ it up they are brilliant and when they ‘folk’ it up they are as well. For an album that varies from genre to genre the album flows magnificently (something I have noticed on their previous albums too) and you barely notice that the last song was a punk or folk number. The music is a joy to listen and the band are absolutely fantastic musicians and although the obvious humour here is lost on me this is a band who put out consistently great music and have done it yet again.

Buy De Temps Et De Vents  FromTheBand  Coop Breizh France

Contact Bodh’aktan  WebSite  Facebook  YouTube  Twitter  LastFM  Soundcloud

Disography Au Diable Les Remords (2011) * Against Winds And Tides (2013) * Tant Qu’il Restera Du Rhum… (2013) * Mixtape (2015) * Bodh’aktan (2016) * Ride Out The Storm (2018) *

(the brand new video for ‘Mick McGuire’ taken from 2018’s acclaimed album Ride Out The Storm just released on January 9th!)

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2019!

Well here we go again. It only seems like five minutes since I was compiling all the votes into last years Best Of that saw The Rumjacks romping home with Album Of The Year. This year has been a bit quieter on the Celtic-Punk front but as last year was so busy that is perhaps not surprising. That’s not to say their weren’t some fantastic releases as their were plenty and it was still really difficult to come up with the various lists below. Not so many big bands this year so it was left to the lesser known bands to shine but remember this is only our opinion and these releases are only the tip of the iceberg of what came out last year. Feel free to comment, slag off or dissect our lists. As a bonus we are adding the Readers Poll again this year so you can even vote on your favourite release of 2019 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

(click on the green link to go where you will find more information on the release)

1. THE WALKER ROADERS – Self Titled

2. MICKEY RICKSHAW – Home In Song

3. FEROCIOUS DOG – Fake News And Propaganda

4. GREENLAND WHALEFISHERS – Based On A True Story

5. BARLEYJUICE – The Old Speakeasy

6. THE NARROWBACKS – By Hook Or By Crook

7. McDERMOTTS TWO HOURS – Besieged

8. PIPES AND PINTS – The Second Chapter

9. THE RUMJACKS – Live In Athens

10. SELFISH MURPHY – After Crying

11. TORTILLA FLAT – Live At The Old Capitol

12. FIDDLERS GREEN – Heyday

13. THE RUMJACKS – Live In London Acoustic Sessions

14. THE WHIPJACKS – This Wicked World

15. 13 KRAUSS – Redención

16. ALTERNATIVE ULSTER – Craic Agus Ceol

17. AIRES BASTARDOS – Self Titled

18. THE TEMPLARS OF DOOM – Hovels Of The Holy

19. THE FIGHTING JAMESONS – A Moment In California

20. ANGRY McFINN AND THE OLD YANK – Songs of Whiskey, Women & War

21. THE SHILLELAGHS – Ripples In The Rye

22. HELLRAISERS AND BEERDRINKERS – Pub Crawl

23. BODH’AKTAN – De Temps Et De Vents

24. HEATHEN APOSTLES – Dust To Dust

25. SONS OF CLOGGER – Return To The Stones’

26. THE CHERRY COKE$ – Old Fox

27. THE FILTHY SPECTACULA – The Howl Of The Underclasses

28. THE POTATO PIRATES – Hymns For The Wayward

29. TC COSTELLO– Horizon Songs

30. THE TENBAGS – ‘Bags o’ Craic’

How to compete with last year? Every single top band in the genre released an album so things were always going to be a bit quieter for 2019. Top spot this year unsurprisingly goes to The Walker Roaders Celtic-Punk super group! With Pogues, Mollys and Dropkicks making up the team how could they possibly go wrong! Everyone’s ‘next big thing’ Mickey Rickshaw came in a well deserved second and Ferocious Dog took third after releasing their best album, for me, since From Without. Greenland Whalefishers celebrated 25 years on the road with their best album for quite a while and what Best Of would be right without some bloody brilliant Irish-American bands challenging at the top too. Pipes And Pints new album with a new singer received acclaim from across the Punk media and The Rumjacks couldn’t follow up last years unanimous victory despite having two album releases (both sort of live) in the top thirteen. Fiddlers Green continue to make consistently great albums and go into 2020 celebrating thirty years together! Good to see homegrown bands The Whipjacks, The Tenbags, The Filthy Spectacula and Sons Of Clogger making it too. The top thirty was made up of thirteen countries from USA, England, Norway, Czech Republic, Australia, Switzerland, Germany, Argentina, Japan, Quebec, Hungary, Spain and Japan.

1. THE LUCKY TROLLS – Self Titled

2. DRUNKEN DOLLY – The Party

3. LORETTA PROBLEM – The Waltz Of My Drunken Dream

4. THE CLOVERHEARTS – Sick

5. KRAKIN’ KELLYS – Irish Tribute

6. THE PLACKS – Rebellious Sons

7. GYPSY VANNER – Five Distilled Celtic Punks

8. THE RUMPLED – Grace O’ Malley

9. FOX’N’FIRKIN – Hey Ho! We’re Fox n Firkin

10. SHANGHAI TREASON – Devil’s Basement

The Lucky Trolls took #1 spot with their brilliant self-titled EP following on from fellow countrymen the Krakin’ Kellys multi award winning 2018. Trust me it would have taken an exceptionally good release to keep The Party by Drunken Dolly off the top spot but that is what happened. Dolly’s excursions over to these shores this year j=has seen them grown in stature and you can’t go to a Ferocious Dog gig without spotting at least a dozen of their shirts. Loretta Problem wowed us with their single ‘Waltz Of My Drunken Dream’ which took us right back back to The Pogues glory days and what about that accompanying video too!! If we had a award for best video then that would have walked it. The Kellys had a quiet year with comparison to ’18 but still managed a respectable #5 and great debut releases from The Placks our sole representative from a Celtic nation (big things are going to happen to this band in 2020 mark my words), Italian/Aussies The Cloverhearts and, from just down the road from my Mammy, Shanghai Treason from Sheffield who only put out one song… but what a song! Eight countries represented from Belgium, Netherlands, Finland, Italy, Scotland, Argentina, Australia and Yorkshire!

AIRES BASTARDOS– ‘Self-Titled’

Argentina is becoming a bit of a hot-spot for Celtic-Punk with not only some well established bands but also some new ones starting up too and with this release Aires Bastardos announced their arrival on the international scene too. Not afraid to dive straight into a folk number after a Cock Sparrer cover they veer from standard Celtic-Punk to Folk and back to fast as hell Punk but in that really accessible way that only Celtic-Punk (and maybe Ska-Punk) bands can do.

1. THE DREADNOUGHTS – Into The North

2. CROCK OF BONES – Celtic Crossbones

3. 6’10 – Where We Are

4. BRYAN McPHERSON – Kings Corner

5. CALLUM HOUSTON – Gravities

6. PYROLYSIS – Daylight Is Fading

7. SEAMUS EGAN – Early Bright

8. LE VENT DU NORD – Territoires

9. DONNY ZUZULA – Chemicals

10. DERVISH – Great Irish Songbook

The Dreadnoughts don’t really think of themselves as Celtic-Punk so I reckon they’d be happier to win this than Celtic-Punk Album Of The Year. A superb collection of sea shanties that is a pleasure to listen to that was always going to be #1. Crock Of Bones representing the London Irish in 2nd with an album of trad folk with punk rock attitude and it’s especially good to hear some originals done in the style of the ‘auld ways’. 6’10 challenged for the top spot as they always do with everything they release and Bryan MacPherson and Callum Houston both produced great releases of singer-songwriter acoustic folk with Irish roots.

Sadly the Celtic-Punk world has shrunk a little regarding Web-Sites. Winners of the last two years the Mersey Celt Punks have been slacking (sort it out lads!) and enjoying their gigs too much to tell us while Shite’n’Onions have been too busy transferring everything onto a different platform and preparing for a bit of a re-launch I expect. Sadly celtic-rock.de have shut up shop after twelve years so it just makes it all the more clear how much we all miss Waldo and his fantastic Celtic-Folk-Punk And More site. As regular as clockwork and all the news that was ever fit (or not!) to print. Closing down the site in its 10th year in March must have been a tough decision to make and so this year we award best Website to Waldo and let it be known that no Celtic-Punk site will ever come close to replacing you. We would certainly not exist without his kind help and inspiration. All the best comrade enjoy your retirement! One welcome addition is Michu and his Celtic-Punk Encyclopedia site from Poland. Worth checking out especially if you are in a band.

We are not alone in doing these Best Of 2019 lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

FOLK’N’ROCK

MERSEY CELT PUNKS

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other Celtic-Punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 8th year of making these Best Of lists so if you would like to check out out who was where in our previous ones then just click on the link below the relevant year.

Last year we introduced a new feature THE READERS PICK. We had no idea if it would work or not but it was a raging success so we going to do it all again this year. With well over 500 votes cast you lot chose the debut album from the Krakin’ Kellys as a worthy winner. Only the Top Ten albums are listed but there is an option to write in your favourite release or just to send us love… or abuse!

You are allowed to vote twice but not for the same artist.

The Poll will close at midnight on Friday 31st January with the result announced soon after.

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2020

2019 REVIEW ROUND-UP’S PART ONE: NORTH AMERICA- ROSIER, THE LUCKY EEJITS, WOMEN SING WAITS, HEATHEN APOSTLES

Each year the number of Celtic-Punk and related releases we receive here at 30492- LONDON CELTIC PUNKS continues to amaze us. Now this is great news but it does mean that we cannot keep up with everything we receive. We simply don’t have time to give a review to everything. Each December we have a week to concentrate on catching up with anything we missed the first time round. We like to write detailed reviews so apologies to the band’s concerned that we had to squeeze them in this way. Each and every band featured here are worthy of your time so please be sure to check them out. To start with here in Part One we are concentrating on four releases from North America with the USA and Canada featuring. In a few days time we will head to Europe and then we will focus on the Rest Of The World so please be sure to check back soon.

ROSIER- ‘Self-Titled’ EP

Anyone expecting a pulsating Quebecios folk fusion, in the vein of La Bouttaine Souriante/ Genticorum and such like, will be in for quite a surprise here. Released to accompany a fall tour from  Montreal 5 piece Rosier this 4 track EP blends a very lush, dreamlike, multi -layered  indie folk organically together with strong Quebecois folk traditions- which while always having a sense of exploration and development, never loses its distinct lightness of touch.
Rosier features the band’s steadfast original lineup: front-woman Béatrix Méthé (lead vocals and fiddle), Colin Savoie-Levac (lap steel, banjo and foot percussion), Sarah Marchand (lead vocals and keys), Éléonore Pitre (acoustic and electric guitar) and Marie Savoie-Levac (bass) while everyone helps out on background vocals. All the songs adapted from traditional and arranged by Rosier, except You Behind, which was written by Béatrix. A very relaxing listen, maybe best as an accompaniment to a wee dram at the end of the night.
Contact Rosier- WebSite  Facebook  YouTube  Instagram

THE LUCKY EEJITS- ‘Out Of Time’

Now I was first attracted to The Lucky Eejits thanks to their name and it’s ‘Gaelic’ meaning. Eejit of course being the way an working class Irish person would pronounce ‘idiot’. Playing straight forward punk rock this trio blast high speed and high energy upbeat punk music and their is simply no let up on Out Of Time with its catchy riffs in your face punk rock edge. Based in Oakland California the band began life as a Celtic-Punk outfit featuring six eccentric Irish-Americans but after a change in the bands line up The Lucky Eejits were reborn as a more than solid Punk-Rock band. The album is twelve songs long and lasts just over a half hour. Not bad for a album chockablock with songs played at breakneck speed. From the fast Pop-Punk of opener ‘Get Out’ to the final song, a nod to their Celtic-Punk days perhaps, ‘Warm Guinness’, about the perils of tour life, it’s an album that never lets up. Album highlights include ‘Champion’ and ‘So Far So Good’ which they released as singles with the latter as a pretty damn good official video.

Throughout Out Of Time it is packed with catchy melodies and is a fantastic follow up to 2016’s Do It Again. It’s definitely a fan friendly album with chances galore to join in the singing. This may make them more of a live band to follow but this album is certainly worth hearing too. The message here is one of hope and positivity and lets pray the guys get their hands on a cold Guinness soon!

Contact The Lucky Eejits-  Facebook  Bandcamp  YouTube

VARIOUS ARTISTS- ‘Come On Up To The House: Women Sing Waits’

The main problem with albums like this is that everyone on it treats their song as if it’s either the opening or finale of the whole thing and produces something incredibly over the top. A female only tribute to the legendary Tom Waits sounds great on paper but it is rather overblown and judging by Corinne Bailey Rae’s version of ‘Jersey Girl’ they’d have been well to invite Mariah Carey to perform here! Twelve artists of Tom Waits greatest ballads covered by Aimee Mann, Patty Griffin, Rosanne Cash, Phoebe Bridgers, Joseph, Shelby Lynne, Allison Moorer, Corinne Baily Rae, Courtney Marie Andrews, Kat Edmonson, The Wild Reeds, Iris Dement and Angie McMahon and yet it’s the oldest artist here Rosanne Cash and ‘Time’ that steals the show for me though the jazz influenced Kat Edmonson’s ‘You Can Never Hold Back Spring’ and the Country and Western singer Iris DeMent’s ‘House Where Nobody Lives’ wring out every piece of emotion from Tom’s majestic words and the album’s final song ends with the overblown (and rightly so this time!) The Wild Reeds version of ‘Tom Traubert’s Blues’.

Tom Waits has just recently celebrated his 70th birthday though sadly this album adds very little to his canon of work. An opportunity to really re-interpret his work has got lost (largely) under some rather inflated ego’s. For Waits fanatics its worth buying for the Rosanne Cash song alone and also producer Warren Zanes who wrings as much out of the songs as possible and provides some excellent liner notes on his relationship with Tom Waits music.

“He kept writing those songs that burrowed into the broken places inside of us, Waits could regularly deliver that revelation that comes with only the best songs: you may be lonely, but you’re not alone. As the years rolled by, every Waits recording arrived like it had come just in time.”

HEATHEN APOSTLES- ‘Born By Lightning’ EP

So far here we have reviewed a Folk album, a Punk album and a sort of Bluesy compilation album so none of our usual uptake and that doesn’t change with this review of the latest EP from Heathen Apostles. They play a sort of Gothic Americana Blues crossed with alternative alternative country. Born By Lightning comes hot on the heels of their recently released album Dust To Dust, their fifth to date, and five new songs of what one reviewer described as “the bluegrass of Bill Monroe put into the woodshed with the Gothic tendencies of Siouxsie And The Banshees”. Label mates of one of my all time favourite bands Phantom Of The Black Hills they tread much the same path but definitely in a more accessible way to yer average Joe. Fiddle and banjo aplenty here while Mather Louth’s beautiful yet powerful voice shines above all else. Starting off with the slow Country styled Gothic ballad ‘Death Bell Blues’ a tribute to the legendary Howlin’ Wolf before leading into the dark ‘Chosen One’ which shows the Apostles at that catchiest best. The title track ‘Born By Lightning’ sees them back in darker country again with an intense ballad that builds on Mather’s voice with the rest of the band restrained before here. A million miles away from the Grand Ole Opry! The last two songs have a much harder edge, ‘Devil Comes For All Of Us’ is elf explanatory while ‘Scarecrow Blues’ take us far away from traditional Country and into the realm of the ‘murder ballad’ with its tale of a social misfit  being burned out of his house only for the vigilantes to burn down the entire town while it slinks and slithers to the beat of the blues! A Country-Bluesy-Punky affair the band have long wanted to do a Blues style release and with Born By Lightning they have managed to stay close to their roots and something that would also appeal to more traditional music fans too. Signed to Ratchet Blade Records which specialises in ‘Dark Roots Music’ where you can find out all you need to about this glorious genre.

Contact Heathen Apostles  WebSite  Facebook  YouTube

So ends the first part of our 2019 Round-Up’s and again apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have still missed some fantastic music I am sure so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. And finally if you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

ALBUM REVIEW: THE DREADNOUGHTS- ‘Into the North’ (2019)

Ever since 2007 The Dreadnoughts have been an ‘tour-de-force’ upon the Celtic/Folk-Punk scene. Thrashing their way around the world blending Punk-Rock with a bunch of European Folk traditions with a power and range that few others can match. Now though they have returned to their roots with their fifth studio album Into The North, a collection of traditional and original sea shanties recorded deep in the Canadian hinterland.

Its been a long road for The Dreadnoughts. Not only because they have probably played in more countries than any other Folk-Punk band but that they have a come along way since their singer’s early days in the famed Ontario, Canadian band Siobhan. I say famed but at the time the Celtic-Punk scene was tiny but they still managed to make a name for themselves with their two studio albums The Patron Saints of Debauchery and Welfare State and legendary stage shows. When Siobhan split a couple of years went by before they dived straight back in with The Dreadnoughts. Those early days spent playing in Vancouver’s notoriously seedy Ivanhoe Hotel saw them build up a large and loyal following and later they would be recognized as one of the best live bands in the city. Embracing the old-school destructive chaos of live Punk, their gigs were hot and sweaty and full of joy and went on till the audience was exhausted, happy and pissed to the gills. Fast forward to 2019 and with a host of critically claimed studio albums behind them The Dreadnoughts have again taken us by surprise and have stripped their sound right back and when I say right back I mean right back!!

Always with a fondness for sea-shanties their version of ‘Roll The Woodpile Down’ can be credited for starting a trend amongst the scene for bands in the middle of their sets to lay down their instruments and test their harmonies with an acapello song. The haunting thunder of sea shanties has long been the backbone for The Dreadnoughts sound and on their new album here they have fully embraced the genre for a whole album that is the greatest collection of original and reworked traditional sea-shanties in modern times! Tasked with recording the songs the band decided early on in the process that they didn’t want to go for that slick produced ‘studio’ sound so they

Holed up for a week in a small wooden cabin with nothing but whiskey in our glasses, four microphones in front of us, and hordes of mosquitoes outside singing along, we belted these damn songs over and over until we had them just right, and the result is the album we’ve always wanted to make.

With their last album, 2017’s a multi-genre, historically themed concept album Foreign Skies also stepping outside the box, being a raw and emotional ride through the horrors of the First World War it only shows that The Dreadnoughts are without a doubt both a band that is unafraid to take risks and the most innovative bands in our or any other scene. Stories of love and loss, war and strife, redemption and sorrow from a band that up till then only sang songs about gin and scrumpy cider… this was new territory and also a massive success with fans and critics alike.

(see for yourselves by streaming/downloading Foreign Skies on Bandcamp below)

Now first off I have to say that bar a few of the more obvious ones I know not what, if any, of the songs here are originals. You can never be too sure with anything The Dreadnoughts do as their mischievousness could always have you believing the opposite! The album opens with ‘Rosibella’ and considering I was expecting some Folk-Punk fury I was shocked to find in its place a stripped down sea-shanty with only occasional squeezebox to accompany the words. ‘Fire Marengo’ was found by The Young Traditions Royston Wood in an old book called Shanties From The Seven Seas, where a few of the songs here were first documented, and after changing some verses and adding the tune went on to release it on their 1967 EP Chicken On A Raft. Most of the songs here hover around the two minute mark as without the padding of music it’s mainly the vocal harmonies, and a bit of foot stompin’, that rule here. ‘Pique La Baleine’ is a traditional Breton whaling song sung in French and dates back to the early 19th century. Again it is accompanied only by squeezebox while mournful fiddle makes an appearance on the relatively modern ‘Roll Northumbria’ a song about the building of a war ship in the Tyne in 1965. ‘Joli Rouge’ is an Dreadnought original devoted to Cidre Joli Rouge, a company dedicated to the production of real cider not the syrupy, corporate, mass-produced, prison wine that passes for it in most pubs. The company has even made a Dreadnought Cider!

“she’s called the Dreadnought cider
she’s proper and she’s fine
and when the day is over how I wish that she were mine
or in the dark of winter, or on a summer’s eve
one hand giveth while the other doth receive

So you can have a Mangers and pour it over ice
or you can have a Strongbow if it’s sadness that you like
or join us up the river and we’ll set your heart aglow
and how you’ll feel when the real cider starts to flow”

One of the album’s highlights without a doubt! Anyone who has seen them play over the last couple of years will recognise a couple of the songs here and if not then will be familiar with the style of the songs. I’m not sure if I saw them giving ‘Lifeboat Man’ a run through at their outstanding gig at the Cursus Festival last year or not but its familiarity is nice even if they didn’t play it! ‘Shallow Brown’ is pure sea shanty at its best. A typical call and response song with The Fang, otherwise known as Nicholas Smyth, singing the verses while the rest of the band sing the chorus. The song is a sad tale of a man leaving a woman on shore, pretty much a standard subject for a shanty, though this time its the story of a man being sold into slavery.

Sad and mournful and perfect for a good bass voice like Nicholas’. ‘Whup! Jamboree’ is an auld song and like most here no one is sure quite how old. It’s a cheeky number and shows workers at their most risque!

“And soon we’ll see old Holyhead
No more salt beef, no salt bread
I catch my Jinny and it’s off to bed
Come and get your oats me son”

Accompanied by very low key squeezebox and the solitary slow beat of a drum it’s another highlight. A.L. Lloyd sang ‘Whup Jamboree’ in 1957 on his and the great Ewan MacColl’s album Blow Boys Blow. He commented in the sleeve notes:

Whup Jamboree is one of the wildest and most exultant of homeward-bound shanties. The progress through the English Channel and into London River goes as a fast clip, and all hand are looking forward eagerly to what the girls ashore have to offer. From its references to Blackwell Dock, this shanty, used for work at the capstan, apparently rose among sailors in the Far East run.”

‘Paddy Lay Back’ is probably the best known of the songs here as it has been recorded by many famous Irish artists including The Wolfe Tones (here) and the Dublin City Ramblers (here). It’s earliest date is 1898 and tells of a poor Irish lad who goes to sea to earn his fortune but suffers at the hands of foreign sailors, poor conditions and the long voyage. ‘Dear Old Stan’ is dedicated to the memory of Stan Rogers the acclaimed Canadian Folk singer-songwriter who passed away in 1983 but is till remembered fondly for his Celtic influenced Folk songs many telling of his parents days working off the sea and tales of the lives of ordinary working people.

Some really wonderful lyrics here that fair bring a tear to the eye and explain the high esteem that Stan Rogers is held in Canada and around the world.

“The Yanks have Woodie Guthrie, The British Ralph McTell
The Celts have got the Corries, aye and Ronnie Drew as well
Adge Cuter sings of cider out in the west country
but I am a Canadian, and so I say to thee

Arise and be merry
and sing out while you can
The world will never see the likes
of dear old Stan”

Following this tribute is ‘Northwest Passage’ one of Stan Rogers best-known songs and my favourite song on Into The North. An acappella song, originally released in 1981 it is now considered one of the best songs in Canadian music history.

Take a moment also to watch this tribute to Stan Rogers version here. ‘Sacramento’ is a catchy foot stomper while the only song here that gives a hint of what The Dreadnoughts are famous here are the instrumental trad songs ‘Harper’s Frolic / Bonny Kate’. Showing the bands mastery of traditional Folk and how easily the Bhoys can turn their hand to anything while still be able to give it a distinctive Dreadnoughts stamp. We are near the end of Into The Norths forty-two minutes and ‘Shiloh’ is another up lifting foot stomper while the curtain comes down with ‘Starbuck’s Complaint’, a great song to end with as Drew’s voice and harmony brings the album to a melancholy close and how else could an album of sea shanties end. The work was without a doubt hard and often tyrannical under many a vicious Captain’s rule. The workers would say that “a song is as good as ten men”. The songs were used in the manner of field work song’s and these shanties tell the tales of loneliness, the families these men left behind, the daily hardships of an unkind sea and adventure on the seven seas.

Celtic-Punk is more than just getting your girlfriend to play fiddle over a punk song (just as Folk-Punk is more than a trendy hipster achingly singing over an acoustic guitar). It has a past and that link to the past has to be explored and celebrated. There are certain values I think to be associated to whatever it is that passes as a Celtic-Punk scene and to celebrate the music that inspired it is surely at the top of the list. Here The Dreadnoughts do just that. If you are expecting their breakneck Punk-Folk then you may be disappointed on first listen but by the second or third you’ll come to really appreciate what it is they have done here. In fact I look forward to seeing them placed in our Top Ten Folk and Trad releases of the year rather than their usual spot in the  Celtic-Punk Top Ten! Celtic folk music and Punk can form a perfect union and while on Into The North they take a more traditional route with these wonderful songs I’m sure it won’t be long before they’re back breaking stages around the world, scoffing down the ciders and spreading their gospel to anyone and everyone who will listen.

(stream Into The North from Bandcamp below before you buy!)

Buy Into The North  FromTheBand

Contact The Dreadnoughts  WebSite  Facebook  Bandcamp  YouTube

Stoked. A documentary about The Dreadnoughts by Adam PW Smith

|  | 17 November 2017 (Canada)

Vancouver legends The Dreadnought returned from a six year hiatus in 2017 to record a new album. Filmed in the recording studio, and drawing from an archive of photos and film clips that go right back to their second ever live show, this low budget documentary rises above its station with great characters and stories that range from enlightening to hilarious (and occasionally dubious). These liquor soaked musical heroes prove themselves to be thoughtful, as well as entertaining. Everything you ever wanted to know about the Vancouver-based Celtic-Punk band – and perhaps things you didn’t – can now be found in Stoked: The Dreadnoughts Return. Watch the film here.

ALBUM REVIEW: THE SHILLELAGHS- ‘Ripples In The Rye’ (2019)

The Shillelaghs are an Irish-Canadian band hailing from Calgary. With this their second studio album they deliver some hard hitting and original Gaelic tinged Celtic-Punk which takes me back to the glory days of the scene!
If there’s one thing we can’t seem to get enough of its band in Europe with the word ‘Bastard’ in it and in North America bands with the word ‘Shillelagh’!! At least though Bastard is easier to spell as i can think of at least four bands with different variations of shillelagh. It’s got to the point where I’m not sure what the correct spelling is but seeing as these guys and a gal from Calgary are very much in touch with their Celtic roots then I think its easy to presume this spelling is the correct one!

The Shillelaghs from left to right: Lisa Graham – Piccalo * Andrew Shannon – Bass Guitar * Dave Anderson – Vocals * Greg Devine – Accordion * Ryan ‘Van’ VandenBerg – Drums * Kyle Libbus – Guitar

The band took the well worn route to Celtic-Punk having formed out of various local punk bands in 2006 and unusually for a Celtic-Punk band those members are still intact and driving forward. You just cannot beat a settled and established line up. This would lead to the release of their debut album in 2011, Wastedly. It took another four years for them to follow this up and in 2015 the eagerly anticipated Bury Me At Sea landed at shore and gave The Shillelaghs uniformly great reviews across both the Celtic-Punk world and further afield too. Voted into #14 in our Best Of 2015 the album also made the top-ten of the sadly deceased (and buried at sea) Celtic-Folk-Punk site.
(Have a listen yourselves and stream the The Shillelaghs debut album Bury Me At Sea below on the Bandcamp player)

So thirteen years after coming together, and nine after their debut album, the original band are still together and pumping out what I would call ‘traditional North American Celtic-Punk’. Here The Shillelaghs have recorded ten outstanding original tracks for Ripples In The Rye and as vocalist and songwriter Dave beautifully puts it

“reaching out to the past to tell us of it’s struggles, only to find ourselves reflected back – hope and acceptance in the face of loss, and the power to enjoy ourselves in spite of it – being burdened with knowledge, and the internal power to throw off the chains of guilt – the immortal adventure of memory forged with your compatriots by your side, and the journey yet to be written…”

Ripples In The Rye starts with ‘Relentless’ and that’s the sound of classic (or traditional) Celtic-Punk invading your ear. Kicking off with some some pounding drums a piccolo (flute) grabs your attention and chugging guitar before Dave dives in on vocals that may divide some but I love them. On the growlier side of things these are punk vocals for a Folk-Punk band. The song keeps a steady pace except for an interlude broken by Kyle and a wicked little guitar solo. This is Celtic-Punk and so most of the subject matter tends to be of the serious though hidden behind a wall of tomfoolery and shenenigans and a ‘reet good time’ and while that tends to be true there’s always a stream of black humour throughout and The Shillelaghs don’t disappoint on ‘Drunk On A Loading Dock’ which has all the things I just mentioned in a song that flies past in just 123 seconds!! Very nice accordion solo here too (from guest Greg Devine who also helped with the production for the album too. My hat is tipped to ye!) and I would have enjoyed a bit more of that to be honest. ‘From Your Mind’ slows it down a bit with more accordion giving it at times a Cajun feel while the band support with a Ska-ish beat. Dave’s vocals here soar and prove there’s a lot more to it than just shouting in harmony. ‘Old Growth Soul’ begins gently with acoustic guitar before taking off in several directions. Influences galore here to the point that it’s hard to put your finger on them. Punk at times and Folk at others it’s a strange wee number though also strangely familiar. More than half way through and no sign of a ballad yet and ‘Let Me Go’ speeds along very nicely. A song about death is always a surefire hit and it’s the album’s standout track for me as everything combines perfectly for a song steeped in Celtic-ness in both music and lyrics. Another short song of only just over two minutes these Shillelaghs don’t hang about do they!

Released as the bands first ever official video (come on gang you got to keep up) and also the lead single from the album it’s accompanied by a video that is perfect in it’s simplicity. Just a band performing in front of their mates in a bar. That is the perfect Celtic-Punk video. So an album of just over half an hour for ten songs shows they keep it snappy but they take a longer route next on ‘Along The Road’ and it doesn’t disappoint either. The arrangements are a bit more elaborate but aye I agree with you guys keep it punky!! The songs are coming at us now and ‘Pale Horse’ is fast and furious and leans more towards a straight Punk song while ‘Street Pirates’ takes the tune from it’s name and though their are distinct genres of Pirate-Punk and Pirate-Metal it’s almost that ballad I was after but I think I’d have to call it a Pirate-Rock ballad. Cool as ever and catchy as hell with great accordion with a killer chorus that leads us nicely into the last song of Ripples In The Rye and ‘Blackthorns’ takes us out in style with another song of ‘traditional North American Celtic-Punk’. Dave sings achingly and bursting with emotion (as he does throughout the album) while the band come together for a song that is lead beautifully by Lisa on the piccalo.

I have spoken here about a kind of ‘traditional’ album. A traditional sound for a Celtic-Punk band. Well that doesn’t mean the likes of the Dropkicks and the Murphys it means the sound of bands like The Shillelaghs who have distilled the sound of their ancestors with the sound of modern (though not always that modern) music to make something that is both meaningful and to be enjoyed to the upmost. The Shillelaghs are a band that can take the serious and the fun and put them together to give a glorious riot of a good time. Ripples In The Rye is released on November 2nd and is available for pre-sale at the links below so don’t delay and get in there as quick as you can. In fact as quick as a Shillelaghs standout track will do.

(you can stream some of the songs from Ripples In The Rye on the Bandcamp player below)

Buy Ripples In The Rye  Vinyl-FromTheBand  Download  Google

Contact The Shillelaghs  Facebook  WebSite  YouTube  Bandcamp  ReverbNation

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

ALBUM REVIEW: THE RUMJACKS- ‘Saints Preserve Us’

The new album from the undisputed Kings Of Celtic-Punk hits the decks right across every corner of the globe. I never thought they’d ever come close to their out of this world debut album but as Shane O’Neill shows they have not only made an album to compete with Gangs Of New Holland but possibly even surpassed it!!!

To say we’ve been excited and eagerly awaiting the release of The Rumjacks new album is a major understatement. It’s no secret that we’re big Rumjacks fans (if not a little obsessed) over here at London Celtic Punks. True to form, The Rumjacks didn’t disappoint. This is another absolute crackin’ album – 42 minutes of pure brilliance. I haven’t been able to turn it off since I got my hands on it. Totally addictive! The album, Saints Preserve Us, is released on the tenth anniversary year of the band and what a way to mark the occasion. Originally formed in Sydney in 2008, the band recently set up camp in Europe and have been touring rigorously over the past few years. They have just kicked off their tenth anniversary tour which will be ripping through Europe and Asia over the next few months. The crowds and venues are getting bigger which is down to their hard work and of course the exceptional tunes they continue to churn out. This is their fourth studio album and the third to be released in the last three years. Over the past few weeks the band have been drip feeding with a few tracks to wet our appetite. First up was the title track and video, ‘Saints Preserve Us’.

This track is full of the energy we’ve become used to from the band. There’s also a hint of ska-punk on the track. This was followed up with ‘Bus Floor Bottles’, ‘The Foreman O’Rourke’ and ‘Cold London Rain’. All of this within a week!!! ‘The Foreman O’Rourke’ is a cover of Matt McGinn’s folk tune. It features Paul McKenzie and Troy Zak from Canadian punks The Real McKenzies. And bhoy have they transformed this song…It’s been given a boost a speed with bagpipes thrown in for good measure.

The album features a host of guest appearances from the Celtic-Punk world with Mike Reeves of Mickey Rickshaw popping up again, after a recent spot on German band Kings & Boozers debut album, doing a spot of vocals on the second track ‘Billy McKinley’. The combination of vocals between Mike and Frankie on this track works wonders making this one hell of a tune. Other guests include Maurizio Cardullo (Folkstone – Whistle & bagpipes), Robert Collins (Blood Or Whiskey – Trumpet & accordion), Angelo Roccato (The Clan – Guitar), Francesco Moneti (Modena City Ramblers – Fiddle), Denis Dowling (Clan of Celts – Guitar and backing vocals) and last, but definitely not least, our very own Shelby Colt (London Celtic Punks – backing vocals). Beat that!! The fourth track on the album is a rendition of ‘An poc ar Buile’ (The Mad Puck Goat). I’ve heard some of the traditional versions of this tune before but nothing anything quite like this. The song is almost entirely in Gaelic and played at a high tempo with bagpipes, which works well. I had trouble getting it out of my head a few nights.

It’s difficult to pick the best songs on this album. They’re all feckin’ brilliant. If I was pushed I’d have to say ‘A Smugglers Song’, ‘Bus Floor Bottles’, ‘Billy McKinley’ and ‘Cupcake’ would be the favourites. ‘A Smugglers Song’ is a revisit to The Rumjack’s roots and you’d be forgiven for thinking it had been plucked from one of their early days EP’s. We’ve listened to quite a few Celtic-Punk bands here at London Celtic Punks and The Rumjacks are a tough act to follow. Everything they’ve released to date has been highly acclaimed throughout the Celtic-Punk world and they’re going from strength to strength. It’s widely accepted that their debut album Gangs of New Holland is probably the best Celtic Punk album to have even been released. I never thought another album would get anywhere close to it, however I have to say, Saints Preserve Us is most definitely a contender to knock it off the top spot. So there you go… Drop whatever you are doing and get your hands on a copy of Saints Preserve Us now.

Rumjacks band

The Rumjacks left to right: Top: Gabriel Whitbourne- Guitars, Vocals * Adam Kenny- Mandolin, Banjo, Bouzouki, Bodhran, Acoustic Guitar, Vocals. Bottom: Johnny McKelvey- Bass, Vocals * Frankie McLaughlin- Vocals, Tin-Whistle, Guitar * Pietro Della Sala- Drums, Vocals.

Also make sure you try to catch The Rumjacks in a town near you.

Buy Saints Preserve Us  FromTheBand  Here  (iTunes, Google, Apple etc.,)

Contact The Rumjacks  WebSite  Facebook  Twitter  Instagram  YouTube  Soundcloud

For more on The Rumjacks check out the following articles Album Review: ‘Sleepin’ Rough’ (2016)  here

Album Review: ‘Sober And Godless’ (2015)  here

Single Review: ‘Blows And Unkind Words’ here 30492-London Celtic Punks Top Twenty Celtic-Punk Albums Of All Time here The Rumjacks And Irish Pubs here

EP REVIEW: THE GRINNING BARRETTS- ‘The Riot EP’ (2018)

 The second EP release in less than six months from the beer and whisky fuelled bagpipe Celtic punk rockers The Grinning Barretts. Delivering more of the same with a range of floor stompin’, table poundin’ trad Irish folk originals, to catchy, ‘waketheFup’ Irish punk anthems that will sure blow the cobwebs out your ears!

Though formed in 2015 this year has been a very busy one for Vancouver Island Celt-Punk upstarts The Grinning Barretts with the release of The Riot EP quickly following their debut EP from last St. Patrick’s Day. To say we rated it highly is a bit of an understatement and we are also pleased to report that The Riot hits the high spots too.

Grinning Barretts

The Grinning Barrett’s left to right: Bern- Bass * Aaron- Bagpipes, Whistles, Vocals * Dylan-Guitar, Banjo, Vocals * Jeremy- Drums * Lydia- Riot Brewing bartender * Jimmy- badass fan * Pat- Guitar, Mandolin, Lead Vocals. Not in the pic: Kevin- Bagpipes

Hailing from the small ex-mining town of Ladysmith in British Columbia, Canada that debut release saw seven song, including two covers, of pounding anthemic Irish influenced punk rock. Simply played but with a passion missing from many a signed band The Grinning Barretts have a pride in their ancestry as well as their class which shone through in songs like ‘UFS’ (-Union Fight Song) and covers like ‘Wild Mountain Thyme’. Rather than repeat ourselves head over to our review of The St. Padraigs EP here and find out a bit more about the rich (not in money!) history of where The Grinning Barretts ancestors washed up and the individuals involved in the group.

The Riot EP was released last week and is another step in the right direction for this class band. Kicking off with ‘Armstrong Ave’ and with two pipers they waste no time in getting them involved in a Real McKenzies-ish, who even get a mention,  fast paced punk rocker.

“I hear evolution, Fire get’s passed along,  I hear the tried and true.

Who still soldier on Good Riddance, McKenzies, Strung Out, NoFX. I listen to Rancid.

I will until I’m deaf”

Punk lives on and each band carries the torch and whose to say there’s not a group of young guns out there listening to The Grinning Barrett’s who will take the torch from them… but not just yet. ‘At The Altar Of Saint Ayn’ is more Irish with vocalist Pat Barrett’s mandolin getting a good work out. The music is fast and punky with the occasional break for some trad folk and it’s all done with a style you wouldn’t often associate with a straight forward punk band. The song is interspersed throughout with chat from England’s own Christopher Hitchens. Look him up if you like and make your own minds up on what he says is all I will say. The song is about the Russian-American philosopher Ayn Rand.

“The apostles of St Ayn. Blue blooded time and time again profess the virtues of toil and sacrifice. From offices so high. Bestowed as a birthright and baptized on the altar of St Ayn”

Next up is ‘Last Call’ and is that most dreaded words for any Celtic-Punk fan. We may hate it but what about the poor bar staff trying to shoe horn us out the bleeding door! This song is for them. We have our first and only cover next up with the old and beloved ‘The Rising Of The Moon’. Picked up and sung on occasion by Celtic-Punk bands but by no means common i can only remember it played by US band The Kilmaine Saints and Ukrainians ShamRocks it’s played to the max here and coming in at under two minutes its fast and most unlike any version you ever heard before. Pat’s voice is harsh and gruff and adds plenty punk rock bite to the rest of the proceedings. Aaron and Kevin’s pipes are out again in force and it takes us nicely into ‘IBLD’ a straight up punk number with a nice guitar break from Dylan. No Celticness to admire here just a catchy as hell punk rock number. We are nearing the end and again The Grinning Barrett’s mine (!) their local history for its rich source of material and ‘King Of Scabs’ is without doubt the #1 song on The Riot EP for me. Beginning with the pipes and one hell of a catchy tune and Pat reins in his voice a little and even sings along at times. Its a cracker of a song and for those that don’t know a Scab is the word used to describe a ‘person’ who betrays his brothers and sisters and crosses a picket line. Take some advice from The Grinning Barrett’s and London Celtic Punks- Don’t ever cross a picket line. The song tells the story of miners strike and is important enough I’ll reprint it all here.

“Across a picket line a man with no loyalty walked. Into the mines because his honor had been bought and over bodies he would step to line his bank account. While other men’s families learned to go without.

1887 at Nanaimo #1 an explosion killed 148 Men. Condemned to die by conditions in the mines trying to put food on their plates. On broken strikes and broken backs the King built his castle and he paid a pittance for the lives lost deep down below. The men got locked out of the mines for talk of a better wage.

Roberts greed and Roberts pride would see them all as spaces. He hired thugs and police to harass picket lines until men accepted starvation wages in collapsing mines

(Chorus) Halfway to hell at the morning bell into the mines for coal. While the king of scabs clawed wages back from high in his castle”

The King of scabs in the song is Robert Dunsmuir, a Scottish immigrant to Vancouver island. He was a union coal miner, but crossed a picket line to scab his fellow workers becoming a wealthy coal baron as a result. He exploited Chinese workers willing to work for less to drive down wages, and was active in keeping safety laws lax. He built Craigdarroch Castle in Victoria that is still there today. The Riot EP ends, appropriately, with ‘Riot Crew’ and its all over in sixty-five seconds of fast Oi!/Streetpunk and we can finally catch our breath. The EP was recorded at the Riot Brewing Co. in Chemainus British Columbia and while it may not be everyone’s cup of tea it sure is mine! Fast and agressive Celtic-Punk with the emphasis on PUNK that is played with passion and pride. A great EP and now all they need to do is knock out a Long Player otherwise they going to dominate the Best Of Year EP charts for 2018!

(listen to The Riot EP for free before you buy here on Bandcamp)

Buy The Riot EP

FromTheBand

Contact The Grinning Barretts

Facebook  Soundcloud  Bandcamp  Twitter  

ALBUM REVIEW: BODH’AKTAN- ‘Ride Out The Storm’ (2018)

Bodh’aktan feature seven characters from vastly different musical trends disembarking to forget the daily grind and all the hassle and leave only good times and a good mood behind them!

To fans of Celtic-Punk music traditional Irish music is part and parcel of why we love it so much. It is rather surprising then their are hardly any links between the ‘old’ world of trad Irish and Celtic music. Sure The Dropkick Murphys did a wonderful collaboration with Ronnie Drew of The Dubliners (see here) and Derek Warfield and his Young Wolfe Tones regularly play with the best Celtic-Punk bands but only in the States. So it was a shock, but a welcome one, to find the legendary uileann piper Paddy Moloney of The Chieftains collaborating with Bodh’aktan on their new album, Ride out the Storm. Many of the legends of Irish folk that we grew up with are no longer with us so its no exaggeration to say that Paddy is truly treasured by everyone and even at the tender of eighty (his birthday was just last week) he has lost none of his brilliance and his contribution here is both faultless and incredible. More on that to come but now on with the review!

Ride Out The Storm is sort of Bodh’aktan’s second album. I say sort of as they have also recorded an album Against Winds and Tides which was basically a collection of some of their own songs re-recorded in French. The band hail from Quebec, the French speaking semi-autonomous region in eastern Canada. The region has a totally different feel to the rest of Canada and French is the only officially recognised language. Within this French culture is also a large Breton influence and their are no shortage of Celtic influenced bands and music coming out of Quebec and to that merry band we can now add Bodh’aktan! The British never like to give up their colonies and in 1980 and 1995 referendums were held on whether or not to leave Canada. Sadly in 1995, the people of Quebec chose to stay in Canada by a 1% margin and so it is they remain subjects of the British crown.

Ride out the Storm came on the 1st of June and features fourteen brand new songs with three trad folk covers and a set of reels featuring three Irish trad instrumental tunes. It begins with ‘About Things To Come’ a short intro of just over a minute that starts off like Hell’s Ditch era Pogues with a Western feel to it and just as you expect the following song to explode out the speakers at you ‘Nothing But A Game’ is a soft and gentle Celtic number. With whistles and acoustic guitar it gallops along at a steady pace. Upbeat and friendly and alcohol infused it’s a cool start to things before it gets rocky with next track ‘Get Loud’. A while ago the AC/DC video for ‘Its A Long Way To The Top (If You Want To Rock’n’ Roll (check it out here!) went viral across the Celtic-Punk world thanks to singer Bon Scott and his bag-piping. Well i had to look and check this wasn’t a AC/DC cover and it isn’t but Christ it could be. Showing the band can turn their hand to more rockier songs its as catchy as hell and I’m sure Bon is looking down with a smile on his approving face!

Again it’s as catchy as hell and leads us nicely onto ‘Heave Away’. A traditional sea shanty from Newfoundland it’s given an upbeat Celtic feel and while it is a complete contrast to the rocky ‘Get Loud’ it doesn’t for a second feel out of place.

“Sometimes we’re bound for Liverpool
Sometimes we’re bound for Spain
But now we’re bound for St. John’s town
To watch the girls a-dancing”

The album’s second cover is next and while ‘The Black Velvet Band’ is not exactly a rare song to be found on a Celtic-Punk bands album it is transferred to a different level by the inclusion of the fore-mentioned Paddy Moloney of The Chieftains. The song itself is as solid a rendition as you could expect but Paddy’s piping is truly remarkable. His contribution to the traditional Irish music scene is immeasurable so hopefully the album may make it into the ears of the folk music purists (or snobs as we call them) and they will see that Celtic-Punk music is a part of the same tradition. It’s a real stormer of a song and one for waving your pint int he air with your hands round your mates. The songs so far while all being fairly obviously Celtic influenced have all actually been quite diverse with everything covered, including Goth if you include the ‘gloomy’ opening intro.

More trad Bodh’aktan can be found next on ‘Ride Out The Storm’ another modern day sea shanty that has a Dropkicks feel to it for me but rocks along in a standard Celtic-Punk way although with perfectly executed vocals. ‘The Bridge’ is next and again that classic sound is there but the influences this time seem to be shared with 70’s era heavy (air?) metal and trad Irish folk. This is followed by a song simply titled ‘Reels’ and shows these guys can certainly turn their ear to a trad song or two. Three tunes are included showing how marvelous their musicianship is while not being afraid to ‘punk’ it up a little too. A song you could both Irish dance and mosh too is a rare thing indeed. It’s fast and furious and proof for those folk ‘purists’ we mentioned earlier that they are missing out on something good. They are cut from the same cloth as those who derided The Dubliners and The Pogues back in their day. They would be more happy if the music died that to have someone respectfully adapt and change it. We may never get through to them. It’s their loss. ‘You Are The Ones’ and ‘Chasing The Wind’ are again classic Bodh’aktan with the music at all times highly charged whether fast or slow. The final cover is of ‘Mick McGuire’, a song that no one really knows how old it is. Recorded by many greats over the years most notably The Clancy Brothers the song tells of a man who pisses away his marriage

 “Johnny, come up to the fire, come up, you’re sitting in the draft
Can’t you see it’s old McGuire and he nearly drives me daft
Ah, I don’t know what gets into him, for he’s always on the tare
Arragh, just sit where you are and never you dare to give old McGuire the chair”

The melody was used for the tune to ‘Hot Asphalt’ by Ewan MacColl. Shipping up to the end of Ride OUt The Storm and we get the first version of ‘We Cannot Fail’ recorded by Bodh’aktan. A real singalong with a great chorus, heavy bass line and catchy as feck tune with loads of band chants in the background. ‘While I’m Away’ is a modern day Irish folk song and a beaut of a song before we get the bonus second version of ‘We Cannot Fail’ and if I thought #1 was a belter then this version wipes the floor with it. Aided and abetted on the song by German Celtic-Punk legends Fiddler’s Green it brings down the curtain brilliantly and will get your leg pounding the floor as you listen to it!

So fourteen songs with a small smattering of trad covers all clocking in at literally just under fifty minutes that while tipping their hat to the bigger bands of the Celtic-Punk scene also showcases their original sound and their ability to ceaselessly drift in and out of different genre’s without you even noticing! Everything here is perfection personified with the production top notch without being overdone and in songs that veer from trad folk to heavy metal its quite a feat to capture Bodh’aktan’s sound and massive array of instruments so well. This is an energetic album that comes with thoughtful and thought provoking lyrics in the traditional story-telling way that, thankfully, is quite common in Celtic-Punk. The spotlight may be on Irish folk here and the punk elements more subdued but this is an album for all fans of Celtic music whether it be your Grandad or your young nephew!

Buy Ride Out The Storm  CD/Vinyl- FromTheBand  Download- iTunes

Contact Bodh’aktan  WebSite  Facebook  YouTube  Twitter  LastFM  Soundcloud

ALBUM REVIEW: THE MAHONES- ‘Love + Death + Redemption’ (2018)

30492-London Celtic Punks web-zine is amazingly five years old today. Bloody seems like it too…

After a brief hiatus Celtic-Punk heroes and legends The Mahones have returned and are back with a bang with the first of a four album package slated for release in 2018.  With new album Love + Death + Redemption they hit the heights but maybe not so in a way we would expect them to.

Well what to say about The Mahones? If you haven’t heard of them where have you been hiding? Under a rock? Please bow your head and go away and rectify the situation as soon as you finish this review. While the Dropkicks and the Mollys have gotten the glory and the massive stadium gigs and tours there has been only one constant wherever you are 0over the last twenty-eight years and that has been The Mahones. Come rain or shine they have always been there. When I was a young punk rocker in my wee one horse town growing up the first, second, third, fourth etc., punk band I ever saw was the UK Subs as they were the only punk band that would play there. The same can be said of The Mahones and their constant touring. I am absolutely certain they rock up in some towns somewhere where they are the only physical link to the Celtic-Punk scene and that is one of the many reasons they are held in such high esteem. The band means the world to me personally as it was at one of their legendary gigs here in London I asked, and was granted, the hand of my good lady.

Their new album Love + Death + Redemption finds The Mahones in reflective mood. The full on Irish punk is toned down but it is still unmistakable Mahones. Instead the band have gone for a gentler more contemplative album with only brief flashes of Irish punk. The album opens with ”I’m Alive (Save Me)’ and as with most of the tracks here it is written by Finny and if The Mahones had a trademark sound then this song would be it with Finny’s voice straining and aching through a steady beat with the distant ring of the tin-whistle and layered guitar. Joined by the beautiful voice of Priya Panda from the Canadian hard-rock band Diemonds on vocals the words tell, possibly, of the sad break up of his marriage, but not the friendship, to fellow band member Katie. Be prepared to shed a tear here Celtic-Punkers. Throughout the album they are joined by a motley crew of special guests and on this song that also includes fellow Canadian rocker John Kastner on backing vocals and guitar. It’s a great start though not quite the rabble rousing that we are use to it is still powerful in other ways. It sets the standard for the album and they don’t disappoint as they follow this up with ‘Heroes Die’. The tune may be a bit more upbeat but again the words find Finny in reflective mood.

Next they slow it down a bit for ‘It’s Gonna Be Alright’ and Finny is joined by one of his heroes Johnny Fay  of the legendary indie band Tragically Hip. The lyrics of the song are maybe directed by Finny to himself but what do I know I’m just a Catholic Irish boy. It’s a restrained folksy tune and you either get and love his style of vocals or don’t and I have always loved it. Perhaps more on record than live even. The album is beginning to sound like a who’s-who of alternative Canadian music and on ‘Never Let You Down’ the band are joined by singer-songwriter  Sarah Harmer and her stunning voice is the perfect counterpoint to Finnys. A slow burner of a song that slowly builds and builds and with the aid of Michael O’Grady’s tin-whistle and Ryan Chopik’s mandolin it’s the most Celtic sounding song on Love + Death + Redemption. Back in October, 2016 Finny’s mother Anne McConnell-Strong passed away in a tragic accident and her loss has been felt heavily by Finny himself obviously but also the wider Irish community in Vancouver and Canada where Anne was much treasured. This explains in full the nature of the album and on ‘Mother, My Angel’ The Mahones pay tribute to this wonderful woman and all she did for others with a dazzling swirling almost psychedelic Celtic number.

Anne McConnell-Strong 1934-2016. Anne Kearney was one of five girls born and raised in a typical thatched-roof cottage in Oranmore, a quaint village in the west of Ireland on the edge of Oranmore Bay, an inlet of Galway Bay. Her sister Mary still lives in the old family home.
She studied nursing in England and later, along with first husband Brendan McConnell and the couple’s two eldest children, daughters Ita and Dympna, emigrated to Canada in the 1960s, eventually settling in the Limestone quarter. In Kingston, the McConnells owned and operated the old Frontenac Hotel on Ontario Street and, in time, the Irish pubs Finnegan’s and Muldoon’s, bringing in top-name Irish acts such as the Clancy Brothers and the Irish Rovers In 1978, Anne founded the local chapter of Comhaltas Ceoltóirí Éireann, was elected chairperson of the Eastern Comhaltas Regional Board in 1988, and spent nearly four decades ceaselessly promoting the development and preservation of Irish traditional music, dance and culture in Canada and the United States. Suaimhneas síoraí tabhair dí, a thiarna, agus go lonraí solas suthain uirthi.

We are back on Celtic territory next with the album’s first cover and it is expertly chosen. From The Waterboys now classic album Fishermen’s Blues which saw them abandoning their pompous rock sound for a mix of Irish and Scots traditional music. The Mahones keep close to the original and do the song more than justice.

“You ain’t calling me to join you
And I’m spoken for anyway
But I will cry when ye go away
I will cry when ye go away”

Again the lyrics tell of the pain Finny and his close knit family has suffered. We are more than half way through the album before we see any sign of the (in)famous Irish punk that The Mahones are (in)famous for and it comes courtesy of guitarist Sean Ryan on vocals for ‘Win Some, Lose Some’ with backing vocals from members of his other band Irish Nails. Its fast, furious and glorious and over in just over ninety seconds and will I am sure fill the moshpits of all corners of the globe. Next up is another cover this time ‘Heroes’ written by another of Finny’s favourites David Bowie with Brian Eno. Again it is played fairly close to the original but with some lovely flourishes and Mahones touches that move the song far beyond just being another bog standard cover. The song tells the story of two lovers, one from East and one from West Berlin and has become one of Rock musics great songs. We are nearing the end of Love + Death + Redemption with ‘Angels’ the last of the original songs here and again its reminiscent of earlier song ‘Mother, My Angel’ with Finny’s voice distorted and detached while the music swirls around his words. It’s not The Mahones we are use to but it’s beauty is undeniable. The curtain comes down with the great Irish classic penned by Pete St. John ‘The Fields Of Athenry’. Over the last decade or two the song has become perhaps the most recognisable of all Irish songs and recorded countless times by artists of all genres. Finny is accompanied on vocals by Canadian-Irish singer-songwriter Damhnait Doyle. I always wonder why so many bands choose this song to record these days but then when you hear it sung with passion and pride it has an affect on your heart and soul that shows exactly why. It is a song we Irish can be proud to give to the world. It ends with the whispered words “Love you Mum”. Leaving us in no doubt who the song is sung towards.

The album was produced by Finny himself and engineered and mastered by Gene Hughes. It was part recorded back in the auld country at The Doghouse Studio in Belfast as well as Red Rhino in Montreal and Telejet Music in Toronto. The production as usual is impeccable, it is well known, after all, what a perfectionist Finny is. Love + Death + Redemption was written for and dedicated to the loving memory of Finny’s late Mother Anne. No Irish boy gets over the loss of his Mammy…

the four upcoming Mahones releases for 2018

So as stated not your typical Mahones release but none the worse for that. The tragic events of the last couple of years have I am sure taken their toll on Finny but here he has managed to put a voice to those emotions and feelings, and maybe his demons as well, and make something that is undoubtedly good for his soul and whats good for Finny is good for us too. A grand album, one to listen to with the headphones on first and catch it all. With another three Mahones slated for release this year Love + Death + Redemption is an incredible start and I can’t wait to hear the others. Glad to have you back with us Finny you were sorely missed.

Discography

Draggin’ The Days – 1994 * Rise Again – 1996 * The Hellfire Club Sessions – 1999 * Here Comes Lucky – 2001 * Live At The Horseshoe – 2003 * Paint The Town Red – 2003 * Take No Prisoners – 2006 * The Irish Punk Collection – 2008 * The Black Irish – 2010 * Angels & Devils – 2012 * A Great Night On The Lash – 2014 * The Hunger & The Fight (Part One) – 2014 * The Hunger & The Fight (Part Two) – 2015 *

Buy Love + Death + Redemption

PRE-ORDER- FromTheBand

Contact The Mahones

WebSite  FacebookPage  FacebookGroup  Twitter  YouTube  Soundcloud  LastFM

(The Mahones at ‘Chien a Plumes’ Festival in Langres, France on 6th August 2017)

EP REVIEW: THE GRINNING BARRETTS- ‘The St. Padraig’s’ (2018)

 Beer and Whisky fuelled bagpipe Celtic punk rock from Vancouver Island 5 piece The Grinning Barretts who deliver a range of originals from floor stompin’, table poundin’ trad Irish folk, to catchy, ‘waketheFup’ Irish punk anthems!

The Grinning Barretts hail from the town of Ladysmith on the east coast of Vancouver Island, British Columbia, Canada. The area was renowned for coal mining in the early decades of the twentieth century. As would seem to be the way with industrial workers it is coal-miners who have been traditionally the most militant and the area was famed for it’s militancy with many strikes and unrest as the areas miners battled the mine owners in an area at the time thought to be the most dangerous in the entire world. As around the world the bosses realised it is cheaper to import coal dug by children and modern day slaves and so the mines eventually closed but the ides that were forged miles underground by those miners still live on in the closely knit town where Pamela Anderson was born! The band formed in 2015 and after going through several line up changes have finally settled upon a steady line up. The St. Padraigs EP saw the light of day on St. Patrick’s Day just passed and the Bhoys already have a follow up release planned any day soon and a third release for later in the year. Out of the ashes of local ska bands The Kiltlifters and Street Prophets Union, Scot and Pat decided after a decade away from playing live music that the time was ripe and the area was in need of a kick-arse Celtic-Punk band so after roping in recruits from the local Pacific Gael Pipes and Drums corp. as well as from the local rock scene The Grinning Barretts hit the stages around Ladysmith and the rest is history!

The Grinning Barrettts left to right: Jeremy Fiddy- Drums * Bern Kinnear- Bass * Aaron Bergen- Bagpipes/Whistles * Dylan Wickham- Guitar/Banjo/Vocals * Pat Westmacott- Guitar/Mandolin/Vocals * Kevin Dougan- Bagpipes/Whistles

The EP begins with the pounding blue-collar working class anthem ‘Plutocrass’ and it’s hard and fast bagpipe punk from the get go. The sound is in the same vein as Yank bands Templars Of Doom and Alternative Ulster. Yer basic standard catchy as hell punk rock played with superb bagpipes as an integral part of the music rather than just tacked on as an afterthought. The band call it “A shot at the rich bastards who own news outlets, and pay them to lie so they can get richer.”  

“Billionaires paying millionaires to tell the middle class to blame the poor
To keep them from our guillotines, torches and pitchforks
Billionaires paying millionaires to lie right thru their teeth
Filling empty heads with ignorance to justify their greed”

I likes it a lot! ‘W&B’ carries on in the same vein with a story of friendship but told in The Grinning Barretts own indeterminable way

“When the pot is getting hotter or you’re only treading water
I’ll be a life boat and ferry you home
Fuck your fair-weather friends I’ll be there till the end
Drinking whisky and pissing on their bones”

It’s great stuff and again catchy as hell and with a real foot slappin’ beat to it. There are no namby-pamby lyrics or feelings here just words as normal working folk would speak them. This is NOT a safe space!! Pat’s growl fits the bill and the chugging guitar accompanies the pipes perfectly here. Next is ‘Kudatah’ and there’s the slightest ever tinge of a ska beat going on. Obviously these guys can’t leave it all behind. It works as well as it so often does in Celtic-Punk.

The only Celtic instrument on display are the pipes but these Grinning Barretts are definitely an Celtic-Punk band. The use of the pipes is so entwined with the music how could they be anything else. Check out their full concert video at the end of the review for further proof. Another great example is their first cover with ‘The Wild Mountain Thyme’ as it’s never been played before. Something about this traditional Scots folk ballad just lends itself to Celtic-Punk and quite a few bands have covered it but The Grinning Barretts give it the full on punk rock treatment. They follow this up with a visit to Ireland and another, perhaps overdone, Celtic-punk standard with ‘Black Velvet Band’. The Bhoys adapt it to their own home and give it plenty of oompf and you may suspect a ballad is coming till the cobwebs are well and truly blown away and the song almost veers into metal but its the unmistakable tune of the original that shines through. We coming up to the final bend and its time for my favourite song and its an anthem dedicated to workers everywhere. A union song that would give The Dropkick Murphys a run for their money! ‘UFS’ is not just a union song though its a Join Your Union song. I come from a long line of militant trade unionists myself so love the sentiments here. If only we as workers understood our power is when we are together and that being in a union is a necessity these days. When you buy home insurance you don’t think your house is going to burn down and the same with joining the union you may think the bosses will always treat you fairly but history says your wrong. Do as The Grinning Beggars say and join a trade union today. Beers and cheers go from the band to Brooks Jamison for the superb guitar solo who delivered the goods in only three takes and asked only for beers for the pleasure. Finally The St Padraig’s EP ends with ‘To Your Name’. It’s the longest song here due mainly in part to Aaron Bergen’s fantastic bagpipe solo at the end of a classy punk rock number about always remembering you lost friends and comrades. 

“To your name, we raise a glass
To the miles that we walked together”

As I stated these are words from the heart and from the street not the coddled university’s where the pampered offspring of the middle classes turn their fury away from the real enemies and onto the working class who have never profited from anything but have always lost everything.

All together we have seven songs with five originals and some novel takes on a couple of standards that you will never have heard played like that! Not a band for the faint hearted folkie but if you love your Celtic-Punk played with passion and pride in their class and their music then this EP is for you. The Grinning Barretts will drink your beer, and you will like it.

(listen to the whole of The St. Padraigs EP below on the Bandcamp link)

Buy The St. Padraig’s

FromTheBand

Contact The Grinning Barretts

Facebook  Soundcloud  Bandcamp  Twitter    

(full concert from last year at Logans in Victoria B.C. and as they say “Apologies for poor sound and dark lightning but it is a punk bar”)

ALBUM REVIEW: AIRS AND GRACES- ‘Voting At The Hall’ (2018)

With a mix of folk and punk with a dash of country Airs & Graces have that boundless enthusiasm and infectious energy creating a superb medley of melodies, chants and sing-a-longs that will have you howling for more!


Born in 2012 Airs & Graces are the latest in a long line of utterly fantastic German celtic-punk band’s to grace our scene. We have featured many German bands over the years and Germany has always been the country with the third most views every year since we started of (behind the ‘UK’ and the USA). We have a feeling to why celtic-punk is so popular in Germany so if you not tired of hearing it then head over to our review of Ghosttown Company’s debut album here and find out. Just recently we have had reviews of records from Distillery Rats, Restless Feet and The O’Reillys And The Paddyhats and a new review will be coming soon of perhaps the best known of all German celtic-punk bands Mr. Irish Bastard.

Airs & Graces hail from the south-eastern German town of Regensburg but if you like me then you’ll be wondering what a maple leaf is doing as part of their logo. Well it turns out that the bands guitar player Arlyn is Canadian (a native of Saint John, New Brunswick) and has lived in Germany since 2008. She is married to Philipp who plays mandolin and sings lead vocals in the band, Together they were both members of celtic-punk band The Buccaneers till they disbanded in 2012. The Canadian connection does not stop there either with Ayron Mortely and Lindsey O’Connell from Toronto who were also part of The Buccaneers and who also play in Airs & Graces but are not featured on Voting At The Hall but do look out for their other celtic-punk band The O’Deadlys.

Airs & Grace from left to right: Arlyn- Guitar/Back Vocals * Philipp- Mandolin/Lead Vocals * Kerni- Drums * Asche- Bass

Voting At The Hall is the bands first official release after a four track Demo from October 2014, Six Men Were Put On Trial, with Matty from Northern-England folk-punkers The Roughneck Riot contributing vocals on one track and despite not having much of a recording history they certainly have made a name for themselves by word of mouth. A couple of high profile gigs have done them the world of good and with their debut album I’m sure they hoping to further capitalise on their good name. Here we have fourteen tracks and every one an original composition, composed by lead vocalist Philipp and arranged by Airs&Graces.

Starting off with ‘Card’ Voting At The Hall is fourteen tracks that comes in just under forty minutes. From the very off it’s reminiscent of 70’s/80’s English punk but with with some nice Celtic flourishes. ‘Cards’ is in fact one of the best tracks on the album with Philipp’s clear vocals shouting out loud and proud. It has a certain Dropkicks feel to it too with its catchy chorus and driving punk and mandolin. Excellent start. The lyrics deal with the betrayal of workers by their trade union leaders. ‘These Hands Master’ tells of working class life that was taken for granted until they realised that not only can these hands build they can also vote.

“These are the hands that built this cities walls, These are the hands voting at the hall”

Great as it is to hear such things I also like a bit of humour and ‘Ginger Red Bastard’ supplies it. Real foot-tapper this and may be a bit slower than previous and that English punk rock sound is even more clearer here with them reminding me of a band from my youth that I can’t quite put my finger on. It will probably come to after this is published! ‘Four Corners’ appeared on the MacSlon’s Irish Pub Radio compilation and was a standout track upon it even though surrounded by the cream of today’s celtic-punk scene.

Telling the story of the Winnipeg General Strike of 1919 it’s brilliant to hear history told this way. Never forget the past people. You can get the compilation here. The album continues with ‘Ringing of The Bell’ and it’s short and sweet and over in two minutes but me heads nearly falling off me shoulders before ‘Turn Her Into The Wind’ and you can hear in the songs that if you took away the Celtic instruments then Airs & Graces would still be a very very good punk band. Another standout here is ‘Throat’ with a memorable hook that would get you up on yer feet if you weren’t already and you can see why the band have got such a good reputation as these are songs that were made for the live setting. ‘Straighten Your Back’ is the shortest track here clocking in at dead on ninety seconds and its catchy as hell while they follow this up with ‘A Town So Black’ which is the most Celtic they get so far with mandolin kicking the song off before the rest of the band come clashing in. Seems the band have a score to settle here but that’s all i’ll be drawn on.

(‘A Town So Black’ featuring David De Prest from Boston punkers Continental)

We’re well over halfway now and ‘Refuse To Go’ continues with another solid slab of punk rock. Now you’d expect me to be biased in favour of the more Celtic numbers but my miss-spent youth and embarrassing photos of multi-coloured mohicans are testimony to my love of old school punk rock and that’s in plentiful supply here and on ‘Devil’s Factory’ where Airs & Graces prove they have a stock of catchy songs that are well played with boundless energy and abandon. ‘Three Sisters’ again has a great hook and singalong chorus and ‘bounce’ to it and the words speak of a landmark at sea that welcomes you back to home soil.

‘Never Wanted Trouble’ is another track that sails by in less than two minutes before ‘Pull Me Out’gs down the curtain on Voting At The Hall and a great ending. No slow songs here its just fast and furious celtic-PUNK rock. People I know who I have been lucky enough to catch them in concert remarked on their excellent live show and their it seems that Airs & Graces have managed to capture their live sound rather well here in the studio and that energetic, raucous and ‘shantyish’ punk rock sound has transferred well. They have a grand sense of history too and all working class people should be proud of our labour history. As someone once said “Those who cannot remember the past are condemned to repeat it”. It seems an obvious thing to say so I will say it but lovers of Dropkicks style celtic-punk would absolutely love Airs & Graces and this album is full of good songs that these days the Dropkicks would love to play! At the moment the album is only available From MacSlon’s shop but will be coming as a download in around 3-4 weeks on Spotify, iTunes, Apple Music, Amazon, Deezer etc so if you can wait that long get in touch with the band.nearer the time.

Buy Voting At The Hall

MacSlon’sShop

Contact Airs & Graces

WebSite  Facebook  YouTube

ALBUM REVIEW: IRISH MOUTARDE- ‘Perdition’ (2018)

Quebecois Irish Moutarde are back with their second album with folklore sounds of bagpipes and banjo mixed with punk rock riffs. This album has something for everyone to enjoy.

Back back in the day when this here web-zine was in its infancy one of the very first bands to send us their new album was Irish Moutarde. To say we loved it is a bit of an understatement and so they have always been a band that we have followed and looked out for so we are delighted that they have safely delivered their follow album and it’s an equal, if not better, than their previous one.

Irish Moutarde were formed in 2009 in Quebec city (the French speaking province of Canada) as a covers band playing trad Irish songs but with a punk feel and attitude. It wasn’t till 2012 though that they released their first single, ‘The Bear and the Maiden Fair’ which went on to become an instantaneous hit right across the celtic-punk scene.

This track was based on a song from one of the novels that inspired the hit TV show Game of Thrones. The song coming out a year before the show debuted. This keen interest lead the group to follow up this release with their first album Raise ‘Em All the following year and they have since gone on to become one of North America’s best celtic-punk bands. Combining the usual punk rock instruments with banjo, mandolin and highland bagpipes. On my first listen they reminded me of a celtic-punk NOFX and it is this winning combination that has saw them at the top of all the various Best Of 2012 lists and will do the same for this year I suspect. Sadly as is the way for bands, especially for celtic-punk bands who tend to have so many members, some of the Bhoys and Ghirls fell by the wayside. Irish Moutarde were not beaten though and after recruiting some new blood to the band they began to slower get back in the swing of things. A few shows were played last year to showcase new songs before hitting the studio to record their new album.

Released on the first day of Spring, March 1st, this year Perdition is thirteen songs of pure celtic-punk heaven! The album begins with one of it’s best songs and from the very off I knew I was in for a treat.

‘Prélude En La (Lala)’ begins with pipes and drums and then the electric guitar comes chugging into ear-shot and Irish Moutarde are off. The song is sung in French and rather than run the lyrics through Google Translate I’m not going to try and decipher them. Bagpipes and banjo rule here and the clear and concise vocals are still pretty punk rock as well. Irish Moutarde are that rare thing in celtic-punk in that they have a female vocalist and they are certainly not a novelty act either. The vocals are shared between Andrée-Anne and Tony but both Sébastien and Fred take the lead as well on occasion. On ‘The Poison Trail’ the story revolves around going for a pint with the devil and its another high quality song with the relentless fast pace, except for a bagpipe solo!, and the various instruments accompanying each other rather than drowning each other out. It’s fast and furious and typical Irish Moutarde good fun.

Next is ‘Terre Rouge’ and they speed it up and some rather gruff metal style vocals kick in in a song shared between vocalists. This could almost be two different songs, one a metal thrasher and the other a sweet celtic number. That they manage to fit the two together is testament to how good they are. On their debut album the vast majority, maybe even all, of the songs were sung in English while here they have decided to concentrate on singing in French. It doesn’t, and shouldn’t, detract from the music in fact I would always rather hear a band singing in their native tongue. On ‘Jarrets’ and then ‘Eat, Drink And Be Merry’ it could be a nod to both medieval punk as well as punk as of the NOFX variety. A good fun number and thank heavens for that. Sometimes all you want is a bit of fun and something to make you smile.
“So sing (dance), dance (hey)
Like no one’s watching
Forget those losers talking ‘cause I don’t care about them anyway
Eat (drink), drink (hey) and be merry
And I’ll be here to carry you home
‘Cause I don’t want to leave here all alone”
The most Irish song here without a doubt is the brilliant ‘N’oublions Pas’ beginning with banjo and some gentle piping and another standout track soon takes a turn into wild abandon and on an album of standout tracks it don’t get any better than this. This is the sort of stuff we were expecting (hoping) the last Dropkicks album to be like but turned out to be Dad-Rock. Here especially the shared vocals work a absolute treat. The formula works again for the following few songs with ‘À La Santé de Lucifer’, ‘Only in Your Lies’ and ‘Bientôt’ all rocking out with abundant use of celtic instruments and punk rock. On ‘Old Days’ we get the albums solo slow number and by Christ I love it too. Nice lyrics about meeting up with a old friend and going on the lash knowing well that the days when the next day wouldn’t be spent ill in bed are long gone!
“Tomorrow is not going to be easy
Weakness, headaches, fatigue and thirsty
And you know that this is the price to pay
To have a good night just like in the old days”
We are nearing the end and its time for Irish Moutarde to ramp it up again and they don’t get any faster on Perdition than on ‘Go Away’. The excellent drumming throughout the album is not bettered here and the band keep up just in time. It may be fast but still accessible I am sure to anyone. Next up is ‘Condamnés’ and sees the band determined to not go out slowly and finally Perdition comes to an end with ‘The Bitter End’ and an unusual but simply brilliant way to go out. Fast and slow in alternate moves and all the time as catchy as feckin’ hell!

The album was produced by Sébastien Malenfant and he has done one hell of a job. I always think its one of the particularly hard to produce a record with so many instruments and not just that but that some are relatively quiet compared to say the drums. The music here is mixed perfectly and everything has come out clear as a bell. All the songs on the album have been written by the band and again that’s fairly novel within the celtic-punk scene as well. Never in my wildest imagination did I think that Irish Moutarde would bring out an album that would be as good as their debut, the classic Raise Em All, but didn’t they just go and only bettered it didn’t they! 

(Have a listen to the whole of Perdition for free below )

Buy Perdition

FromTheBand

Contact Irish Moutarde

WebSite  Facebook  YouTube  Twitter  Instagram

Two Interesting Whisky-Fuelled Band Facts:
1. The name Irish Moutarde was chosen because it is a pun on the French expression “relish-moutarde,” which the founding band members felt the name was (and still is) humorous, light and expressed their musical quality.
2. The band’s mascot is Olaf the Irish Giraffe, who was created by fans of the band Julie Lévesque and Guillaume Racine. The sixth song on their debut album is a tribute to this whisky drinking, green metal giraffe who sports a long white mane and long white goatee.

NEW FILM- STOKED: THE DREADNOUGHTS RETURN

Stoked. A documentary about The Dreadnoughts by Adam PW Smith.

|  | 17 November 2017 (Canada)

Vancouver clusterfolk legends The Dreadnoughts have returned from a six year hiatus to record a new album. Filmed in the recording studio, and drawing from an archive of photos and film clips that go right back to their second ever live show, this low budget documentary rises above its station with great characters and stories that range from enlightening to hilarious (and occasionally dubious). These liquor soaked musical heroes prove themselves to be thoughtful, as well as entertaining. Everything you ever wanted to know about the Vancouver-based Celtic-Punk band – and perhaps things you didn’t – can now be found in, Stoked: The Dreadnoughts Return.

After a few years away The Dreadnoughts announced their arrival back on the circuit with a utterly brilliant new album and now also a documentary film.

The 40-minute film by Adam PW Smith looks at the 10-year history of the band. It features rollicking music accompanying a mix of old and new footage, including tongue-in-cheek, sometimes raw tell-all biographies of the band members, past and present. The documentary delves into the band’s temporary hiatus and return with last November’s release of  Foreign Skies.

The film contains what some might consider inappropriate language and if you of a delicate disposition then viewer discretion is advised!

The Dreadnoughts  WebSite  Facebook  Bandcamp  YouTube
Adam PW Smith  WebSite  Facebook

You can also still buy ‘This Place Is Awesome’ – a Dreadnoughts tour diary written by the director of this video. It’s 2009 and music photographer Adam PW Smith flies to England to spend a week touring with The Dreadnoughts in the middle of their first European tour. Smith was in the thick of it, suffering all the standard indignities but one. The result is a book that reveals much about life as a young, touring band who bring real meaning back to the DIY ethic, and a few things about what it’s like to be a 43 year old trying to survive in that environment. Available on amazon.com http://goo.gl/Q9Cdk

EP REVIEW: THE DREADNOUGHTS- ‘Foreign Skies B Sides’ (2018)

Four songs from one of the most original bands around that didn’t make it onto last years album but were still good enough to put out as an EP.

As their by line goes The Dreadnoughts are one part roaring sea shanty, one part haunting folk melody, and a solid chaser of gut-crunching street punk and that is as good a description of them as you could ask for! The Dreadnoughts are truly one of the biggest and most popular folk-punk bands in the world and they built up their audience and reputation from years of absolutely constant touring and four stunning album’s that only cemented their place in our hearts. Formed in the Downtown Eastside area of Vancouver,  British Columbia, Canada in 2016 from the ashes of popular Irish-punk band Siobhan they changed and adapted their range of influences and soon they had become one of the cities best live bands. After taking on their home town and then Canada it was then time to spread their wings and they soon became a regular feature on the European gig circuit playing everywhere from England to Russia and in between. They didn’t quite leave behind their Irish roots but as the albums flowed it became less of the focus on them and from Legends Never Die in 2007 to Foreign Skies last year they have added the traditional folk music of just about every European country they have visited to the mix and while they still play with the wild abandon of the old days their is much more to them now than just celtic-punk.

Foreign Skies came out at the beginning of last November and takes all those musical influences and again mixes them all up but this time presents them in a concept album about the First World War that is both moving and poignant but, dare I say, also great fun to listen to. Sometimes fast, sometimes slow, sometimes acapello even with Irish, English and Eastern European folk and polka’s throughout. It could certainly be described as epic in my view.

LONDON CELTIC PUNKS REVIEW OF FOREIGN SKIES (DECEMBER 2017)

This year gave us the ambitious ‘concept’ album, Foreign Skies, from Canada’s own Dreadnoughts. It was released to mark the 100th anniversary of the first world war (yeah, I know, the Great War ran from 1914-1918, so that includes 1917!), and features twelve original tracks all based on events, people and places that were part of that war. There are a few standout tracks, notably; ‘Daughters of the Sun’, ‘Anna Maria’, ‘Jericho’ and ‘Black Letters’. The rest is all good with the usual fantastic musicianship we’ve come to expect from the Dreadnoughts. The subject matter does make it a rather sombre listening experience, and while the feeling/belief behind the album is admirable, there is no getting away from the subject matter. An interesting work, but it won’t get too many airings at parties over the festive season.

The album shows a side of The Dreadnoughts we had never seen before. You wouldn’t think their last album was called Uncle Touchy Goes To College would you? Have they matured? Well on this certainly but I very much doubt we have seen the last Dreadnought song about apple love and cider drinking.

Here we have four songs released on January 10th that didn’t quite make the cut on Foreign Skies. The band give no explanation as to why except to say they “still think they are pretty good and so we are sharing them with you”. Having listened to them the one thing I can report is that they weren’t dropped because of their quality they are as good on anything on the finished article but I suppose they were dropped to not fitting the scope of the album.

We start of with ‘Top Of The Hill’ which is the follow up to ‘Bay of Suvla’ from the album. Written by guitarist Nicholas Smyth it’s a five minute epic of a song taking in many of those influences already mentioned. A driving forceful rock number that is breathlessly typical Dreadnought territory.

“Faces down, eyes to front
you’ll get what you need boys
You’ll get what you want
fingers hard on biting steel
till theirs nothing left to feel
Summer rain gonna set you free
bury the ashes under the sea
and the dawn will break across your skin
And wash away your sin”

It is set during the Battle of Gallipolli. The battle took place only a few miles from the site of the ancient city of Troy but the horrors unleashed in that battle rivalled anything seen then or since. Imagine spending eight months in a trench dug under some cliffs at constant risk from snipers, suffering from dysentery spread by flies hopping from decomposing bodies to your food. The battle was fought in modern-day Turkey but in 1915 it was part of the Ottoman Empire who were fighting alongside Germany. The plan was to land at Gallipolli and take the capital Istanbul. The plan did not work. In fact it was a disaster leaving over 200,000 Allied casualties with many deaths coming from disease. The number of Turkish deaths is not clear but it is generally accepted that they far exceeded 200,000. Next up is ‘Poor Michael’ a song about two blackbirds singing to a soldier ion France. The song is sung acapello without backing. This is something The Dreadnoughts can claim credit for within the celtic-punk scene with many bands now following their lead and including one or two tracks within their sets. As you can imagine it’s a beautiful song with strong voices and even more powerful words.

‘Cold Rain And Snow’ is up next and its a fast and catchy number written by the bands lead singer Drew Sexsmith who was always known as the Dread Pirate Druzil on previous albums. Like on the album the lyrics belie the upbeat music and I’m sure it will take a few listens for the words to penetrate. The EP comes to an end with ‘The Best Of ‘Em’ again written by Nicholas Smyth and its simply Drew accompanied by piano and a faint accordion. The song is a tribute to the best of them. Those that didn’t come home. I can certainly see why The Dreadnoughts put this EP out. They are four excellent songs that deserved a release but they must come accompanied by the album so if you haven’t got it yet then I suggest you get onto it as soon as possible!

(listen to the whole EP below on the Bandcamp player)

Discography

Legends Never Die- July 2007 (Golden Tee Record) * Victory Square- June 2009 (Stomp Records) * Polka’s Not Dead- October 2010 (Stomp Records) * Uncle Touchy Goes To College- 2011 (Bellydrop Records) * Foreign Skies- November 2017 (Self Released)

Buy Foreign Skies B Sides

FromTheBand  Bandcamp

Contact The Dreadnoughts

WebSite  Facebook  Bandcamp  YouTube

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2017!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

1. FLATFOOT 56 (Chicago)- ‘Odd Boat’  here

2. THE TOSSERS (Chicago)- ‘Smash The Windows’  here

3. THE BIBLECODE SUNDAYS (London) – ‘Walk Like Kings’  here
4. THE PEELERS (Canada)- ‘Palace Of The Fiend’ here
5. FEROCIOUS DOG (England)- ‘Red’  here

6. BLACK WATER COUNTY (England)- ‘Taking Chances’  here

7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’  here

8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here

9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’  here

10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’  here

11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’  here

12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’  here

13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’  here

14. THE SILK ROAD (England)- ‘S/T’ here 

15. FLOGGING MOLLY (USA)- ‘Life Is Good’  here

16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’  here

17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’  here

18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here

19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’  here

20. CRAIC (USA)- ‘Sounds Of Vandemark’  here

21. THE MOORINGS (France)- ‘Unbowed’ here

22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here

23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here

24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here

25. CELKILT (France)- ‘Stand’ here

26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’  here

27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’  here

28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’  here

29. THE BABES (London)- ‘Greetings From London’  here

30. CHEERS! (Czech Republic)- ‘Daily Bread’ here

Just bubbling under:

THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)

No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.

BLACK WATER COUNTY- ‘Taking Chances’

This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!

1. BLACK ANEMONE (Sweden)- ‘In It For Life’  here

2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’  here

3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’  here

4. THE BOTTLERS (Australia)- ‘The Bottlers’  (here)

5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’  here

6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’  here

7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’  here

8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’  here

9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’  here

10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’  here

Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.

1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’  (here)

2. ShamROCKS- ‘Ye Ould Chariot’ EP  (here)

3. CRIKWATER- ‘Crikwater’  (here)

4. BEOGA- ‘Before We Change Our Mind’

5. FOLLOW THE CROWS- ‘West is East’ EP  (here)

6. PLASTIC PADDY- ‘Lucky Enough’  (here)

7. DAMIEN DEMPSEY- ‘Soulson’

8. GALLEY BEGGAR- ‘Heathen Hymns’  (here)

9. I DRAW SLOW- ‘Turn Your Face To The Sun’

10. ANTO MORRA- ‘From The Vaults’

Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!

MERSEY CELT PUNKS

This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.

CARLTON HUNT

Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.

We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.

His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!

He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.

We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.

Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say

“I try to be serious but the humour always takes over”

He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.

Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.

Ladies and Gentlemen, on drums.. Mr Carlton Hunt

This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

SHITE’n’ONIONS

MacSLONS IRISH RADIO

CELTICPUNK.PL

remember any views or comments we would love to hear them…

 Sláinte, The London Celtic Punks Crew- January, 2018

2017 REVIEW ROUND-UP’S PART THREE: THE CELTIC NATIONS- BIBLE CODE SUNDAYS, THE DECLINE!, BRUTUS’ DAUGHTERS, REAL McKENZIES, VINCE CAYO, THE BOTTLERS

So welcome to 2018 and the first post of the year and the last of our round-ups from 2017. We simply could not keep up with the volume of releases we keep receiving so rather than completely neglect them here’s some much shorter reviews that will at least give you a taste of what they are about. We much prefer to do really detailed reviews but these are still worthy of your time so go ahead and check them out and apologies to the band’s concerned that we had to squeeze them in. This week we concentrate on bands hailing from the Celtic nations or the Celtic diaspora. You can still catch up with our North America (here) and European (here) round-up’s.

BIBLE CODE SUNDAYS- ‘Walk Like Kings’  (Buy)

Described by the band as being made by accident we, and they, should be thankful for such unexpected delights. This is an album of thirteen glorious tracks covering themes of loss and longing and hope that show the Bhoys reaching new heights, musically and lyrically. Tracks, such as the fun filled ska beat ‘Disorganised Crime’ leap out of the speakers in a joyous racket that simply defies not being danced to and then there’s ‘Stand Up And Fight’, a collaboration with New Yorks finest Da Ded Rabbits, that punches it’s way through in a hard hitting pounding track that will be a surprise to some fans. Never fear the Bible Code sound is still evident as are other influences including an Oasis tinged ‘You Got Me On The Run’ but the title track, ‘Walk Like King’s’, is pure Bible Codes, a majestic thumping track full of defiance and pride for 2nd and 3rd generation Irish immigrants who weren’t born with silver spoons in their mouths. Guests abound on this release – Elvis Costello, Matt McManamon, Brian Kelly… All adding to an eclectic mix of an album on which every track is worthy of your attention, be it the ethereal ‘America’

“Why we leave behind family, to a foreign land for to roam”

or the haunting beauty of ‘Snow Falling On Fire Escapes’ or the MacManus family collaboration ‘Willie Redmonds Volunteers’ all the tracks show a band at the top of their game and this is one that all London Celtic Punkers will want to check out. It has been a tough year for the band but this album is one thing that they can look look back on with fond memories and pride, let’s hope for more, someone once sang ‘accidents can happen, but only once…’ may the Bible Code Sundays fall into more.

“We face out, chest proud, In this town we walk like kings”

RIP Carlton.

WebSite  Facebook  Twitter

THE DECLINE!- ‘Heroes On Empty Streets’  (Buy)

More celtic-punk for you now but in the sense that this is a punk and from the Celtic nation of Brittany! The music scene in Brittany is very strong and is reflected in the growth of ‘Celticness’ and the resurgence in the Breton language. The Decline! are a five piece punk rock band from Rennes who formed in 2009. Their first EP, ‘An Old Indian Cemetery’, was released in the middle of 2010, and showed what proper genuine music today should be all about. They followed this up with their debut album ‘Broken Hymns For Beating Hearts’ the following year and was a mix of punk rock and acoustic folk tunes. 2014 saw the release of ’12a Calgary Road’ which saw the and branching out into celtic melodies but ploughing much the same furrow while taking on varying tempos with ease. This new album released in May may not have the asolute urgency of previous releases but more than makes up for it with it’s catchy singalonga punk rock. Kevin’s strong and distinctive voice and rumbling rhythm section certainly gets your blood pumping and while ‘Someday Somehow’ could pass for bleak post-punk maybe even Gothic in places the following track ‘Joyfull Thrill’ would make the early Dropkicks jealous.

We have to wait till track seven for the first signs of anything acoustic and it’s well worth the wait ‘We Love Our Scars’ hits the spot both lyrically and musically too. Its all very well done and very well produced too and while it may be possible to mistake this for an American punk release The Decline! are proud members of the Breton music scene. If catchy as feck melodic punk rock is yer thing then here’s the band for you.

WebSite  Facebook  Bandcamp  YouTube

BRUTUS’ DAUGHTERS- ‘Hueso y Madera’  (Free Download)

Formed in November 2008 in Carabanchel, a suburb of Madrid as a straight forward punk rock band before they added Asturian bagpipe and fiddle and one of the most original bands in celtic-punk was born. This is the bands third album and, as usual, comes with songs written in Castilian, English and Asturian. As one of only a tiny handful of bands in the scene with female vocals they certainly stand out and with a defiantly anti-fascist message to boot. The music is fast and loud and punky but there is an undeniable hardcore traditional folk edge to it as well. Elements of their own countries as well as Celtic are merged together very successfully. As said I don’t understand much of the album but the sleeve notes speak of the endangered languages of the Celts, Celtic mythology and defending the underprivileged. The punk side of this reminds me of the Spanish punk music I use to hear in Hackney squats over the years but the folk influence is strong and comes out in reels and jigs throughout the album.

Only nine songs and twenty-eight minutes long but played at breakneck speed from the opening bars of the instrumental punky trad folk of ‘De Hueso Y Madera’ to the English language ‘Brazen’, the album moves at a great pace and its them pipes that really dominate here, holding it all altogether. Vocals are shared around the band and the standard gang chorus works very well especially on tracks like ‘Carretera’, for me the high point here with its catchy chorus while ‘Unidad’ is bass heavy and rumbles along nicely while the fiddle and pipes work overtime. ‘Carcel’ is another high energy number that offers up more of the same. Here’s a real Celtic band that is something quite apart from the herd. Alex voice is harsh and strong and fits the music perfectly. They are a lyrics heavy band so it’s a shame I can’t catch most of it as I am sure they have something important to say. Here’s a proper punk band playing proper punk rock songs that are littered with jigs and reels and a sea shanty about to break out at any moment. The hidden song here is the real folk gem though proving they can really play their instruments and you can find out yourselves for *FREE* yes you read that correct the album is available for sweet F.A from the link above.

Facebook  Bandcamp  YouTube

THE REAL McKENZIES- ‘Two Devils Will Talk’  (Canada / RestOfTheWorld )

Well what to say about Two Devils Will Talk? How it managed to escape a decent review is beyond me seeing how popular this awesome and is. Up there with The Mollys and the Murphs the Real McKenzies have been going an amazing 25 years and this, their tenth, is up there with the est I kid you not. I wasn’t overly enamoured with 2015’s Rats In The Burlap but here they have returned with fourteen rousing tracks of pure, unabashed Canadian-Scots celtic-punk mayhem. From the opening anthemic ‘Due West’ to a fantastic re-working of early McK song ‘Scots Wha Ha’e’ its absolutely brilliant. Once again they missed out of playing here so we never got to see them live but we can’t wait till they do darken these shores again. Punk, folk, acoustic, electric with pipes throughout weaving in the Celtic influence for which the band is best known. ‘Seafarers’ is one hell of a stand out tune. You can’t change how the waves roll only how you roll through them. The sense of humour they are famous for is riddled throughout the album and nowhere better than on the laugh out loud ‘Fuck The Real McKenzies’ where the band take the piss out of themselves, and everyone else too! They find room for a cover of Stan Rogers ‘Northwest Passage’ that only adds to this great song. Originally sang as an acapella song the McKenzies do it justice as you would expect. The album ends with my favourite McK song of all and plenty of rebellious, Scottish charm and wit here on an album that shows a band who are still capable of hitting the high notes even after a quarter of a century. A defiant return to form for one of the Premier League bands of celtic-punk.

The Real McKenzies on 25 years of Canadian Celtic punk rock here.

WebSite  Facebook  Twitter  YouTube

VINCE CAYO- ‘Bound For Glory’  (Buy)

This debut album from talented multi-instrumentalist Vince Cayo has been bouncing around London Celtic Punks towers for a good six months now without making much of an impact until I decided to revisit a few albums for these round-ups and I can only think I didn’t listen to it properly as it is absolutely fecking brilliant. Not so much celtic-punk but def in the country-punk realm of things and Vince has a very strong voice that growls out at you like Tom Waits lashing it up with McGowan backed by The Street Dogs. Opening track ‘Wasteland Blues’ is a great start to proceedings with fast rock’n’roll country and harmonica shining out and Vince putting McGowan to shame! Vince says his influences range from the cream the celtic-punk but most importantly Flogging Molly, and the title track takes this adulteration to epic proportions, alongside such luminaries as Social Distortion, Billy Bragg, The Gits, Tim Barry, Bob and Dylan and they are all in there but with a bit of good auld Yorkshire grit and determination.

Not afraid to take a risk either with the epic ‘Folk The World’ seven+ minutes of heavy and hard hitting folk music that builds up and up into a real anthem of a tune with fiddle and mandolin taking it recklessly close to celtic-punk territory Vince! ‘Turn It Up’ is classic catchy punk rock that doesn’t seem out of place here at all and in fact slots in nicely among the folkier tunes. ON hearing this properly I though I could imagine him sharing a stage with the likes of Matilda’s Scoundrels so was no surprise to read after that he already had done. When I hear album’s like this I wonder if this is the start of something new. Well I say new but what I mean is a resurgence of folk and country music but with a modern interpretation. The album’s dozen songs wraps up the absolutely awesome country rock’n’roller ‘The Garbageman’ and ‘You Wont Be Marching Alone’. Great songs and a great production make Bound For Glory as good a debut album I heard in 2017  and I will be looking him up for any London dates I can tell you.

WebSite  Facebook  Bandcamp  YouTube

THE BOTTLERS- ‘The Bottlers’ EP  (Buy)

Our final review comes from the land of Oz. A place I am constantly telling you and telling you is where the best Celtic-punk scene is and where the best Celtic-punk bands hail from. Why this is so is anyone’s guess. Perhaps one of these great Aussie bands would like to give us over here on the other side of the world a bit of an insight? The Bottlers come from that world and are a hard playing, nine piece (yes, nine!) celtic-punk band hailing from the capital city, Sydney. They may be city dwellers but you get the feel of the country off these Bhoys and Ghirl. Kicking off with ‘Hades Way’ its a rollicking good stroll through Irish folk-punk as filtered through the Aussie experience. Drawing from not only the vast rural reaches of the Australian nation but also the city and suburban streets with a solid tip of the hat to the folk, punk and folk punk pioneers that have traipsed and trekked the trails well before them.

This is both Australiana AND celtic-punk so intertwined are the two. ‘Take Back The Streets’ is a call to arms to the nations poor in a swirling waltz of anger and beauty. Only three songs on this EP and the curtain comes down with ‘Up She Rises’ and The Bottlers go out with a song that has a nod toward to 70’s English folk-rock in there somewhere amongst the rabble.

“The Bottlers believe folk based music should progressively speak of the times it exists in whilst hearkening back to it’s past, to the true heart of folk music, people. Because you truly can’t get where you’re going till you know where you’ve been”

and you can’t get better than that. In fact we may put it on a London Celtic Punk sticker.

  • yeah yeah I been reliably informed that Canberra is indeed the capital city not Sydney so congrats to Celtic Punkcast for spotting out deliberate mistake! Australia’s finest celtic-punk podcast. Check them out here or here.

WebSite  Facebook  Twitter 

So ends Part 3 and our final part of the 2017 Round-Up’s. Again apologies to all the bands as each and every release fully deserved that full London Celtic Punks treatment. We have still probably missed some fantastic music so all the more reason to send in your stuff to us to review. We are always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

  • COMING SOON- THE BEST OF 2017! What we thought were the best releases of the year covering Albums, EP’s, Celtic/Folk-Punk, Traditional and more.

ALBUM REVIEW: THE PEELERS- ‘Palace Of The Fiend’ (2017)

Formed way back in 1999 in a small farmhouse kitchen in North Glengarry County in Eastern Ontario and now based in Montreal The Peelers have long become one of the more famous and popular celtic-punk bands in Canada. Glengarry holds a special place in Canadian Irish history being separated from New York State by the St. Lawrence river it was originally settled by Irish immigrants who chose the name Glengarry in memory of their home. It was the place that the coffin ships during Án Gorta Mór, otherwise known as the Irish ‘famine’, sailed when turned away from America. The major quarantine station for immigrant ships was on the St. Lawrence river and it is thought up to 15,000 Irish people are buried on the small island of Grosse Île where a huge Celtic cross now stands as a memorial to their souls. We recently covered this subject on our review Of Declan O’Rourke’s new album Chronicles of the Great Irish Famine here.

The Peelers have, over their long existence, played at just about everywhere you can think of right across North America. From your small town dive to snowboarding championships,  cocktail lounges, festivals and just about every other kind of place a bunch of guys can fit a drum kit. Their debut album, Boots And Suits, hit the streets in 2002 before second album Liquordale a couple of years later. That release was named as Album Of The Year by the Boston based Shite n’ Onions web-site.

They started recording the new album in 2013 but like they say ‘good things come to those who wait’. For me this album is one of the best releases of 2017 and there has been some cracking albums released this year. It has thirteen songs and features guest performances by Finny McConnell (The Mahones) on the third track ‘Going Down Swingin’. Palace Of The Fiend was recorded in five different studios, located in Montreal, Toronto and Casablanca, Morocco and was one of the first releases of 2017, coming out on January 3rd so apologies to the band for taking so long to get the review done.

(The first video released from Palace of the Fiend)

This is a great upbeat tune to put you in the mood for a pint or two. The album opens with ‘New York’ which sets the scene nicely for the fifty+ minutes that follow. Stand out tune for me are ‘Five Roses’, ‘A1a Fla’, ‘Stand Down Clearly’ and ‘The Black Eye Blonde’. The curtain comes down with an amazing version of ‘Cúnla’ and illustrates the link to the past that The Peelers are so proud of. A ‘sean-nós’ (style of unaccompanied traditional Irish singing) children’s song believed written in the 14th century. The album is definitely more in The Flogging Molly school of celtic punk than Dropkick Murphys. I’d highly recommend Palace of the fiend to anyone who likes their Irish music with a twist of punk. – Shane

Buy Palace of The Fiend

FromTheBand

Contact The Peelers

WebSite  Facebook  Twitter  YouTube  Soundcloud

ALBUM REVIEW: DECLAN O’ROURKE- ‘Chronicles of the Great Irish Famine’ (2017)

Declan O’Rourke delivers an amazing album of extraordinary true tales from the most tragic period in the history of Ireland. Fifteen years in the making he takes the best of traditional Irish music and the heart of modern song-writing for something truly special.

Sometime around 1570 Spanish soldiers returned from their ‘adventures’ in South America with a tuberous vegetable that at the time was only native to the Andes. It didn’t take long before the potato as it became known became very popular and was found to grow extremely well from one end of the continent to the other as well as having a beneficial effect on the diets of those, mainly poor, Europeans that ate them. The potato grew especially well in Ireland and was grown in every space imaginable. Irish farmers were with very few exceptions tenant farmers and had no rights on the land they farmed. They also grew an abundance of wheat, barley, oats and cattle but this was sold by the farmers to their absentee landlords living in England and placed on ships for export. The food that maintained the British Empire was all produced in Ireland.

The nutritional value of potatoes was high because the skins could be fed to pigs and chickens and if a farmer was lucky enough to have a cow, their diet, based on the potato was highly nutritious. However, potatoes have predators. One is a fungus, blight, which destroys the entire plant from the leaves to the tubers below. Sometime in the mid-1840s, one ship sailing from South America introduced potato fungal spores into Ireland. The result was catastrophic, with every farm infected with the blight by 1846. With the primary food source cut off, the Irish began starving while exports of Irish produce (the so-called ‘English beef’) continued, sometimes by armed guard to protect it from the starving and dying. The so-called ‘famine’ became known instead as Án Gorta Mór, Irish for ‘The Great Hunger’. The blight did not just affect Ireland and all over Europe the potato crops failed but those countries stopped exporting food so they could feed their own people. This did not happen in Ireland. It took months during 1846 for the news of the condition of the Irish to reach the United States. There money was collected and aid shipped to the Ireland. Many of these ships were stopped and prevented from finishing their journey with the aid often going to feed horses.

So it can be clear and without doubt that the famine was no famine at all. An island famous for farming could easily have fed itself but an attempt was made to wipe the Irish Catholic from existence. The authorities claim the population of Ireland at the time was 8 million in an attempt to lessen what was done. It is widely acknowledged as an underestimate with some scholars imagining it was more like 11 million meaning over 5 million people starved to death, cutting the population almost in half. With very few exceptions, the response of English society was one of denial. The government and capitalist class in England viewed it as a superb opportunity to cleanse Ireland of their poor, ignorant tenant farmers. Absentee landlords stepped forward with offers to pay passage to any starving Irish willing to emigrate. The conditions aboard the ships that carried them to the United States were horrendous and when they arrived, the exploitation continued as soon as these poor souls stepped off the ships and their oppression continued but the Irish survived and now almost 170 years from the peak of Án Gorta Mór the Irish community continues to prosper in the USA.

Chronicles of the Great Irish Famine is the new album from Irish singer-songwriter Declan O’Rourke and tells the story of the ‘famine’ in a

“an attempt to bring fresh air to an unhealed wound, and to remind the Irish people of what we have overcome through an examination of what has lurked just below the surface of collective memory for so long”.

It was as an immigrant himself in Melbourne that he first learnt to play the guitar after moving there at 10 years old when his family upped sticks from Dublin. Trips back and forth from home to ‘home’ continued well into his mid-20’s and finally having settled in Dublin he released his acclaimed debut album Since Kyabram in 2004 and followed up this success with Big Bad Beautiful World three years later. A stint with a major label followed and led to more critical and commercially successful releases which brings us pretty much up to date and an admission here that before this album I had only heard the name Declan O’Rourke so had no idea what to expect from this album except having an 2nd-generation Irishman’s interest in the subject matter.

The album was inspired by a night spent in a old Irish workhouse with his Dad. These were the places that the poor and starving turned to as a last resort but many found no help due to the sheer numbers of desperate and dying seeking help. Many died and many more were turned away. While making this album Declan found out that his Grandfather was born in a workhouse giving himself a very real link to the people that illustrate this album.

The album begins with ‘Clogman’s Glen’ and a mournful fiddle and as soon as Declan’s voice comes in it instantly shines through strong and proud. Reminiscent of Damien Dempsey in tone and Christy in manor it’s a beautiful and moving song that tells of a husband singing to his wife of the time before the famine when life had been good to them. Now all that they had known had changed and was gone forever. Ireland was a extremely religious nation at the time of the famine and could be seen as the major reason why Protestant Britain wanted to wipe the Catholic Irish off the face of Ireland. In ‘Along The Western Seaboard’ a priest laments that

“When we need to feed so many, and there’s not even for the few”

and curses the British for their cruelty at letting the people die. In this song Án Gorta Mór is explained. The Damo comparisons continue with the passion literally seeping from Declan’s voice. ‘Buried In The Deep’ is the horrific story of the coffin ships that left Ireland with the sick and diseased crowded onto them. Emaciated, filthy and near dead the mortality rate aboard reached 20%. Many ships were lost at sea, and deaths were so common that the dead were simply thrown overboard without so much as a word of prayer or comfort said over them.

“When I die they’ll put me over

That’ll cure my broken heart

My dreams can go no further

We’re buried in the deep

Where hunger cannot find us”

A beautiful song with Declan accompanied by harp and pipes on this stunning lament to those poor souls. Emotion spilling out it brought a flush to my cheeks as the realisation of what happened hits home.

‘Poor Boy’s Shoes’ is next and its upbeat start belies the sad origins of the song. Inspired by a line from John O’Connor’s book ‘The Workhouses Of Ireland’ it was the first song Declan wrote of this collection

“The man who carried his wife from the workhouse to their old home, mile after weary mile, and was discovered next morning dead, his wife’s feet held to his breast as if he was trying to warm them…”

as Declan says “I had stumbled into a chapter of history I knew almost nothing about. I wanted to be a witness, to share these stories the best way I knew how, through music”. An ending that will bring a tear to your eye as it did to mine. A punch to the gut as life is suddenly turned upside down for a very real family, The Buckley’s, and it beggars belief how any survived at all. He brings the story vividly and heart wrenching alive to us.

And there he tried to warm her cold feet through, And they found him there, in poor boy’s shoes”.

The bodhrán kicks off ‘Indian Meal’ and its driving rhythm tells of the removal of food while at the same time…

“There’s ships leaving’ full of pigs, heifer, and lambs
Some transportin’ convicts to Van Diemen’s Land
We’re hemorrhagin’ barrels of butter and grain
And all that comes back in, and all that remains is…
Indian Meal, Indian Meal, Indian Meal”

The government and forced labour schemes fed the poor, if they were lucky, a tasteless and un-nutritious porridge that did little benefit. The British Government found wanting and unable to hide the stench of the dead creeping across the Irish Sea responded with feeble ‘relief’ in an attempt to conceal their guilt. The stunning beauty of the harp helps ‘Mary Kate’ on its way and sorrowful the pain at having to leave your beloved ones behind and heart-breaking doesn’t even begin to measure its words. The true story of Irish girls ‘saved’ by being sent overseas. In the song Mary Kate is chosen to leave to Australia while her younger sister is to remain.

She tells her sister at the dock that she will she see her again knowing full well that to stay means death. The harp remains for ‘Laissez Faire’ which was the name given by the British to the system that believed that the free market will solve everything. That it is unethical to intervene in nature and that helping the poor only makes them lazy and dependent. An experiment that would lead to millions of deaths. The song makes mention of the help and aid given by the Quakers, among others, in America while at home and in Britain help was reluctant and miserly. Catholics were offered soup but only on condition that they renounced their Catholicism which led to the derogatory term ‘soup taker’ for any Irish Catholic who betrays their religion and country.

“Swap your Catholic halo for a Protestant hoop and give up your place in heaven for bowl of soup”

‘Rattle My Bones’ is a moment of lightheartedness among the tragedy as Declan starts off acapello before joined by accordion and soon has the ‘bones’ of a sea-shanty going. ‘The Villain Curry Shaw’ tells of a family leaving for Nova Scotia on board the Hannah setting sail from Newry on 29th April 1849. This true story tells of the ships sinking and the captain and two officers who left the sinking ship aboard the only lifeboat, leaving passengers and the rest of the crew to fend for themselves. 49 died and 130 were rescued from the freezing ice. His cowardice has gone into the history books and is now immortalised by Declan for all. The laments over for a moment ‘Johnny And The Lantern’ is for me the best song here capturing both the tragic times as well as the famous irrepressible Irish shining through. The Irish always fought the invasion of their country and again the upbeat and cheerful tune belies the subject but surely the demise of an absentee landlord is a time for celebration is it not. The landlords that sucked the land dry that farmers farmed were quick to evict when rent became hard to pay as Án Gorta Mór began to bite. Well fed on the back of their peasant farmers they were despised from one end of Ireland to the other.

‘Johnny And The Lantern’ tells of an anonymous Irish farmer shooting to death one such landlord, Manning, on the road in Delvin, Westmeath and, as is further illustrated on the cover of the album by the band dressed in ‘famine’ clothing, his body is cut to pieces.

‘And the last thing they buried, Were the hands that took the rent’.

On an album filled with melancholy and calamity your heartstrings are in constant danger as on ‘The Connaught Orphan’. Declan’s voice pulls the emotion from the tale of a young 6 year old boy who starving and all alone is provided with a new set of clothes by an American Quaker women. She wonders why the young lad is unhappy at his new outfit.

“I’ll surely die of hunger now
If they see me with your nice new clothes
They’ll think I’m telling lies, and that
I have a mammy feeds me so”

The awfulness of the situation is captured perfectly.

The inscription on the cross reads: Cailleadh Clann na nGaedheal ina míltibh ar an Oileán so ar dteicheadh dhóibh ó dlíghthibh na dtíoránach ngallda agus ó ghorta tréarach isna bliadhantaibh 1847-48. Beannacht dílis Dé orra. Bíodh an leacht so i gcomhartha garma agus onóra dhóibh ó Ghaedhealaibh Ameriocá. Go saoraigh Dia Éire – Children of the Gael died in their thousands on this island having fled from the laws of foreign tyrants and an artificial famine in the years 1847-48. God’s blessing on them. Let this monument be a token to their name and honour from the Gaels of America. God Save Ireland.

The story of those coffin ships is told in ‘The Great Saint Lawrence River’. Between 1845 and 1851 over 1,500,000 people left Ireland on diseased and vermin-infested ships rampant with disease.

“When I die they’ll put me over, We’re buried in the deep, Where hunger cannot find us”.

In the midst of Án Gorta Mór the U.S placed restrictions on the amount of Irish flooding into the country so unable to land the ships sailed on to Canada but the extra weeks meant many more perished. A 46-foot high Celtic cross stands at the highest point in the St. Lawrence River, thirty miles from Quebec. Grosse Île served as the quarantine station for immigrant ships and boar witness to the terrible devastation that brought Ireland’s destitute to the New World. It is estimated that between 12,000 and 15,000 are buried here. The largest mass grave of Án Gorta Mór victims outside of Ireland. The album ends with ‘Go Domhain i do Chuimhne’ a spoken word song.

Ach na dearmaid ar gcaithú, Cuimhnidh lámh ar an mead, A tháinigh muid tharais, Más féidir linn cuimhniú, is teacht ar an tuiscint, Más féidir linn tuiscint, maith (far an) croí.

(But don’t forget our sorrows, And all of our sadness, Reflect on all that we have overcome, If we can remember, we can try to understand, If we understand, we can learn to forgive).

Spoken first in the language of Ireland and then repeated in English it is a call to remember the tragedy of those times and of the loss that we suffer as a nation both collectively and personally. This winter marks the 170th anniversary of Án Gorta Mór reaching its peak. Events that haunt us yet. The island hasn’t recovered either with the population still far below what it was in the 1840’s. It saw the Irish scattered to the winds and their orphans are still with us today with over 80 million across the world claiming Irish heritage. It is a truly electrifying way to close this outstanding album.

Growing up in England we were never taught at school about Án Gorta Mór. Maybe they thought the reality of what happened and the obvious blame at whose door the dead should be laid to rest would be too much for us, instead we found out at home in hushed bedside stories and tales around fires. My own Great-Grandfather left Ireland and lost all four of his children and wife before returning to Ireland many, many years later to marry again and start a new family. Stories we all have if we look for them. This album covers Án Gorta Mór in a most sensitive and beautiful way. Never shying away from apportioning blame to the ‘richest nation on the earth’ and telling the story of real men, women and children. People from history who lived and died in those terrible times. During ‘Go Domhain i do Chuimhne’ Declan urges us to keep our heritage, traditions and language alive. The Irish people owe Declan a great service for what he has produced here and maybe its too much to ask for it to be put on the British school curriculum but it warrants it so. It’s an emotional ride alright with several songs the tears arriving. It has taken Declan 15 years to deliver Chronicles of the Great Irish Famine and on it he is ably assisted by a wealth of Irish musicians including John Sheahan on fiddle, Dermot Byrne on accordion, Gino Lupari on bodhran and Mike McGoldrick on pipes, whistle and flute and I can honestly say that in all my 47 years I have never heard anything that evokes Án Gorta Mór in such a moving and evocative way.

Buy Chronicles of the Great Irish Famine  SignedVinyl  SignedCD  Amazon

Contact Declan O’Rourke  WebSite  Facebook  Twitter  YouTube  Soundcloud

In writing this review I owe a huge debt to the following- my Grandfather, Michael Joesph Wilkinson. Missed every day. Dave McNally of Folk Radio UK here for his outstanding review here and Stair na hÉireann which provides invaluable help with articles on every aspect of Irish history here.

Further Recommended Reading:

Let Ireland Remember  Irish National Famine Memorial Day  but the most extensive resource on this period is to be found at Irish Holocaust –Not Famine: The Push To Educate In Fact’s

(Declan O’Rourke performs two tracks, ‘Indian Meal’ and ‘Poor Boy’s Shoes’ and talks about the album and his reasons for recording it)

2016 REVIEWS ROUND-UP PART ONE. PINT KILLERS, THE MUCKERS, NOWHEREBOUND, HOIST THE COLOURS, SKILTRON, BAY STREET BASTARDS

Every year we have been doing this has got better and better for celtic-punk releases. As happy as we are that this is so it also means that we just cannot keep up with everything out there. We haven’t had the chance to review everything we received or heard so here is Part 1 of our 2016 Round Up where we catch up with some of the releases that we missed first time round. Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but it has been impossible to keep up so here’s a few quick ones just to catch up and get 2016 out of the way. Each and every one are worthy of your time so go ahead and check them out. This time round we head to the America’s. Well four from the USA, one from Canada and one from Argentina!

PINT KILLERS- ‘Boston Brewed’ EP (CDbaby)

pintkillersYeah I know we are hardwired to like ANYTHING that comes out of Boston but this is some killer street punk right enough. Only founded earlier this year Pint Killers feature ex-members of Nowhere USA, Dot Rats, Third Knuckle, The Struggle and the Pug Uglies. “Boston Brewed Punk Drinking Songs And Anthems” they call it and fair enough that’s exactly what you get. Their shared Irish ancestry looms large over everything they do in this four track EP about celebration, drinking, friendship, and brotherhood. The songs flash by in… well a flash of only eight minutes. Fists in the air and heads down working class punk rock, or blue collar as the Yanks prefer to put it. All the songs burst with energy but it’s the longest track ‘Around The Hood’, all of two and a half minutes!, that tick’s all the boxes for me. It may not have bagpipes but so what! And what a great name too…

 THE MUCKERS- ‘The Muckers’ LP (iTunes  GooglePlay)
the-muckers-2016The Muckers are coming at you from Atlanta city in Georgia in the deep south of America. The city rose from the ashes of the Civil War to become a major city and later on in the decades following the Civil Rights Movement, during which the city earned a reputation as too busy to hate for it’s progressive views compared to other cities in the deep south, attained international prominence. The band take their name from the word ‘mucker’, a colloquialism meaning good friend used in main by the Irish and people from Yorkshire in England. The Muckers are Atlanta’s only Irish rock band with a massive following in the city among the Irish and their friends. A five-piece folk-rock band that as well as a strong emphasis on Irish music also blends in influences of gypsy music, sea shanties, country, rockabilly and anything else they can get their hands on. Eleven songs( and a mental hidden track!!) lasting well over forty minutes and what you get is exactly what is outlined above. Kicking off with a short accordion intro it soon launches into the superb ‘There is A Time’ with very much a bluegrass feel. Other notable songs here include both ‘Molly’ and ‘Eddie Connors’ which were originally recorded by a couple of The Muckers old bands but given a real lease of life here. A few self penned numbers and some standard Irish covers make up the rest of the album. A great knees up of an album with a grand sense of humour and infectiously good fun and well played.

NOWHEREBOUND- ‘Hearts And Arrows’ LP  (Bandcamp)
nowhereboundWe have been long time fans of Texan band Nowherebound and while they may not be a celtic-punk band, or even a folk-punk band, but they are simply fantastic so deserve their spot here. If you can imagine a fast and heavy punk rock band that somehow manages to squeeze enough folk melodies into their songs then that’s them. A folk band in all but their music! Coming out of the same camp as punk bands like Social Distortion, Rancid, and Gaslight Anthem but with their cap tipped firmly in the direction of the Murphys or The Pogues. Much more straight up punk rock then their previous releases have been they toured Europe again in 2016, for the umpteenth time, but unfortunately have not made it to Blighty yet. From hard rock in-yer-face to pop punk melodies to raise-your-glass-and-sing-along-anthems Nowherebound that hit you in both the heart and the head.
HOIST THE COLORS- ‘Mourners’ LP  (FromTheBand  iTunes)
hoistthe-colorsOne of the better known of the North American celtic-punk bands Hoist The Colors come from the urban metropolis Los Angeles. They play a blend of punk rock, trad Irish, Americana and bluegrass that is as original as the city they call home. Now this is one album I would have loved to have gone into real detail about but it only landed in LCP Towers a few days ago so I am having to write this on just a handful of listens. And my first impression is the same as my tenth. It’s a fecking masterpiece! A wonderful LP that really shows the depth of the scene and the willingness to push the boundaries of what is celtic-punk. From first track ‘Little Rebel’ right through to ‘Something More Than This’ their is not a single bad track on Mourners. The title track was the first song released from the album and came with a superb video. Excellent use of the mandolin and the punchy punk rock keeps the toes a tapping.

The second release from Mourners was ‘Rainier’ and for me was the album standout. Fast paced, punk rock that is accessible without being at all lame and again some excellent mando to keep the celtic among us happy. The rest of the album flows as smoothly as a pint of Guinness with the music uptempo and catchy as hell. Twelve songs and a running length of almost fifty minutes of non-stop quality celtic-punk that would surely be loved by anyone from you’re studs’n’spikes nephew to your auld Nanna.
and from South of the border we have

SKILTRON- ‘Legacy Of Blood’ LP  (From The Band  iTunes)

skiltron

At the forefront of the Folk-Metal genre, though really it is in fact Celtic-Metal, Skiltron were formed in 2004 and come from Argentina. Now thats not so strange as it may appear as plenty of Celtic people emigrated there back in the day mostly Irish and Welsh. In 2016 they embarked on an epic European tour taking in an amazing nineteen countries in under two months. I missed their London date as it was my brothers wedding unfortunately but was absolutely stunning from other people told me. We have touched on metal a few times here and there seems to be a quite a scene growing out of what was once a handful of bands. We even have a London based celtic-metal band worth checking out Isamos (here). Legacy Of Blood is only eight songs long but as you can imagine it’s all quite epic and the songs take their time. The longest track is also my favourite, ‘Sawney Bean Clan’, about a clan of Scottish  murderers who reportedly killed and ate over 1,000 people anywhere between the 13th and 16th centuries.

It’s fast metal music with two bagpipes at times and the sound is quite incredible. The whole album is brilliant and if you like the sound of bagpipes then open your mind and get on board here. Fast as feck with rapid drumming and Scottish topics with clearly sung lyrics. No growling or grunting here!! I love it and seeing as how we have recently made friends with the people who put the gig on in London we hope to be bringing some more of this interesting scene to London soon.

WebSite  Facebook  Twitter  Soundcloud  YouTube

BAY STREET BASTARDS- ‘Small Batch’  (Bandcamp)
baystreetbastards
The Bay Street Bastards from the wonderful sounding Thunder Bay in Ontario in east-central Canada. The band proclaim their influences on their Facebook page as
“Canada, hockey, metal, punk, beer”
and listening to this corker of an EP that figures! WE caught their debut album in last years Round-Up’s here and if they keep releasing things in December then we’ll never get the chance to do a proper one! Anyhow that was bloody brilliant and this EP continues where they left off. Small Batch begins with ‘Hooligan Crew’ and its fast paced accordion led celtic-punk rock with some great dual vocals, which I always think works well. This is followed by ‘Blood, Sweat & Teeth’ and things speed up with a song that is significantly different from the opener but carries all the same elements. ‘Ships of November’ slows it down a tad and just as you think you’ve a lovely ballad coming along ‘Bang’ and we’re back into celtic-punk territory. ‘Slappywag’s’ appeared on that debut album and has been re-recorded here. It was the standout track then and it’s the standout track here as well. A ton more energy and a ton more oompf where you thought it would be impossible to add but they done it.  Where the fiddle held court last time here it’s the mando and the accordion in charge in a brilliant song about the Bastards favourite boozer. The EP comes to an end with ‘Private Reserve’ and another beauty of a song. Less manic than the previous songs and perhaps the closest they come to sounding like the Dropkick’s. So what you get here are five songs that is over and done in a fast and frantic seventeen minutes. Every song here stands up on it’s own and the Bastards show they ape no one with their subtle changes of style. One of the many things that made their debut album stand out was their innovative style and they have lost none of that here. This isn’t just music for beer swillin’, foot stompin’, mosh pittin’ Canadians it’s music for beer swillin’, foot stompin’, mosh pittin’ wherever you come from!
So ends Part 1 and we are sorry we weren’t able to give each album the full on London Celtic Punks treatment. Apologies to all the bands as each and every release deserved the full treatment. We are always looking for people to join the reviews team so don’t be shy. Anyhow more to come in Part 2 so check back after Christmas Day and catch up with some more of our favourite 2016 releases from around the world this time. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

ALBUM REVIEW: THE SURFIN’ TURNIPS- ‘Awake The West’ (2016)

Proper scrumpy punkers from old Bristol town. Cult legends in the South West. Fusing The Ramones and The Wurzels in an orgy of fast riffs, cider and marrow dancing!
SurfinTurnips
Now The Surfin’ Turnips been around for a few years now since 1991 (ish!) and though I have heard great things about them our paths have never crossed. They have played a few times in London over the years but things just haven’t connected right for us. So here we are with The Surfin’ Turnips new album Awake The West which was released back in January this year but actually recorded back in the Summer of 2014. The various band members hail from Cornwall, Devon and Somerset but have strong associations with the town of Chipping Sodbury where they met while working, and the areas around Bristol where they currently live. Now one of the long lost and lamented celtic-punk bands of recent years has been The Dreadnoughts from Canada. For a few years their star shone bright as they toured relentlessly from one end of Europe to the other seemingly all year round. Well they may have hung up their fiddle but they did briefly reform for a few gigs back in 2014 and they played a solitary gig in England with The Surfin’ Turnips in Bristol. While over they also played on this recording so if you a Dreadnoughts fanatic, like most of us, then this is for you.
The album begins with ‘Turmut Hoer’ and its straight forward, heads down, classic punk rock with clear vocals and lyrics sung in a broad Bristol dialect and a vocabulary that leaves me baffled most of the time. When I looked up what a Turmut Hoer is it just came up as the name of pub after pub after pub all over the west country!

“I am a turmut hoer, from Wiltshire I were born. Me parents they be workin’ folk.  The fly be on me turmut”

So lyrically I am but lost except I do know that its all a loving tribute to the boys home. ‘The Quaker’ carries on the punk rock and sails into ‘Evenin’ in the Village’ a spoken word tribute to The Surfin’Turnips favourite beverage Cider which is followed appropriately enough by ‘Oh Apple Tree’. Featuring the first appearance here of the accordion

“Pass round the jug and take a supp, Cutler’s name drifts into the night.

Nought could compare with this pasty we share – the souls of the West join the light”

A cover of the sea shanty ‘Eddystone Light’ is up next. Made famous by Scots folk band The Weavers the song is about the lighthouse in Eddystone which kept ships from washing up and wrecking on the dangerous Eddystone Rocks, nine miles south of Rame Head.

While Rame Head is in Cornwall, the actually rocks are in Devon and the song tells of the lighthouse keepers son who meets his mammy, a mermaid.
“From this union there came three, A porpoise and a porgy and the other was me”
‘Ciderman Killed The Radio Star’ is another cider fixated song and it aint the last either!

They keep it local next up with a grand wee folky accordion led track ‘Sampford Peverell Pig Farmers Polka’. Thrashy guitars and that accordion keep the music up tempo and if nothing else this album is rollicking good romp and completely different from the celtic kind of folk punk I am more use to. Another spoken word piece follows and comes with a small dialect guide of west country words to help you through it.
“Gert = Big. Body = person. Axed = Asked. Batch – an areal of rough land. Ee = you. Queer – unexplainable. Shepton Mallet Races – Mid Somerset cider making town. Vleshy = fat. Vlat Voot – flat foot. Ar – Yes”
‘A Cottage On Dartmoor’ keeps the folk punk flag flying and finally Awake The West comes to an end with the traditional song ‘Spanish Ladies’ and for me is the true highlight of the album. Fast tuneful accordion punk rock with a real buzz to it except it doesn’t end there though as there is a secret track at the end that I won’t say anything about ‘cept to say it’s fecking brilliant!
The home of The Surfin’ Turnips the West Country has a proud, diverse and rich cultural, musical and literary heritage. In this time of globalisation and the creeping influence of London across England just as it is important for the celtic languages to survive we must not forget that tradition and language is not just confined to only the celtic countries. Places like the West Country and the northern counties and anywhere who had them also need to preserve their old ways. After all as a wise man once said

“If you do not know where you come from, then you don’t know where you are, and if you don’t know where you are, then you don’t know where you’re going. And if you don’t know where you’re going, you’re probably going wrong”

or something like that. West Country renaissance folk-punk aiming, and succeeding, in spreading the word of the West to those in need of apple salvation.
Ar, awake the West!

(you can have a sneaky listen to ‘Awake The West’ by pressing play on the Bandcamp player below then afterwards for just a measly fiver you can own it by following the link!)

Buy The Album

FromTheBand or Fuelled By Cider

Contact The Band

Facebook  Bandcamp  ReverbNation  Spotify

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’