Category Archives: EP Review

EP REVIEW: FOLLOW THE CROWS- ‘West is East’ (2017)

London based Celtic folk rock/Irish/bluegrass band with hard-driven vocals fused with guitar and mandolin mayhem, underpinned by riotous folk rhythms of rebellion, redemption and downright recklessness!

Formed in August, 2012 Follow The Crows are the latest in a growing line of bands playing in the London Irish-folk scene that have embraced some of celtic-punk’s harder edges. They have been playing regularly around London for a good while but so far apart from coming across them on Facebook we haven’t had the opportunity to check them out live in person as it were. Then this arrived on the doorstep, their new EP released last January and after just a couple of listens they have swiftly risen to the top of the list of bands I want to see.

Follow The Crows (left to right): James Cannon- Vocals, Guitar * Ben Sumner- Mandolin, Banjo, Lead Guitar, Backing Vocals * Dan Ferguson- Fiddle * Lawrence McNamara- Bass, Backing Vocals * Karl Hussey- Drums, Percussion

East Is West is Follow The Crows debut release and begins with the kind of song that our description at the top of this review fits exactly. ‘Lay It Down’ starts with the sounds of the ocean before slowing morphing into a song combining elements of trad Irish, bluegrass and Americana that makes this EP a real winner. Catchy as hell and a real foot tapper.

Extremely well played by very good musicians and while there are no thrashy guitars, or even drums, it’s given that bit of edge by singer, James raspy vocals.

“Freedom songs don’t say anything
When you’re out on you’re own
With those big wheels turning
Those bridges burning
West is east high is low”

They follow this with the soft rock edged ‘As The Night Comes Falling’. Threatening at any minute to go flat out, and part of me does wish they would, but they reign it in and keep it nicely subdued. Coming off here as part Tom Waits- part Mumford with a dash of rock’n’roll it’s another great number. Third track here is ‘Black For The Crows’ and if you’ve ever heard the Murder Ballads album by Nick Cave then that’s the territory we are in here. Great song and though underpinned by Irish/celtic music influences seep in from everywhere.

“They rose up their banners for glory on high
Sounded the bugle beneath the blue sky
‘Freedom will follow when the day is o’er”

The EP comes to an end with ‘Quiet Land Of Erin II’ and for me they save the best for last. Ever so reminiscent of The Waterboys here I think. With James sounding a real ringer for Mike Scott. The vocals are almost whispered while the Crows get plenty of guests in to give the song a real full band sound once it gets going. More proof that Follow The Crows are fantastic musicians and with the songs to match to bring the curtain down.

“Oh father now she said
The curlew and the cuckoo’s fled
Troubled is the heart that you’re hearin’
Oh father now she said
They buried you among the dead
On the quiet, quiet land of Erin”

At the moment East Is West is only available as a digital download for now and priced at a very reasonable £3. It’s a great introduction to the band and if they want to stray away from the London pub circuit then a follow up album of more like this is a necessity and will surely achieve it.

(listen to East Is West by pressing play on the Bandcamp player below)

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EP REVIEW: THE DEAD MAGGIES- ‘Wild Dogs And Flannies’ (2017)

The Dead Maggies are a folkpunk band from Tasmania. 

Hear tragic tales set to a lively toe-tapping hoedown of music that will make you dance, yell and folk till you punk.

Now here’s another chance for me to wax lyrical about the quality of of music coming down to us from the heights of the Australian celtic/folk-punk scene. Regular readers know my views but it doesn’t hurt to reiterate them again every now and then so here we go. The best music in the world comes from the Australian celtic-punk scene of that there is no doubt. We have been fortunate enough in London to have hosted The Dead Maggies before and fellow Aussies The Rumjacks and The Go-Set have blazed their paths through London several times each leaving behind a ever growing army of fans each time they play.

They formed in Hobart on the day of Margaret Thatcher’s death when a bunch of punk and folk musicians were celebrating and started jamming songs accompanied by plenty of home brew. It wasn’t long after that they were up on stage playing with some of the biggest names in Australian celtic-punk. This EP is the third release from The Maggies and follows in the footsteps of their amazing debut mini-album The Dead Maggies Sing About Dead People.

Released in April, 2014 it’s a fantastic way to begin with seven original songs/stories that tell the tale of Tasmania in a way that not many bands could do. Tragic tales set to a toe-tapping lively folk punk hoedown. The above is a link to the re-issue that is the same except with added fiddle. After this release they toured Europe including a week long tour here that took them as far north as Scotland and as south as London where they fair set the TChances stage alight with a set that had the sweat dripping off the walls! They followed this up with their debut full  length album Well Hanged in November, 2015. We ranted and raved about this LP and it even mad #7 in the 2015 London Celtic Punks Album Of The Year (here). We ended that review with these words that are worth repeating

“Twelve tracks that explore the lives, battles, deaths and loves of ordinary people. The people whose history is being written out of the books. The history children don’t learn at school. History that is an embarrassment to the people who rule us and who are scared stiff of the inspiration it could once again provide to the ancestors of the original folk these stories are written about. Music to dance to, love to, cry to and rejoice. The Dead Maggies provide all this in spades and by telling of the dark and oppressive past of Tasmania that history will never leave us. Bands like this should be an inspiration to us all in the celtic-punk scene. Story telling is at the very core of our music. We have a glorious past and if indeed our music has any connection to the past we are forced to retell it in song. Thanks to The Dead Maggies for doing that and doing it so well”

So then what they got to offer in 2017? Well the year started with discussions about a Dead Maggies follow up tour of England which is now definitely happening people (but more on that later!). So with the band busier than ever and looking forward to the rain they released Wild Dogs And Flannies last week on Tassie record label Folk ‘Til Ya Punk Records.

It would seem on Wild Dogs And Flannies they have taken a break from tales of convicts and bushrangers and given us five tracks that deal in the here and now. The EP begins with ‘When I Die’ and its heavy stuff but put to a great ‘cow-punk’ back beat. Starting off slowly before the band kick in and give it us in spades. The subject of assisted suicide is not yer typical celtic-punk fare but that’s exactly why the Aussie scene is so well loved by us all. Never afraid to take on serious subjects or open their hearts. They follow this up with another serious subject dealing with domestic violence on ‘She’. Released last November with all proceeds from the song going to Tassie group SHE (Support, Help, Empowerment).

“One day will come liberty
But for my children, I would die to be free”

I love The Dead Maggies for their raucousness and unabashed celebration of dark things and here they show they can still put out a tune that makes you think. Show your support for SHE by downloading this song here for just one Aussie dollar.

They keep up the serious theme of the EP with ‘Goodbye Gondwanaland’ a slow acoustic number telling of the dangers of the coming (or has it already arrived?) environmental disaster. A beautiful song again designed to make you think and given that GTMongrel has one of the most distinctive voices you will hear in any genre its an emotional song given that added depth by his wonderful vocals. Gondwanaland was one of the two ancient super continents from about 200 million years ago. ‘Wild Dogs And Foxes’ is classic Maggies beginning with acoustic guitar and fiddle before the tempo shifts and we are back in  the celtic-hoe down territory that we love. The curtain comes down and they finish with a flourish and a light hearted fast paced track ‘All My Flannies Are Broken’ with the whole band having a go at vocals. A flannie is a Aussie term for them tartan button up long sleeve flannelette shirts. A lovely ditto about getting them ripped in the moshpit. A superb end to proceedings.

So there you have it. Another masterpiece from The Dead Maggies. Five songs that stretch what they do in every direction possible. This is a band that can really make you think and while that is not always what you want (lets face it music is an escape from the trials and tribulations of life) you could always instead switch off your brain and just enjoy the excellent music!

The Dead Maggies deserve to be massive and while they are half way there in Australia you will get a chance to check them out on these shores this summer. The dates of the tour are yet to be finalised but they are booked to play at Outcider festival on Sunday 6th August and Boomtown on Saturday the 12th. The inbetween bits are being sorted now and in there will be dates in London and Kingston (provisional dates are Thursday 10th and Friday 11th) so if you want to be kept up to date check out the London Celtic Punks Facebook page and subscribe to our Events here and we will see you at the bar!

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Since we last reviewed The Dead Maggies there has been an explosion in Aussie sites concentrating on Celtic/folk-punk. Well two anyway. So if you absolutely obsessed with the Australian scene like me do yourself a favour and head over there now.

Aussie Celtic Punk’s and Australian Folk Punk Scene

You can find a host of other amazing Australian bands on the ‘Folk ’Til Ya Punk Records’ web site which has some of the best Australian folk punk, folk, punk, folk rock, celtic punk, gypsy and bluegrass artists around on its roster so well worth supporting.

EP REVIEW: BENNY MAYHEM- ‘Song For Absent Friends’ (2017)

Australia’s folk-punk troubadour!

Just a few days before we review the new EP from Tasmania’s premier folk-punk outfit The Dead Maggies and it’s more of the same with more Aussie fare from Benny Mayhem. Not a name known to us till recently it would seem that Benny has blessed Europe quite a few times before as both a solo artist and as the shirtless, writhing front man of kick-arse smart alec punk rock party band Project Mayhem. He tours as both solo and with a band and if plans go to plan he will return to England with both in 2017 while inbetween Benny will be studio-bound applying the finishing touches to his latest LP.

From his home base on the west coast of Australia in Perth, Benny Mayhem has toured the world as a wandering troubadour and in England has gone from busking outside tube stations to the festival circuit in only two years. The EP begins with the title song ‘Song For Absent Friends’ and is an ode to the multitude of people that have helped Benny on his journey’s around the globe delivering folk-punk to the masses. It was in the Fuelled By Cider Studio in Somerset that Benny realised the three original songs delivered here needed the backing of a full band to realise their full potential. Returning to Australia he set about mixing the songs and gathering the right musicians for the job.

“Now I’m sitting in my room,
Thinking of times I shared with you,
And I wouldn’t be me today…
If it wasn’t for you”

He wrote the opener in a hotel room in the Austrian Alps and its poppy’ness’ and Cali-punk style belie its snow laden roots! It may not have much in common musically with The Dead Maggies but the Aussies seem to have cornered the market in great song/story writing.

(acoustic version of the full band song on the EP)

Benny and his acoustic guitar start the show next with the amazing ‘Mother Nature Will Have Her Revenge On Old Fatty’. Great well thought and inspiring lyrics as well as a great sense of humour. Listening to this song especially you can tell it would have worked as just Benny and that guitar but the band takes it into a different territory and will I am sure open many more doors for him.

“You’ll watch the jungle close in
Just as it always has before…
And the waters will rise
Just as they always have before…”

‘Bulwer Street Waltz’ is next and again it’s mostly Benny and his guitar with minimal but crucial backing from the band. A tale of mis-spent youth that ends with the absolutely fantastic line

“We were glared at in clubs
But we didn’t care
My only regret is that I didn’t dance”

What a line. I love it.

Song For Absent Friends ends with a class acoustic version of the Stiff Little Fingers standout ‘Suspect Device’. Jake Burns spits the original out with real bile while Benny plays it much calmer. Perhaps taking inspiration from Anto Morra who did an amazing job with SLF’s ‘Wasted Life’ proving you can do an angry song without an angry voice (here) Benny nails it regardless.

“Inflammable material, planted in my head
It’s a suspect device that’s left two thousand dead”

You can file Benny Mayhem in the folk-punk section with fellow Aussies like The Rumjacks and The Go-Set but just don’t be expecting the same celtic fuelled raucousness of said bands but more hook laden, catchy and contemplative songs from an artist whose journey has only just started. Whether that journey will lead him away from his trademark folk-punk sound who can tell but wherever it does end up you can be sure Benny will be delivering it straight from his heart.

(listen to Song For Absent Friend here for free before you buy)
* Benny Mayhem will be playing at Rebellion festival in Blackpool on August 4th so look out for dates across the country around then in what will be his fifth visit to these shores.
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EP REVIEW: TOXIC FROGS- ‘The Mermaid’s Song’ (2017)

French celtic-punk chicks band!
Four Girls Two Fiddles

Toxic Frogs are quite the anomaly within celtic-punk circles it has to be said. As much as i hate the idea of segregating bands into male and female it is refreshing to see a all-female band in the scene and standing tall too. Most of the time it seems to me that when ‘female’ music is brought up we are suppose to like it whether or not we do actually like it or not. The failed and discredited identity politics that handed the American election to Trump have ensured that people can no longer have an opinion on ‘certain’ things without being shouted at and labelled by hysterical bigots with no actually basis in fact. Anyway rant over and my point is that as a music reviewer my job is review music not ‘virtue signal’ to you all how right on I am by giving good reviews to bad or mediocre music just because the band fit someone else’s ideological pigeonhole. I don’t not have to worry about any of that shite here mind you as The Mermaids Song is abso-fecking-lutely fantastic!

I have heard plenty about Toxic Frogs in the short time they have been together without actually hearing an awful lot of what they have put out so far. Always on my list of bands to find out more about I just had never gotten round to it. Their 2015 album Kill The Devil somehow passed me by except for this review from Celtic Punk Folk And More here but they have kept up a steady stream of excellent videos that have at least introduced them to the wider celtic-punk scene if not me personally!

Toxic Frogs left to right: Lucianne Wallace- Guitar * Elvina Lynn- Bass/ Fiddle * Lydie Dupuy- Drums * Ella Beccaria- Fiddle/ Lead Vocals

Formed in the east-central French city of Lyon in September 2014 Ella came up with the idea of staring an all girl celtic-punk band so started to advertise the idea and soon enough the team of girls was ready. Having already played fiddle for French celtic-punk legends Celkilt she knew the scene and as soon as they hit the practise rooms something gelled. Taking their name from the not so friendly nickname the English give to French people they began to make waves in the celtic-punk scene almost straight away but the question everyone wanted to know was did the band deserve the hype and the answer listening to The Mermaid’s Tale is undoubtedly a resounding yes!

The EP begins with the instrumental ‘Scott Is Back’ and what a start to proceedings. The band consists of electric guitar, bass and drums and some almighty fiddle playing. The music sits nicely on the fence between celtic-rock and celtic-punk and many a time could fall into each within a single song and the standout here is that amazing fiddle playing though that’s not to say the rest of the band don’t play their part equally as well. The song begins with a Scottish feel to it I think because of the Scottish style drumming before a more traditional Irish sound comes in. The songs builds to a breakneck speed and ends with a fantastic flourish. There are a couple of bands in the scene that have female singers like Irish Moutarde and Brutus Daughter but most of the the ladies are confined to backing vocals or taking the lead on ‘Fairytale Of New York’! The band sing in English and ‘Criminal’s Heart’ is pure pop-punk heaven. Much more of a folk-punk number until near the end when the celtic fiddle kicks in and leads the song until the end.

Title track ‘The Mermaid’s Song’ is up next and there’s some blatant metal overtones here which remind me of all girl punk legends L7. Again the fiddle comes in well after the song has established itself showing that Toxic Frogs could easily get away with being just a run of the mill rock band as well. Again the fiddle brings the last curtain down on the last couple of minutes. We are in celtic-punk territory with ‘Toxic War’ and the girls go about their job with a frantic fast paced song with plenty of gang vocal “Hey, Hey” going on.

Last year Katie out of The Mahone put down her accordion for five minutes to record the now infamous ‘F*** You’ for the Hunger And The Fight Part Two album and now Toxic Frogs can add to that with their own ‘F**k You’. At just over six minutes long its a bit of an epic and begins with a slow and soaring guitar rock solo. Ella comes in with her vocals and the music lifts and then all of a sudden we back with the more trad Toxic Frogs sound. A great song that never drags and a brave song to record knowing that celtic-punk fans much prefer short n snappy songs …unless they are ballads and then you can go for as long as you like. Shades of grunge are back in ‘Go!’ with the chugging guitar and the EP ends with the majestic ‘Violins and Hammers for Ever’. Yeah they save the best for last in my humble opinion. Like I said just a few lines ago I am a absolute sucker for a well played ballad and here Toxic Frogs manage it in spades. A beautiful song where Ella’s voice on this EP never sounds better. The best way to bring the curtain down at the end of a celtic-punk record without a doubt.

So an excellent record and good enough for me to leave you in a minute to go and check out their back catalogue as well. Seven great songs that clock in at over thirty minutes so probably long enough for us to call it a album seeing as it is longer than a few other 2017 album’s. Their is talk from our fellow London celt’s Urbankelt about bringing Toxic Frogs over to play so hopefully that will come off as they deserve to be seen far and wide.

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EP REVIEW: BORN AGAIN HEATHENS- ‘Born Again Heathens’ (2017)

Celtic punk rock from Raleigh, NC bringing a swift kick in the pants to Celtic Music. Something different, something rude, something drunk, something crude!

Rocking away out of Raleighthe capital city of the state of North Carolina, Born Again Heathens play absolutely amazing kick-ass UK82 style punk rock with bagpipes. Born out of the ashes of the areas only celtic-rock band My Three Kilts the drummer and bassist from said band fancied something with a much heavier edge to it and so Born Again Heathens were delivered.

“Someone born into the world with no religion, who gets baptized as a child, learns about or experiments with other religions as an adult and then declares all region to be BS. This person may or may not still believe in a higher being”

Like most cities in the States the local Irish-American community is flourishing again after some rather lean years. The city boasts the popular Raleigh GAA Club which plays both football and hurling, a massive Irish festival, a branch of the Ancient Order of Hibernians, Irish dance and traditional music classes and enough Irish bars to give you blood poisoning if you attempted a pint in each one!

So it’s no surprise then that wherever you find the Irish community in America you will also find some top quality celtic punk bands and Born Again Heathens are one of the best I’ve heard of late. All the band are from Scots/Irish backgrounds like Andy the drummer whose Grandad came from the Shetland Islands. Now I do love my folk music and I love all kinds of celtic-punk from the more trad based to the hardcore versions, or you could say the Murphys to the Mollys even, but sometimes the folkier stuff just won’t cut it and your in the mood and need something to bang your head to. Well you can go ahead and place this EP in the latter section.

Kicking off with ‘Irish Goodbye’ it’s great old fashioned fast punk rock but just as you start to think what’s it doing in the celtic-punk section the pipes start up and you nod your head knowingly to yourself. That’s why. The pipes are played expertly as all the other instruments and the production here is quality too. Now a ‘Irish Goodbye’ is not something I knew much about before I saw it mentioned on an episode of The American Office. It means leaving a pub without saying goodbye. Now I’ve been known to do this myself but sadly without realising like the time I went to the toilet and came straight out the door and went home leaving my coat and bag behind me in the middle of winter!

Fast and furious with a real catchy feel to it with the bagpipes feeling really natural. This isn’t just a punk band with a bagpiper this is a band where the pipes are an integral part of what Born Again Heathens are doing. We are in for more of the same with ‘McIntyre’s Lament’ and the headbanging continues. More tales of the pub and a mate who can’t hold his drink. Even room for some fecking great metal guitar! ‘Wild In The Streets’ comes with a really well produced video and the songs sounds pretty damn good too. Most celtic-punk bands liken themselves to some sort of cross between The Clash and The Dubliners but here we have something a bit more different. Imagine if you would a hybrid of Manchester punk/Oi! trailblazers Blitz and Scots folk legends Silly Wizard and you’ll be much nearer the mark.

The vocals are sung in a sort of English accent which makes the Blitz comparison even more true. ‘Brass Tacks’ is the most traditional folk sounding song here. The pipes are pushed to the fore and lead the band along. I have rarely heard piping as good as this in celtic-punk and in ‘All My Friends Are Drunks’ the longest song here the Bhoys really get to drop the hammer. An absolutely superb song with influences washing in from metal and southern rock with chugging guitars and them wonderful pipes. The longer song really gives the band a chance to get into it and was I thought as good as it could get here till the even better ‘Stagger Alley’ came waltzing into my lugholes. Proving they aren’t just a two dimensional band they give us, for me anyway, the album standout. The catchiest of catchy choruses helps of course! The EP comes to an end with another great song ‘Sadie Hawkins Slam Dance’. In the states a ‘Sadie Hawkins’ dance is where a woman asks the man to dance with her, instead of the traditional way of man asking the woman. I found a hilarious explanation of the origins of the dance here.  This could become the Born Again Heathens anthem I think.

So there you are. Seven songs that fly past at breakneck speed in just twenty three minutes. I think any longer and we, the listener, may not make it through! I been listening to a lot of folk music recently and after playing this two dozen times I’ve decided its time to dig out the punk music again. Seven songs written by the Born Again Heathens that have plenty of scope and influences from outside celtic-punk that only add to the sound. They are starting to make a name for themselves outside of North Carolina and they certainly deserve to if they can keep songs like these coming. Now wheres that album Bhoys?

Born Again Heathens left to right: Scott Ervin- bass,vocals * Mōg- bagpipes, whistles, vocals * Bryan Swinson- guitar, vocals * Andy Pacheco- drums, vocals

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North Carolinian’s pride themselves on their knowledge of the history and culture of ‘North Cackalacky’ but when it comes to this unusual nickname no one seems to know where in the world it came from!

EP REVIEW: UNION BLOOD- ‘Working Class Pride’ (2017)

From the land of pipes and drunx comes this new EP of streetpunk and Oi! from Galician band Union Blood.

union-blood-ep
Bit of a departure for London Celtic Punks with this EP from the newly formed Street punk band Union Blood. Formed last Summer in A Coruña in Galicia now that city may ring a bell for celtic-punk fans as it is the home town of famous celtic celtic-punk band Bastards On Parades. As it goes Union Blood began last year as a side project but as Bastards On Parade announced on their Facebook page
“Hey! We wanted to let you all know that we are taking a break for a while. Different circumstances don’t let us keep the rhythm of traveling and tours we used to, so we will wait for the right time to come back as this band deserves.
See you soon you bastards!! Cheers”
Now Bastards On Parade, who took their name from the Dropkick Murphys song and played with them numerous times, worked their collective arses off over the years with their touring and even washed up over here a couple of times including a short and not particularly well organised tour (by us!) with The Lagan. So they are deserving of a break but what has stepped into the breach in the meantime you ask? Well what we have here is Union Blood’s first release and it has all the influences of Oi! bands past and present that you would expect flowing through it. Now I never been a skinhead but use to be a big fan of Oi! and one of the things about Oi! is that it was/is the British sound that completely dominates. Bands like The 4-Skins, Cock Sparrer and the Rejects seem to influence every band no matter where they come from and Union Blood are no different.

from left to right: Ruper, Arenga, Dopi, David

The EP begins with ‘Working Class Pride’ and its straight forward skinhead rock with David’s welcome, and familiar, voice rasping his way through a fast and catchy as hell number about having pride in your background. In a world where the working classes are hated by the elites (to be fair they always have been) for not voting the way they are told or being coarse or unruly and for simply not doing as we are told we only have each other. With the left around the world hellbent on destroying itself by the adoption of lunatic and poisonous identity politics a new left is needed that in the words of someone who should know is a new left that is
“from the class, for the class, of the class”

‘Reckless And Bones’ is up next and the chugging guitars are still evident but also the catchy gang chorus and “whoa whoa” too. Traces of Bastards On Parade here and with a piper in there we would be away!
The best song on the EP for me is the anti-fascist anthem ‘Blood On The Streets’ and cor blimey guv’nor it is a cracker. I won’t stray in cockney rhyming slang I promise but this song is an almighty foot tapper and fist shaker. Slightly slower and a lot heavier than previous tracks but by God it’s a class song.

The EP ends with the song ‘Brawlers’ which is another great song and dedicated to the Bhoys football team Deportivo de La Coruña. So there you have it songs about brotherhood, football, drinking and fighting the good fight. All played in such a way that if you were a fan of Bastards On Parade you would love this too. Great songs with interesting and well thought out lyrics and, most importantly of all, extremely good and catchy songs!
(you can have a listen to the EP below but only two songs feature so to get the whole four tracks you will have to buy the vinyl single)
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Download- FromTheBand (First two track)  For Vinyl- USA: CrowdControlMedia  Europe: Oi!-Punk  Spain/France: CROM Records
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EP REVIEW: AND THE WASTERS- ‘State Of Repair’ (2017)

Will Tun And The Wasters carry on exactly where they left off except without Will Tun and with kind of a new name but still with plenty of that explosive folk’n’punk’n’ska rebel rocking they are renowned for!

and-the-wasters

We first heard of Will Tun And The Wasters a good few years back when I got a call out of the blue from someone begging me to let their band support The Dreadnoughts and The Lagan at Mannions in north London. They would even do it for free they were so desperate. Music to any music promoters ears so they were booked straight away. They arrived at the venue from universities from right across England and played a blinder, going down an absolute storm. Very young and enthusiastic, their energy was infectious as well as their music bringing with them equal doses of folk, celtic, punk and ska. Fast forward a few years and now mostly settled in Bristol they had become firm festival favourites as well as gigging and touring the length and breadth of these islands. Then all of a sudden vocalist Will Tun announced he was off. Nothing personal but it was time to get a proper job or something. Rather than agonise over what to call themselves they just dropped Will from their name and decided to just call themselves And The Wasters. I love it and think its genius!

atw-1

Last year And The Wasters played the main stages at popular English festivals such as Bearded Theory and Boomtown Fair and also completed an extensive tour of Europe. Adding elements of Latin, dub and even jazz to their usual brand of folk, punk and ska played with accordion, trumpet and fiddle. So after a year of playing as And The Wasters this new 5 track E.P State of Repair is their first release post-Will Tun and stands up well next to their album release from September, 2015 The Anachronist’s Cookbook which came out not long before Will’s decision to leave the band.

The EP kick’s off with ‘Lions Share’ and this is proper what we use to call festival music. Catchy ska based music but with hints of something a bit more aggressive below. The trumpet is leading the way and the band gel fantastically well and it’s a grand start to proceedings. Jo’s accordion rears its head towards the end and if we thought they would be hampered by Will’s absence then we were wrong. Next is ‘Small Victories and it’s more of the same. Still catchy and music to get you on your feet.

They may have left their more overt celtic-punk/ folk-punk sound behind but it’s back with a vengeance on the re-cycling anthem ‘Reduce, Reuse, Rebel’ all being it smothered in a rather lovely ska beat with again some great trumpet playing. ‘Bound as One’ adds Balkan folk into the mixture and stirs it about. This band sure do catchy well before the EP wraps up with the slow ‘Intro Dub’. None of the rowdiness of before bit more of a head nodder this one!

The past few years have seen the band taking their feel good music out beyond the usual safe spaces bands normally go. This band would literally play anywhere they can so attached are they to the idea of DIY music. The idea that bands can do it all themselves without the need for managers, publicists or record deals. But don’t be thinking they are just some happy-go-lucky ska-punk band version of The Wurzels though. Their music is only matched by what they have to say. That attachment to DIY only echos their positive message of solidarity, friendship and collective action. The band live by their message and their beliefs, being active within the DIY music scene and by lending support to various good causes.

(have a listen to State Of Repair before downloading it for *FREE* below)

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HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE O’NEILLS- ‘Chapter One’ (2017)

ireland-hungarySo welcome to you to our third and final part of Hungarian Celtic Punk Week. After two fantastic celtic-punk bands in The Crazy Rogues and Firkin we calm it down a little with The O’Neills and their debut EP. We can be quite parochial in celtic-punk sometimes and tend to stick to bands we know or have heard of but there’s an absolute wealth of music out there begging to be heard and some of it may be from countries you wouldn’t expect. If the only thing this blog does is gain some of these bands a tiny bit of recognition then we are succeeding in what we set out to do. Leave your misconceptions at the door and take off your pub shoes and dip your toes into the celtic-punk scene worldwide and what better place to start off in than Hungary!

chapter-one-album-cover

The O’Neills formed in April, 2013 and hail from the Hungarian capital city of Budapest. Where as the first two bands we featured this week both play celtic-punk that sees the folk and punk in equal measures The O’Neills are much more of a Irish folk band in the traditional sense. Formed for a one off occasion The O’Neills success led them to be asked to perform on the Irish Stage of the Sziget Festival some months later. The huge impact gave the five-piece group the bit of push they needed to become th regular session band playing traditional acoustic Irish music at Jack Doyle’s Irish Pub. After two years, they tried different pubs and bars in the inner city of Budapest, changing their gigs to an unique show each time. By January 2017 it had led them to become one of the most sought after bands in Budapest and they recorded this debut EP at the Artist Factory studio. As its title they chose ‘Chapter One’ with the band planning to release subsequent chapters annually. Here we get as Chapter One three songs of excellently played music that perfectly evokes the spirit of Ireland.

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The EP begins with the Irish rebel song ‘Down By The Glenside’ and is beautifully sung by Krisztina. One of the best known and also saddest of the Irish folk song repertoire it dates back to the time of the 1916 Easter Rising. Written by Peadar Kearney, an Irish Republican and composer who also wrote numerous other rebel songs, including ‘The Soldier’s Song’ (‘Amhrán na bhFiann), which would go on to become the Irish National Anthem. Kearney was a member of the Irish Republican Brotherhood, popularly known as the Feniansand the song stands as a call to arms for a generation of Irish people who were used to only political nationalism.

“Some died by the glenside, some died mid the stranger
And wise men have told us their cause was a failure
But they stood by old Ireland and never feared danger
Glory o glory o to the Bold Fenian Men”

The O’Neills version starts slow and maudlin. Just as it should be before speeding up with military style drumming and tin whistle. Never in a thousand years would you guess that this wasn’t an Irish band! The EP dips into more poppy territory with ‘Avicii’ next. The song is a mash-up of three of the house DJ Avicii’s three biggest hits done in a folk style. Again Krisztina’s voice is prominent, and why not when its this good, with the bands instruments wrapped around it. The song is mid-paced and is a catchy as hell foot tapper. Later on Dániel joins in on vocals and is the perfect foil for Krisztina.

“One day my father—he told me,
“Son, don’t let it slip away”
He took me in his arms, I heard him say,
“When you get older
Your wild life will live for younger days
Think of me if ever you’re afraid.”
He said, “One day you’ll leave this world behind
So live a life you will remember”

The EP ends with ‘Country Medley’ and is exactly what it says on the bottle. A compilation of Irished up excerpts of country (ish) classics. Daniel leads the bands on vocals with what must be a sure fire live favourite proving that these Bhoys and Ghirls can certainly play their instruments.

oneills-band

The O’Neills from left to right: Tamás Kaposvári- Cello * Dániel Fekete-Szűcs- Acoustic Guitar, Vocals * Krisztina Hajdu- Vocals * Sophia Lajgút- Fiddle * Júlia Seres- Flutes

All over and done and dusted in just over ten minutes its a great first chapter and though it may not appeal to all celtic punk fans I’m sure there’s plenty out there willing to give a band from the more folkier side of things a chance.

( you can hear the whole of Chapter One below on You Tube)

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So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: FIRKIN- ‘Into The Night’ (2017)

Our Hungarian Celtic Punk week continues with the second of our three reviews and this time it stars the wonderful Firkin. As they say on their press “Firkin should not be seen, Firkin must be experienced! Firkin is good, firkin’ good!” and for once when talking about European celtic punk I can agree! For the final installment check back in a couple of days.

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Well here’s the second part of our Hungarian triple header. An EP released by one of the more prominent and internationally well known of the Hungarian celtic-punk bands. Firkin’s appeal doesn’t just stop with celtic-punk fans and they are one of the biggest bands in Hungary full stop and these days quite a draw across Europe too. Formed in 2008 in the Hungarian capital of Budapest they have released a bunch of albums and toured numerous times including playing an absolutely stunning one-off show in London on New Years Eve 2015. The gig drew in equal numbers of Hungarian ex-pats and London celtic punks that raised the bloody roof off the Dublin Castle! Certainly if putting in the hard work gets you the glory then Firkin have been working overtime to get the attention they deserve. Their original vocalist Barna left since recording their last album, which we reviewed here, but new singer Andy has stepped ably into his shoes and Firkin have carried on without pause or even catching breath!

firkin-band

Into The Night starts off with the title song ‘Into the Night’ and you can spot from the very off the different approach Firkin have to celtic-punk than The Crazy Rogues, who we reviewed the other day here. A far heavier sound erupts from the speakers and they manage to have both a trad Irish and punk sound going on at the same time. Their are some similarities though. The fiddle leads the way and also flute which is used a lot here to great effect. One of my favourite memories of that London NYE gig was PJ’s playing. You just couldn’t take your eyes off him so amazing was he to watch. For an instrument that sounds so Irish it does surprise me that not more bands use in it the scene especially when you hear bands like Firkin utilising it so well. Andy also sings in English and has a very strong and clear voice and again there is a very clear story telling way of writing song lyrics going on here. If they get off to a storming start to the EP they follow it up with the more Irish trad folk based ‘Flowers’. A beautiful song that shows Andy’s voice can easily manage both the folk and punk side to Firkin. Hey I tells you if your mammy wouldn’t like this this song then she got no taste! A song that swirls around Andy’s voice which is used another instrument alongside the flute here. Originally known as ‘The Flower of Magherally’ it has been recorded in the past mainly by the Irish trad community so was unknown to me but what a bloody good version this is I straight away thought.

We have a much more widely known cover up next with ‘Johnny I Hardly Knew Ye’. Mainly famous in these circles I would have thought for the Dropkick Murphys recording that Firkin stick fairly close to. A fast paced punky song with shouty chorus and fiddle lead. First published in 1867 and written by Joseph B. Geoghegan it remained popular in Britain and Ireland and the United States into the early years of the 20th century but it was when it was recorded by The Clancy Brothers & Tommy Makem in 1961 that lead to a renewal of its popularity. An anti-war song that was used to great effect to stop Irishmen joining the British Army the story tells of an Irish woman who bumps into her former lover near Athy, Co. Kildare, Ireland. He is badly disfigured, losing his legs, his arms, his eyes and his nose and is now begging. The woman though is happy to see him and the implication is that she looks after him so for once a happy ending in an Irish song! The EP comes to an end with a bonus song that I have heard before. ‘Focimese’ was the song that Firkin wrote for the European Football Championship last year to support the Hungarian football team. It’s a rollicking great tune with plenty “La, La, La, La La’s” to keep the fans happy and a chugging guitar that accompanies the fiddle. A song that inspired the team to top their initial group before sadly losing to Belgium 4-0 in the Round Of 16. Four great tunes that show exactly why Firkin are so sought after across Europe. A absolutely perfect mix of Irish and punk rock with a real story telling way to them and on top of that a really good live show as well.

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So all in all our Hungarian celtic-punk week gets another thumbs up. Don’t forget to check back in a couple of days for our final installment. If you are interested in finding out more about the great celtic-punk scene in Hungary (and you better be) the best place to visit is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here.

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE CRAZY ROGUES- ‘Rebels’ Shanties’ (2017)

ireland-hungaryAnyone remember 2015? That was the year of the Hungarian celtic-punk record. A whole host of bands coming together in a perfect storm and absolutely completely dominating the scene that year. Loch Nesz, The Jolly Jackers, The Crazy Rogues, The Scarlet, Firkin and Paddy And The Rats all featured in the London Celtic Punks end of year ‘Best Of 2015’ charts and all received glowing critical praise galore. What quite happened to them all last year is a mystery but the Hungarian celtic-punks are back with a fecking bang! So for one week we are running a Hungarian celtic-punk special. Three reviews in seven days from three amazing EP’s from three equally amazing bands who all have completely different styles of celtic-punk.

crazyroguesepThe Crazy Rogues are from Veszprém in mid-Hungary and were formed in 2014 making them among the earliest of the second wave of Hungarian celtic-punk bands.With two EP’s behind them, one of Demo versions and another called Chapter 1 which we reviewed back in 2015 here giving it a massive thumbs up. They have named their style as ‘Rogue ‘N’ Roll’ taking in elements of punk, country and bluegrass as well as Irish and Celtic. The EP begins with ‘And Then the Sky Fell’ and its fast fiddle led celtic-punk with good ole’ fashioned punk rock drumming and punk rock guitar playing in the background at times pushing the fiddle forward. ‘Fleet’ is up next and is a bit more traditional celtic-punk of the Flogging Molly kind. One of the things I liked on The Crazy Rogues previous releases is how they can switch from their folkier side to their more punky side with ease. They slow it down next with the sad tale of ‘The Sad Leprechaun’. A leprachaun is a mischievous mythical creature that roams the Irish countryside playing tricks on humans. Many though think they are real, including my Grandparents! Again the fiddle is the lead here and Verrasztó’s vocals are suitably angsty as he tells us of the life of these solitary creatures. The flute appears here and like a lot of Hungarian bands in particular it’s used to good measure.

They speed it up next with the fast paced punky song ‘Mutineers (must DIE)’ and though it does seem funny to call something a ‘traditional punk rock’ song this is it! Shouty gang choruses and fast guitar and then all of the sudden banjo pops up and we get a short blast of each band members individual talents before it ends. Short and sweet and snappy as hell and then we drift into ‘Silver Hair’ which reminds me of the sort of bluesy country folk that Shane MacGowan and The Popes were so f’ing brilliant. Superb mandolin here from Fellegi and I have to say that the mando and the banjo have been a bit low in the mix thus far so great to hear it dominate on this track. Well that is until right out the blue it suddenly switches to a ska song and the song ends with an absolute flourish with electric guitar helping it speed to a finish. The absolute standout track here for me. Can’t tell you how much I enjoyed this song! The EP ends with the song ‘Rebellion’ and is a tribute to the Easter Rising of 1916 when a small band of Irishmen and woman declared war on the British Empire. They took over several important buildings in Dublin and held them for a week against far superior British forces and many died during that week until the rebels were forced to surrender. The British executed the leaders of the rebellion and this led to a wave of sympathy which would eventually lead to full scale war across Ireland that would in the end see freedom for the 3/4’s of the country. Verrasztó’s voice is clear and loud and stamps out where The Crazy Rogues stand. A perfect celtic-punk tune with everything that makes celtic-punk great. Story based lyrics with a solid punk rock base embellished with Irish instruments especially the fiddle again. Songs to get you both thinking and dancing is what celtic-punk is all about!

crazy

So six Crazy Rogues composed songs that clock in at a very healthy twenty-five minutes and not a single sign of a cover version. All sang in English with a multitude of musical styles thrown into the celtic-punk mix and with very thoughtful lyrics about a multitude of subjects that are very easy to understand. Rebel’s Shanties is an excellent EP and The Crazy Rogues continue to forge ahead to make a name for themselves in celtic-punk circles. Like both their previous releases Rebel’s Shanties is available for ‘Name Your Price’ download which basically means pay nothing if you got nothing and a couple of pounds (or more) if you got a couple of pounds. This EP is certainly worthy of it.

(listen to the Rebel Shantie’s EP for free by pressing play on the player below)

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So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

EP REVIEW: IN FOR A PENNY- ‘Every Day Should be Saint Paddy’s Day’ (2016)

Rowdy Irish folk punk from Tybee Island, Georgia in the southeastern United States
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The first Irish may have rowed ashore in Savannah (Georgia’s largest city) way way back in 1734 but it has taken over 280 years for an Irish band to pop up. Fortunately the wait was worth it. There’s a rich and deeply held Irish-American heritage in the Savannah with the area holding one of the oldest, and second largest in the world!, St Patrick’s Day celebrations but until 2014 it was nigh on impossible to find some local rowdy live Irish music… that was until In For A Penny came around. 

savannah-irishThe original Irish that arrived in Georgia were descendants of the Calvinist Scots who had been planted in Ulster in the 1600’s. These Irish made their living trading, trapping and soldiering. They included Sergeant William Jasper who was mortally wounded leading the charge to retake Savannah from the British in 1779 but the main chapter in local Irish history began in the 1830’s like it did with so many other Irish towns across America. With the arrival of the railway the owners needed a plentiful supply of workers willing to do the back breaking hard labour required, and that is where the Irish came in. According to ‘Irish History in Savannah, Georgia’ here

“The story goes that Irish were employed on the railroad because, unlike slaves, their bodies had no commercial value and could be worked to exhaustion with impunity. A second wave of Irish immigration followed two decades later when the ‘potato famine’ in the old country forced many to seek new shores.”

savannah-irish-festThese Irish on arrival suffered prejudice and discrimination but it was that willingness to do the dirty, dangerous and low-paid work that made them important to Savannah’s economy. As in other parts of America the Irish soon realised the best way to raise their collective lot was with political clout and they soon became, and remain still, major players in Savannah society.

Sean McNally only began playing the mandolin in 2014 after taking a few years away from the music scene but a few open mic performances and a regular solo spot which was dubbed ‘Monday Mandolin Mayhem’ and after responding to an audience request to play the Dropkick Murphys Sean realised something. If he can get such a great audience reaction to a stripped down cover song on just mando and vocals the next step was to form a band. Gathering around him old friends in Henny ‘da butcha’ on drums and Jeremy Riddle on guitar and like a celtic-punk Van Halen the last member of the band is Sean’s son Bryce on bass.

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This is In For A Penny’s second release after last years debut album, The Guardian Angel Sessions. We missed that but the good folk at Celtic Folk Punk And More never miss anything so you can read their review of that here. This EP follows pretty much the same route as the album with a handful of Irish standards butting up against a handful of self -penned songs. Needless to say I much prefer their own songs though there is nothing like a song like ‘The Rare Auld Mountain Dew’ to get the blood pumping and the ales flowing. In For A Penny have that age old problem for Irish/Celtic-punk bands. They could quite easily just keep singing the standards and the bookings would still roll in and they would keep everyone happy but every musician must have the urge to get some of their own material out and when it’s as good as In For A Penny’s then I’m afraid it is a necessity!

in-for-a-penny-skullOn Every Day Should Be Saint Paddy’s Day you get five tracks, two covers and three originals that clock in at a very healthy sixteen minutes. Its basically a collection of drinking songs with a shed load of energy all done with enough of their own approach to stand it out. The EP begins with ‘The Rare Auld Mountain Dew’ which was around for years before The Pogues and The Dubliners collaborated back in 1987 for a Top Ten hit in Britain and re-introduced it to future generations. Dating from 1882 it has become fairly popular but you’ll not hear a pumped up version like this one too often. Sean has a real strong voice that suits the style of the band completely and errs more towards to the Drew/MacGowan style of singing than the O’Donnells! Another original Whiskey in Heaven’ is up next and Sean introduces the song to his Dad and Bryce’s Grandad who sadly passed away last year. He must be well proud sitting up there with a Jameson’s in hand looking down.

“I’m not ready to go / I’m having too much fun, I’m having too much fun / When it’s my time to go /I hope there’s whiskey in heaven”
The last time he saw the band play they played ‘Whiskey In Heaven’ so seems apt to dedicate this to him. Great songwriting and  I recently heard the phrase (from a non-Irish person) about drinking songs and “racial stereotyping”. Well I can think of no better words to reply than what a load of fecking bollocks. The Irish drink. Obviously not all but it is part of our culture and if you don’t get it then keep your opinions to yourself rather than try and score points off the celtic-punk scene.
(here’s a live version with the sound quite low so get it turned up!)

Another original up next which was the first release from the EP. ‘Stumblin’ Home’ is the standout for me here with a seriously great singalong chorus and the addition of some great fiddle from one of the bands mates. You need to get this fella signed up Sean. It’s the slowest of the songs so far, or so it seems, but Sean’s vocals keep the energy right up there.

The band released the class video for ‘Stumblin’ Home’ above, which was filmed over the course of two days at various pubs, Sean’s flat and on their home streets of Tybee Island, Georgia. Have a watch and tell me you not been there too… Love the tricolour and The Rumjacks t-shirt by the way Sean!
in-for-a-pennyNext up is the bhoys St Patrick’s Day anthem ‘Every Day Should Be Saint Paddy’s Day’ and you can breathe a sigh of relief as these guys know full on well it’s not St Patty’s! Now can you just tell the rest of America for us. A bit of tin whistle comes in here and adds to the sound and as anthems go its a good ‘un. We’d all love it to be true but our livers would disagree but whens the last time we gave them a word edgeways. A great riproaring trek through Irish-America’s good and bad bits about our patron Saints feast day in which they reveal the major reason they think ‘Every Day Should Be Saint Paddy’s Day’ is that they would never be short of a place to play! The EP comes to an end with the other standout for me. ‘The Parting Glass’ was made famous by The Clancy Brothers and is the perfect way to end any record. Sean plays mandolin and sings along and I don’t know why but I find it absolutely brilliant. We all have our own reasons to like this song and usually it’s to do with someone close to us and I’m no different. Sean’s reigns in the energy and instead lets emotion come out and his hoarse raspy vocals do indeed do the song perfect justice.
If I was local to these boys then I just know we would be great mates and no doubt great drinking buddies too. In For A Penny are not pretending to be anything they’re not it’s just good old fashioned Irish music with an injection of punk rock spirit that will keep the flames alive for the next generation of Irish down Savannah way.
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LONDON CELTIC PUNKS PRESENTS THE BEST OF 2016!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

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TOP 25 CELTIC PUNK ALBUMS

1. THE RUMJACKS (Australia)-‘Sleepin’Rough’  Review

2. THE NARROWBACKS (New York)- ‘Arrogance & Ignorance’  Review

3. THE CLOVES AND THE TOBACCO (Indonesia)- ‘Across The Horizon’  Review

4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’  Review

5. THE WAKES (Glasgow)- ‘Venceremos!’  Review 

Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.

6. THE CLAN (Italy)- ‘All In The Name Of Folk’  Review

7. HOIST THE COLORS (USA)- ‘Mourners’  Review

8. SIR REG (Sweden)- ‘Modern Day Disgrace’  Review

9. FOX n FIRKIN (Australia)- ‘No Vacancy’  Review

10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’  Review

11. LUGH (Brazil)- ‘Histórias Do Mar’  Review

12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’  Review

13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’  Review

14. SIGELPA (Catalonia)- ‘Rabant Original’  Review

15. TENHOLES (Indonesia)- ‘Loyalty’  Review

16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’  Review

17. 13KRAUSS (Spain)- TheEnd Is Nigh’  Review

18. DRINK HUNTERS (Catalonia)- ‘Shameless’  Review

19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’  Review

20. THE MUCKERS (USA)- ‘The Muckers’  Review

21. LQR (Netherlands)- ’10 Pinter’  Review

22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’  Review

23. Всё CRAZY (Belarus)- ‘По Морям’  Review

24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’  Review

25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’  Review

A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!

TOP TEN CELTIC PUNK EP’S

1. MICK O’TOOLE (England)- ‘A Working Class Battalion’  Review

2. THE RAMSHACKLE ARMY (Australia)- ‘Whitewashed Graves’  Review

3. DRUNKEN FAIRY TALES (Russia) – ‘Пьяные Сказки’  Review

With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.

4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’  Review

5. MICK O’TOOLE (England)- ‘False Flag Collapse’  Review

6. BAY STREET BASTARDS (Canada)- ‘Small Batch’  Review

7. LEXINGTON FIELD (USA)- ‘Redwood’  Review

8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’  Review

9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’  Review

10.  BALSALL HEATHENS (England)- ‘Life’s Too Short’  Review

TOP TEN FOLK/TRADITIONAL RELEASES

1. ANTO MORRA (London)-’16’  Review

2. THE LOGUES (Ireland)- ‘Comin’ Of Age’  Review

3. MICKEY RICKSHAW (Boston)- ‘Wild Atlantic’  Review

Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.

4. ShamRocks (Ukraine)- ‘Captain’s Log’  Review

5. LARKIN (USA)- ‘A Toast To St. Jude’  Review

6. FOLK THE SYSTEM (England)- Unrest In The Wolds’  Review

7. SHAMBOLICS (Australia)- ‘Riot On Race Day’  Review

8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’  Review

9. SOLAS (USA)- ‘All These Years’  Review

10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’  Review

TOP CELTIC PUNK WEB-SITE

Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.

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Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.

We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

PADDYROCK

MacSLONS IRISH RADIO

CELTIC-ROCK.DE

remember any views or comments we would love to hear them…

Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.

“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”

Read our obituary for Erik here and raise a glass the next time you get the chance to.

 Rest In Peace comrade.

 Sláinte, The London Celtic Punks Crew- January, 2017

SHIPPING UP TO LONDON! MICKEY RICKSHAW ON TOUR. 7th-9th JANUARY IN LONDON

Heading to these shores for the first time ever in January 2017. Ten days and counting! These awesome Boston celtic-punkers are coming to London, Kingston and Woking as part of their European tour.

We need your help in spreading the news of these gigs to anyone you know. Join the Events on Facebook and share and invite your mates. We know it’s hard trying to get people to watch relatively unknown bands but with your help lets make this tour a success for the Boston Bhoys!

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Well well well we all know that The Dropkick Murphys can’t go on for ever and with Boston’s place secured in celtic-punk folklore then who then will take on their mantle when they have retired to the great celtic-punk in the sky? Well I know a band that is more than capable and are ready and waiting in the wings to take over. That band are fellow Bostonians Mickey Rickshaw. A team of young fired up, blue collar, Irish Americans in touch with both their working class American lives and their roots back in the auld country. With Boston’s revered place in the history of punk, especially of the hardcore variety, and its massive, and vocal, Irish population its only natural that celtic-punk should have caught on so well among the Boston Irish community like nowhere else. Traditional celtic folk and punk rock aggression equals the 100% perfect sound for the Boston Irish and if the Murphys invented celtic-punk post Pogues then they have done their job well to hand the baton on to bands like Mickey Rickshaw that will take the sound on for the next generation.

With an Demo EP behind them from 2013, 16 Down and Back Again, it was their critically successful album, No Heaven For Heroes, from last year that saw Mickey Rickshaw’s name explode onto the celtic-punk scene with universal great reviews and plaudits heaped upon them from all corners of the globe. Reaching the top echelons of all the major celtic-punk Best Of lists, including #9 in the London Celtic Punks Top Twenty Of 2015 here.

So this brings onto that new album,  Behind The Eight Ball, again Mickey Rickshaw have hit the jackpot. Eleven tracks of blistering celtic-punk rock that I can’t honestly imagine anyone from yer finger in the ear folkie to yer crustie auld punk not loving the hell out of it. Whizzing past at you at just under half an hour it’s a frenetic sprint to the finish and bar a couple of moments is fast as hell celtic punk rock to be mentioned in the same breath as the Dropkick Murphys so good is this album. Celtic Folk Punk And More web site seem to have already crowned it album of the year here!

And so it is that Wild Atlantic lands across our desk. Indeed the Bhoys from Mickey Rickshaw will be crossing the said ‘wild’Atlantic’ very shortly and bringing their original and brand of celtic-punk to several cities across Europe during January 2016. With four songs, two taken from No Heaven for Heroes, one from Behind The Eight Ball and a new track all done in the stripped down acoustic style they shall be touring with it certainly loses none of its power by being acoustic and if anything proves the old adage right about you know a band is loud when they out punk an electric band with a banjo and a accordion! It’s available for free download at the link below but be warned. Once listened to you will not want to miss their gig/s I can guarantee it!!

MICKEY RICKSHAW TOUR 2017

rickshaw-stagsheadSaturday 7th January 2017 Opening night of the tour at The Stags Head, 55 Orsman Rd, Hoxton, London N1 5RA. Local bus routes include 149, 242, 243, 67. The pub borders Hoxton, Shoreditch, Dalston and Islington. 7-30pm start and admission is £5. Supports from Hastings folk-punkers MATILDA’S SCOUNDRELS, local female fronted Anarcho’s REFUSE/ALL, that man again COMRADE X and GREENFORD BHOY- DJ  Venue here Facebook event here

lcp-kingstonSunday 8th January 2017 at The Cricketers, 20 Fairfield South, Kingston upon Thames KT1 2UL. An absolutely fantastic venue that is only ten minutes walk from the rail station and the music venue is upstairs. Support comes from MATILDA’S SCOUNDRELS, post-punk band with a Celtic twist PHOENIX CHROI, a solo set from BRENDAN O’PREY from local celtic-punk legends The Lagan and GREENFORD BHOY- DJ. It’s a 7-30pm start and admission is just a paltry fiver. Venue here Facebook event here

lcp-wokingMonday 9th January 2016 at The Phoenix Cultural Centre, 27 Goldsworth Road, Woking, Surrey, GU21 6JT. Just a very short walk from Woking bus and rail stations. Come and say goodbye to the Bhoys and send them on their way to Europe with a smile in their hearts and with raging hangover’s! No bar in the centre only tea and coffee. Only joking it’s BYOB. Yes that’s right it’s BRING YOUR OWN BOOZE… and on a school night too! Support from COMRADE X and one more to be confirmed as well as GREENFORD BHOY- DJ. Live music from 7-30 until 10-30pm and admission is £4. Venue here Facebook Event here

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2016 REVIEWS ROUND-UP PART TWO. KORRIGAN’S CELTIC ROCK, MICK FLANNERY, ACROSS THE BORDER, TENHOLES, THE RAMSHACKLE ARMY, KING OF THE TRAVELLERS

Every year we have been doing this has got better and better for celtic-punk releases. As happy as we are that this is so it also means that we just cannot keep up with everything out there. We haven’t had the chance to review everything we received or heard so here is Part 2 of our 2016 Round Up where we catch up with some of the releases that we missed first time round. Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but it has been impossible to keep up so here’s a few quick ones just to catch up and get 2016 out of the way. Each and every one are worthy of your time so go ahead and check them out. Last week we featured releases from the America’s (here) so this time we will try to fit in the entire rest of the world taking in Ireland, Indonesia, Germany, France and good auld Australia!

KORRIGAN’S CELTIC ROCK- ‘Tournée Générale!’ EP  (Bandcamp)

korrigansThere is quite a strong and vibrant celtic-punk scene happening in France at the moment and by France I mean France and not Brittany which as you should know is a completely different country! One of these bands are Korrigan’s Celtic Rock who were formed in 2007 in Franche-Comté in eastern France and released their debut EP, Tournée Générale!, earlier this year. They take their name from the mythical creatures who were opposed to Christianity when the Apostles came to convert Brittany. The EP kicks off with a rocking start with tin whistle that AC/DC would be proud of. Next up is ‘Hypocrisie’ with more of a ska beat and the bombarde is introduced. I love the sound of this instrument and will be familiar to fans of the Breton legends Les Ramoneurs De Menhirs. They add bagpipes too into ‘Putain De…’  and this is my favourite track of the EP. The title track ends the EP and is straight up celtic-punk rock. A quarter of a hour well spent. These guys cover all the angles and we are destined to hear much more from them in 2017.

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MICK FLANNERY- ‘I Own You’ LP (iTunes  TowerRecords)

mick-flannery-2016Mick Flannery comes from county Cork in the south of Ireland and funnily enough the artist he reminds me of the most is also from Cork, Cathal Coughlan of the excellent Microdisney/Fatima Mansions. This is Mick’s fifth album and the first I’ve heard properly. There may not be much here for the traditional celtic-punk fan except that if you love good music then you will also love this. From what I have read this album is much darker than his previous releases and the excellent Tom Wait-esque title track is based on the idea of class inequality and told as a poor man breaking into a rich man’s house. Dark and foreboding and downright bloody brilliant!

Thought you heard something on the way home, was that a rustle, was that my belly rumblin?”

Elements of rap and dance music alongside the dark folk and even darker pop here and the songwriting is compelling and worthy of hearing just on it’s own. On ‘Cameo’ Mick’s famous introspection comes out.

But if I’m so happy/ why do I lie awake at night?/ Why am I angry all the time?”

Though often found with an electric guitar its still very much based on folk melodies and the comparison to Bob Dylan and his change to electric guitar himself is not so odd.

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ACROSS THE BORDER- ‘Calling 999’ EP  (Bandcamp)
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Formed in Remchingen in the South of Germany not far from the French border Calling 999 is their first release since they reformed having split up back in 2012 having been together since 1991! It sure is good to have them back as on the basis of this EP they right are back on form. With a stack of LP’s and EP’s behind them this stands up there with the best of them. A mainly accordion led band, very popular in their home country, this EP begins with the title track and its catchy punk folk throughout with distinctive vocals from Jochen with the lyrics sung in English. ‘Rob, The Man’ is a hilarious romp showing a good sense of humour with a good auld Irish twist with plenty of fiddle this time. The EP ends with the sad but lovely ‘Sometimes’ and your nine minutes is up with a real Tom Waits-esque bar-room ballad accompanied with piano and accordion. This is the song it would be worth getting your lighter out for! A great release but far too short. We want more!
TENHOLES- ‘Loyalty’  (Juno)
tenholesFormed in 2004 in the Indonesian capital of Jakarta Tenholes are a working class Oi! band with celtic music influences. Loyalty is their second album and their best yet. ten songs and thirty-five minutes of punk rock’n’roll from the streets that reminds me of those first couple of Flatfoot 56 albums for energy. An absolute stunner of an album. Great production and comes bursting out the speakers at you from Track One. We have featured Indonesian bands several times before when we reviewed Dirty Glass (here), the great Indonesian celtic-punk compilation Wind From The Foreign Land (here) and the review of The Cloves And The Tobacco last album (here) so go there to find out more about this fantastic scene. So much to recommend here but for certain if you favour the Dropkicks/Flatfoot then this album is for you. I give you a guarantee you WILL love it! You can hear plenty of music at their Facebook page under the Band Profile tab including some songs from Loyalty. Anthems for the working class with stories of urban life, stories about them and us!

KING OF THE TRAVELLERS- ‘Pros & Cons’  (Soundcloud)
king-of-the-travellers-2The third release from Fremantle seven-piece King of the Travellers. Blending elements of folk, punk, ska and gypsy music to create a hoe-down of epic proportions! With instruments as diverse as the French horn and clarinet they are not your run-of-the-mill folk punk band but there experimentation does remind me of fellow Aussies the Dead Maggies even if their music aint too similar. With a reputation as a raucous live music act how well did they manage to transfer their sound to disc? Well the answer is pretty damn well. First track ‘Another Day’ has brass and a catchy ska-ish beat to it and kicks off these six songs in style. They speed it up for ‘Travel Away’ and then slow it down for ‘First Thought’ and again its all catchy as hell with the many instruments blending very well together thanks to the spotless production. Gypsy/Eastern Europe flavours the next song ‘Curly’ and on ‘Trenches’ the mando is back in charge for this anti-war song which sounds to me like something Stiff Records may have come out back in the day.

The EP comes to an end with ‘Curly Reprise’ which is of course the earlier track ‘Curly’ slowed down but with extra flourish. The clarinet works surprisingly well and could maybe have done with popping up a bit more often. Overall a solid EP. Not a weak song here just catchy punky folk music with a stack of influences from all over the place and spat back out by a bunch of Aussie’s. Now that is recommendation enough surely!
THE RAMSHACKLE ARMY- ‘Whitewashed Graves’ (Bandcamp)
ramshackleAnd our final review of 2016 is also one of the best we reviewed and no surprises that it’s another Australian release! Just released earlier this month this is the first new record from The Ramshackle Army since the beginning of 2014 but they have certainly been busy if not recording then touring right across the globe! The band began in the pubs and bars of their home town Melbourne but The Ramshackle Army have gone on to become one of the leading lights in the Australian celtic-punk scene and in a scene that is chock-a-block with great bands then that ought to be recommendation enough. Hampered by line up changes they have now got a settled team so lets hope it leads to a new album soon. Here we get six songs and just under twenty minutes of high tempo, catchy as feck traditional celtic-punk. The standout track gotta be the single ‘Foreign Soil’ but it could easily have been any of them such is the quality of this fine EP.
“Imprisoned by our plight and desperate acts faith,
They enter battles in our name and battle cry our pain,
Just keep me sane and welcome my escape”
All the songs are self penned and its an absolute stunning return to the scene from one of the best bands in it. Heavily influenced by the story-telling style of the Aussie folk/celtic-punk tradition that bursts with  the live energy of an Ramshackle Army live gig. Highly recommended!

So ends Part 2 of our Round-Up’s and we are sorry we weren’t able to give each album the full on London Celtic Punks treatment. Apologies to all the bands as each and every release deserved that full treatment. We have still probably missed some fantastic music so all the more reason to send in your stuff to us to review. We are always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

EP REVIEW: MICKEY RICKSHAW- ‘Wild Atlantic’ (2016)

FREE DOWNLOAD

BOSTON CELTIC-PUNK RULES OK!

One month today the hottest young band in Boston and one of the major acts in the entire celtic punk scene set foot in England for a 3-date tour. Be sure not to miss them!

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There’s a band taking the celtic-punk scene by storm, and for once they are NOT Australian! The band are Mickey Rickshaw and they hail from Boston. Not that one, the one in the USA that is the spiritual home of celtic-punk. A crown that did belong to London until The Pogues split up. Anyways we waxed lyrically about them just the other week when we reviewed their absolutely stunning new album Hiding Behind The Eight Ball. You can read that here and rather than re-tread what we already wrote we will let the music do the talking. and also for once we can go on and on about a band raving about how brilliant they are and you can think that’s all well and good but when am I ever going to see them live? Well the good news here is within a few weeks!!

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The EP was recorded in the bedroom of the lead singer Mike, not that you’d notice, by Mike and Shane, who plays tin whistle in the band. It all kicks off with ‘Sapphire Hills’ which appeared on their debut album No Heaven for Heroes.

“Home is where the heart is but my heart is on the road when I’m at home.
The traveler can not sit still in the quiet room.
This road is all I want to know, and I can’t see no use in coming home.
Fly with the winds, change with the tides – keep on moving.

There’s gonna come a time when you’ve gotta choose love or the road.
This time I’m gonna choose the road – not looking back on what I sold.
These ghosts are all I’ve ever known.
It’s time I finally let my spirit roam.
Fly with the winds, change with the tides – keep moving.

You’ll never lose your soul if you take advantage of it while you’re young.
Don’t let it rot, don’t let it rust, don’t let it sit collecting dust.
The road provides you with a home.
It keeps you young and stimulates your soul.
Fly with the winds, change with the tides – keep moving”

Next up is a new track, ‘Rope’, and again shows the versatility of this group. This sounds like acoustic Street Dogs or even the Street Dogs/Dropkicks side project FM359 (here).


‘Monday Warning’ appears on that new album and is perhaps the most irish sounding song on Wild Atlantic.

“I never wanted to grow old,
but when you’re 17, you just can’t face the cold.
And I’ve taken some hits, and felt the heat
from screaming down the road of a dead end street.

And my heroes, they said to me,
“When you fall down, you get back up on your feet.”
And there’s just one thing, that you’ve gotta know,
You can not take it with you when you go.

We said we’d never follow blindly.
We’d never fall behind.
We’d never settle for a life that would leave our souls behind.
Or let them drown in the common troubles of an ordinary life.
We’d keep that fire in our souls alive and burning bright.

And I always said that I’d never change.
And to this day, I still feel the same.
But I look around at what still remains,
And I guess that’s what they call growing pains.

And I fought that clarity.
That lifts the veil and shows you what could be.
Didn’t want to know- didn’t want to see
what happened to that everlasting plea.

We said we’d never follow blindly.
We’d never fall behind.
We’d never settle for a life that would leave our souls behind.
Or let them drown in the common troubles of an ordinary life.
We’d keep that fire in our souls alive and burning bright”

The final song here is ‘No Heaven for Heroes’ which was the title track of that debut album from last year and ends the EP on a high note.

Mickey Rickshaw have released this EP to help promote their forthcoming European tour in January 2017. With work commitments and other stuff it was always going to prove hard to get all the assorted (8 and counting) members of the band over so they are doing the tour acoustic.
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  • Saturday 7th January 2017 at The Stags Head, 55 Orsman Rd, Hoxton, London N1 5RA. Local bus routes include 149, 242, 243, 67. The pub borders Hoxton, Shoreditch, Dalston and Islington. 7-30pm start and admission is £5. Supports from MATILDA’S SCOUNDRELS, REFUSE/ALL, COMRADE X.  Venue here Facebook event here
  • Sunday 8th January 2017 at The Cricketers, 20 Fairfield South, Kingston upon Thames KT1 2UL. Only ten minutes walk from the rail station and the music venue is upstairs. Supports from MATILDA’S SCOUNDRELS, BRENDAN O’PREY (The Lagan). 7-30pm start and admission is £5. Venue here Facebook event here 
  • Monday 9th January 2016 at The Phoenix Cultural Centre, 27 Goldsworth Road, Woking, Surrey, GU21 6JT. Just a very short walk from the rail station. Come say goodbye to the Bhoys and send them on their way. Its BYOB. Yes that’s right it’s BRING YOUR OWN BOOZE… and on a school night too! 7-30pm start and admission is £4. Venue here Facebook Event here
You can listen to the whole of Wild Atlantic below for free and if you like what you hear, and I’m positive you will do , then the band are offering the whole EP as a pay what you want download so have no shame. If you got a couple of quid send it on to them but if you’re skint then download away anyway guilt free!

Download The EP

Here

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EP REVIEW: MICK O’TOOLE- ‘A Working Class Battalion’ (2016)

A bunch of dirty cider drinkers with one goal. To make you jig and pissed!

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With Matilda’s Scoundrels last EP released and reviewed (here) a few weeks ago here’s the only band in the celtic-punk scene here that keep up with them in term of releases, Mick O’Toole. We were suppose to review this a while ago when we ordered ten copies on sale or return but the buggers went on tour to Belguim and sold the lot so I’m reviewing this from the Bandcamp site! Well what to say… I don’t know what they are putting in the cider over in the west country but with this amount of productivity it’s making me think of switching from the ‘black stuff’ just to keep up!

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Mick O’Toole left to right: Matthew Thomas- Banjo/Vocals * Jamie Squires Drums/Vocals * Tyler Shurmer- Guitar/Vocals * Arron Heap- Vocals/Mandolin * Jaseph Skin Greaves- Bass/Vocals

Mick O’Toole got together back in 2012 in the deepest darkest Shire otherwise known as county Wiltshire in a town called Calne.  Bored with heavy metal and with a new found love of Flogging Molly they decided to take a completely different route and get a celtic punk band together. Calling themselves Mick O’Toole after a character in a song from local celtic punk legends The Boys Of County Hell. Mick O’Toole’s sound is a irresistible blend of punk rock combined with traditional folk. Their first EP ‘Deep In Cider’ set the benchmark sky high but they managed to outdo even that with the release last year of ‘1665 Pitchfork Rebellion’. Going on to claim EP of the year at both Celtic Folk Punk And More (here) and here at London Celtic Punks as well (here) in the ‘Best Of 2015’ lists. Now with hundreds of gigs behind them including blowing down the house at the London Celtic Punks 2015 New Years Eve bash in Camden with Hungarian legends Firkin. They followed that up with the release of a single, ‘False Flag Collapse’. that featured the vocal talent of UK Sub Jamie Oliver and garnered rave reviews across the net and they continue despite the sad loss (all the best Guy) of various band members who couldn’t keep up.

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All the songs on A Working Class Battalion are brand new and self penned by Mick O’Toole themselves and you really cannot ask for any more than that. The twenty minute CD kicks off with ‘Still In Cider’ and it never ceases to amaze how different Arron sounds singing then when you’re talking to him. I don’t mean in a Joe Strummer public schoolboy/west lahndoner kind of way but even with the bit of distortion added he sounds completely different. A completely different version from the one they released back in 2013 I guess they couldn’t resist the brilliant pun ion the title! It has everything that Mick O’Toole do so well. Catchy as feck arrangements and a chorus to murder someone for. The trademark O’Toole banjo is loud and proud and the Bhoys have produced a fantastic video to accompany the song.

Up next is ‘Boundaries’ and another one to add that short but ever growing lost of celtic-ska songs. Still with very much of a punky twist to it and this time its the mandolin that shines but always with Arron’s voice leading. ‘A Traitor Born’ follows and there is no let up here either. While some of the music may not be particularly fast it is heavy and those drums and those strings get pounded as hard as any punk rock band do. Wonderful chorus here with the band singing along. How’s this for a song title? ‘What Was Once A Solid Foundation Is Now A Collapsing Empire’. A bit of a mouthful and the fastest tune here. A riot of a tune with some classy stop and start moments that again has a great shouty chorus. This leads us nicely onto the last song, ‘As If It were To End’. The track here that ought to make them its superbly catchy and they’ve added some strings that sound brilliant. Altogether its twenty minutes of some of the best celtic-punk music you will hear and sure to feature high in all the end of year poll’s (including ours!!). They can’t seem to do no wrong at the moment and it’s to be admired that they have withstood the leaving of the old guard and continue to work so well with the new guys in the band.

As the band say themselves

“No egos, no divas just working class men having a good time”

They have that thing where they appeal to all. At their local gigs they play a combination of folk classics and their own material and it all goes down equally well. Whether they are performing with the Anti Nowhere League or playing ‘Dirty Old Town’ in their local boozer they have got something good going on and people want to hear it.

(have a listen to A Working Class Battalion by pressing play on the Bandcamp payer below)

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Buy The EP

FromTheBand

you can watch this interview we done with the O’Toole lads a while back here. there has been a bit of personnel change since then but explains well the history of the band and what they are still about.

EP REVIEW: BLACKWATER BANSHEE- ‘Blackwater Banshee’ (2016)

 A cracking new Irish band from Bristol in South-West England and with bands like this the celtic-punk scene is in safe hands!

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I came across Blackwater Banshee on Soundcloud a few weeks back but didn’t listen to any of their recordings till last week and what an eejit I was to wait so long. The five piece band are based in Bristol in South-West England and formed earlier this year. The band is made up of Karin Gormley on banjo and tin-whistle who is originally from Derry in Ireland, Richard Chapman is the vocalist and also plays mandolin, Bryn Llewelyn is Welsh and is on guitar and backing vocals and then we have Nige Savage on bass and Richard Underhill on drums. Bryn and Nige played in a classic rock band together and were looking to form a celtic rock band so after seeing his profile on Bandmix showing his background in Irish music they approached Rich and gathered him in. They then found Karin playing in an Irish folk session in Bristol. They soon started rehearsing back in June and recorded the EP in October. With Karin and Rich’s background in Irish folk and Bryn and Nige’s in rock they got the right blend of Irish folkness and rock to fit right into the celtic-punk scene.

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The EP is only four songs and as such is just a taster really of what they are capable of. All the songs are pretty standard trad Irish covers and concentrate on showing their folkier side. It begins with ‘Nancy Whiskey’ an old trad song that is about the dangers of drink rather than the dangers of women!

“I bought her, I drank her, I had another
Ran out of money, so I did steal
She ran me ragged, Nancy Whiskey
For seven years, a rollin’ wheel”

it’s played straight up and if your looking for comparison try O’Hanlons Horsebox or even the Bible Code Sundays. Its folk-rock designed to be played in an Irish Centre or pub full of 1st, 2nd, 3rd generation Irish and their friends. Their are several different versions and this is the one favoured by Shane MacGowan. Up next is the classic ‘Dirty Old Town’. Written by Ewan MacColl who has featured many times on these pages (have a look here where you can still get some free Ewan album downloads) back in the 1950’s and recorded most famously by himself, The Dubliners and The Pogues. Ewan MacColl actually hated The Pogues version of his song. In an interview Ewan’s wife Peggy Seeger, a renowned folk artist in her own right, contends that when Ewan wrote the line

“We’ll chop you down like an old dead tree”

he was implying improvement of Salford rather than destroying it. While as writer Jeffrey T. Roesgen quite rightly saw it

“In the Pogues performance we have little trouble seeing Shane, with spite seething from his lips, wielding his axe like a banshee, hacking his dismal town to splinters”

Love the tin whistle here at the beginning and the Banshees certainly give it their all. ‘Spancil Hill’ follows and is famous as one of the saddest songs about Irish emigration, and as you can imagine there’s at lot of competition when it comes to that subject. Recorded by Christy Moore with Shane MacGowan, The Wolfe Tones, Johnny McEvoy I’d go so far as to say its been recorded by just about everyone. Written by Michael Considine who was born in Spancil Hill in County Clare and emigrated to America around 1870. He intended to bring his love out to join him but knowing it would not happen he wrote the poem and sent it back to Ireland to his nephew and in 1873 he was dead at only 23 years old. The tragic story of poor Michael’s life only adds to the sadness of the song.

“I dreamed I held and kissed her as in the days of yore
Ah Johnny, you’re only jokin’, as many’s the time before
Then the cock, he crew in the morning, he crew both loud and shrill
I awoke in California, many miles from Spancil Hill”

More than once with a drink in me I have found that last line a bit too much myself… Blackwater Banshee make this their most personal song of the four adding electric guitar and the wonderful mandolin while the drums keep up the beat giving it a real pint in the air feel with Richard belting it out with real conviction. The EP ends with ‘The Leaving Of Liverpool’ and it’s one of the livliest of Irish folk songs. Liverpool was once one of the major sea ports in the world. It was collected by Richard Maitland, a resident of Sailor’s Snug Harbor a home for retired seamen on Staten Island, who learnt it on board The General Knox around 1885. Designed to be shouted at the top of your lungs while banging your pint on the table during the chorus. Here the tempo is high, the energy is up and just listening to it now has got me headbanging away.

So their you have it. Four songs sixteen minutes. Admittedly their is nothing unusual here but what you get is some expertly played Irish trad that promises much much more for the future. When playing live they feature tunes from The Pogues and Dropkick Murphys so there is definitely a punk element to their sound. They are certainly a band to watch as if they can play these standards so well we gotta look forward to some of their own material and soon I hope. For a new band its always hard to get going so give them a like on Facebook and have a listen to the EP and lets awake the world to Bklackwater Banshee!

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EP REVIEW – THE SILK ROAD ‘Midnight’ (2016)

Pre-album four track sampler EP from northern English fiddle punk band The Silk Road.
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The Silk Road are another new band to us here in England playing folk-punk and are coming out of the same sort of scene as older bands like The Levellers and New Model Army and newer ones like Ferocious Dog. All of whom are still packing them in across the country at regular intervals. They come from Chesterfield in northern England an area famous for coal mining and the accompanying militant trade unionism that goes with it. The scene for this kind of music is very much in vogue at the moment. Not played or favoured by fashionista’s or middle class hipsters it comes very much from that sort of old Labour background of trade unionism and old fashioned values like solidarity, compassion and the wish for a better world for all. Things sadly out of fashion at this moment in time. Formed in the summer of 2015 by Tich, Andy and Shaun and going on later to recruit both Jamie and Brian. All the member’s of The Silk Road had extensive histories in local bands going back over twenty years playing a range of traditional folk, punk, ska and metal/rock. The band started from some old demos and some newer recordings that singer/songwriter Tich had recorded in his studio. Working on these as well as adding some new material together, The Silk Road began to take shape. Midnight was released last July and this EP is pretty much a taster for their forthcoming debut album. In fact the boys are in Chesterfields Foundry Studios with Paul Hopkinson at the moment with the album’s release slated for November/December this year.
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Andy Hardwick- guitars/banjo * Brian Buckberry- drums * Tich Vango- guitars/vocals * Jamie Burney- fiddle/violin * Shaun Haley- bass * Jim Fisher- Harmonica player on EP (not pictured)

silk-road-tattThe EP begins with ‘Boats Come In At Midnight’ which is about modern day smuggling. Like the band they have been most likened to, Folk The System, much of what they play can be traced back to 1980’s anarcho-punk. Very catchy indeed and half way through the fiddle comes in giving it a real nice ending. Track two is ‘Ancient Road / Montagu’s Harrier’ and introduces harmonica into the mix. A instrument I love to hear as it is much neglected in folk/celtic-punk. Over six minutes long with the first half a solid and catchy enough punk tune which is reminiscent of anarcho-punk bands like The Mob or Zounds while the second half has an absolutely stunning traditional folk piece/reel dedicated to endangered bird’s of prey. The Silk Road play English folk here. Not Irish or Scottish folk and labelled English like some bands do but this is the folk music of northern England and will surely get them onto the radar of the band who excel at playing this kind of music and are taking it to the masses, Ferocious Dog. ‘Scars That Remain’ is track three and if The Levellers are the main inspiration for The Silk Road then this is their tribute to them. I’m not a massive fan of The Levellers myself this is excellent stuff. Slow acoustic guitar and fiddle and nice vocals atop brings up to final track, ‘I Don’t Care’ which raises the bar again with some brilliantly catchy fiddle led punk.
Clocking in at just over seventeen minutes its a great EP and I cannot wait to hear more from The Silk Road. This kind of music lends itself more to the live experience so if they are able to capture that in the studio then by St George they will have cracked it.
(Crap sound and not on the EP but here they are in all their glory!)

(you can listen to Midnight by pressing play on the Bandcamp player below)
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EP REVIEW: MATILDA’S SCOUNDRELS- ‘The Organworks Recordings Session’ (2016)

Matilda’s Scoundrels gear up for their forthcoming new album later in the year by releasing yet another superb EP.
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We return again to another new release from our friends Matilda’s Scoundrels. I have lost count of the number of their releases this year so pop along to their Bandcamp page, listed below, and have a look for yourself. Since forming in 2014, (doesn’t it seem longer?) in famed smugglers town Hastings on the south coast of England, the boys had built a solid reputation on the local gig scene but it is in the last year especially that they have began to bring their sound to festivals, bars, pubs and clubs across the UK with an ever increasing army of followers. Having played a bunch of festivals this year including Rebellion, Boomtown and Common Ground, as well as a bunch of tours that have taken them as far as Scotland to support Blood Or Whiskey. It was on one of these trips through the north that the Scoundrels popped into the Organworks Recording Studio in Leeds back in August and recorded a live session consisting of four tracks, two songs from previous EP’s, a cover and a brand new one.

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Matilda’s Scoundrels left to right: Thomas Quinn, James Baughurst, Dan Flanagan, Jason Stirling, Jens Jensen, Jon the drummer.

The EP begins with ‘Beasts In Disguise’ which first saw the light of day last year on the EP of the same name. The production of that EP was a little rough and ready so great to hear it as was intended. Compared to that early version it shows a band with a lot more oompf. Quinn the singer has come on leaps and bounds and spits the words out with a confidence missing from their early recordings. Following is one of my favourite Scoundrels songs ‘Sinking In Their Sins’ which appeared on the split EP they also did last year with The Barracks.

(not the version featured here on this EP but you can hear that below)

Another class song with the band happy to punk it up a bit more than usual with Dan’s guitar a lot more evident. I was of course most interested in their new song and ‘Take This To The Streets’ does not disappoint. Jason kicks it off with his distinctive growl and acoustic guitar but its not too long before its all descended into familiar Matilda’s Scoundrels territory. A ever so slight country feel nestled in there among all the other influences. Soon Quinn joins in and the dual vocals work brilliant especially with Jen’s accordion backing. The final song here is a cover of Dutch punkers Black Volvo song ‘Rockers’. Having not heard the original I wasn’t sure what to expect but its in the same vein as ‘Pissheads Anthem’ and I’m sure regular fans will get what I mean. Fast and messy punk rock but still with that unmistakable Scoundrels sound.

(save £100 and have no negative effect on your local punk scene by watching the Scoundrels performance at this years Rebellion festival below)

The band have achieved something quite amazing. Within a few seconds of each song you know for sure its the Matilda’s Scoundrels so distinctive is their sound and so unlike anyone else I have heard. Hard work and touring can get you places but you need the tunes to go with it and the Scoundrels steady rise just goes to show that a band can make it within being arseholes or selling out or stepping on others to get there. It’s a story of success that has not ended yet and with an album due out fairly soon (the band are intending to play less gigs for a while so they can record it) that success shows no sign of ending yet.

(listen to the EP by pressing Play on the Bandcamp player below)

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WebSite  Facebook  Bandcamp  Twitter  Soundcloud  YouTube

“No business carried on in Hastings was more popular and extensive as that of smuggling. Defrauding the revenue, so far from being considered a crime, was looked upon as a laudable pursuit, and the most successful ‘runners’ were heroes. Nearly the whole of the inhabitants, old and young and of every station in life, were, to some extent, engaged in it”

EP REVIEW: SLAINE- ‘Slaine Is Dead’ (2016)

Irish-American hip-hop artist, lyricist, famous actor, gambler, Bostonian and professional asshole!

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Life is hard for some. That much is clear. The story of Irish-America is one of success and how after years of toil and racism and bigotry against them the Irish finally lifted them selves from the ghetto’s and universal success became the order of the day. Well there are two Irish-America’s and Slaine’s, real name George Carroll, is definitly the most interesting. After all it is working class Irish-American life that Hollywood likes to make TV and movies about.

slaineSlaine’s life reads like a novel. Born in Dorchester, home of several past and present members of The Dropkick Murphys and a large Irish community, Slaine got into hip-hop at a early age

“I started writing rhymes when I was nine years old, I use to record on my boom box with a pair of headphones plugged into the microphone jack. I felt they were just words on a page because I didn’t have an outlet to perform them”

and recognising the path to stardom lay in a move to New York he later packed his bags and moved to New York City and enrolled in school. After only seven months, an unfortunate altercation between Slaine and a school employee resulted in his expulsion. He didn’t let this set him back and he remained determined and focused. Surviving on the hard lonely streets of New York City by doing anything he could lay his hand to and eventually it paid dividend and he was introduced to Danny Boy O’Connor of House of Pain. This led to him being signed to a production deal with DJ Lethal of House of Pain which led to the release of ‘The White Man is the Devil’ (‘white man’ being a reference to cocaine, not a declaration of self hate) and touring world-wide. In a very short time he had gone from living in absolute poverty with a drug habit to traveling the globe and working with hip-hop icons such as House of Pain, Cypress Hill and a whole host of others. He became part of the mostly Irish-American hip-hop collective La Coka Nostra alongside Ill Bill and all three members of House of Pain – Everlast, DJ Lethal and Danny Boy. La Coka Nostra’s debut album, A Brand You Can Trust went straight in at #84 in the American Top 200 showing that the group’s brand of blue collar hip-hop was exactly what fans were waiting for. Slaine’s name continued to grow far past his hometown of Boston due to the exposure he was receiving but as his music career grew, so did his personal battle with drugs. Overdoses, hospital visits and a spiral of drugs and violence, continued until he finally checked himself into rehab.

“Everybody had a story to tell. That was where the idea and the hunger for ‘The White Man is the Devil’ was born”

On conquering his addiction, fellow Bostonian Ben Affleck presented Slaine with the chance of a lifetime to make his acting debut playing Bubba Rogowski in the gritty portrayal of Boston-Irish life in Gone Baby Gone. Both a critical and financial success this led to Slaine going on to star in, among others, The Town, The Crack Down and Bad Blood alongside such famed actors as  Affleck, Jeremy Renner, Brad Pitt, Ray Liotta and James Gandolfini. While scaling the heights in the acting world he returned again and again to his hip-hop roots releasing several album’s of hard hitting lyrical content and vicious delivery. His last official release was The King Of Everything Else album back in 2014 so we have have awaiting his return with baited breathe.
slaine-king

The EP kicks off with ‘Slaine Is Dead (Intro)’ which is in fact part of the beautiful ‘The Ballad Of Mairead Farrell’ which tells of an IRA volunteer gunned down on active service in Gibralter in 1988. One of the saddest of all rebel songs and nails Slaine’s colours to the mast from the first few seconds. I first heard this song as played by Irish-American band Seanchai and The Unity Squad and you can find their great version here . Slaine Is Dead really starts with the title song next and Slaine’s lyrics come busting straight out of his heart into the speakers at you.

“So many dark days they have ruptured my patience
I’d like to part ways but I’m stuck in the matrix
See I’ve been out of luck, so corrupted and faithless
And now without a buck I’m like fuck it I hate this
So many close calls, all these brushes with greatness
But not enough to power my spaceship
Not enough to persuade the gods right and face where they sit
As they parade the dogs of war off fake cliff
And that’s how It felt from grace, through the winds of sin
I had to go and find my wings again
While the angel of death goes and sings the hymn
As he strangle my breath, tore me limb from limb
Well you let your soul slip to the other side
Will the caterpillar turn into the butterfly?
I can see the pain falling from my mothers eyes
But I keep on falling for these fucking lies
So my mind holding on to the liquor and coke
In my fire room it’s out but there’s a flicker of hope
In these institution walls where they kickin’ the dope
I’m reminded of the power of that shit that I wrote
I walk with the devil, talking to God
Murder stories in this purgatory, coughing up blood
But I will not break, I will not fall
This is just another rhyme that I wrote on my wall

It’s been so long, you see my face
While I come back to plead my case
When I’m gone and time comes to make a leap of faith
There’s no way to keep the secret safe
That Slaine is dead”

In a career where Slaine has achieved heights that others can only dream of his music career has been mostly based on confronting both his demons and his failures. The EP sleeve features the dates 1977-2014. That is the year he was born and the year Slaine finally threw the monkey of addiction off his back and went sober. After years of dependency he was free and music and acting became his way of ensuring he was never going to return to those days. That Slaine is dead.

His life as an addict is depicted further on ‘Nobody Prays For Me’ which features Demrick and this lyrical masterpiece continues. The dictionary definition of an ‘seanchaí’ is of a storyteller

“…were servants to the chiefs of the tribe and kept track of important information for their clan. They were very well respected and they made use of a range of storytelling conventions, styles of speech and gestures that were peculiar to the Irish folk tradition and characterized them as practitioners of their art”

and Slaine is certainly a modern age equivalent of that ancient art. In the first single from the EP ‘Pusher’ Slaine takes us into the dark and dangerous world of the drug dealer. These weren’t the times that he is proud of but he’s presenting them here as a warning to others not to follow the path he trod.

‘Just The Way You Are’ features guest vocals from fellow Mass. rapper Termanology and chronicles both his battles with addiction and the effect it had upon his family and friends. ‘Knocked Down’ features Rite Hook guesting. Rite Hook is a lost son of Massachusetts himself. Years of hard living defined his early career and in 2012, he overdosed and died. His heart stopped completely, and paramedics had to revive him. A survivor in the truest sense of the word he returned to music and like Slaine it came with a newfound focus. On ‘Legendary’ (featuring Ill Bill, Vinnie Paz and Jared Evan) we can begin to see the light, for want of a better word. He’s been to rock bottom and is starting to fight back. His drive to become ‘Legendary’ has been finally achieved so we can witness his salvation on the final track ‘Coming Home’.

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Slaine’s music is hard, dark and aggressive. It always has been. Irish-American life is not always ‘Shamrocks And Shenanigans’. Sometimes its hard. We Irish come from a complicated race and it’s always been true that our worse enemy is within ourselves. Our struggles with alcoholism and drugs are well documented and often are hidden behind closed doors and though the working class life that Slaine and others come from may not be one you are familiar with but it exists. Slaine has fought hard but has never walked away from his roots. He deserves his salvation.

“I love making music that means something to me, I am grateful for all the experiences that I have had- good and bad. I am lucky to be alive, but my past also made me who I am today”

Buy The EP

CD- ClassicRecords  Download- iTunes  Amazon

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