Category Archives: Hungary

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2017!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

1. FLATFOOT 56 (Chicago)- ‘Odd Boat’  here

2. THE TOSSERS (Chicago)- ‘Smash The Windows’  here

3. THE BIBLECODE SUNDAYS (London) – ‘Walk Like Kings’  here
4. THE PEELERS (Canada)- ‘Palace Of The Fiend’ here
5. FEROCIOUS DOG (England)- ‘Red’  here

6. BLACK WATER COUNTY (England)- ‘Taking Chances’  here

7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’  here

8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here

9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’  here

10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’  here

11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’  here

12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’  here

13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’  here

14. THE SILK ROAD (England)- ‘S/T’ here 

15. FLOGGING MOLLY (USA)- ‘Life Is Good’  here

16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’  here

17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’  here

18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here

19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’  here

20. CRAIC (USA)- ‘Sounds Of Vandemark’  here

21. THE MOORINGS (France)- ‘Unbowed’ here

22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here

23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here

24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here

25. CELKILT (France)- ‘Stand’ here

26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’  here

27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’  here

28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’  here

29. THE BABES (London)- ‘Greetings From London’  here

30. CHEERS! (Czech Republic)- ‘Daily Bread’ here

Just bubbling under:

THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)

No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.

BLACK WATER COUNTY- ‘Taking Chances’

This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!

1. BLACK ANEMONE (Sweden)- ‘In It For Life’  here

2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’  here

3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’  here

4. THE BOTTLERS (Australia)- ‘The Bottlers’  (here)

5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’  here

6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’  here

7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’  here

8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’  here

9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’  here

10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’  here

Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.

1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’  (here)

2. ShamROCKS- ‘Ye Ould Chariot’ EP  (here)

3. CRIKWATER- ‘Crikwater’  (here)

4. BEOGA- ‘Before We Change Our Mind’

5. FOLLOW THE CROWS- ‘West is East’ EP  (here)

6. PLASTIC PADDY- ‘Lucky Enough’  (here)

7. DAMIEN DEMPSEY- ‘Soulson’

8. GALLEY BEGGAR- ‘Heathen Hymns’  (here)

9. I DRAW SLOW- ‘Turn Your Face To The Sun’

10. ANTO MORRA- ‘From The Vaults’

Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!

MERSEY CELT PUNKS

This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.

CARLTON HUNT

Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.

We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.

His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!

He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.

We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.

Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say

“I try to be serious but the humour always takes over”

He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.

Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.

Ladies and Gentlemen, on drums.. Mr Carlton Hunt

This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

SHITE’n’ONIONS

MacSLONS IRISH RADIO

CELTICPUNK.PL

remember any views or comments we would love to hear them…

 Sláinte, The London Celtic Punks Crew- January, 2018

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2017 REVIEW ROUND-UP’S PART TWO: EUROPE- CASSIDY’S BREWERY, GALLEY BEGGAR, MAD MAN’S CREW, YE BANISHED PRIVATEERS, THE BLACK CLOVER

Every year that we have been doing this has got better and better for celtic-punk releases. As happy as we are that this is so it also means that we just simply cannot keep up with everything out there. We haven’t had the chance to review everything we received or heard so here is Part 2 of our 2017 Round Up where we catch up with some of the releases that we missed first time round. Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but there’s been no way we could keep up so here’s a few quick ones just to get 2017 out of the way. Each and every one are worthy of your time so go ahead and check them out and apologies to the band’s concerned that we had to squeeze them in. This week we concentrate on European bands while last time we visited North America (here) and next time we will review bands from the Celtic regions so join us in a few days.

CASSIDY’S BREWERY- ‘One Brew Over The Cuckoo’s Nest’  (Free Download)

The lads from Cassidy’s Brewery sent me the link to their debut album just a couple of weeks ago so they sneak into our round-up’s but they are one of many featured here that I would have liked to do a full review of. They are a six-piece band hailing from Belgrade, Serbia. Formed in 2008 the current line-up has been together now for a couple of years. The band started like most European celtic-punk bands I suspect playing covers from the mainstays of celtic-punk plus local legends, in their case the awesome Orthodox Celts, before setting out with their own material. Here they give us a ten track album split 50/50 with covers and originals and while the covers are faithful punked up versions of Irish standards like ‘Raggle Taggle Gypsy’ and ‘Drunken Sailor’ it is their own songs that really shine on this album. Lyrically they are very strong with the words to album opener ‘Sail Away’ particularly sticking in my head. If you going to play celtic-punk and have no celtic roots then you need to know your history and this is where Cassidy’s Brewery come over well. With a accent that is easy to understand in fact you don’t need the lyrics as Uroš vocals are as clear as a bell throughout. Irish and Scottish history is covered and no better than on ‘Heroes’ where William Wallace and Finn MacCool go for a beer and end up meeting Prince Edward!

“We’ll slap you silly, so please come out!”
“This one’s for Culloden, and this one’s for Boyne, and this one’s for the pissy-ass stout!”

Absolutely brilliant and I love my celtic-punk with a sense of humour and Cassidy’s Brewery give it us. Musically it’s pretty damn good as well. Fiddle, tin whistle and accordion supply the folk instrumentation and the rest is yer basic punk rock quintet of two guitars, drums and bass. Its melodic punk with metally overtones but it never strays too far away from celtic-punk and they mix it up with folk songs and a superb version of ‘Rolling Down To Old Maui’ that is as good as any I have heard. It may say above that is free but that just means it is available as a ‘Name Your Price’ so it’s free if you like but if you value the celtic-punk scene and bands like Cassidy’s Brewery then stick them enough for a Guinness in there!

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GALLEY BEGGAR- ‘Heathen Hymns’  (Buy)

Here’s a band that you wouldn’t categorise as celtic-punk at all. Or folk-punk either but they certainly do have some crossover appeal to fans of London Celtic Punks I am sure. Heathen Hymns is their fourth album after  Reformation House (2010), Galley Beggar (2012) and Silence & Tears (2014) and the band have got stronger with each release. Hailing from Kent and London Galley Beggar are a band of six musicians that grew up obsessed with an old sound. You could I suppose pigeonhole them among bands like  Fairport Convention, Pentangle or Steeleye Span and while their may have been a time in my spikey haired punk rock youth I would have scoffed at that I can say that the sheer quality of their music has won me over. With their folk-rock sound quite in vogue at the moment they have been steadily building a huge fan-base and even huger reputation  and they have successfully merged the traditional folk sound of England with the psychedelic folk rock sound of the 70’s and nowhere better than on the hypnotic ‘Moon & Tide’ and its fantastic video.

Of course it’s the originals here that are the real jewels but the way they handle the covers of traditional standards ‘Let No Man Steal Your Thyme’,  first heard in 1689!, and featuring guest vocals from Celia Drummond of UK acid folk legends Trees, and ‘The Girl I Left Behind Me’ also impresses. Having recently signed to Rise Above Records they are set to kick on and move beyond their ‘festival fame’ and with bands like Ferocious Dog already on the way up its bands liken Galley Beggar who are set to join them.

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MAD MAN’S CREW- ‘Riot Without Weapons’  (Buy/Buy)

Hungary, Hungary, Hungary bloody Hungary. That’s how it seems this site goes sometimes. I won’t bore you with another list of absolutely brilliant Hungarian celtic-punk bands but will just say that I would swap all ours for theirs in a shot! Formed in June 2015 in Veszprém Mad Man’s Crew mix up a variety of styles with folk and punk colliding with ska via some rather nifty trumpet that slots in super nice. Kicking off with the brilliant ‘Leave Behind’ that takes melodic punk and throws in tin whistle and accordion and some band Oi! Oi!’s to great effect. As with Cassidy’s Brewery above the production here is superb and again the vocals are clear and Molnár is perfectly understandable. Eleven songs clocking in at forty minutes that very rarely strays from celtic-punk but when it does it explodes in your ears like a bomb going off. Fast paced punk rock with accordion is how I would best describe this. They have taken a different approach from the majority of Hungarian celtic-punk bands by concentrating more on the punk side of things though not to say the folk side is neglected it’s just that you wouldn’t automatically think of Irish folk music when you hear them. Other highlights here are the amazing ‘Anthem Of The Anarchists’ which takes all the elements and strands that make up celtic-punk and injects real life into them. I love this song so much it would make my Top Ten songs of the year!

Far as I can tell theirs no covers here but there is one song in Hungarian so maybe that’s one but a great debut album and yet another Hungarian band to go doolally about!

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YE BANISHED PRIVATEERS- ‘First Night Back in Port’  (Buy)

Hoist the Jolly Roger Ye Banished Privateers take no prisoners since launching in September 2012 and have a list of crew mates longer than yer arm with over thirty (!) members of the band and over a dozen on stage at gigs it makes for a rum do indeed. First Night Back In Port is the band/collective’s third album and is a staggering seventy-five minutes and fifteen songs of pure unabashed bastardized Irish folk an’ 17th century sea-shanty punk rock. The music takes you back to the 18th century a rough time when pirates dominated the seven seas and Ye Banished Privateers while they could easily become parody they mange to steer well clear of that thanks to great songs. At times it sounds like Tom Waits on the lash with fiddle, banjo and accordion while at others times its soft and gentle.

The album opener the emotional ‘Annabel’ is for me the best track here, a gentle introduction of a harrowing tale before plenty of opportunities galore to

“Let’s drink, let’s fight! Let’s fornicate by the harbour lights! Let’s fuck, let’s bite! Let’s dance away the night!”

leap out at you. The music is all acoustic and the vocals are shared around the band and while the music is strictly folk the spirit of punk is stamped throughout. One thing I did notice is that it is so full, with thirty members all battling for your attention, that it’s hard to pick out any elements in particular that impress. The sound is very authentic and not at all what I am use to listening to but i really enjoyed this wee time travel back to simple, honest and moving music.

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THE BLACK CLOVER- ‘From Sailor To Hobo’ EP (Buy)

Another release that sneaked in at the last minute this time from France and the debut release from a band that came from the ashes of Seagulls Are Drunk who featured on these pages a long, long time ago. The Black Clover celebrate their first anniversary with the release of this EP and again like with SAD it has a very particular French sound to it while also incorporating celtic-punk and traditional French folk music. Beginning with ‘A Road To Galway’ the song builds up and up and while not quite hitting punk rock levels it certainly rocks along and has a very catchy feel to it. Driving bass and drums and all the time fiddle and accordion keep it moving. They mix it up with ‘Black Tot Day’ a slightly jazzy sound but losing none of the celtic-punk bite and catchiness. Slowing it down for the saddest song you’ll hear today ‘The Lost Beer’, the tragic ballad of a lost love. As with Seagulls Are Drunk I thought then they had a real Tom Waits thing about them and the same here and not just because of Seb and his low and gruffled vocals. Imagine Tom fronting a celtic-punk band and you basically got it but then they go and throw out ‘La Baffe’ a Celtic/Breton bastard of a punk rocker and you realise that all four songs here are all different and then the EP ends with ‘The Sea Is Behind Me’ a beautiful ballad. Great release and bodes well for the future from a band who sound both innovative and fresh while having their roots planted firmly in the past.

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So ends Part 2 of our Round-Up’s and apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have still probably missed some fantastic music so all the more reason to send in your stuff to us to review. We are always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

ALBUM REVIEW: THE SCARLET- ‘Hardfolk Shanties’ (2017)

It’s been five minutes so must be time for another amazing Hungarian celtic-punk release from another amazing Hungarian celtic-punk band!

2015 was the year of the Hungarian celtic-punk band with a seemingly never ending succession of celtic-punk releases throughout the year that filled the end of year Best Of polls for not just ourselves but for all the other celtic-punk media. Well last year was a bit on the quiet side but the Hungarians are back in 2017 with a bang and already this year we have had Hungarian Celtic-Punk week when we reviewed three releases by bands old and new to the scene in Firkin, Crazy Rogues and The O’Neills plus as well as finding space for the excellent Jolly Jackers album and a new Paddy And The Rats release due any day soon its shaping up to be a repeat of two years back. The Scarlet’s singer/songwriter Dániel also plays in The O’Neills and while they are a much more traditional Irish folk band it seems he has chosen The Scarlet to take out his aggression on and their music has a much harder edge to it than previously. Which brings us to this release which came out in March (when else!) and is the debut long player from Budapest based band The Scarlet. They have previously released a Demo (available for free download from here) in late 2012 and in January, 2015 they released their first official record in Midnight Avenue. That was six tracks and twenty minutes of, mostly Dropkick Murphys style, quality celtic-punk that introduced them both to the celtic-punk scene and the world (here). A combination of pirate ‘Yo-Ho’s’ and metal guitar riffs accompanying the celtic instruments it left us itching to hear more and we were jumping for joy on the news that an album was coming out.

Now as is the case with music genre’s many overlap and while to the casual listener it may all sound the same but to those that like to label things this is probably more towards the pirate punk end of celtic-punk and maybe even celtic-metal as well.

The album kicks off with ‘Heroes of Our Future’ and even though it’s the shortest song on the album it’s still one of the high points. The Hungarians love the flute and The Scarlet are no different with Júlia’s flute competing with fiddle and metally punk electric guitar riffs. Dániel’s vocals as on that earlier EP are clear and even with his slight accent the English lyrics are easy to understand though sung in a more rock style than before.

The music has a urgent feel to it and ‘The Darker Shade of Red’ doesn’t let the pace slip while the sea theme continues with ‘We Plunder’. The heavy guitar and thundering bass, which sounds particularly good, give the song a hard feel but all the time the flute and fiddle keep it celtic. ‘Monday Morning’ is another album standout and one of the more ‘trad’ celtic-punk moments on the album. Gang vocals on the track are a nice touch and keep it interesting. We are halfway through Hardfolk Shanties and ‘Son of a Pirate’ keeps the pace up. I am a new convert to the use of flute in celtic-punk. I was never one for it but on seeing the mighty Firkin here in London on NYE 2015 I have to say I was totally won over. The Scarlet and Firkin share a lot of similarities except in sound and once again it’s pleasing that bands have managed to tread separate paths in a, sometimes, one dimensional scene.

Saying that if there was one song on the album that has a Firkin shadow looming over it then it is ‘Take the Wheel’. In a album of high points it’s not hard hard to pick out songs worthy of attention and ‘Heading to South’ is one. Great fiddle work and chugging guitar and a real catchy tune too. We coming up to the end of the album and ‘Battlefield Requiem’ keeps up the good work and another mention here for Dániel’s tortured vocals which fit perfectly with the sound the band are producing. ‘Runaway’ has a punk feel to it with that thundering bass back again and finally Hardfolk Shanties comes to an end with ‘Long Live the Dead’. The song begins folky acoustic style before moving into celtic-punk territory. Another class song and that The Scarlet can pack so much into their songs when the longest here is only just over three minutes long is remarkable.

So the album is over and you get ten songs all penned by the band themselves that comes in at literally just over half an hour long. If you like your celtic-punk a bit different then Hardfolk Shanties will be right up your street. More punk than most and with metal influences that keep it on the harder side side of things but thanks to the addictive flute and fiddle here it is firmly within the celtic-punk scene. Fiddler Dominika can be thanked for the superb pirate themed album artwork and the album was mixed by Zoltán Cs.Szabó, of the Hungarian garage rock band The Trousers, who has done a grand job and got the maximum out of The Scarlet. A great album and as already stated it sits proudly on the harder edged side of things but it is nevertheless still a fine concoction of both old time folk and more modern punk and metal. Heartily recommended ship mates!

(you can hear Hardfolk Shanties by pressing play on the Soundcloud player below)

Buy Hardfolk Shanties

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ALBUM REVIEW: JOLLY JACKERS- ‘Blood Sweat and Beer’ (2017)

Let’s drink whiskey!

The new album from the fantastic six piece Hungarian band Jolly Jackers playing Irish-Celtic folk punk rock.

Things are said to go in cycles and the evidence is clear. They do. If 2015 was the year of the Hungarian celtic-punk band then 2017 is going to be as well. This year we have already had Hungarian Celtic-Punk Week with reviews from Firkin, The Crazy Rogues and The O’Neills. Three great records all released within a few days of each other. Well I can safely tell you that Jolly Jackers have kept up this incredible high standard with the release of their second long player Blood, Sweat And Beer. Not only that but while I was writing this review the new album, Hardfolk Shanties, by yet another Hungarian celtic-punk band, The Scarlet, popped through the letter box so expect a review of that any day soon.

Jolly Jackers: Guitar/Vocal- István ‘Sztivi’ Faragó * Flute- Andrea Boncz Bass- Enikő Papp * Drums, Percussion- Viktor Szepesi * Lead Guitar- Márk Fenyves Violin (on Blood Sweat And Beer)- Krisztina Ujházy

Jolly Jackers are a six piece band with three lasses and three lads that hail from Dunaújváros a working class city in central Hungary famed for its steelworks, which is the largest in the country. They were only formed on New Years Day 2013 and have risen in popularity and critical acclaim every year and show no sign of letting up. Their debut release was the five track EP Call The Captain which came out just in time for St Patrick’s Day 2014 and is available for free download at the link below.

They followed this up with their debut album Sobriety in January 2015 which again was mostly penned by the band themselves. Sobriety made the Top Twenty of the London Celtic Punks album of the year (here) back in 2015 with its fast paced original brand of celtic-punk going down a storm here at LCP Towers. Again Jolly Jackers have made it available for free download so again follow the link below to get your free copy.

So where does that leave us now in April 2017. Well the Bhoys and Ghirls have been hard at work to deliver another utterly brilliant album to their adoring fans. Blood, Sweat And Beer (and what a fantastic album title!) begins with ‘Back at Home’ and the sort of celtic intro that pops up to start many celtic-punk albums but it’s done with real style here. A nice pirate song that leads nicely into the title song ‘Blood Sweat And Beer’ and it does not disappoint. Sztivi’s vocals are all sung in English and even though his accent is quite pronounced it’s still very easy to understand. A really great drinkin’n’fightin’ song with great fiddle and flute pushing it along.

‘Devil’ is up next and begins with rather nifty guitar making you think you heading off in a completely different musical direction before the band pull it back into celtic-punk territory.

“Just please don’t let the devil dance on my grave!”

As seems quite in vogue among the European celtic-punk scene they throw in a whole load of ska into ‘Drive’ and again something tells me Jolly Jackers will be heading into that Top Twenty again come the end of the year. Catchy as hell and completely original. No two songs here have sound anything alike!

The first single release from Blood, Sweat And Beer was the standout track from the entire album, ‘Hymn for the Gang’, which was accompanied by an outstanding video that perfectly captures I am sure the live experience and the energy of a Jolly Jackers live show.

“One, two, three, four, five…
SIX days passed with troubles of life oh…
One, two, three, four, five…
Six rats helping us to survive oh…
This life is better together
This gang is here forever
It’s time to clink full glass”
It’s a loving tribute to being in a band and the camaraderie you get through the trials and tribulations that happen on the road. Led throughout by tin whistle and fiddle combined with the thrashy guitars, bass and drums keeping the song on track to glory. Nearing the end of the album and its all flying past at a frantic pace with ‘John Not the Silver’ is no different. A back track of punk rock but with an unmistakable Irish tune flowing throughout it. ‘Let It Rain’ finally slows it down for the album’s longest song. As I have said countless times before even the most hardcore punk bands in the celtic-punk scene benefit from a slow song to wave your arms (and pints) in the air.

Except though Jolly Jackers take no notice of me though, fortunately, and speed it right up again! The album ends with ‘Epilogue’ and I finally at the end get that slow song I have been whining on about.
Well what can I say except its another blinder and I can report also that they haven’t slowed down any either! Twenty-six minutes was the length of Sobriety and twenty-six minutes is the length here as well. The album flows ceaselessly and leaves you only wanting more. At home in both seedy punk venues as well as massive arena’s Jolly Jackers are living proof that it’s songs that get you places as well as good old fashioned things like touring and record releases. You can play as often as you like but if you don’t master your songs then you’ll go nowhere in the long run. They are yet another in a long line, and growing rapidly, of excellent releases from Hungary. Absolutely superb and recommended to anyone who likes their celtic-punk both folky AND punky.

Get Blood, Sweat And Beer

Here or iTunes for only £3.99!!!

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and if you are on Facebook then I am afraid I have to insist you trot along right now to the ‘Celtic Punk/Irish Folk Hungary’ group page here where a warm welcome and Hungarian celtic-punk galore awaits you!

(a full concert from Jolly Jackers recorded at the Triskell Festival in Italy last summer, Not perfect sound quality but who expects that all the time?)

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE O’NEILLS- ‘Chapter One’ (2017)

ireland-hungarySo welcome to you to our third and final part of Hungarian Celtic Punk Week. After two fantastic celtic-punk bands in The Crazy Rogues and Firkin we calm it down a little with The O’Neills and their debut EP. We can be quite parochial in celtic-punk sometimes and tend to stick to bands we know or have heard of but there’s an absolute wealth of music out there begging to be heard and some of it may be from countries you wouldn’t expect. If the only thing this blog does is gain some of these bands a tiny bit of recognition then we are succeeding in what we set out to do. Leave your misconceptions at the door and take off your pub shoes and dip your toes into the celtic-punk scene worldwide and what better place to start off in than Hungary!

chapter-one-album-cover

The O’Neills formed in April, 2013 and hail from the Hungarian capital city of Budapest. Where as the first two bands we featured this week both play celtic-punk that sees the folk and punk in equal measures The O’Neills are much more of a Irish folk band in the traditional sense. Formed for a one off occasion The O’Neills success led them to be asked to perform on the Irish Stage of the Sziget Festival some months later. The huge impact gave the five-piece group the bit of push they needed to become th regular session band playing traditional acoustic Irish music at Jack Doyle’s Irish Pub. After two years, they tried different pubs and bars in the inner city of Budapest, changing their gigs to an unique show each time. By January 2017 it had led them to become one of the most sought after bands in Budapest and they recorded this debut EP at the Artist Factory studio. As its title they chose ‘Chapter One’ with the band planning to release subsequent chapters annually. Here we get as Chapter One three songs of excellently played music that perfectly evokes the spirit of Ireland.

oneills-1

The EP begins with the Irish rebel song ‘Down By The Glenside’ and is beautifully sung by Krisztina. One of the best known and also saddest of the Irish folk song repertoire it dates back to the time of the 1916 Easter Rising. Written by Peadar Kearney, an Irish Republican and composer who also wrote numerous other rebel songs, including ‘The Soldier’s Song’ (‘Amhrán na bhFiann), which would go on to become the Irish National Anthem. Kearney was a member of the Irish Republican Brotherhood, popularly known as the Feniansand the song stands as a call to arms for a generation of Irish people who were used to only political nationalism.

“Some died by the glenside, some died mid the stranger
And wise men have told us their cause was a failure
But they stood by old Ireland and never feared danger
Glory o glory o to the Bold Fenian Men”

The O’Neills version starts slow and maudlin. Just as it should be before speeding up with military style drumming and tin whistle. Never in a thousand years would you guess that this wasn’t an Irish band! The EP dips into more poppy territory with ‘Avicii’ next. The song is a mash-up of three of the house DJ Avicii’s three biggest hits done in a folk style. Again Krisztina’s voice is prominent, and why not when its this good, with the bands instruments wrapped around it. The song is mid-paced and is a catchy as hell foot tapper. Later on Dániel joins in on vocals and is the perfect foil for Krisztina.

“One day my father—he told me,
“Son, don’t let it slip away”
He took me in his arms, I heard him say,
“When you get older
Your wild life will live for younger days
Think of me if ever you’re afraid.”
He said, “One day you’ll leave this world behind
So live a life you will remember”

The EP ends with ‘Country Medley’ and is exactly what it says on the bottle. A compilation of Irished up excerpts of country (ish) classics. Daniel leads the bands on vocals with what must be a sure fire live favourite proving that these Bhoys and Ghirls can certainly play their instruments.

oneills-band

The O’Neills from left to right: Tamás Kaposvári- Cello * Dániel Fekete-Szűcs- Acoustic Guitar, Vocals * Krisztina Hajdu- Vocals * Sophia Lajgút- Fiddle * Júlia Seres- Flutes

All over and done and dusted in just over ten minutes its a great first chapter and though it may not appeal to all celtic punk fans I’m sure there’s plenty out there willing to give a band from the more folkier side of things a chance.

( you can hear the whole of Chapter One below on You Tube)

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So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: FIRKIN- ‘Into The Night’ (2017)

Our Hungarian Celtic Punk week continues with the second of our three reviews and this time it stars the wonderful Firkin. As they say on their press “Firkin should not be seen, Firkin must be experienced! Firkin is good, firkin’ good!” and for once when talking about European celtic punk I can agree! For the final installment check back in a couple of days.

firkin-into-ep

Well here’s the second part of our Hungarian triple header. An EP released by one of the more prominent and internationally well known of the Hungarian celtic-punk bands. Firkin’s appeal doesn’t just stop with celtic-punk fans and they are one of the biggest bands in Hungary full stop and these days quite a draw across Europe too. Formed in 2008 in the Hungarian capital of Budapest they have released a bunch of albums and toured numerous times including playing an absolutely stunning one-off show in London on New Years Eve 2015. The gig drew in equal numbers of Hungarian ex-pats and London celtic punks that raised the bloody roof off the Dublin Castle! Certainly if putting in the hard work gets you the glory then Firkin have been working overtime to get the attention they deserve. Their original vocalist Barna left since recording their last album, which we reviewed here, but new singer Andy has stepped ably into his shoes and Firkin have carried on without pause or even catching breath!

firkin-band

Into The Night starts off with the title song ‘Into the Night’ and you can spot from the very off the different approach Firkin have to celtic-punk than The Crazy Rogues, who we reviewed the other day here. A far heavier sound erupts from the speakers and they manage to have both a trad Irish and punk sound going on at the same time. Their are some similarities though. The fiddle leads the way and also flute which is used a lot here to great effect. One of my favourite memories of that London NYE gig was PJ’s playing. You just couldn’t take your eyes off him so amazing was he to watch. For an instrument that sounds so Irish it does surprise me that not more bands use in it the scene especially when you hear bands like Firkin utilising it so well. Andy also sings in English and has a very strong and clear voice and again there is a very clear story telling way of writing song lyrics going on here. If they get off to a storming start to the EP they follow it up with the more Irish trad folk based ‘Flowers’. A beautiful song that shows Andy’s voice can easily manage both the folk and punk side to Firkin. Hey I tells you if your mammy wouldn’t like this this song then she got no taste! A song that swirls around Andy’s voice which is used another instrument alongside the flute here. Originally known as ‘The Flower of Magherally’ it has been recorded in the past mainly by the Irish trad community so was unknown to me but what a bloody good version this is I straight away thought.

We have a much more widely known cover up next with ‘Johnny I Hardly Knew Ye’. Mainly famous in these circles I would have thought for the Dropkick Murphys recording that Firkin stick fairly close to. A fast paced punky song with shouty chorus and fiddle lead. First published in 1867 and written by Joseph B. Geoghegan it remained popular in Britain and Ireland and the United States into the early years of the 20th century but it was when it was recorded by The Clancy Brothers & Tommy Makem in 1961 that lead to a renewal of its popularity. An anti-war song that was used to great effect to stop Irishmen joining the British Army the story tells of an Irish woman who bumps into her former lover near Athy, Co. Kildare, Ireland. He is badly disfigured, losing his legs, his arms, his eyes and his nose and is now begging. The woman though is happy to see him and the implication is that she looks after him so for once a happy ending in an Irish song! The EP comes to an end with a bonus song that I have heard before. ‘Focimese’ was the song that Firkin wrote for the European Football Championship last year to support the Hungarian football team. It’s a rollicking great tune with plenty “La, La, La, La La’s” to keep the fans happy and a chugging guitar that accompanies the fiddle. A song that inspired the team to top their initial group before sadly losing to Belgium 4-0 in the Round Of 16. Four great tunes that show exactly why Firkin are so sought after across Europe. A absolutely perfect mix of Irish and punk rock with a real story telling way to them and on top of that a really good live show as well.

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So all in all our Hungarian celtic-punk week gets another thumbs up. Don’t forget to check back in a couple of days for our final installment. If you are interested in finding out more about the great celtic-punk scene in Hungary (and you better be) the best place to visit is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here.

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE CRAZY ROGUES- ‘Rebels’ Shanties’ (2017)

ireland-hungaryAnyone remember 2015? That was the year of the Hungarian celtic-punk record. A whole host of bands coming together in a perfect storm and absolutely completely dominating the scene that year. Loch Nesz, The Jolly Jackers, The Crazy Rogues, The Scarlet, Firkin and Paddy And The Rats all featured in the London Celtic Punks end of year ‘Best Of 2015’ charts and all received glowing critical praise galore. What quite happened to them all last year is a mystery but the Hungarian celtic-punks are back with a fecking bang! So for one week we are running a Hungarian celtic-punk special. Three reviews in seven days from three amazing EP’s from three equally amazing bands who all have completely different styles of celtic-punk.

crazyroguesepThe Crazy Rogues are from Veszprém in mid-Hungary and were formed in 2014 making them among the earliest of the second wave of Hungarian celtic-punk bands.With two EP’s behind them, one of Demo versions and another called Chapter 1 which we reviewed back in 2015 here giving it a massive thumbs up. They have named their style as ‘Rogue ‘N’ Roll’ taking in elements of punk, country and bluegrass as well as Irish and Celtic. The EP begins with ‘And Then the Sky Fell’ and its fast fiddle led celtic-punk with good ole’ fashioned punk rock drumming and punk rock guitar playing in the background at times pushing the fiddle forward. ‘Fleet’ is up next and is a bit more traditional celtic-punk of the Flogging Molly kind. One of the things I liked on The Crazy Rogues previous releases is how they can switch from their folkier side to their more punky side with ease. They slow it down next with the sad tale of ‘The Sad Leprechaun’. A leprachaun is a mischievous mythical creature that roams the Irish countryside playing tricks on humans. Many though think they are real, including my Grandparents! Again the fiddle is the lead here and Verrasztó’s vocals are suitably angsty as he tells us of the life of these solitary creatures. The flute appears here and like a lot of Hungarian bands in particular it’s used to good measure.

They speed it up next with the fast paced punky song ‘Mutineers (must DIE)’ and though it does seem funny to call something a ‘traditional punk rock’ song this is it! Shouty gang choruses and fast guitar and then all of the sudden banjo pops up and we get a short blast of each band members individual talents before it ends. Short and sweet and snappy as hell and then we drift into ‘Silver Hair’ which reminds me of the sort of bluesy country folk that Shane MacGowan and The Popes were so f’ing brilliant. Superb mandolin here from Fellegi and I have to say that the mando and the banjo have been a bit low in the mix thus far so great to hear it dominate on this track. Well that is until right out the blue it suddenly switches to a ska song and the song ends with an absolute flourish with electric guitar helping it speed to a finish. The absolute standout track here for me. Can’t tell you how much I enjoyed this song! The EP ends with the song ‘Rebellion’ and is a tribute to the Easter Rising of 1916 when a small band of Irishmen and woman declared war on the British Empire. They took over several important buildings in Dublin and held them for a week against far superior British forces and many died during that week until the rebels were forced to surrender. The British executed the leaders of the rebellion and this led to a wave of sympathy which would eventually lead to full scale war across Ireland that would in the end see freedom for the 3/4’s of the country. Verrasztó’s voice is clear and loud and stamps out where The Crazy Rogues stand. A perfect celtic-punk tune with everything that makes celtic-punk great. Story based lyrics with a solid punk rock base embellished with Irish instruments especially the fiddle again. Songs to get you both thinking and dancing is what celtic-punk is all about!

crazy

So six Crazy Rogues composed songs that clock in at a very healthy twenty-five minutes and not a single sign of a cover version. All sang in English with a multitude of musical styles thrown into the celtic-punk mix and with very thoughtful lyrics about a multitude of subjects that are very easy to understand. Rebel’s Shanties is an excellent EP and The Crazy Rogues continue to forge ahead to make a name for themselves in celtic-punk circles. Like both their previous releases Rebel’s Shanties is available for ‘Name Your Price’ download which basically means pay nothing if you got nothing and a couple of pounds (or more) if you got a couple of pounds. This EP is certainly worthy of it.

(listen to the Rebel Shantie’s EP for free by pressing play on the player below)

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So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

ALBUM REVIEW: FIRKIN- ‘Finger In The Pie’ (2014)

Firkin- The crazy Irish band from Hungary!

Firkin- Finger in the Pie (2015)

Well here we go again and I feel a sense of deja-vu here as we find ourselves reviewing yet another Hungarian celtic-punk record. We seem to have done so many this year it’s hard to keep a track of them all and once again its yet another outstanding album. The quality of the music and the bands is simply unbelievable and it completely baffles me how they can manage it. Lets face it the Hungarian scene dwarfs the scene here in England in both number of bands and releases. What attracts Hungarians in such numbers to celtic/Irish music is for others more knowledgeable than myself to comment on but I for one am sure glad they are.

NYE Firkin

Firkin are one of the biggest bands in Hungary and are these days quite a draw all across Europe too. They were formed in 2008 and have released a whole bunch of albums as well as official DVD’s and toured numerous times. If putting in the work gets you the glory then certainly Firkin have been working overtime.

Though it was released last year ‘Finger In The Pie’ sees Firkin ploughing much the same field as previous albums and we are not complaining one iota. Sadly the vocalist on this album, Barna Marthy, has since left but new singer Andy has stepped ably into his shoes and Firkin carried on without pause or catching breath! The first of the album’s fourteen tracks is an old Irish trad classic, and a personal favourite of mine, ‘Donegal Danny’. From the very first bars you’ll be amazed at how clear Barna’s vocals are and he could easily pass as a local! Fast as anything but still staying close to the traditional roots of the song, about a crew of fishermen from Killibegs, who are drowned at sea, bar one, in the wild ocean of the Atlantic. Written by Phil Coulter, a genius of Irish songwriting who counts ‘The Town I Love So Well’ and ‘Scorn Not His Simplicity’ among his most famous works.

“So here’s to those that are dead and gone
The friends that I loved dear
And here’s to you then I’ll bid you adieu
Saying Donegal Danny’s been here me boys
Donegal Danny’s been here”

Followed by ‘If I Could Be The Pope’ and this strikes a chord with me. About being brought up a Catholic and it never really leaving you. Great tune with again Barna and his vocals and lyrics on fire with the flute up front and as catchy a chorus your like to hear. Love this song and definitely one of the album stand out tracks.

(not brilliant sound quality but WHAT a spectacle!)

‘Kind And Fine’ is put to the tune of ‘The Foggy Dew’ and is sung by another former band member Pali. ‘Molly Malone’ you would have heard before numerous times I am sure and if I have one minor quibble it is that while theirs nothing wrong with including songs like this in your live set I don’t see the point of recording it but this takes nothing away from Firkin who make a great stab at it with the fiddle work and whistle especially standing out. Flute starts ‘Parasite’s Lust’ and if you think its heading into Jethro Tull territory you couldn’t be more wrong as soon the band are pulling it back into classic celtic-punk territory.

‘High And Low’ sees Firkin really pushing the boat out. A string sextet accompanies them on this epic ballad that has more than a wee nod to folk-metal but without the showoffery. The song occasionally feels like it may take off but the band show great restraint in holding it back. That restraint was certainly due as the following track shows Firkin’s metal edge much more clearly and ‘The Child Of Fire’ would be at home in any folk-metal bands repertoire. Judit Bonyár guest vocals on ‘I Am Who I Am’ and her voice suits the fast celtic- rock out perfectly. The fiddle is amazing on this track and the whole song despite the female vocals has the traditional Firkin feel about it that we have come to love. ‘Loch Lomond’ sees the band step into Scots territory and the pipes begin and even if the songs title doesn’t ring too many bells as soon as Barna begins to sing you’ll be accompanying the song along. Very nicely played and again played as fast as possible but with one foot firmly in traditional music. The album’s title track is up next and ‘Finger In The Pie’ begins slowly but soon speeds up into the album’s stand out track and guaranteed to have you leaping out of your chair.

“Early in the morning with the devil in my belly
Singing nasty little tunes of the drinks last night
My finger on the phone, but I throw it on the telly
and I reach out for the bottle right by my side”

During the early slow bits of this tale of unrequited love you can feel a surge is coming and it won’t disappoint when it arrives with fiddle, flute and a electric guitar solo all at play here with the frantic drumming.

Another female guest vocalist appears on the next song, ‘My Love John’, and again Nóra Fehér has the most beautiful voice that is simply perfect to sing this song. It has a 60’s/ 70’s classic English folk sound to it and with the strings sextet back on this number as well it shows the range that Firkin have and also how far they will go to achieve perfection for their music. ‘Dirty Julie’ shows that range again as Firkin punk it up with a daft song with a catchy tin whistle laden chorus. A nod to the North-East’s premier pop-punk band The Toydolls as well and we’re heading towards the end of the album and ‘Nincompoop’ and again its a fast paced punky number and looks like ‘Finger In The Pie’ is going to go out with a bang.

And indeed the album does end with a bang with ‘Jumpin’ Lovers’. A fast as hell instrumental using the famous ‘Tam Lin’ reel. Again this may mean not so much to you but soon as the song begins i guarantee you’ll recognise the tune. Lili’s fiddle playing has been perfect throughout the album and nowhere better than on this amazing song.

So you get thirteen songs with one instrumental of which the band penned eight and a collection of six covers of traditional songs that range from the obscure to the well known. Apart from the one tiny gripe mentioned above this is a great album and further cements Firkin’s place as one of Europe’s best and most favoured celtic-punk bands. At well over forty minutes you certainly get your monies worth too and the actual CD is put together with a lot of thought and devotion with band photos galore and lyrics included.

Firkin NYE

to be re-directed to the Facebook event simply click on the flyer

Firkin are heading our way later this month for a gig at the famous Dublin Castle in Camden on New Years Eve. They will be joined on stage by another band who recently lost an important member but have come back stronger than ever in Mick O’Toole. To say I am looking forward to this is an understatement and I can honestly say there’s no better way to see in 2016 than in the company of these two great bands.

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if you are interested in finding out more about the great scene in Hungary (and you’d be mad not to be) the best place to visit is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here.

for an alternative view of this album check here and read ‘Celtic Folk Punk And More’ and their view of ‘Finger In The Pie.

  • Firkin released ‘Revox’ this year which was a three track single featuring the songs ‘If I Could Be The Pope’, ‘Finger In The Pie’ and ‘Parasite’s Lust’ featuring new singer Andy and as stated above he has filled Barna’s shoes and more!

ALBUM REVIEW: PADDY AND THE RATS- ‘Lonely Hearts Boulevard’ (2015)

“Hungary’s most famous Irish folk punk band”

Paddy And The Rats- Lonely Hearts Boulevard

Looking back on 2015 it will be forever known as the year of the Hungarian celtic-punk band! Already this year we have reviewed releases by Loch Nesz, The Jolly Jackers, The Scarlet and The Crazy Rogues and we still haven’t got round to reviewing the new album by Firkin either!

PATR2Paddy And The Rats are probably the best known of all the Hungarian celtic-punk bands and deservedly so. Hard work and constant touring have paid dividends for the band and these days they are known throughout Europe for their superb records and great live shows. With three albums behind them- ‘Rats On Board’, ‘Hymns For Bastards’ and ‘Tales From The Docks’- I awaited this new album with bated breath and I am very glad to report I was not disappointed at all.

Formed in 2008 it was their love of Irish music, pirates and punk rock that inspired them to start a band up and they have been going strong and getting stronger ever since. The original celtic-punk sound is still evident on Lonely Hearts Boulevard but it is also clear that the band are moving slightly away from it too. No harm in that. Its called progression and I’d rather they did that than just stick to playing ‘The Wild Rover’ for evermore.

Lonely Hearts Boulevard begins with ‘Keep The Devil Down In The Hole’ but is not the famous Tom Waits/ The Wire song but classic celtic punk rock with great banjo playing and the closest you’ll get to a country and western fiddle being played in a punk rock band. Reminds me of Flogging Molly somewhat and that is never a bad thing. Following is the the title track and ‘Lonely Hearts Boulevard’ follows much the same formula and is my favourite album track. Catchy as hell and a real toe tapper. On first listen you would take this album to be a real uplifting experience. The songs certainly bounce along with tons of energy but lyrically it’s a dark journey through pain, loneliness and struggle.

“Coz there’s a lot of pain
While we’re marching
Down through the life
And there’s a lot of fear
As we walk through the dark
On the Lonely Hearts Boulevard”

Bagpipes come in towards the end and complete the celtic sound. ‘My Sharona’ has a Sparks feel to it and is the first track without any sort of ‘celticness’. Still it rocks my boat and I am not complaining. Paddy And The Rats enter proper anthem territory with ‘Rogue’, a song that will I am sure get the audience on their feet at gigs.

Their first trip across the sea with a number about trying to keep one ahead of the navy while a bounty is placed on your head.

“Hold again
For the last sea and the friends
Take away my heart from this dusty land
They call me the rogue
But I’ll keep on looting, my friend
Let’s haul the rope again”

‘That’s My Nature’ is also one of the album stand out tracks and comes with a cracking video too. There’s a slight metal edge to the guitars and even though the ‘celtic-ness’ is toned down a bit here it’s still a great song. As with all the great celtic-punk premier league groups, to become one of the scene’s truly treasured bands it’s not just 110 mph fast fast fast you have to be master of the ballad too. Or at least for a minute or two before cranking it back up to 110 mph again. ‘Sleeping With The Winter’ is the former and is a welcome change after the previous five tracks. Very American sounding and the sort of track you could imagine any of the scene’s greats playing. Slow acoustic and with great heartfelt lyrics. ‘Drunker Than You’ is the closest on this album to Paddy And The Rats and their first album. A shitload of swearing accompanied by frantic fiddle, accordion and banjo and all the while Paddy O’Reilly shouting tunefully over the top. Paddy is a great front man and his voice fits perfectly.  ‘Captain Of My Soul’ continues with the celtic feel and begins with piano before fiddle jumps in and so begins a cracking song. Exactly what celtic-punk should be. A real punked up Irish tune with great lyrics too.

“I follow my lush heart
There’s immortal, lamp flame
I slunk like a wise wolf
Between lust and shame
If I let myself tempted
By the killing snake eyes
I forget my greedy vice”

The country/celtic of ‘Blue Eyes’ is a welcome slow down and the banjo picking is superb and leads us into a tale of debauchery in ‘Rock This City’ that any pirate would be proud of. The city is Budapest and with Paddy And The Rats in town I’m sure it is rocked to the max. Bagpipes give the song a nice Dropkick Murphys sound and if you close your eyes you could be in Boston.

“I outshined the sun
And I stole the moon
I fucked with the stars
On sunday afternoon
All of your dreams are made
If you wanna believe
I’ll put a smile on you
Before I leave”

Frantic punk rock drumming and electric guitar on ‘Time Is In My Hands’ can’t hide the celtic tune it’s wrapped around while ‘Without You (I Don’t Wanna Dance)’ is one of the more radio friendly album tracks and comes accompanied by a video with the band frollicking at the beach with a host of young maidens. This summery song sure is catchy enough but give me celtic-punk any day!

‘Junkyard Girl’ is a straight up punk tune with daft lyrics and Lonely Hearts Boulevard’s fourteen tracks comes to an end with ‘What We Are’. Again outstanding lyrics and a slower song building up and up. The ‘fist in the air’ song of the album by a long way. The song ends abruptly with the whole band singing along in a song that I would imagine means a lot to them personally.

 “Sometimes it’s hard to have the courage
To start all over again
But never be afraid to fight for yourself, my friend
Time is the longest distance
Between now and your dreams
Let’s find for you
A different point of view”

So there you have it. Don’t come along to ‘Lonely Hearts Boulevard’ expecting the full on Irish/ celtic tunes of previous albums but instead expect a band not happy just to rest on their laurels, that continues to play celtic-punk but with more and more influences flooding in. That a lot of these songs were originally intended for a solo album explains a lot to me. Paddy And The Rats are going places and they won’t be confined to any genre just for the sake of it. Onwards and upwards but don’t worry just yet they are in no hurry to forget their celtic punk roots any time soon.

PATR1

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a couple more interesting sites are the ‘Paddy And The Rats Fan Group’ here and the ‘Celtic Punk/irish Folk Hungary’ Facebook group here is a great community of like minded people.

here

EP REVIEW: THE CRAZY ROGUES- ‘Chapter One’ (2015)

Irish-country folk-punk from Veszprém in Hungary

The Crazy Rogues- 'Chapter One' (2015)

FREE DOWNLOAD

It has been a funny old year in the celtic-punk world I tells you. Last year the most outstanding records and bands seemed to come from faraway Indonesia. An amazing scene with equally amazing bands and releases. Young and vibrant and massive and pretty much everything the celtic-punk scene isn’t in good old London town (only kidding!!). Well this year it is the year of the Hungarian celtic-punk scene. I am beginning to lose count of the number of reviews I have done so far, just this year, of bands from Hungary. A quick check and so far we have already featured this Loch Nesz, The Jolly Jackers and The Scarlet  (and it’s only September!) on top of them there’s a whole host of other bands who haven’t released anything this year like Paddy And The Rats, Firkin and Colleen and Punk Whiskey. The thing that sticks out and I have mentioned it many a time is that even in a small scene, like the one in Hungary, the bands manage to sound quite different to one another with each offering up something fresh and appealing, even to a jaded auld sod like meself!

The Crazy Rogues

The Crazy Rogues Standing: Godár Máté (Electric Guitar, Vocals) * Fellegi Krisz (Banjo) * Biermann Teo (Flute) * Szelényi Dániel (Acoustic Guitar, Vocals) * Faragó Dániel (Violin) Front: Nagy Ákos (Drums) * Fazekas Gábor (Bass, Vocals)

The EP is four songs and comes in just slightly shy of fifteen minutes and The Crazy Rogues certainly know a good tune. ‘Chapter One’ begins with ‘Hello World’ and straight from the beginning the sound of banjo and fiddle and flute grabs you and you know this isn’t just a straight up punk band. They sing in English which doesn’t particularly bother me, as if anything I have always preferred bands to sing in their native language, but in a scene dominated by north American bands you would have to agree it’s sadly the easiest way to get known. The song changes in tempo all the way though and at first it seems unusual but you soon get used to them and before you know it you’re not even noticing them anymore.

“When you’re lost for words to tell
If you go to fight in hell
When you meet an Irish fellow
Doesn’t matter, just say hello”

‘Mighty Cowboys’ follows and is the highlight of the EP for me with great music and a superb tune that encompasses both folk and country and Irish traditional. Any second it could break into a ‘hoe-down’ that is kept at bay by the punk rock guitars and drumming. Great lyrics telling of the life of a cowboy.

“Taking all the gold of people
Spending it for beer and trouble
Such a cool life in the wild west
They said my life would be harmless”

It seems to be the way now that new bands must have a signature tune and The Crazy Rogues are no different with ‘The Crazy Rogues’ that kicks off with electric guitar and vocals that remind me of the legends that are The Greenland Whalefishers.

“Here we stand seven old friends folking down the road
That’s exactly how we like it we are the crazy rogues”

‘Rolling Barrels’ brings us the end and in the tradition of celtic-punk they give us a good auld pub song to quench our thirst.

“We can’t be heroes
Just employed slaves
Pieces of machine
That no-one saves
Eight hours of work
Eight hours of rest
Eight hours of fucking entertainment”

The Crazy Rogues

A EP that sounds like the band had a bloody good time recording it and you get the impression from ‘Chapter One’ that they are a band that is to be seen live to get the most from them. The Hungarian celtic-punk scene has a lot of very good, interesting and different bands and not only that but it seems to be a very friendly scene as well with the bands helping each other out rather than competing with each other. The majority of the bands make their recordings free to download (in fact check here and go download crazy) though you ought to leave a few pence for them. An all-dayer starring all these bands might even get me to blow the cobwebs off my passport and shift my lazy arse to Hungary. Thats how good they all are!

(you can listen to the whole of’ Chapter One’ below on the Bandcamp player…just press play and the download is free but also ‘Pay As Much As You Like’)

Crazy2Buy The EP

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you also can hear it on YouTube here

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  • their is even more Hungarian celtic-punk to come as I just found out that Paddy And The Rats are releasing a new album very soon to be called ‘Lonely Hearts Boulevard’. So keep watching this space!

EP REVIEW: LOCH NESZ- ‘Leave The Captain Behind’ (2015)

FREE DOWNLOAD

LOCH NESZ- ‘Leave The Captain Behind’ (2015)

Right take a deep breath… Paddy And The Rats, The Scarlet, The Jolly Jackers, Firkin, Colleen, Punk Whiskey and now you can add to that list of superb Hungarian celtic-punks the name of Loch Nesz as well. Formed in the summer of 2010 the band have been quite prolific in their short time releasing a great album, ‘Dance The Jawbreaker Jig’, and a whole bunch of singles and songs to download. In the great spirit of Hungarian celtic-punk this EP is free to download so click the link at the bottom of the review to get some great celtic-punk music in yer ear holes.

Loch Nesz

from left to right: Gergely Sárosi – Guitar, Vocals Kristóf László – Lead Vocals István Murányi – Banjo, Great Highland Bagpipes Marcell Endrey – Accordion, Vocals Geri Sándor – Bass Ákos Szabolcs – Drums in the foreground: Gergely Kofrán – Violin, Vocals

Loch Nesz new EP ‘Leave The Captain Behind’  begins with ‘The Cape Of Good Hope’ and this wonderful song sets the pace for the EP. All three songs are self-penned and songwriting credits are shared amongst the band. You can read the EP’s lyrics at their web site here. Catchy as hell and played to perfection. Once again I am left marvelling at the quality of musicianship within the scene. Great celtic-punk music thats shows no allegiance to any of the celtic-punk greats and more importantly perhaps doesn’t sound like any of their fellow Hungarian bands either.

“When the lads get go down to the hold
and let the winds say where we sail
We sing of rattlebones and good ol’ Davy Jones
and by gallons drink the ale
But when midnight is around the floor starts to pound
and the skeletons come to dance
Fight the fuckers with all your might
Till only the last man stands!”

The video looks super fun and was filmed at several live Loch Nesz shows as well as the Caledona Pub, a Scottish/Celtic-themed pub in Budapest. The song itself tells the tale of a ship similar to the’Flying Dutchman’ and its crew, but is really about people who are having difficulty finding where they truly belong. As Greg from Loch Nesz say’s

“yes, we are close enough in age to our Linkin Park-filled youth to justifiably put some teenage melodrama in our lyrics”

Last year Loch Nesz released a longer version of ‘The Cape Of Good Hope’ but they hope this shorter and snappier version will catch them some airplay and why not. Starting off with accordion soon joined by fiddle and mandolin and then Kristóf’s singing starts up. His voice is perfectly suited to the music a sort of Tom Waits growl but still listenable and tuneful too. Following this is ‘When I’m Drunk’

“either sorrow or bliss, there’s nothing to miss
We’re all here for such a short time
Tomorrow we’re old, withered and bored
Until then, pretend we’re alive!
I ’m aware that I’m rare
so the world better spare me,
’cause I’m so cool
when I am drunk”

At first glance ‘When I’m Drunk’ appears to be a typical drinking song but is more of a parody of the stereotypical alpha male mentality so often found in the genre. Nothing wrong with drinking songs but far, far too many of them abound so absolutely brilliant to hear a band tackling the problem with a sense of humour. Unlike some who feel it’s better to lecture about things they know absolutely nothing about. The song speeds up and adds bagpipes to the already crowded mix and adds a (not too often heard in celtic-punk) guitar solo as well! The EP’s title track ‘Leave The Captain Behind’ brings the record to a close and so ends ten minutes of pure celtic-punk heaven.

“the ship is sinking, the captain’s drunk
lying shit-faced in his bunk
the ship is sinking, let’s save the booze
and let’s leave the captain behind”

Unlike the two other songs, it doesn’t even try to be more than it actually is – a few fictional sailors telling exaggerated stories of the sea in the catchiest way possible and bloody hell catchy is the word!

That this record is free is by the by as if it wasnt then I would be telling you all to pay for it anyway. All the above mentioned Hungarian bands are worthy of your time but begin with Loch Nesz, The Scarlet and The Jolly Jackers all bands who have released records in 2015 and given them to you for free. All amazing celtic-punk bands with amazing celtic-punk records and they all sound different with different styles too. Whatever is hapening over there in Hungary it certainly looks like 2015 is their year!

Loch NeszContact The Band

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to hear a selection of Loch Nesz songs from their various releases press play below

you can download The Scarlet’s EP here and The Jolly Jackers album here

and if you are on Facebook then go along to the ‘Celtic Punk/Irish Folk Hungary’ group page here where a warm welcome awaits you!

ALBUM REVIEW: JOLLY JACKERS- ‘Sobriety’ (2015)

 AND FREE DOWNLOAD!

Jolly Jackers- 'Sobriety'

Hot on the heels of our recent review of The Scarlet’s new EP arrives the new album from another Hungarian band the Jolly Jackers. Writing that review of the The Scarlet’s EP (here) I commented about how good the celtic-punk scene in Hungary is at the moment with bands like The Scarlet, Firkin, Loch Nesz, Paddy And The Rats, to name but a few, and lo and behold straight after another grand Hungarian celtic-punk album lands on my doorstep. The Jolly Jackers hail from Dunaújváros a working class city in central Hungary famed for its steelworks, which is the largest in the country. They have only been going for a little over a year but in ‘Sobriety’ they have produced an absolute belter of a record and, even better for you the punter, they have made it available for free download as well.

Jolly Jackers

(band from left to right) Bence Berta (Drums) István Farkas (Guitar, Acoustic guitar, Vocal) István Faragó “Sztivi” (Guitar, Acoustic guitar, Lead Vocal) Andrea Boncz (Flute, Tin Whistle, Vocal) Enikő Papp (Bass guitar, Vocal) Krisztina Ujházy (Violin, Vocal)

click on the cover above to re-direct to your free download

click on the cover above to re-direct to your free download

They already had a fantastic EP under their belts titled ‘Call The Captain’ that they released in March last year and is also available for free download. (Simply click on the EP record sleeve to be re-directed). ‘Sobriety’s’ nine tracks are all self penned with the exception of an excellently played cover so once again my hat goes off to the band for that. It’s often too easy to pad out your records with covers so its good to see more and more bands writing their own material. The only minor gripe I have, and to be honest it is only a gripe as I wanted to hear more, is that the record flies by so quickly. The Jolly Jackers keep up such an almighty pace all the way through you’ll be breathless as well by the end.

The first track begins with tin whistle before crashing guitars and fiddle take the title track ‘Sobriety’ off into territory far away from the Mollys or the Murphys and finds The Jolly Jackers finding their own sound.

“Sobriety, sobriety! My little punk!
Sobriety, sobriety! We are drunk!”

‘Sobriety’ is not a subject much heard in celtic-punk but don’t worry the bhoys and ghirls are not Pioneers and next track ‘Whiskey’ kicks off sounding like a ballad till the fiddle and some pretty amazing bluegrass style banjo underpinnning the tin whistle in a story of bar-flies. ‘The House’ takes us on a scary Halloween tale of a haunted house with whistle and chugging guitars.

“Hey! Hey! Blow the candles out!
Hey! Take the bottles and get out!
Hey! Hey! Get your girl and run!
Hey! For tonight there’s no more fun!
Run for your life! Run for your life!”

American country influences on ‘Hey Johnny’ and yet more punk rock banjo make this one of the album’s standout track for me. ‘The Train Never Stops’ is a sad song with mournful whistle and acoustic guitar about the death of a friend of the band through addiction.

“I still can hear Tommy’s laughs, now he’s on a train that never stops”

After that emotional ride ‘Get A Life’ grabs you by the throat and shows the Jolly Jackers can ramp it up and play a bit of good old-fashioned punk rock. Starting off like an classic punk song slowly the celtic instruments are introduced and this catchy as hell track would have pleased any of the celtic-punk scenes big hitters to have written. ‘Gold Rush’ is another catchy number with the bands elements coming together very nicely. The albums only cover is a well played version of ‘Star Of The County Down’  and even though it has been covered a fair few times its a great version and extremely well played. I think it would have been a nice touvh for the band to have sung ths in their native language personally. The album ends with the brilliant ‘Call The Captain’ a live acoustic version of the title track from that first EP. With influences from their native country on first listen it sounds a bit chucked together but listen again and you hear the intricacies involved.

All in all a very solid first album and different enough from their fellow Hungarian bands to plough their own furrow. Jolly Jackers certainly have the songs and musicianship to go beyond their own borders and I can definitly see them following Paddy And The Rats onto bigger things. Is this the year of the Hungarian band? Well two reviews into 2015 and they are both Hungarian so it would seem yes!

(press play below to hear the complete album)

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EP REVIEW: THE SCARLET- ‘Midnight Avenue’ (2015)

The Scarlet- 'Midnight Avenue'

Sailing into view is a new celtic-punk band called The Scarlet and yet again we find that we can only gush glowingly about them. The Scarlet hail from Budapest in Hungary not that you’d know it though as the great lyrics are sung in crystal clear English and the music is full on celtic-punk with well played banjo and fiddle leading the way.  Formed in late 2012 they released a demo (available for free download from here) last year but ‘Midnight Avenue’ is The Scarlet’s first official release and is six tracks of almost twenty minutes of, mostly Dropkick Murphys style, quality celtic-punk. The EP has been produced by Kristóf, the lead singer of European celtic-punk favourites and fellow Hungarians Paddy And The Rats.

left to right: András Tóth - electric guitar Dominika Mészáros - violin Dániel Fekete-Szűcs - vocals, acoustic guitar Gábor Ridly - drums Júlia Seres - flute Aurél Czövek - bass

left to right:
András Tóth – Electric Guitar  Dominika Mészáros – Violin  Dániel Fekete-Szűcs – Vocals, Acoustic Guitar  Gábor Ridly – Drums  Júlia Seres – Flute  Aurél Czövek – Bass

The EP kicks off with ‘Thief Of Dublin’ with a classic celtic-punk sound and a great chorus with shouty ‘Oi, Oi’s’ and a harrowing tale of someone whose fell through the cracks in society. Not all is well in the land of saints and scholars it has to be said though set in Dublin it could, unfortunatly, be about anywhere.

“Mommy, tell me how it is possible to leave this shallow grave
Anytime this crappy addiction comes I turn into my own slave
As a child I was very gifted like a prodigy from heaven
What am I now: a scumbag wannabe rascal
Heading in the wrong direction”

The next track is ‘The Jesters Way Home’ and for me the EP’s standout song. Great fiddle in here and Kristóf’s production sticks out clear and loud with electric guitar and tin whistle combining perfectly with the aforesaid fiddle without anything dominating too much. The drumming keeps beat brilliantly and drives it all along steering it away from folk and keeping the sound very much in celtic-punk territory.

“The jester in his solitude is still wide awake

Coz the booze keeps his dreams”

Next up and carrying on in much the same vein is ‘Jacky Wood’ the story of a self-destructive punk rocker.

With ‘Misfortune’ The Scarlet sound the most like the Dropkicks but the song is more like a ballad than a full on punk song. The whole band get a chance to shine on it and these skilled musicians really do shine. One of those ‘end of the night’ songs where strangers wrap their arms round each other and put their pints in the air. A lovely song and a great video to accompany it. The Scarlet are back on more familar territory next with ‘Drunken Scallywag’ the EP’s most punky song and touches of metal shine through as well.

“Whatever occurs,
it could have been worse
Kiss my demons”

The everyday story of an alcoholocaust! Wrapping up the EP is a bonus track ‘Phoenix’ and the pirate tale of life aboard the good ship Phoenix.

Plenty of ‘Yo-Ho’s’ and metal guitar riffs accompanying the celtic instruments and it brings the EP to a nice end. All six songs here are self penned so kudos to The Scarlet for that and an album cannot be far behind I guess and I am already looking forward to it. Great things happening in the Hungarian celtic-punk scene and The Scarlet are a very welcome addition to it.

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FREE DOWNLOAD: IRISH PUB SONGS COMPILATION

FREE DOWNLOAD!

phonto-7

To celebrate Saint Patrick’s Day 2014, and courtesy of GET ROCK MUSIC, we are super pleased to offer you this superb collection of some of the finest celtic-punk bands around to download completely for *FREE*. Seriously this is as good a sampler as you’ll find of what’s alive and kicking and fecking brilliant in the world of celtic-punk 2014. Download link below but you can follow the links to find out more about each band.

TRACKLIST

01. Celkilt (France)- Everyday’s St Patrick’s Day  WebSite
02. Drink Hunters (Catalonia) – Drinking Song  Facebook
03. The Ramshackle Army (Australia) – Boilermaker’s Hands  Facebook  WebSite
04. Auld Corn Brigade (Germany)- Day To Day  WebSite
05. The Vandon Arms (USA) – Streets Of Gold  Facebook
06. Sunday Punchers (South Africa)- Guinness – Facebook
07. Lexington Field (USA) – Crazy Eyes  Facebook  WebSite
08. The Lagan (London)- Fields Of Athenry  Facebook  WebSite
09. Fiddler’s Green (Germany)- A Bottle A Day  WebSite
10. The Detonators (Serbia)- My World  Facebook
11. The Tosspints (USA) – Blood or Whiskey  Facebook
12. Pint Of Stout (Ukraine)- We All Deserve To Die Facebook  Album Review here
13. The Fatty Farmers (Spain) – At The Counter Bar  Facebook
14. Cheers! (Czech Republic)- Cliffs Of Galway  Facebook
15. Fox’n’Firkin (Australia)- 1788  Facebook
16. 1916 (USA)- Wild Rover  WebSite  Facebook
17. Bastards On Parade (Galicia)- Drunken Haze  Facebook
18. The Tossers (USA) – Here’s To A Drink With You  Facebook  WebSite  Album Review here
19. Irish Moutarde (Quebec)- Farewell to Drunkenness  Facebook  Album Review here  Band Interview here
20. LochNesz (Hungary)- Have Another Whisky  Facebook
21. Brutus’ Daughters (Spain) – 6 Beers  Facebook
22. The Scally Cap Brats (Canada) – Dress Sharp, Drink Hard  Bandcamp
23. The Irish Rovers (Canada) – Drunken Sailor  Facebook 
if any links go dead leave a comment or use the Contact Us form via the top of the page
YOU CAN LISTEN TO THE ALBUM BELOW
CLICK ON THE ALBUM SLEEVE BELOW AND FOLLOW DOWNLOAD INSTRUCTIONS
you can download Irish Pub Songs for free if you wish but there is also an option to donate to the Justice For The Craigavon 2 campaign. Brendan McConville and John Paul Wootton have been locked up unjustly convicted of murder and sentenced to life imprisonment. To find out more information on the case visit
jftc2.com
www.facebook.com/JFTC2/
So there you have it. The CD clocks in at a whopping 70 minutes + and its not even dominated by North American bands with 15 countries represented on the compilation.
So get downloading, get a drink in your hand and get listening…

FACEBOOK CELTIC-PUNK GROUPS

like it or not but everything revolves around bloody Facebook these days so heres a shout out to the various FB celtic punk groups. we’ll add more as we become aware of them. have a look, join up and join the happy family…
Aussie Celtic Punk’s
Australian Folk Punk Scene
Mersey Celt Punks
Indonesian Celtic Punks-
Celtic Punk/Irish Folk Hungary-
Irish Punk Brazil-
Irish/Folk/Celtic Punk Italia-
Celtic Punk Scandinavia
Celtic-Punk Denmark
Zaragoza Celtic Punks
Celtic Rock France
Irish Folk, Celtic Rock, Celtic Punk- Deutschland
Bretagne Celtic Punk
Celtic Punk Polska
Celtic Punk Rock Colombia
Celticpunkrockers Paris
Irish, Scottish, Celtic – Folk, Punk, Rock – Switzerland
Celtic Folk Rock Music Czech Republic
and lastly a big shout for ourselves
London Celtic Punks-
 
there’s also a few fanzine and radio station pages so will add them as I come across them too.
MacSlon’s Irish Pub Radio
Paddyrock Radio
Celtic Folk Punk
Shite’n’Onions
copy and paste this around the place and lets get networking!
its absolutely dead easy to set up a group but if you do want a bit of advice ask any of the moderators of any of the above groups and I’m sure they’ll help you out. then let us know so we can add you to our list. if you want to be added then just leave a comment below.
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