Category Archives: England

CLASSIC ALBUM REVIEW: RAY & COLLUNEY – ‘Tyrants Of England’ (1971)

The latest in our series of reviews of albums from the past that deserve to be aired again! An extremely rare English Folk album from Ray & Colluney a duo using sparse guitar, mandolin and banjo but with flagolet on a few tracks helping to add atmosphere.

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Every time I hear a outstanding Folk album I think that would be just perfect for the Classic Album Series. First thing to do is to sort out a safe download link and then after that look up the album and the people who recorded it and write up a wee history of the album. Today we have chosen an album that is an amazing 50 (fifty!) years old this year and yet I could hardly find a thing about it. I was drawn to the Ray & Colluney album Tyrants Of England because it was likened somewhere else to another album, the Irish duo Callinan-Flynn’s Freedom’s Lament, was featured in the very last Classic Album Review in October. With similar instrumentation and vocal styles and even recorded around the same time the similarity is definitely there. The early 70’s were halcyon saw in the Folk clubs of the British (and Irish) isles with them bristling with duos and artists singing tales and songs of the auld days. I did read that at the time Ray & Colluney were considered pretty standard Folk club fare but in this day and age when this style of music is much less common we can look back and see it for how good it actually was.

“You tyrants of England! Your race may soon be run.
You may be brought unto account for what you’ve sorely done.”

So what scant details did I find out about this album then? It was recorded in 1971, with only 200 vinyl copies issued and it was the first album released on the highly collectable Westwood Records which has since become a bit of a cult label with releases now reaching £50+. It was engineered By Alan Green and manufactured by Folk Heritage Recordings in Cheadle Hulme, Cheshire.

“‘Tis advertised in Boston, New York and Buffalo,
Five hundred brave Americans, a-whaling for to go, singing
Blow, ye winds in the morning, And blow, ye winds, high-i!
Clear away your running gear, And blow, ye winds, high-o!”

Several of the songs featured here are pretty much Folk standards of the time and you may recognise a handful made popular by The Dubliners but under different song titles. The title song ‘Tyrants Of England’ is also known as ‘The Hand-Loom Weaver’s Lament’ and dates from the beginning of the industrialisation of the textile trade in Lancashire. It tells of the black period when supply outstripped the market due to increasing mechanisation. This caused a scarcity of jobs for the weavers and a decline in wages for those still fortunate enough to be employed. Ian Robb and Hang the Piper recorded the song in 1979 and Ian wrote of the song on the sleeve notes.

“The ‘gentlemen and tradesmen’ of the song followed the official propaganda line in blaming the Napoleonic wars and Bonaparte himself for much of the starvation and hardship which resulted. Apparently, however, the working men and women of the factories and mills were not so easily taken in, and many of them, seeing little decline in the comforts of the ruling and merchant classes, held a sneaking respect and admiration for ‘Boney’, whom they regarded as a champion of the poor.”

This is exactly the reason why we run this series to remember albums that are slowly passing out of memory. If anyone knows more about this album or what became of Ray and Trevor we’d love to hear.

1 Tyrants Of England – 3:21

2 Bogies Bonnie Belle – 2:22

3 Jack Hall – 2:44

4 Rambling Soldier – 1:58

5 Blow Ye Winds – 3:24

6 Calico Printers Clerk – 3:30

7 Cock Fight – 2:16

8 To The Begging – 2:28

9 A Sailor’s Life – 3:51

10 Farewell Nancy – 3:50

11 Rakish Young Sailor – 3:17

Ray Haslam – Vocals, Acoustic Guitar * Trevor Colluney – Vocals, Banjo, Mandolin

with Malcolm McDonald – Bass and John Hampson – Flageolet

flageolet, wind instrument closely related to the recorder. Like the recorder, it is a fipple, or whistle, flute—i.e., one sounded by a stream of breath directed through a duct to strike the sharp edge of a hole cut in the side of the pipe. The name flageolet—which comes from the Old French flageol, meaning ‘pipe’ or ‘tabor pipe’—was applied to such flutes at least from the 13th century, but from the late 16th century it has referred most specifically to a form of the instrument developed at that time in Paris.

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“In Manchester, fine city of cotton twist and twills,
There lived the subject of my song, the cause of all my ills.
She was handsome, young and twenty, her eyes were azure blue
Admirers she had plenty: and her name was Dorothy Drew.”

ALBUM REVIEW: ROUGHNECK RIOT – ‘Burn It To The Ground’ (2022)

UK Folk-rockers Roughneck Riot return from a 4-year break with a loud and angry new album Burn It To The Ground.

Roughneck Riot have returned from an extended pandemic induced siesta to hit us with their latest album release Burn It To The Ground. This is the first release from the Warrington based hardcore folk punk outfit since Out Of Anger was released in 2014.

The past few years have been tough on us all and here at London Celtic Punks HQ we are delighted to see the influx of new music coming from every angle. We have taken this as a sign of normality returning. Burn It To The Ground certainly marks the return of Roughneck Riot to the scene.

The band are known for their hardcore edge whilst keeping touch with the folk punk sound. The album is well balanced, and the results are impressive. The album opens with the suitably titled tune “We’re Still Here” reminding us that they haven’t gone away y’know!! With a total of 12 tracks the album has something for everyone. The stand out tracks are “Cognitive Dissonance”, “No Cure For Us” and the title track “Burn It To The Ground”.

Often when bands take a break it’s hard to gauge what will happen on the other side. Roughneck Riot have come through their four year intermission sounding as good as ever. They are back on the road and no doubt we will be hearing much more of them. Hopefully we don’t have to wait 8 years for the next release.

TRACK LISTING

1. We’re Still Here
2. Stay Awake
3. A New Day Is Dawning
4. Don’t Count Me Out

5. Lampedusa
6. Cognitive Dissonance
7. Burn It To The Ground
8. Tired Eyes
9. We’ve Already Lost
10. The Reckoning
11. No Cure For Us
12. Fucks Sake

Burn It To The Ground is available on all streaming platforms and available to order in CD and vinyl wherever you are. It has been released on SBAM Records and is also available from them.

Buy Burn It To The Ground  FromTheBand

Contact The Roughneck Riot  WebSite  Facebook  YouTube 

ALBUM REVIEW: JAMIE CLARKE’S PERFECT – ‘Monkey See, Monkey Do’ (2022)

Only a mere thirteen folk can ever say they were once members of The Pogues and one of those is Jamie Clarke. Since then with his band Jamie Clarke’s Perfect he has carved out a career making, playing and recording a glorious mix of Irish Folk, Garage, Rockabilly and Punk Rock!

We are lucky to have Paul Evans from the #1 Pogues tribute band The Pogue Traders to review the new Jamie Clarke’s Perfect album hot off the press.

Jamie Clarke’s Perfect are a German based folky / rockabilly-ish outfit with nine albums to their name. Perfect were formed after The Pogues disbanded in the late 1990s. Until then, Clarke was a guitarist for late-period Pogues (he took over when Phil Chevron retired from the band in 1994) and featured on the final ‘Pogue Mahone’ LP, co-writing The Sun and the Moon with Spider Stacey.

Their latest offering, Monkey See, Monkey Do arrived in January is packed with tight, punchy hoarse tunes written for a ‘rambunctious live band’ market. It’s a play-loud set, and if you’re looking for an introspective concept album, or lounge-bar background music, this isn’t it.

It’s a wide-ranging collection. Tracks like How the Mighty and Morgane Morgenstein would fit in very nicely on those post-MacGowan Pogues LPs. Greetsiel Reel and Monkey Done gets us closer to the celtic-punk feel of The Men They Couldn’t Hang, Green Cadillac brings a welcome rockabilly-pop dimension while Time is Ticking and the excellent Madness-ish Raise Your Voice tips into ska-punk territory.

I’ll predict the standout track Lady Luck will end up at the end of their live set whenever they want to be brought back on for an encore.

Money See, Monkey Do, does a difficult job well – it’s a new album from a band who have written something to punch-up their live set. Buy the CD, or stream it, but whatever you do, catch Jamie Clarke’s Perfect next time they’re in your town because this album will sound even better live than it does in your living room.

Buy Monkey See, Monkey Do – DackletonRecords (CD/Vinyl)

Contact Jamie Clarke’s Perfect WebSite Facebook YouTube Instagram

Paul Evans is the tin-whistle player in The Pogue Traders – a London-based Pogues tribute band formed in 2007 that even comes with a personal recommendation from one of the original band members.

“The best Pogues tribute band I’ve seen” – Andrew Ranken

It’s coming up to the busiest time of year for Irish music. A time when for many years a Pogues or Shane MacGowan concert was a must so in their prolonged absence it’s only right that a band should fill that void and The Pogue Traders fill it seamlessly. A mini tour around the country sees them take in well know Irish diaspora hot spots so be sure to check them out and if you are wondering what to do in London on St. Patrick’s Day then why not join us for a South London pub crawl ending at The Half Moon Putney for a poguetastic night celebrating the worlds greatest ever band.

THE POGUE TRADERS 2022 ST. PATRICK’S TOUR

https://www.facebook.com/events/1005352306732195/

Leeds – Brudenell Social Club Friday March 11th

Holmfirth – Picturedrome Saturday March 12th

London – Half Moon Putney, Thursday 17th March

Glasgow, – McChuills Saturday, March 19th

And finally, the Nottingham Greyfriars gig from November 2021 was postponed due to illness and is now happening on April 30th 2022 – details to follow.

The Pogue Traders  Facebook WebSite

ALBUM REVIEW: OYSTERBAND – ‘Read The Sky’ (2022)

The stars-and-skies theme of 2022 continues with the 12th studio album by award-winning folk rock legends Oysterband. With Read The Sky, the band emerges from pandemic and lockdown hell with ten new songs, and proof that there’s plenty left in the tank yet, both musically and politically.

Read The Sky. The 12th studio effort by folk rock legends Oysterband. Out March 4th!

Like with Ian Prowse’s One Hand on the Starry Plough, what we have here is a collection of songs that aren’t typically Celtic punk. But while the music might not be similar to the likes of “Granite Years” or “The Road to Santiago”, you can never question the impact that John and the boys have had on the UK folk scene since their ’70s inception. Let’s kick things off with “Born Under the Same Sun”; this opener introduces the album’s slick production values, and discusses the changes that our society has seen in recent years. So is the music relevant? You bet. The song is a fine reminder of the socially aware attitude that the band have often embraced, particularly back in the ’90s, and taken into their recording sessions, which this time were done under COVID conditions.

Next up we have “The Corner of the Room”, track #2. This was released as a single just recently, and in my view it was a good choice. The song is a personal tale of hope and ambition, one sure to be popular among devoted fans of the band. The upbeat mood continues here, and I had to smile at the reference to the Isle of Skye, not too far from my now-home of Glasgow.

Reinventing the fiddle (sort of)

From the album booklet, track 3 “Roll Away” looks like it might be a tune (due to the lack of lyrics). Don’t be fooled – it’s a Back Door Slam cover, written by the hands of Davy Knowles. This is where the fiddle, that archetypal Celtic punk instrument, comes to the fore in a somewhat unorthodox way. Many Celtic punk fans are used to hearing the instrument lead the way, in the form of various jigs and reels (think Dan Booth’s work with Ferocious Dog, for instance). But here, the fiddle takes on a different role. Ian Telfer gives the strings more of a twitch on “Roll Away”, in a way that reminded me of some of Hilary Hahn’s work. Ian is one of three remaining members from Oysterband’s early recording line-up, with lead vocalist John Jones and guitarist Alan Prosser being the other two.

The interesting violin work continues during “Wonders Are Passing”. This reflective, Earth-centred track features a solo in the middle, but what struck me was that the fiddle never truly seems to take off. It sounds more restrained than freeform, though this isn’t a bad thing. In fact it would seem intentional, as if it were done to match the mood of the lyrics. “Fly or Fall” has more of the same – some excellent fiddle runs and a catchy chorus, but again, the fiddle still doesn’t steal the limelight.

“Wonders Are Passing”. Track #4 of Read The Sky, and available on YouTube with a beautiful wee video.

The fiddle finally does blossom out towards the end of track #6, “My Son”. The moral behind this track is with great power comes great responsibility, just like in the famous film 😉 In that sense, there’s no better time for Ian to step forward and showcase his skills than during the beautiful outro to this song.

The reeds and the pipes

It might not be your typical Celtic punk album, but Read The Sky doesn’t omit the other familiar folk instruments completely. “Star of the Sea” marks the welcome return of the accordion that fans will know and love from the likes of 1995’s “Put Out the Lights”. “Sea” whisks us away on a brief journey to the far-flung reaches of Hong Kong, and I did wonder if the Dolores in question is the sadly missed Dolores O’Riordan. But the Cranberries frontwoman passed away in London, though she did play in Hong Kong several times.

If “Star of the Sea” didn’t copy “Put Out the Lights” in featuring the uilleann pipes, track #9 “Streams of Innocence” makes up for this. The penultimate track boasts some o’ those piping passages, underpinned by a strong, rolling rhythm. But what about track #7, “Hungry For That Water”? This one is one of the album’s more mystic moments, especially in terms of the lyrical imagery. Add to this some intriguing acoustic soloing that brings to mind Shane MacGowan’s “Lorca’s Novena”, and you’ve got a song whose impact stays with you for longer than you’ll initially realise.

The time is now

The band close the album out in a similar vein to how they opened it; they make another clear socio-political statement with the title track. “The Time Is Now” was the first single released to radio, and fittingly the band performed it during COP26 on BBC Radio 2. The song has a catchy hook to it, underlined by bassist and producer Al Scott’s work on the four-string. John’s lyrics point to the changes we’re seeing near and far in Mother Nature. And the message rings true; in an age where we all need to do something to protect the one world we’ve got, the time really is now. Leave the car at home where possible. Avoid single-use plastic where possible. Sign a petition where possible. We the people have more power than we think on this one. And that’s exactly how it should be.

“The Time Is Now”. The band’s personal statement amid the COP26 conference of late 2021.

“The Time Is Now” puts a thoughtful finishing touch to a well-conceived and well-rounded record. When my wife asked me to describe the album as a whole, one comparison I drew was with another group of British folk-rock legends, namely Fairport Convention. We saw them in Oysterband’s native Canterbury just before the pandemic hit, and perhaps the comparison is fitting, as Oysterband have performed at Fairport’s Cropredy festival on a number of occasions. Either way, we are reminded fondly that folk music knows no barriers. Groups young and old[er] are embracing the genre and working hard, year after year, to keep the music and life’s important messages alive.

Right…where can I get it?

Read The Sky is out on Friday 4th March on Running Man Records. One way to pre-order it is HERE. Give the album a spin, and see what thoughts of your own come to mind. The lyrics are included in the booklet, along with a beautiful wee quote by Emily Dickinson, THAT famous reclusive 19th-century poet.

Alternatively, if ya ditched your CD player years ago in favour o’ streaming, then keep an eye on the band’s Spotify profile HERE or Apple Music profile HERE, where you can refresh your memory of the band’s previous material while awaiting the March 4th release date. Lastly, whatever your choice of listening format, make sure you catch the band on their UK tour commencing April 2022.

EP REVIEW: THE MEN THEY COULDN’T HANG – ‘Red Kite Rising’ (2022)

A year after the tragic death of founder member Cush The Men They Couldn’t Hang show they intend to troop on with their first release since May, 2020’s album Cock-A-Hoop.

The shock of the sudden death of Cush was widely felt and his presence, songwriting skills and voice will be forever sorely missed. The Men They Couldn’t Hang began their days back in 1984 when Cush, then a roadie for The Pogues, formed the group with songwriter Paul Simmonds, Cush’s fellow vocalist Phil ‘Swill’ Odgers and his brother Jon and Shane MacGowan ex and member of The Nips Shanne Bradley. They were lucky to count the late John Peel as a fan and it was his championing of the band on his Radio show that led to their debut single, Eric Bogle’s ‘Green Fields of France’ (sung brilliantly by Cush) becoming a big top hit in the UK Indie charts and inclusion in Peel’s festive top 50. With their fame growing it was around this time that I first heard them on the radio while on a caravan holiday in Withernsea. It was 1984, my Dad was on strike, rebellion and revolution was in the air and in the charts and Janice Long had also took to playing the hit on her radio show, ensuring that as soon as I got home I searched all the local stores till I found it and soon later their debut album Night Of A Thousand Candles. Around the same time The Pogues were going from strength to strength and while often put down as Pogues copyists nothing could be further from the truth. It had more to do with the fact this music was so unusual that they were grouped together. The Men were eventually labelled ‘cowpunk’ with their mainly acoustic-electric-Folk owing much to the energy of Punk while oftentimes they crossed over completely.

Success led to them signing to MCA Records and several more outstanding albums including How Green Is the Valley the following year and in 1988 Waiting for Bonaparte. Their fame and popularity was beginning to rise though that never quite transferred into the record sales their label demanded and so they moved on to Magnet Records recording a trio of brilliant albums Waiting For Bonaparte, Silvertown and 1990’s Domino Club before they called it a day.

Retirement didn’t last very long and within a few years The Men were back and even recording again. Not a band to rest on past glories a bunch of albums followed with original material that fans eagerly lapped up. With 20+ releases (and far too many to number side projects) a collection of studio, live and compilations it’s hard to navigate for the new fan but those first five albums are without doubt among the finest Celtic-Folk-Punk albums of all time. So it was with great shock we heard the news of the death of Stefan Cush on February 8th last year after suffering a heart attack. We were privileged to be able to publish a touching tribute to his memory written by his friend and photographer Marvey Mills.

Stefan Cush

The Men and the various members of the band when releasing their own material have always utilised crowd funding as a way to keep control and releases independent and Red Kite Rising has been no different. The 4-track EP came out last week, on St. Valentines Day, and is hoped that it will help fund their next album which they be working on this through the spring/summer/autumn. The EP begins with the title track ‘Red Kite Rising’ penned by Paul Simmonds and a celebration of the life of Stefan Cush. Loved and respected by all it’s typical The Men. Catchy. jaunty and folky it’s a great tribute as is the songs title with the Red Hawk being his favourite bird. The next couple of songs were first recorded during the sessions for their last album Cock-A-Hoop in 2020. First up is ‘Reeling And Railing’ and again typical men with a nod back to their ‘cowpunk’ days. Imagine a bunch of young men in tartan work shirts swinging each other round and it could be the 80’s again. The Men could always bash out a dramatic ballad, in fact my favourite songs are ballads like Scarlet Ribbons, Green Fields and the amazing (and packed with so much meaning for me personally) ‘Company Town’ and while it’s maybe not quite ballad territory ‘Hanging On’ is the slowest here. The EP ends with ‘The Rose Of England’, a cover of a song by Nick Lowe that first appeared on the album of the same name in 1985.

“For her feckless boy
She did weep and wail
Saying, Lord have mercy where did I fail?
Out my belly, then pick up a gun
And fall for the Rose of England”

A fantastic song sung with such passion and firmly made into a Men song. Their are no videos to accompany this release but you can hear the whole EP at the link below and we are already looking forward to that forthcoming album.

R.I.P. Cush but The Men They Couldn’t Hang live on…

(You can stream / download Red Kite Rising on the Bandcamp player below)

Buy Red Kite Rising Bandcamp

Contact The Men They Couldn’t Hang WebSite Facebook YouTube Instagram

INTERVIEW: IAN PROWSE – ‘One Hand on the Starry Plough’

In part 2 of our Ian Prowse special, we’ve interviewed the man himself. Ian’s fourth solo record One Hand on the Starry Plough comes out on February 11th, which is mere days away! If you’re familiar with Ian’s back catalogue, or ya wanna know more about him and his contributions to Celtic music, then check the interview further down ☘️

One Hand on the Starry Plough. The fourth solo effort from Ian Prowse, out February 11th.

If ya missed our very recent review of Ian’s upcoming album One Hand on the Starry Plough, be sure to check that out HERE. Other than that, let’s get into the interview, and see what Ian himself has to say about the new record! Here it is…

London Celtic Punks sit down with Ian Prowse on the eve of his fourth studio album.

We would like to congratulate Ian on a job well done, especially during the terrible lockdowns that have affected so many musicians’ lives. One Hand on the Starry Plough is available now on Kitchen Disco Records, you can get it HERE. You can also get a taster of what the album has to offer, by checking out the official YouTube video to track #1 “Battle” below:

“Battle”, track #1 from One Hand on the Starry Plough by Ian Prowse.

Sláinte mhaith! 🥃 And enjoy the music ☘️

ALBUM TEASER: IAN PROWSE – ‘One Hand on the Starry Plough’ (2022)

One album we’ve been looking forward to in 2022 is the new offering by Ian Prowse. The seasoned singer-songwriter is known for his work in rock genres. But his contributions to Celtic music can’t be underestimated, and he hasn’t forgotten those influences on his upcoming record.

One Hand on the Starry Plough by Ian Prowse. Out 11th February 2022.
One Hand on the Starry Plough by Ian Prowse. Out 11th February 2022.

Released off the back of a tough time for musicians and artists, One Hand on the Starry Plough will be Ian’s fourth solo record. We’ve been granted an early listen, and the album has all the right people behind it. Long-time pal and bandmate Tony Kiley was chosen as producer, and a wide range of guest musicians lend their instruments and voices to the record. The result is a diverse and exciting album, where bluesy rock, choir singalongs and – of course – folk music all turn up for it.

Now…Ian is perhaps best known for his work with Liverpool-based band Amsterdam, whose single “The Journey” hit #32 in the UK charts back in 2005. But he’s no stranger to the Celtic music that we all know and love. Ian has participated in the Irish Sea Sessions, and he holds an MA in Irish Studies from the University of Liverpool. While at uni, he concentrated his work on the role of Christy Moore in Irish folk music, which I bet was an interesting and rewarding write-up ☘️ Both Moore and Elvis Costello have given Prowse their seal of approval, and Ian’s first band Pele supported The Pogues back in the day too.

So while Starry Plough ain’t your typical Celtic punk record, it’s well worthy of a closer look. We’re gonna keep things Celtic by focusing in on some of the album’s folky moments.

Holy, Holy River

It’s not long before the album makes its mark in terms of the Celtic influences. Track #2 “Holy, Holy River” is arguably the strongest song on the album. The fiddles and tin whistles that burst into view remind us of the warm, romantic feeling that Irish music brings to every heart. The song then grows into a stomping rock track, with some tin whistle soloing in the middle and the eponymous one hand on the starry plough lyric repeating during the outro.

Ian has said that the album, as a whole, is about hope. It’s about looking up at The Plough in the starry night sky, and realising that we DO have one hand on it. As long as there is hope in life, we’re not lost 🙂 So “Holy, Holy River” is a worthy centrepiece to the album, and is reminiscent in places of another popular Prowse piece, “Does This Train Stop On Merseyside?“, which was covered by none other than Christy Moore on his successful album Listen.

Ian Prowse. A seasoned singer-songwriter with a lot of support behind him.

Dan

Another song to stomp around to is track 8, entitled “Dan”. The catchy, attention-grabbing lyrics here are bolstered by the fiddles in the background, and again the tin whistle is along for the ride. These familiar instruments come to the fore in another folky interlude, and they stick around for the second half of the song.

Interestingly, this song also mentions Cork City and Michael Collins at one point. Now Collins wasn’t born in Cork City (though he was born in Co. Cork), but he did go to the city to speak, and he was there during the Irish Civil War. The “Dan” in question doesn’t appear to be Dan Breen, though – it seems to refer to a musician, not a politician. Maybe it’s the singer-songwriter Dan Donnelly? Ian himself can surely tell us more next week. So in other words, watch this space…😉

My Old Black Tie

The final song to highlight is “My Old Black Tie”, a beautiful, melancholy ballad found in the middle of the record. The fiddle gels well with the electric guitar here, but perhaps it’s the lovely wee flute solo at the end that steals the show. Proof – as if we needed it – that Irish music can be quiet or loud, and still powerful in both cases. Drawing the listener back to the album’s main theme is always a good way to round off the first half of a record, and Ian does that as he sings: Do you remember the starry sky? / Do you remember all our lives?

Bring on the release!

“Diego” and “Big Feelings” have Celtic elements to them too. But give the album a spin yourself when it comes out on February 11th – which ain’t all that far away now! 😉 With an imaginative new record on offer, Ian’s back, and he’s taking on the world once again. If ye really can’t wait until Feb 11th and you need a sneak peek of the album right now, then check out the official video to track #1 “Battle”. Here it is:

“Battle”, track #1 from One Hand on the Starry Plough by Ian Prowse.

One Hand on the Starry Plough is available for pre-order HERE. To check out Ian’s previous work via the streaming platforms, look him up on Spotify or Apple Music. Or catch up with him on Twitter, Facebook or Instagram too.

ALBUM REVIEW: SHANGHAI TREASON – ‘Shanghai Treason’ (2022)

2 years ago, Sheffield-based Shanghai Treason played their first gig. Now the wait is over…January ’21 sees the release of their self-titled debut album! If you’re partial to a bit o’ Dropkicks, Flogging and Roughneck Riot (and if you’re reading this, you probably are), then these “Yorkshire banjo punks” should be to yer liking. This record sounds like a band working hard, having fun, and determined to make a difference.

Shanghai Treason. From Sheffield, and keen to keep the local music scene going.

As we all know, the banjo is a firm favourite in any Celtic punk line-up. And on this record, the instrument makes its mark immediately. “Emerald Causeway” is a cracking tune to start things off, an energetic number where banjoist Tom Hardy leads the way.

This is a sign of a band that shows promise, and we’re not the only ones who’ve noticed. The boys have been picked up by none other than The Rumjacks, who’ve taken them out on their current UK tour. Sadly, some shows have been cancelled – including Glasgow, dammit – but it’s a great early opportunity for the band in any case.

Now, the music might make an impression on the listener, but so too do the lyrics. In next track “Gatling Gun”, which has been released as a single, we hear clever lines from singer Sam Christie such as The city sucked me in, and moved the goalposts. A better one is Would you sew my eyes shut? I got a needle – you got any thread? That one’s from “The Fiendish Blue”, and I had to grin when I heard it. It’s always good to see a band using words in an intriguing way, right down to their band name.

Dynamic music

Shanghai Treason stays true to the Celtic punk tradition, by boasting its fair share of speedy, 2/4-time songs. Listen to “On The Ropes”, where the accordion takes over and gives the banjo a wee rest. “Wildfire” sounds like it’ll be another thrasher, but a break in the middle saves it, before we’re plunged back into the fast-paced fun. Importantly, “Wildfire” also features Dan Booth, well known for his work with Ferocious Dog. Dan played fiddle on the track, and also co-handled production of the album. For Shanghai’s take on FD’s “Crime And Punishment”,

Despite the faster numbers, the band is apt at writing slower tunes too. “Uphill Battle” is a good example, with a steady jig rhythm commencing halfway through, making the song one of my favourites on the album. A much sadder example is “Hero’s Welcome”, a song about a POW returning home from war, only to be suspected of being a spy and tragically killed. Closing track “Boatman” is the other acoustic-led one, where the eponymous boatman could be literal, or maybe a metaphor, leaving it up to interpretation.

Where can I hear the album?

The best way to show these lads some support is to head to their Bandcamp page. There, you’ll find not only the album but some kick-ass merch. If ye fancy a listen first, there’s a wealth of videos on the band’s YouTube page for you to try, and be sure to subscribe!

If streaming’s your thing, and ye wanna contribute some royalties to the band, you can also give them a listen on Spotify or Apple Music. Last of all, be sure to drop ’em a message and stay in touch on either Facebook or Instagram. Their Facebook page lists lots of upcoming shows as the world slowly gets back to gigging ways.

Thanks for readin’! Or as they say in Scotland…slàn leat agus pòg mo thòin 😁☘️

Andy x

2021 CATCH UP REVIEWS. PART 2 – WILD COLONIAL BHOYS, THE POKES, HAWTHORN, SURFIN’ TURNIPS,

Our last post was an attempt to catch up with a few albums that we loved but had missed for reviewing during 2021. Part One wasn’t originally planned to be but they all ended up being ‘solo’ albums and so today we have a bunch of albums from bands. Apologies for not being able to do more detailed reviews but as we say each and every month “we can’t review what we don’t hear”. 

WILD COLONIAL BHOYS – Remote Ruaille Buaille

Not a band I’m particularly knowledgeable about bar coveting one of their great t-shirts but here goes. I’m pretty sure I had some stuff from them in the past but was all lost in the great external HD crash of a few years ago. Hailing from Minnesota the album was recorded remotely, hence the name, which makes the expert production even more impressive.

Things start with the self penned ‘Red haired Lass’ and a upbeat bouncy Country /Celtic number. The production here is maybe one of the best I’ve heard all year. The sound is so full with the many instruments here all complimenting each other. The talented band show their ability throughout the album able to switch from more rocking numbers even to trad Folk. Their harder edge comes out early on, on the first of a handful of covers and ‘Rocky Road’ never fails to disappoint. Their are several excellent covers like  Ewan MacColl’s ‘Homes of Donegal’, and Luke Kelly’s ‘Schooldays Over’ but as usual it’s the originals that I’m really interested in. The standout track here is the ‘Tragedy At Duffy’s Cut’ where the Bhoys tells the tragic story of the death of 57 Irish immigrants whilst working digging the railroad near Philadelphia in the 1830’s. The death and unmarked grave containing these men’s remains was hidden for decades and is a stark reminder that the lives of working-class Irish Catholics in those days were worthless. A fascinating story well worth reading more about but the story is well told here. The album ends with a great upbeat version of ‘The Auld Triangle’ and it all reminds me what I have been missing. A fantastic album that captures the spirit of Irish-America perfectly.

THE POKES – Another Toast  (Here)

The Pokes had quite a lengthy several year hiatus between this album and their last but have returned with an album that reminds me of them at their best. Another Toast is their fifth studio album and takes off from where Mayday ended. Their distinctive Folk-Punk sound is left intact as well as the humour they are famous for. Kicking off with an ode to their beloved Berlin wart’n’all. Accordion led with a real catchy beat chugging along. As I’ve said before The Pokes remind me a hell of a lot of the Geordie band The Whiskey Priests. Unafraid to venture into political commentary but it’s pure bold and absolute brazen entertainment that is the goal here and is achieved 100%. My personal favourite here is ‘Gambler’, now talk about bloody catchy! but several songs could all be described the same. With the album’s artwork it’s no surprise The Pokes take a deep look at death here but always with a jig in their heart and a beer glass being slammed into a table.

The CD album comes with the added bonus of the vinyl only Sail single from earlier this year and also with a extensive 16-page booklet. The album was released on the famous Mad Butcher Records and is available in all formats. This to me is Celtic-Punk without being particularly Celtic but it is nevertheless absolutely superb party music!

HAWTHORN – All The Light We Cannot See  (Download)

We have just literally done a review of another band from Arizona (the new album from Swainn) and his has been in the to-do pile for a few weeks without us giving it much of a chance. hawthorns roots began in another local Celtic-Punk West Winds and they have previously released a 6-track EP in 2017 before this. Hawthorn are, rather unbelievably, a duo with Sarah Elizabeth and Brent Anderson playing all the instruments. The band is rather mysterious with blurred videos and artsy photos never quite giving you a decent view of the band. Still we here for the music and that is damn good.

I didn’t know they were a duo for a good while after I heard this album and I still find it hard to believe now after several listens. The amount of instruments here is incredible with flute, tin-whistle, uileann pipes, upright bass, mandolin, banjo and plenty more all in the mix here. At times the music is aggressive Celtic-Punk and at other times gentle Celtic inspired Folk. Basically the perfect model for an album on these pages. Of the former the brilliant intro ‘Beltane’ that leads into the fast bagpipe led ‘A Green And Ancient Light’, ‘Gardner’s Ghost’ and the album’s closing song ‘Raven’ all rock along with Celtic intensity, while of the latter the Irish trad instrumental ‘Lughnasadh’, the atmospheric ‘Samhain’, with almost Gothic sounding uileann piping, and the gentle ‘Solstice’ all stand out. Overall it’s a great album with a bit extra than most Celtic-Punk albums. Definitely not yer typical American album with both it’s style and lyrics. The album is available at the link below for ‘name your price’ download so basically a £100, a pint of Guinness or bugger all. Up to you but make sure you do download it.

THE SURFIN’ TURNIPS – Down The Allotment  (Download)

The Surfin’ Turnips have been with us now a good few years and round their way (Bristol and the south-west of England) they have become quite the institution. Known primarily as a festival band they have a decent enough back catalogue too and their latest album Down The Allotment came out back in March.
These guys are the real deal when it comes to West country Cider Punk anthems and its all heads down Folk’n’Roll as on the album opener the Ramonesy ‘Mermaids Leg’ that leads into the Folky but Punky but still Folky ‘Windbound’. It’s all done in great spirit and with tongue lodged firmly in cheek with salty songs of the sea, some of the fields and some of the orchards too. There’s plenty here but maybe you have to be a local for it to really click with you. Some of the subjects sailing right over me head but I loved the uncomplicated Punk-Rock sound that is only improved by the addition of accordion. The kind of band that when asked your standout tracks it would change every listen. At the moment the spoken word ‘Evesham Wheel’, UK82 style ‘Cider Police’, the piss taking ‘You Are My Cider’ and the album’s closing song, and also one of my favourite songs, ‘The Bonnie Ship The Diamond’ all stand out though I can guarantee that will change. One for ‘turnip’ up loud and getting your dancing boots on!
 

2021 CATCH UP REVIEWS. PART 1 – PHIL ODGERS, CHRISTY MOORE, JIM LINDBERG, DAN WALSH

Here’s hoping you all had a great Christmas and New Year.  Despite everything it’s been another great year for music. Maybe not quite as much of it but things are picking up and the end of 2021 saw us caught in a deluge of music we couldn’t keep up with. Any regular reader will know we prefer to do detailed reviews and even though we can’t do them justice here are some notable release we simply had to mention before the end of the year.  Each one impressed us immensely and are worthy of your time so go ahead and check them out. We start with Part 1 and a bunch of solo artists.

PHIL ODGERS – Ghosts Of Rock’n’Roll  (Bandcamp)

Phil ‘Swill’ Odgers has been one half of the legendary joint vocal strike force of legendary folk rebel rockers The Men They Couldn’t Hang since the early 80’s and has recorded under many various monikers over the years. In fact this is his fifth solo album. In February TMTCH announced the sad death Of Swill’s fellow vocalist Stefan Cush and many wondered where The Men would go from here. Well The Men still continue to perform and Swill put out Ghosts Of Rock’n’Roll in September after a successful campaign to raise the necessary to release it. Eleven tracks of acoustic folkiness accompanied by guests galore including Sid Griffin and The Men fiddler Bobby Valentino. The music itself owes much to The Men perhaps inevitable given Phil Odgers distinctive vocals. Of the songs here the opening ‘The Serpent, The Maiden and The Bear’ kicks off with a county-ish happy-go-lucky jaunty banjo led song with the warm vocals telling of guiding your way home from reading the stars.

The following song, a cover of Phil Ochs, ‘Flower Lady’ is another high point standing out from the more Folky songs with its R’n’R guitar while it is ‘Brooklyn Bridge’ that is most memorable. A beautiful study in aging and dementia originally written by Joe Solo. Ghosts Of Rock’n’Roll is like a Men album it that it does encompass several distinct influences and also like a Men album it is both uplifting and sobering. Though the sadness of the death of Cush hangs over the album is dedicated to Cush and is a fitting memorial to him.

CHRISTY MOORE – Flying Into Mystery   (Here)

A ‘proper’ new album from one of the last remaining true legends of Irish music. Christy Moore’s first studio album since 2016 features twelve songs Christy has brought to life and made unique even if some we have heard before. For the first time (with the exception of health induced breaks) since 1969 Christy’s life hasn’t revolved around live performances and so as he says “all my focus has been on this album”. As is common with a lot of his work the album consists of his own interpretations of others and a handful of his own compositions. There are Gary Moore’s ‘Johnny Boy’ and Bob Dylan’s ‘I Pity The Poor Immigrant’ among the better known but also the less well known like the chilling ‘December 1942’ by Cork singer/ songwriter Ricky Lynch telling of the arrival of a train from the Warsaw ghetto at Auschwitz “to unload its human cargo/met by demons and by devils and their savage dogs”. While I do sometimes despair of the dreaded ‘celebrity opinion’ and their desire to stay relevant Christy’s politics at least come from the heart and on the album’s lead single ‘Clock Winds Down’ he sings of the mess the planet is in. Written by American singer Jim Page who was also covered by The Moving Hearts when they recorded his anti-nuclear classic ‘Hiroshima, Nagasaki, Russian Roulette’.

This is followed by another harrowing song, the traditional ‘Van Diemen’s Land’ telling the cautionary tale of a young lad Henry tried and convicted for poaching and sentenced to transportation to the horrors of the British penal colony in Van Diemen’s Land (now Tasmania).

“Young men, all now beware, Lest you are drawn into a snare”

My own favourite here is one of his own songs and ‘Bord na Móna Man’ is always the kind of song I think of when I think of Christy Moore. A comic tale and a tribute to the art of turf cutting and turf cutters. Their was a time when it was a feature of Irish national life but these days the government would rather import it from overseas.

Their is something very familiar about this album. That mix of trad, modern covers and rowdy self penned numbers is very much the Christy formula but he does it with such style that the whole thing still sounds fresh and new.

JIM LINDBERG – Songs From The Elkhorn Trail (Here)       

Here’s another ‘Punk’ vocalist taking time out from his usual duties to lay down a solo album but unlike Cush this is the Pennywise frontman Jim Lindberg’s first album. Known for shouty Pop Punk friendly anthems he takes a far more reflective turn here and once again the subject of getting old comes up and again is handled beautifully. His father passed away in 2018 from Alzheimer’s Disease and was obviously a huge influence on his life supporting him in his career with Pennywise and even buying him his first guitar. The album cover depicts Jim playing guitar by his old mans Palm Desert home by the Elkhorn Trail and on the cello infused ‘Don’t Lay Me Down’ he opens his heart to us

“Drove to the desert house to say my last goodbye / I ran every light, didn’t make it there in time … A toast to those who gave us life”

Some of the songs here are over twenty years old and the upbeat music often disguises something more serious. The opening track ‘The Palm Of Your Hand’ is a great rousing start and call to sort ourselves out despite the pain we may hold.

On ‘You’re Not Alone’ Jim keeps it catchy as hell, poppy even with an inspiring message keeping the cringe at arms bay. ‘Hello Again’ is a gentle number that verges on exploding into something else but is reigned in magnificently. The words of a man who loves a drink while he reminisces about his Dad before the piano led ending. A truly lovely song though dark as much of the album is. The full band ‘Not One Of Them’ comes as close to a rock-song as possible here but still retains a country-ish feel to it while ‘Good Enough’ also comes close but in acoustic way. On such a good album it may be hard to pick a standout track but along with the two songs featured here a special mention for the strings laden ‘It’s Only’ and an emotional journey through the life of a life well lived.

Not being much of a Pennywise fan I was initially reluctant to give this a spin but I am glad I did and I am sure it will connect with many people in the same way it has with me. The album features some star guests in Social Distortions David Hidalgo Jr. on drums, The Mighty, Mighty Bosstones Joe Gittleman on bass, Dropkick Murphys / Walker Roaders guitarist Marc Orrell and award-winning record producer, musician, and songwriter Ted Hutt working the knobs. Lindberg will be celebrating his Mammy’s Irish roots supporting the Dropkick Murphys for their St. Patrick’s home town gigs so no doubt plenty of you will be lucky to see him then.

DAN WALSH – Live at the Floodgate   (Here)

There ain’t many instruments so suited to Celtic-Punk as the banjo is and while this is a Folk album there is plenty to love about the way Dan Walsh plays for everyone. Since his debut album, Tomorrow’s Still To Come, in 2009 Dan has made a considerable impact n the UK music scene with collaborations with all sorts from The Levellers to Seth Lakeman but he is more than just a ‘banjo to hire’ and his own material displays influences from some pretty imaginative sources! Born into a Irish family in the English town of Stafford Dan has been playing since 13 when so impressed by the likes of Barney McKenna and Gerry O’Connor he begged his parents to buy him a banjo and he has never looked back since. Now several album’s in he has recorded a live album ‘Live At The Floodgate’ at a pub in his own home town.

Recorded just before the first lockdown but only recently released, Live At The Floodgate sees Dan re-visiting all five of his previous albums as well as some new material and also some of his favourite covers like his outstanding version of Paul Simon’s ‘You Can Call Me Al’ that he has never released before. He kicks off with a thoughtful and tentative instrumental ‘Over The Border’ which ever so slowly builds into the equivalent of banjo Motorhead! The first time we hear Dan’s voice is on ‘Still A Town’ about gentrification and perhaps the destruction of the kind of places where this kind of music can still be heard. There’s a couple of auld Saw Doctors tracks ‘The Suilin’ and ‘At Least Pretend’ while ‘Late Night Drive’ at half way through the album begins to show Dan’s confidence as he plays with such speed it’s incredible and all note perfect too. You can hear from the audience too that the excitement is building. Two of the previous reviews have touched on the treatment of the elderly and here Dan puts the banjo down for acoustic guitar as he tells the moving story of an elderly man in a care home on ‘The Song Always Stays’. The song was actually inspired by a visit to Scots singer Glen Mason in a Surrey care home. Glen was often visited by musicians, whose repertoire would sometimes include his own songs, up to his death in 2014. The beauty of music eh? One of the highlights is the epic (over seven minutes!) ‘Joxers Set’ which starts off with you expecting another ballad before speeding up several times to the point where you cant imagine he can go any faster… before getting faster! Dan could have left it there but returns for the obligatory encore and the alcohol has flowed enough even for some audience participation as he sends his appreciative fans home (no doubt with the song playing in their heads for the following couple of days!) to Lester Flatt’s ‘Sleep with One Eye Open’

The live album can be very much a mixed bag but here Dan plays with such an intensity and comes across as so likeable that it’s impossible not to get drawn in. Over an hour that shows him at his very best and with the varied material here this is an album that anyone could love even them as don’t like banjos. If such a person does exist?

WATCH OUT FOR PART 2 COMING THIS WEEKEND!

ALBUM REVIEW: FEROCIOUS DOG – ‘The Hope’ (2021)

Having gone to see Ken and the boys live in Edinburgh this year, it seems only right that we review Ferocious Dog’s new album before the year’s out. Enjoy The Hope, a triumphant slice of folk-punk from a band at the top of their game.

The Hope by Ferocious Dog. Don’t forget to spin this one!

From the epic opening seconds of “Port Isaac”, it’s clear that this is an album that the band put a lot of thought and work into. With a sense of foreboding we’re chucked on board a ship, with Cap’n Flint barking the orders (not really) and the opening lines of “Haul Away Joe” chiming into view. After that, the band’s cover of this sea shanty gets going properly, and we knew it wouldn’t be long before the Dog’s familiar brand of folk-punk and polka beats came to kick us in the ass. Some o’ the lyrics are also a fresh deviation from other versions of the song out there.

Follow-up track “Pentrich Rising” continues in the same vein. The band filmed a video for this one, which reconstructs the failed Pentrich rising of 1817. To check out the video, and a “making of” that the band put together, go HERE and HERE. Or just watch it below:

“Pentrich Rising”. About the workers’ uprising of 1817 that foundered due to an inside job.

Plenty to dance to

Following the trend set by “Joe” and “Rising”, there’s plenty more to dance to on this record. Take your pick from some o’ the ones below ☘

“Born Under Punches” is about the sad story of a broken home, where the youngest runs away to follow their dreams in London, only to end up “on the old main drag”, as Shane MacGowan might have put it. But bleak or not, the song’s danceable from the start. So too are the equally-themed “Slayed The Traveller” and “Sea Shepherd”. The latter of these shows direct support for Paul Watson, founder of the Sea Shepherd charity who promotes an Earth-centred (rather than human-centred) view of the world. And if “Haul Away Joe” was a re-imagining of a trad song, so too is the band’s take on “The Parting Glass”. To quote Billy Bragg, they really put the power drill on this tune, to see what would come out.

Born Under Punches” talks about homelessness on the dark streets of London.

Music of the heart

The picture we’ve painted so far is of a fast-paced jumper of an album. But don’t be fooled – there are plenty of sombre moments on this record too. The first of these is “Broken Soldier”, a beautifully sad song about war, inspired no doubt by the sad fate of Ken’s son Lee Bonsall, who had served in Afghanistan. The line “it’s a far cry from the blue skies” particularly strikes you – it hints at the fact that war is horrific, but that our Western society can be ugly and unkind too.

“1914” is another example. Here, lead vocals are taken by fiddler Dan Booth, whose delivery of the line “there was whiskey on Sundays and love in the wings” is definitely reminiscent of “The Broad Majestic Shannon”, another MacGowan masterpiece. If this song takes a look back at WWI, “Khatyn” is about WWII, and a village in Belarus that in March 1943 was all but wiped out by the Nazis. Credit to the Dog here for not being afraid to bring in events and countries from outside the Celtic world.

The masterpiece of the album, however, has to be “The Hope”, an outstanding title track that is worthy of being a title track. A strong ballad, featuring beautiful singing from Ken, this one slowly builds to a wonderful choir-like singalong at the end, bringing a tear to the ol’ eye. This is music of the heart, written for those struggling to find any joy in life, walking around thinking, “I hope one day happiness comes my way.” If you’re reading this and you feel that way, then we hope you find happiness too. There are different answers that work for different people, so never stop searching for solutions.

“The Hope” – an outstanding and moving title track if ever there were one.

Go check it out!

With 17 songs, you won’t be shortchanged (or disappointed) by what’s on offer here. The album is a success, a masterclass in folk-punk with top-notch production values. The band put a lot of graft in here, so well done to them on reaching #1 in the UK Folk charts, and even #31 in the mainstream charts. Not that charts always matter, but it’s nice to let the mainstream know that there’s more music out there than just what gets played on national radio. There’s a wealth of great underground music out there, and it’s good when some of it succeeds on its own terms.

Now, as Jack Nicholson famously said after his wife locked him in a storage cupboard: “GO CHECK IT OUT!” 😁 If ye have the money, buy “The Hope” from Amazon (it’s not available from the band’s website until after Christmas, ye ken). If money’s a wee bit tight, then the album’s up on the major streaming platforms too. And whatever ye do, be sure to follow the Dog on Instagram or Facebook.

ALBUM REVIEW: STAR BOTHERERS – ‘Tales Of Layton Rakes’ (2021)

The second album from Midlands based Star Botherers is a fine mix of Folk, Punk and social commentary.

Now if one band has dominated the Celtic-Punk scene on these islands in the last twelve months it has to have been Ferocious Dog. The runaway success of their recent album The Hope has only continued their rise in popularity and they’ve plenty more in the bank to come too. Along with their success they’ve managed to ferment a whole crew of regular support acts wherever they go that play a similar kind of broadly left-wing Folk-Punk. Some of these are pretty damn good with The Silk Road, The Leylines, The Whipjacks leaping to mind, but also many more are drippy studenty singer-songwriter types, a band that I knew existed in same milieu as FD but I hadn’t heard was the Star Botherers. Coming from the same small town as Ferocious Dog, Warsop near Mansfield in Nottinghamshire, they have a good relationship together with FD covering a few of their songs and Broken Soldier features on the new FD album, The Hope. It’s an area famous pretty much just for coal mining which ceased in the area 30 years ago but like most mining communities continues to define where they live.

Star Botherers from top left: Ellis Waring – Bouzouki, Mandolin, Guitars, Ukulele * Brad Drury – Percussion * Joel Howe – Guitars, Accordion, Vocals * bottom left: Andrew ( Bart) Hawkins – Lead Vocals, Rhythm Guitar * Dave Drury – Bass, Vocals *
Recording, mix, master, produced: Joel Howe

Tales Of Layton Rakes is the Star Botherers second album after debut Happy Angry from 2017, which itself was preceded by a handful of demos that are now unavailable. Some of the tracks from those early days have been re-recorded here and the one or two I have heard have benefitted from the update. The album opens with, I think the album’s best song, the modern sea-shanty ’13 Years In Oregon’ a gloriously updated version of a track that appeared on their very first EP. The song steams along at a great pace telling of a life on the sea with some great lyrics and nice vocals from Andrew putting on a sort of Yank drawl. It’s a great wee opener and not what I was expecting from a band that I had imagined were prone mostly to jokey songs. The first of the modern tracks is up next and ‘Spoons’ is, as most UK based residents will know, the nickname for the cheap and (sometimes) cheerful (sometimes not) pub chain JD Weatherspoon. In the modern day of gentrification it’s often the only place in some city centres where working class people can afford a couple of pints. It’s common these days for people to bash Spoons under different guises but underneath it’s always that the owner of Spoons was prominent in the ‘Leave’ campaign. This is followed by ‘Blackpool’ and a list of things about why the town is “Shit, Shit, Shit”. Catchy and it chugs along with a story about a day out in the famous seaside town. ‘Let It Stand’ tells of the plan to erect a statue of Maggie Thatcher in her home town of Grantham not far from where the band are from. Needless to say it’s not universally popular but to to everyone’s surprise the band are in favour but as a way to remember what she stood far. ‘Just Around The Corner’ is another older song re-recorded. A jaunty folky tale of working your life away to make a decent life for you and your family and the breaks you get and more often don’t get. All quite serious stuff but hidden away in the kind of song that you could easily end up swinging strangers around a dance floor to. ‘Another Lidl Song’ is about the cheap but popular Lidl supermarket that is the fastest growing supermarket in Britain. ‘Kyle And Norton’ compares the two staples of British telly swopping their shows and how they get on. A clever and witty song.

‘Freethinker’ is another re-recorded song that has been covered by Ferocious Dog and it sounds like FD copied it note perfect! ‘Swearing In Songs’ is a slower Country-ish number with rather understated swearing considering the subject matter. ‘Silence Is Acceptable’ almost reaches Celtic-Punk in it’s intensity with a roll call of people and groups who fought for rights for all while ‘He Got Dreads’ I would say is about the kind of person who sneers at Spoons and Lidl and working class people in general. All the songs here are written by lead singer Andrew Hawkins with the exception of the next song, ‘Oddly Excluded’. Originally recorded for inclusion on the tribute album The Pete Drake Project (Vol​. ​1) and is one of the album highlights here. The album ends with ‘Sailors Grave’ and another marvelous song about the sea. Bit more Punky it definitely lifts the album at the end.

The album is released tomorrow and is available for pre-order below. It was recorded, produced, mixed and mastered by Joel Howe at the Black Market recording studio at home in Warsop and the CD comes with a whopping 16 page lyric booklet. Lyrically it they do seem caught between being an outright jokey band and their more serious material. A balance that will come in time I’m sure. Overall it’s a great album but like most Celtic or Folk-Punk it’s probably best to hear these songs in the live context as it is undoubtedly perfect for drinking and lepping about to!

(You can stream and download Tales Of Layton Rakes on the Bandcamp player below)

Buy Tales Of Layton Rakes  Bandcamp

Contact Star Botherers  Facebook  YouTube  

GIG REVIEW: FEROCIOUS DOG – EDINBURGH 6/11/21

Ruff ruff! This weekend Ferocious Dog took to the stage in Edinburgh, at legendary venue La Belle Angele. They played a blinder, as if you needed telling 😉 Here’s a review o’ the gig by The Celtic Punk Author, who was there. With support from Mucky Scoundrel.

It feels bloody good to watch live gigs again after that pesky virus stopped ’em. If there’s one band that doesn’t disappoint, no matter how many lockdowns we’ve had, then Ferocious Dog is it. On Saturday 6th November the boys set up at La Belle Angele, an awesome wee venue in Scotland’s capital that brings in the finest in underground music names.

Supporting: Mucky Scoundrel

I got to the venue early, bought the obligatory pint and made a donation to the Lee Bonsall Memorial Fund (more info below). Soon after, it was time to enjoy Mucky Scoundrel, last-minute replacements for the injured Gimme Gimme Gimmes. Frontman Mark Feeney broke a string during the first song (a nightmare that all us guitarists can relate to!), but he played to an obliging audience as the club floor started to fill. Opening as a solo act can be a wee bit lonely, lemme tell ya, but Mark had an excellent accompaniment in Danny Kelly, who supplied some slick basslines and backing vocals.

The duo played 8 songs as I recall, with a mixture of humorous lyrics and more serious numbers, and some sweet vocal harmonies to bolster the music. To get a feel for what they can do, check this oot:

Mucky Scoundrel. Last-minute replacements for the injured Gimme Gimme Gimmes.

To hear more from Mucky Scoundrel, check ’em out on Facebook, or watch the well-made, if slightly sad video to “Last To Fall” on YouTube. It’s a full studio version of a song that featured in Saturday’s setlist. Click HERE to watch it.

Headlining: Ferocious Dog

The Angele was nicely filled by the time The Dog’s walk-on music “Port Isaac” chimed into view. The band were to play many songs off their newest album The Hope (UK #31), and sure enough, they kicked things off with their rendition of fisherman’s shanty “Haul Away Joe”. After that it was straight into “Pentrich Rising”, arguably the band’s finest song to date (and there are many candidates for that!) A sample of the live performance, and how it got folks up and jumpin’, can be seen below:

“Pentrich Rising” – about the armed workers’ uprising of 1817, which started in ex-mining village South Wingfield.

Next up was “Victims”, another track in E minor with a more melancholy fiddle riff. The front-row faithful, known affectionately as the band’s “hell hounds”, kept the mosh pit going and were well up for the “OK, let’s go!” shout during the song. We then moved into “Broken Soldier”, the first of a number of songs the band played about the horrors of war. For those who don’t know, Lee Bonsall (mentioned above) was lead singer Ken’s son. Lee gave the band their name when he was a boy, and went on to serve in Afghanistan at the age of 18. Sadly, he later took his own life at the age of just 24, unable to overcome what he’d seen and been through in the war. This gave rise to the Lee Bonsall Memorial Fund, and if you can spare a few quid for these guys, then get in touch with them HERE, and show your support for those still fighting the war in their hearts and minds, years later.

On the subject of charitable giving, “Sea Shepherd” is a song with a pirate-like feel to it, dedicated to the marine conservation charity of the same name. Ken was proudly sporting his Sea Shepherd T-shirt at the gig, and volunteers from Sea Shepherd themselves were at the doors with merch (I bought a beanie to replace the one I lost years ago). I first heard of these guys years ago through the Dutch band Omnia, who play[ed] pagan folk with a big dose of “fuck authority” thrown in. Sea Shepherd are more into direct action than Greenpeace, but they stay on the right side of the line. To learn more about these guys, make a donation or buy something, check ’em out HERE.

On “1914”, another track off The Hope, fiddler Dan Booth stepped up to sing lead vocals. Dan is one of two remaining members from the original 1988 line-up, with Ken being the other one. I particularly smiled at the line “there was whisky on Sundays” – if that ain’t a nod to The Pogues and “The Broad Majestic Shannon”, a fine piece of MacGowan magic, then I don’t know what it is, ye ken.

Ferocious Dog live in Edinburgh. L-R: Ryan Brooks, Dan Booth, Ken Bonsall, Alex Smith (hidden), Sam Wood and John Alexander.

Music has the right to children

After a reel or two, which broke things up nicely but kept folks dancing, the band returned to their eponymous 2013 album, and the songs “Too Late” and the reggae-tinged “Freeborn John”. After these two strong tracks, it was back to The Hope again for “Born Under Punches”, another poignant song about homelessness in London. “Punk Police”, meanwhile, was written about those who feel they can tell others what’s punk and what’s not, or what they can listen to and what they can’t. As a famous Scottish duo once pointed out, “music has the right to children”. So although a punk band must understand what punk is about and how it originated, punk does have the right to morph and grow, as do all forms of music. With a “fuck the punk police” shouted at the end of the song, Ken made this clear.

The Dog closed their set with a few more songs, but were eagerly welcomed back for an encore. They had three more songs ready to go, the strongest of which was arguably the finisher, “Slow Motion Suicide”, taken from 2015’s From Without. This closer was another sad reminder of the terrible consequences of mental health problems, if the victims don’t get the support they need. Having suffered from depression and anxiety myself, I believe there’s an answer for everyone. People react differently to different types of treatment; what’s important is that people get the help that works for them.

All in all…

All in all, this was a fine gig, with a good dose o’ speedfolk to keep out the November cold. The band tore through their set impressively, never letting up but remaining as tight as we all knew they would be. As the crowd put their hands in the air for the obligatory end-of-gig photo, I was glad I went, and I’ll keep me ear to the ground for future FD gigs in this neck of the woods. Okay, my one complaint: the band didn’t play “Crime and Punishment” 😁 But that’s jammern auf hohem Niveau, as they say in Germany (English: “nitpicking”).

We would like to thank La Belle Angele for putting the show on, and for all they do to support live music. Show ’em some love and attention by visiting their website for further info and news about upcoming events. Next time you’re up Edinburgh way, we recommend checkin’ out what’s on there 👍

Folk on!

Andy x

EP REVIEW: JOLLY ROGER – ‘Ship Or Bust’ (2021)

The missing link between The Levellers and the Dropkick Murphys!

Cornish Sea-Punk Pirate band Jolly Roger just released their latest rum-fuelled five track EP Ship Or Bust inspired by loss, lockdown, mental health and tales of piracy! 

We recently said that their was often no more than a fag paper between Celtic-Punk and it’s little offshoot Pirate-Punk. The same melodies, the same instruments and often the same songs and above all the need to have a good time and often with lashings of alcohol. There are several bands in the UK that play Pirate themed music and several more that often stray into the genre, the MIA Matilda’s Scoundrels for one and Black Water County for another. It’s no mistake that both these bands come from the South coast from areas with long histories of smuggling and rebellion both quiet and not-so-quiet! It can be said that the widespread smuggling trade in the 18th century along the South coast has led to a disrespect for the law. A disrespect that while it doesn’t see riots on the streets it manifests itself in ignoring any laws that the locals don’t agree with!

Jolly Roger hail from Penzance in Cornwall. A town world famous for pirates now for over 200 years and also as I’m sure you know one of the Celtic nations with strong links to both Brittany and Wales in both custom and language. The band like to think that they ‘fall somewhere between the sound of The Dropkick Murphys and Levellers’ but I think that’s just advertising flannel and no harm in that. We’re masters at it after all but their sound is much more laid back while being raucous at the same time. Coming from Penzance they couldn’t fail to be be inspired by the sea but these guys are not stuck in the 18th century even though they do sometimes sound like it. Nautical metaphors and pirate history and songs about serious issues like mental health but done in a light hearted vein alongside more standard fare like drinking songs and enjoying the better things in life.

Jolly Roger left to right: Jony The Plank – Drums / Flute * Samantha – Lady of the Sea – Mandolin / Guitar / Vocals * Kynan – Bosun Two Toes Smooth – Electro/Acoustic Bass / Vocals * Jae – Captain JR – Guitar / Ukulele / Vocals*

The band have just completed a successful ‘Kickstarter’ campaign where they raised the necessary readies to buy a new band van so hopefully we’ll be seeing them around the place in the coming months now that it seems gig restrictions have been lifted. This past Summer has seen them take the stage at various local festivals as well as the Plymouth Punx Picnic.

‘’Quitting our jobs to start a pirate band and live our dreams is worth it every day. If you haven’t already tried this, we thoroughly recommend’’

but they have already racked up an incredible 300+ gigs sine they formed in 2019 and this despite the lockdown! They have a few releases out there all available on their Bandcamp page and all very reasonably priced too. I think they may have been one of the busiest bands of 2020! A year that saw the release of Turns Out, We’re Swingers​.​.​. where Jolly Roger took three of their favourite songs and re-imagined them in ‘swing’ style and shortly after came yet another EP Silent Mountain and after that their self-titled debut album came after and then just six months later saw another EP Jolly For All. Phew!!! This year they have done bugger in comparison so I’m sure they happy to see new EP Ship Or Bust hit the shops yesterday and we are very happy to be one of the first to run our rule over it.

The EP begins with ‘King-Fisher’ and yep it’s super high-energy from the off. Almost all acoustic except for bass with guitars loud in the mix and flute. The opening song starts off as a bit of a mish mash before settling down into a giddy wee number not a million miles away from 70’s ‘Psych Folk’. ‘We Rise’ is the bands ‘covid’ song and as they say

“we were not all in the same boat throughout these last 2 years, but we sure were weathering the same storm”.

It’s a great song and you can hear those Celtic-Punk influences clear as a bell. I daresay a bit of Punk-Rock electric guitar would just move them over but these Pirate bands are stubborn! The next song is for me the EP’s standout track and bejaysus they don’t come any catchier than this.

 

‘Aboard!’ was the lead single of the EP and was released on Cornwall’s national day, St Piran’s Day on 5th March. Simply marvellous and sure to give your feet a good work out on hearing it. All the songs here are highly contagious and incredible catchy but it’s the simple arrangements that give it that bit extra. There’s no frills they are not needed as on ‘Michael The Menace’ where the band just seem to do their thing naturally. The EP’s ends with ‘Reach Out’ and they even went so far as to record a simple video with Lady Of The Sea chatting about the meaning of the song. Dedicated to all fellow shipmates in a gently beautiful well meaning song. They acknowledge that it’s because of their fans that they couldn’t do what they do and while it’s obviously a great thing to see that the relationship between bands and fans seems to be closing bands should always remember that we the fans get far more out this relationship then they do.

(A live performance of ‘Reach Out’ recorded in Bristol at the end of last year)

Jolly Roger formed in 2019 with absolutely zero previous experience in music but have sailed the waters of the South-West music scene admirably with their eclectic mix of shanty vibes, humour and dare I say it Celtic-Punk all done with a metal head mentality. Now with a (fairly) new van they are looking to get out and about and have big plans for a nationwide busking tour so get in touch if you want them washing up in your town. We were a bit late to the Jolly Roger party not that they noticed as they were doing pretty damn good without us but it’s time for them to cut the strings and start going national and these songs are crying out to be heard to be live.

(You can stream, download or buy the CD of Ship Or Bust from the bands Bandcamp page and don’t forget to check out their previous releases while you are there!)

Buy Ship Or Bust Bandcamp

Contact Jolly Roger  Facebook  YouTube  Instagram

(Back when everyone was doing Live Streams Jolly Roger were no different and here’s their patched together live stream recorded at the Rock Bottom Bar in Plymouth. A few minor glitches but real music isn’t suppose to be perfect!)

NEW SHANGHAI TREASON SINGLE ‘Hero’s Welcome’ RELEASED TODAY

Sheffield banjo punks Shanghai Treason release the fourth single taken from their upcoming self titled debut. ‘Hero’s Welcome’ which tells the TRUE story of one of the bands great grandfathers; who escaped a P.O.W camp in WW2.

We are getting nearer and nearer to the one album release I have been dying to hear ever since it was announced a few months back on these pages. Aye up to Shanghai Treason from God’s own country (within God’s own country) who have a new single out today- ‘Hero’s Welcome’.

The song tells a tale very close to the heart of one of the band, vocalist Sam Christie. For it’s the true story of when his  great granddad escaped the European P.O.W camp he was being held captive in during WW2 and facing many dangers made it back to Blighty, even swimming the English channel.

“It’s kind of an unbelievable story. One I felt deserved to be immortalised in song, it already felt like the kind of tall tale that would be well suited for presentation in a more traditionally Folk storytelling fashion, We had been playing around with the track for a year or so before I heard our guitarist ‘Tom Jackson’ singing the lyrics that I’d written one rehearsal, it’s was a kinda light bulb moment really where it felt like it should be TJ who sings the track, everything seemed to click together from there, he’s got a great voice and will no doubt be singing more tracks in the future, it’s another string to our bow.”

Produced by Luke Wheatley (Arch Audio) Dan Booth (Ferocious Dog) Executive Produced, Mixed & Mastered by Gianluca Amendolara (Black Dingo Productions) Filmed by Giannis Kipreos (Popp Tones) Video Edited by the band

The Bhoys self-titled debut album is not due out January 2022 but from what I have already heard  it’s going to be a (very) early contender for the London Celtic Punks album of the year! Well before that you will have every chance to catch them live as they are prolific ‘giggers’ and as their name gets round so do they. As the album comes out they will embark on a 16 date UK tour supporting The Rumjacks across Scotland and England.

The album has been produced by Dan Booth of Ferocious Dog and Luke Wheatley and keen eared listeners may hear a contribution from Dan on ‘Hero’s Welcome’. So it’s now full steam ahead keep an eye out here for pre-order information.

Contact Shanghai Treason Facebook  Instagram  Twitter

A CELTIC PUNK LOVE AFFAIR

Ever since Shane and The Pogues knocked our ears into gear in the ’80s, hundreds of bands have followed in their footsteps. Year after year, they bring us exciting Celtic punk songs, albums and gigs to light up a somewhat shit world. But what about Celtic punk stories? Why ain’t there many of them floatin’ aboot?

Maybe there’s more than one way to entertain people. If you’re into Guinness, St. Paddy’s Day and young people embracing the Celtic spirit worldwide, then what we have here will be right up yer alley, ye ken. They say hope springs eternal…and so does folk!

Have you ever wanted to read a short story, or even a novel, about Celtic punk? As if The Pogues, Tossers and Mahones were ready to jump off the page at ya? If that sounds cool, then meet Gus, Lin, Herman and Rash. Four characters from the far-flung reaches of Nova Scotia, Canada. They’re passionate musicians, folkin’ the Irish pubs and refusing to bend to society’s wishes. Below, I give ye four reasons why you should give a shit.

1. They have the bottle of smoke

Yes, that’s a Pogues reference! The Bottle of Smoke is the band’s aptly-named local Irish pub. We kick things off with them playin’ The Smoke mid-week to an appreciative audience; Gus on guitar and vocals, Herman on mandolin, Rash workin’ the accordion, and Gus’s cousin Lin banging the bodhrán (not in a sexual way). Gus is essentially the band’s very own Shane MacGowan; a troubled ratbag who likes a drink or six, but a songwriting genius with a fistful of dreams and a big, beating heart at the centre of it all. And speakin’ of The Pogues, if there’s one band you would automatically compare these four musicians to, then the London Irish legends are it.

As well as playin’ The Bottle of Smoke as often as the pub’ll book ’em, the band are making inroads into the rest of Atlantic Canada as well. They’ve played out west a little, they’re set to play Cape Breton Island on St. Patrick’s Day, and they’re keepin’ their well attuned ears to the ground for more. The stage is quite literally set for a Celtic punk love affair.

Sounds good so far? Read on, ya big bollocks 😉

Shane MacGowan and The Pogues. The band’s heroes and their biggest influence.

2. They have ideals

We all realised we weren’t gonna get anywhere in life unless it was through the music. Ozzy didn’t wanna do what his father did for a living, and Tony didn’t wanna do what his dad did. Neither did Bill, and neither did I.

Geezer Butler, Black Sabbath

While Kilmainen (being the band’s name) might not be working-class, backstreet kids from Aston, Birmingham, they ain’t exactly moneyheads either, to use Gus’s own word. Gus himself is a standout example of this, working just 15 hours a week in a music shop. Underpaid, no doubt, but doing something he actually cares about. Cousin Lin is similar, having snubbed the corporate world to go part-time in an artsy café. The band members take the time and energy saved, and reinvest it into the one thing that matters most to them: their music.

The plan is that writing songs together, recording albums, doing interviews, playing gigs and working with other musicians will one day become the quartet’s full-time gig, their sole source of income. That’s certainly what the Austrian-born Herman dreams of, as he spends Sunday afternoons promoting the band’s music online. The biggest dreamer, though, is once again Gus: what you’re about to read is one of the entries he pours into his diary mid-way through the story.

I don’t want to live by society’s rules. It’s boring. I don’t wanna live life with no idea what I want. Society wants you think you’re worthless, and that it’s YOUR fault if you’re unhappy. But I can see through that. I KNOW what my purpose in life is. It’s the best feeling you can get, when people say your music’s helped them. Tell me it’s just a hobby? Bollocks to that. I wanna BE someone in life, change things up.

Guthrie “Gus” Ward, Folk Springs Eternal

I once saw a great film where actress Julia Jentsch said, “I want to live young, wild and free.” Most people will tell you that’s stupid, but her co-star Daniel Brühl said, “that’s not stupid.” He was right, and so is Gus above. There’s nothing wrong with having a dream, with looking at the world and asking questions. Asking whether life can be lived differently, rather than the way it’s spoonfed to us. That’s where the hope lies, my friend. And hope – like I started out saying above – springs eternal, right?

Will folk music spring eternal in Kilmainen’s case, too? Read on, because here’s where it gets nail-biting.

3. They have to fight society

Unless you’re sheltered from the world, or just strike lucky, you won’t follow your dreams without some serious backlash along the way. Numerous examples exist: Mahatma Gandhi, Carl Brashear, Jacinda Ardern, Mark Oliver Everett, the list goes on and on. These people had to battle their way to success, and our four musical heroes are no exception to this rule. We get a glimpse of it in chapter 4, when Rash’s office colleagues disregard his ambition to become a professional musician. “There’s no money in that game,” they tell him.

If that seems quite harmless, wait a little. Lin gets on a bus five days later, and is violently attacked by three youths who don’t like women who think and dress for themselves. “Irish music ain’t cool,” they say, and apparently neither is being a lesbian. Luckily a trip to hospital is averted just in time, BUT: bring on St. Patrick’s Day, where things go from bad to worse. In less than 24 hours, the band is all but over, with their morale and reciprocal support in the gutter.

The Halifax police headquarters where Gus is held on St. Patrick’s weekend.

4. They have to win.

What will become of the band? Will the quartet survive their trial by fire? Or will they fail and self-destruct among the flames? Well that I won’t tell you 😉 I will only promise you that the Celtic punk author doesn’t make a habit of letting people down.

So you have two options, my friend. One: you’re invited to take a wee look around my website, where the story and other cool stuff is available for purchase. Click HERE to check it out. Or two: if you want chapter 1 for free first (plus a free song!), then click HERE instead. I swear by the holy iron which I hold, that I, James Alexander Malcolm MacKenzie Fraser (okay, no), will not pass your email addresses on to any gobshite else.

I hope you enjoyed the read, my friend. Sláinte mhaith! 🥃

Andy x

Click HERE to learn more about the book. Want chapter 1 for free? Click HERE instead.

REMEMBERING MATT REN EX OF THE BABES 1978 – 2021

Matthew Raymond Renicks

16th April 1978 – 17th August 2021

What a year 2021 has been. Already several well known figures from the Celtic-Punk scene have sadly passed long before their time and to that number we can now add Matt from the London band The Babes.

We are grateful here to his bandmate Mao for writing a few words in tribute to him. 

Matt Ren EX and I met at sound engineering school. I was tired of not being able to record my music, so was he. The only break we had that day was enough to know we were connected. Of course, music was our first connection, he was a bass player and I was a bagpiper, and both of us were thinking about the same: we should play something like the Pogues, even though, we never played like the Pogues or any other band, but it was enough to start our friendship. We saw each other after a few months, I got a hold of his phone number. I used to play bagpipes in a garage when the neighbors were not around and just for a few minutes a week or so…

(A tribute video to Matt and also one of his last recordings)

I called him one day, and asked him if he wanted to start a band with me; what I didn’t know is that it was not just starting a band called The Babes: we began a wonderful relationship, indeed it was the beginning of meeting a man who influenced me in so many aspects of my life. we had too many things in common, He was a dreamer, he was a doer, he was a talented musician, writer, actor, great sense of humor, and if he cooked for you his tortilla soup, then dude, that was the real deal! Cat bless Texas!

I continued studying and began my recording engineering company, he wanted to be the “Booking agent and promoter” of Life of Strife. He wanted me to call it like that because it used to be the name of his own record label back in the USA. I added the “productions” so let’s say that it was teamwork. Along with that, and thanks to him, I also met my partner in crime, my other half, the woman I am in love with, after calling Raskass to see if he knew about booking a last-minute gig for our first tour, even though, Matt and Diala knew each other while he was touring with Total Chaos.

We toured many countries, wrote many songs together, I have heard all of his touring stories, lifetime stories, and the list goes on. We cried, we argued, albeit for a few minutes because he always had an ace up his sleeve so he used to make a joke and laugh so hard, and buddy, there’s no way you couldn’t laugh just hearing him laughing, no matter how upset you were with him.

We made our dreams together, we got high and we got low, he covered my back and I covered his, he used to listen to me for hours over the phone and I used to do the same for him. We used to support each other and even though he was a good friend of his friends, he was a good brother and I did tell him that not once, not twice, but many times.

I am happy I told him everything: “good and bad” because yes, he was not perfect, neither I am, but we were honest with each other, we could admit our mistakes, say I am sorry and carry on. He was a loyal man, and I never got a no for an answer. Thanks to Matt I also met wonderful people, and I will always be thankful to him for that.

I never saw a man suffering the way he did suffer, for so long. Life was cruel, and I am just happy he is not in pain anymore. besides that, fuck it, it hurts and it’s not easy to digest what happened.

The Babes in Dublin while touring Ireland 2019

As I never saw a man suffering the way he did suffer, I never saw anyone fighting his own body so he could achieve what he wanted. He had chemo or was extremely ill and there he was, asking me to go and record him, he just wanted to play his bass, that was the Only Life He Knew, and I am sharing it with all of you. He played like if nothing else matters at that moment, but just doing a perfect recording. What a talent, what a poet, what a fuckin’ punk rocker.

You can laugh if you want to, you guys can talk about Sid Vicious a billion times, I met the Sid Vicious of my generation, lived our dreams together, and nothing in this life will take that wonderful experience away. His name is Matt Ren EX, and I say “is” even though he passed away, he is here, and no matter where I go, his spirit and teaching will last forever in my heart. He lived his life his own way, and his legacy will last forever.

My love and condolences to Anita, David, Katia, and the rest of his family.
Life gave me a brother from another mother, and I couldn’t expect anyone better but you, Matt.
Rest In Power, Babe.
I love you, brother, and I will see you.  XXX

Matt’s family ask that those who wish to make a donation to St. Joseph’s Hospice in Hackney, London. https://www.stjh.org.uk/support-us/make-a-donation/#give-in-mem
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The Babes  Website  Facebook  YouTube  Instagram 

LUTON IRISH BAND MISSING THE FERRY HERE TO SAVE THE SUMMER!

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging. With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.
Anyone who has ever missed, or nearly missed, the ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!

Duty Free evokes the reckless abandon of a drinking session on the Dublin-bound ferry where bars on boats become a place apart from reality drifting between England and Ireland; a place to reminisce, escape and confront paths not taken, romances not fulfilled and promises not met before staggering drunkenly to the ‘Duty Free’ shop to pick up the sherry you promised Aunty Nora and the fags for Uncle Gerry.
A swig of Powers, a drag on a Players’ as the first glimpse of Ireland slides blearily into view…

We all want, need, please never stop Duty Free
And we’ll take it home to GerryGlasses clink and it got me thinking
Of a long lost girl that I used to know
Two large powers and I give her flowers
and I keep on hoping, she will walk right in
Waves are crashing, I keep re-hashing
hopes and dreams of a yester year
If I keep on drinking, I’ll just keep thinking
So I’ll take a little walk down to Duty Free…

We all want, need, please never stop Duty Free
And we’ll take it home to Gerry

Crazed all dayers, and a box of players
We smoked them all ‘fore the boat came in
Nuns are spewing, and mind is stewing
What a fallen man that I’ve become
(Is that Ireland?)
Well it looks like Ireland,
Ah Easy Roe – sure I’ve just drunk too much
Stroll on the deck – and don’t give a feck
So I made a little walk down to Duty Free…

We all want, need, please never stop Duty Free
And we’ll take it home to Gerry

And we’re last upon the ferry
All our problems dead and buried

We all want, need, please never stop Duty Free
And we’ll take it home to Gerry

And we’re last upon the ferry
Forget it let’s get merry…

(Take a little walk down to Duty Free now)

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With thanks to Joe Ray for the squeezebox and help with the video. Special thanks to Fred Stokes for his Classic Cortin. Also thanks to John, Roseanne, Ciara and Ella Anderson for help with the video. Recorded pre and during lockdowns between bedrooms in Luton, Deptford and Leipzig (mixed and mastered by Luise London https://www.facebook.com/LuiseLondonAudio/ )
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Another great song from these Luton Irish lads evoking some fantastic memories. Anyone over a certain age (basically before flying became so cheap) will remember the cattle ships that passed for ferry’s back in the day between Ireland and England. Crammed on and crammed together you counted yourself lucky if you got a seat as if not you’d confined to the floor. Once settled in you were left to your own devices to run round exploring the ship with new mates from around England. Your family would bump into people they knew from home but had settled elsewhere they probably hadn’t seen since the last ferry crossing. A trip to the Duty Free shop was a necessity as whiskey and cigarettes were always welcome in both direction. If you had the night ferry (my favourite) there would be a point you’d fall asleep only to find all the adults had disappeared and a short walk to the bar would find them talking of home with old and new friends. Going was always a great experience. The start of 6 weeks holidays from school and a trip back ‘home’.  The ferry back to England meant school soon and the adults barely concealing their sadness at having to go back to England. These Irish were the best in the world and are the reason we still find pride in our roots.  I always wondered what the ‘authorities’ must have thought at the 11 year old me ‘clanking’ away through customs with a bag full of fags and whiskey!

Download Duty Free  Bandcamp

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

FEROCIOUS DOG NEW SINGLE ‘BROKEN SOLDIER’ / ‘PENTRICH RISING’

English Celtic-Folk-Punk band with the ability to wow any audience you put them in front of. Not many bands you can say would appeal to both Grandparents and Grandchildren but Ferocious Dog are one. With a new album out soon here’s a couple of tasters of what’s in store for us.

Ferocious Dog look forward to the release of their sixth album The Hope later in the year with two songs released in quick succession onto You Tube. Beginning in June with ‘Pentrich Rising’ and a cracking video set and filmed in Derby gaol and following it up with the release this week of a song very close to the band’s heart, ‘Broken Soldier’, in partnership with the charity Combat Stress.

The band continue their rise with these two songs which despite their growing popularity lose none of the righteous anger and seething love they have become famous for. Likewise their sound has not been watered down. A band always determined to do it on their own merit it’s heartening to see a band that treats its fans as family and goes about it’s good deeds quietly and without fanfare. Their down to earth approach and old school labour movement politics along with years of solid touring and goodwill have built up a level of loyal support that many better known bands could only dream about.

Production: Justin Griffiths Creative * Director: Justin Griffiths

Lyrics: Andrew Hawkins

It’s not an original thought that it’s the working class that fights the wars for the rich and powerful. Some of these wars are remembered with pride and some are not. Sometimes these soldiers have performed heroics and can remember their service with pride and sometimes not. It’s important when we talk about ‘friends and foe’ during a war that we never lose sight that there is always an individual inside that uniform. ‘Broken Soldier’ has been released in support of Combat Stress, the UK’s leading charity for veterans mental health dealing with issues like post-traumatic stress disorder, anxiety and depression. The band have donated £5000 from the Lee Bonsall Memorial Fund and ask their fans to donate where they can to www.combatstress.org.uk.

Pivotal to the ethos and drive of Ferocious Dog is the sad fate of Ken’s son Lee. Lee served in Afghanistan from the age of 18, and upon rejoining civilian life took his own life in 2012 at the age of just 24, unable to overcome Post Traumatic Stress Disorder stemming from seeing one of his friends being shot dead by a sniper. Lee is commemorated in the Ferocious Dog songs ‘The Glass’, ‘Lee’s Tune’ and ‘A Verse For Lee’. This gave rise to The Lee Bonsall Memorial Fund which raises money and awareness for causes close to the bands heart. Lee’s story was featured in a BBC documentary Broken By Battle. It was Lee that actually named the band as a child.

The other song to be released was titled ‘Pentrich Rising’ and like a lot of what Ferocious Dog sing about is based on some stone cold hard history. Not the history you are likely to learn in school (more’s the pity!) but the story of the people. Working class history that survived through word of mouth. An armed rebellion that took place in the very area where Ferocious Dog call home around the village of Pentrich in Derbyshire in northern England on the night of 9th June 1817. Mass unemployment, industrialisation, the Corn Laws, war debt were among many factors that led to a massive recession. The poor of course were always the ones to suffer the most and so well over 400 brave souls assembled aiming to join with forces from further north to march on London in support of a bill for parliamentary reform. Sadly this belief was all based on a pack of lies from a paid informer under the Government’s instruction. This led them to be intercepted on route and they were no match for professional soldiers and yeomanry. Many were captured without a shot being fired and though the leaders did originally escape they were rounded up in the subsequent weeks and taken to Derby gaol. Twenty-three were sentenced, three to transportation to Australia for fourteen years and eleven for life. As for the ringleaders, the government was determined to make an example of them, hoping that

“they could silence the demand for reform by executions for high treason”.

The rebellion’s three leaders, Jeremiah Brandreth, Isaac Ludlam and William Turner were all publicly hanged and beheaded at Nuns Green in front of Friar Gate Gaol in Derby on the 7th November, their heads taken to St Werburgh’s church for burial. It was England’s last armed rebellion

a half-hearted but passionate attempt to give the working-class man a voice, was snubbed out and with it ended the lives of three men who campaigned for a fairer society”.

Outside of Derbyshire the Pentrich Rising is largely forgotten but not by Ferocious Dog. Their albums are packed with songs telling the tales of the working men and women of days gone by. Just as in the olden days these tales were passed on by word of mouth and song. Well they still are.

Production : Justin Griffiths Creative * Director: Justin Griffiths

Oh my name is William Turner and my tale i’ll tell to thee
about the revolution in 1817
With Brandreth and Ludlam and a band of fifty strong
With hundreds more to meet us on the road as we march on
 A night for revolution, a night to fight
A call to arms in England All workers must unite
Tonight we march on Pentrich with London in our sights
A night for revolution
All workers must unite
And then we fight
Little did we know there was a traitorous government spy
William J. Oliver a man I now despise
The Pentrich revolution was always doomed to fail
For high treason, I was sentenced and hung in Derby gaol
 
A night for revolution a night to fight
A call to arms in England
All workers must unite
Tonight we march on Pentrich with London in our sights
A night for revolution All workers must unite And then we fight

Buy Broken Soldier  Here

Contact Ferocious Dog  WebSite  Facebook  YouTube

PRE-ORDER THE HOPE HERE

Lee Bonsall Memorial Fund  Facebook

EP REVIEW: LIDDINGTON HILL – ‘Cow’ (2021)

New 4-track EP of high adrenaline Celtic-Punk and Alternative Rock from the South West of England’s Liddington Hill. 

It was only in February that we featured Liddington Hill for the first time. As surprised as we were that their was a band out there in southern England playing brilliant kick-arse Celtic-Folk-Punk that we had not come across we decided straight away that we had to do something. Without any new releases at the time we advertised that their back catalogue was available for free (they still are if you follow the link!). Free Downloads From Liddington Hill the articles title shouted out at you and by the look of it plenty of you did too. This time we are pleased to say that the music is new having been released only yesterday as I write this review.

Liddington Hill: Front- Tamzin – Vocals / Bass * Left to right – Ethan – Rhythm Guitar * Liam – Lead Guitar / Vocals * Chris – Drums * Matt – Fiddle / Vocals *

Formed in 2015 when Matt and Emily began performing traditional Celtic and English folk songs around their local area and taking their name from an ancient hill in Wiltshire. As is par for the course in Celtic bands the sound changed and members came and went before eventually moving away from the more trad sound to a heavier darker approach. A shadowy mix of Celtic and Folk tinged Metal and Punk giving them a rather unique sound for these days, added to which the dual male / female vocals gives them a further range than most bands we hear. Not that it’s downbeat but if you like this is more Joy Division and The Pogues rather the usual Clash and Pogues we get to hear.

Well in common with every band the months of C***d lockdown had a dramatic effect on the band abut rather than just sit around and mope they decided to concentrate on the music and finally they got to finish Cow their new EP. Two original songs and two traditional songs recorded at Evolution Recording Studio in Oxford, by Nick Moorbath. Cow is the first recordings from the new line up of Liddington Hill and one the band have preparing for throughout lockdown. Cow begins with the sea-shanty ‘Whip Jamboree’. Described by A.L. Lloyd who performed the song on the 1957 album Blow Boys Blow as “one of the wildest and most exultant of homeward-bound shanties” and here its played fast as hell and the sound and subject matter reminds me of Yorkshire band Blackbeard’s Tea Party. The second of the four tracks is the original ‘Pub Crawl’, written about a night out the band had around Oxford. Again here the fiddle dominates as the sights and sounds of a night on the lash are conveyed to us. It’s been a while so memories need refreshing! The third track is ‘Marshlands’ and the darkest song here both lyrically and in tone. Much heavier than the rest of the EP which ends with a spirited version of the anti-war song ‘Johnny I Hardly Knew Ye’. This song needs no introduction I am sure as by now its been covered by all and sundry but Liddington Hill manage to convey the horror of war suitably enough and ensure their version loses none of the originals power. The fantastic artwork for the EP was the brilliant work of Rob Warren from Paper Plane Consulting and the sound is also excellent though sadly distorted on the Spotify player below. So please don’t judge the EP on these snippets of song.  

Download Cow  Amazon  iTunes

Contact Liddington Hill  WebSite  Facebook  Instagram  YouTube

ALBUM REVIEW: HEADSTICKS – ‘C.O.W.’ (2021)

Fresh from their utterly brilliant ‘Live Sessions’ broadcast at Christmas English Folk-Punk-Rockers Headsticks release their fourth studio album having signed to Chapter 22 Records. Hard hitting, emotive, infectious anthems and barbed lyrics a plenty.

Straddling the Punk and Folk scenes and still managing to keep everyone happy is quite a feat but one that Headsticks manage quite admirably. A couple of weeks ago we ran a feature on 80’s band The Glasgow Tremens titled ‘Punky But Not Punk, Folky But Not Folk‘ well this can not be said of Headsticks! The band describe themselves as “where folk and punk collide” and while you can’t help but make comparisons with a host of big names like the New Model Army, a more punky Levellers, Billy Bragg (when he was good) and even more recent bands like Ferocious Dog but Headsticks are still very much their own band. Formed out of the ashes of two much loved, and long gone, Celtic-Punk bands. ‘Tower Struck Down’ who were one of first English Celtic-Punk bands back in 1985 and Jugopunch, who had a song ‘Blackheart’ on the Shite’n’Onions compilation What The Shite #2 back in 2006. This brought them to international attention so popular were this series of CD’s. Well the Celtic touches are mainly gone but what remains is the plain good old folk’n’roll that made them popular first time round.

C.O.W. is their upteenth release and they have been reviewed here quite a few times so regular is their output. The last time was for an 4-track EP ‘Lies, Lies,Lies‘ featuring Punk Rock legend Steve Ignorant. With such a regular output they are also one of a few bands who also put out their releases on vinyl, even going so far as to have had vinyl only releases in the past. Hailing from Stoke in Staffordshire an area once famed for the manufacture of pottery (the area is known as The Potteries), coal mining and steel making. The area has gone into decline with the disappearance of these industries and neglect from both national and local government. Betrayed by the party the people bled red for they now vote for other parties. An area with a proud working class and trade union tradition is where Headsticks come from and this seeps through their music. Kicking off with ‘Red Is The Colour’ an anthem for those that gave their lives on battle fields everywhere. Sounding more like Jello Biafra than I can remember vocalist Andrew Tranter portrays the right ammount of passion and be sure these are passionate songs. Bands like Headsticks have always had plenty to sing about and these days when the ordinary bloke in the street is seemingly despised by everyone their is plenty ammunition. Next up is the apocalyptic love song ‘Peace & Quiet’ foretelling of environmental disaster but like all things Headsticks it’s told in a beautiful way. The art of writing lyrics that tell a complete story is some achievement and one that not just Celtic-Punk bands are adapt at.

The first song from the album to be released late last year it came out as 7″ single backed with a tremendous cover of ‘In The Ghetto’ (still available here).

“Don’t Predict A Riot! I want some peace and some quiet, I don’t to be the one who has to be the one to be so strong!”

‘Miles And Miles’ is a great example of their Folked up Punk while the next songs both show their range from 1980’s Anarcho-Punk in the style of early Chumba’s or Blyth Power to gentle acoustic musing. ‘A Tear For Yesterday’ and ‘Tyger, Tyger’ though poles apart on the surface fit together perfectly. ‘This Ain’t Politics’ is another on the folkier side and one I’m sure will be more popular at 50% of their gigs.

‘Naked’ was the second song to be released from C.O.W. on St. Patrick’s Day just gone and a great chugging Punk-Rock number. Simple but effective. The music takes quite a turn for the next couple of songs with ‘Red Sky’ and a pumping funky bass line my favourite track on C.O.W. while ‘Burn’ turns out a metally rocker. Both songs leave you with plenty to digest. Headsticks are one of those bands that its good to have the lyrics in front of you. ‘Opium’ is another acoustic number the shortest track on the album. We are into the last two songs and you can be among the first people to see the new Headsticks video for it comes out later today! ‘Speak Out’ comes at 9pm here so be sure to tune in and leave a comment. A bombastic rocker based upon the post-war poem by German pastor Martin Niemöller about the cowardice of German intellectuals to stand up to the rise of the Nazi’s. To ignore the persecution of others until it lands on your own doorstep. The standout and most memorable song here brings the curtain down and ‘Sing Danny Boy’ will raise the hairs on your neck. Andrew speaks over a gentle swirling backdrop about child abuse and psychological scars with a rare emotion found in music of any era or style. Some people are damaged before they get a chance to live it’s a terrible heart breaking thing. The passion spills out and I implore you to listen to the song below.

C.O.W. is Headsticks fourth studio album and their first, having recently signed, for the independent Midlands label Chapter 22 Records. The CD comes with a beautifully produced 20-page lyric booklet. C.O.W. is the bands best album so far and unusually each album they have released I have said that about. This may not be the usual kind of fare that readers are use to here but we have a sort of artistic license sometimes to include bands we love that we feel you will love too.  Headsticks have always been one of those bands and their constant innovation and evolving sound deserves to be heard and loved by many more. 

Buy C.O.W. Vinyl/CD Here  Download Here

Contact Headsticks  WebSite  Facebook  YouTube

NEW SINGLE FROM SHANGHAI TREASON FEATURING DAN BOOTH FROM FEROCIOUS DOG

‘Wildfire’ the second single from their forthcoming new album sees South Yorkshire’s Shanghai Treason teaming up with Dan Booth from Ferocious Dog on fiddle!

Swiftly becoming one of my favourite bands Yorkshire rockers Shanghai Treason knock it out the ball park again with their new single. Fiddle and banjo go together like a Steak pie and Hendersons (that be South Yorkshire talk!) so it is that when I heard they were working with Dan Booth of Ferocious Dog I did get a little excited. And as you will see it was justified!!

Wildfire is the second single to be released from their new album, due in the Summer on Black Dingo records. The St. Patrick’s Day release of ‘Emerald Causeway‘ came out to much accalim and the album seems to be shaping up rather nicely. Shanghai Treason arrived in 2019 just in time to lay down a few roots before the Covid lockdowns came in but that didn’t see them slow down (well much anyway) and continued to write and produce new music as best they could. By now they have become a recogniseable name on the Celtic-Punk scene and their string of singles and EP’s have all been well received among the many Celtic-Punk focused blogs, radio stations and publications. Beginning to write their new album last year via e-mail’s between the band they managed to pick up a record deal with the Italian label Black Dingo Productions (home of artists like The Rumjacks, The Real McKenzies, The Rumpled ). Earlier this year they booked into Arch Audio recording Studio in Mansfield to work with Dan Booth and Gianluca from The Rumjacks under the watchful eyes of Luke Wheatley, Ferocious Dog’s sound-engineer.

“We’ve really up’d the ante on Wildfire, Dan Booth’s fiddle playin’ smacked the track into the stratosphere, it’s fast, in your face celtic punk, wi’ a Yorkshire twist, tha knows” – Sam Christie (Vocals)

Soon as things get back to normal the #1 thing on my to-do list is to get up to Yorkshire and catch these boys in the flesh. The quality of their previous releases has been incredible and in a year where several albums have been hotly anticipated it is Shanghai Treason’s that has excited me the most and on the evidence of the two singles released so far then this album will be challenging for Album Of The Year!

Contact Shanghai Treason  Facebook  YouTube  Instagram

NEW SHANGHAI TREASON SINGLE OUT TODAY!

Big news from Yorkshire Celtic-Punkers Shanghai Treason with the release of new single and video ‘Emerald Causeway’ the first release from their upcoming self titled debut album which is due in summer 2021.

Sometimes a band doesn’t have to be around long to make a big splash in the Celtic-Punk scene. Two bands I can immediately think of that this applies to are China’s Grass Mud Horse and another band with a somewhat tenuous Chinese connection. Shanghai Treason though hail from less exotic realms in the post-industrial working class heartlands of South Yorkshire. Formed in only 2019 a flurry of releases made them THE band to see when their debut release the absolute belter ‘Devil’s Basement’ came out in late 2019. We had the privilege of premiering that release and we have followed the Bhoys eagerly ever since. Sadly Covid and the lockdown that followed put paid to their progress but not being a band to rest on their laurels they still continued to release material as best they could and the last few months have seen the band writing their debut album, bouncing back and forth song ideas via e-mail and getting ready for the recording studio to reopen. Along the way they signed to the Italian record label ‘Black Dingo Productions’, already home to some of Celtic-Punks biggest and best bands of artists like The Rumjacks, The Real Mackenzies, The Rumpled & more) and as soon as they were able they booked into Arch Audio recording Studio in Mansfield to work with producers Dan Booth (Ferocious Dog) and Gianluca Amendolara (The Rumjacks) under the watchful eyes of engineer Luke Wheatley (Ferocious Dog full time sound engineer). The good news is that the bands self titled debut album ‘Shanghai Treason’ is due to be released in June 2021 and will feature eleven tracks including guest violin from Dan Booth. Shanghai Treasons resident multi instrumentalist Tom Hardy has said

“We used a small arsenal of instrumentation on the album. In addition to the core instruments, we have brought in the Bouzouki, Acoustic Guitar, Tenor Banjo, Bluegrass Banjo, Piano, Accordion and the Fiddle. The Dulcimer can also be found in a small section of one particular song, see if you can hear it!”

Produced by Dan Booth & Gianluca Amendolara
Engineered by Luke Wheatley at Arch Audio

Many have tried, many have fallen
Some men lie, some men steal, I know many who went all in
Many have died, before they found their calling
Some saved lives, some men feel that they’re above the weighing
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
*
Many have fought, many have pillaged
Some have killed, some have hoarded way more then their fair share
Many hit the jackpot, still wound up distraught
Some have given their whole lives to an ideal that proved irrelevant in the end
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
*
Between this world and the next
*
Castaway
On the emerald causeway
Between this world and the next
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
What will the scales weigh?
As you climb up to the pearly gates
Castaway
Between this world and the next

Download Emerald Causeway  Here

Contact Shanghai Treason  Facebook  YouTube  Instagram

ODDS’N’SODS. CELTIC-PUNK ROUND UP MARCH 2021

Our regular monthly feature of all the Celtic-Punk news that’s fit to print. Band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page. All will get a mention but I need YOU to help if it’s going to work.

Well it looks like St. Patrick’s Day is cancelled again this year. Still loads to keep us occupied during the ‘Celtic month’ of March. Here’s all the Celtic-Punk news that’s going on and a load of new music and videos to check out as well to forget your troubles to!

No question what the big news recently has been. The announcement of the release date for the new DROPKICK MURPHYS album. Turn Up That Dial is out on April 30th and is available for pre-order here. No doubt their will be multitudes of different packages and merchandise options so get saving now! They also put out the first song from the album, ‘Middle Finger’.

New Jersey Irish singer/ songwriter SEAN TOBIN is my new favourite artist and he played a Live Stream last week on You Tube well worth checking out. Blue-collar, working-class Irish American Folk music. Watch out for a review of his new EP in the next few days!

BROPHY’S LAW release their favourite live track ‘The Bachelor’, a traditional authentic Folk-Punk sound with an alternative edge. Neil Brophy says he wrote this aged 18 influenced by watching The Pogues performing in their glory days on the London scene. They sang about the drinking holes of London, a great recipe for ‘The Bachelor’ a song that paints a picture of a working class guy who surrenders his life to the devil in the jar and drinks himself insane.

FEROCIOUS DOG have signed to Graphite Records and are currently recording their 5th studio album called The Hope!

More news out of the Ferocious Dog camp is that FD’s Dan and Nick Burbridge (ex- McDermott’s Two Hours) have collaborated on a new album titled Icons. A year in the making now of 12 songs, maybe 13. Once the FD album is off for  mixing it will be finished and out by the end of spring/early summer. Jeremy Leveller is doing the album and t-shirt artwork. To pre-order the CD, t-shirt or bundle visit the web-site at  https://nickanddan.co.uk/

The Bandcamp vultures are waiving their massive revenue share on all sales next Friday, March 5, 2021, from midnight to midnight Pacific Time. If the greedy bastards really wanted to “support musicians during Covid-19” then maybe they wouldn’t take so much of their money the rest of the time. So only buy on that day for the next couple of weeks and you can support us here, we have a handful of releases where all money raised goes to support the Justice For The Craigavon 2 campaign (#JFTC2)

There’s a extensive interview from NY State Celtic-Punk band THE TEMPLARS OF DOOM in the new Winter edition of Punk N Praise. Its a new internet Christian Punk fanzine and is available for **FREE** simply by sending your email address to pamsbnb@aol.com or at tinasaol@aol.com. This issue also includes British Christian Punk band, Peter118.

Lockdown Lullabies is a 5-band compilation CD featuring four major kick-ass Celtic Rock and Punk bands THE SHAMROGUES, KILMAINE SAINTS, BARLEYJUICE, POEHEMIA and JAMISON. Twenty tracks from the Tri-state area’s best bands. Available from Ryf Records.

THE PLACKS from the Scottish Highlands and Islands are one of the most prolific bands around at the moment and not letting the lockdown hold them back too much! The Sabbath’ is their fourth single in the last 12 months and comes out on the 5th March but is available now for pre-order.

To France now and hot on the heels of the Toxic Frogs recent EP comes the Folk’n’Punk band THE MULLINS with a great new video. Lots of new music on their You Tube channel worth checking out.

Fellow Frenchies THE MOORINGS have a new album out soon and you are invited to help get it released here.

The first news out of the MATILDA’S SCOUNDFRELS camp in a very long while sees them release a new 7″ single/ download. Available to buy now on pre-release from Bandcamp. Also a new video featuring ‘Jousting Crowd’ from the single.

The legendary show that started PEAT & DIESEL’s sold out 2020 tour at Glasgow’s most iconic venue, The Barrowlands Ballroom. All the favourites from their first two albums Uptown Fank and Light My Byre played live in front of 2000 diehard fans and the atmosphere they brought with them that special night. It is not in any way recorded with any fancy tools to sort any mistakes or nonsense, its 100% raw, just the way Peat & Diesel wanted it!

THE RUMJACKS – Hestia

PEAT & DIESELLive at the Barrowlands 2020

MATILDA’S SCOUNDRELS – The Devil’s Dues

THE PEELERS – Down And Out In The City Of Saints

SEAN TOBIN – St. Patrick’s Day Forever (reviewed soon)

THE FEELGOOD McLOUDS – Saints & Sinners (reviewed soon)

NEVERMIND NESSIE –  Another Sixpack Drinking Songs

Remember if you want your release featured then we have to have heard it first!

Thanks to Owen for putting me onto the Grand Rapids, Michigan band THE BILLIES. Dedicated to bringing Celtic music to a more main stream audience, blending modern Pop/Rock tunes and Celtic songs. Never heard this band before and I can’t find them on Facebook so we have to suppose that they are no more. Still they have left their mark and Who Wants Some is a fantastic album. Seven mostly original songs that includes one of the best (and surprising) covers I have ever heard- ‘Mighty And Superior’ by London anarcho-punk band Conflict!

Sad news from Australia and the demise of one of the countries best Celtic-Punk bands FOX ‘N’ FIRKIN. A bit of a cryptic announcement on their FB page but we wish the guys well and thanks for some bloody brilliant music. You helped make the Aussie scene the best in the world!

In light of a recent event and information we have only just been made aware of we are no longer able to move forward as a band. We wish to give no further comments on the situation. Robbie, Adrian & Leigh want to thank our fans for the years support.

Originally from Cork, Ireland, CATHAL COUGHLAN is the co-founder and singer of acclaimed 80s/90s groups Microdisney and Fatima Mansions. Widely considered to be one of Ireland’s most revered singer/songwriters, beloved by fans of caustic literate lyricism and erudite song craft. He has a new album, Song Of Co​-​Aklan, out at the end of March available for pre-order now.

A new song of high-octane Folk from Massachusetts (and a little bit Rhode Island) band THE KING’S BUSKETEERS. Traditional songs from the British Isles and North America shake the rafters, with some bardic acapella hollering and floor-stomping originals added in for flavour.

A new track from Dutch band THE ROYAL SPUDS over on Bandcamp. The Spuds were one of the bands whose tour we had to sadly cancel due to the original Covid lockdown last year. Available as a ‘name your price’ download is all you need to know. Well that and that it is brilliant!

Great new song/ video of ‘Finnegan’s Wake’ from Italian Celtic-Folk-Punk-Trad band PATRICK’S telling the story of Tim Finnegan the only man who escaped death thanks to whiskey and the incredible adventures of poor Tim and his drunken friends during his funeral wake!

Loads of live streams going on around St Patrick’s Day. The main ones of course being Flogging Molly and the Dropkick Murphys of course. It will go live at 2am on the Thursday but loads of live music to take you up to then. Expect sets from 1916, Cutthroat Shamrock and more. Check the London Celtic Punks Facebook page on Paddy’s Day for what we will be watching and recommending!

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

and before we end something a little bit different. Celtic-Folk-Metal pioneers TUATHA DE DANNANN from Brazil release their 7th album In Nomine Éireann. Known for their merry Celtic dance rhythms, flute melodies and Celtic mythology-inspired lyricshere they pay tribute to Irish music and culture. Songs and Tunes taken from the traditional lore with special guests like John Doyle (Solas) and Keith Fay (Cruachan) making this album truly unique and special.

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

NEW SINGLE ‘A Song’ FROM LUTON IRISH BAND MISSING THE FERRY

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging.
With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.

Missing The Ferry Left to right: Kevin Cunningham – Guitar/Vocals * Chris Anderson – Fiddle/Mandolin/Vocals * Kevin Anderson – Bass/Vocals (Lead vocals on ‘A Song’) * Paul Anderson – Whistle/Mandolin/Vocals *

Hot on the heels of their last single, the fantastic, ‘God Bless You And Keep You’, comes new music from Luton’s very own Missing The Ferry. Recorded mostly pre-Covid in Deptford, SE London and then remotely between bedrooms in Luton/SE London by the band then sent to our friend Luise (https://www.facebook.com/LuiseLondonAudio) in Germany to sprinkle some magic Teutonic Folk party Punk dust on.
A Song is about daring to dream; escaping from the box that the government, class and circumstance have shoved you in all your life.
A Song is about self-destruction, hitting rock bottom, temptation and redemption.
A Song is for the voiceless, the poor, the lonely and dispossessed.
But at the end of the day, it is just a song.

A song for all wise men, there’s not many left
A song for old Ireland that’s clearly in jest
A song for the workers, asleep on the dock
A song for the rich man who’s taken the lot
A song for the children, climbing the trees
A song for all housewives, God bless Mr Sheen
A song for the young ones, who just couldn’t wait
A song for the old one, who knows its too late
*
It’s a song, you won’t have to sing
Forget the words, sure they don’t mean a thing
It’s the dreams, that came just too late
And all the hearts, you just couldn’t break
*
A song for the lonely, living in chains
A song for the monarchs,  song for their slaves
A song for the weary, a song for the tired 
A song for all junkies, the stoned and the wired
A song for the living, a tune for the dead
A song for the dark thoughts that fill up your head
A song for all cowards, a song for the brave
A song for the secrets you’ll take to the grave
*
It’s a song, you won’t have to sing
Forget the words, sure they don’t mean a thing
It’s the dreams, that came just too late
And all the hearts, you just couldn’t break
*
A song for all wise men, there’s not many left…
*
It’s a song, you won’t have to sing
Forget the words, sure they don’t mean a thing
It’s the dreams, that came just too late
And all the times you just couldn’t fake
And all the lies you just couldn’t take
And all the hearts, you just couldn’t break
It’s a song…just a song
*
Words: Paul Anderson * Music: Paul Anderson/Chris Anderson *
Produced by: Luise London and Chris Anderson

(stream or download ‘A Song’ on the Bandcamp player below.  Only 90p!!)

Download A Song  FromTheBand

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

Anyone who has ever missed, or nearly missed, the Dublin-bound ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!

FREE DOWNLOADS FROM LIDDINGTON HILL!

Anyone fancy a bit of Punk and Metal tinged Celtic-Folk music? Well how about Liddington Hill hail from the South West of England. They have made their entire back catalogue free to download so get downloading!

Liddington Hill began life in 2015 when fiddle player Matt Meads and singer Emily Slinger got together to perform lively tradition Celtic and English folk songs. Taking their name from the hill that is home to the Iron Age Liddington Castle just outside Swindon in Wiltshire. The band went through a few different incarnations eventually settling into a much heavier darker sound. With their current line up of Tamzin Meads with her low fuzz bass, Ethan Meads with his roaring SG guitar, Liam Gallagher playing high leads and vocals, Chris Taylor bringing a dark metal undertone on drums and Matt Meads playing the melodies on fiddle takes the lead. Together Liddington Hill record and perform original and traditional, alternative rock and Celtic-Punk.

(The bands last single ‘With You’ from October 2020. Grunge, Punk, Love and Cider…)

The first time I clocked Liddington Hill on Instagram it instantly reminded me of the 1980’s Somerset based Anarcho-Folk-Rockers Blyth Power. A shadowy mix of Celtic and Folk tinged Metal and Punk giving them a rather unique sound for these days. One of the main differences between English and Irish Folk and traditional music can be where they share the same often depressing lyrics and themes the actual music is not as upbeat. This gives Liddington Hill that ‘dark’ feel added to which the dual male / female vocals gives them a further range than most bands we hear. That’s not to say it’s all downbeat but this is more Joy Division and The Pogues rather the usual Clash / Pogues we hear. With everything going on we haven’t had a chance to check them out live but they do have a rather good live video from The White Hart Inn in Swindon with clips of their set featuring original and covers including a great version of ‘Whiskey In The Jar’.

Liddington Hill: Front- Tamzin – Vocals / Bass * Left to right – Ethan – Rhythm Guitar * Liam – Lead Guitar / Vocals * Chris – Drums * Matt – Fiddle / Vocals *

Back in March last year Liddington Hill made all their recordings available to download for free. That’s three EP’s and a bunch of singles. Download link below but their songs are also available from Apple and Amazon if you choose to support the band. Alternatively check out their merchandise here.  

DOWNLOAD EP’S HERE

DOWNLOAD SINGLES HERE

(‘Long Lankin’ is a traditional English Folk murder ballad telling the gruesome story of the killling of a woman and her infant son. Recorded previously by Steeleye Span and, a band they share some similarities and influences with, Blackbeard’s Tea Party)

Liddington Hill  WebSite  Facebook  Instagram  YouTube

LONDON CELTIC PUNKS 2020 READERS POLL WINNER ANNOUNCED

Well that has blown us away. To say we have been delighted with the response to this years Readers Poll is an understatement. For the first time ever over we had 1000+ votes cast. That’s an incredible 600+ more on 2020. Last years winners Mickey Rickshaw would only have placed 5th place this year! It was a three horse race right from the very beginning and we knew it was going to be a good year with over 200 votes cast in the first few hours. It stayed that way until the final day the poll was open and in the last 24 hours one band came from nowhere to sweep to victory!

The winner of the 2020 London Celtic Punks Readers Poll is (drum roll!) Aussies The G-Set with an astounding 25.4% of the votes cast. McScallywag looked odds on for victory leading from day 2 from early leaders Finnegan’s Hell. Black Water County moved into 2nd place and it stayed that way till the Aussie vote turned up. Most of the votes came from the UK with the Netherlands, Australia, Sweden, USA, Canada and France following.

The ‘other’ (the write in part) section was interesting with 22 releases gaining votes with two that I hadn’t heard (The Bonny Men and The Roughians). The Top 5 in this section were

  1. CLOVERS REVENGE – Truants And Absolution
  2. THE NEW RUFFIANS – Shenanigans
  3. 7 STOUT CLAN – 7 Stout Clan
  4. PADDY WAGGIN- Race To The Bottom
  5. BARBAR O’RHUM – Journal de B’O’R

the top three here would have all finished above Ogras in the main poll in 5th, 6th and 7th place.

So cheers for taking part in our poll and congratulations to The Go-Set. A wonderful band and proof that they mean an awful lot to a lot of people. You may not know it but they played a massive part in the existence of London Celtic Punks too so we owe them our thanks as well. Hopefully 2021 will bring all these bands the recognition they deserve and things will settle down to normal soon. You can check out the official London Celtic Punks Best Of 2020 list here. Hard to predict what the following year will be like but we do know several releases from ‘big’ bands were delayed from last year so hopefully we will see them emerge soon. Why not consider subscribing and never miss a post (the box is on the left when viewed full size) we promise not to bombard you too much!

NUMBER ONE

Buy Of Bright Futures…and Broken Pasts Download

Contact The Go-Set  WebSite  Facebook  YouTube  Instagram

NUMBER TWO

Buy Songs For The Wicked  Bandcamp (CD or Download)

Contact McScallywag  WebSite  Facebook  YouTube  Instagram

NUMBER THREE

Buy Comedies And Tragedies CD- FromTheBand  Download- Spotify  AppleMusic 

Contact Black Water County  WebSite  Facebook  YouTube  Instagram

*

READERS POLL 2018   READERS POLL 2019

ODDS’N’SODS. CELTIC-PUNK ROUND UP FEBUARY 2021

Our regular monthly feature of all the Celtic-Punk news that’s fit to print. Band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page. All will get a mention but I need YOU to help if it’s going to work.

We kick off this months Odds’n’Sods with two London-Irish bands. The first is the latest from CLAN OF CELTS and ‘My Eternal Tomb’. Their first single in three years a haunting tune of a strickened deportee ship leaving Ireland heading towards the penal colony in Australia, with a cargo of chained prisoners getting caught in a typhoon and being hauled to the bottom of the ocean and perishing. Available on all platforms to stream and download.

Next a new song/video from one of our most favourist bands CROCK OF BONES. ‘Nothin Worse’ is an original song and it’s mighty fine of course!

So nice to hear a band that you thought had split up is still active and one of my favourite bands KITCHEN IMPLOSION from Novara in Italy have indeed been constantly releasing music since the last I heard of them the brilliant ‘Pretty Work Brave Boys!’ album from 2014. They put out an EP Analfabeta Esistenziale in 2019 and the single ‘Coprifuoco’ last year available for download for a Euro.

Scots band THE CLELANDERS formed in 2017; with three brothers and a mate of theirs, bringing together a love of Irish and Scottish Folk music and throwing in a bit of Punk and Rock. All members grew up in the small mining village of Cleland in North Lanarkshire. They’ve a load of music up on their Facebook page but soon as they can are going to be recording more. They’ve a single out ‘Favourite Son’ about local Bhoy and Celtic (and Manchester United) legend Jimmy Delaney in benefit of their local Celtic Supporters Club Charity Fund named in honour of Jimmy. The song has been played at Celtic Park and is available for download for only 99p.

More from Scotland with the new video from THE CUNDEEZ of ‘Horo Gheallaidh’ one of the highlights of their recent album Teckle An Hide. A cover of a track by fellow Scots band Peat & Diesel. Fast, thrashy guitars telling the tale of a night out in the Highlands. Brilliant!

German band THE O’REILLYS AND THE PADDYHATS have long become one of my favourite bands and they follow up last years cracking album Dogs On The Leash with a Christmas release for the single ‘Joy Of Life’ that passed us by at the time. The Bhoys kick out a ballad which they are equally good as the kick arse Celtic-Punk they more famous for.

Pogues legend Terry Woods has contributed banjo, mandolin and veillette to a new song ‘Wide Eyed Lady’ by Irish/singer songwriter LOU McMAHON. Originally released in 2010 it has been remixed, re-mastered and released as a single as part of an album release in 2021. ‘Wide Eyed Lady’ is a dark folktale that interweaves Goth-Rock with Folk, guided by mythology, folklore and fantasy.

The fantastic Texan Celtic-Punkers THE DEAD RABBITS have a new album out soon on Roach Guard Records. These guys have the best graphics in Celtic-Punk!

London based RANAGRI (pronounced Ra-na-grye) release their new single ‘Follow Me Up To Carlow’, on February 8th. Pre-release here.

If you are looking for quality Celtic-Punk and for the bargain price of absolutely nothing then Oxford based LIDDINGTON HILL have only gone and made their last three singles free to download over on their web-site.

MICK McLOUGHLIN aka ‘Mick The Busker’ has been busking along Henry street in central Dublin for the last 10 years and has finally got some songs down on disc. The Busker is his third release but his first featuring his own material. It’s available on CD from him and download from Bandcamp.

TIR NAN OG – Sing Ye Bastards (Album)

BARDS FROM YESTERDAY – Demia (EP) -See Reviews

YE BANISHED PRIVATEERS – Drawn and Quartered (EP)

JASON STIRLING AND THE BLUE MOON BAND – Locked Doors And Lost Keys (EP)

TOXIC FROGS – My Lucky Own (EP)

Remember if you want your release featured then we have to have heard it first!

A new project out of Brittany with influences sometimes trad, sometimes rock. The BRETONS collective is 15 musicians on stage evolving on stage like a storm, ready to bewitch the halls of Europe!

More from the forthcoming new Rumjacks album with the release of title song ‘Hestia’ last week. Out in early March and available for pre-order here.

The debut studio album from Jay Terrestrial and the Firepit Collective dates back to 2014 and the band continues to play and record today. Recently they have had a string of sold out dates cancelled-rearranged-cancelled- rearranged-cancelled in London due to the ‘clampdown’. Jay is better known as the singer from London Punk/Dub band the Inner Terrestrials while the Firepit Collective has become his folky side project. This album combines new arrangements of trad songs and tunes along with original material. Here Jay and Chezney Newman are joined by friends Jess Cahill, Jez Hellard, David Garner, Rosie Nobbs, Chris Bowsher and Del Wilson.

German Celtic-Punkers MUIRSHEEN DURKIN have announced a St. Patrick’s Live Stream free on Facebook. Playing live from the Sauerland Theater in Arnsberg at 6pm on Saturday 20th March. Join the FB event to reminded nearer the time.

Canadians THE PEELERS have a new album out in March called Down And Out In The City Of Saints on Stomp Records.

MacSLONS IRISH PUB RADIO have announced the next installment of their Raise Your Pint compilation album series titled Corona Sessions. They are looking for 20 bands that have recorded songs during the course of the pandemic. If you want to take part in this please contact them at raise.your.pints@macslons.com

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

ALBUM REVIEW: THE NEW RUFFIANS – ‘Shenanigans’ (2020)

A heady mix of traditional Celtic music and Punk for late night pubs and afternoon garden parties alike!

The New Ruffians are the type of English band that usually comes from the rolling hills of Devon or Somerset. Alcohol loving folkies playing spirited covers at 110mph and totally enjoying themselves! Instead they come from the West Midlands town of Wolverhampton home of Wolves FC, the mighty Slade and the even mightier Kevin Rowland of Dexys Midnight Runners. The New Ruffians were formed in 2015 by four multi-instrumentalist ‘Wulfrunians’, as natives are called, and have been playing a chaotic mix of traditional Irish, Celtic-Punk, vintage Ska and leftfield folk to inebriated locals since.

These are not yer typical Celtic-Punk band by any stretch of the imagination and I don’t just mean because they include a trombone player! A seasoned live band and popular on the local pub scene they recorded their first album ‘Shenanigans’ in early 2020 but thanks to you-know-what (!) wasn’t released till the end of November. Still it snuck into the London Celtic Punks Best Album list at #28.

The New Ruffians left to right: Dave Dunn – Guitar / Bass Guitar / Backing Vocals * Paul Dunn – Cajon / Bongos / Trombone / Vocals / Guitar /Banjo / Harmonica / Percussion * Daran Crook – Vocals / Guitar / Mandolin / Banjo / Cajon / Harmonica / Tin Whistle * Rich Harvey – Piano Accordion / Melodica *

Shenanigans is the bands debut release and features seventeen songs with the emphasis on covers and most of those Irish songs. Its a good selection but as usual we would have liked to have heard a few more originals but with the album lasting a 3/4’s of an hour there’s no denying you get great value for money but what about the music?

The album kicks off with ‘Wake Up’ and true to form it’s a song about being at a music festival (probably in Devon or Somerset!) and trying to get up despite a sore head. The music is acoustic guitar, accordion and thumping heavy bass line and that trombone! To say the mix is unusual is a understatement but somehow it works but it always helps to have a strong vocalist and Daran is that. Loud, perhaps a tad too loud in the mix, but if you’re looking for an album that will transport you mentally to the boozer then this is it and there is nothing wrong with that! This is followed by a bunch of covers, ‘Waxies Dargle’, the instrumental ‘Lark In The Morning’ and the lively ‘Courtin’ In The Kitchen’. These three songs pretty much sum up the band. Full of energy and passion and emphasise their link to Irish music and especially the kind made popular by The Pogues/ Dubliners.

Another new one ‘Tipsy’, a classic take on that staple of Celtic-Punk the drinking song witha unusual Ska-ish accordion beat and even featuring the gibberish chorus of

“fol deedah, fol deedah, fol deedah fol de hey fol de ho, fol de alley alley oh! Hey!”

‘Millionaires’ is a cover of Cornish buskers Phat Bollard and again is a lively song, easy to singalong to and next a bunch of Folk songs some better known than others, but all played with gusto. The Irish trad instrumentals ‘Father O’Flynn’ and Siege Of Ennis’ along with ‘Raggle Taggle Gypsy’ and the Scots tune ‘Come By The Hills’ before we are treated to a couple of originals. ‘The Parkdale Jig’ is short and sweet catchy instrumental while ‘Daddy Was’ my favourite song on the album is definitely the sort of song to get your feet moving despite its sparse arrangement. The spirit of Shane and Ronnie lives on in The New Ruffians final few songs with ‘Rare Old Mountain Dew’ leading into the original ‘Merry Hell’ with more tales of drinking and its effects. Matthew O’Reilly’s ‘To The Devil With Your License’ is the longest track here and the most elaborate. Another standout while the album closes with two Celtic-Punk staples ‘All For Me Grog’ and ‘I’ll Tell Me Ma’.

Not a bad effort at all by The New Ruffians. Their debut album and you get the sense they tried to cram as many of their songs onto it as possible! I think the last two were probably not needed and it would have been better to finish on the great ‘To The Devil With Your License’ but I guess they wanted to leave the album exactly how they came in. With upbeat humour and plenty of shenanigans. There is no other genre of music that fits the pub quite as much as Celtic music does and The New Ruffians are made for the pub and treating everyday as St. Patrick’s Day. This is as faithful a copy of a pub set as I think any band has managed and I bet they can’t wait to get their raucous drunken table dancing mayhem back to the pub!

(You can stream or download Shenanigans on the Bandcamp player below)

Buy Shenanigans  Bandcamp (also iTunes/Apple, YouTube Music, Amazon, Spotify)

Contact The New Ruffians  WebSite  Facebook  YouTube

NEW CHRISTMASSY CELTIC-PUNK SONGS FROM IRELAND, CHINA, GERMANY, CANADA, LONDON AND MEXICO

Well that’s it. Christmas is over and done with and hopefully you all had a festively good time despite everything.  BUT if you are still in need of some good cheer though then wait no more as we here’s a selection of six brand new 2020 Christmas-ish Celtic-Punk songs for you to delight over.

Craic open what’s left of the Jamesons and enjoy!

ANTI-DEPRESANTS – ‘If It’s Gonna Be Cold’

Anti Depresants are four piece Rock‘n’ Roll band coming from the hills of Armagh in the north of Ireland with a lot of Punk attitude an’ a sprinklin’ of Ska to get your ass movin’, your heart beatin’ and your mind racin’ with their diverse sound embracing heavy rock, reggae, male and female vocals and blistering guitar work.

Contact Anti Depresants  Facebook  YouTube  Bandcamp

GRASS MUD HORSE – ‘Christmas Time In China’

Possibly the busiest band in Celtic-Punk this year (and definitely the busiest on these pages!!) Grass Mud Horse have been making, and releasing, music throughout the ‘clampdown’ to us lucky folk. Led by award-winning musician Chris Barry, a Scouser living in Qinhuangdao, China. They blend together the traditional Folk sound of Chris ancestors in Ireland with an distinctly raw and untamed Punk-Rock energy. 2020 while being quite the lame year has seen Grass Mud Horse become quite the name on the Celtic-Punk scene with their last single released dually across North America by Paddyrock and Europe by us! The song is available for download over on Bandcamp for next to nothing.

Contact Grass Mud Horse  WebSite  Facebook   YouTube

THE FEELGOOD McLOUDS – ‘Driving Home For Christmas’

St. Nicholas is on his way and The Feelgood McLouds have come up with a little present for you. Are you bored of long dark winter nights without pubs and concerts? Then here’s the solution the brand new Christmas song from these fantastic German Celtic-Punkers. Imagine if the Dubliners were only in their mid-twenties, very, very thirsty and had discovered punk for themselves. Then punk rock anthems would merge with bagpipes, banjo, tin whistle and accordion, there would be a good smell of beer and whiskey and sweat would drip from the ceiling. And that’s exactly what The Feelgood McLouds is all about. With their energetic punk rock show, the 6 Saarlanders make every concert room shake and everyone to empty their beer glass. In a nutshell: Sounding like NOFX and the Dropkick Murphys are meeting in an Irish pub for an endless party!

Contact The Feelgood McLeods  WebSite  Facebook  YouTube  Instagram

THE STANFIELDS – ‘(I’ll Stay Home) With Bells On

The Stanfields trod a well trodden path to 2020 from the Seahorse Tavern in their hometown of Halifax, Nova Scotia to where they are now. Their trajectory from full on their Celtic-Punk to “the bastard child of AC/DC and Stan Rogers” where their music blends Working Class Hard-Rock with the many strands of Folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland. Here they massacre pay tribute to the great Dolly Parton and Kenny Rogers song. Stanfields front man John is joined by his Mrs Shannon on this cheeky number that follows on from our review just a couple of weeks ago of their fantastic new album Welcome To The Ball.

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

CLAN OF CELTS- ‘A Christmas Quarantine’

Fusing together all their musical experiences & influences ranging from, Rock, Metal, Country, Punk, Classical and of course traditional Irish. Clan Of Celts have created a unique style and an unmistakable sound that is brought to you with Celtic pride, passion, commitment and respect for our traditional roots. The new team on the London Celtic-Punk scene bring you a classic cheesy Christmas song out now and available to download through Spotify and all decent streaming services. Will they ever complete the interview I sent them? Who knows what 2021 will bring!!!

Contact Clan Of Celts WebSite  Facebook  YouTube  Soundcloud

BATALLON DE SAN PATRICIO – ‘F*ck Merry Christmas And F*ck You’

And finally the new single from Mexican Celtic-Punk newcomers Batallón De San Patricio. Why they got such a downer on Christmas is anyone’s guess but ding-dong merrily on high here it is anyway! It’s been a busy year for these guys with a hit album Hermanos de Guerra under their belts as well as making themselves known right across the Celtic-Punk world. The band’s name comes from the famed St. Patrick’s Battalion (see The Irish Soldiers Of Mexico In Film And Song). A group of immigrants, mainly of Irish descent, who deserted from the US Army because of anti-Catholic bigotry and went to fight for the Mexican Army during the Mexican-American War (1846-1848). It’s a tale of great adventure and heroic valour. Batallón de San Patricio were formed in 2017 in Guadalajara and right from the start the idea was to pay tribute to their namesakes. In many ways the name was a obvious choice for a band whose chief aim was to play Celtic-Punk mixing Irish and Mexican culture.

Contact Batallón De San Patricio  Facebook  Bandcamp  YouTube

So that’s almost it for 2020. Tune in on Wednesday for our final post of the year. A fun packed Odd’n’Sods – Celtic Punk Round Up full of the most recent videos and news from around the scene.

‘RETURN TO CAMDEN’  BY TERENCE O’FLAHERTY

Beautiful song from London based Irish singer/songwriter Terence O’Flaherty name checking memories of a bygone era in the north of London. This original recorded version is due to be released on Terence’s upcoming album Backtracks with the Claire Egan, Eoin O’Neill and John Kelly accompanying.

Terence is a traditional Irish singer and songwriter from Ennistimon, County Clare on the west coast of Ireland. He comes from a traditional music background learning his earliest songs from his family as well as local musicians and travelling storytellers and singers. Playing guitar and bouzouki in the early 1970’s, he emigrated to London and joined the thriving Irish music scene in the capital as part of the popular band Crusheen. He has spent many years involved in the traditional music scene in London playing with all of London’s leading musicians and touring across Britain, Europe, and America playing with everyone from the Chieftains, Planxty, The Pogues,The Fureys and De Danann. He has collaborated with musicians from a variety of other genres and from across the world playing at many major festivals including Cambridge Folk Festival. Terence has released three albums (Crosscurrents, Ghosts, Trace) with a fourth on it’s way soon titled Backtracks which will feature ‘Return To Camden’.

When I first arrived in Old London Town
Along Camden High Road I did walk down
Fell into the back of John Murphy’s van
Full of youth and vigour and white bread and ham
By ten that first morning I thought I’d expire
Stuck down a hole with Connemara Seán
Who for an extra ten bob a week
Set out a pace that would kill Hercules
*
Then the ganger man came and says ‘lads take a break’
Old Seánín jumped out with a ballerina’s grace
I felt I was climbing the Post Office Tower
My poor legs and arms like wilting flowers
He wolfed down his sandwich and before I did know
Old Seánín was back down in John Murphy’s hole
Diggin away like an Olympian
Twas with great reluctance that I rejoined him
*
I crawled out of the hole at the end of the day
All of my senses in terminal decay
Crawled into the back of John Murphy’s van
Too tired for talk or for white bread and ham
To the favourite in Holloway Seánín did go
To hear Bobby Casey, Con Curtin, John Bowe
Roger Sherlock, Brian Rooney or Finbar O’Dwyer
Danny Meehan, Raymond Roland or Brendan Mulkere
*
And as I was sleeping the sleep of the dead
Old Seánín was lilting to reels and to jigs
Firing back pints and singing Sean Nós
Where he got his energy God alone knows
And early next morning fresh as a rose
He’d be back down one of John Murphy’s holes
Lobbing up muck in his trousers and vest
Such was the life that the Irish possessed
*
And at the weekends we would all go
To The Forum, The Gresham, The Galtymore
The Harp and the Shamrock, the Garryowen
The Bamba, Hibernian or Buffalo
Waltzin and jiving and singing along
To Joe Dolan, Larry Cunningham or Big Tom
Or horsin’ out sets till too tired to stand
To the Tulla or Kilfenora Céilí Bands
*
When many years later I met poor Seánín
His energy spent and his back bent and lean
He smiled and he said ‘Ah sure times they were lean’
When we worked for the man from Caherciveen
For although times were tough, sure the craic it was good
In Camden, in Kilburn and Cricklewood
And we could escape for the nights they were long
Far away from the cruel, brutal Elephant John
*
But to work on the building sites now you and me
We’d almost need to have a degree
For with health and safety and the CSCS
You need method statements and assessments of risks
There’s not too much craic now in John Murphy’s vans
Albanians Poles and Lithuanians
Have taken the place of the likes of Séanin
*
The craic once was ninety but now it is lean
So here’s to the music we did enjoy
In the pubs and the clubs with a tear in our eye
And fair play to the players and the singers of songs
Who lifted our hearts when our hearts needed them
Tom O’Connell, Martin Byrnes, Andy Boyle, Lucy Farr,
Seán O’Shea, Julia Clifford and Tommy Maguire
Michael Hynes, Tom McCarthy, Jimmy Power and Reg Hall
Raise up your glasses now here’s to them all
*

EP REVIEW: PENNILESS TENANTS – ‘Lockdown Session’ (2020)

Traditional Irish scally Punk!

Penniless Tenants are a five-piece from Liverpool, playing traditional and Irish Folk music and probably the best Irish Music in Liverpool. No Folking About.

The Irish community in England is supposedly shrinking I hear but only just a couple of weeks after we reviewed the debut release of Luton Irish band Missing The Ferry we have the pleasure of doing the same for another new band to us Penniless Tenants. The band hail from another hotbed of Irishness in Liverpool. Their is plenty written on the history of the Irish in Liverpool and unsurprisingly immigration from Ireland to Liverpool has been ongoing since the year dot and the city could possibly even lay claim to being the most Irish city in England.

With no shortage of Irish bars in the city a band playing Irish music would be pretty damn busy except for this poxy clampdown but Penniless Tenants have responded perfectly with a EP of five self written songs (with a few varied influences!) unsurprisingly titled Lockdown Sessions. They did actually already release a few songs over on Soundcloud way back in 2013 called the Penniless Tenant Sessions of a few covers of Irish Folk standards made famous by The Pogues, Dropkick Murphys, Christy Moore and The Dubliners among others. Their they keep it respectful and played the songs close to their origins so nice to her them let loose a bit on the recent release. Like all the best bands they are too proud to play anywhere and they have from Liverpool Anglican Cathedral to the Baltic Market and St George’s Hall to the corner of Pilgrim Street!

Lockdown Sessions begins with ‘The Hare And The Fainleog’ and a slow fiddle led mournful Irish tune which soon becomes a bit of a foot stamper and in Benjamin Hughes they certainly have a highly talented fiddler player. Superbly played leading us into ‘Green And Red Paper Planes’ which, while keeping in line with the Irish theme of the EP, expands beyond the opening few lines taken from another well known second-generation Irish band and takes us on a surprising, though bloomin’ brilliant, direction taking in modern Pop with a song that I must have heard a 100 times but I’ve no idea who sings it. It’ll probably come to me 10 minutes after this review is published. These Bhoys got a knack for an unusual cover in a way that reminds me of their London counterparts The Bible Code Sundays. ‘Jiggin’ Up To Boston’ is another fiddle led trad Irish tune until the half way point and BANG in comes the banjo and mandolin and we get the full Dropkicks style Folk version. This is followed by the Eric Bogle penned ‘My Youngest Son Came Home Today’. Eric is perhaps most famous for writing the well known anti-war ballads ‘The Green Fields Of France’ and ‘And The Band Played Waltzing Matilda’ two absolutely stunning songs covered by The Pogues and the Dropkicks, among others, in their time. Here the theme is visited again except in a more modern setting in a tale of a young man killed during the war in the north of Ireland.

“My youngest son came home today
His friends marched with him all the way
The pipe and drum beat out the time
While in his box of polished pine
Like dead meat on a butcher’s tray
My youngest son came home today
And this time he’s home to stay”

Penniless Tenants play it slow and respectful and Billy Hughes voice portrays exactly the right amount of emotion this great song needs. The EP comes to an end with the Country/ Bluegrass influenced ‘Trouble In Yer Mind’. Fast and furious Banjo plucking and fiddling and more foot stampin’ to see the EP out the door.

Penniless Tenants: Benjamin Boo – Fiddle * Billy Skank – Laud and Vocals * Dr Rosa – Flute and Whistle * Jay G – Tenor Banjo * JDillon – Bass * Paulie O’Riley O’Hanrahan – Banjolele * Tom Jones (not that one) – Bodhran * REGFX – art *  (actual lineup may vary)

Lockdown Sessions was released on November 10th and was recorded live at the Liverpool Irish Centre (suitably social distanced of course!) a and mastered by Jeff Jepson. It’s available on Bandcamp and can be got as a ‘Name Your Price’ download meaning you can pay anything from a fiver to the cost of a couple of cans to sod all if you would like but with the way things are it would be nice to throw a few coppers their way. The music here is totally acoustic but just going from what I heard here I reckon they can tear it up when required too so lets not forget The Pogues were once called “the loudest acoustic band on the planet”. They have a new EP, A Penniless Christmas, out very soon in time for Christmas and they promise “festival mashups and winter warmers”.

(Stream or download Lockdown Sessions on the Bandcamp player below)

Download Lockdown Sessions  FromTheBand

Contact Penniless Tenants  WebSite  Facebook  Instagram  YouTube

FREE DOWNLOAD OF JOE STRUMMER’S LAST CONCERT

Viva Joe Strummer!

A *Free Download* of the last ever concert performed by Joe Strummer before his sad death on this day in 2002.

I remember exactly what I was doing when I heard of Joe Strummer’s untimely death. It was Sunday 22nd December 2002 and myself and a mate had spent the whole night listening to Punk records and boozing and carousing at the home of a close friend. In the morning when we were saying goodbye at the door I thought I heard the radio say that Joe Strummer had died. “Bloody hell” (I exclaimed or something stronger) “I think the radio just said Joe Strummer had died”. We all instantly dismissed it as not possible and probably a result of my delirium tremens and all went on our separate ways. It was later that day recovering from an insane hangover the news was confirmed when I saw the news.

Joe died at home in Broomfield, Somerset suddenly due to an undiagnosed congenital heart defect, He had collapsed after returning from walking his dog and he could not be revived. He was survived by his wife, two daughters and a stepdaughter. Now almost twenty years after his death it’s fair to say his legacy still lives on through his music and the Joe Strummer Foundation charitable trust which continues to do good works in his name.

https://joestrummerfoundation.org

Joe’s last concert was performed at Liverpool University on November 22, 2002 just a month before he sadly passed away. The set was recorded and is of a very high standard and is available for you to download today on the 18th anniversary of that gig. Joe chose a cross selection of songs from his extensive career in the twenty song set but with the majority from his days in The Clash and his more recent project Joe Strummer And The Mescaleros, whose final album, Streetcore, was released posthumously the following year.

Joe once said

“When you meet people who say you had an effect on their life, you realise it was all worth it. So sit back, relax, and enjoy the music. Remember, The Future Is Unwritten”.

(You can stream the whole set lasting just over ninety minutes over on You Tube)

To download click on either of the following links

LINK ONE   LINK TWO

NEW SINGLE FROM LUTON IRISH BAND MISSING THE FERRY

The sound of a second generation…

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging.
With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.
Anyone who has ever missed, or nearly missed, the Dublin-bound ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!
 

Released November 13, 2020
Music and Lyrics by Paul Anderson.
Produced by Chris Anderson and Luise London

A barely heard phrase spluttered over the noise of a dimly lit Hackney Irish bar. A snatched image of an old fella nursing a pint and a chaser in a backstreet, Luton boozer. Just a couple of influences that lead to the creation of this tune.
Remembering a generation fast dying out along with their stories of love, loss, heroism and the mundane.
Our small tribute also this November to the bravery, senseless loss and sacrifice induced by war.
“God bless you and keep you.”
An old man leaves the pub his final farewell, coughing into the cold night air his breath still visible for a few moments before disappearing into the darkness.

(stream God Bless You And Keep You  on the Bandcamp player below)

Download God Bless You And Keep You  FromTheBand

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART THREE

Welcome to the final installment of Let The Music Keep Your Spirits high. Over the last three Sundays Andy Nolan of the most popular and influential Irish band in England over the last 20 years – the Bible Code Sundays – has shared with us the history and meaning behind some of his songs. A fascinating trip through the Irish diaspora in England, Ireland and the USA and their historical figures. So here is Part Three (links to the previous two are at the bottom) so get yourself a cup of tea (or maybe something stronger) and sit back and enjoy.

GHOSTS OF OUR PAST

I wrote this about growing up in Hammersmith, West London during the 1970s and 80s. Most of the pubs around Hammersmith, Fulham and Shepherds Bush were Irish back then – ‘The Hop Poles And Swan’.
“You’re not wanted here, stopped by the law, comin out of the station, just like before”.
My dad used to get stopped by the police all the time going to & from work simply because he was Irish. ‘What’s in the bag Paddy?’ they’d bark, referring to his work bag holding his sandwiches & tea. The truth was they were looking for guns and explosives or to fit someone up. But for the grace of God go I – look what happened to the Birmingham Six, the Guildford Four and the Maguire Seven. My dad and his mates sometimes worked seven days a week on the buildings back then and were in the pub every night sinking back 15 pints. They’d still be up for work in the morning of course and they worked their fingers to the bone rebuilding this country. The ‘riverside strolls’ refers to our walks by The Thames and Hammersmith Bridge when we were kids and all the down and out winos (who were mostly Irish or Scottish) we’d meet along the way –
“the broken old men, battered and down, down by the riverside falling around”.

NOW WE’RE PRINCES

I wrote this as the soundtrack for my crime drama feature film project Clan London, which unfortunately didn’t receive the industry funding it required to go into production. Looking back, it wasn’t the right time for that movie to be made for several reasons which I won’t go into now. Rest assured and God willing it will be made one day with a fantastic cast and crew on board! The money we did raise through crowdfunding was used instead to make my two short films Tax City (Steve Collins, Jon Campling, Razor Smith) and Jack Mulligan (Terri Dwyer, Steve Collins, Dean Smith, Ruth Adams). Both films were premiered at BAFTA, Piccadilly to sold out screenings. Jack Mulligan won Best Overall Film at the Ambassador Reel Film Festival in Cork, Ireland and was premiered on the London Live channel in 2019.
We filmed the music video itself with Darren S Cook around Ladbroke Grove, West London where the Clan London storyline is set and also at Under The Bridge, Chelsea and Roughrockers Studio, Uxbridge. The lovely Lorraine O’Reilly sang on this track too which featured on our album New Hazardous Design!

NIGHT CROSSING

Next up – Night Crossing. I wrote this about the Syrian refugee crisis & the photo of the little boy Alan Kurdi RIP washed up dead on the shores of Turkey after his boat capsized while trying to reach Greece with his parents. I wanted to open peoples minds with a song written from the viewpoint of a refugee family embarking on a desperate & perilous journey to Europe. All too often we witness deplorable comments on social media such as ‘good, that’s one less of them coming over here’ when these tragic stories break. Where’s your humanity? Where is your solidarity? Imagine if this was your family living in a war-zone trying to escape being blown to bits on a daily basis, what would you do? Of course, you would do exactly the same thing & try and escape to give them a better life. And who sells the weapons of war to these governments – making profit from innocent people’s heartbreak? Yes, quite probably your own government so think before you judge!
We got the brilliant Brian Kelly in to play banjo & mandolin on this track which featured on our most recent album Walk Like Kings. Enjoy, rethink, reflect X

THE PITTSBURG KID

Well I couldn’t just write one song about an Irish American fighter could I? There’s so many to chose from! Our good friend Gary McDonald was onto me for ages to write a song about his adopted home of Philadelphia. The nearest I could get was Pittsburg (sorry Gary) because of my love for one of its finest sons. My affection for Billy Conn goes back to when I was a kid and the boxing stories my dad RIP used to tell me. He’d always be raving about Conn, Gene Tunney, Jack Dempsey, Gerry Quarry and Rocky Marciano:

‘My father told me when I was six
Of Billy Conn, the Pittsburg Kid
And as he spoke I wished that I had been there
To the Steel City his parents came
From Ireland’s shores in search of fame
The streets of S’Liberty became their home where –
William David Conn was born,
A tough street fighter, hands of stone
With film star looks and a left that fighters dream of….’
Conn really was a great looking dude and Morrissey even put a photo of him on the front cover of his 1995 single ‘Boxers’. He wasn’t just a pretty face though that’s for sure and in 1939 he met World Light Heavyweight Champion Melio Bettina in New York, outpointing him in 15 rounds and winning the World Light Heavyweight title. Conn defended his title against Bettina and twice against another World Light Heavyweight Champion, Gus Lesnevich. He also beat former World Middleweight Champion Al McCoy and heavyweights Bob Pastor, Lee Savold, Gunnar Barlund and Buddy Knox in non-title bouts during his run as World Light Heavyweight Champion.
But he will forever be remembered for coming so close to beating arguably one of the greatest fighters of all time – Joe Louis. In 1941, Conn gave up his World Light Heavyweight title to challenge the brilliant Louis who was now the World Heavyweight Champion. Conn wanted to be the first World Light Heavyweight Champion in boxing history to win the World Heavyweight Championship and to do so without going up in weight. The fight became part of boxing folklore because Conn held a secure lead on the scorecards going into Round 13 – unlucky for some! According to many experts and fans who watched the fight, Conn was outmaneuvering and outboxing Louis right up until that point. In a move that Conn would regret for the rest of his life, he tried to go for the knockout in Round 13 and instead ended up losing the fight himself by knockout in that very same round. Ten minutes after the fight, Conn told reporters ‘I lost my head and a million bucks.’
‘Of all sad words of tongue & pen
The saddest are ‘what might have been’
One night in ‘41 in New York City
For 13 rounds he outboxed Louis
Blew away The Bomber but his Irish pride for once was his undoing’
Sleep well Billy RIP.

RUNNING FROM OUR SHADOWS

This will be the final Bible Code Sundays track I’ll be posting written by myself with a brief description about the song. I hope you’ve enjoyed my ramblings on here over the last three Sundays. Thanks for all your very kind words and for taking the time to listen to the songs X
Next up – Running From Our Shadows. I wrote this as a submission for the movie Black Mass which starred Johnny Depp as the notorious, real life Boston gangster Whitey Bulger. Although they really liked the song, in the end the producers decided to go with one specific musical piece throughout the film. It is written from the perspective of a fugitive on the run from the law, his reflections on the life he has chosen, how it brought him to this point and how it has affected the ones he loves:
“I can hear the bells of home
As I whisper down the phone
It’s a Black Mass, baby
It’s that ancient Irish code
I will always be a part
Of your New England heart
So don’t stop lovin now the Feds are on us”
We shot the video for this with Adie Hardy at Panic Studios, Park Royal literally weeks before we lost our dear Carlton RIP. I couldn’t watch it for a very long time. It was hard to go back to that day when we were all together and having the craic as usual. Little did we know what the following few weeks and months would bring. We deliberately went for a dark, moody shoot to tie in with the film’s subject matter but it took on a whole new meaning when we lost Carlton. It’s like watching a moment in time now where darkness would soon descend on us all. Very surreal.
Once again we asked the brilliant Lorraine O’Reilly to sing on this track. Her beautiful vocals on here sound angelic. I wanted a female vocalist because the song is about the relationship between a fugitive on the run and the girl he left behind back in South Boston:
“I’m remembering the air
The colour of your hair
Those Old Colony girls
With their tough & friendly stare
The projects where we ran
Our dreams held in our hands
They were right from the heart
Letters written from my…”
We love and miss you always Carlton but we know you’re around us all the time. Until we meet again, save us a seat at the bar buddy.

The Bible Code Sundays have been regulars on the London Irish circuit for over a decade and continue to pack them in across London. You can catch the band or some variation of them on most days of the week somewhere in the capital. The best place to find out their gig dates is on their Facebook page. Their records are still available on Spotify above or Amazon and iTunes or at their gigs. Most recently they starred on the compilation album Quintessential Quarantunes featuring six bands, three from Ireland and three based in London and recorded during the lockdown.

ALBUM REVIEW: THE POGUES – ‘BBC SESSIONS 1984 – 1986 (2020)

The first ‘new’ release from The Pogues for quite a while compiles all their various BBC Sessions between April 1984 and July 1985. This CD/ digital release includes two sessions not included on the recent vinyl version of this album. 

The Pogues – BBC Sessions is the definitive complete collection that The Pogues recorded for the BBC during that era. All the tracks date between 1984 and 1986 and thirteen of the recordings are previously unreleased. That is not to say they are unheard as apart from their initial airing they have long been available on bootleg tapes back in the day and CD’s plus most can be heard on You Tube too. The album is available on CD, digital and streaming platforms and will be released on October 30. If you have already heard of it then that is because a special vinyl only version was released for Record Store Day on Saturday 29th August. That release was limited to 5000 copies and only includes sixteen songs which begs the question why not make it a double album and include all the songs that would be on the CD/ digital release? The vinyl version was available for Record Store Day only but is still readily available around the net but shop around as it varies in price quite considerably.

Record Store Day is an annual event inaugurated in 2008 and held on one Saturday every April and every Black Friday in November to celebrate the culture of the independently owned record store. The day brings together fans, artists, and thousands of independent record stores across the world.

This twenty-three track album features a collection of songs from six separate live sessions from BBC radio shows: The John Peel Show (April 1984), The David ‘Kid’ Jensen Show (July 1984), The John Peel Show (December 1984), The Phil Kennedy Show (March 1985), The Janice Long Show (July 1985) and The Janice Long Show (November 1986). The album groups each session together in chronological order from their first session recorded in April, 1984 when they were still called Pogue Mahone.

TRACKS 

Broadcast  April 17th 1984 (as Pogue Mahone) on The John Peel Show
1)      Streams Of Whiskey*
2)      Greenland Whale Fisheries*
3)      Boys From The County Hell*
4)      The Auld Triangle
Broadcast July 9th 1984 on the David ‘Kid’ Jensen Show
5)      Dingle Regatta*
6)      Poor Paddy On The Railway
7)      Boys From The County Hell
8)      Connemara, Let’s Go*

Broadcast December 4th 1984 on the John Peel Show 
9)      Whiskey You’re The Devil*
10)    Navigator*
11)    Sally MacLennane
16)    Danny Boy
Broadcast March 2nd 1985 on The Phil Kennedy Show 
13)    A Pair Of Brown Eyes ***
14)    Muirshin Durkin ***
15)    Sally MacLennane ***

Broadcast July 11th 1985 on the Janice Long Show
16)    Wild Cats Of Kilkenny*
17)    Billy’s Bones
18)    The Old Main Drag
19)    Dirty Old Town*
Broadcast November 5th 1986 on the Janice Long Show
20)    If I Should Fall From Grace With God ***
21)    Lullaby Of London ***
22)    The Rake At The Gates Of Hell ***
23)    Turkish Song Of The Damned ***
     *** Not featured on RSD vinyl release  * Previously unreleased

The collection captures The Pogues sound as heard through their first three albums: 1984’s Red Roses For Me, 1985’s Elvis Costello-produced Rum, Sodomy & The Lash, and 1986’s If I Should Fall From Grace With God along with a handful of single B-sides and novelties like the immortal ‘Danny Boy’. Ten of the album’s twenty-three tracks were previously collected on the career-spanning box set Just Look Them Straight In The Eye and Say…Pogue Mahone!! released in 2008. From the first chords of ‘Streams Of Whiskey’ when they were still going by the Pogue Mahone moniker. They were fresh from a tour supporting The Clash and had recently signed to Stiff Records but the BBC were reluctant to play their debut single due to their name. Being a rough Irish translation of ‘Kiss My Arse’ had the BBC clutching their handbags and so the band reluctantly changed their name to The Pogues. Throughout the controversy John Peel was the only one to use their original name. The album covers The Pogues great range from moving ballads all the way to the raucous punk they were more than capable of and ends with a selection of songs that would appear on If I Should Fall From Grace With God released two years after the session they appear on here.

Buy The Pogues BBC Sessions  AppleMusic  Amazon  iTunes  Spotify

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART TWO

Our short series on the songs of Andy Nolan continues today with another five of Andy’s masterpieces. As a past member of Shane MacGowan And The Popes and Spider Stacy’s Vendettas he has a great musical legacy but it’s as accordion player and songwriter for London Irish musical tour-de-force The Bible Code Sundays that Andy’s songs have defined a generation. The words to these songs are now known and sung by fans across the world and their influence is immeasurable with many bands trying to capture the Bible Codes sound. No band since The Pogues have helped define what it is to be London Irish and it is a common feeling on watching The Bible Code Sundays that these songs speak directly to the heart of the listener and encompass the same feelings and much of the same upbringing and beliefs that we had too! As we said before Andy is also a talented screenwriter, artist, producer and author. He was born in Hammersmith, West London surrounded by immigrants from across the world and, of course, a more than healthy contingent from Ireland but as you can see here from his songs about Irish-America he knows the Irish diaspora very well. Among his many achievements are the short films Tax City, and Jack Mulligan. And if anyone out there has spare few hundreds of thousands he is still raising funds for the feature film Clann London. So without further ado and again with Andy’s kind permission here is Part 2.

McBRATNEY FROM THE KITCHEN

About the notorious Westies gang that operated out of Hell’s Kitchen, NYC from the 1960s through to early 2000. There had always been dangerous Irish gangs on New York’s westside since the 1840s, going right back to the Gangs Of New York era but none were more ruthless than the Westies. A favourite pastime of these volatile Irish American hoods was kidnapping Mafia guys and holding them to ransom until they received payments of roughly $150,000 each time. On most occasions the ransom was paid and the wiseguys were released relatively unharmed. On one occasion however, James McBratney along with Eddie Maloney and John Kilcullen kidnapped Vincent D’Amore a capo in the Gambino crime family and during the commotion on the street someone noted their licence plate & handed it over to the Mafia who by this stage were at their wits end with the wild, uncontrollable Irish mob. On 22 May, 1973 John Gotti along with two henchmen entered Snoopes Bar on Staten Island where, after a furious struggle with the 6 foot 3” 250 pounds McBratney, they finally deposited three bullets into the Irishman’s body at close range killing him instantly. This did not spell the end for The Westies, far from it. A new breed of bloodthirsty Irishers in the form of Mickey Featherstone and Jimmy Coonan soon followed in their predecessors footsteps. Rudolph Giuliani, a federal prosecutor at the time who would later become the mayor of New York announced a devastating RICO indictment against Coonan & the gang for criminal activities going back twenty years. Featherstone testified in open court for four weeks in the trial that began in September 1987 and concluded with major convictions for the gang in 1988. Coonan was sentenced to sixty years in prison on assorted charges while Featherstone remains in the witness protection programme.
I remember Spider Stacy telling me about the time The Pogues played at the NYC launch of TJ English’s famous true crime book ‘The Westies’ and the Westies gang threatened to bomb the event! The movie State Of Grace starring Sean Penn, Ed Harris and Gary Oldman is based on Coonan and Featherstone.

WHITEY

This caused quite a stir when we released it back in 2006 especially in Whitey’s home city of Boston! Some people loved it while others viewed it as a glorification of Bulger who had recently been outed as an FBI informer. Being a rat in the criminal underworld is of course unforgivable. The truth is I wanted the song to be a raucous foot stomper laced in both glorification and hatred, so while Whitey’s meteoric rise through the Boston underworld is revealed, there is also a dark undercurrent of menace in the chorus from his associates who wish to lure him to his death:
“Whitey, Whitey where the hell are you?
There’s a barroom of poitín here waiting for you,
All the boys here in Southie with Tullamore Dew,
For the South Boston chieftain a right loyal crew”
Whitey was at one time second only to Osama Bin Laden on the FBI’s Most Wanted List after he fled Boston and went on the run for 16 years! Karma eventually caught up with Boston’s most infamous gangster when he was finally captured in Santa Monica, CA in 2011 then murdered in his Virginia prison cell in 2018. The movie Black Mass starring Johnny Depp, Kevin Bacon and Benedict Cumberbatch is about Whitey and The Winter Hill Gang. Enjoy the song, or don’t fuckin enjoy it, the choice is yours!

MY TOWN

I originally wrote this for a Boston based mob movie called ‘Townies’ which was set in Charlestown MA and I wanted it to sound like The Rolling Stones with an Irish twist. The opening guitar riff is very ‘(I Can’t Get No) Satisfaction’ and we deliberately went for that vibe from the outset. It is written from the perspective of a young street hood working his way up through the ranks of the Irish Mob to become top dog in the city. The path he has chosen is a very dangerous one as he negotiates his way through age old, bitter mob family feuds but his lust for money and power knows no bounds. This kid will take out anyone in his way in order to become the King of Charlestown. ‘The Town’ starring Ben Affleck is also set in Charlestown and had a similar storyline to Townies which unfortunately never went into production

THE BOYS OF QUEENS

A tribute to the FDNY, I wrote this song about an Irish American family steeped in the tradition of the Fire Department of New York – but from the words of one son, a US marine, who finds himself behind enemy lines during the Iraq war. Just before he dies he recalls how he lost his father and brothers in 9/11 and longs to be back with his wife and children in his native Queens. No one has a monopoly on grief, but 9/11 hit New York’s Irish community hard. The Irish were the rock on which the FDNY and NYPD were built during their inception many years ago and sons traditionally followed their fathers and grandfathers into the ranks of the fire department and police – a tradition still prevalent to this day. When everyone else was running out of the Twin Towers, these guys along with their Italian, Puerto Rican and black American brothers were running in.
May they rest in peace.
The song was used in the CBS TV show Unforgettable in 2012.

THE LORDS OF WINTER HILL

The Winter Hill district of Somerville MA has a long, bloody history of deadly Irish gang wars played out primarily between The Winter Hill Gang originally led by Buddy McLean, Howie Winter and Joe McDonald and the Charlestown Mob headed by brothers Bernie and Eddie McLoughlin. The bitter feud began in 1961 and lasted until 1967 resulting in the deaths of more than 60 people. The song also outlines the arrival of the Famine Irish into Boston during the 1840s and the dramatic rise and fall of their descendants including the Kennedys via bootlegging and politics and Whitey Bulger who eventually became leader of The Winter Hill Gang. In typical Boston Irish tradition, Whitey’s brother Billy was a former Democratic politician, lawyer and the President of the Massachusetts Senate for 18 years. The long tradition of war veterans from these working class neighborhoods is celebrated too:
“We gave to you our sons
For the Stars And Stripes they stand
They fought in North Korea and they died in Vietnam
Shot down on the beaches, butchered in the fields
Then carried home to Boston and their homes in Somerville’
The chorus then is an anthem of adoration for the city of Boston from the hundreds of thousands of Irish immigrants who were forced to flee Ireland and make it their new home:
‘You opened your arms to me
We’re home from the sea
Boston, we love you still
Now forever the Lords of Winter Hill’
The outro details the age-old blood ties with the old country through Boston politics and gangsterism:
‘The Gustin Gang, the Mullens, The Provo’s and Killeens
Their blood ran down The Mystic and far across the sea,
Celtic cross and tombstones, a monument there still
To Ireland’s sons and daughters and The Lords of Winter Hill’
The reel featured throughout is written by the late, great Tommy McManamon who played with the legendary Shane MacGowan And The Popes. I swear I can hear his banjo on this track, can you hear it too? RIP Tommy.

The Bible Code Sundays have been regulars on the London Irish circuit for over a decade and continue to pack them in across London. You can catch the band or some variation of them on most days of the week somewhere in the capital. The best place to find out their gig dates is on their Facebook page. Their records are still available on Spotify above or Amazon and iTunes or at their gigs. Most recently they starred on the compilation album Quintessential Quarantunes featuring six bands, three from Ireland and three based in London and recorded during the lockdown.

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART ONE

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART ONE

Photo- Paul Gallagher

Andy Nolan is best known on these pages as the accordion player and songwriter for the London Irish musical tour-de-force The Bible Code Sundays and as an ex-member of Shane MacGowan And The Popes and Spider Stacy’s Vendettas but there’s a lot more to him than just being an expert accordionist. Andy is also a talented screenwriter, producer and author. Born in Hammersmith, West London at a time when the Irish influence on London was at its greatest his songs speak not only of home in London and Ireland but stretch across the worldwide Irish diaspora with an special a focus on the United States. Among his many achievements he wrote and produced the short film Tax City, and the London Irish crime drama, Jack Mulligan, which premiered on London Live. Here over the last few weeks on his Facebook page he posted a brief description of a few of the standout songs he has written and the history behind the words. Well we thought it was too good not to share with you lot so with Andy’s kind permission here over the next couple of Sundays is Part 1 with Part 2 to follow next week.

THE SWAMP RATS OF LOUISIANA

A tribute to the 30,000 Irishmen who died in New Orleans digging out the New Basin Canal – a navigational waterway linking Lake Pontchartrain with the Mighty Mississippi. Over a four year period from 1832, thousands of Irishmen jumped into the swamps & dug in a straight line towards the lake. Many of them had been tricked by cotton brokers back in Liverpool that they were being transported to Philadelphia, Boston or New York which by now were already overflowing with poor Irish immigrants. Yellow fever and unforgiving heat ravaged workers in the swamps of Louisiana therefore the loss of black slaves doing such work was judged too expensive. As a result most of the work was carried out by Irish laborers who could easily be replaced at no cost with more and more now arriving by the boatload on a daily basis. Many were buried without a grave marker in the levee and roadway-fill beside the canal itself.

Abject poverty gave birth to New Orleans first criminal gangs such as the Corkonians, the United Irishmen and The Live Oaks. Sheehan, our hero in this song, becomes so demoralised at the hell-hole he now finds himself in that he throws down his work shovel for good and instead rises up through the ranks of the powerful Live Oaks Gang. I strongly recommend the book ‘Paddy Whacked’ by TJ English who covers this period in American history in greater depth!
A big thank you to Stephen Gara for his fantastic uilleann pipe playing on this track!

SEE YOU AT THE CROSSROADS

I wrote this song about my dear pal Noel Stephen Smith after reading his autobiography ‘A Few Kind Words And A Loaded Gun’ for the very first time many years ago. The title of the song was inspired by the opening pages where Noel dedicates the book to his son Joseph Stephen Smith RIP – ‘See you at the crossroads, kid’. Noel ‘Razor’ Smith was part of the notorious Laughing Bank Robbers gang from South London racking up 58 criminal convictions and spending the greater portion of his adult life behind bars. The dangerous outfit committed over 200 bank robberies but while serving a life sentence in prison Noel decided to turn his back on the life of crime teaching himself to read and write, gaining an Honours Diploma from the London School of Journalism and an A-level in law. Since then, Noel has been awarded a number of Koestler awards for his writing and has contributed articles to the Independent, the Guardian, Punch, the Big Issue, the New Statesman and the New Law Journal.
The melody instrumental throughout the song is taken from ‘My Lagan Love’ – an old traditional Irish song and I wanted the finished version to have that ‘She Sells Sanctuary’ vibe by The Cult – full of swagger and attitude!
“Racing through London in the pouring rain
I feel the rush go through my brain
Finger on the trigger, mask in my hand
Nothing can touch us, Butch & Sundance”
Noel has been a great friend & inspiration to me down through the years. We cast him in two of my short films Tax City & Jack Mulligan & he is now my literary agent for my own forthcoming true crime book Green Bloods. Keep marching on comrade & thank you for everything! Love ya mate!

THEY BUILT PARADISE

Our love for Celtic FC  is something we’re very proud of & the reason why I wrote this song. Formed in the east end of Glasgow in 1887 by poor Irish immigrants escaping genocide and famine back in Ireland, Celtic FC became a beacon of hope for those starving and penniless who made the short but urgent crossing over to Scotland. Andrew Kerins, also known as Brother Walfrid, was a Marist Brother from Ballymote, County Sligo who witnessed at first hand the plight of his own people in a very hostile and anti-Irish city of Glasgow. All soup kitchens in the city at the time were established by the Church of Scotland and in order to receive a meal there, the newly arrived, hungry Irish Catholics were ordered to denounce their own faith and convert to Protestantism before receiving it. Brother Walfrid, along with a group of fellow Irishmen including John McLaughlin, John Glass, John O’Hara and Willie Maley (and with the help of Hibernian FC who had already similarly been established in Edinburgh by Irish immigrants) immediately stepped in and formed a charitable football club in St. Mary’s Church in the Calton to stop this cruel exploitation of Irish refugees –
“A football club will be formed for the maintenance of dinner tables for the children and the unemployed”
The rest as they say is history!
We’ve been very fortunate and honoured to have been invited to play on the sacred pitch at Celtic Park on several occasions, including some unforgettable Champions League nights when we beat Barcelona 2-1 & also outside the Nou Camp itself! For me personally, supporting Celtic has taught me some invaluable lessons in life in regards to treating others with respect & offering both solidarity & charitable support to those who are still fighting their own injustices today – unity is strength

THE KIDS FROM THE CITY OF NOWHERE

Some of the stories here aren’t for the faint hearted, but they’re all true! I wrote this as a tribute to our London Irish community. For so long we were overlooked and dismissed like we didn’t exist but the truth was we were London’s oldest and biggest immigrant community who contributed so much in terms of rebuilding the UK’s decimated infrastructure after WW2. Musically too – John Lydon, Boy George, Kate Bush and Shane MacGowan are all born or raised in London of Irish parents, to name but a few. Chas Smash’s nutty dancing in Madness was heavily influenced by his own parents who were Irish dancing champions. I remember Chas and his ol fella used to come into our gigs in the Good Mixer in Camden Town many moons ago and they’d both be suppin Guinness and Irish dancing at the bar while we played. I reference the late, great Patsy Farrell too who was a singer in the James Connolly Folk Group. He was from Longford, as were my parents and Gavin Hayes dad Shay sang in the same group. They used to play all around Hammersmith (where I was born) when we were kids and on one occasion in The Salutation pub someone took exception to Patsy belting out the rebel songs and lobbed a penny at him. Patsy dived straight down off the stage on top of the culprit and made very short work of him – ‘down jumps Farrell on top of Thatcher’s man.’ The reference to the ‘high rise on the streets of Acton’ is when a group of my dads mates masked up and armed with hurley sticks dished out some sweet revenge on some bullies that were treating their wives and children like shit. They started on the bottom floor of the high rise flats and worked their way to the top until every culprit had been taken care of. Their families were never bothered again!
I remember us rehearsing this song for the first time in the back hall of the Adam And Eve pub in Hayes (thanks Anlon O’Brien). It wasn’t clicking and I was trying to explain to our dearly departed Carlton the drum feel I wanted but it wasn’t quite right. I jumped in my car, raced home and grabbed the B-side single of ‘Round Are Way’ by Oasis and drove back to the pub. I stuck it on the CD player & Carlton understood and got the rhythm straight away! Round Are Way is a big influence on this song. We even got Tony Rico Richardson and the brass boys in to record on the album version!

THE CINDERELLA MAN

I wrote this as a tribute to the incredible story of James J Braddock who defied all the odds to become Heavyweight Champion of the World back in 1935. The man he beat, Max Baer and nicknamed ‘The Killer’, had already killed Frankie Campbell in the ring while the mauling he dished out to Ernie Schaaf would contribute to his death five months later. Braddock was born in the Irish slum of Hells Kitchen, NYC until his family moved to Bergen, New Jersey. He came from a long line of fiercely tough Irish American boxers who at one stage ruled supreme in the early days of the noble art – John L Sullivan, Gene Tunney, Billy Conn, ‘Philadelphia’ Jack O’Brien, ‘Gentleman’ Jim Corbett, Tommy Loughran, ‘Terrible’ Terry McGovern and Jack Dempsey to name but a few. Forever the people’s champion but a huge underdog nonetheless, Braddock spectacularly beat Baer in a bruising 15 round battle to become the Heavyweight Champion of the World. He held onto the crown until he was beaten by a young Joe Louis in 1937.
The Hollywood movie The Cinderella Man (featured in the video above) starring Russell Crowe is based on Braddock’s life story. Russell famously tweeted this video (made by Padraig Clarke, a fan of our band) to his 3 million fans on Twitter which brought our band to a whole new audience! He would later sing on our most recent album Walk Like Kings! Thank you Mr Crowe!
The Bible Code Sundays have been regulars on the London Irish circuit for over a decade and continue to pack them in across London. You can catch the band or some variation of them on most days of the week somewhere in the capital. The best place to find out their gig dates is on their Facebook page. Their records are still available on Spotify above or Amazon and iTunes or at their gigs. Most recently they starred on the compilation album Quintessential Quarantunes featuring six bands, three from Ireland and three based in London and recorded during the lockdown.

LET THE MUSIC KEEP YOUR SPIRITS HIGH – PART TWO (soon!)

POGUE LAUREATE: POGUETRY – THE LYRICS OF SHANE MacGOWAN 

It’s thirty-eight years to the day that The Pogues, then known as Pogue Mahone first trod the boards at their debut gig at The Pindar of Wakefield in Kings Cross, London. 

At their height, The Pogues were as vivid an embodiment of the Irish of London as you’re ever likely to see. Their songs bled London and bled Irish — they sang of drunken winter weekenders in Camden and summer days in the old country on the banks of the Shannon with the smell of freshly-cut hay in the air.

By Oliver Farry

The band, of course, had their famously raucous side. By 1983, when they were formed, other ex-punks had cleaned up their act and their music and embarked on musical careers but Shane MacGowan and Co weren’t finished the business of the late 70’s and continued to get up the noses of most, including the BBC on countless occasions, such as when the band’s Alex Cox-produced video for ‘A Pair Of Brown Eyes’ was banned from the airwaves for its insolent depiction of Margaret Thatcher. In 1988, the Beeb banned ‘Streets of Sorrow/Birmingham Six’ for daring to argue that the sextet of the title were framed by British justice. If getting up the nose of the British establishment wasn’t so difficult, there were more natural allies put out by them back home, such as Noel Hill, the squeezebox player with Planxty — one of the group’s idols — who told them to their face during a stormy RTÉ radio forum that they were an “abortion of Irish music.” Even in the band’s afterlife they have been a discomfiting presence. ‘Fairytale Of New York’, probably the earthiest song ever to become a Christmas standard was belatedly censored by the Beeb for using the word “faggot”. A slavish sop to political correctness that ignored both narrative dialogue and the fact that the Pogues, with a gay guitarist and sympathetic ballads about abused rent boys, had been taking a stand against homophobia long before the mainstream media got the memo.

There was a time however when a certain esteemed British institution did court The Pogues and their dentally-challenged front man. In September 1989 Faber & Faber published a large format edition of Shane MacGowan’s lyrics under the title Poguetry (the band had already used this pun for their 1986 EP Poguetry In Motion). It was essentially a handsome but low-end coffee-table book; MacGowan’s lyrics were accompanied by surreal sketches by illustrator John Hewitt and photographs by The Face and NME alumnus Steve Pyke, both of whom joined the band in the studio and on tour throughout 1988. At the time it was a puzzling publication, especially as MacGowan’s lyrics, excellent as they often were, looked a little flat on the page. The sketches and photographs add context and texture but MacGowan’s oeuvre, by that time, was relatively slim, being drawn from The Pogues’ first four albums and assorted b-sides (and even those were not all his work, with other members contributing lyrics, not to mention many traditional songs). You got the sense that Faber, that soberest of British publishing houses – home to Pound, Eliot, Larkin, Heaney and Beckett – was viewing Shane as a future Bob Dylan. If they were, they can hardly be blamed for it, as MacGowan was surely the closest thing to Dylan Ireland has ever produced, with a lyrical versatility and strength of personality approaching that of the Bard of Duluth.

The book is a curiosity, with Pyke and Hewitt ably capturing the essence of The Pogues, a band that straddled tradition and iconoclasm, sartorial decorum and drunken disorder, gregarious sociability and taciturn sensitivity. It also marks the moment where the group turned to the US, of which ‘Fairytale Of New York’ was also a product. The band soon realised there was a huge diaspora (and non-diaspora) following Stateside to play to and nowadays, with appearances on countless soundtracks, including, most famously The Wire, The Pogues are arguably more synonymous with Irish America than the London Irish. Unfortunately there was not to be much more of it. The Pogues and Shane would be together for only one more album, 1990’s Hell’s Ditch. Shane’s drinking, already the stuff of contemporary lore, was making him increasingly unreliable and at times incapable of performing. The end came in September 1991 during a tour of Japan when the rest of the band sacked him. Neither party ever performed as well again (though it can be argued the quality of The Pogues’ own music had begun to fall off after the peak of 1988’s If I Should Fall from Grace with God). The Pogues, now fronted by long-time number two Spider Stacy, released two anemically directionless albums in the 1990’s but continued to successfully tour in the States.

You can hardly blame them for not giving up their livelihood but Waiting for Herb and Pogue Mahone are like the albums The Spencer Davis Group recorded after Stevie Winwood’s departure, missing all the spark of an emblematic lead singer. MacGowan hardly fared any better, spending most of the last two decades as a celebrity drinker, with a couple of albums here and there with his new group The Popes. There were glimpses of the old Shane (and the odd coup, such as getting Johnny Depp to play guitar when The Popes performed ‘That Woman’s Got Me Drinking’ on Top of the Pops) but much of The Popes’ output seemed like an afterthought, similar to the post-cocaine-hell K-Tel moments of ageing rockers.

Poguetry – The Lyrics of Shane MacGowan has been long out of print and copies now fetch a small fortune on Amazon. Hewitt and Pyke have both had successful careers themselves – particularly Pyke, who is now a successor in portraiture to Richard Avedon at The New Yorker. He later collaborated with the Irish-American writer Timothy O’Grady on the brilliantly Sebaldian I Could Read the Sky, which, like The Pogues’ early work was an elegiac account of 20th-century Irish emigration to England. He also contributed to this beautiful visual tour of Poguetry, which allows those not fortunate enough to own the book to have a look at the unique collaboration between three artists who are each wonderful in their own way.

A visual tour of Poguetry, published in 1988 that combines the lyrics of Shane MacGowan, illustrations by John Hewitt and photographs by Steve Pyke. Foreward read by Steve Pyke.

Oliver Farry was born in Sligo in 1975 and has been chasing the vulgar and sublime in equal measure ever since. These days he’s a journalist in Paris where he writes the news for France 24.

Some Pogues-related links:

In The Wake Of The Medusa   Paddy Rolling Stone  The Parting Glass   Pogues Facebook Page

NEW SINGLE FROM GLENN HODGE BANNED ‘As It Is’

Glenn Hodge Banned is an alternative, contemporary folk singer. An independent artist who has been bastardising nice music for some time now!

London based Kent born singer-songwriter Glenn Hodge has been recording music since 2014 but got his big break by penning the lively festive Folk song ‘Santa’s Coming Round’ for the homeless charity The Big Issue Foundation in 2015. The song featured London based Big Issue vendors and their 4-legged companions and is available as a free download.

He has been compared to Billy Bragg by many but those that do must mean the Billy Bragg before he moved to a massive Dorset farmhouse and started telling us to vote Lib-Dem. Glenn lives on a narrowboat in London moving from place to place like an old-fashioned travelling bard, drawing upon London’s many characters for inspiration. His songs draw upon everyday life topics bringing a degree of candour and often humour. He still works closely with The Big Issue Foundation, raising money through his music for those who desperately need it. With seven singles and one EP behind him he has released the outstanding ‘As It Is’ the first song from his upcoming album Behind Closed Doors due to be released later this year.

There was a fella on the news today, who suffered some abuse
For a mind with an obtuse that comes with privilege
In a look as old as money never hungered for a day
But would showcase a disdain for those were born to it
*
But we are the undisputed engine the ones that have to give
Working on the frontline and nursing your kids
And we are building the houses you live in
We work
*
Chorus
All over Scotland
Have you met the fierce Irish nation
As it is all throughout England
What you want is a Welshman beside you
*
They’re looking ragged in the alleys
In the streets they’re all done in
Put their money on the man who took it home with him
Should we push away our neighbours? Well let’s put it to a vote
On a whim and in the hope that a new age begin
*
But we’re the anger in the voices of the many over years
Destined to be choice-less invested in fear
And we’re calling to everyone listen
And we’re calling to everyone listen
We live
*
Chorus
*
It’s the same the whole world over with an ounce of life to live
Bet your life you’ll give it up and take it all they will
Maybe no amount of protest could change the way it is
But it is the way it is at least it is for now
We’re taking this future if you give in
Get calling to everyone listen
We’re building the houses you live in
Get calling to everyone listen
We are
*
Chorus X 2
*
Download As It Is  iTunes  Amazon

Glenn Hodge Banned  WebSite  Facebook  Instagram  Bandcamp  YouTube

ALBUM REVIEW: THE JAMESTOWN BROTHERS- ‘Rebels, Rogues and Regrets’ (2020)

Debut album full of Celtic tinged anthemic songs from Somerset based band The Jamestown Brothers. Soul stirring, foot stomping originals drawn from the well of Country, Blues and Celtic Folk.

Don’t know what they put in the water (or the cider!) down there in the South-East of England but when it comes to bands with a Celtic influence the counties of Devon, Dorset and Somerset can’t get enough. Bands like Black Water County, Mad Dog McCrea and Sinful Maggie have all reached headliner status across England playing a variation of Celtic-Rock/ Punk that is particularly popular down where the cider flows freely. The reasons for this I cannot really put my finger on. The Irish in England are numerous but outside urban areas they may still be found but they never settled in the countryside in any sort of numbers so I think we can discount Irish heritage so maybe its just the unabashed reckless abandon and fun of Celtic music that does it for them. After all in Folk music everywhere is sort of connected and these are also the areas where old English customs are not just maintained but flourishing too. Might not be connected but they also have had a reputation for many years of being a bit lawless with smuggling and the like years ago and even in the present day where unjust or unpopular laws are not fought and campaigned against just totally ignored!

So this is the part of England that the 9 (yes nine) piece band The Jamestown Brothers hail from, in particular Somerset. The area is these days best known for farming and agriculture, tourism and the manufacture (and drinking) of cider with several of the best known producers originating from here. The locals though much prefer ‘scrumpy’ a type of rough cider made from non-premium apples and significantly stronger in alcohol content. They were formed by lead singer and main songwriter Colin Batchelor in 2017 but it took them almost two years for their first release the EP Singing For Our Supper to come out. This EP gained them a large local following and saw them appearing on the plentiful local festival circuit of which their are many in the area the band come from, including the world famous Glastonbury festival.

The Jamestown Brothers from left to right: Simon Reilly – Bass * Del Walker – Drums * John Trimble – Fiddle/ Mandolin * Ian Burton – Guitar/ Vocals * Colin Batchelor – Guitar/ Vocals * Phil Price – Keyboards * Sharon Eastwood – Recorder/ Vocals * Andy Williams – Trumpet/ Flugelhorn * Charlie Fisher – Trombone *

Rebels, Rogues And Regrets is the bands debut album and was released just a couple of days ago and kicks up a right (un)royal storm from the first notes of the recorder till the last. ‘Cut ‘Em Down’ is a great start telling the stories of local rebellion as well as of the Peterloo Massacre in Manchester on 16th August 1819. Cavalry charged into a crowd of 60,000 demanding parliamentary representation causing 18 deaths and severe injuries to 100’s. Though acoustic you just know these guys could go louder than most Punk band’s. Catchy and tunesome and great vocals from Colin on the whole it reminds me of the folkier side of The Men They Couldn’t Hang.

“cut ’em down, the rebels are arising we’ll have no talk of reform or liberty

 cut ’em down, the cavalry came riding into the crowd of peace and harmony”

‘Rebel Rousing Few’ follows and TMTCH comparison continues with a song that starts as a ballad before becoming a jaunty Country influenced number based again on the local history of rebellion and transportation to Australia of men and woman from this beautiful part of England. Fiddle and recorder are the main stand out instruments but that’s not a disservice to the other seven members as the sound is deep and multi-varied and the production is immaculate.

Two songs in and they finally get around to a drinking song and ‘If You Can’t Have A Drink’ opens with brass and a humorous take on heaven hoping their favourite bar is open up there. Mind you with the death of so many boozers in the last few years I’m hoping Luke Nolan’s up there pulling pints in a heavenly Acton Arms. Piano gives the song a olde timey music hall feel with great lyrics set to give the stoniest face a smile. ‘Salvation Alley’ has a darker edge to it then previous songs with trombone giving it a sinister feel. ‘Please Let Me Go’ straddles the fence nicely between Folk and Country and sees Colin accompanied by Sharon on backing vocals. ‘Whitley Girl’ sees The Jamestown Brothers take on a love song to the local girls of South Somerset and the joys of alcohol.

(just released the promo video for the album featuring excerpts from each song)

‘Bring Your Moma Down’ has a Kinks thing going on and is a nice change of pace too with the brass instruments playing their part here. We steering up towards port now and another change of pace with the beautiful and personal ‘The One’. The curtain comes down on Rebels, Rogues And Regrets with ‘Long Walk Home’ with another jaunty Celtic number that sees them go out with a fight. Hard to pick a favourite but I’d say this or the equally as good ‘Salvation Alley’.

The album came out just a couple of days ago on the 31st August 2020 and will definitely gather them some new fans and plenty of attention. In fact with 2020 officially cancelled they have already been booked to play festival’s in Godney, Watchet, Exmouth, Wimborne, Sheppy, alongside Seth Lakeman, and a Saturday night headline slot at Home Farm where their reputation for high-energy live performances, equally at home in the pub or the festival stage, will steal the show from a lot more well known bands. So plenty of chances to catch them play, especially if you’re a fan of camping like me. Guitars, drums, mandolin, fiddle we are use to here but recorder, piano and a brass section we are not and it comes together brilliantly.  Throw in what the band actually has to say and their willingness to tell the stories of the past to us today and we have a band that is hopefully bound for bigger things. Definitely worth checking out especially if you like your acoustic music to dance to as well as ever-so-fecking-loud!

Buy Rebels, Rogues And Regrets  CD- FromTheBand  Download- Apple  Spotify

Contact The Jamestown Brothers  WebSite  Facebook  YouTube  Instagram

ALBUM REVIEW: TIM HOLEHOUSE- ‘Come’ (2019)

Come is the eleventh studio album from nomadic troubadour Tim Holehouse and sees him drift away from his normal mutant delta blues to more Folk territory than on any of his previous records.
Recorded with a full band including lush strings and vocal harmonies this may not be typical London Celtic Punks fare but all the better for it!

Back in May we were set to put on a double header gig starring London Celtic Punk regular TC Costello and a friend of his by the name of Tim Holehouse. Well it barely needs repeating what happened to the gig (rest assured though the date has only been postponed not cancelled!) but it fell to the great gig massacre of 2020. Pompey born Tim is not a artist I was familiar with before this and when I looked him up and saw he was in album release double figures I felt shivers go down my back. Now the last thing you want to be doing as a music reviewer is have the eleventh album release of an artist land on your doorstep. That’s just his studio albums as well he has a host of live and split recordings under his belt as well. It’s fifteen years since Tim began on the path that would change his life. Fifteen years on the road touring pretty much every country in Europe, Iceland, Japan, Australia, USA and Canada playing anywhere between 250-300 gigs a year continuing to seek new adventures and build upon the hard work he’s already put in.

On the very first listen it struck me that it reminded me of someone but I couldn’t for the life of me think who. It was probably on the 20th listen seconds after I had shared that dilemma with TC Costello that I remembered who. Everlast. Yes he of Gaelic Hip-Hop legends House Of Pain. You may scoff but I’m sure anyone familiar with his solo work, especially the Countryfied ‘Whitey Ford’ material will get it straight away. How it is a man from the South coast of England can nail that American drawl is another thing but then if your thing is ‘mutant delta blues’ then it’s really not that difficult! As I said I’m not familiar with his previous work bar an afternoon spent whiling away watching his You Tube channel so Come is a new start for me. The album may be a nominally solo effort but here he is backed by a full band including a string trio and pedal steel guitar at Silent City Studio by Robert Hobson. Hobson is perhaps better known for producing hard rock albums, including those of A Forest Of Stars of which two members appear on this record.

Written over five years it has been a real labour of love to get this album as perfect as possible and patience has paid off. After several listens I am forced to place Tim somewhere between the aforementioned Everlast, Bonnie Prince Billy (who the song Prince of the Palace is a tribute to) and off-kilter bands like Low or the sadly missed Noah And The Whale.  Come begins with ‘Numbers Game’ the American drawl taking us on the first of nine journeys. Gentle acoustic guitar and double bass gives way to a cello and Tim steps it up while still narrating his story to us. This may not be our usual fare but we are lovers of catchy music and this is as good as any I heard this year. I always compare it to how my Grandad gave it away he loved something musical. His foot would be tapping away or is standing he’d gently tap the side of his leg with his hand. This is that kind of music I think. It’s music to really listen too and take in. Maybe with headphones so you won’t miss the swirling melodies and numerous instruments going on.

‘Next up is ‘Averio’ and again its a cacophony (big word!) of instruments slotted together perfectly. Tim has only three rules 1) I will not appear in my own music videos! 2) I will not have my name or face on a shirt! 3) I will not sell my soul! so don’t expect to see him featured in any of the vids I have posted here from You Tube.

‘The albums two shortest songs follow ‘One Day’ and ‘Sleep’ both hovering around two minutes and consist mainly of heartfelt thoughts on life. ‘Prince Of The Palace’ as I already said is about the legendary Bonnie Prince Charlie. My mate Simon got me into him a few years ago but as he’s about the most prolific recording artist I have ever known I decided there and then that I couldn’t afford to be too much of a fan! Labelled a ‘Appalachian post-punk solipsist’ whatever that is I recommend his music to anyone likes who what they hear here and someone who performs

“a fragile sort-of warble frittering around haunted melodies in the American folk or country tradition”.

To be honest I thought he had died but no he’s still knocking them out and is well past his 30th album! Tim’s song is a glowing tribute and I can well imagine the Bonnie Prince giving it a go. ’24 Hours’ is my favourite song of the album with Tim’s drawl and the full band coming in given a bit of bite by drums. The story unfolds and the music changes direction several times but always in fitting with the original tune as it progresses through what seems a lot longer is only just over three minutes.

‘(I’m Not) Icarus’ rolls in next and continues with the lush melodies and singer/songwriter story telling style. The story of Icarus comes from Greek mythology who attempted to escape from Crete by means of wings that his father constructed from feathers and wax but flew too close to the sun causing his wings to melt and him to crash into the sea. Icarus’ story has come to symbolise recklessness and the defiance of limitations. Another fabulous song among many.

(solo version of ‘ (I’m Not) Icarus’ recorded as part of Adventskalender Session 2019)

Steering up towards the end with two standout tracks the rocky ‘Placid Lake’ and ‘London’, Come’s longest song, where Tim takes us through the dirt and grime and anonymous streets where you can hide away. A grand song to see us out and the end of an album I can honestly say I never imagined I would get quite so into.

The album is out on Aahh!!! Real Records based in Cambridge a fiercely independent label proud to not specialise in any particularly style of music, but in good people with good ethics. Come comes in a gatefold CD and a rather beautiful special limited edition orange sunrise vinyl with alternate artwork. Tim plays his own music with his own lyrics and thoughts and is like the best music inspired by all good music. Punk, Hardcore, Blues, Jazz, Country, Metal and even electronic music it’s all the mix somewhere. 

“I’m not very keen to be boxed in as a song writer of a certain style. Each album has a different take on myself and the music is very much written from the heart about subjects I either am interested in or personal experiences.”

Good music is good music right? A rather excellent album that will be on my playlist for a long time after this review has passed into the ether and an artist I look forward to seeing a lot more of too. I’ll end this review with Tim’s catchphrase borrowed from one of his favourite films, Bill and Ted’s excellent adventure…

“Be excellent to each other!” 

(You can listen to Come on the Bandcamp player below)

Buy Come  Download  CD/Vinyl

Contact Tim Holehouse  WebSite  Facebook  YouTube  Bandcamp

Discography  Where? (2019) * Kill (2017) * Hail (2017) * Past (2016) * Just (2016) * Odd/Even (2016) * Down (2014) * Bar (2014) * Antidote (2014) * Fighter (2013) * Grit (2011) * From The Dawn Chorus (2007) * Found Dead On The Shoreline (2005)

Tim will performing live over on the London Celtic Punks Facebook page on Thursday 20th August from 8pm for a hour of Mutant music for people who are excellent to everybody! Expect anything from Hardcore-Punk to Jazz to Trip-Hop anything can happen. He hasn’t told us what he has planned!!

Facebook Event- https://www.facebook.com/events/3121307697990090/

THE TOP TEN ANTI WAR SONGS

There hasn’t been a day since the invention of the phonograph record when the world has not been at war someplace.

We are told that the world stands on the edge of a precipice, and there is very little we can do so instead of a fallout shelter I’ve built a list of the ten best anti-war songs ever.

By

Starting at number ten we have….

10. ‘The Ballad Of Penny Evans’ – Steve Goodman

The best ‘one guy with a guitar’ performer who ever lived, Goodman’s music was primarily in the ‘good times and more beer’ zone peppered with moments of genuine pathos but rarely political. On a 1973 album on the Buddha label he included a powerful acappella treatment of a song sung by a 21 year-old woman whose husband has been killed in Vietnam and whose rage against the government who sent him there can barely be contained:

“And now every month I get a check from an Army bureaucrat / And it’s every month I tear it up and I mail the damn thing back / Do you think that makes it all right, do you think I’d fall for that?”

In his clear voice, loud with anger, it’s an amazing performance.

9. ‘Jimmy Newman’ – Tom Paxton

Paxton’s ‘Talking Vietnam Pot Luck Blues’ about a young soldier’s discovery that everyone on both sides is smoking dynamite dope is almost as funny as this song about a hospitalized soldier’s slow realization that his friend has died during the night before they are scheduled to be shipped back home is emotionally devastating.

“Get up damn it Jimmy! They’re loading us next, and you’ve only to open your eyes.”

8. ‘And The Band Played Waltzing Matilda’ – Eric Bogle

An Irish songwriter’s story about a soldier returning home from the battle of Gallipoli in 1915. The song is in the voice of a soldier whose legs have been blown off

“I never knew there were worse things than dying”

who watches as all the people who’ve come to greet the returning soldiers turn away in silence as the injured are brought off the boat. There are a million or more ways to ruin this kind of song and Bogle avoids every one. The song’s been done by many people including The Pogues but this version is beautiful and heartbreaking.

7. ‘Machine Gun’ – Jimi Hendrix

All the elements of a great screenplay are here. New York City, New Year’s Eve, hours from the end of the 1960’s, The Fillmore East and the greatest electric rock guitarist in history is a black man, a former US Army paratrooper. Pressured by a growing black militancy, he’s fired his white British backing band and has formed his ‘Band Of Gypsys’ with Billy Cox (bass) and Buddy Miles (drums). He knows he has to address Vietnam somehow, and in the twelve minutes and thirty-nine seconds of ‘Machine Gun’ Jimi says as much about the war as John Coltrane said about God in ‘A Love Supreme’. Here’s the audio footage from that New Years Eve Fillmore show.

6. ‘Universal Soldier’ – Buffy Saint-Marie

This is the anti-war song that speaks an awful truth that we would really prefer to ignore: while we can point fingers at the presidents and generals all we want, it is the individual soldiers who feed the war machine. The fact that these are our sons and brothers and sisters and daughters (and fathers and mothers) makes it a horrible and ugly truth (and, who knows, maybe some truths are best turned away from) but the Lysistrata solution offered here is a hard one to ignore.

5. ‘Between The Wars’ – Billy Bragg

Billy Bragg was to Margaret Thatcher in the 1980’s what Phil Ochs was to Richard Nixon in the 1960’s. Far from his most vitriolic political song, ‘Between The Wars’ examines the British working-class experience with verses like

“I kept the faith and I kept voting / Not for the iron fist but for the helping hand / For theirs is a land with a wall around it / And mine is a faith in my fellow man / Mine is the green field and the factory floor / Theirs are the skies all dark with bombers / And mine is the peace we knew / Between the wars.”

4. ‘I Feel Like I’m Fixing To Die’ – Country Joe And The Fish

The archetypal 1967-San Francisco-LSD-hippie-band led by a psychedelicized and politicized US army vet, ‘Country Joe’ McDonald. I remember in 1968 or 1969 sitting behind a row of guys in Navy uniforms either on their way to or back from Viet Nam at a Country Joe And The Fish show in Philadelphia as they played this song

“Be the first one on your block to have his boy come home in a box.”

Watching them cheer every line was around the time I began to suspect that the world was, well… complicated. Bring back the draft and we’d have this again in twenty minutes, half hour tops.

3. ‘Masters Of War’ – Bob Dylan

The studio version from 1963 is brilliant, but the live-in-Italy version on 1984’s ‘Real Live’ with former Rolling Stones’ guitarist, Mick Taylor, on a distorted, almost heavy metal, lead guitar is 1,000 times angrier than Johnny Rotten ever was or will be. There’s a talk that the critic Griel Marcus gave to the Department of Rhetoric at the University of California, Berkeley called ‘Stories Of A Bad Song’ that is really worth reading.

“Come you masters of war, you that build the big guns / You that build the death planes / You that build the big bombs / Not even Jesus would forgive what you do / I hope that you die”

2. ‘What’s Going On?’ – Marvin Gaye

“Father, father, father we don’t need to escalate / You see, war is not the answer / For only love can conquer hate”

wasn’t the kind of rhyme one expected to hear in 1971 from a million-selling soul artist who had earned the title ‘Prince Of Motown’. The title track from an album that his label flatly refused to release at first, calling it commercial suicide, became the crown jewel in what Smokey Robinson still calls ‘the greatest album of all time’. This version is all the evidence of his incredible power over audiences anyone should require.

1. ‘I Ain’t Marching Anymore’ – Phil Ochs

In 1976 Phil Ochs, the best ‘Protest Folk’ songwriter of his (or maybe any) generation, hung himself at his sister’s home. The victim of the sort of clinical depression we now have the drugs to treat and feelings of despair in the aftermath of Watergate, the rise of disco and the failure of the 1960’s to live up to its grand promises of social change (let’s face it, if the 60’s had succeeded Nixon would have died in prison and Kissenger would have gone on trial). Put simply, any top-whatever-list of anti-war songs that doesn’t start with Phil isn’t worth the ether it’s printed on. The solo acoustic version on the 1965 album of the same name remains the finest two minute and thirty-two second lesson in the history of international conflict ever recorded on to a roll of magnetic tape.

To be honest, “best of” lists are almost always a bit of a sham and Bob Marley, Elvis Costello, The Clash, R.E.M., Edwin Starr, The Dead Kennedys, Sun Ra, Fred Small, Richie Havens, Neil Young and, OK, even the Sex Pistols are all absent here. But these ten songs collectively represent a diverse body of response to our shared history and any one you may not be familiar with is deserving of your time and attention.

First published on These Things Too. Thanks to Stan.

ALBUM REVIEW- QUINTESSENTIAL QUARANTUNES (2020)

Six bands, three from Ireland and three London based. No longer able to play their trade due to government lockdowns either side of the Irish Sea have been virtually brought together by one man – Phil Parsons and one pub – Frostys Bar, Kenton to create a lockdown album like no other. With a mixture of Celtic Rock, Traditional Irish Folk and Rebel music, this is your must buy album of 2020.

Released just last week Quintessential Quarantunes is a compilation album of six bands. Three from London and three from across Ireland. There’s twelve songs in total with two each carefully chosen by the bands themselves. The music is mainly of the Irish folk ballad kind. Think along the lines of The Wolfe Tones. All the bands here are gigging musicians meaning its the sole income for many of them so for a tenner you can support Irish music at home and abroad for less than a pound a song.

THE BIBLE CODE SUNDAYS

With over twenty years worth of experience The BibleCode Sundays have performed live on many TV shows and played extensively throughout Europe and the USA. They have played on the pitches of Celtic Park on Champions League night, Twickenham Stadium for Heineken Cup Finals and for many years at London Irish Rugby Club. They have performed at Glastonbury music festival and supported Sex Pistols frontman John Lydon and his band Public Image Ltd on several occasions as well as The Cranberries, Thin Lizzy, The Sawdoctors and Christy Moore. They have also supported American punk band The Dropkick Murphys in both the US and the UK and recorded with Russell Crowe, Elvis Costello and Shane MacGowan to name but a few.

Spotify  Facebook  YouTube

BLACKSTAIRS REBEL

Formed in 1997 after a sing song on a bus home from a Wexford hurling match. PJ, Kevin and Ollie, later joined by Miss Carol Cooney on accordion. They soon built a reputation for the sessions they put on and were helped along with support slots for The Wolfe Tones, Dublin City Ramblers and Brendan Grace. The band write an occasional song but their real passion is playing live and for the past 23 years they have made many new friends along the way. A highlight of 2019 was playing Crawley Irish Festival. Meeting people, making new friends, having a few beers, eating kebabs, getting on ferries and planes, cars breaking down and belting out Irish folk, ballad, trad and rebel tunes where ever we go, for that’s what we love, that’s what we do and thats what we will continue to do for as long as people are still enjoying it.

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THE REELS

The Reels came together in late 2006. We all met through various music lessons growing up as kids or at sessions in many an Irish pub! With Gavin on vocals and guitar, Leanne on vocals and mandolin, Antonia on the fiddle, Mikey on the bass and Mad Kieran on the drums. Mixing traditional Irish music into more modern songs and taking the old Irish classics and making them more appealable to the younger second generation Irish in London. Already in popular demand to play the London circuit we will continue to belt out the music for as long as you’ll listen to us.

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CATALPA

Catalpa are a 3 piece band who are the resident band for The Confederation of Republic of Ireland Supporters Clubs and play before every home game in The Lansdowne Rugby Club. They traveled to France in 2016 for the Euros to play for the fans in La Rochelle. toured the USA, Belgium, France, Switzerland and Spain playing their brand of Irish ballads. Catalpa have played in The Aviva Stadium the famous Barrowlands in Glasgow and have supported The Wolfe Tones, The Dublin City Ramblers and Hermitage Green at various gigs and festivals. Catalpa have released three CDs to date and one CD in particular being a Charity CD for the John Giles Foundation.

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CELTIC STORM

Celtic Storm is a solo performer who hails from Co. Carlow. With over two decades of musical experience having performed in the USA, Europe and extensively throughout Ireland he is a highly sought after entertainer. He has played the famous Barrowlands on numerous occasions, most recent been the memorable night with his good friends Catalpa. Celtic Storm has one album to date and the ‘ballad bug’ is still as strong as ever.

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THE PEPPERED ACES

The Peppered Aces are a three piece Irish folk/rock band from London. Founded in 2015, the band have featured in festivals, international sporting events and have appeared on national radio. An annual event for the band sees them travel to NYC to perform at the St. Patrick’s festival. They are a developing band and have just commenced recording a selection of covers which prominently feature in the live set. Looking forward, The Peppered Aces plan on exploring their own original content and applying their unique sound and experience gained from playing together over the years.

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(Download or stream Quintessential Quarantunes from the Bandcamp link below)

Download Quintessential Quarantunes  From Bandcamp

EP REVIEW: SHANGHAI TREASON- ‘It’s Treason’ (2020)

The debut EP from highly rated South Yorkshire based Celtic-Punk band Shanghai Treason has hit the airways! 

Shanghai Treason are a band we have been championing ever since they first popped up on the Celtic-Punk scene last year (and not just because they’re from South Yorkshire!) with the release of their debut single ‘Devils Basement’ in November. A song that captured the Dropkick’s at their prime with the passion and speed of Punk. It even made the LCP Top Ten Of 2019 the only time a single song has ever made the Best Of lists in seven years.

Here on It’s Treason they bring together their three singles released over the last six months with three new tracks kicking off with that debut song and over 40,000 views across social media certainly saw them arrive in style. ‘Devil’s Basement’ is a song that the Dropkick Murphys would kill to write and saw the band picking up fans across the world. Fast and furious a fierce firecracker of a debut! Shanghai Treason are at heart a Punk band but with banjo (and occasional accordion) supplied by Hardy whose a bit of a mutli instrumentalist who can also play mandolin, accordion, bouzouki…even bagpipes which gives the band plenty of options for the future. It’s not just tacked onto a random Punk song though with their songs built around the sound of the banjo. Their sound lies somewhere between early Murphs and South-Western band Mick O’Toole (who make a appearance in the video if you look closely!). ‘Rats Get Fat’ is the first new one and they’ve lost none of their bite with a song about home giving Huddersfield a name check and Sams vocals coming over particularly good with a ‘operatic’ Punk style that fit perfectly.

‘Can’t Even Hang A Man Right’ carries on with the anthemic Celtic-Punk. Loud and raucous and with us finally on the verge of leaving the EU at last a rallying cry against political dirty tricks at Westminster with the great chorus “You can’t trust the rats by the river”. This is an EP for anyone into LOUD music but if you’re a fan of the banjo then this is definitely for you and again on ‘Drowning Heart’ the mix is done perfectly and the balance between the banjo and everything else is great.

‘The North Will Rise Again’ is dedicated to the music venues of the North of England and hopefully they’ll be some left to watch Shanghai Treason in at the end of all this! A video was released on Facebook in support of the Music Venue Trust’s campaign to #SaveOurVenues featuring some of the bands favourite boozers. Foot stamper ‘Green Cove’ brings down the curtain on It’s Treason and we are treated to Hardy and his accordion and the song has a bit more of a Celtic air to it, no doubt due to the accordion, but it still powers along.

Shanghai Treason left to right: Joel Hughes – Bass * Tom Hardy – You name it. Just about anything he can get his hands on * Sam Christie – Vocals * Tom Jackson – Guitar * Alex Fell – Pots and Pans *

The band were riding the crest of the wave when the clampdown came along and I can’t think of a single band whose momentum has been damaged more. Having shot onto the scene and in six months risen to where they are it’s a real shame. Still plans are already afoot to get back on the road as soon as they are able with a intensive UK tour on the table and some supports to bands I must not mention. Shanghai Treason may inhabit the darker, heavier side of Celtic-Punk but for anyone that misses Mike McColgan era Dropkick Murphys than mourn no more and get treasonous!

Buy It’s Treason  Apple  Amazon 

Contact Shanghai Treason  Facebook  YouTube  Instagram  Twitter Spotify

ALBUM REVIEW: BLACK WATER COUNTY- ‘Comedies And Tragedies’ (2020)

Since their arrival on the Celtic-Punk scene back in 2013 Black Water County have become one of its shining lights swiftly going from support slots to headline act right across the country. Marv runs the rule over their second album which shows them maturing into an act that is preparing for BIG things.

Back in September 2019 I was lucky enough to spend a day in the studio with Black Water as they were putting the finishing touches to their new album Comedies and Tragedies at The Ranch Production House in Hampshire. It was a lot of fun to spend time with the band and get the skinny on the new album. It was clear from the run-throughs that they were gestating a banging new set of tracks and it was a real pleasure to see it unfold.

As anyone familiar with their evolution will know, Black Water County has gone from strength to strength in the past couple of years. After a couple of EPs, their debut album Taking chances met with almost universal acclaim a couple of year ago. Their brand of fast and uproarious Guinness-and-Cider-soaked mayhem has proven impossible to resist in the grass roots folkpunk live scene. Particularly in the west country but also further afield and their gigs are usually loud, sweaty parties of booze-driven joy. I was at the front for their Bimble Inn debut at Beautiful Days Festival in 2018. Their follow-up Beautiful Days set in 2019 was a glorious party, packed to the 2000-capacity gunnels for a triumphant set of classic BWC before an adoring crowd, all intent on singing and dancing their arses off.

With the new album they have come of age. It’s the same Black Water County we know and love, the same level of hard-working folkpunks songs seemingly designed with the specific intention of putting a grin on your face and movement in your body. However they have upped their game. It’s smoother and yet simultaneously coarser. More complex whilst at the same time retaining their raw and rowdy energy. Vocal duties continue to be shared between Shannon and Tim with lashings of gorgeous harmonies from the rest of the band. Gone are some of the more comedic vocals and themes (brilliant and humorous though they were), to be replaced with more songs of wistful loss, conflicted angst and other contemplative themes, but all pounded together skillfully with blistering drums and musicianship. I even noticed some solo bass runs in there and some screaming electric guitar amongst the manic fiddle, banjo and lord knows what else; it’s all in there! A beautiful cacophony of distilled folkpunk bliss!

The songs are all new of course, yet instantly familiar. If you love Black Water County you will adore this album. There is no let up in the fellowship of the craic (the title of one of their early EPs) a perfect description of their unwritten manifesto. If you want a taster to see if it’s up your alley, find the track Darkest Days, it is both quintessential Black Water County and the perfect showcase of their new raw sound. How the hell did they manage to do that in a single song? It beats me, but I’m too busy wallowing in the glory to question it further.
The Rise and continued Rise of Black Water County; long may it continue.

Buy Comedies And Tragedies CD- FromTheBand  Download- Spotify  AppleMusic 

Contact Black Water County  WebSite  Facebook  YouTube  Instagram

Photos courtesy of Marvellous Gig Photography camera for hire!

LONDON CELTIC PUNKS EXCLUSIVE VIDEO FROM CHINA! GRASS MUD HORSE NEW SINGLE.

Holed up in their apartments in northern China Grass Mud Horse have been keeping pretty damn busy under quarantine and here is their second release, the pirate themed ‘No Prey No Pay’ and an exclusive first viewing of the video too.

Celtic-Punk based in Qinhuangdao, northern China! Singing about living in one of the strangest, most amazing and, at the moment, most dangerous places on Earth. Singing in both English and Chinese, their music is tongue in cheek and in the spirit of the best Celtic-Punk will make you smile! Grass Mud Horse are a punk band based in Northern China fronted by Chris Barry, who also writes all the songs. Originally from Liverpool he now lives in China and was also a member of the Canadian Rock band The Strange. The music is an eclectic mix of various punk styles, including Skate, hardcore, Ska, Celtic and features a diverse array of musical instruments (most also performed by Chris Barry). This is their second release after ‘Christmas Time In China’ and their next release will be a acoustic EP while the lads work on their debut album, Beijing Bikini, which has been delayed because of something I am sure you must have seen on the news!

We’re setting sail once more to raid
The Spanish Kings own gold
We’ll hunt his scurvy rotten ships
And plunder all they hold
We’re setting course with no remorse
We’re as rotten as we’re damned
We’ll spill their guts just cos we must
It’s to fortune or be hanged
*
 No prey no pay
Our code our way
No prey no pay
We fight we slay
No prey no pay
And to the Devil we say
The order of the day
No prey no pay
*
 Prepare to come about
A shot across the bow
The chance to end this now
Strike your colours be a coward
If you stand your ground
You’ll be shark bate when you drown
*
 Throw the boarding hooks
 Draw your cutlass swig a dram
 Prepare to board her men
 Smell their fear drink it in
Lads we’ll soon be rich
while this lot will soon be dead
 We’re setting sail once more to raid
The Spanish Kings own gold
We’ll hunt his scurvy rotten ships
And plunder all they hold
We’re setting course with no remorse
We’re as rotten as we’re damned
We’ll spill their guts just cos we must
It’s to fortune or be hanged
*
No prey no pay
 No prey no pay
Our code our way
No prey no pay
We fight we slay
No prey no pay
And to the Devil we say
The order of the day
 Crack of muskets dying screams
Clash of steel striking bone
 The sweetest sound I know
Blood streams into the sea
Another Battles won and the day is ours again
*

Now the reason for the bands name Grass Mud Horse is that it is the literal English translation of the Chinese term for the animal known as a llama or an Alpaca. In Chinese the llama is named 草泥马 (pronounced Cao Ni Ma.) As Chris says

“Now the reason we chose this for our name, is because if you say “Cao Ni Ma” with the wrong tones…you don’t say Alpaca at all, in fact you tell somebody to go fornicate with their mother.  In addition to this being quite funny, China is of course a land of extreme censorship and to avoid getting in trouble for swearing, young Chinese angrily exclaim “Llama!”, when in fact they mean something else entirely.”

So more proof if it was needed of the global reach of Celtic-Punk, even if Chris is a scouser! It’s hard enough for new bands to make a mark on the scene but when you are living and working in China it’s near impossible so do the guys a favour and download the song and leave them a ‘like’ on Facebook.

Grass Mud Horse  WebSite  Facebook  YouTube

ANTO MORRA’S NEW ALBUM IN HIS OWN WORDS

Songwriter, performer and multi media artist that believes ‘Life is for laughing and fighting injustice’. Traditional folk songs and punk rock of his formative London years, along with his Irish roots and Norfolk home are the inspiration behind his work.

by ANTO MORRA

Twenty is a compilation of 20 songs taken from 7 CD releases. Late last year I had the idea to put this together to replace the 6 full albums that were available for download and streaming. The reason being that the way music is digitally consumed today is rarely in album form and more often in odd tracks on shuffle. I felt this was making my output very incoherent and so I chose a selection of songs and got them re-mastered to work together as an album and also as individual tracks.

1. NEVER HAD TO SHOUT

The title track of my debut album. Very much in the story telling folk tradition but with 1977 punk sensibilities. Inspired by my love of British and Irish Gangster films, West London and the Clash. The main character is called Jimmy. I used this name because I had an Uncle Jimmy that lived around the Ladbrooke Grove area and had a market stall on Golbourne Road. On one occasion I performed the song at Cecil Sharp House (home of the English folk song and dance society in London) after Thomas McCarthy (an amazing singer of Irish Traditional songs passed on to him by his Irish Traveller family) approached me and questioned me (in a really strong Irish brogue) about who Jimmy was, as he had grown up around the Grove. I explained that I’d used my uncle’s name and even though my Uncle had been dead about 20 years, it soon became very apparent that Thomas had known him. You could have knocked me down with a feather. I don’t use the term ‘amazing singer’ lightly judge for yourself.

2. LONDON IRISH

It’s quite hard to imagine when I wrote this declaration of my nationality, I’d heard of neither the London Celtic Punks or The Biblecode Sundays. Unlike my elder sisters and many of my peers that moved from Catholic primary school onto Catholic secondary (High) School, my Irish identity never really developed. As many of my best school friends were English protestant, Jewish or Black, and one of my best out of school friends was a Turkish Muslim, so I always just felt like everyone was from somewhere else. Dyslexia was not really a recognised condition back then and although I wasn’t a severe case, I was always bottom of the class, angry and disruptive. Inside I thought I’d inherited my stupidity from my Irish parents, who were anything but stupid! The relentless stream of jokes about the ‘Thick Mick’ and my father fitting the stereotype of hard drinking builder, I was always emotionally conflicted about my nationality. It took a long time to confront it but I’m sure a diagnosis of dyslexia in the mid 90’s was a great help!

3. TALE OF THE SLIGO WIDOW

I spent an awful lot of wasted years drinking heavily and smoking cannabis on a daily basis, which made me adore folklore and those acoustic hippy kings like Marc Bolan, Donovan and Syd Barrett , but detest that over produced whispy Irish celtic mystic sound of people like Clannad and Enya. Although by the time I wrote this I thought I was done with writing that sort of weird hippy shit, like the cannabis it hadn’t entirely left my system! I’d like to site two songs that were the inspiration for this the first is Marc Bolan’s ‘One Inch Rock’ and the second is the Donovan’s ‘Widow with a Shawl’ .

4. TIME

I’ve always struggled with anti-social media, I’ve got accounts with the most well known platforms but never got my head around any other than Facebook. I’m still not sure how to fully utilise that to my advantage but sometimes I enjoy just screaming into that void! Some years ago there was a question posed by a FB user asking ‘If you could give your 10 year old self one piece of advice what would it be?’ Of course being dyslexic I never read the part that said ‘one piece’ and so I managed to get a full four verses out of it.

5. WRONG PATH

Like the four previous songs this is from my 2013 debut album and is in the storytelling tradition. Originally titled ‘Sealing fate’ when I started writing it in about 1990 and a song that remained really quite shite for at least 20 years, but following the 2011 London riots it finally became the song I was trying to write. I like to think of it as a re working of ‘In the Ghetto’ by Elvis but with a modern London twist. When recording it I had sung it unintentionally in a mid-Atlantic accent which sounded fine until Percy Paradise put down his slide guitar making my vocals sound hideously American. Rerecording my vocals was easy enough until it came to the chorus where The Woodland Creatures had followed the original ‘Path’ vocal line forcing me to use the American, Irish or Northern pronunciation rather than the London/southern pronunciation ‘Paath’.

6. POETS DAY

Is a working song for a lazy bastard! When I started work on building sites in the early 1980’s, Friday was known as Poets day an acronym for ‘Piss Of Early Tomorrow’s Saturday!’ This is still remembered by people of a certain age and I’m sure applied a lot more occupations than just in the building trade. Workers were paid weekly in cash back then and often on a Friday. Once you had your money in your pocket work was over and the weekend had begun and it was straight into the pub for a few pints and a game of pool or darts. Happy days!

7. WHERE’S DADDY GONE?

Written not long after my father died so consequently my mother hated it, as the Daddy in the song was nothing like my father who never hit any of us or chased other women once married, though he did occasionally stay out drinking. The inspiration for this comes from my love of those Kitchen Sink dramas of the 1960’s combined with all the rhythm and pace of a Leonard Cohen song. It does resonate close to the bone with some people, a friend of mine was quite taken aback by it and how it reflected his home life as a child.

8. CHARLEVILLE (RICKY’S SONG)

This recording is taken from a 2013 compilation cd featuring performers based in East Anglia. Some years ago while tidying stuff at my Mum & Dads house in London, I came across a piece of paper with a poem called Charleville scrawled in biro on it. Charleville is a town on the Cork, Limerick border in the Republic Of Ireland where my mother’s family are from. I asked her about it and she nonchalantly replied ‘Oh Ricky (her brother) wrote that.’ I was astounded not by the poem by just by the fact that one of my Irish relatives had been brave enough to attempt some creative writing. That sort of thing wasn’t for the likes of them! They were as Patrick Kavanagh would say ‘fog dwellers’ – rural types without need for self expression or showing off. I took the poem chopped some out, added an Irish cliché or two, pinch a traditional tune from somewhere and my work was done. There is a different version of the song on my album 16, but I chose this one because I love the understated banjo of Pete Alison and mandolin of Terry Saunders.

9. BLOOD ON THE SHAMROCK AND THE ROSE

This is the song that changed everything for me! I wrote this in the mid 00’s and by the reactions I got performing it in folk clubs, I knew I had to start taking my song writing more seriously and do some proper recordings of my songs. Growing up in London when it wasn’t great being Irish and narrowly escaping two IRA bombings- first in Selfridges 1974 and then the Wimpy Bar in 1981. I lived a mile from Marble Arch and so Oxford Street was where my mate Sean and I would go to play out on a Saturday. On both of the above occasions, we had got home to see the devastation on the News! Not only had we walked passed the Wimpy Bar on that day, but we had actually been inside Selfridges, just before we got the bus home. I could never relate the lovely kind Irish people that I had met and was related too, with the kind of people that could commit these acts of cruel violence. As I got older I started to understand it a little better and was finally able to articulate how I felt about it in a song. I have to credit my Sister Anne for verse three. When she was visiting a friend in Ulster at the height of the Troubles, she was advised if anyone asked her religion she was just to reply ‘I’m not one of them’ in order to stay safe and neutral.

10. GREEN, WHITE AND GOLD

On holiday in Ireland as a child I remember my dad pointing to a flag and saying ‘That is the Irish flag- it’s green, white and gold.’ To which I replied ‘That’s orange Dad.’ ‘No it’s gold, son!’ This contradiction went on for quite sometime until I think I just gave up. Years later I was reliably informed, that despite it representing the protestant William of Orange and his influence on the population of Ireland, Orange is not an Heraldic Colour and so my Dad was right! I wrote this not long after he died, so sadly he never got to hear it.

11. EDITH LOUISA CAVELL

Written and released as an EP in time for the centenary of her execution in October 1915. I was chosen by Norwich Cathedral Chaplin to be i