Category Archives: Punk

SINGLE REVIEW: THE DISINCLINED- ‘Sing And Create’ (2018)

The Disinclined are from south west London but sometimes they wish they were elsewhere.

The debut release from a band well known to me and also from my neck of the woods as well in South-West London. They may not be your archetypal Celtic-Punk or Folk-Punk band hat much I can admit but as I find them almost impossible to pigeonhole then it seems OK I reckon to just label them as Folk(y)-Punk and be done with it!

The Disinclined came together in 2014 when they mistakenly carried on playing together after doing a few covers at their friends’ wedding. Drummer Dave recruited Tim, who could actually write and sing original material, so along with Dave’s lyrics and the occasional riff from Shea and Matt, they started gigging in 2015 and have been playing ever since. I always describe them as being able to play for Ireland being 50% second generation Irish but this also means their influences are far and wide, from punk to gypsy folk and thrash metal to prog rock. They’ve all been in different bands since the mid/late 80’s. Dave & Tim played together in This Wind Thing and Vicious Hippy but went their separate ways in the early 90’s – with neither picking up their instruments again until the Disinclined came calling. Matt replaced Shea on bass when he was sacked from 80’s Kingston punk band NMBD, so he took up guitar, learnt bar chords and ignored bassists until he joined Riot/Clone and Refuse All in the noughties. They all play in other bands including Refuse/All, Lost Cherrees and Mooshwa Pooshwa. So with a wealth of experience in both playing and songwriting it was only to be expected that The Disinclined know their way round a good tune or two and on Song And Create they pass two such songs onto us.

The Disinclined from left to right: Shea- Guitar * Tim – Vocals, Guitar, Melodica, Uke * Dave – Drums * Matt – Bass

Sing And Create begins appropriately with ‘Sing’ the longest of the two tracks and nicely transfers their accomplished live sound onto disc. It begins with drums and some crunching bass lines from Matt before Tim joins in with an instrument you may not know until you hear it, the melodica. It’s a wind instrument with a small keyboard on top that you blow into that makes a sound pitched somewhere between a harmonica and a clarinet. The song itself is pretty damn catchy and Tim’s laid back vocals fit perfectly (they are The Disinclined after all) as the song builds while the lads still manage to sound super laid back about it all. On the other song, ‘Create’, two versions have appeared with this one re-mixed with fiddle and is far superior. Beginning with a ska beat but not of the happy, giddy sort that can get on your wick, or mine anyway! As you can imagine from a band that manages to squeeze the line

“we are disinclined to acquiesce to your request

into one of their songs this is clever and intelligent music and ‘Create’ takes in all those influences moulding them into, again, some very catchy pop music. First and foremost a live band The Disinclined are on the lookout to make even more changes to their sound and so if you play accordion or fiddle then please give them a shout. Only two songs here but a welcome taster for a band that must have an album on it’s way soon surely?

The two songs clock in at just under eight minutes and considering they have generously made it available as a free download it won’t cost you a penny, or a cent, to get your hands and feast your ears on this slab of funky folkish punky rock. The single only came out a few days ago and is available at gigs on CD and for download at the link given below.

(you can check out and listen to Sing And Create on the Bandcamp player below)

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ALBUM REVIEW: ALTERNATIVE ULSTER- ‘Boobies, Bagpipes, Banjos & Beer’ (2018)

Back again with their third album it’s New York’s Alternative Ulster with another, lucky for us, thirteen songs of punk rock driven energetic Celtic pride, humor and downright defiance.

Almost six months to the day that previous album, Pog Mo Thoin, hit the streets New York’s Alternative Ulster are back again with another album of rough’n’ready Irish-American Celtic-Punk to stir the spirits and drink them too! Boobies, Bagpipes, Banjos & Beer follows on from that album with more of the same humour, politics and fun that made Pog Mo Thoin such a hit.

Alternative Ulster left to right- Jay Andersen (Guitar, Bass, Backing Vocals) * Todd Henry (Vocals, Drums) * John McGovern (Bagpipes, Bass, Banjo, Tin-Whistle, Backing Vocals)

Alternative Ulster sprung into action in March 2015 in New York State’s Catskill’s region releasing their debut album, Rebellion, in February 2016. That album received unanimous praise from across the worlds Celtic-Punk media but sadly soon after the band split into two factions with one continuing as Alternative Ulster and the other becoming the excellent Templars Of Doom. Both bands can be best described in the words of band bagpiper John as ‘1916 meets 1977’ and tread similar paths in the Celtic-Punk scene.

So have Alternative Ulster changed at all in the six months since their last album? Well the answer is a resounding NO! Why change a winning formula and while it may still be a tad too punky for some traditional Celtic-Punk fans it still sits nicely within the scene. Todd is again bashing bloody hell out of the drums while barking the lyrics over Jay’s fantastic guitar work and the superb bagpipes of scene celebrity John McGovern drones loud and proud. The album kicks off with the punk rebel song ‘No Queen, No Crown’ and is in defence of the kilt and its history.

“Don’t call it a dress,
or you’ll be a mess.

You call it a kilt,
to honor blood spilt”.

These Bhoys take their Celticness very seriously!

Yeah its more of the same and ‘Boobies, Bagpipes, Banjos & Beer’ kicks off with a ‘Duelling Banjos’ style intro between bagpipes and banjo before breaking off into a song celebrating the things that real men love! If anything the music has gotten even more punk rock than previously. Its the sound of UK punk from around 1977. Think Sex Pistols rather than The Clash. On ‘The Sheep Pretend’ John also weighs in with a thundering bass that gives the song a post-punk feel while Todd still shouts the words in a eighty cigarettes a day rasp. Next up is the song that inspired their name all that time ago. On St. Paddy’s Day 2015, original guitarist Jerry came up with the idea inspired by The Stiff Little Finger’s classic song. Their version of ‘Alternative Ulster’ is straight up two fingers in the air punk rock. Played at breakneck speed and with bagpipes its a class song.

‘Sail Home British Soldiers’ is up next and is a American civil war rebel song. The first time the British Empire ever had its arse kicked was by the Americans and feelings still run high even though Alternative Ulsters ancestors were still living in Ireland at the time. The song has a real bite that makes The Wolfe Tones sound like Foster And Allen and a thumping beat that’s a sure fire mosh pit filler.

“Neither collar nor crown,
shall this patriot wear.
You can’t have my musket,
You’ll die if you dare.
So fuck off you fucking fucks,
and fuck you as well.
Before I bow once,
I’ll see you in hell”.

In part inspired by Ted Nugent’s ‘Homebound’ and if you like that then you’ll recognise the beginning of ‘Bonnie Little Scott’ up next. The song is a tribute to Bon Scott of every punk rockers favourite Heavy Metal band AC/CD and borrows heavily from their hit ‘Thunderstruck’. The story of Bon’s short life is told in song by Jay and with Alternative Ulsters usual humour. More of that next in ‘Dudelsack’ and while I don’t know what a dudelsack is I resisted the urge to look it up and can only assume it is part of a Bagpipe. Next is my album highlight and you’d have to be a right misery not to find ‘Spilt Upon Me Kilt’ absolutely hilarious. Set on St. Patrrick’s Day or actually the aftermath of St. Paddy’s Day and where the stains on their kilts tell the story of debauchery, alcohol and many bad decisions. All set to the traditional Christmas Carol tune ‘Twelve Days of Christmas’. Catchy and a song to really involve the crowd it made me spit my tea out when I first heard it.

‘Chuck It In The Fuck-It Bucket’ and ‘Counting Other’s Sins’ show Alternative Ulster at two different angles with the straight punk morphing into a punky-reggae tune while both songs are still dominated by the pipes of John. Another album standout is up next with the autobiographical ‘McGoverns Bar And Grill’ telling of John’s Mam and Dad and the working class Irish pub they ran in Tolentine Hill. Opened by John’s Grandad when he arrived in the States from America the pub was by the Tolentine cathedral at the heart of the big Irish parish in the Bronx.

“While on the bar sat a can for NorAid,
not to buy books, but guns and grenade.
My pint of black stuff was really just Coke,
all the old men laughed, it was a fine joke”.

The McGovern Clan with John in the red.

The song gives just a sense of what it means to be Irish-American and for this album at least is as close to a ballad as they come. A tremendous song full of passion and if  ‘McGoverns Bar And Grill’ showed the trio have got more in them than just rowdy punk rock then the album’s second version of ‘Alternative Ulster’ proves it. With John joining in with Todd’s shouty growl with banjo, shuttle pipes and tin-whistle while mate of the band Scott Benson rocks up with the bodhran. The album comes to an end with ‘Crawl Back In Your Shithole’ and the boot is suck firmly into President Trump and his ilk. Seemingly over in a flash its a great way to end the album and bring things to an end.

Boobies, Bagpipes, Banjos & Beer came out last week and was recorded, mixed and mastered by band maestro Jay Andersen at Operation-Audio/ Bohemosphere in Saugerties, NY. The amazing album cover art was by the talented Gail Benson. Now it would be absolutely pointless telling you that this album will appeal to everyone as it quite obviously won’t. My Mammy may love most forms of music but I guarantee that she’d think this is one Unholy mess!! Still I don’t think that will matter much to the Alternative Ulster bhoys. The music keeps flowing out of them as they take their rightful place on the punkier side of Celtic-Punk. Alternative Ulster are happy to keep it lit and as they say somewhere on here

“When the day is done, we just want to have fun,
And we will for year after year”.

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EP REVIEW: THE GRINNING BARRETTS- ‘The Riot EP’ (2018)

 The second EP release in less than six months from the beer and whisky fuelled bagpipe Celtic punk rockers The Grinning Barretts. Delivering more of the same with a range of floor stompin’, table poundin’ trad Irish folk originals, to catchy, ‘waketheFup’ Irish punk anthems that will sure blow the cobwebs out your ears!

Though formed in 2015 this year has been a very busy one for Vancouver Island Celt-Punk upstarts The Grinning Barretts with the release of The Riot EP quickly following their debut EP from last St. Patrick’s Day. To say we rated it highly is a bit of an understatement and we are also pleased to report that The Riot hits the high spots too.
Grinning Barretts

The Grinning Barrett’s left to right: Bern- Bass * Aaron- Bagpipes, Whistles, Vocals * Dylan-Guitar, Banjo, Vocals * Jeremy- Drums * Lydia- Riot Brewing bartender * Jimmy- badass fan * Pat- Guitar, Mandolin, Lead Vocals. Not in the pic: Kevin- Bagpipes

Hailing from the small ex-mining town of Ladysmith in British Columbia, Canada that debut release saw seven song, including two covers, of pounding anthemic Irish influenced punk rock. Simply played but with a passion missing from many a signed band The Grinning Barretts have a pride in their ancestry as well as their class which shone through in songs like ‘UFS’ (-Union Fight Song) and covers like ‘Wild Mountain Thyme’. Rather than repeat ourselves head over to our review of The St. Padraigs EP here and find out a bit more about the rich (not in money!) history of where The Grinning Barretts ancestors washed up and the individuals involved in the group.

The Riot EP was released last week and is another step in the right direction for this class band. Kicking off with ‘Armstrong Ave’ and with two pipers they waste no time in getting them involved in a Real McKenzies-ish, who even get a mention,  fast paced punk rocker.

“I hear evolution, Fire get’s passed along,  I hear the tried and true.

Who still soldier on Good Riddance, McKenzies, Strung Out, NoFX. I listen to Rancid.

I will until I’m deaf”

Punk lives on and each band carries the torch and whose to say there’s not a group of young guns out there listening to The Grinning Barrett’s who will take the torch from them… but not just yet. ‘At The Altar Of Saint Ayn’ is more Irish with vocalist Pat Barrett’s mandolin getting a good work out. The music is fast and punky with the occasional break for some trad folk and it’s all done with a style you wouldn’t often associate with a straight forward punk band. The song is interspersed throughout with chat from England’s own Christopher Hitchens. Look him up if you like and make your own minds up on what he says is all I will say. The song is about the Russian-American philosopher Ayn Rand.

“The apostles of St Ayn. Blue blooded time and time again profess the virtues of toil and sacrifice. From offices so high. Bestowed as a birthright and baptized on the altar of St Ayn”

Next up is ‘Last Call’ and is that most dreaded words for any Celtic-Punk fan. We may hate it but what about the poor bar staff trying to shoe horn us out the bleeding door! This song is for them. We have our first and only cover next up with the old and beloved ‘The Rising Of The Moon’. Picked up and sung on occasion by Celtic-Punk bands but by no means common i can only remember it played by US band The Kilmaine Saints and Ukrainians ShamRocks it’s played to the max here and coming in at under two minutes its fast and most unlike any version you ever heard before. Pat’s voice is harsh and gruff and adds plenty punk rock bite to the rest of the proceedings. Aaron and Kevin’s pipes are out again in force and it takes us nicely into ‘IBLD’ a straight up punk number with a nice guitar break from Dylan. No Celticness to admire here just a catchy as hell punk rock number. We are nearing the end and again The Grinning Barrett’s mine (!) their local history for its rich source of material and ‘King Of Scabs’ is without doubt the #1 song on The Riot EP for me. Beginning with the pipes and one hell of a catchy tune and Pat reins in his voice a little and even sings along at times. Its a cracker of a song and for those that don’t know a Scab is the word used to describe a ‘person’ who betrays his brothers and sisters and crosses a picket line. Take some advice from The Grinning Barrett’s and London Celtic Punks- Don’t ever cross a picket line. The song tells the story of miners strike and is important enough I’ll reprint it all here.

“Across a picket line a man with no loyalty walked. Into the mines because his honor had been bought and over bodies he would step to line his bank account. While other men’s families learned to go without.

1887 at Nanaimo #1 an explosion killed 148 Men. Condemned to die by conditions in the mines trying to put food on their plates. On broken strikes and broken backs the King built his castle and he paid a pittance for the lives lost deep down below. The men got locked out of the mines for talk of a better wage.

Roberts greed and Roberts pride would see them all as spaces. He hired thugs and police to harass picket lines until men accepted starvation wages in collapsing mines

(Chorus) Halfway to hell at the morning bell into the mines for coal. While the king of scabs clawed wages back from high in his castle”

The King of scabs in the song is Robert Dunsmuir, a Scottish immigrant to Vancouver island. He was a union coal miner, but crossed a picket line to scab his fellow workers becoming a wealthy coal baron as a result. He exploited Chinese workers willing to work for less to drive down wages, and was active in keeping safety laws lax. He built Craigdarroch Castle in Victoria that is still there today. The Riot EP ends, appropriately, with ‘Riot Crew’ and its all over in sixty-five seconds of fast Oi!/Streetpunk and we can finally catch our breath. The EP was recorded at the Riot Brewing Co. in Chemainus British Columbia and while it may not be everyone’s cup of tea it sure is mine! Fast and agressive Celtic-Punk with the emphasis on PUNK that is played with passion and pride. A great EP and now all they need to do is knock out a Long Player otherwise they going to dominate the Best Of Year EP charts for 2018!

(listen to The Riot EP for free before you buy here on Bandcamp)

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ALBUM REVIEW: 1916- ‘Far Beyond The Pale’ (2018)

The fourth studio album from one of the best bands in Celtic-Punk, the Rochester, NY based Irish-American band 1916. An explosive concoction of modern day Irish Punk and psychobilly with an original sound all of their very own.

You may scoff at the idea that their is a Celtic-Punk band out there that has an original sound all to themselves! In a scene where the comfort comes from all the bands mining from the same sources of history it is true believe me that one band has managed the seemingly impossible. To stand apart from the crowd but to still be a part of the Irish-American Celtic-Punk scene. Hailing from upstate NY, 1916 take influence from the traditional Irish folk of bygone days and mix in the modern Irish Punk movement but also add in elements from both psychobilly and rockabilly giving them the sound which sets them apart from other bands of the genre.

1916 left to right: Ryan Hurley- Upright Bass * Jon Kane- Mandolin * Steve LaDue- Drums * Billy Herring- Vocals, Guitar *

Their days began as an acoustic duo in back in 2006 with singer Billy Herring and drummer Steve La Due playing the trad Irish ballads of the Dubliners and Wolfe Tones in local pubs in and around their hometown of Rochester. Deciding to name themselves 1916, after the year the uprising in Dublin against British rule took place, to get people interested in Irish history it was in 2010 they took the decision to attempt to turn 1916 into a ‘proper’ band and called in electric guitars, trad instruments and drums. It wasn’t long before they were supporting the Dropkick Murphys and so began a new chapter in 1916 history. 2012 St. Patrick’s Day saw the release of their first studio album, A Drop of the Pure while the following year saw the release of Stand Up & Fight. Each album containing a selection of Celtic/Irish covers and originals that saw the bands sound evolving but it wasn’t until the release of Last Call For Heroes at Christmastime 2015 that the critics went ape. Named in the top half of all the various Celtic-Punk media’s Best Of lists (including our very own one here peaking at #3) 1916 had found their niche and bigger and better things were around the corner for them. As an aside I’ve had their amazing version of ‘Hot Asphalt’ as my ringtone ever since!

Far Beyond The Pale begins with a short instrumental dirge ‘The Risen People’. The sound of chains and a beating drum symbolising stamping feet and the struggle of the Irish race while a mandolin plays a delicate Irish tune. A great start to proceedings as the song becomes the pathway to ‘Some Songs’ and that classic and original 1916 sound is back. Fast and as catchy as hell with bass rumbling away and thrashy guitar nicely understated while Bill tests his lungs with his raspy shouting, though always tuneful, and a great “Woooohh-Woooohhhhhh” bit for us fans to sing along to. 1916 have a knack also for writing some great lyrics too and follow in the tradition of Irish story telling through song. The song tells of the day he fell in love with the music of

“Luke and Ronnie Drew”

and how he has come full circle and I hope Bill realises that he is a direct descendant of these legends and through his music he passes the torch onto the younger generations. Luke and Ronnie would be proud. Next up is the lead single from the album ‘Ophelia’. Bill’s Irish-American brogue and Jon’s mandolin keep the song firmly within Celtic-Punk but it would only take turning up the guitar to take it another level. Saying that I love the guitar on this album. It’s loud and ever present but understated in a way that means it never dominates.

The album title track follows and ‘Far Beyond The Pale’ brings in a slight country influence here but the 1916 rumblin’ is still there. They slow it down slightly but give full reign to Ryan and his upright bass. The phrase ‘beyond the pale’ is well known but what is not so well known is that has a specific Irish meaning. The phrase dates back to the 14th century, when the area around Dublin under English rule was marked by a boundary made of stakes and fences. This became known as the English Pale and to travel outside of that boundary, beyond the pale, was to leave behind all the rules and institutions of English society, which the English modestly considered synonymous with civilization itself. I’m happy to say my family come from many miles Beyond The Pale in Tipperary. They slow it down even further with ‘Guns Of 16’ and maybe I’m getting on a bit but it’s one of my favourite tracks here. A brilliant tune and Bill rolls out the words almost laconically

“Guns of 16 are here
Never have they gone away
Into your deeds they have moved
Keeping the butchers away”

Utterly brilliant. Well so far you have heard a lot about the psychobilly/rockabilly side of 1916 but having stuck fairly closely to the Celtic side of things so far they unleash things for ‘Shake And Roll’ and Ryan’s bass goes into overdrive! There is a saying that “Old punks don’t die they just become rock’n’rollers” and I actually think theirs a bit of truth in that. Having grown up with Rock’n’Roll and Irish music from my Mammy I’ve found myself getting more and more back into over the last few years. I have come to the conclusion its because I’m rather happy in life so don’t want to listen to noisy songs about nuclear war anymore!!!

“We hit the floor together as legion till the end”

Bill shouts out as Jon, Steve and Ryan belt out a real mosh pit filler. The psychobilly influence becomes more of a rockabilly influence for the following song ‘All Outta Whiskey’ and it is absolutely amazing the difference in sound having a upright bass makes when compared to a normal bass. This song is what I would describe as the traditional 1916 sound. First the subject matter (!) then rumbling bass and buzzing guitar with a gang chorus to sing along to and Bill’s laid back vocal style, which is both punky and shouty and trad and folky at the same time, all encompassing a song that straddles punk and folk that is a catchy as feck! The sea features heavily amongst 1916’s repertoire of songs as well as their imagery and no surprise if you read up on how the Irish washed up in north America and the terrible conditions they suffered on board coffin ships supposed to bring them to safety. At least 30% of all Irish immigrants perished on board the ships while many more passed away on arrival. ‘Sticks And Stones’ is another great punky number that rattles along at a fair old pace

“Come all you captains and sailors so bold
and take us through the raging seas of old
Arm yourselves men with your sticks and your stones
and fight against the tide that calls us home”

before taking us into a superb version of ‘Man You Don’t Meet Every Day’. Made famous of course by Cait O’Riordans version on The Pogues second album Rum, Sodomy And The Lash but the song dates right back to the 1880’s and has both Scots and Irish versions. Bills plays with the words a little introducing the line “A tattooer by trade I’m a roving young blade” into the song that speeds up the Pogues version and they nail it by turning it into a 1916 song rather than a Pogues/Dubliners cover. It’s fast, furious, frantic and catchy! We steering up towards the final bend and with ‘Christmas In The Canal’ they have the album standout. The sound is traditional 1916 and is a tribute to those original Irish who fell out of coffin ships and went to work doing the jobs no one else would do. Bill begins the song with the short exclamation

“it was the early 1800’s and the Irish were at the forefront of digging one of the great wonders of the world out of New York state for the Erie canal and despite the harsh conditions they were still able to celebrate”

before the rest of the Bhoys join in with the tale of the Irish digging out the 363 mile canal from the Hudson River near Albany, New York to the Niagara River near Buffalo. Armed with pick axes and shovels, it was backbreaking work, from sunrise to sundown for little pay but it was acknowledged that the Irish were a hard working and hard drinking crew. Not only did the Irish lend their unique work ethic to the canal, they also put their stamp on it in many other ways, including ‘canal songs’, fashioned after popular tunes from home but with new words to fit the environment. And of course, they settled in towns all along the canal route, where today you still find them proud of their Irish roots. The song celebrates them in song just as they sang back in the day and we are still singing now!! A cracking song and one of the elements I have always loved about 1916 is that they do pay homage to those dark days when the Irish in America were on the bottom rung. The album’s second and final cover is up next and the hymn ‘I’ll Fly Away’ is played as a fast folky number. Written by Albert E. Brumley in 1929 it is thought to be the most recorded gospel song of all time and I remember singing it with gusto in my Catholic school days, after all the only way to get the boys to sing was to give them a song that they could shout along to at the top of their voices! It’s already been given the Celtic-Punk treatment on 2012’s Toil by Flatfoot 56 but again 1916 give it their all and come up with something original rather than copied.

“When the shadows of this life are gone,
I’ll fly away.
Like a bird from prison bars has flown
I’ll fly away.”

The curtain comes down on Far Beyond The Pane with the wonderful ‘Going Home’. At over five minutes its by far the album’s longest song and though it starts off plaintive and on the slow side the Bhoys can’t help but go out on a flourish and Jon’s mandolin must have smoke coming off it by the time the end of the songs comes!

This is an album full of life. A celebration of Irish-American identity that is open and accepting to all and is packed to the rafters with passion and energy. The album is available on CD from the band as well as all the usual download sites and the CD comes with a massive booklet entitled Ships Log done in the style of a olde day ships log containing the lyrics of the songs. Mind you Bill’s vocal style renders it useless as you can understand every single word he sings over the album’s forty minutes. 1916’s star is rising all the time and with tours having taken them right across the States and Europe (though sadly not England) and back again and having become an integral part of the #1 event in Celtic-Punk, the  Flogging Molly Salty Dog Cruise, theirs no sign of it dying down just yet. 1916 are easily in my favourite, say, five bands in Celtic-Punk and I defy anyone to not enjoy this band and this fantastic album. With equal measures of humour and seriousness and whiskey it sure is a unique blend alright.

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  • You can read more about the ‘coffin ships’ and The Great Hunger here
  • The history of the Irish and the Erie canal here and here

ALBUM REVIEW: THE SKIDS- ‘Burning Cities’ (2018)

Thirty-six years since their last album Scottish post-punk pioneers The Skids, currently on a hugely successful comeback tour, have released their fifth album ‘Burning Cities’ and could it be the greatest comeback album of all time?

I wonder if there will be many readers here, who will never have heard of The Skids. If that is so, then that’s a sad situation. The Skids were a four-piece band from Dunfermline in Scotland. They formed in 1977 and had a very distinctive sound, mainly because of guitarist’s Stuart Adamson’s fantastic ability. This is why we at LCP are looking at this new release. Many people said that Adamson could make his guitar sound like the pipes; although he himself hated that comparison. When he left the band, he went on to form Big Country, who I’m sure most readers will have heard of and probably have enjoyed listening to. Big Country were one of the first commercially successful rock groups to incorporate Celtic instruments and themes into their music (hence our interest!). Anyway, back to The Skids, who had an all too brief impact on the Punk / New Wave scene in the late 70s and early 80s. Along with Adamson the band was fronted by Richard Jobson, who was the chief lyricist. Will Simpson and Tom Kellichan (bass and drums) completed the line-up.
Their highest charting single was the classic Into the Valley, still covered by many a band! When Virgin Records heard their self-produced Charles EP, they immediately signed them up to a long term multi album deal and perhaps this was their downfall. Adamson was a real ‘home bird’ and wanted to stay based in Scotland. Jobson and Virgin wanted the band to be based in London. This split between the two driving forces was inevitably going to be their undoing. Adamson, despite his guitar genius, was still a shy introvert. Jobson was a much more outgoing extrovert, he was getting plenty of attention from the London art and media fraternity. After three albums and a couple of line-up changes, on drums and bass, Adamson left, Jobson brought out one album (Joy), with the remainder of the group. And that was that, Jobson worked in TV presenting, acting and directing movies. Adamson, as I’ve said formed Big Country and received worldwide acclaim, until his sad passing in 2001.

Stuart Adamson- 11 April 1958 – 16 December 2001. RIP.

The reason for this little history lesson is that The Skids ‘reformed’ a couple of years ago; they went on a nationwide tour and received rave reviews for their performances. Following on from this tour they went into the studio and the result is the fantastic new album ‘Burning Skies’. The line-up of the band is, Jobson, Simpson, Baillie (he joined the original band in 79 after Kellichan left) and most interestingly Bruce Watson and his son Jamie. Whilst Watson wasn’t in the original Skids he was in Big Country with Adamson and obviously learned a lot from him. When you get these old bands re-forming, it’s usually a nostalgic trip down memory lane for most fans (witness the Rebellion festival every August) and The Skids of course play many of the old favourites when they perform. Burning Cities however is chock full of new original music. The sound is unmistakably Skids and this is where you see the wisdom of bringing the Watsons in. All the years that he played with Stuart obviously gave Bruce an insight into his playing style and sound. He’s not imitating Stuart in any way, but the ‘feel’ of him can be heard here.

(The Skids and their iconic and legendary hit single from 1979)

The album starts off with what could be called a ‘clarion call’ in the shape of This Is Our World, an up-tempo rail at the world, don’t let the opening piano fool you it soon bursts into life. One Last Chance follows and the almost bagpipe like sound of the guitar is there in all its glory. Next up is Kaputt with some choppy sounding lyrics that put one in mind of Belfast’s very own Defects (not a bad sound to make!). Jobson’s delivery over the recurring guitar riffs show he still has the cohones for a row. A World On Fire is next and this one has the anthemic lyrics in the chorus for everyone to sing along to. The kind of track you could imagine a football crowd belting out!

The title track is another anthemlike offering, the pace is a bit slower, but all the power is still there, a track that (if you’re anything like me) you’ll have running around in your head all day. Up On The Moors comes next speeding things up again, it sounds quite lively like some of the early Skids offerings, a catchy number that would have made a good single back in the day! Refugee is a much slower paced almost reverential track. There is a sound that brings Clannad or Enya into my head which just sounds daft, but listen to it yourself and then try to categorise it!! Subbotnik brings you out of the Celtic misty meanderings into another punky typical Skids tune. The intro alone into Kings Of The New World Order is worth the price of the album. The guitar work makes such a unique sound and is a joy to listen to. Into the Void is a fast-paced track with edgy sounding guitars and lyrics from Jobson that will make it another ‘earworm’ of a track with its “down and down and down we go“ hook.

The final track is like a ballad, Desert Dust tells the tale of someone signing up for the army. It has wonderful fiddle work weaving through it and will definitely be many people’s standout track. For me there are at least 6 standout tracks and 0 duff tracks. Although I have gone on at length about the guitar sound here, I don’t want to take away from the rest of the band, they sound tight and certainly contribute to making a unique all-round sound. This album was released in January and is already a contender for the album of the year slot. It really is that good, old fellas like me will revel in the feelings it brings and those who have never heard The Skids are in for a real treat!

Ger Mellon

Discography

Scared to Dance (1979) * Days in Europa (1979) * The Absolute Game (1980) * Joy (1981) * Burning Cities (2018)

Buy Burning Cities

Amazon  Amazon-DuluxeVersion  iTunes

Contact The Skids

WebSite  Facebook

EP REVIEW: HOOLIGAN featuring CHRISTY DIGNAM- ‘(Justa Nother) Teenage Rebel’ (2017)

Legend of the Irish music scene Christy Dignam of Aslan teams up with Dublin punk band Hooligan on a new 4-track single released this week.

The moments when you meet your heroes stay with you forever and it was a chance meeting between Irish folk-rock legend Christy Dignam and a young David Linehan at one of Christy’s band Aslan’s gigs that has led to the release of this fantastic collaboration between Irish folk and Irish punk over twenty five years later. Meeting again recently David reminded Christy of the time when fresh back in Dublin after a stint squatting on the the Loughborough Estate in south London when David and a mate walked into a rehearsal studio in Great Strand Street, an alleyway near the Halfpenny Bridge, where unbeknownst Christy, who had not long left Aslan, was rehearsing with his new band. From being away David had noticed that the music scene in Dublin was far more snooty and elitist than in London

“imagine my surprise at instead of being told to feck off he said “c’mon in lads” and allowed them to stay watch them play a few songs. I was struck both by how friendly he was and the warmth and kindness of the man”

Christy asked if they had a band and said if we didn’t we should form one because if nothing else they looked the part! Just the kind of confidence boost any budding young artist needs.

Left to right: Eoin Page, David Linehan, Paul Price. Front: Christy Dignam

‘(Justa Nother) Teenage Rebel’ is a cover of the much loved paean to the late 1970’s tale of familial teenage angst, originally released by northern Irish punk rock legends The Outcasts. Formed in war torn Belfast in 1977 The Outcasts were three brothers and two mates who came up with the name after being banned from local venues. Releasing their debut single ‘Frustation’ on It Records in May, 1978 they soon after signed to the Good Vibrations label who released “Just Another Teenage Rebel” in November 1978. The single rose to the top of the Alternative charts and the band received much radio  airplay. The band imploded in the mid-80’s but with the sad death of founder member Colin Cowan the band got back together in 2011 and are still going strong now.

Approved by the two surviving Outcasts brothers, Martin and Greg Cowan, it’s a great choice of track and is part of a four track EP released on Reekus Records, home of Dub legends The Blades, who incidentally also released This Is which was the first record by Aslan over 30 years ago in 1986. Aslan are often thought of as

“the band to follow in the footsteps of U2 in conquering America”

and they certainly blazed high taking the Irish music scene by storm with their brash interpretation of Stones style rock’n’roll all be it with a very Irish twist. Formed in the working class northside of Dublin they seemed to be on the verge of worldwide fame and fortune before tragically imploding on the very day their debut single was due to be released in the USA in 1988. Dublin at the time was in the midst of a terrible heroin epidemic and young Christy was not immune to the same pressures as others in his home city. Unceremoniously fired from the band due to a spiralling heroin addiction that would haunt him for decades Christy left the band and though they tried to soldier on without him it wasn’t long before Aslan were no more. Silent for five years they returned and their music had become more refined and influenced by folk melodies. Fame again awaited them but as has been the Aslan way it’s been a rocky road intersperced with long periods of inactivity but always sustained by their loyal and large fan base. The band have released six studio albums as well as two ‘best of’ albums and have a list of smash hits that have topped the charts as long as yer arm. Aslan have forged a legacy that has seen them become one of Ireland’s most popular and enduring musical acts and as the bands motto goes “the lion is still roaring”.

So it was that shortly after meeting again all these years later David contacted Christy and sounded him out about the possibility of performing on the next Hooligan record. Christy jumped at the chance and ‘(Justa Nother) Teenage Rebel’ was born.

Hooligan have made a name for themselves releasing a pile of fantastic critically acclaimed EP’s over the years. Formed in Dublin in 2009 the band has been beset by member comings and goings but at last things are more settled and founder and guitarist/singer David Linehan is joined by the brand new rhythm section of Eoin Page on bass and ex- Paranoid Visions drummer Paul Price. ‘(Justa Nother) Teenage Rebel’ is yer basic classic 77 era punk rock. Chugging guitar and thundering bass with Christy’s distinctive voice driving it along. The following tracks are more of the same with Upstarts/Clash/SLF comparisons inescapable on ‘Generation On Fire’. Guitar driven anthemic Irish punk that leads us soon after into the tribute to Uncle Joe himself. The Clash influence is in overdrive with ‘Calling Joe Strummer’ with the spirit of everyone’s favourite public schoolboy coursing through it’s 200 seconds. The album ends with ‘Gang War’ and here Hooligan are at their best for me. Loud and brash and in your face with a catchy chorus and a killer punk tune that’s over before you can think what a great song it is.

Another fantastic EP to add to the Hooligan EP collection and you will be pleased to know that they will be making one of their regular appearances in London in a couple of weeks at the New Cross Inn dahn Sarf London supporting Splodgenessabounds on Saturday 4th November (Facebook event here) with a tonne of other bands including a rare capital show by London Celtic Punk faves Headsticks. The gig starts at 5pm and Hooligan will take the stage at 8-30pm so don’t be late!

Buy (Justa Nother) Teenage Rebel

Reekus Records (available as download or CD with vinyl coming soon!)

Contact Hooligan

Facebook  Soundcloud  MySpace

  • A fantastic overview of The Outcasts can be found here via Spit Records.
  • Great interview with Hooligan here from ‘Louder Than War’

2016 REVIEWS ROUND-UP PART ONE. PINT KILLERS, THE MUCKERS, NOWHEREBOUND, HOIST THE COLOURS, SKILTRON, BAY STREET BASTARDS

Every year we have been doing this has got better and better for celtic-punk releases. As happy as we are that this is so it also means that we just cannot keep up with everything out there. We haven’t had the chance to review everything we received or heard so here is Part 1 of our 2016 Round Up where we catch up with some of the releases that we missed first time round. Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but it has been impossible to keep up so here’s a few quick ones just to catch up and get 2016 out of the way. Each and every one are worthy of your time so go ahead and check them out. This time round we head to the America’s. Well four from the USA, one from Canada and one from Argentina!

PINT KILLERS- ‘Boston Brewed’ EP (CDbaby)

pintkillersYeah I know we are hardwired to like ANYTHING that comes out of Boston but this is some killer street punk right enough. Only founded earlier this year Pint Killers feature ex-members of Nowhere USA, Dot Rats, Third Knuckle, The Struggle and the Pug Uglies. “Boston Brewed Punk Drinking Songs And Anthems” they call it and fair enough that’s exactly what you get. Their shared Irish ancestry looms large over everything they do in this four track EP about celebration, drinking, friendship, and brotherhood. The songs flash by in… well a flash of only eight minutes. Fists in the air and heads down working class punk rock, or blue collar as the Yanks prefer to put it. All the songs burst with energy but it’s the longest track ‘Around The Hood’, all of two and a half minutes!, that tick’s all the boxes for me. It may not have bagpipes but so what! And what a great name too…

 THE MUCKERS- ‘The Muckers’ LP (iTunes  GooglePlay)
the-muckers-2016The Muckers are coming at you from Atlanta city in Georgia in the deep south of America. The city rose from the ashes of the Civil War to become a major city and later on in the decades following the Civil Rights Movement, during which the city earned a reputation as too busy to hate for it’s progressive views compared to other cities in the deep south, attained international prominence. The band take their name from the word ‘mucker’, a colloquialism meaning good friend used in main by the Irish and people from Yorkshire in England. The Muckers are Atlanta’s only Irish rock band with a massive following in the city among the Irish and their friends. A five-piece folk-rock band that as well as a strong emphasis on Irish music also blends in influences of gypsy music, sea shanties, country, rockabilly and anything else they can get their hands on. Eleven songs( and a mental hidden track!!) lasting well over forty minutes and what you get is exactly what is outlined above. Kicking off with a short accordion intro it soon launches into the superb ‘There is A Time’ with very much a bluegrass feel. Other notable songs here include both ‘Molly’ and ‘Eddie Connors’ which were originally recorded by a couple of The Muckers old bands but given a real lease of life here. A few self penned numbers and some standard Irish covers make up the rest of the album. A great knees up of an album with a grand sense of humour and infectiously good fun and well played.

NOWHEREBOUND- ‘Hearts And Arrows’ LP  (Bandcamp)
nowhereboundWe have been long time fans of Texan band Nowherebound and while they may not be a celtic-punk band, or even a folk-punk band, but they are simply fantastic so deserve their spot here. If you can imagine a fast and heavy punk rock band that somehow manages to squeeze enough folk melodies into their songs then that’s them. A folk band in all but their music! Coming out of the same camp as punk bands like Social Distortion, Rancid, and Gaslight Anthem but with their cap tipped firmly in the direction of the Murphys or The Pogues. Much more straight up punk rock then their previous releases have been they toured Europe again in 2016, for the umpteenth time, but unfortunately have not made it to Blighty yet. From hard rock in-yer-face to pop punk melodies to raise-your-glass-and-sing-along-anthems Nowherebound that hit you in both the heart and the head.
HOIST THE COLORS- ‘Mourners’ LP  (FromTheBand  iTunes)
hoistthe-colorsOne of the better known of the North American celtic-punk bands Hoist The Colors come from the urban metropolis Los Angeles. They play a blend of punk rock, trad Irish, Americana and bluegrass that is as original as the city they call home. Now this is one album I would have loved to have gone into real detail about but it only landed in LCP Towers a few days ago so I am having to write this on just a handful of listens. And my first impression is the same as my tenth. It’s a fecking masterpiece! A wonderful LP that really shows the depth of the scene and the willingness to push the boundaries of what is celtic-punk. From first track ‘Little Rebel’ right through to ‘Something More Than This’ their is not a single bad track on Mourners. The title track was the first song released from the album and came with a superb video. Excellent use of the mandolin and the punchy punk rock keeps the toes a tapping.

The second release from Mourners was ‘Rainier’ and for me was the album standout. Fast paced, punk rock that is accessible without being at all lame and again some excellent mando to keep the celtic among us happy. The rest of the album flows as smoothly as a pint of Guinness with the music uptempo and catchy as hell. Twelve songs and a running length of almost fifty minutes of non-stop quality celtic-punk that would surely be loved by anyone from you’re studs’n’spikes nephew to your auld Nanna.
and from South of the border we have

SKILTRON- ‘Legacy Of Blood’ LP  (From The Band  iTunes)

skiltron

At the forefront of the Folk-Metal genre, though really it is in fact Celtic-Metal, Skiltron were formed in 2004 and come from Argentina. Now thats not so strange as it may appear as plenty of Celtic people emigrated there back in the day mostly Irish and Welsh. In 2016 they embarked on an epic European tour taking in an amazing nineteen countries in under two months. I missed their London date as it was my brothers wedding unfortunately but was absolutely stunning from other people told me. We have touched on metal a few times here and there seems to be a quite a scene growing out of what was once a handful of bands. We even have a London based celtic-metal band worth checking out Isamos (here). Legacy Of Blood is only eight songs long but as you can imagine it’s all quite epic and the songs take their time. The longest track is also my favourite, ‘Sawney Bean Clan’, about a clan of Scottish  murderers who reportedly killed and ate over 1,000 people anywhere between the 13th and 16th centuries.

It’s fast metal music with two bagpipes at times and the sound is quite incredible. The whole album is brilliant and if you like the sound of bagpipes then open your mind and get on board here. Fast as feck with rapid drumming and Scottish topics with clearly sung lyrics. No growling or grunting here!! I love it and seeing as how we have recently made friends with the people who put the gig on in London we hope to be bringing some more of this interesting scene to London soon.

WebSite  Facebook  Twitter  Soundcloud  YouTube

BAY STREET BASTARDS- ‘Small Batch’  (Bandcamp)
baystreetbastards
The Bay Street Bastards from the wonderful sounding Thunder Bay in Ontario in east-central Canada. The band proclaim their influences on their Facebook page as
“Canada, hockey, metal, punk, beer”
and listening to this corker of an EP that figures! WE caught their debut album in last years Round-Up’s here and if they keep releasing things in December then we’ll never get the chance to do a proper one! Anyhow that was bloody brilliant and this EP continues where they left off. Small Batch begins with ‘Hooligan Crew’ and its fast paced accordion led celtic-punk rock with some great dual vocals, which I always think works well. This is followed by ‘Blood, Sweat & Teeth’ and things speed up with a song that is significantly different from the opener but carries all the same elements. ‘Ships of November’ slows it down a tad and just as you think you’ve a lovely ballad coming along ‘Bang’ and we’re back into celtic-punk territory. ‘Slappywag’s’ appeared on that debut album and has been re-recorded here. It was the standout track then and it’s the standout track here as well. A ton more energy and a ton more oompf where you thought it would be impossible to add but they done it.  Where the fiddle held court last time here it’s the mando and the accordion in charge in a brilliant song about the Bastards favourite boozer. The EP comes to an end with ‘Private Reserve’ and another beauty of a song. Less manic than the previous songs and perhaps the closest they come to sounding like the Dropkick’s. So what you get here are five songs that is over and done in a fast and frantic seventeen minutes. Every song here stands up on it’s own and the Bastards show they ape no one with their subtle changes of style. One of the many things that made their debut album stand out was their innovative style and they have lost none of that here. This isn’t just music for beer swillin’, foot stompin’, mosh pittin’ Canadians it’s music for beer swillin’, foot stompin’, mosh pittin’ wherever you come from!
So ends Part 1 and we are sorry we weren’t able to give each album the full on London Celtic Punks treatment. Apologies to all the bands as each and every release deserved the full treatment. We are always looking for people to join the reviews team so don’t be shy. Anyhow more to come in Part 2 so check back after Christmas Day and catch up with some more of our favourite 2016 releases from around the world this time. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

ALBUM REVIEW: THE SURFIN’ TURNIPS- ‘Awake The West’ (2016)

Proper scrumpy punkers from old Bristol town. Cult legends in the South West. Fusing The Ramones and The Wurzels in an orgy of fast riffs, cider and marrow dancing!
SurfinTurnips
Now The Surfin’ Turnips been around for a few years now since 1991 (ish!) and though I have heard great things about them our paths have never crossed. They have played a few times in London over the years but things just haven’t connected right for us. So here we are with The Surfin’ Turnips new album Awake The West which was released back in January this year but actually recorded back in the Summer of 2014. The various band members hail from Cornwall, Devon and Somerset but have strong associations with the town of Chipping Sodbury where they met while working, and the areas around Bristol where they currently live. Now one of the long lost and lamented celtic-punk bands of recent years has been The Dreadnoughts from Canada. For a few years their star shone bright as they toured relentlessly from one end of Europe to the other seemingly all year round. Well they may have hung up their fiddle but they did briefly reform for a few gigs back in 2014 and they played a solitary gig in England with The Surfin’ Turnips in Bristol. While over they also played on this recording so if you a Dreadnoughts fanatic, like most of us, then this is for you.
The album begins with ‘Turmut Hoer’ and its straight forward, heads down, classic punk rock with clear vocals and lyrics sung in a broad Bristol dialect and a vocabulary that leaves me baffled most of the time. When I looked up what a Turmut Hoer is it just came up as the name of pub after pub after pub all over the west country!

“I am a turmut hoer, from Wiltshire I were born. Me parents they be workin’ folk.  The fly be on me turmut”

So lyrically I am but lost except I do know that its all a loving tribute to the boys home. ‘The Quaker’ carries on the punk rock and sails into ‘Evenin’ in the Village’ a spoken word tribute to The Surfin’Turnips favourite beverage Cider which is followed appropriately enough by ‘Oh Apple Tree’. Featuring the first appearance here of the accordion

“Pass round the jug and take a supp, Cutler’s name drifts into the night.

Nought could compare with this pasty we share – the souls of the West join the light”

A cover of the sea shanty ‘Eddystone Light’ is up next. Made famous by Scots folk band The Weavers the song is about the lighthouse in Eddystone which kept ships from washing up and wrecking on the dangerous Eddystone Rocks, nine miles south of Rame Head.

While Rame Head is in Cornwall, the actually rocks are in Devon and the song tells of the lighthouse keepers son who meets his mammy, a mermaid.
“From this union there came three, A porpoise and a porgy and the other was me”
‘Ciderman Killed The Radio Star’ is another cider fixated song and it aint the last either!

They keep it local next up with a grand wee folky accordion led track ‘Sampford Peverell Pig Farmers Polka’. Thrashy guitars and that accordion keep the music up tempo and if nothing else this album is rollicking good romp and completely different from the celtic kind of folk punk I am more use to. Another spoken word piece follows and comes with a small dialect guide of west country words to help you through it.
“Gert = Big. Body = person. Axed = Asked. Batch – an areal of rough land. Ee = you. Queer – unexplainable. Shepton Mallet Races – Mid Somerset cider making town. Vleshy = fat. Vlat Voot – flat foot. Ar – Yes”
‘A Cottage On Dartmoor’ keeps the folk punk flag flying and finally Awake The West comes to an end with the traditional song ‘Spanish Ladies’ and for me is the true highlight of the album. Fast tuneful accordion punk rock with a real buzz to it except it doesn’t end there though as there is a secret track at the end that I won’t say anything about ‘cept to say it’s fecking brilliant!
The home of The Surfin’ Turnips the West Country has a proud, diverse and rich cultural, musical and literary heritage. In this time of globalisation and the creeping influence of London across England just as it is important for the celtic languages to survive we must not forget that tradition and language is not just confined to only the celtic countries. Places like the West Country and the northern counties and anywhere who had them also need to preserve their old ways. After all as a wise man once said

“If you do not know where you come from, then you don’t know where you are, and if you don’t know where you are, then you don’t know where you’re going. And if you don’t know where you’re going, you’re probably going wrong”

or something like that. West Country renaissance folk-punk aiming, and succeeding, in spreading the word of the West to those in need of apple salvation.
Ar, awake the West!

(you can have a sneaky listen to ‘Awake The West’ by pressing play on the Bandcamp player below then afterwards for just a measly fiver you can own it by following the link!)

Buy The Album

FromTheBand or Fuelled By Cider

Contact The Band

Facebook  Bandcamp  ReverbNation  Spotify

ALBUM REVIEW: 1916- ‘Last Call For Heroes’ (2015)

SHAMROCKABILLY!

The hardest hitting Irish rock band this side of Dublin city!

1916 (2015)

With the sun about to set on 2015 and the end of year ‘Best Of’ polls pretty much settled no-one in the London Celtic Punks camp expected another album worthy of the list to come along. Let alone one to come along that would hit you so instantly in the gut that it would rocket up to be voted the third best Celtic Punk Album Of 2015 (here) by the LCP team. That album was by a band called 1916 from New York and was about to make BIG BIG waves in the celtic-punk scene. The roots of 1916 had been around for a few years now starting off as a duo back in 2006 before deciding to take things to another level with the addition of electric guitars, drums and traditional folk instruments. Soon they had become a staple of the celtic-punk/ Irish rock scene in New York and it wasn’t long before they released their debut album A Drop Of The Pure in 2012 and the follow up, Stand Up And Fight, released the following year. These were both great albums but, and I’m sure the Bhoys won’t mind me saying, it was all solid but still pretty standard celtic-punk rock fare. That debut album was full of the passion and wild fire of a bunch of young Irish-Americans while the follow up shared much the same path but was a much more polished version. Their new album Last Call For Heroes hit the streets in the USA at the beginning of December just gone but took a couple of weeks to reach us here across the broad Atlantic and it is fair to say that it blew everybody’s bloody brains out over here at London Celtic Punks and has since been causing quite a scene across the worldwide celtic-punk community!

1916 (2012)Over the years their have been several celtic punk bands who have included a double bass and combined Irish folk, punk rock and rock’n’roll/rockabilly to create something pretty amazing. Craic Haus are without doubt the kings of, what they term themselves, ‘shamrockabilly’ but other notable bands like Black Irish Texas, Black Water County and Kevin Flynn And The Avondale Ramblers also have a double bass player rather than a electric bass guitar to create that rocking sound you just don’t get from a normal bass guitar. The sound that Chris Van Cleve brings to 1916 is quite simply amazing and will leave you gobsmacked. If you thought that pretty much all celtic-punk bands sound alike then get your lug holes around this album and prepare to eat some humble pie as this band will blow any perceptions you may have of celtic-punk music out of the water.

1916 (2013)Coming out of the once solidly Irish area of Rochester in New York, 1916 may have seen the Irish population of their home town shrink somewhat but it has only hardened their determination to both sing loud and sing proud about the NY Irish community and their noble history! The Irish are still here and they are still fighting!!NYI (2)

The album starts with an absolute cracker of a song with ‘Tear The Pub Down’. Thrashy guitars and singer Bill dives straight into in a song that deserves to be played while the Ireland team (only one team in Ireland!) walk out on the pitch at the European Championships in the summer. If this song wouldn’t swell their hearts and heads we’ve no chance. Next up is ‘For Whiskey’ which was the first release from the album and is clearly the band’s favourite track. Certainly it shows the band at their most rocking and if there’s one song on this album that could be the 1916 signature tune then this is the one.

Smuggling whiskey into America during prohibition made many a Irishman plenty of money and even better for the Irish community at large it gave the Irish a taste of power that they learnt to hang onto.

“It’s row, ye bastards row
We can see the beach and the pickup harbor
It’s go ye bastards go
To the speakeasies with your whiskey cargo
And now we’re headed back
For the smuggling life we’re living now
It’s whiskey we’re on our way”

This is followed by ‘Long Street Bop’ and is more than a passing nod towards Shane MacGowan’s first band The Nipple Erectors (later The Nips) with a short but sweet blast of rockabilly. 1916 are certainly no covers band belting out Danny Boy and their wonderful choice of covers proves they have both a great taste in music and a good knowledge of their Irish roots. ‘Hot Asphalt’ is up next and is as good a version as I have heard in my entire life. 1916 bounce along with a tonne of energy and turn this well known song into their very own.

“You may talk about yer sailor lads, ballad singers and the rest
Your shoemakers and your tailors but we please the ladies best
The only ones who know the way their flinty hearts to melt
Are the lads around the boiler making hot asphalt

With rubbing and with scrubbing, sure I caught me death of cold
For scientific purposes, me body it was sold
In the Kelvin grove museum, me boys, I’m hangin’ in me pelt
As a monument to the Irish, making hot asphalt”

Made famous by The Dubliners and for once we have a classic traditional folk song not written by Ewan MacColl… I jest of course as yet again its another in Ewan’s armoury of amazing songs that celebrate working class life. This time about Irishmen digging the roads in England. One of those men was my Grandad incidentally. Ewan was a genius pure and simple (check back in a few days time for a review of the recently released Ewan MacColl tribute double album ‘The Joy Of Living’). It’s quite hard to describe how 1916 breath new life into this classic song but by God they do so. I love this version and hats off for achieving something more than just a simple cover version. ‘Nothing Left To Lose’ is one of the albums slower tracks but still kicks it up with the chorus while ‘The Traveller’ has a country/rockabilly feel while still rooted firmly in Ireland. ‘Ordinary Man’ is not the famed Christy Moore song but does travel much the same road lyrically and is dedicated to all those

“worker bees who are buzzing around with you and me”
‘Tomorrow’ is classic celtic-punk territory. Guitar and banjo clash producing yet another fantastic song but with front man Bill and his sometimes gravelly and sometimes almost crooning vocals 1916 prove they can rattle out top class song after top class song. Another great cover that the band properly claim is ‘Mursheen Durkin’. It tells the story of an Irish emigrant who goes to mine for gold during the Californian gold rush during the 1840’s and unusually in tales of Irish emigration for once it’s an upbeat song where yer man revels in leaving.
“Goodbye to all the boys at home, l’m sailing far across the foam
To try to make me fortune in far America,
For there’s s gold and money plenty for the poor and gentry
And when I come back again I never more will stray”
Again it’s a song made famous by the band that influenced The Pogues like no other The Dubliners. If by chance you are one of those rare souls that has never checked out The Dubliners do so immediately. It has to said that if celtic-punk wouldn’t exist without The Pogues then The Pogues would not exist without The Dubliners.
1916
‘Last Call For The Heroes’ is the last self-penned number and again the boys nail it. A swirling tribute to their Irish ancestors in New York. Again its a superb song and one of many fist/pint in the air moments on this album and sadly we come to an end with the final track, ‘The Parting Glass’. Again a Dubliners favourite and though this is the third song on the album popularised by this great band 1916 do something incredible and breathe new life into each song and make it their own. ‘The Parting Glass’ is sung wherever the Irish are throughout the world. First appearing in the 1770’s it is sung wherever Irish friends gather at the end of the night.

“Oh, all the comrades that e’er I had
They’re sorry for my going away
And all the sweethearts that e’er I had
They’d wish me one more day to stay

But since it falls unto my lot
That I should rise and you should not
I’ll gently rise and softly call
Good night and joy be with you all”

Bill sings with the very barest of accompaniment and comes out with something both beautiful and poignant. I can see this song being played at a good few funerals in the future!!
So here’s a blend of rockabilly with Irish punk rock that will leave you reeling while Bill spits out the songs with a venom that will have you belting your lung’s out while bouncing off the walls. Following 1916 through their three albums its clear to see how this talented bunch have continued to grow and evolve as musicians and artists and you get the feeling that they will only continue to get better and better as well. I can honestly say that their has been no better album in celtic-punk since The Rumjacks debut album kicked our teeth out back in 2010. What we are looking at here is the early days of a band that is destined for the top table of celtic-punk and who knows where after that…
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LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

ALBUM REVIEW: PADDY AND THE RATS- ‘Lonely Hearts Boulevard’ (2015)

“Hungary’s most famous Irish folk punk band”

Paddy And The Rats- Lonely Hearts Boulevard

Looking back on 2015 it will be forever known as the year of the Hungarian celtic-punk band! Already this year we have reviewed releases by Loch Nesz, The Jolly Jackers, The Scarlet and The Crazy Rogues and we still haven’t got round to reviewing the new album by Firkin either!

PATR2Paddy And The Rats are probably the best known of all the Hungarian celtic-punk bands and deservedly so. Hard work and constant touring have paid dividends for the band and these days they are known throughout Europe for their superb records and great live shows. With three albums behind them- ‘Rats On Board’, ‘Hymns For Bastards’ and ‘Tales From The Docks’- I awaited this new album with bated breath and I am very glad to report I was not disappointed at all.

Formed in 2008 it was their love of Irish music, pirates and punk rock that inspired them to start a band up and they have been going strong and getting stronger ever since. The original celtic-punk sound is still evident on Lonely Hearts Boulevard but it is also clear that the band are moving slightly away from it too. No harm in that. Its called progression and I’d rather they did that than just stick to playing ‘The Wild Rover’ for evermore.

Lonely Hearts Boulevard begins with ‘Keep The Devil Down In The Hole’ but is not the famous Tom Waits/ The Wire song but classic celtic punk rock with great banjo playing and the closest you’ll get to a country and western fiddle being played in a punk rock band. Reminds me of Flogging Molly somewhat and that is never a bad thing. Following is the the title track and ‘Lonely Hearts Boulevard’ follows much the same formula and is my favourite album track. Catchy as hell and a real toe tapper. On first listen you would take this album to be a real uplifting experience. The songs certainly bounce along with tons of energy but lyrically it’s a dark journey through pain, loneliness and struggle.

“Coz there’s a lot of pain
While we’re marching
Down through the life
And there’s a lot of fear
As we walk through the dark
On the Lonely Hearts Boulevard”

Bagpipes come in towards the end and complete the celtic sound. ‘My Sharona’ has a Sparks feel to it and is the first track without any sort of ‘celticness’. Still it rocks my boat and I am not complaining. Paddy And The Rats enter proper anthem territory with ‘Rogue’, a song that will I am sure get the audience on their feet at gigs.

Their first trip across the sea with a number about trying to keep one ahead of the navy while a bounty is placed on your head.

“Hold again
For the last sea and the friends
Take away my heart from this dusty land
They call me the rogue
But I’ll keep on looting, my friend
Let’s haul the rope again”

‘That’s My Nature’ is also one of the album stand out tracks and comes with a cracking video too. There’s a slight metal edge to the guitars and even though the ‘celtic-ness’ is toned down a bit here it’s still a great song. As with all the great celtic-punk premier league groups, to become one of the scene’s truly treasured bands it’s not just 110 mph fast fast fast you have to be master of the ballad too. Or at least for a minute or two before cranking it back up to 110 mph again. ‘Sleeping With The Winter’ is the former and is a welcome change after the previous five tracks. Very American sounding and the sort of track you could imagine any of the scene’s greats playing. Slow acoustic and with great heartfelt lyrics. ‘Drunker Than You’ is the closest on this album to Paddy And The Rats and their first album. A shitload of swearing accompanied by frantic fiddle, accordion and banjo and all the while Paddy O’Reilly shouting tunefully over the top. Paddy is a great front man and his voice fits perfectly.  ‘Captain Of My Soul’ continues with the celtic feel and begins with piano before fiddle jumps in and so begins a cracking song. Exactly what celtic-punk should be. A real punked up Irish tune with great lyrics too.

“I follow my lush heart
There’s immortal, lamp flame
I slunk like a wise wolf
Between lust and shame
If I let myself tempted
By the killing snake eyes
I forget my greedy vice”

The country/celtic of ‘Blue Eyes’ is a welcome slow down and the banjo picking is superb and leads us into a tale of debauchery in ‘Rock This City’ that any pirate would be proud of. The city is Budapest and with Paddy And The Rats in town I’m sure it is rocked to the max. Bagpipes give the song a nice Dropkick Murphys sound and if you close your eyes you could be in Boston.

“I outshined the sun
And I stole the moon
I fucked with the stars
On sunday afternoon
All of your dreams are made
If you wanna believe
I’ll put a smile on you
Before I leave”

Frantic punk rock drumming and electric guitar on ‘Time Is In My Hands’ can’t hide the celtic tune it’s wrapped around while ‘Without You (I Don’t Wanna Dance)’ is one of the more radio friendly album tracks and comes accompanied by a video with the band frollicking at the beach with a host of young maidens. This summery song sure is catchy enough but give me celtic-punk any day!

‘Junkyard Girl’ is a straight up punk tune with daft lyrics and Lonely Hearts Boulevard’s fourteen tracks comes to an end with ‘What We Are’. Again outstanding lyrics and a slower song building up and up. The ‘fist in the air’ song of the album by a long way. The song ends abruptly with the whole band singing along in a song that I would imagine means a lot to them personally.

 “Sometimes it’s hard to have the courage
To start all over again
But never be afraid to fight for yourself, my friend
Time is the longest distance
Between now and your dreams
Let’s find for you
A different point of view”

So there you have it. Don’t come along to ‘Lonely Hearts Boulevard’ expecting the full on Irish/ celtic tunes of previous albums but instead expect a band not happy just to rest on their laurels, that continues to play celtic-punk but with more and more influences flooding in. That a lot of these songs were originally intended for a solo album explains a lot to me. Paddy And The Rats are going places and they won’t be confined to any genre just for the sake of it. Onwards and upwards but don’t worry just yet they are in no hurry to forget their celtic punk roots any time soon.

PATR1

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a couple more interesting sites are the ‘Paddy And The Rats Fan Group’ here and the ‘Celtic Punk/irish Folk Hungary’ Facebook group here is a great community of like minded people.

here

INTERVIEW WITH JOHNNY CAMPBELL

A fast, ruthless, uncompromising sound with influences from far and wide. Material that embraces traditional music and sometimes frantic Bluegrass style picking with self penned songs of protest and debauchery.

Johnny2We are extremely happy that Johnny took time out from megabussing it around the country from gig to gig to do a little interview for us.

The obvious one to get us started so can you tell us how long you’ve been playing music and what bands you have been in before?

Johnny- I’ve been performing live for a decade now, and for the last couple of years as a solo performer. Before those ten years I was playing a battered classical guitar to Bad Religion live albums pretending I was in Bad Religion.

You have played in a celtic-punk band before with Three Sheets T’Wind so how do you see the celtic-punk scene here and abroad?

Johnny- I haven’t performed in other bands to any full-on level of commitment, apart from numerous and humorous side projects and filling in space for musicians who couldn’t make shows…and once trialing for The Popes as a fiddle player but that was a long time ago… I personally feel the scene in the UK is much broader, encompassing Anti-Folk, Alt-Folk and other offshoots. Though across the underground in The Netherlands for example, there are a number of fantastic ‘Folk-Punk’ bands using Banjos, Mandolins, Accordions that you couldn’t label as ‘Celtic-Punk’. It is great to see people’s horizons to ‘Punk’ don’t just start and end with an Electric Guitar.

I would like to think so but does it follow that celtic-punk fans also listen to folk from the past or present?

Johnny- For me yes. Right back to Planxty, Hank Williams or even contemporary folk like Julie Fowlis. The ‘Celtic-Punk’ fans I’ve come across like their fair share of Tom Waits and other artists that are hard to define by genre. I think if you’re into niche music, as in ‘Celtic-Punk’, you’re probably going to be listening to some other interesting styles!

Which figures or bands do you think have been the important links between the past and the present and folk/celtic/traditional music and punk/rock music?

Johnny- Obviously The Pogues…but I think we all know that. The Tossers are in my opinion, the logical progression from The Pogues taking influence from Behan and Joyce and managing to create it in their own American sound. Silly Wizard (possibly Scotland’s Planxty) manage to create an equally ‘rocky’ feel to their sound which leads neatly onto artists like The Horslips, Thin Lizzy and Moving Hearts.

Bit of an odd question this but how would you describe what you do on stage?

Johnny- I describe myself in my write up as an ‘Alt-folk’ musician. This is about as broad as I could make it. It isn’t a musical ‘style’ it is simply a way of saying ‘It is folk music…but a bit different.’ Some have said that shows can differentiate from stand-up comedy to thoughtful political song. I’ll do traditional Irish Anti-war songs like Arthur McBride to A Cappella songs about getting blind drunk and catching STDs from ladies of the night.

It has been said (and I am in agreement) that being a solo artist is the hardest thing to do. Just yourself on the stage and nowhere to hide. What does it take to be a solo performer. I would say big nuts and a big ego but obviously that’s not right for everyone!

Johnny- There’s a certain amount of balls/ego in there to get up and ask people to listen to what you’ve got to say for an hour, definitely. If you manage to fuck up the set, then it really is your own fault. That’s something that is pretty daunting but a challenge to relish I suppose, as the credit (if there is any to give out) is all yours.

At the moment there is a big ‘folk-punk’ thing happening in the UK that seems to have a lot in common with celtic-punk like the politics and aspirations but without major celtic influences. Have you noticed this at all?

Johnny- Because the genres are getting broader and ‘Folk-Punk’ is the easiest umbrella to put yourself under if you perform anti-authoritarian/alternative Folk music… I think that is how it is coming about. Celtic/Irish music has transported well as there is a mythology built up around the Irish. But also the way we can consume music nowadays, we can search for Mongolian Political Folk Punk on Youtube and get an instant response. Which is broadening our intake very quickly. I speak for myself here when I say 10 years ago, when I was 18, the only Folk-Punk you could really find was Dropkick Murphys, The Pogues, and anything else on a major label as you had to go to the local (if you had one) independent record shop. Now we are blessed with so much choice, which is generally free which brings its own negative impacts like de-valuing a product and other factors.

It would seem sometimes, and there is certainly a history of it in England (the band that must never be mentioned!), that bands who play Irish/celtic tunes won’t label the tunes as Irish/celtic and would instead categorise it as English folk (so as to not be seen as Irish I suppose) but do you see this as cultural appropriation or not? it sometimes reminds me of Prince Charles roaming round his billion acre estate in Kernow/ Cornwall wearing a kilt!

Johnny- Hmm, it is an interesting one. I don’t think anyone would get offended if you said a tune was English when it was an Irish tune if you believed it was initially. I think it is important to try and research a song or a tune and find out its origins and to recognise it. I can also see some cultural appropriation in there as it is a small way of denying heritage by simply taking is as your ‘own’. I think we must be more concerned with things like the far-right using traditional folk music and making a patriotic gesture with the songs.

Johnny CampbellYou have a new album due out soon I hear. What’s the latest on that? Is it purely yourself or will you be aided and abetted?

Johnny- It’s been a long process, I haven’t released something with new material for about three years. I’ve had writer’s block for a while and since I’ve been on the road the last couple of years I’ve picked up new influences which has come out on the record. I am aided by Kieran O’Malley, a violin player from Leeds who performs with Spirit of John and many other acts..he’s also performed on a Shane MacGowan’s release ‘Rockier Road To Poland’ and backing vocals from Exeter singer/songwriter Rosie Eade. http://www.rosieeade.co.uk/ It will be released early October.

You seem to be on a non-stop tour of anywhere and everywhere so where does the future take you and do you think you will be able to keep it up more importantly?

Johnny- I’m sure I’ll be able to carry on for a few more years as long as my legs still carry me. I only use public transport and we managed to get from Istanbul from Yorkshire in 28 days on public transport on the Summer European tour with James Bar Bowen and Cosmo. We hit squats and social centres through eight countries and the final show in Istanbul got cancelled as the promoter had left to go and fight against fascist ISIS and didn’t tell us! We had about five days to waste in Istanbul because of the cancellation. This was during Ramadan which is an amazing spectacle. We decided to imbibe the culture by visiting mosques, walking the streets and eating kebabs. As long as the gigs keep being interesting, I still have some life left!

Thanks Johnny for taking time out of your busy touring schedule (where are you as you write this?) so all that’s left is for you to plug plug plug and is there anything else you want to add or anyone you want to thank?

Johnny- I’m currently in the South West for a week between shows and getting ready for the release of my album ‘Hook, Line & Sinker’ which will be released on my website and Bandcamp in early October! I will be doing a UK and USA East Coast tour in March 2016 with Tim Holehouse www.timholehouse.com (UK tour) and James Bar Bowen https://jamesbarbowen2014.wordpress.com/ (USA tour) but in the meantime I have shows across the UK and The Netherlands with Rob Galloway http://www.theyallayallas.com/rob-galloway which can all be found on my website! Cheers and beers! x

(you can listen to Johnny Campbell’s debut solo EP below)

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  • keep your eyes peeled for a review in the next couple of weeks of ‘Hook, Line & Sinker’. I’m lucky to have had a sneak preview and can guarantee its an excellent debut record!

ALBUM REVIEW: DANNY GREENE- ’10 BLOCKS FOR THE IRISH’ (2015)

Straight Up Southern Illinois Working Class Old School Traditional Hardcore Punk

Danny Greene

Well those of you of a nervous disposition better turn away now as Danny Greene may well be responsible for doing some serious damage to your sensibilities! We have of late neglected the punkier side of celtic-punk and we are more than making up for it by reviewing the new album of American hardcore band Danny Greene. Named in honour of the legendary Irish-American gangster the name suits them well and the blistering noise attack would I am sure have gotten Danny’s approval. The album starts with ’10 Blocks For The Irish’ and those of you in the know will instantly recognise the intro before Sean Penn as Terry Noonan in the excellent Irish-American gangster film State Of Grace takes over and then wham… fast as hell hardcore comes straight at you. For those of you who like the folkier side of things give this a listen and shake the old cob-webs away. There is nothing too overly spectacular here just superbly well played old fashioned hardcore music with shed load’s of energy and more fist in the air moments than a million chart bands could ever dream of. The song last’s just over a minute so brace yourselves.

‘Two Faced’ follows and carries on in the same relentless vein as before. I was always a fan of more old style hardcore or, as my mate Steve Caveman always called it, “that stop and start shit” and so this album really hits home for me. My album favourite is ‘No Quit In Me’ which for you punk traditionalists is probably the easiest song here to listen to. Chugging guitars and a great chorus of

“working class hardcore”

‘Broken’ and ‘Bottom Of Barrel’ continue the approach and the songs are much longer so Danny Greene are able to expand a bit on their sound.

The albums longest track is ‘Walking Dead’ at only just over three minutes and is also one of the albums stand outs.

‘Vick’ is about the American Football quarterback Michael Vick who went to jail in 2007 for promoting, funding and facilitating a dog fighting ring on his property. This sick bastard had also engaged in hanging and drowning dogs who did not perform well. Rightly Danny Greene put the boot right into him and it is heartening to see his career has gone to shit since he was jailed.

“you fucking coward, you worthless piece of shit”

‘What Is Truth’ brings the album to a close and is a collaboration with the bands friend and rapper Joe Myles. A hip-hop/hardcore mix up that really works. Obviously ’10 Blocks For The Irish’ will not appeal to everyone out there but if you do like fast hardcore punk you are gonna love this. If you just like the idea of an Irish-American band who will NEVER have a banjo player then, again, this IS the band for you. The boys will be releasing a full-length album soon called Heritage so keep an eye out on the internet and here as I have a feeling its going to get another fantastic review!

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*Find out more about the legend that was Danny Greene, an impoverished but charismatic young Irish-American who rises to power as president of the longshoreman’s local union and is charged with corruption but evades serious jail time by becoming an FBI informant. With fearless nerve he joins forces with a Mafia gangster to rise to power in Cleveland’s underworld, gaining the reputation of a Robin Hood-like figure with nine lives as he escapes countless assassination attempts.

Danny Greene: The Rise and Fall of the Irishman

USA | 2011 | 60 min.

Genre: Documentary

Director: Tommy Reid

Photographs that have never been seen before and exclusive interviews with the family members of Danny Greene, officials from the Federal government, associates of the Mafia and representatives of Cleveland Police Enforcement make up this documentary examining the life of the legendary and infamous Irish-American gangster Danny Greene.

Clint O’Connor of The Plain Dealer writes

“Feeding America’s appetite for mob stories with a grisly slice of Cleveland’s criminal past, spotlights the gangster whose life was famously extinguished by a car bomb in a Lyndhurst parking lot. A fearless hood who grabbed headlines for years in the 1970s, Greene was a colorful character. He dressed in green, drove green cars, and embraced Irish history and Celtic lore. Alternately a union troubleshooter, embezzler, and enforcer, Greene dabbled in racketeering, gambling, and loan-sharking. He excelled at beating the rap, which may have been attributed to his other occupation: FBI informant. Police have long assumed that Greene conspired to take out Shondor Birns, a rival in Cleveland’s numbers racket, and later mafia underboss Leo ‘Lips’ Moceri, whose body was never found”

Kill The IrishmanKill The Irishman

USA | 2011 | 1hr 42mins

Genre: Action | Biography | Thriller

Director: Jonathan Hensleigh

Starring: Ray Stevenson, Christopher Walken, Vincent D’Onofrio

for a link to watch ‘Kill The Irishman’ simply click on the film poster on the left and you will be re-directed. if the link is broken leave a comment below and well try and fix it.

EP REVIEW: PIRATE COPY ‘Goin Down A Storm’ (2015)

high-octane, rum-fueled celtic punk rock from Cornwall, the home of piracy!

PIRATE COPY ‘Goin Down A Storm’ (2015)

Pirate Copy have graced our pages once before. almost exactly a year ago to the day, for the release of their debut EP ‘The Shape Of Piracy To Come’ (check it out here and even get a free download of it too!). Formed on December 1, 2011 in Portreath, a fishing port on the north coast of Cornwall, which is the spiritual home of smuggling and piracy and all that malarkey! As is our way we sometimes like to elbow in a bit of celtic history when talking about one of the celtic nations and it would be impossible to talk about Kernow and its tradtions and culture and language without first mentioning that history of piracy along the south-western coast. Cornish mythology is often derived from tales of seafaring pirates and smugglers who thrived from the early modern period through to the 19th century. Cornish pirates exploited both their knowledge of the coast as well as its sheltered creeks and hidden anchorages. For many fishing villages, loot and contraband provided by pirates supported a strong and secretive underground economy in Cornwall. Coupled with this rebelliousness was the fact that the Cornish, quite rightly, saw themselves as seperate nation to the one they were suppose to pay taxes and duties to. The Cornish are linked very strongly to both their ‘Brythonic cousins’ Brittany and Wales and all three share very similar traditions and languages. Over the years the Cornish have suffered from the closure of its mining industry, emigration and deglect on behalf of the Westminster juggernaut which seems determined to stamp out any signs of the celtic Cornish nation and turn it simply into southwest England.

left to right it's: - The Admiral (bass) - Johnny 'Danger' Danger (guitar) - Ashtiki The Caveman (drums) - Scarlett Van Dyke (ukulele) - The Captain (vocals)

Pirate Copy from left to right:
– The Admiral (bass)  – Johnny ‘Danger’ Danger (guitar)  – Ashtiki The Caveman (drums)  – Scarlett Van Dyke (ukulele)  – The Captain (vocals)

With all that in mind we eventually get to what we are here for and that is to tell you about Pirate Copy’s new EP. Released last month its three tracks of catchy punk rock with celtic influences and more shouts of “yarr” than I thought possible to fit on a nine minute EP. The right description for this would be ‘Pirate Punk’ and the band certainly play up to it but as they have that shit in their veins how can their be anything wrong with it. ‘Goin Down A Storm’ opens the EP and growling vocals atop heavy guitar riffs and shouty choruses carry on where they left off in the first EP.

“Indie kids at the bar, they sneer because we’re not cool
But this is our party and this shit fucking rules
Pretension and aggression they’ve got no place in here
If you’ve come to throw fists then you’re no buccaneer
We’re all about dancing and we love circle pits
Just watch out for the chicks and don’t act like a dick
We all know the score, we’re lookin’ out for each other
If you’re hangin’ with the pirates then we’ve got your back covered”

Its all great infectious fun and as I said before I bet they are something else to catch live. Its to their credit that they manage to transfer that live sound onto their studio material without losing anything in quality. Hats off to Doc Collins who achieved this at the Plymouth Music Collective studios in Plymouth.

Following this is ‘Whirlpool’ with more catchy as hell chugging guitars and great gang vocals combining to make a proper celtic-punk classic even though it storms past you in under two minutes.

‘make the most of every fucking day’

‘Lure Of The Sea’ brings the EP to a close and its a beauty. The most celtic-punk I have heard them and got to admit its pretty damn good. All the elements that make Pirate Copy what they are are there and all are turned up to eleven! A rowdy and riotess good time is guaranteed with this band who have proved they can successfully transfer their live sound onto record so don’t delay and get your measly £2 off to deepest Kernow immediatlely!

(you can listen to the whole EP by pressing play on the Bandcamp box directly below)

Contact The Band

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Buy The EP

FromTheBand  iTunes

CATCH UP 2014 REVIEWS! BLACK 47, CELKILT, BIG ART PETERS, CRUACHAN, MY LIFE IN BLACK AND WHITE, DUCKING PUNCHES, DEIEDRA, HARD UP, JOHNNY KOWALSKI AND THE SEXY WEIRDOS, LES FOSSOYEURS SEPTIK, NOWHEREBOUND, THE POKES

Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but its been impossible for us to keep up with all the great releases we have come across so here’s a few quick ones just to catch up and get 2014 out of the way. Each and every one are worthy of your time so go ahead and check them out.

Black 47- 'Rise Up' (2014)BLACK 47- ‘Rise Up: Political Songs (2014)

A sad year for New Yorks premier celtic-punk band as they finally called it a day after an amazing 25 years together. Influenced by reggae, hip hop and jazz as well as folk and punk I gotta admit I’m a late convert to Black 47 but better late than never. This is a compilation of the best of their political songs. Irish republicanism looms large with the standout tracks the emotional renditions of ‘James Connolly’, ‘The Patriot Game’ and  ‘Bobby Sands MP’. The real standout though is the fantastic ‘San Patricio Brigade’, with the band accompanied by Eileen Ivers, which tells of the Irish deserters from the US Army who fled racism and mistreatment to join the Mexican Army and formed the St Patrick’s Battalion back in 1846. More on that here.

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CELKILT- ‘On The Table’ (2014)

Imagine a catchy as hell pop punk band with fiddle, whistles and bag pipes and a very real foot in celtic history and you have Celkilt from Lyon in east-central France. Their fourth album came out to quite a fanfare and it really deserved it. Influenced from across the celtic nations Celkilt have taken the scene by storm since they arrived and with a continuously evolving and updating sound they need to be heard far and wide. Songs on this album represent all the celtic nations but is the Breton sounding title track that steals the show for me. The vocals are in crystal clear English and the production is immaculate!

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BIG ART PETERS- ‘Quit Horsing Around’ (2014)BIG ART PETERS- ‘Quit Horsing Around’ (2014)

An album of laid back country classics from Arturo Bassick, the singer and last remaining original member of 1977 punk rock legends The Lurkers backed by members of German psychobilly band Mad Sin. All great fun and will definitly remind you of those records your mammy loved back when you were a kid. Clearly influenced by Johnny Cash I half expected  Arturo to produce a spoof/jokey album but no its serious and shows the upmost respect. I can see yet another door opening for this already busy and very talented geezer.

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Cruachan- 'Blood For The Blood God' (2014)CRUACHAN- ‘Blood For The Blood God’ (2014)

Formed in Dublin back in 1992 Cruachan are one of the world’s top celtic/folk-metal bands. I must admit to a very limited knowledge of that suprisingly busy and popular scene and anything I know comes from this previous article here on the blog entitled ‘Celtic Metals Top Five Bands’. You would think not for the faint hearted but it is in fact very listenable and the folk influence is massive. This is the second instalment of a planned ‘Blood…’ trilogy and is their seventh album. The songs deal with stories from Irish mythology and chugging riffs compete with traditional Irish jigs to make a gloriously epic album.

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MY LIFE IN BLACK AND WHITE- ‘Columbia’ (2014)

Hailing from Portland, Oregon this is My Life In Black And White’s fourth album and their blend of Social Distortion style punk and folk has got them plenty of notice. Whiskey soaked singalongs and ballads sitting next to a rough punk sound with fast drum beats and distorted guitars where you can still hear the acoustic guitar strumming away in the fantastic mix. The best bands draw inspiration from past wars and cultural struggles and so do My Life In Black And White thus they bring a strong sense of folk tradition to the songs so that even on the punker songs a strong sense of the past shines through.

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DUCKING PUNCHES ‘Dance Before You Sleep’ (2014)

New band to me hailing from Norwich away there on the east coast of England and one of many where the band members are, or use to be, members of more conventional punk rock bands. Really nice folky punk with biting lyrics and a real threat in what they say that belies the ‘nice’ music. Great storytelling songs and catchy as feck music. Highly recommended and I look forward to seeing more of these this year. A brilliant scene developing in Norwich with bands taking in every angle of celtic/folk-punk. Watch out for the East Town Pirates too.

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Deiedra-DEIEDRA- ‘Usteak Ustal’ (2014)

There has always been great links between the celtic nations and the Basque people. Both share histories of oppression and the scars of colonialism. Some even say that the Irish and the Basques are the same linked through their DNA. Deiedra play immaculate Irish folk filtered through Basque ears and sung in their native language. Some of the tunes are familiar but all are stamped with Deiedra’s own style.

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HARD UP ‘Penury’ (2014)

Leftie folk-punk that reminds me of Mischief Brew or The Dead Maggies. From Montreal in Quebec they sing in English and even though it could have benefited from a better production but as ‘Penury’ was recorded in a loft Hard Up can be forgiven. A lovely bit of DIY folk-punk with great storytelling lyrics and banjo playing.

“folk is a music for the people by the people there’s no room for blind faith at all”

Only twenty minutes long but rattles along at a great old speed and keeps up the catchiness all the way through. Available for Pay What You Want so why not take a chance on them. You’ll not regret it.

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JOHNNY KOWALSKI AND THE SEXY WEIRDOS- ‘Kill The Beast’ (2014)

Second album from this Birmingham based band that combines elements of ska, celtic, balkan, punk, rock’n’roll, mariachi, carnival and a whole lot more that I havent yet realised into the tumbler and gives it a good shake before knocking it back. A rollicking good time to be had by these. Nothing too serious just a seriously great time…

“He gathers forth distrusting words
He reach a stream, he can’t cry out
After knowledge always doubt
When over the hill there comes a shout
The distant smoke, the smell of stout”

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LES FOSSOYEURS SEPTIK- ‘La Pelle du désordre’ (2014)

They come from France and even though I don’t speak French Les Fossoyeurs Septik sound very pissed off! All yer classic bits of folk-punk and folk and punk are complimented by some very good reggae touches that don’t sound out of place at all. Another band in Mischief brew territory but with none of the Americana of said band these are French and sound like it. Like I said have got no idea what their singing about except they support the Animal Liberation Front so unfortunatly they got a lot to be pissed off about so. Their are only the occasional celtic moments but don’t let that put you off definitley worth keeping an eye on.

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NOWHEREBOUND- ‘Mockingbirds’ (2014)

Formed in 2010 out of the ashes of local Austin, Texas punk bands Nowherebound’s third album is more punk than previous ones have been but the same touches that impressed me with My Life In Black And White’s album (see above) are also evident in heaps here. The acoustic guitars have been retired but the sound of Nowherebound hasn’t changed. Thank feck! From hard rock in-yer-face to pop punk melodies to raise-your-glass-and-sing-along-anthems Nowherebound hit you in the heart and head.

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THE POKES 'Mayday' (2014)THE POKES ‘Mayday’ (2014)

Last one and its The Pokes from Berlin and on first listen it was legendary North-Eastern England band The Whiskey Priests that it reminded me of. Celtic-punk without being particularly celtic it is nevertheless absolutely superb party music and looking at their videos they are something else live. Their fourth album and much the same great fiddle, banjo and accordion wrapped around clear vocals and often hilarious lyrics. Influences abound with everything from ska to polka sticking their nose in and combining to prove why The Pokes are one of the best and most popular bands in Germany.

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apologies to all the bands as each and every release deserved the full LONDON CELTIC PUNKS treatment but time has got the better of me. If anyone out there wants to help out on the reviews front drop us a line. Don’t be shy we are always looking for help.

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