Category Archives: EP Review

EP REVIEW: TULLAMORE- ‘Déš An Pr’i Strà, Déš An Int ál Bar’ (2018)

Italian Celtic-Punk from the swamp influenced by the Dropkick Murphy’s, Flogging Molly, The Tossers, beer and a certain brand of Irish whiskey!

Tullamore EP

Tullamore were founded in northern Italian city of Pavia in 2007 and this EP is released to celebrate their tenth anniversary together. The EP’s title translated to English means ‘Ten Years On The Streets, Ten Years At The Bar’ and is pretty apt for a band named after one of Ireland’s premier whiskeys! The original idea being to bring together the traditional folk of the Celtic nations with good old fashioned Italian punk rock. The first incarnation of the band were together three years and released their first demo in 2010. Four songs that included the first song the band ever wrote, ‘Sogno l’Irlanda’ (‘I Dream Of Ireland’), the first song that Tullamore ever wrote and which these days they end all their concerts. As is the way with most bands members come and go and with a few changes in personnel it was decided that the band should move towards a more powerful celtic-punk sound with Albe abandoning electric guitar in favour of the mandolin and Iora becoming the bands vocalist leaving the bass in the hands of Sandrone, and at the end of 2011 Perni joins the band on electric guitar. In January 2013 Tullamore released their first EP of seven songs that showed the band’s potential and hit the streets running. Fast celtic-punk sung in Italian that got a great reception on release and is now available as a Free Download/Pay What You Want on Tullamore’s Bandcamp page- link below.

More band members came and went and the band began to play and tour a bit more often and started to make a name for themselves outside their home area. In October 2016 the band released their debut album titled ‘Palude’ (-‘Swamp’) and again it received plaudits from across the celtic/folk-punk scene. Now with a fiddle player added to the mix and even the odd song in English the LP is a successful mix of fast but not too heavy punk rock and trad Irish tunes. With a strong anti-fascist sentiment throughout the album the band pay tribute to freedom fighters around the world and produced a very good album of celtic-punk with their own sound.

And so the Tullamore adventure continues and at the beginning of 2017 original member Misu leaves  leaving Perni on guitar and Bert is recruited on accordion. Today’s Tullamore are raring to go and to celebrate ten years on the road they have recorded this EP of five songs with three unreleased collaborations with friends, a cover and a re-recording of that first ever song.

Déš An Pr’i Strà, Déš An Int ál Bar begins with that original song ‘Sogno l’Irlanda’ and accordion kicks us off before the band jump in and its fast and furious music made for the dance floor. The balance between celtic and punk is just right and they are quite right to be proud of their first ever song. They follow this with the first of their collaborations with Bebe of Livorno based streetpunkers Urban Vietcong taking over on vocals but with a fantastic gang chorus of

“30 years old, another victim here’s to you, fire of freedom”

with the whole band singing along. The song is about the life of Mairéad Farrell. She was a volunteer in the Irish Republican Army who was executed in Gibralter in 1988 during a British Army operation aimed at preventing the bombing of the ceremonial changing of the guard. A fitting tribute. A documentary well worth checking out is Fourteen Days which examines the events that began with the SAS operation in Gibraltar that left three members of the IRA unit dead, including Mairéad and the chain of events that followed leaving a further nine people dead and more than 50 injured. The film is on YouTube here but for how long is anyone’s guess. The series of events would go on to define the war in Ireland for generations to come.

Next up is ‘Pronti ad Offendere’ (-‘Ready To Offend’) and features Alex Alesi on vocals and shows, like all the best celtic-punk bands, a more gentler side to Tullamore before the band launch into more spirited and manic celtic-punk. While the bands music has seen a softening Iora’s vocals remain firmly embedded in the punk scene giving Tullamore a much harder edge than many fellow celtic-punk bands. Rowing towards shore we have ‘Ribelle Senza un Perché’ (-‘Rebel Without a Why’) which again features a guest vocalist with Giulio from fellow Italian punk’n’Oi! band 5MDR. It’s all great fun and made for the dance floor before the Bhoys wrap it up with a cover of the auld Irish rebel song ‘Come Out You Black and Tans’. Sometimes it takes a non-Irish band to inject some life into a song and Tullamore certainly do that here. The song may be nearly 100 years old and covered by many in the folk scene but here its given a lift with Perni singing the verses with the band joining in the chorus over the snap of the drum to keep beat and get your Irish blood pumping! The lads have been over to Ireland countless times including last years celebrations for the 100th anniversary of the Easter Rising making friends young and old. A inspiring band!

Tullamore standing from the left: Fra (fiddle), Teo (bass), Santo (drums) and Perni (guitar). Crouched from the left: Bert (accordion), Iora (vocals) and Albe (mandolin)

Released last week this is a fantastic EP and a great way to celebrate your anniversary. As everywhere these days there are some fantastic Italian celtic-punk bands and the one thing I have noticed is that they all manage to bring their own sound to the genre and Tullamore are no different. Brilliant band with sound politics and one to mark out for greater things.

(you hear all of Tullamore’s great  EP for **FREE** before you buy by pressing play on the Bandcamp player below)

Buy Déš an pr’i strà, déš an int ál bar

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EP REVIEW: THE DREADNOUGHTS- ‘Foreign Skies B Sides’ (2018)

Four songs from one of the most original bands around that didn’t make it onto last years album but were still good enough to put out as an EP.

As their by line goes The Dreadnoughts are one part roaring sea shanty, one part haunting folk melody, and a solid chaser of gut-crunching street punk and that is as good a description of them as you could ask for! The Dreadnoughts are truly one of the biggest and most popular folk-punk bands in the world and they built up their audience and reputation from years of absolutely constant touring and four stunning album’s that only cemented their place in our hearts. Formed in the Downtown Eastside area of Vancouver,  British Columbia, Canada in 2016 from the ashes of popular Irish-punk band Siobhan they changed and adapted their range of influences and soon they had become one of the cities best live bands. After taking on their home town and then Canada it was then time to spread their wings and they soon became a regular feature on the European gig circuit playing everywhere from England to Russia and in between. They didn’t quite leave behind their Irish roots but as the albums flowed it became less of the focus on them and from Legends Never Die in 2007 to Foreign Skies last year they have added the traditional folk music of just about every European country they have visited to the mix and while they still play with the wild abandon of the old days their is much more to them now than just celtic-punk.

Foreign Skies came out at the beginning of last November and takes all those musical influences and again mixes them all up but this time presents them in a concept album about the First World War that is both moving and poignant but, dare I say, also great fun to listen to. Sometimes fast, sometimes slow, sometimes acapello even with Irish, English and Eastern European folk and polka’s throughout. It could certainly be described as epic in my view.

LONDON CELTIC PUNKS REVIEW OF FOREIGN SKIES (DECEMBER 2017)

This year gave us the ambitious ‘concept’ album, Foreign Skies, from Canada’s own Dreadnoughts. It was released to mark the 100th anniversary of the first world war (yeah, I know, the Great War ran from 1914-1918, so that includes 1917!), and features twelve original tracks all based on events, people and places that were part of that war. There are a few standout tracks, notably; ‘Daughters of the Sun’, ‘Anna Maria’, ‘Jericho’ and ‘Black Letters’. The rest is all good with the usual fantastic musicianship we’ve come to expect from the Dreadnoughts. The subject matter does make it a rather sombre listening experience, and while the feeling/belief behind the album is admirable, there is no getting away from the subject matter. An interesting work, but it won’t get too many airings at parties over the festive season.

The album shows a side of The Dreadnoughts we had never seen before. You wouldn’t think their last album was called Uncle Touchy Goes To College would you? Have they matured? Well on this certainly but I very much doubt we have seen the last Dreadnought song about apple love and cider drinking.

Here we have four songs released on January 10th that didn’t quite make the cut on Foreign Skies. The band give no explanation as to why except to say they “still think they are pretty good and so we are sharing them with you”. Having listened to them the one thing I can report is that they weren’t dropped because of their quality they are as good on anything on the finished article but I suppose they were dropped to not fitting the scope of the album.

We start of with ‘Top Of The Hill’ which is the follow up to ‘Bay of Suvla’ from the album. Written by guitarist Nicholas Smyth it’s a five minute epic of a song taking in many of those influences already mentioned. A driving forceful rock number that is breathlessly typical Dreadnought territory.

“Faces down, eyes to front
you’ll get what you need boys
You’ll get what you want
fingers hard on biting steel
till theirs nothing left to feel
Summer rain gonna set you free
bury the ashes under the sea
and the dawn will break across your skin
And wash away your sin”

It is set during the Battle of Gallipolli. The battle took place only a few miles from the site of the ancient city of Troy but the horrors unleashed in that battle rivalled anything seen then or since. Imagine spending eight months in a trench dug under some cliffs at constant risk from snipers, suffering from dysentery spread by flies hopping from decomposing bodies to your food. The battle was fought in modern-day Turkey but in 1915 it was part of the Ottoman Empire who were fighting alongside Germany. The plan was to land at Gallipolli and take the capital Istanbul. The plan did not work. In fact it was a disaster leaving over 200,000 Allied casualties with many deaths coming from disease. The number of Turkish deaths is not clear but it is generally accepted that they far exceeded 200,000. Next up is ‘Poor Michael’ a song about two blackbirds singing to a soldier ion France. The song is sung acapello without backing. This is something The Dreadnoughts can claim credit for within the celtic-punk scene with many bands now following their lead and including one or two tracks within their sets. As you can imagine it’s a beautiful song with strong voices and even more powerful words.

‘Cold Rain And Snow’ is up next and its a fast and catchy number written by the bands lead singer Drew Sexsmith who was always known as the Dread Pirate Druzil on previous albums. Like on the album the lyrics belie the upbeat music and I’m sure it will take a few listens for the words to penetrate. The EP comes to an end with ‘The Best Of ‘Em’ again written by Nicholas Smyth and its simply Drew accompanied by piano and a faint accordion. The song is a tribute to the best of them. Those that didn’t come home. I can certainly see why The Dreadnoughts put this EP out. They are four excellent songs that deserved a release but they must come accompanied by the album so if you haven’t got it yet then I suggest you get onto it as soon as possible!

(listen to the whole EP below on the Bandcamp player)

Discography

Legends Never Die- July 2007 (Golden Tee Record) * Victory Square- June 2009 (Stomp Records) * Polka’s Not Dead- October 2010 (Stomp Records) * Uncle Touchy Goes To College- 2011 (Bellydrop Records) * Foreign Skies- November 2017 (Self Released)

Buy Foreign Skies B Sides

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LONDON CELTIC PUNKS PRESENTS THE BEST OF 2017!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

1. FLATFOOT 56 (Chicago)- ‘Odd Boat’  here

2. THE TOSSERS (Chicago)- ‘Smash The Windows’  here

3. THE BIBLECODE SUNDAYS (London) – ‘Walk Like Kings’  here
4. THE PEELERS (Canada)- ‘Palace Of The Fiend’ here
5. FEROCIOUS DOG (England)- ‘Red’  here

6. BLACK WATER COUNTY (England)- ‘Taking Chances’  here

7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’  here

8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here

9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’  here

10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’  here

11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’  here

12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’  here

13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’  here

14. THE SILK ROAD (England)- ‘S/T’ here 

15. FLOGGING MOLLY (USA)- ‘Life Is Good’  here

16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’  here

17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’  here

18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here

19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’  here

20. CRAIC (USA)- ‘Sounds Of Vandemark’  here

21. THE MOORINGS (France)- ‘Unbowed’ here

22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here

23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here

24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here

25. CELKILT (France)- ‘Stand’ here

26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’  here

27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’  here

28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’  here

29. THE BABES (London)- ‘Greetings From London’  here

30. CHEERS! (Czech Republic)- ‘Daily Bread’ here

Just bubbling under:

THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)

No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.

BLACK WATER COUNTY- ‘Taking Chances’

This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!

1. BLACK ANEMONE (Sweden)- ‘In It For Life’  here

2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’  here

3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’  here

4. THE BOTTLERS (Australia)- ‘The Bottlers’  (here)

5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’  here

6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’  here

7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’  here

8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’  here

9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’  here

10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’  here

Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.

1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’  (here)

2. ShamROCKS- ‘Ye Ould Chariot’ EP  (here)

3. CRIKWATER- ‘Crikwater’  (here)

4. BEOGA- ‘Before We Change Our Mind’

5. FOLLOW THE CROWS- ‘West is East’ EP  (here)

6. PLASTIC PADDY- ‘Lucky Enough’  (here)

7. DAMIEN DEMPSEY- ‘Soulson’

8. GALLEY BEGGAR- ‘Heathen Hymns’  (here)

9. I DRAW SLOW- ‘Turn Your Face To The Sun’

10. ANTO MORRA- ‘From The Vaults’

Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!

MERSEY CELT PUNKS

This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.

CARLTON HUNT

Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.

We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.

His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!

He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.

We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.

Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say

“I try to be serious but the humour always takes over”

He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.

Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.

Ladies and Gentlemen, on drums.. Mr Carlton Hunt

This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

SHITE’n’ONIONS

MacSLONS IRISH RADIO

CELTICPUNK.PL

remember any views or comments we would love to hear them…

 Sláinte, The London Celtic Punks Crew- January, 2018

EP REVIEW: FLATCAPS & FISTICUFFS- ‘Candy Cane’ (2017)

Twas only a couple of weeks ago that we reviewed Flatcaps & Fisticuffs debut EP and low and behold straight after another one lands on our doorstep. This time it’s a Christmas themed romp and it’s also available as a *FREE* download!

We kind of compared them to Matilda’s Scoundrels in our review of their debut EP Raspberry Cheesecake (here) but releases in a month is even beyond Matilda’s level of prolificness! Poor Bing will be rotating in his grave as the Bhoys annihilate the old-school Christmas banger ‘White Christmas’ as your starter, lay into ‘Good King Wenceslas’ as the chicken-in-turkey mains and then shock us all, especially me, with a cover of Run-D.M.C.’s ‘Christmas In Hollis’ bringing down the curtain as the classic Christmas Pudding dessert. A trio of tunes that will be sure to get your nan swinging from a low-hanging branch of the Christmas tree!

(as filmed in one take!)

You can download Candy Cane for free from SoundCloud or the Flatcaps & Fisticuffs website but you can play it using the Soundcloud player below.

Download Candy Cane

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Further Christmas themed fun with this London Celtic Punks Top Twenty

GET IN THE FESTIVE SPIRIT WITH THIS CHRISTMAS CELTIC PUNK TOP-TWENTY!

EP REVIEW: FLATCAPS & FISTICUFFS- ‘Raspberry Cheesecake’ (2017)

*FREE* download of the debut release of delicious country Folk-Punk from Flatcaps & Fisticuffs from the town of Berkhamsted!
Ukulele, mandolin, guitar, cajon, trumpet and a fragrant hint of rap!
You know when you have made it as a band when you find other bands being compared to you and so it is with Matilda’s Scoundrels and Flatcaps & Fisticuffs. They are by no means clones but I think you could easily bracket them in the the same style of folk-punk with a bit of celtic-ness! I literally found out about them this week so made the short leap to the free download and bloody loved it so thought I’d get in touch with the guys and find out what’s the score with them. Long, long ago is how it usually starts but not this time! Duncan the mandolin player had just arrived in England from South Africa and on meeting Ben the guitar player in a pub and over a few (!) beers it was suggested they start a band. The hardest thing about starting a band, I’m reliably informed, is to find a drummer but they already knew one so it wasn’t too long before they progressed from playing open mic gigs in pubs around Hertfordshire to making their own folk punk sound with uke, mando and other standard band instruments.
The band hail from Berkhamsted, a historic market town in Hertfordshire in the south of England. Now any new appearance of a band in England even remotely sounding just a little celtic-punk is a joyous event to us and so we were more than a little excited to press play and see if they warranted all this excitement.
…well I am glad to say it’s a blooming excellent EP and you’d have to be a right mug not to take them up on their fantastic offer of a free download of it.

Flatcaps & Fisticuffs left to right: Ben- Guitar / Backing vocals * Duncan- Mandolin / Vocals * Adam- Uke / Vocals * Ben- Drums * Will- Percussion / Vocals * Tom- Bass

Raspberry Cheesecake begins with ‘Socks’ and it’s right up my alley with this ode to yer man’s socks hitting all the right notes for me.

“My socks, my socks, without them I’d be lost”

Fast paced with plenty of slow bits and a lovely gang chorus that’s easy to singalong to. It’s a bit daft but hey-ho give me the Toy Dolls over The Subhumans any day of the week. As stated already it has a tinge of Matilda’s Scoundrels about it with classic English folk and punk colliding and almost very nearly spilling over into celtic-punk.

On ‘Capo On A Jew Harp’ it’s more of the same if not punked up a bit but just as accessible and as catchy. The lyrics take a harder edge while still keeping the fun element. Politically directed lyrics but with a good sense of humour thrown into the mix is always going to be a winner. Bland virtue signalling has had its day and with the world seemingly on the brink every couple of months we want our politics to lift us don’t we? The final song here is a cover of the, frankly annoying, New Zealander Lorde’s debut single ‘Royals’. While her version is ok Flatcaps & Fisticuffs blow her away with the cobwebs with the catchiest little number here. The uke stands out loud and proud and it all has a bit of a celtic-ska thing going on. Seriously a fantastic number and enough here to keep fans of about five different genres delighted!

Raspberry Cheescake (where on earth did they pluck that name out of??) was released only last month and so we have been lucky to have found it so quickly. Flatcaps & Fisticuffs have made it available for free so just follow the link at the bottom of this review and I am absolutely certain you will be extremely glad you did. In this country we don’t have a wealth of bands playing this style of music so when one comes along its always a bit of an event and even better when they deliver something so special. So now that we have found them our next step is to get them on the short road to a London Celtic Punks gig. So here’s what to do… download the EP, find them and then like them on Facebook (link below) and lastly keep an eye out for them playing very, very soon. Enjoy!

Download Raspberry Cheesecake

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While plans are afoot to bring Fisticuffs & Flatcaps for a London Celtic Punks show you can catch them at The Horn in St Albans on 18th of January, Nottingham on the 27th of January for a Homeless charity fundraising gig (TBC) and in London for somebody else at the Finborough Arms in Kensington on the 3rd of February. See you at the bar!

EP REVIEW: HEADSTICKS featuring STEVE IGNORANT- ‘Lies, Lies, Lies’ (2017)

The new four track EP from northern England folk-punk powerhouse Headsticks featuring the legendary voice of Mr. Crass Steve Ignorant.

On first listen to this you may wonder why its being reviewed on these pages. After all we pride ourselves on being celtic-punk and covering (or trying to cover) every aspect of the Celtic music diaspora. While this has seen us feature everything from trad to metal to hip-hop the one kind of music that we haven’t really gone into is what I use to describe as ‘festival music’. The sort of alternative folk-rock pumped out for the last few decades by the likes of New Model Army or The Levellers. But they do own, much like everyone in England!, some rather special Celtic credentials too with the bands roots firmly in the ashes of two much loved, and sadly long gone, celtic-punk bands ‘Tower Struck Down’, who were one of first English celtic-punk bands back in 1985, and Jugopunch.

Headsticks (not The Headsticks) hail from the once proud industrial town of Stoke once amed for the manufacture of pottery (the area is known as The Potteries), coal mining and steel making. All of the areas main industries are long gone having been decimated by successive governments of Labour and Tory who care nothing for the working class while they chase the votes and follow the whims of the urban ‘chattering’ classes. They have featured on this site before with reviews of their debut album, Muster and their follow up Feather And Flames. Both albums were very well received and have seen the bands star rise with each release and having graced the 0161 Festival in Manchester among others and even reached London several times, each time with a growing number of fans.

While there is nothing particularly ‘Celtic’ going on within this EP what you do get is four songs of expertly played catchy as hell and in-yer-face folk-punk with a biting and still humorous at times social commentary which takes well aimed strikes at those who blight our lives with their misrule while all the time knowing exactly who their music is aimed at.

“It’s a social commentary that the working classes can easily relate to…..we aim to make people stop and think with our songs and it does seem to do that! It’s not so much about smashing the statues and setting fire to the government buildings, but more of asking people to look outside their own bubble, basically to start giving a shit before it’s too late!”

The band describe themselves as “where folk and punk collide” and is as perfect a way to sum them up in five words as could be imagined. The songs start side 1 and ‘Big Game Hunter’ and features the unmistakable dulcet tones of the one and only Steve Ignorant of seminal English anarcho-punk band Crass. We have all seen the photos on Facebook of these utter shits standing next and smiling over the corpse of some amazingly beautiful animal they have shot from safety while on safari. While our hope is that they turn the tables on these monsters it rarely happens and ‘trophy hunting’ only seems to be getting more and more popular among the rich and powerful. Maybe one day they will doing it to us? The song has managed to catch both the typical sound of Headsticks and a couple of Steve’s better previous bands pitched somewhere between Schwartzeneggar and the Stratford Mercenaries.

“Arrogance personified, the abuse of wealth and power”

Side 1 comes to an end with ‘Dying For A Lie’ which gives its name to the record. The sad tale of war criminal Tony Blair and the lies. lies, lies that he told to bring us to war in Iraq. The song is catchy and a real head nodder for those of us well past our moshing days. Like a lot of their previous stuff there are touches of country music here and there and it all makes for an enjoyable romp with a nice fist in the air chorus to shout along to.

Flipping over we have side 2 and we are off with the fantastic folk-punk anthem ‘Soaps & Costume Drama’. The recent fad of fancy BBC dramas is a world away from the lives of most people and nowhere on this EP do the words resonate so powerful.

“She escapes into another costume drama, as she waits for her knight in shining armour”

Absolutely classic Headsticks and it sees the welcome introduction of one of my favourite instruments the harmonica too. The disc comes to an end with ‘You’re Killing Me America’, both a band and a crowd favourite re-recorded from the Muster album. It’s brought slap bang up to date beginning with Donald Trump’s voice starting the song off and I would say the rough edges are gone but I don’t think the old version had any but they have added something to it besides a few samples but its kind of hard to put your finger on it. It may have only acoustic guitar and harmonica as ‘folk’ instruments but Headsticks have an unmistakable traditional English folk sound that I’m sure would appeal to all fans of celtic-punk.

(a live version and without the samples and harmonica and extra flourish of the version on the EP but just to give you a wee taster!)

The whole thing comes in a package of a 10″ record on red vinyl that is quite possibly the most beautiful package we have ever received at London Celtic Punks towers. You don’t just get the record either with a whole bunch of stickers, postcards, lyric sheet and download code included. Having been around a bit I’m more than happy to see the resurgence of vinyl even if I do personally listen to most of music on my mobile! The band have also released a live album recently and we will be getting round to that soon but the urgency and honesty and just plain good old fashioned folk’n’roll from their album’s is still very much in evidence and while they may be heavy on the mind they are also light on their feet. An EP of four superbly crafted songs that reflect perfectly what the band represent- the place “where folk and punk collide”.

Buy Lies, Lies, Lies

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Tower Struck Down WebSite here

EP REVIEW: BogZH CELTIC CATS!- ‘Kazh al Lagenn’ (2017)

Celtic celtic-punk and rock, rage and Celtic swing from Naoned.

Rearranged and adapted Breton rock, trad Irish and Scottish Celtic rock’n’roll punk-folk.

Released last month this is the debut release form the latest Breton celtic-punk band to grace these pages. Earlier this year we published a review of the great debut album from Sons Of O’Flaherty. In that review we told a faction of the history of Brittany so rather than go over it again hightail it here and learn a little of the story of this proud Celtic nation. The Breton’s have embraced the celtic-punk revolution with open arms and bands like Les Ramoneurs De Menhirs, The Maggie Whackers and Sons Of O’Flaherty use their Celtic heritage and music to push for more civil rights and recognition for their language.

BogZH Celtic Cats! were formed in late 2014 out of the ashes of famed Breton rock band Daonet by three of their former members. Daonet were a rock band playing dynamic rock music with celtic rock melodies with lyrics mostly in Breton embodying the image of a free, conscious and future-oriented Brittany. Hervé and Gilles were drummer and bassist in the Daonet and were playing in a rock and blues band Bogzh until they were joined by JJ, blues harp player and singer and Hervé’s brother, Fabien who also played in Daonet and Gilles son Gwenolé on both bass guitar and upright bass though not at the same time! The band started off with a repertoire of celtic-punk classics from the likes of the Dropkick Murphys and the Real McKenzies as well as adapting some traditional folk songs of Brittany, Ireland, Scotland and singing in a combination of Breton, English and French. Kazh al Lagenn is the bands first release and came out last September. Self produced and distributed by the band themselves it’s truly a DIY release and a sign of the healthy celtic-punk scene in Brittany.

The EP begins with ‘Ye Jacobites By Name’ a traditional Scottish folk song written in 1791 by the legendary Scots poet Robert Burns. The Jacobites were Scots rebels trying to return James II, the last Catholic British monarch,  to the throne after he had been deposed by Parliament during the Glorious Revolution. The series of battles took its name Jacobitism, from Jacobus, the Latin form of James. With the defeat of the Jacobite army at the battle of Culloden in 1746, the union of England and Scotland was sealed, and this song is a call to the Jacobites to take up Scottish independence but with a more anti-war outlook. Recorded untold times through the years it’s a song that lends itself well to celtic-punk and BogZH Celtic Cats! give it a good seeing too playing with a heap of gusto with strong performances from all.  Starting off with some lovely western overtones before the band jumps in and harmonica, pipes, electric guitar, bass and drum taking us firmly into celtic-punk territory. Fast and catchy before slowing down and speeding back up again before ending on a flourish. Gilles’s voice is powerful and backing vocals from the rest of the band are equally as strong. Next up is the EP highlight for me the extremely brilliant ‘An Avel’ ( meaning ‘The Wind’). I love harmonica and wish it was more widely used in celtic-punk circles. Sang in Breton the song is catchy as hell and harks back to the days of Daonet with a song fit to grace any rock bands set. We are in Ireland next for a song covered by just about everyone in the scene and it takes a lot to get much of a rise out of me for ‘Star Of The County Down’ these days but BogZh Celtic Cats! keep it slowish and rocky rather than punky and yeah it’s fine and faithful to the original.

Does the scene need another cover of this admittedly great song? Probably not but there’s a very good reason why songs like these are so popular and while we may be a little jaded on hearing it we have to realise that to fans of BogZh Celtic Cats! it’s quite possibly a new song to them. The pipes are the standout on the next track ‘Kenavo Da Viken Ma Breur’ (meaning ‘Farewell My Brother’) and in the longest track on the EP the Bhoys really go for it and at times it could drift off into Goth or Post-Punk but always Celt.

Dropkick Murphys ‘Prisoner’s Song’ from their Signed And Sealed In Blood album is given a faithful and if anything outCelts the Murphys on this great track. The EP ends with the lads version of the traditional Breton folk song ‘Son Ar Chistr’ and those elements are out in force again and it’s a winning combination for me. As a punk with a few Goth tendencies I love that that they aren’t just a straight up punk band but something a little different. Vocals on the EP are shared between JJ, Gilles, Gwenolé and Fabien and work extremely well.

A great way to start their recording history and another welcome addition to the Breton scene. With bands like this the Celtic revolution is in safe hands. While they may not be as celtic-punk as say the Sons Of O’Flaherty they have taken the rock sound of Daonet and embraced punkier elements to it and come up with something that actually sounds quite fresh to these ears. The only problem being that five songs is not enough and we want to hear a lot more from these.

BogZH Celtic Cats! from left to right: JJ- Harmonica, Vocals * Maxime- Bagpipes, Vocals * Corentin- Tin Whistle * Gwenolé- Bass Guitar, Upright Bass, Vocals * Fabien- Folk/Electric Guitars, Vocals * Hervé- Drums * Gilles- Tenor Banjo, Guitar, Vocals.

(you can listen to Kazh al Lagenn for *free* on the Bandcamp player player below before you buy. Available as download or CD)

Buy Kazh al Lagenn

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Contact BogZH Celtic Cats!

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You should also check out THE FOLK’N’PUNK BRIGADE which is a local celtic-punk collective similar to London Celtic Punks. A group of friends and musicians from French bands The Moorings and Saints and Sinners and Breton bands The Maggie Whackers and Sons Of O’Flaherty- Facebook

The Celtic League is an inter-Celtic political organisation, which campaigns for the political, language, cultural and social rights, affecting one or more of the Celtic nations- Facebook  WebSite

Gilles from the band also runs an extensive Blog featuring both Daonet and BogZH Celtic Cats! as well as heaps of Breton and Celtic music so check that out here- WebSite

EP REVIEW: HOOLIGAN featuring CHRISTY DIGNAM- ‘(Justa Nother) Teenage Rebel’ (2017)

Legend of the Irish music scene Christy Dignam of Aslan teams up with Dublin punk band Hooligan on a new 4-track single released this week.

The moments when you meet your heroes stay with you forever and it was a chance meeting between Irish folk-rock legend Christy Dignam and a young David Linehan at one of Christy’s band Aslan’s gigs that has led to the release of this fantastic collaboration between Irish folk and Irish punk over twenty five years later. Meeting again recently David reminded Christy of the time when fresh back in Dublin after a stint squatting on the the Loughborough Estate in south London when David and a mate walked into a rehearsal studio in Great Strand Street, an alleyway near the Halfpenny Bridge, where unbeknownst Christy, who had not long left Aslan, was rehearsing with his new band. From being away David had noticed that the music scene in Dublin was far more snooty and elitist than in London

“imagine my surprise at instead of being told to feck off he said “c’mon in lads” and allowed them to stay watch them play a few songs. I was struck both by how friendly he was and the warmth and kindness of the man”

Christy asked if they had a band and said if we didn’t we should form one because if nothing else they looked the part! Just the kind of confidence boost any budding young artist needs.

Left to right: Eoin Page, David Linehan, Paul Price. Front: Christy Dignam

‘(Justa Nother) Teenage Rebel’ is a cover of the much loved paean to the late 1970’s tale of familial teenage angst, originally released by northern Irish punk rock legends The Outcasts. Formed in war torn Belfast in 1977 The Outcasts were three brothers and two mates who came up with the name after being banned from local venues. Releasing their debut single ‘Frustation’ on It Records in May, 1978 they soon after signed to the Good Vibrations label who released “Just Another Teenage Rebel” in November 1978. The single rose to the top of the Alternative charts and the band received much radio  airplay. The band imploded in the mid-80’s but with the sad death of founder member Colin Cowan the band got back together in 2011 and are still going strong now.

Approved by the two surviving Outcasts brothers, Martin and Greg Cowan, it’s a great choice of track and is part of a four track EP released on Reekus Records, home of Dub legends The Blades, who incidentally also released This Is which was the first record by Aslan over 30 years ago in 1986. Aslan are often thought of as

“the band to follow in the footsteps of U2 in conquering America”

and they certainly blazed high taking the Irish music scene by storm with their brash interpretation of Stones style rock’n’roll all be it with a very Irish twist. Formed in the working class northside of Dublin they seemed to be on the verge of worldwide fame and fortune before tragically imploding on the very day their debut single was due to be released in the USA in 1988. Dublin at the time was in the midst of a terrible heroin epidemic and young Christy was not immune to the same pressures as others in his home city. Unceremoniously fired from the band due to a spiralling heroin addiction that would haunt him for decades Christy left the band and though they tried to soldier on without him it wasn’t long before Aslan were no more. Silent for five years they returned and their music had become more refined and influenced by folk melodies. Fame again awaited them but as has been the Aslan way it’s been a rocky road intersperced with long periods of inactivity but always sustained by their loyal and large fan base. The band have released six studio albums as well as two ‘best of’ albums and have a list of smash hits that have topped the charts as long as yer arm. Aslan have forged a legacy that has seen them become one of Ireland’s most popular and enduring musical acts and as the bands motto goes “the lion is still roaring”.

So it was that shortly after meeting again all these years later David contacted Christy and sounded him out about the possibility of performing on the next Hooligan record. Christy jumped at the chance and ‘(Justa Nother) Teenage Rebel’ was born.

Hooligan have made a name for themselves releasing a pile of fantastic critically acclaimed EP’s over the years. Formed in Dublin in 2009 the band has been beset by member comings and goings but at last things are more settled and founder and guitarist/singer David Linehan is joined by the brand new rhythm section of Eoin Page on bass and ex- Paranoid Visions drummer Paul Price. ‘(Justa Nother) Teenage Rebel’ is yer basic classic 77 era punk rock. Chugging guitar and thundering bass with Christy’s distinctive voice driving it along. The following tracks are more of the same with Upstarts/Clash/SLF comparisons inescapable on ‘Generation On Fire’. Guitar driven anthemic Irish punk that leads us soon after into the tribute to Uncle Joe himself. The Clash influence is in overdrive with ‘Calling Joe Strummer’ with the spirit of everyone’s favourite public schoolboy coursing through it’s 200 seconds. The album ends with ‘Gang War’ and here Hooligan are at their best for me. Loud and brash and in your face with a catchy chorus and a killer punk tune that’s over before you can think what a great song it is.

Another fantastic EP to add to the Hooligan EP collection and you will be pleased to know that they will be making one of their regular appearances in London in a couple of weeks at the New Cross Inn dahn Sarf London supporting Splodgenessabounds on Saturday 4th November (Facebook event here) with a tonne of other bands including a rare capital show by London Celtic Punk faves Headsticks. The gig starts at 5pm and Hooligan will take the stage at 8-30pm so don’t be late!

Buy (Justa Nother) Teenage Rebel

Reekus Records (available as download or CD with vinyl coming soon!)

Contact Hooligan

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  • A fantastic overview of The Outcasts can be found here via Spit Records.
  • Great interview with Hooligan here from ‘Louder Than War’

EP REVIEW: THE McMINERS- ‘Tales of Betrayal and Deceit’ (2017)

Irish style celtic-punk from Brazilian band The McMiners.

Yet another example of the international status of celtic-punk for you now with a great band hailing from Belo Horizonte in Brazil. It’s the sixth largest city in the country and in a country the size of Brazil that means its bigger than most counties over here! With over 2,500,000 in the city and over 5,000,000 in the surrounding area it stands to reason that their must be a bunch of celtic-punk fans with the talents to start a band and so in early 2012 The McMiners were born.

The McMiners left to right: Luciano Alvim- tin Whistle, accordion, backing vocals * Nathan Augusto- electric and acoustic guitar, backing vocals * Nicolas Ramos- bagpipes * Gabriel Finnegan Leão- bass, bodhrán, mandolin, lead vocals * Marianna Gray- violin * Guilherme H. Silva- drums, percussion. Special Guests- (not pictured) special guests on the album: Karl Malachy Mooney and Rafael Salobreña.

My previous knowledge of celtic-punk in Brazil has been confined to the absolutely brilliant band Lugh, who are in fact one of my favourites in the entire scene. To check them out why not go here and treat yourself! Both the Dropkick Murphys and Flogging Molly take in Brazil whenever they set sail to south America so the interest is there and seems to be growing. Their is a large Celtic diaspora of mainly Welsh and Irish in neighbouring Argentina and Uruguay that is well documented and Irish soldiers like William Brown in Argentina, Bernado Higgins in Chile and the St Patrick’s Brigade in Mexico played major roles in freeing their respective adopted countries from colonialism and gaining independence. Che Guevara, whose grandmother’s surname was Lynch, was another famous member of this diaspora. Guevara’s father, Ernesto Guevara Lynch, said of him

“The first thing to note is that in my son’s veins flowed the blood of the Irish rebels”

Whether or not the interest in celtic-punk is linked to any of this is debatable and it’s more likely the love of a good auld time and a few beers plays its part as well. It is safe to say though the Irish in South America are very proud of their roots and their history is one that should be known by all.

The first McMiners release was the County Cross EP which came out in April last year.  It has passed me by completely until I came to write this review so I revisited it and have to say I expected it to be a bit on the rough and ready side but it was actually very good. It’s four tracks included a extremely well played instrumental, a celtic-punk version of ‘Johnny I Hardly Knew You’ and a couple of their own compositions, one slow and a fast sea shanty that would befit any ship!

So after having a couple of listens to that debut EP I sat down with a big mug of tea and a packet of biscuits to have a listen to their new release, Tales of Betrayal and Deceit. It’s taken a while to cross the oceans as it came out in April earlier this year but man am I glad that it did do! The EP kicks off with the instrumental ‘No Deal’ and if you were expecting something slow and traditional then you were as wrong as i was! It’s fast and manic and dominated by Nícolas great bagpipes. This is the kind of trad music to wake up the masses!

(here’s a acoustic version of ‘Left Behind’ rather than the one on the EP)

In ‘Left Behind’ McMiners bring out both accordion and fiddle and the pace is still right up there. The lyrics speak of the poverty in their country and the ones left behind while obscene wealth is being made by some.

“We are the ones
They don’t care
We are the ones
They forgot about
We are the ones
Hopeless and f’-d up
We are the ones
Left behind”

The first release from the EP was ‘Behead The Captain’ for which they put out a great video and the pipes and fiddle are out again in force for this really catchy number.

Great lyrics as they are throughout the EP with no sign whatsoever that English isn’t their first language. Like Lugh they sing in English and while this no doubt helps reviewers like me I really don’t think it matters. Ironically last week we reviewed the new album from London band The Babes where Mao the Singer/bagpiper sings several songs in Spanish! The next song ‘A Prologue / The Jack and the Black’ begins with the sound of the ocean and seagulls and Karl Mooney, accompanied only by a distant acoustic guitar, the Dublin born native and singer of fellow local celtic band The Celtas (here) reads a short piece about two brothers one of whom becomes a priest and the other a soldier before suddenly the band storm in kicking down the door and launch into a lovely big slice of celtic metal with chugging guitar and vocals that would put the fear of God into you. Again intelligent and interesting lyrics and an obvious step above the usual ones about drinking. The EP ends with another instrumental ‘The Clauss’ and while the opening instrumental was classic celtic-punk this is much more of a traditional Irish folk number. The song was originally an improvised session recorded on a phone with Luciano on tin Whistle and the band’s former piper Ernst on the accordion when Ernst left Brazil and moved to Ireland. Still close the band decided to record the song as a way to tell him they missed him. At the very end you can actually hear the original phone recording of the song! Two bodhráns are joined by accordion and tin whistle and shows the folk purist snobs that they can both play their instrument and write an exceptional traditional song too. Here is another band that Brazilians can be proud of and believe you and me a triumph of quality over quantity!

(you can have a listen to Tales of Betrayal and Deceit before you buy it for free below on the Bandcamp player)

Buy Tales of Betrayal and Deceit

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EP REVIEW: ShamRocks- ‘ Ye Olde Chariot’ (2017)

Founding fathers of Ukraine’s celtic-punk movement and the originators of ‘Stout Rock’. A blend of Irish, Scottish, Breton and Finnish folk with a variety of rock and metal styles.

Born in the Ukrainian capital of Kiev only a few years back in 2009 Ye Olde Chariot is the second release from ShamRocks and combines all the parts that made their first release so enjoyable. We waxed lyrical at how much we loved Captain’s Log. A mutual love of traditional Irish and Scottish music, Finnish polkas, ancient sea shanties and good old fashioned punk rock and metal that has introduced the people of Ukraine to some out of the best modern adaptations of classic folk songs out there. Taking traditional melodies played on the violin, mandolin, flute and accordion and mixing them up with head-banging riffs that are both heavy and danceable at the same time. That debut album was a collection of the best of ShamRocks songs since they were formed from their first demo to their last studio sessions mastered brilliantly to give it that ‘crowded pub’ feel. It was voted into 4th place in our end of year London Celtic Punks Top Ten Folk/Trad releases but could just have easily made the celtic-punk Top Ten as well!

(listen to their first release Captain’s Log below)

What we had to say then stands the test of time

“There is plenty here to upset the folk purists (or snobs as I prefer to call them) but these people would like to keep the folk music of our people locked up in a box. Put away and kept out of the hands of people who (in their opinion) don’t respect or cherish them as much as they do. Their way is noble yes but is also a surefire way to kill off folk music. They attacked the Dubliners and then The Pogues in their time and now fawn longingly over the bands they once called sacrilegious. ShamRocks have taken a bunch of songs and added so much more to them than by simply folking it along. That they are Ukrainian adds another dimension to them. An absolutely stunning album with the only tiny criticism I may have is that their’s not enough ShamRocks own self-penned songs and to that end they have already began work on a EP that may or may not develop into a LP and I for one can’t wait to hear it!”

Well a full album is still in the works so in the meantime ShamRocks offer up this five track EP for us and again to say it is very good would be a massive understatement.

Ye Olde Chariot begins with the sound of an ocean before morphing into, appropriately, an olde sea-shanty, ‘Roll The Old Chariot’. Originated as an African-American spiritual it was used as a ‘stamp-and-go’ or ‘walk away’ meaning the sailors would hold on to the line and walk with it creating a steady pull. The song starts off in an acapella style before the mandolin is introduced and just as you are lulled into the gentleness of the song BANG ShamRocks launch into the celtic-punk version and the cobwebs are well and truly blown away!

Fast and carefree the song still maintains, as is ShamRocks style, very much the original folk song despite some great touches like a ska ‘ish’ beat at the beginning and the trumpet towards the end. Simply breath taking and easily the best version I have ever heard. Can’t tell you much about the next song titled ‘Пияка-Гультяй’ ‘cept it’s in Ukrainian and is fast and has a Eastern European sound. No matter how fast  they play or how much punk or metal they inject into it it’s amazing that so much of the original folk songs survives. We are only three songs in and ‘Der Stern Der Grafschaft Daun’ is yet again a real eye opener and when I say that I’m a little jaded after hearing yet another celtic-punk version of ‘The Girl From The County Down’ I mean it. But this is different and as the band say themselves it’s

” an all-time favorite folk song frankensteined into an industrial metal number”

Well that was until I heard ShamRocks version. I thought I’d heard it played every which way imaginable but I was wrong! Yeah a metal version but once again never straying too far from that original.

Next up we have a instrumental called ‘Topor Polka’ and it’s extremely well played with great fiddle work and accordion alongside the driving electric guitar, bass and drums. I daresay this is a real fans favourite live and it may steer more towards their own side of the world rather than Celtic but we don’t hold a monopoly on the best music and I love to see bands adding their own influences into the mix. Ye Olde Chariot comes to an end with ‘Kiltartan Cross’ and it’s a beautifully ballad based on the poem ‘An Irish Airman Foresees His Death’ by the famous Irish writer and nationalist W.B.Yeats. The words are worth repeating so here they are.

“I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;

My country is Kiltartan Cross,
My countrymen Kiltartan’s poor,
No likely end could bring them loss
Or leave them happier than before.

Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;

I balanced all, brought all to mind
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death”

Though he may be fighting for Britain the airman’s heart is at home in his Irish village of Kiltartan. Written not long after the end of the First World War where many Irishmen died fighting for the British Empire their lives would have been better served fighting at home. Serge’s vocals are mournful and timeless. They convey the emotion of the words perfectly and the band’s backing is perfection too with the flute taking the lead through most of the song and so the EP ends very much on a high note.

Now there are many bands out there who steer clear of the usual well worn covers and prefer to do some research or delve back into their childhoods for inspiration and we always love that but most of the time these bands hail from within the Irish/Celtic diaspora. The amazing thing about ShamRocks is that they don’t. They don’t and yet the respect and affinity they have for Irish music is clear to anyone. As mentioned no matter how hard they rock out there is still the unmistakable sound of traditional folk music behind them. They have produced here eighteen minutes of exactly what I think of when I think of celtic-punk. Modern music but with both feet firmly planted in the past and there are many many modern Irish bands who could do well to learn from ShamRocks example.

(have a free listen to Ye Olde Chariot on the Bandcamp player below before you purchase. It’s only $3 which is super good value believe me!)

Buy Ye Olde Chariot

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FOLK-PUNK BAND CASCABEL FROM SLOVAKIA TOUR OF IRELAND AND ENGLAND 2017

Cascabel’s European tour sees them heading to London, Liverpool and Ireland (as well as Germany and Belguim) in just a few days so be sure not to miss this fantastic celtic influenced folk-punk band playing live in or near your town!

Anyone out there remember seeing the great Mickey Rickshaw play on their European tour in January earlier this year? Well I only mention it as the stripped down band that made it over this side of the Atlantic from their home in Boston, Mass sound remarkably similar to this bunch of Slovaks on their second EP Blood, Wood & Rats. Five songs of beautifully played acoustic punk rock with some of the most amazing fiddle you will ever hear on a band featured within these pages. Released just last month Blood, Wood & Tears is Cascabel’s second release after their debut Coffee Tellers and on listening you can hear they have got better and better as a band every step of a road that has taken from their home in Banská Bystrica in Slovakia in the heart of Europe.

This entertaing five piece band already have a extensive tour history under their belt, including almost every European country, and now they are ready to wash up here with their quality upbeat folk punk music. Their mix of fast chords and catchy melodies is all performed solely on acoustic instruments with folk melodies and plenty of punk rock attitude.
Though they are far removed from any of the Celtic nations their music has an indefinable celtic air to it. As I said it reminds me a lot of the stripped down Mickey Rickshaw that played a short European tour earlier this year and not just that but singer Lukas doesn’t half remind me of Mikee from Mickey Rickshaw as well. Extremely catchy and real foot tapping country-Irish-folk from a band we must support while they are over this side of Europe. Their tour takes them to Ireland, England, Germany and Belgium and with gigs in Liverpool and London I’m sure the London (and Mersey) Celtic Punks will rally round. Their full tour dates are above but they come to us in the capital at The Bird’s Nest in Deptford, South London on Monday 4th September and the good news is that it’s free admission and Cascabel will take the stage about 9pm but check on the Birds Nest FB page (here) nearer the time or the FB event (here).

I’m sure I don’t have to tell London Celtic Punks how hard and expensive it is for a band to tour round Europe so take a good look at the tour dates and get onto your friends and share it with them or even get them to share it.
We are not a massive scene but we are certainly a good one with good people. We are a small family but we support each other like the best families do.
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EP REVIEW: BLACK RAWK DOG- ‘Suburban’s Folk Stories’ (2017)

Another top quality Indonesian celtic-punk band belt it out of the ball park with their new EP! Black Rawk Dog continue the Indonesia love in…

Just a couple of days ago we reviewed a great EP from an Indonesian celtic-punk band (here) and low and behold just like buses up rolls another one five minutes behind! As with Rain In Summer we first came across Black Rawk Dog on the absolutely superb Indonesian celtic-punk compilation ‘Wind From The Foreign Land’ from 2014. Fourteen tracks from fourteen different celtic-punk bands from across Indonesia and from right across the whole celtic-punk spectrum from folky traditional folk to celtic-Oi! and hardcore it’s all there and is definitely one of the best album’s I have ever heard. We described Black Rawk Dog then as

“fast paced fiddle and mando punk played at breakneck speed with gang vocals”

and on the basis of Surburban’s Folk Stories I can see no reason to change that!

(The EP teaser a collection of videos by friends of the bands showing them hanging)

The Black Rawk Dog story begins at the end of 2010 when a group of Sidoarjo friends become interested in and decide to take up an unlikely form of music for youths in their country. It takes a while to get going and in November, 2011 they begin their journey playing with another of Indonesia’s celtic-punk greats Skarockoi! They began to invite some of the other great bands from around the country to play in Sidoarjo and soon enough they were being invited to play around the country as well leading to their performance at the Jogja Celtic Punk Night. BY now the band had set out to find more about traditional Irish music and the wider celtic music scene in Indonesia and Black Rawk Dog were now firmly on their way to transform from a punk band with folk instruments to a fully fledged celtic-punk band. A skinhead mate suggested ‘Black Dog Conspiracy’ as a band name and somewhere along discussions they ended up as Black Rawk Dog and set out to take Indonesian celtic-punk to the masses!

Surburban’s Folk Stories was sent to me by an old mate on Facebook Jr Miko from the record label that released this and pretty much everything Indonesian celtic-punk related. The first thing that strikes you on listening to this EP is how much energy the band has. If it’s possible to tell how much fun a band has through listening to them on record then here is the best example I have heard it quite a while. They roll out all the celtic instruments to kick start ‘Brand New Day’ the opening track.

Tin whistle, bango, fiddle all leading the song with vocals shared among the band and a real Dropkick Murphys singalong going on. Now the band sound more like Flogging Molly than the Murphys but the songs do remind me of them more somehow. A fantastic start to the EP and the sound of quality Irish folk music fills the air on the second track too. ‘Work Proud’ is again sung in English and is nice and clear and just on the right side of punky gruffness. Again its fast but without losing the folky sound and the ‘Woah Woah’ gang chorus is great. The celtic instruments are out in force again but the whole band is on top form here with nice drumming and guitar. Now regular readers will know how i wax lyrical about the most under-rated instrument in celtic-punk, the harmonica. My uncle Pat bought me a mouth organ when I was a kid and though I never did quite master it I still love the sound. ‘Still One’ slows it all down a little and the harmonica kicks it off until more gang ‘Woah Woah’s come in and beautiful guest female vocals take the song slowly up in tempo into a fast and frantic hardcore celtic folk punk number. The song ends with a high kicking blast that comes with a tinge of country included. More than half way through the EP and I am absolutely loving it. Play this in a bar in Dublin, London or NYC and tell the regulars these are a local band and you’ll get no argument I am sure. In fact the way that Black Rawk Dog have taken to Irish music would put most Irish bands on the island of Ireland to shame. Indonesia is a 80% majority Muslim country so great to hear ‘Rumble In The Bar’. Celtic-punk as our header states is music of rebellion and resistance and great to hear Indonesian’s playing it as well as anyone else, and sometimes better. Starting off with banjo it all turns into a massive ceilidh and like some sort of Irish-punk-celtic-hoedown with more gang vocal chorus and fiddle to die for. Super production here on all the songs and the music is flowing as the beer is flowing out and sadly the EP comes to an end with ‘The Old Man Stands Alone’. Expecting a slow maudlin ballad Black Rawk Dog kick out the best song on the record that takes me right back to to the days of The Pogues. Whoever is sharing their record collection with these guys is doing a fantastic job and I’m left wanting to hear more from this great band.

All the songs here are penned by the band themselves and if I had any criticism it would be that it’s only twenty minutes as I am now desperately wanting to hear more from them. This EP is a perfect example of what can be done with a bunch of extremely talented musicians and a wish to move beyond playing bog standard punk music. This is easily as good as anything I have heard this year and I only wish that bands like Flogging Molly or The Murphys would put their hands in their pockets and get some of the bands from Indonesia over to the States for some exposure. How about getting them on the next Salty Dog cruise Flogging Molly?

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WLRV Records is a Yogyakarta based independent record label, focusing on celtic punk and punk. Started by YK Mass in 2012 we are here to support Indonesian Celtic Punk / Irish Folk Punk / Paddy Punk movement.

EP REVIEW: FOLLOW THE CROWS- ‘West is East’ (2017)

London based Celtic folk rock/Irish/bluegrass band with hard-driven vocals fused with guitar and mandolin mayhem, underpinned by riotous folk rhythms of rebellion, redemption and downright recklessness!

Formed in August, 2012 Follow The Crows are the latest in a growing line of bands playing in the London Irish-folk scene that have embraced some of celtic-punk’s harder edges. They have been playing regularly around London for a good while but so far apart from coming across them on Facebook we haven’t had the opportunity to check them out live in person as it were. Then this arrived on the doorstep, their new EP released last January and after just a couple of listens they have swiftly risen to the top of the list of bands I want to see.

Follow The Crows (left to right): James Cannon- Vocals, Guitar * Ben Sumner- Mandolin, Banjo, Lead Guitar, Backing Vocals * Dan Ferguson- Fiddle * Lawrence McNamara- Bass, Backing Vocals * Karl Hussey- Drums, Percussion

East Is West is Follow The Crows debut release and begins with the kind of song that our description at the top of this review fits exactly. ‘Lay It Down’ starts with the sounds of the ocean before slowing morphing into a song combining elements of trad Irish, bluegrass and Americana that makes this EP a real winner. Catchy as hell and a real foot tapper.

Extremely well played by very good musicians and while there are no thrashy guitars, or even drums, it’s given that bit of edge by singer, James raspy vocals.

“Freedom songs don’t say anything
When you’re out on you’re own
With those big wheels turning
Those bridges burning
West is east high is low”

They follow this with the soft rock edged ‘As The Night Comes Falling’. Threatening at any minute to go flat out, and part of me does wish they would, but they reign it in and keep it nicely subdued. Coming off here as part Tom Waits- part Mumford with a dash of rock’n’roll it’s another great number. Third track here is ‘Black For The Crows’ and if you’ve ever heard the Murder Ballads album by Nick Cave then that’s the territory we are in here. Great song and though underpinned by Irish/celtic music influences seep in from everywhere.

“They rose up their banners for glory on high
Sounded the bugle beneath the blue sky
‘Freedom will follow when the day is o’er”

The EP comes to an end with ‘Quiet Land Of Erin II’ and for me they save the best for last. Ever so reminiscent of The Waterboys here I think. With James sounding a real ringer for Mike Scott. The vocals are almost whispered while the Crows get plenty of guests in to give the song a real full band sound once it gets going. More proof that Follow The Crows are fantastic musicians and with the songs to match to bring the curtain down.

“Oh father now she said
The curlew and the cuckoo’s fled
Troubled is the heart that you’re hearin’
Oh father now she said
They buried you among the dead
On the quiet, quiet land of Erin”

At the moment East Is West is only available as a digital download for now and priced at a very reasonable £3. It’s a great introduction to the band and if they want to stray away from the London pub circuit then a follow up album of more like this is a necessity and will surely achieve it.

(listen to East Is West by pressing play on the Bandcamp player below)

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EP REVIEW: THE DEAD MAGGIES- ‘Wild Dogs And Flannies’ (2017)

The Dead Maggies are a folkpunk band from Tasmania. 

Hear tragic tales set to a lively toe-tapping hoedown of music that will make you dance, yell and folk till you punk.

Now here’s another chance for me to wax lyrical about the quality of of music coming down to us from the heights of the Australian celtic/folk-punk scene. Regular readers know my views but it doesn’t hurt to reiterate them again every now and then so here we go. The best music in the world comes from the Australian celtic-punk scene of that there is no doubt. We have been fortunate enough in London to have hosted The Dead Maggies before and fellow Aussies The Rumjacks and The Go-Set have blazed their paths through London several times each leaving behind a ever growing army of fans each time they play.

They formed in Hobart on the day of Margaret Thatcher’s death when a bunch of punk and folk musicians were celebrating and started jamming songs accompanied by plenty of home brew. It wasn’t long after that they were up on stage playing with some of the biggest names in Australian celtic-punk. This EP is the third release from The Maggies and follows in the footsteps of their amazing debut mini-album The Dead Maggies Sing About Dead People.

Released in April, 2014 it’s a fantastic way to begin with seven original songs/stories that tell the tale of Tasmania in a way that not many bands could do. Tragic tales set to a toe-tapping lively folk punk hoedown. The above is a link to the re-issue that is the same except with added fiddle. After this release they toured Europe including a week long tour here that took them as far north as Scotland and as south as London where they fair set the TChances stage alight with a set that had the sweat dripping off the walls! They followed this up with their debut full  length album Well Hanged in November, 2015. We ranted and raved about this LP and it even mad #7 in the 2015 London Celtic Punks Album Of The Year (here). We ended that review with these words that are worth repeating

“Twelve tracks that explore the lives, battles, deaths and loves of ordinary people. The people whose history is being written out of the books. The history children don’t learn at school. History that is an embarrassment to the people who rule us and who are scared stiff of the inspiration it could once again provide to the ancestors of the original folk these stories are written about. Music to dance to, love to, cry to and rejoice. The Dead Maggies provide all this in spades and by telling of the dark and oppressive past of Tasmania that history will never leave us. Bands like this should be an inspiration to us all in the celtic-punk scene. Story telling is at the very core of our music. We have a glorious past and if indeed our music has any connection to the past we are forced to retell it in song. Thanks to The Dead Maggies for doing that and doing it so well”

So then what they got to offer in 2017? Well the year started with discussions about a Dead Maggies follow up tour of England which is now definitely happening people (but more on that later!). So with the band busier than ever and looking forward to the rain they released Wild Dogs And Flannies last week on Tassie record label Folk ‘Til Ya Punk Records.

It would seem on Wild Dogs And Flannies they have taken a break from tales of convicts and bushrangers and given us five tracks that deal in the here and now. The EP begins with ‘When I Die’ and its heavy stuff but put to a great ‘cow-punk’ back beat. Starting off slowly before the band kick in and give it us in spades. The subject of assisted suicide is not yer typical celtic-punk fare but that’s exactly why the Aussie scene is so well loved by us all. Never afraid to take on serious subjects or open their hearts. They follow this up with another serious subject dealing with domestic violence on ‘She’. Released last November with all proceeds from the song going to Tassie group SHE (Support, Help, Empowerment).

“One day will come liberty
But for my children, I would die to be free”

I love The Dead Maggies for their raucousness and unabashed celebration of dark things and here they show they can still put out a tune that makes you think. Show your support for SHE by downloading this song here for just one Aussie dollar.

They keep up the serious theme of the EP with ‘Goodbye Gondwanaland’ a slow acoustic number telling of the dangers of the coming (or has it already arrived?) environmental disaster. A beautiful song again designed to make you think and given that GTMongrel has one of the most distinctive voices you will hear in any genre its an emotional song given that added depth by his wonderful vocals. Gondwanaland was one of the two ancient super continents from about 200 million years ago. ‘Wild Dogs And Foxes’ is classic Maggies beginning with acoustic guitar and fiddle before the tempo shifts and we are back in  the celtic-hoe down territory that we love. The curtain comes down and they finish with a flourish and a light hearted fast paced track ‘All My Flannies Are Broken’ with the whole band having a go at vocals. A flannie is a Aussie term for them tartan button up long sleeve flannelette shirts. A lovely ditto about getting them ripped in the moshpit. A superb end to proceedings.

So there you have it. Another masterpiece from The Dead Maggies. Five songs that stretch what they do in every direction possible. This is a band that can really make you think and while that is not always what you want (lets face it music is an escape from the trials and tribulations of life) you could always instead switch off your brain and just enjoy the excellent music!

The Dead Maggies deserve to be massive and while they are half way there in Australia you will get a chance to check them out on these shores this summer. The dates of the tour are yet to be finalised but they are booked to play at Outcider festival on Sunday 6th August and Boomtown on Saturday the 12th. The inbetween bits are being sorted now and in there will be dates in London and Kingston (provisional dates are Thursday 10th and Friday 11th) so if you want to be kept up to date check out the London Celtic Punks Facebook page and subscribe to our Events here and we will see you at the bar!

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Since we last reviewed The Dead Maggies there has been an explosion in Aussie sites concentrating on Celtic/folk-punk. Well two anyway. So if you absolutely obsessed with the Australian scene like me do yourself a favour and head over there now.

Aussie Celtic Punk’s and Australian Folk Punk Scene

You can find a host of other amazing Australian bands on the ‘Folk ’Til Ya Punk Records’ web site which has some of the best Australian folk punk, folk, punk, folk rock, celtic punk, gypsy and bluegrass artists around on its roster so well worth supporting.

EP REVIEW: BENNY MAYHEM- ‘Song For Absent Friends’ (2017)

Australia’s folk-punk troubadour!

Just a few days before we review the new EP from Tasmania’s premier folk-punk outfit The Dead Maggies and it’s more of the same with more Aussie fare from Benny Mayhem. Not a name known to us till recently it would seem that Benny has blessed Europe quite a few times before as both a solo artist and as the shirtless, writhing front man of kick-arse smart alec punk rock party band Project Mayhem. He tours as both solo and with a band and if plans go to plan he will return to England with both in 2017 while inbetween Benny will be studio-bound applying the finishing touches to his latest LP.

From his home base on the west coast of Australia in Perth, Benny Mayhem has toured the world as a wandering troubadour and in England has gone from busking outside tube stations to the festival circuit in only two years. The EP begins with the title song ‘Song For Absent Friends’ and is an ode to the multitude of people that have helped Benny on his journey’s around the globe delivering folk-punk to the masses. It was in the Fuelled By Cider Studio in Somerset that Benny realised the three original songs delivered here needed the backing of a full band to realise their full potential. Returning to Australia he set about mixing the songs and gathering the right musicians for the job.

“Now I’m sitting in my room,
Thinking of times I shared with you,
And I wouldn’t be me today…
If it wasn’t for you”

He wrote the opener in a hotel room in the Austrian Alps and its poppy’ness’ and Cali-punk style belie its snow laden roots! It may not have much in common musically with The Dead Maggies but the Aussies seem to have cornered the market in great song/story writing.

(acoustic version of the full band song on the EP)

Benny and his acoustic guitar start the show next with the amazing ‘Mother Nature Will Have Her Revenge On Old Fatty’. Great well thought and inspiring lyrics as well as a great sense of humour. Listening to this song especially you can tell it would have worked as just Benny and that guitar but the band takes it into a different territory and will I am sure open many more doors for him.

“You’ll watch the jungle close in
Just as it always has before…
And the waters will rise
Just as they always have before…”

‘Bulwer Street Waltz’ is next and again it’s mostly Benny and his guitar with minimal but crucial backing from the band. A tale of mis-spent youth that ends with the absolutely fantastic line

“We were glared at in clubs
But we didn’t care
My only regret is that I didn’t dance”

What a line. I love it.

Song For Absent Friends ends with a class acoustic version of the Stiff Little Fingers standout ‘Suspect Device’. Jake Burns spits the original out with real bile while Benny plays it much calmer. Perhaps taking inspiration from Anto Morra who did an amazing job with SLF’s ‘Wasted Life’ proving you can do an angry song without an angry voice (here) Benny nails it regardless.

“Inflammable material, planted in my head
It’s a suspect device that’s left two thousand dead”

You can file Benny Mayhem in the folk-punk section with fellow Aussies like The Rumjacks and The Go-Set but just don’t be expecting the same celtic fuelled raucousness of said bands but more hook laden, catchy and contemplative songs from an artist whose journey has only just started. Whether that journey will lead him away from his trademark folk-punk sound who can tell but wherever it does end up you can be sure Benny will be delivering it straight from his heart.

(listen to Song For Absent Friend here for free before you buy)
* Benny Mayhem will be playing at Rebellion festival in Blackpool on August 4th so look out for dates across the country around then in what will be his fifth visit to these shores.
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EP REVIEW: TOXIC FROGS- ‘The Mermaid’s Song’ (2017)

French celtic-punk chicks band!
Four Girls Two Fiddles

Toxic Frogs are quite the anomaly within celtic-punk circles it has to be said. As much as i hate the idea of segregating bands into male and female it is refreshing to see a all-female band in the scene and standing tall too. Most of the time it seems to me that when ‘female’ music is brought up we are suppose to like it whether or not we do actually like it or not. The failed and discredited identity politics that handed the American election to Trump have ensured that people can no longer have an opinion on ‘certain’ things without being shouted at and labelled by hysterical bigots with no actually basis in fact. Anyway rant over and my point is that as a music reviewer my job is review music not ‘virtue signal’ to you all how right on I am by giving good reviews to bad or mediocre music just because the band fit someone else’s ideological pigeonhole. I don’t not have to worry about any of that shite here mind you as The Mermaids Song is abso-fecking-lutely fantastic!

I have heard plenty about Toxic Frogs in the short time they have been together without actually hearing an awful lot of what they have put out so far. Always on my list of bands to find out more about I just had never gotten round to it. Their 2015 album Kill The Devil somehow passed me by except for this review from Celtic Punk Folk And More here but they have kept up a steady stream of excellent videos that have at least introduced them to the wider celtic-punk scene if not me personally!

Toxic Frogs left to right: Lucianne Wallace- Guitar * Elvina Lynn- Bass/ Fiddle * Lydie Dupuy- Drums * Ella Beccaria- Fiddle/ Lead Vocals

Formed in the east-central French city of Lyon in September 2014 Ella came up with the idea of staring an all girl celtic-punk band so started to advertise the idea and soon enough the team of girls was ready. Having already played fiddle for French celtic-punk legends Celkilt she knew the scene and as soon as they hit the practise rooms something gelled. Taking their name from the not so friendly nickname the English give to French people they began to make waves in the celtic-punk scene almost straight away but the question everyone wanted to know was did the band deserve the hype and the answer listening to The Mermaid’s Tale is undoubtedly a resounding yes!

The EP begins with the instrumental ‘Scott Is Back’ and what a start to proceedings. The band consists of electric guitar, bass and drums and some almighty fiddle playing. The music sits nicely on the fence between celtic-rock and celtic-punk and many a time could fall into each within a single song and the standout here is that amazing fiddle playing though that’s not to say the rest of the band don’t play their part equally as well. The song begins with a Scottish feel to it I think because of the Scottish style drumming before a more traditional Irish sound comes in. The songs builds to a breakneck speed and ends with a fantastic flourish. There are a couple of bands in the scene that have female singers like Irish Moutarde and Brutus Daughter but most of the the ladies are confined to backing vocals or taking the lead on ‘Fairytale Of New York’! The band sing in English and ‘Criminal’s Heart’ is pure pop-punk heaven. Much more of a folk-punk number until near the end when the celtic fiddle kicks in and leads the song until the end.

Title track ‘The Mermaid’s Song’ is up next and there’s some blatant metal overtones here which remind me of all girl punk legends L7. Again the fiddle comes in well after the song has established itself showing that Toxic Frogs could easily get away with being just a run of the mill rock band as well. Again the fiddle brings the last curtain down on the last couple of minutes. We are in celtic-punk territory with ‘Toxic War’ and the girls go about their job with a frantic fast paced song with plenty of gang vocal “Hey, Hey” going on.

Last year Katie out of The Mahone put down her accordion for five minutes to record the now infamous ‘F*** You’ for the Hunger And The Fight Part Two album and now Toxic Frogs can add to that with their own ‘F**k You’. At just over six minutes long its a bit of an epic and begins with a slow and soaring guitar rock solo. Ella comes in with her vocals and the music lifts and then all of a sudden we back with the more trad Toxic Frogs sound. A great song that never drags and a brave song to record knowing that celtic-punk fans much prefer short n snappy songs …unless they are ballads and then you can go for as long as you like. Shades of grunge are back in ‘Go!’ with the chugging guitar and the EP ends with the majestic ‘Violins and Hammers for Ever’. Yeah they save the best for last in my humble opinion. Like I said just a few lines ago I am a absolute sucker for a well played ballad and here Toxic Frogs manage it in spades. A beautiful song where Ella’s voice on this EP never sounds better. The best way to bring the curtain down at the end of a celtic-punk record without a doubt.

So an excellent record and good enough for me to leave you in a minute to go and check out their back catalogue as well. Seven great songs that clock in at over thirty minutes so probably long enough for us to call it a album seeing as it is longer than a few other 2017 album’s. Their is talk from our fellow London celt’s Urbankelt about bringing Toxic Frogs over to play so hopefully that will come off as they deserve to be seen far and wide.

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EP REVIEW: BORN AGAIN HEATHENS- ‘Born Again Heathens’ (2017)

Celtic punk rock from Raleigh, NC bringing a swift kick in the pants to Celtic Music. Something different, something rude, something drunk, something crude!

Rocking away out of Raleighthe capital city of the state of North Carolina, Born Again Heathens play absolutely amazing kick-ass UK82 style punk rock with bagpipes. Born out of the ashes of the areas only celtic-rock band My Three Kilts the drummer and bassist from said band fancied something with a much heavier edge to it and so Born Again Heathens were delivered.

“Someone born into the world with no religion, who gets baptized as a child, learns about or experiments with other religions as an adult and then declares all region to be BS. This person may or may not still believe in a higher being”

Like most cities in the States the local Irish-American community is flourishing again after some rather lean years. The city boasts the popular Raleigh GAA Club which plays both football and hurling, a massive Irish festival, a branch of the Ancient Order of Hibernians, Irish dance and traditional music classes and enough Irish bars to give you blood poisoning if you attempted a pint in each one!

So it’s no surprise then that wherever you find the Irish community in America you will also find some top quality celtic punk bands and Born Again Heathens are one of the best I’ve heard of late. All the band are from Scots/Irish backgrounds like Andy the drummer whose Grandad came from the Shetland Islands. Now I do love my folk music and I love all kinds of celtic-punk from the more trad based to the hardcore versions, or you could say the Murphys to the Mollys even, but sometimes the folkier stuff just won’t cut it and your in the mood and need something to bang your head to. Well you can go ahead and place this EP in the latter section.

Kicking off with ‘Irish Goodbye’ it’s great old fashioned fast punk rock but just as you start to think what’s it doing in the celtic-punk section the pipes start up and you nod your head knowingly to yourself. That’s why. The pipes are played expertly as all the other instruments and the production here is quality too. Now a ‘Irish Goodbye’ is not something I knew much about before I saw it mentioned on an episode of The American Office. It means leaving a pub without saying goodbye. Now I’ve been known to do this myself but sadly without realising like the time I went to the toilet and came straight out the door and went home leaving my coat and bag behind me in the middle of winter!

Fast and furious with a real catchy feel to it with the bagpipes feeling really natural. This isn’t just a punk band with a bagpiper this is a band where the pipes are an integral part of what Born Again Heathens are doing. We are in for more of the same with ‘McIntyre’s Lament’ and the headbanging continues. More tales of the pub and a mate who can’t hold his drink. Even room for some fecking great metal guitar! ‘Wild In The Streets’ comes with a really well produced video and the songs sounds pretty damn good too. Most celtic-punk bands liken themselves to some sort of cross between The Clash and The Dubliners but here we have something a bit more different. Imagine if you would a hybrid of Manchester punk/Oi! trailblazers Blitz and Scots folk legends Silly Wizard and you’ll be much nearer the mark.

The vocals are sung in a sort of English accent which makes the Blitz comparison even more true. ‘Brass Tacks’ is the most traditional folk sounding song here. The pipes are pushed to the fore and lead the band along. I have rarely heard piping as good as this in celtic-punk and in ‘All My Friends Are Drunks’ the longest song here the Bhoys really get to drop the hammer. An absolutely superb song with influences washing in from metal and southern rock with chugging guitars and them wonderful pipes. The longer song really gives the band a chance to get into it and was I thought as good as it could get here till the even better ‘Stagger Alley’ came waltzing into my lugholes. Proving they aren’t just a two dimensional band they give us, for me anyway, the album standout. The catchiest of catchy choruses helps of course! The EP comes to an end with another great song ‘Sadie Hawkins Slam Dance’. In the states a ‘Sadie Hawkins’ dance is where a woman asks the man to dance with her, instead of the traditional way of man asking the woman. I found a hilarious explanation of the origins of the dance here.  This could become the Born Again Heathens anthem I think.

So there you are. Seven songs that fly past at breakneck speed in just twenty three minutes. I think any longer and we, the listener, may not make it through! I been listening to a lot of folk music recently and after playing this two dozen times I’ve decided its time to dig out the punk music again. Seven songs written by the Born Again Heathens that have plenty of scope and influences from outside celtic-punk that only add to the sound. They are starting to make a name for themselves outside of North Carolina and they certainly deserve to if they can keep songs like these coming. Now wheres that album Bhoys?

Born Again Heathens left to right: Scott Ervin- bass,vocals * Mōg- bagpipes, whistles, vocals * Bryan Swinson- guitar, vocals * Andy Pacheco- drums, vocals

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North Carolinian’s pride themselves on their knowledge of the history and culture of ‘North Cackalacky’ but when it comes to this unusual nickname no one seems to know where in the world it came from!

EP REVIEW: UNION BLOOD- ‘Working Class Pride’ (2017)

From the land of pipes and drunx comes this new EP of streetpunk and Oi! from Galician band Union Blood.

union-blood-ep
Bit of a departure for London Celtic Punks with this EP from the newly formed Street punk band Union Blood. Formed last Summer in A Coruña in Galicia now that city may ring a bell for celtic-punk fans as it is the home town of famous celtic celtic-punk band Bastards On Parades. As it goes Union Blood began last year as a side project but as Bastards On Parade announced on their Facebook page
“Hey! We wanted to let you all know that we are taking a break for a while. Different circumstances don’t let us keep the rhythm of traveling and tours we used to, so we will wait for the right time to come back as this band deserves.
See you soon you bastards!! Cheers”
Now Bastards On Parade, who took their name from the Dropkick Murphys song and played with them numerous times, worked their collective arses off over the years with their touring and even washed up over here a couple of times including a short and not particularly well organised tour (by us!) with The Lagan. So they are deserving of a break but what has stepped into the breach in the meantime you ask? Well what we have here is Union Blood’s first release and it has all the influences of Oi! bands past and present that you would expect flowing through it. Now I never been a skinhead but use to be a big fan of Oi! and one of the things about Oi! is that it was/is the British sound that completely dominates. Bands like The 4-Skins, Cock Sparrer and the Rejects seem to influence every band no matter where they come from and Union Blood are no different.

from left to right: Ruper, Arenga, Dopi, David

The EP begins with ‘Working Class Pride’ and its straight forward skinhead rock with David’s welcome, and familiar, voice rasping his way through a fast and catchy as hell number about having pride in your background. In a world where the working classes are hated by the elites (to be fair they always have been) for not voting the way they are told or being coarse or unruly and for simply not doing as we are told we only have each other. With the left around the world hellbent on destroying itself by the adoption of lunatic and poisonous identity politics a new left is needed that in the words of someone who should know is a new left that is
“from the class, for the class, of the class”

‘Reckless And Bones’ is up next and the chugging guitars are still evident but also the catchy gang chorus and “whoa whoa” too. Traces of Bastards On Parade here and with a piper in there we would be away!
The best song on the EP for me is the anti-fascist anthem ‘Blood On The Streets’ and cor blimey guv’nor it is a cracker. I won’t stray in cockney rhyming slang I promise but this song is an almighty foot tapper and fist shaker. Slightly slower and a lot heavier than previous tracks but by God it’s a class song.

The EP ends with the song ‘Brawlers’ which is another great song and dedicated to the Bhoys football team Deportivo de La Coruña. So there you have it songs about brotherhood, football, drinking and fighting the good fight. All played in such a way that if you were a fan of Bastards On Parade you would love this too. Great songs with interesting and well thought out lyrics and, most importantly of all, extremely good and catchy songs!
(you can have a listen to the EP below but only two songs feature so to get the whole four tracks you will have to buy the vinyl single)
Get The EP
Download- FromTheBand (First two track)  For Vinyl- USA: CrowdControlMedia  Europe: Oi!-Punk  Spain/France: CROM Records
Contact Union Blood

EP REVIEW: AND THE WASTERS- ‘State Of Repair’ (2017)

Will Tun And The Wasters carry on exactly where they left off except without Will Tun and with kind of a new name but still with plenty of that explosive folk’n’punk’n’ska rebel rocking they are renowned for!

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We first heard of Will Tun And The Wasters a good few years back when I got a call out of the blue from someone begging me to let their band support The Dreadnoughts and The Lagan at Mannions in north London. They would even do it for free they were so desperate. Music to any music promoters ears so they were booked straight away. They arrived at the venue from universities from right across England and played a blinder, going down an absolute storm. Very young and enthusiastic, their energy was infectious as well as their music bringing with them equal doses of folk, celtic, punk and ska. Fast forward a few years and now mostly settled in Bristol they had become firm festival favourites as well as gigging and touring the length and breadth of these islands. Then all of a sudden vocalist Will Tun announced he was off. Nothing personal but it was time to get a proper job or something. Rather than agonise over what to call themselves they just dropped Will from their name and decided to just call themselves And The Wasters. I love it and think its genius!

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Last year And The Wasters played the main stages at popular English festivals such as Bearded Theory and Boomtown Fair and also completed an extensive tour of Europe. Adding elements of Latin, dub and even jazz to their usual brand of folk, punk and ska played with accordion, trumpet and fiddle. So after a year of playing as And The Wasters this new 5 track E.P State of Repair is their first release post-Will Tun and stands up well next to their album release from September, 2015 The Anachronist’s Cookbook which came out not long before Will’s decision to leave the band.

The EP kick’s off with ‘Lions Share’ and this is proper what we use to call festival music. Catchy ska based music but with hints of something a bit more aggressive below. The trumpet is leading the way and the band gel fantastically well and it’s a grand start to proceedings. Jo’s accordion rears its head towards the end and if we thought they would be hampered by Will’s absence then we were wrong. Next is ‘Small Victories and it’s more of the same. Still catchy and music to get you on your feet.

They may have left their more overt celtic-punk/ folk-punk sound behind but it’s back with a vengeance on the re-cycling anthem ‘Reduce, Reuse, Rebel’ all being it smothered in a rather lovely ska beat with again some great trumpet playing. ‘Bound as One’ adds Balkan folk into the mixture and stirs it about. This band sure do catchy well before the EP wraps up with the slow ‘Intro Dub’. None of the rowdiness of before bit more of a head nodder this one!

The past few years have seen the band taking their feel good music out beyond the usual safe spaces bands normally go. This band would literally play anywhere they can so attached are they to the idea of DIY music. The idea that bands can do it all themselves without the need for managers, publicists or record deals. But don’t be thinking they are just some happy-go-lucky ska-punk band version of The Wurzels though. Their music is only matched by what they have to say. That attachment to DIY only echos their positive message of solidarity, friendship and collective action. The band live by their message and their beliefs, being active within the DIY music scene and by lending support to various good causes.

(have a listen to State Of Repair before downloading it for *FREE* below)

GET STATE OF REPAIR

FromTheBand  RiotskaRecords

CONTACT THE BAND

Facebook  Soundcloud  Bandcamp

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE O’NEILLS- ‘Chapter One’ (2017)

ireland-hungarySo welcome to you to our third and final part of Hungarian Celtic Punk Week. After two fantastic celtic-punk bands in The Crazy Rogues and Firkin we calm it down a little with The O’Neills and their debut EP. We can be quite parochial in celtic-punk sometimes and tend to stick to bands we know or have heard of but there’s an absolute wealth of music out there begging to be heard and some of it may be from countries you wouldn’t expect. If the only thing this blog does is gain some of these bands a tiny bit of recognition then we are succeeding in what we set out to do. Leave your misconceptions at the door and take off your pub shoes and dip your toes into the celtic-punk scene worldwide and what better place to start off in than Hungary!

chapter-one-album-cover

The O’Neills formed in April, 2013 and hail from the Hungarian capital city of Budapest. Where as the first two bands we featured this week both play celtic-punk that sees the folk and punk in equal measures The O’Neills are much more of a Irish folk band in the traditional sense. Formed for a one off occasion The O’Neills success led them to be asked to perform on the Irish Stage of the Sziget Festival some months later. The huge impact gave the five-piece group the bit of push they needed to become th regular session band playing traditional acoustic Irish music at Jack Doyle’s Irish Pub. After two years, they tried different pubs and bars in the inner city of Budapest, changing their gigs to an unique show each time. By January 2017 it had led them to become one of the most sought after bands in Budapest and they recorded this debut EP at the Artist Factory studio. As its title they chose ‘Chapter One’ with the band planning to release subsequent chapters annually. Here we get as Chapter One three songs of excellently played music that perfectly evokes the spirit of Ireland.

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The EP begins with the Irish rebel song ‘Down By The Glenside’ and is beautifully sung by Krisztina. One of the best known and also saddest of the Irish folk song repertoire it dates back to the time of the 1916 Easter Rising. Written by Peadar Kearney, an Irish Republican and composer who also wrote numerous other rebel songs, including ‘The Soldier’s Song’ (‘Amhrán na bhFiann), which would go on to become the Irish National Anthem. Kearney was a member of the Irish Republican Brotherhood, popularly known as the Feniansand the song stands as a call to arms for a generation of Irish people who were used to only political nationalism.

“Some died by the glenside, some died mid the stranger
And wise men have told us their cause was a failure
But they stood by old Ireland and never feared danger
Glory o glory o to the Bold Fenian Men”

The O’Neills version starts slow and maudlin. Just as it should be before speeding up with military style drumming and tin whistle. Never in a thousand years would you guess that this wasn’t an Irish band! The EP dips into more poppy territory with ‘Avicii’ next. The song is a mash-up of three of the house DJ Avicii’s three biggest hits done in a folk style. Again Krisztina’s voice is prominent, and why not when its this good, with the bands instruments wrapped around it. The song is mid-paced and is a catchy as hell foot tapper. Later on Dániel joins in on vocals and is the perfect foil for Krisztina.

“One day my father—he told me,
“Son, don’t let it slip away”
He took me in his arms, I heard him say,
“When you get older
Your wild life will live for younger days
Think of me if ever you’re afraid.”
He said, “One day you’ll leave this world behind
So live a life you will remember”

The EP ends with ‘Country Medley’ and is exactly what it says on the bottle. A compilation of Irished up excerpts of country (ish) classics. Daniel leads the bands on vocals with what must be a sure fire live favourite proving that these Bhoys and Ghirls can certainly play their instruments.

oneills-band

The O’Neills from left to right: Tamás Kaposvári- Cello * Dániel Fekete-Szűcs- Acoustic Guitar, Vocals * Krisztina Hajdu- Vocals * Sophia Lajgút- Fiddle * Júlia Seres- Flutes

All over and done and dusted in just over ten minutes its a great first chapter and though it may not appeal to all celtic punk fans I’m sure there’s plenty out there willing to give a band from the more folkier side of things a chance.

( you can hear the whole of Chapter One below on You Tube)

Buy The EP

Contact The Band

Facebook  YouTube

So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

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