Category Archives: Sea Shanties

NEW SINGLE FROM MEDUSA’S WAKE ‘War Of Independence’. LATEST IN A LONG LINE OF CLASS AUSSIE CELTIC-PUNK BANDS!

Sydney based Celtic-Folk-Rockers Medusa’s Wake new single ‘War Of Independence’ has dropped over the weekend and as expected is bloody amazing!

Ryan and McGrath polish up their Guns,
 As we sit and wait for the English Huns
 The hills alive with Summer a beauty to be seen,
*
Washed and fed by the Dunnes
Prayed for by Priest and Nuns
Quigley gently whistles the ‘Wearing of the Green.’
(The best you’ve ever seen)
*
 Chorus
 Tipperary’s banner flying,may you rise and never fall
Wedger Meagher Marched them “One by One” from Toome to Moneygall.
*
 Singing songs to raise your spirits of dear Ireland brave and bold
 To keep the will of living in your heart and Soul.
 To keep the will of living in your heart and your Soul.
*
 Black and Tan’s sent by the crown
 A plague in every village and town
Brave Son’s of Erin stand bravely now and fight,
*
Dan Breen say’s We’ll not lie down”,
Shoot from the hip of your Sam Brown,
Round the valley at nightime
gun fire’s burning bright (With Delight)
*
Chorus 
Tipperary banner flying,may you rise and never fall
Wedger Meagher Marched them “One by One” from Toome to Moneygall.
*
Singing songs to raise your spirits of dear Ireland brave and bold,
 To keep the will of living in your heart and soul.
 To keep the will of living in your heart and soul.

If there was a World Cup to work out the best country for Celtic-Punk music, then without a doubt Australia would win it hands down every time. Not sure what they put in the water down under, but they continue to churn out the best Celtic-Punk bands over and over again! The latest band on every bodies lips is Medusa’s Wake from Sydney town. They released their debut album in 2018 and made waves immediately across the whole scene making all the Celtic-Punk end of year Best Of lists reaching #2 in the London Celtic Punks list, #3 for The Celtic Punkcast, #8 for Celtic-Folk-Punk And More, #9 for Mersey Celt Punks, #13 for Paddyrock and #17 for MacSlons so obviously a highly acclaimed album that even though it’s not a recent release I still find myself playing regularly. The album is still available for download below for the princely sum of $12 Aussie dollars which translates to a lot cheaper in the States , UK and Euros.

The song written by Medusa’s vocalist and native of the best county in Ireland at everything (Tipperary of course!) Eddie Lawlor, and tells of the Irish War Of Independence fought between 1919 and 1921. Just a couple of years after the failed Easter Rising and with An Gorta Mór (the so called ‘famine’) still in living memory when the British Government attempted to erase the Irish Catholic from the island of Ireland. Anger at British misrule reached a crescendo one night in January 1919 with the Solohead Ambush when members of the Tipperary Irish Republican Army ambushed the Royal Irish Constabulary. Two RIC officers were killed and their weapons and the explosives were seized. The Volunteers had not sought permission for their action and it is seen as the first engagement of the Irish War of Independence.

the legend Dan Breen

The War would only last a couple of years but would be a bloody and hard fought nominal victory for the Irish given that that victory would lead to the partition of Ireland and to a even more bloody Civil War that would see brother set against brother and comrade set against comrade. Tipperary where the song is set was the home to some of the most fierce battles and most loved figures of the War who fought tooth and nail to remove any trace of the British flag from Irish soil. Wedger Meagher was in fact the great gran uncle of Eddie and my own family were related to the Ryans much to my Grandad’s delight. How he use to regale me as a kid with stories and figures of the time and often my bedtime stories would be of exciting ambushes and battles that happened not in the Wild West and between cowboys and indians but between Irishmen and the British just a short walk from our family farm. The bravery of these men who were often farmers and students who fought against the best trained army in the world cannot be doubted and ought to be celebrated and remembered proudly just like in Eddie’s marvelous modern day rebel indie folk ballad.

Medusa’s Wake from left to right: Elise Capiro- Fiddle * Frank Sallie – Acoustic Guitar *   Eddie Lawlor- vocals/Mandola *Zane Mc Rae – Bass * Liam Ó Faoláin – Electric Guitar * Owen Watson – Accordion *

The song is available on all digital streaming platforms. Have a listen, subscribe and share it around. 👍☘. You can stay informed with all the best in Australian Celtic-Punk and Folk-Punk by joining these two excellent Aussie Facebook groups AUSSIE CELTIC PUNKS andAUSTRALIAN FOLK PUNK SCENE where you will find some of the best Celtic-Punk out there.

Download War Of Independence  HERE

Contact Medusa’s Wake  WebSite  Bandcamp  Facebook  YouTube  Instagram

YE BANISHED PRIVATEERS NEW SINGLE ‘ROWING WITH ONE HAND’

Swedish sea-dogs Ye Banished Privateers, th’ most realist pirate band in th’ world are back again wit’ a new single from thar forthcomin’ album Hostis Humani Generis.
Ahoy! So ye be wantin’ t’ go to sea an’ ye don’t be wantin’ t’ end up in Davy Jones’ Locker. Then ye best be learnin’ t’ ways of a buccaneer. Don’t worry I’ll stop that now! Yes the most authentic pirate rock band Ye Banished Privateers continue the build up to the release of their upcoming fourth album Hostis Humani Generis with the release of a new single ‘Rowing With One Hand’. These Swedish marauders of the sea take you through the ups and downs of pirate life! Honest to the bone – the upcoming album tells the unfiltered story about desperation, starvation and war fatigue accompanied by catchy pirate hymns.

Rowing with one hand hey ho
Round and round and round I go
Lassies mourn and seamen flow
Rowing with one hand hey ho
*
Six weeks dry without consent
They all said no so off I went
Left the ship and aimed for shore
a sturdy grip around the oar
*
Yo ho, hey ho – Hey all hands in a row
Man the pumps down below
Yo hey ho – Now we row
*
Rowing in a rowing boat
A trail behind me left afloat
I’ll raise the level of the sea
Enjoying my own company
*
One oar on the deck I stow
Frees next hand to go below
I ain’t going straight for port
Of fantasies I’m never short
*
Yo ho, hey ho – Hey all hands in a row
Man the pumps down below
Yo hey ho – Now we row
*
Some like rowing two and two
Or pass the ore along the crew
Others row in solitude
All dressed up or in the nude
*
Some go left, some go right
In circles rowing day and night
Takes a while to get us there
But timewise we are millionaires
*
My starboard arm as strong and grand
As nimble be my pistol hand
Greasy oil from sperm whale spleen
Keeps my leather nice and lean
*
Rowing with one hand hey ho
Round and round and round I go
Lassies mourn and seamen flow
Rowing with one hand hey ho
*
Yo ho, hey ho – Hey all hands in a row
Man the pumps down below
Yo hey ho – Now we row

PIRATE CODE OF CONDUCT

In order to prevent disputes and to employ a democratic process for ensuring equality and cooperation among the crew, most pirate ships had rigid rules in regard to the division of their spoils and operating procedures. These eventually became known as Articles of Agreement, or Pirate Code…which each crew member was asked to sign or make his mark upon and swear an oath of allegiance. When a rule was breached, the crew was often without pity or remorse in punishing a guilty crew member.

Bartholomew Roberts (Black Bart) was one of the most notorious and successful pirates in the Golden age of piracy, his Shipboard Articles of 1721 prescribed the code of conduct that he and his crew agreed upon as shown below…

I. Every man has a vote in affairs of moment; has equal title to the fresh provisions, or strong liquors, at any time seized, and may use them at pleasure, unless a scarcity makes necessary, for the good of all, to vote a retrenchment.

II. Every man to be called fairly in turn, by list, on board of prizes because, they were on these occasions allowed a shift of clothes: but if they defrauded the company to the value of a dollar in plate, jewels, or money, marooning was their punishment. If the robbery was only betwixt one another, they contented themselves with slitting the ears and nose of him that was guilty, and set him on shore, not in an uninhabited place, but somewhere, where he was sure to encounter hardships.

III. No person to game at cards or dice for money.

IV. The lights and candles to be put out at eight o’clock at night: if any of the crew, after that hour still remained inclined for drinking, they were to do it on the open deck.

V. To keep their peace, pistols, and cutlass clean and fit for service.

VI. No boy or woman to be allowed amongst them. If any man were to be found seducing any of the latter sex, and carried her to sea, disguised, he was to suffer death.

VII. To desert their ship or quarters in battle, was punished with death or marooning.

VIII. No striking one another on board, but every man’s quarrels to be ended on shore, at sword and pistol.

IX. No man to talk of breaking up their way of living, till each had shared £1,000. If in order to this, any man should lose a limb, or become a cripple in their service, he was to have 800 dollars, out of the public stock, and for lesser hurts, proportionately.

X. The captain and quartermaster to receive two shares of prize: the master, boatswain, and gunner, one share and a half, and other officers one and a quarter.

XI. The musicians to have rest on the Sabbath Day, only by night, but the other six days and nights, not without special favour.

Pre-order the new album NapalmRecords  Here

Contact Ye Banished Privateers  WebSite  Facebook  Bandcamp  YouTube

Avast me hearties! Celebrate Talk like a Pirate Day…an international event… tis yer excuse to talk like a pirate e’ery year on September 19th so… gather yer mates an’ watch out fer concerts o’ all yer fav’rit musicians!

ALBUM REVIEW: THE DREADNOUGHTS- ‘Into the North’ (2019)

Ever since 2007 The Dreadnoughts have been an ‘tour-de-force’ upon the Celtic/Folk-Punk scene. Thrashing their way around the world blending Punk-Rock with a bunch of European Folk traditions with a power and range that few others can match. Now though they have returned to their roots with their fifth studio album Into The North, a collection of traditional and original sea shanties recorded deep in the Canadian hinterland.

Its been a long road for The Dreadnoughts. Not only because they have probably played in more countries than any other Folk-Punk band but that they have a come along way since their singer’s early days in the famed Ontario, Canadian band Siobhan. I say famed but at the time the Celtic-Punk scene was tiny but they still managed to make a name for themselves with their two studio albums The Patron Saints of Debauchery and Welfare State and legendary stage shows. When Siobhan split a couple of years went by before they dived straight back in with The Dreadnoughts. Those early days spent playing in Vancouver’s notoriously seedy Ivanhoe Hotel saw them build up a large and loyal following and later they would be recognized as one of the best live bands in the city. Embracing the old-school destructive chaos of live Punk, their gigs were hot and sweaty and full of joy and went on till the audience was exhausted, happy and pissed to the gills. Fast forward to 2019 and with a host of critically claimed studio albums behind them The Dreadnoughts have again taken us by surprise and have stripped their sound right back and when I say right back I mean right back!!

Always with a fondness for sea-shanties their version of ‘Roll The Woodpile Down’ can be credited for starting a trend amongst the scene for bands in the middle of their sets to lay down their instruments and test their harmonies with an acapello song. The haunting thunder of sea shanties has long been the backbone for The Dreadnoughts sound and on their new album here they have fully embraced the genre for a whole album that is the greatest collection of original and reworked traditional sea-shanties in modern times! Tasked with recording the songs the band decided early on in the process that they didn’t want to go for that slick produced ‘studio’ sound so they

Holed up for a week in a small wooden cabin with nothing but whiskey in our glasses, four microphones in front of us, and hordes of mosquitoes outside singing along, we belted these damn songs over and over until we had them just right, and the result is the album we’ve always wanted to make.

With their last album, 2017’s a multi-genre, historically themed concept album Foreign Skies also stepping outside the box, being a raw and emotional ride through the horrors of the First World War it only shows that The Dreadnoughts are without a doubt both a band that is unafraid to take risks and the most innovative bands in our or any other scene. Stories of love and loss, war and strife, redemption and sorrow from a band that up till then only sang songs about gin and scrumpy cider… this was new territory and also a massive success with fans and critics alike.

(see for yourselves by streaming/downloading Foreign Skies on Bandcamp below)

Now first off I have to say that bar a few of the more obvious ones I know not what, if any, of the songs here are originals. You can never be too sure with anything The Dreadnoughts do as their mischievousness could always have you believing the opposite! The album opens with ‘Rosibella’ and considering I was expecting some Folk-Punk fury I was shocked to find in its place a stripped down sea-shanty with only occasional squeezebox to accompany the words. ‘Fire Marengo’ was found by The Young Traditions Royston Wood in an old book called Shanties From The Seven Seas, where a few of the songs here were first documented, and after changing some verses and adding the tune went on to release it on their 1967 EP Chicken On A Raft. Most of the songs here hover around the two minute mark as without the padding of music it’s mainly the vocal harmonies, and a bit of foot stompin’, that rule here. ‘Pique La Baleine’ is a traditional Breton whaling song sung in French and dates back to the early 19th century. Again it is accompanied only by squeezebox while mournful fiddle makes an appearance on the relatively modern ‘Roll Northumbria’ a song about the building of a war ship in the Tyne in 1965. ‘Joli Rouge’ is an Dreadnought original devoted to Cidre Joli Rouge, a company dedicated to the production of real cider not the syrupy, corporate, mass-produced, prison wine that passes for it in most pubs. The company has even made a Dreadnought Cider!

“she’s called the Dreadnought cider
she’s proper and she’s fine
and when the day is over how I wish that she were mine
or in the dark of winter, or on a summer’s eve
one hand giveth while the other doth receive

So you can have a Mangers and pour it over ice
or you can have a Strongbow if it’s sadness that you like
or join us up the river and we’ll set your heart aglow
and how you’ll feel when the real cider starts to flow”

One of the album’s highlights without a doubt! Anyone who has seen them play over the last couple of years will recognise a couple of the songs here and if not then will be familiar with the style of the songs. I’m not sure if I saw them giving ‘Lifeboat Man’ a run through at their outstanding gig at the Cursus Festival last year or not but its familiarity is nice even if they didn’t play it! ‘Shallow Brown’ is pure sea shanty at its best. A typical call and response song with The Fang, otherwise known as Nicholas Smyth, singing the verses while the rest of the band sing the chorus. The song is a sad tale of a man leaving a woman on shore, pretty much a standard subject for a shanty, though this time its the story of a man being sold into slavery.

Sad and mournful and perfect for a good bass voice like Nicholas’. ‘Whup! Jamboree’ is an auld song and like most here no one is sure quite how old. It’s a cheeky number and shows workers at their most risque!

“And soon we’ll see old Holyhead
No more salt beef, no salt bread
I catch my Jinny and it’s off to bed
Come and get your oats me son”

Accompanied by very low key squeezebox and the solitary slow beat of a drum it’s another highlight. A.L. Lloyd sang ‘Whup Jamboree’ in 1957 on his and the great Ewan MacColl’s album Blow Boys Blow. He commented in the sleeve notes:

Whup Jamboree is one of the wildest and most exultant of homeward-bound shanties. The progress through the English Channel and into London River goes as a fast clip, and all hand are looking forward eagerly to what the girls ashore have to offer. From its references to Blackwell Dock, this shanty, used for work at the capstan, apparently rose among sailors in the Far East run.”

‘Paddy Lay Back’ is probably the best known of the songs here as it has been recorded by many famous Irish artists including The Wolfe Tones (here) and the Dublin City Ramblers (here). It’s earliest date is 1898 and tells of a poor Irish lad who goes to sea to earn his fortune but suffers at the hands of foreign sailors, poor conditions and the long voyage. ‘Dear Old Stan’ is dedicated to the memory of Stan Rogers the acclaimed Canadian Folk singer-songwriter who passed away in 1983 but is till remembered fondly for his Celtic influenced Folk songs many telling of his parents days working off the sea and tales of the lives of ordinary working people.

Some really wonderful lyrics here that fair bring a tear to the eye and explain the high esteem that Stan Rogers is held in Canada and around the world.

“The Yanks have Woodie Guthrie, The British Ralph McTell
The Celts have got the Corries, aye and Ronnie Drew as well
Adge Cuter sings of cider out in the west country
but I am a Canadian, and so I say to thee

Arise and be merry
and sing out while you can
The world will never see the likes
of dear old Stan”

Following this tribute is ‘Northwest Passage’ one of Stan Rogers best-known songs and my favourite song on Into The North. An acappella song, originally released in 1981 it is now considered one of the best songs in Canadian music history.

Take a moment also to watch this tribute to Stan Rogers version here. ‘Sacramento’ is a catchy foot stomper while the only song here that gives a hint of what The Dreadnoughts are famous here are the instrumental trad songs ‘Harper’s Frolic / Bonny Kate’. Showing the bands mastery of traditional Folk and how easily the Bhoys can turn their hand to anything while still be able to give it a distinctive Dreadnoughts stamp. We are near the end of Into The Norths forty-two minutes and ‘Shiloh’ is another up lifting foot stomper while the curtain comes down with ‘Starbuck’s Complaint’, a great song to end with as Drew’s voice and harmony brings the album to a melancholy close and how else could an album of sea shanties end. The work was without a doubt hard and often tyrannical under many a vicious Captain’s rule. The workers would say that “a song is as good as ten men”. The songs were used in the manner of field work song’s and these shanties tell the tales of loneliness, the families these men left behind, the daily hardships of an unkind sea and adventure on the seven seas.

Celtic-Punk is more than just getting your girlfriend to play fiddle over a punk song (just as Folk-Punk is more than a trendy hipster achingly singing over an acoustic guitar). It has a past and that link to the past has to be explored and celebrated. There are certain values I think to be associated to whatever it is that passes as a Celtic-Punk scene and to celebrate the music that inspired it is surely at the top of the list. Here The Dreadnoughts do just that. If you are expecting their breakneck Punk-Folk then you may be disappointed on first listen but by the second or third you’ll come to really appreciate what it is they have done here. In fact I look forward to seeing them placed in our Top Ten Folk and Trad releases of the year rather than their usual spot in the  Celtic-Punk Top Ten! Celtic folk music and Punk can form a perfect union and while on Into The North they take a more traditional route with these wonderful songs I’m sure it won’t be long before they’re back breaking stages around the world, scoffing down the ciders and spreading their gospel to anyone and everyone who will listen.

(stream Into The North from Bandcamp below before you buy!)

Buy Into The North  FromTheBand

Contact The Dreadnoughts  WebSite  Facebook  Bandcamp  YouTube

Stoked. A documentary about The Dreadnoughts by Adam PW Smith

|  | 17 November 2017 (Canada)

Vancouver legends The Dreadnought returned from a six year hiatus in 2017 to record a new album. Filmed in the recording studio, and drawing from an archive of photos and film clips that go right back to their second ever live show, this low budget documentary rises above its station with great characters and stories that range from enlightening to hilarious (and occasionally dubious). These liquor soaked musical heroes prove themselves to be thoughtful, as well as entertaining. Everything you ever wanted to know about the Vancouver-based Celtic-Punk band – and perhaps things you didn’t – can now be found in Stoked: The Dreadnoughts Return. Watch the film here.

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