Category Archives: Single Review

IT’S A NEW FLOGGING MOLLY SONG !

A band that need no introduction! 

FLOGGING MOLLY

We spotted a new song that appeared on You Tube a couple of days ago. Flogging Molly are one of the two BIG Celtic-Punk bands but do spend a lot of time in the Dropkick’s shadow due mainly to how busy the Murphys keep themselves. So it is that when we get a morsel we do tend to get over excited about it. Maybe that’s the same reason why Beth Schmit has labelled it ‘Coffee Boy’ rather than ‘Croppy Boy’! Only joking Beth thanks for uploading.

No other information on where / when it was recorded but they are currently on a co-headline tour in the States with the Violent Femmes so it must have been on one of them. Maybe someone can confirm?

The phrase ‘Croppy Boy’ dates back to the late 1700’s and the fashion at the time among the aristocracy was to wear powdered wigs (think series 3 of Blackadder) and revolutionaries in Ireland followed the lead of their friends in France by shunning these wigs. These young men cropped their hair instead and were often found to be associated with the patriotic Society of United Irishmen. Because of this they were often picked up by the British authorities for interrogation. This interrogation was more akin to torture as the use of flogging, picketing and half-hanging was commonplace . As was the horrific use of pitchcapping, or An Caip Bháis in Irish, which was the act of pouring hot tar into a paper cap which was then placed onto the suspect’s head, let cool and then ripped off taking with it skin and tissue. This was used specifically against the Croppies but they retaliated by cropping the hair of their enemies making it harder to identify people and their sympathies.

LUTON IRISH BAND MISSING THE FERRY HERE TO SAVE THE SUMMER!

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging. With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.
Anyone who has ever missed, or nearly missed, the ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!

Duty Free evokes the reckless abandon of a drinking session on the Dublin-bound ferry where bars on boats become a place apart from reality drifting between England and Ireland; a place to reminisce, escape and confront paths not taken, romances not fulfilled and promises not met before staggering drunkenly to the ‘Duty Free’ shop to pick up the sherry you promised Aunty Nora and the fags for Uncle Gerry.
A swig of Powers, a drag on a Players’ as the first glimpse of Ireland slides blearily into view…

We all want, need, please never stop Duty Free
And we’ll take it home to GerryGlasses clink and it got me thinking
Of a long lost girl that I used to know
Two large powers and I give her flowers
and I keep on hoping, she will walk right in
Waves are crashing, I keep re-hashing
hopes and dreams of a yester year
If I keep on drinking, I’ll just keep thinking
So I’ll take a little walk down to Duty Free…

We all want, need, please never stop Duty Free
And we’ll take it home to Gerry

Crazed all dayers, and a box of players
We smoked them all ‘fore the boat came in
Nuns are spewing, and mind is stewing
What a fallen man that I’ve become
(Is that Ireland?)
Well it looks like Ireland,
Ah Easy Roe – sure I’ve just drunk too much
Stroll on the deck – and don’t give a feck
So I made a little walk down to Duty Free…

We all want, need, please never stop Duty Free
And we’ll take it home to Gerry

And we’re last upon the ferry
All our problems dead and buried

We all want, need, please never stop Duty Free
And we’ll take it home to Gerry

And we’re last upon the ferry
Forget it let’s get merry…

(Take a little walk down to Duty Free now)

*
With thanks to Joe Ray for the squeezebox and help with the video. Special thanks to Fred Stokes for his Classic Cortin. Also thanks to John, Roseanne, Ciara and Ella Anderson for help with the video. Recorded pre and during lockdowns between bedrooms in Luton, Deptford and Leipzig (mixed and mastered by Luise London https://www.facebook.com/LuiseLondonAudio/ )
*
Another great song from these Luton Irish lads evoking some fantastic memories. Anyone over a certain age (basically before flying became so cheap) will remember the cattle ships that passed for ferry’s back in the day between Ireland and England. Crammed on and crammed together you counted yourself lucky if you got a seat as if not you’d confined to the floor. Once settled in you were left to your own devices to run round exploring the ship with new mates from around England. Your family would bump into people they knew from home but had settled elsewhere they probably hadn’t seen since the last ferry crossing. A trip to the Duty Free shop was a necessity as whiskey and cigarettes were always welcome in both direction. If you had the night ferry (my favourite) there would be a point you’d fall asleep only to find all the adults had disappeared and a short walk to the bar would find them talking of home with old and new friends. Going was always a great experience. The start of 6 weeks holidays from school and a trip back ‘home’.  The ferry back to England meant school soon and the adults barely concealing their sadness at having to go back to England. These Irish were the best in the world and are the reason we still find pride in our roots.  I always wondered what the ‘authorities’ must have thought at the 11 year old me ‘clanking’ away through customs with a bag full of fags and whiskey!

Download Duty Free  Bandcamp

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

FEROCIOUS DOG NEW SINGLE ‘BROKEN SOLDIER’ / ‘PENTRICH RISING’

English Celtic-Folk-Punk band with the ability to wow any audience you put them in front of. Not many bands you can say would appeal to both Grandparents and Grandchildren but Ferocious Dog are one. With a new album out soon here’s a couple of tasters of what’s in store for us.

Ferocious Dog look forward to the release of their sixth album The Hope later in the year with two songs released in quick succession onto You Tube. Beginning in June with ‘Pentrich Rising’ and a cracking video set and filmed in Derby gaol and following it up with the release this week of a song very close to the band’s heart, ‘Broken Soldier’, in partnership with the charity Combat Stress.

The band continue their rise with these two songs which despite their growing popularity lose none of the righteous anger and seething love they have become famous for. Likewise their sound has not been watered down. A band always determined to do it on their own merit it’s heartening to see a band that treats its fans as family and goes about it’s good deeds quietly and without fanfare. Their down to earth approach and old school labour movement politics along with years of solid touring and goodwill have built up a level of loyal support that many better known bands could only dream about.

Production: Justin Griffiths Creative * Director: Justin Griffiths

Lyrics: Andrew Hawkins

It’s not an original thought that it’s the working class that fights the wars for the rich and powerful. Some of these wars are remembered with pride and some are not. Sometimes these soldiers have performed heroics and can remember their service with pride and sometimes not. It’s important when we talk about ‘friends and foe’ during a war that we never lose sight that there is always an individual inside that uniform. ‘Broken Soldier’ has been released in support of Combat Stress, the UK’s leading charity for veterans mental health dealing with issues like post-traumatic stress disorder, anxiety and depression. The band have donated £5000 from the Lee Bonsall Memorial Fund and ask their fans to donate where they can to www.combatstress.org.uk.

Pivotal to the ethos and drive of Ferocious Dog is the sad fate of Ken’s son Lee. Lee served in Afghanistan from the age of 18, and upon rejoining civilian life took his own life in 2012 at the age of just 24, unable to overcome Post Traumatic Stress Disorder stemming from seeing one of his friends being shot dead by a sniper. Lee is commemorated in the Ferocious Dog songs ‘The Glass’, ‘Lee’s Tune’ and ‘A Verse For Lee’. This gave rise to The Lee Bonsall Memorial Fund which raises money and awareness for causes close to the bands heart. Lee’s story was featured in a BBC documentary Broken By Battle. It was Lee that actually named the band as a child.

The other song to be released was titled ‘Pentrich Rising’ and like a lot of what Ferocious Dog sing about is based on some stone cold hard history. Not the history you are likely to learn in school (more’s the pity!) but the story of the people. Working class history that survived through word of mouth. An armed rebellion that took place in the very area where Ferocious Dog call home around the village of Pentrich in Derbyshire in northern England on the night of 9th June 1817. Mass unemployment, industrialisation, the Corn Laws, war debt were among many factors that led to a massive recession. The poor of course were always the ones to suffer the most and so well over 400 brave souls assembled aiming to join with forces from further north to march on London in support of a bill for parliamentary reform. Sadly this belief was all based on a pack of lies from a paid informer under the Government’s instruction. This led them to be intercepted on route and they were no match for professional soldiers and yeomanry. Many were captured without a shot being fired and though the leaders did originally escape they were rounded up in the subsequent weeks and taken to Derby gaol. Twenty-three were sentenced, three to transportation to Australia for fourteen years and eleven for life. As for the ringleaders, the government was determined to make an example of them, hoping that

“they could silence the demand for reform by executions for high treason”.

The rebellion’s three leaders, Jeremiah Brandreth, Isaac Ludlam and William Turner were all publicly hanged and beheaded at Nuns Green in front of Friar Gate Gaol in Derby on the 7th November, their heads taken to St Werburgh’s church for burial. It was England’s last armed rebellion

a half-hearted but passionate attempt to give the working-class man a voice, was snubbed out and with it ended the lives of three men who campaigned for a fairer society”.

Outside of Derbyshire the Pentrich Rising is largely forgotten but not by Ferocious Dog. Their albums are packed with songs telling the tales of the working men and women of days gone by. Just as in the olden days these tales were passed on by word of mouth and song. Well they still are.

Production : Justin Griffiths Creative * Director: Justin Griffiths

Oh my name is William Turner and my tale i’ll tell to thee
about the revolution in 1817
With Brandreth and Ludlam and a band of fifty strong
With hundreds more to meet us on the road as we march on
 A night for revolution, a night to fight
A call to arms in England All workers must unite
Tonight we march on Pentrich with London in our sights
A night for revolution
All workers must unite
And then we fight
Little did we know there was a traitorous government spy
William J. Oliver a man I now despise
The Pentrich revolution was always doomed to fail
For high treason, I was sentenced and hung in Derby gaol
 
A night for revolution a night to fight
A call to arms in England
All workers must unite
Tonight we march on Pentrich with London in our sights
A night for revolution All workers must unite And then we fight

Buy Broken Soldier  Here

Contact Ferocious Dog  WebSite  Facebook  YouTube

PRE-ORDER THE HOPE HERE

Lee Bonsall Memorial Fund  Facebook

UKRANIAN BAND SHAMrocks NEW TRACK FROM FORTHCOMING NEW ALBUM

Celtic-Punk is a worldwide phenomenon these days and a perfect example is band ShamRocks. The first band of Ukraine’s Celtic-Punk scene and originators of ‘Stout Rock’ – a blend of Irish, Scottish, Breton, Finnish and Folk music with Punk, rock and metal.

Here they have released the first song from their forthcoming new album Bring It On!

ShamRocks were born in the Ukrainian capital of Kiev in 2009 so in a slow moving scene they are still  relatively newcomers. With a mutual love of traditional Irish and Scottish music, Finnish polkas, ancient sea shanties and good old fashioned Punk-Rock and Metal ShamRocks have released three albums with some of the best modern adaptations of classic Folk songs put to record. Traditional melodies played on fiddle, mandolin, flute and accordion and mixed up with head-banging riffs that are still heavy and danceable but with their roots intact.

ShamRocks – (top) Andrew Neretin – Guitar, Vocals * Alexey Sletkov – Drums (bottom) Sergiy Khudoliy – Keytar, Vocals * Anatoliy Khomenko – Violin, Mandolin, Vocals * Serge Vdovychenko – Bass, Vocals *

Their album’s Captain’s Log (2016) and Ye Olde Chariot (2017) both had that ‘crowded pub’ feel to them and more charted high in the end of year London Celtic Punks Best Of polls, with Captain’s Log reaching the heights of #4 that year. So it was with Covid coming along and spoiling everyone’s plans Bring It On! had to be delayed but buoyed by the massive success of the Dropkick Murphys Paddy’s Day live stream a couple of days later ShamRocks played a fantastic set broadcast across Facebook to every corner of the globe. The (almost) full set would become their third album FCP Live and with no ‘post-production magic’ it’s the pure ShamRocks experience. Original songs, Folk tunes, sea-shanties, Celtic-Punk classics and pub songs, ShamRocks can take any tune and turn it into a crazy and unique sounding experience!

No question as tired and old
“How much value does freedom hold
As bodies pile up in the morgues?”
We’re paying the ultimate price
The blank stare in dead soldiers’ eyes
There is no return; if we struggle and fall
There won’t be a flag left to mourn
You thought you could test our will
That centuries dulled our steel
You tried to go in for the kill
It’s time to stand proud
(We rise with our kin!)
It’s time to stand free
(We fight and we win!)
The aging empire can go and get bent
We’re drawing the line in the sand
Till our last breath we’ll
Stand fast
Another day passed
It won’t be our last
You know we can’t afford to fail now
We’ll reap what we’ve sown
Protect what we’ve grown
We’ll hold the line with pure anger
All our frustration
Determination
We are the ultimate punk nation
We need no masters
Now could you bastards
Fuck off to kingdom come
You know we won’t succumb
Whoa! Who-oa! Who-oa! Who-oa-oa-oa!
Who-oa! Who-oa! Who-o-oa!
Whoa! Who-oa! Who-oa! Who-oa-oa-oa!
Who-oa! Who-oa! Who-o-oa!
Whoa! Who-oa! Who-oa! Who-oa-oa-oa!
Who-oa! Who-oa!
YAAAR!
Stand fast
Another day passed
It won’t be our last
You know we can’t afford to fail now
We’ll reap what we’ve sown
Protect what we’ve grown
We’ll hold the line with pure anger
All our frustration
Determination
We are the
Ultimate
Punk
Nation
We need no masters
Now would you bastards
Just Fuck!
OFF!
The struggle shall go on!

Video shot by Aleksey Khoroshko and Iryna Piatanchuk. Edited by Sergiy Khudoliy

Mixed and mastered @Komora Studio, 2021

ShamRocks have just come back from playing their first live festival in two years and are finally looking forward to getting back to normal starting with the release of their next studio album. The plan is to release a few more singles along the way as they work on recording the rest of the album. Understandably they are reluctant to give a release date but stay in touch with us here at London Celtic Punks as we can’t wait to hear it and we will be among the first to break the news!!

(‘Punk Nation’ can be streamed and/or downloaded from Bandcamp for just $1)

Contact ShamRocks  WebSite  Facebook   YouTube   Bandcamp   VK.Com

NEW SINGLE FROM OGRAS ABOUT NORWEGIAN IMMIGRANTS IN RED HOOK, BROOKLYN

Yes its been rather slim pickings so far in 2021 for Celtic-Punk fans. There’s been a few gems (The Black Clover, Real McCoys, The Peelers, Sean Tobin and, of course, the new Dropkick Murphys album) but if there’s one band that can be relied on for providing some decent tunes it’s Ogras! The six-piece band from western Norway shot onto the scene last year with the release of their album No Love In The City. The album went on to hit the #1 spot in the Best Of 2020 polls for both us and Paddyrock and never before had we both agreed on the best Celtic-Punk album of the year. Not bad for a band no one outside Norway had heard of 12 months previous.

One of the joys of Ogras music is not just the music, though that is damn good, is the stories they tell within the song. These guys have truly embraced the ancient Irish way of the Seanchaí who would roam the land recording and then telling the history and stories of the old ways. That Ogras can tell a tale within the confines of a three or four minute song is an amazing feat and all a million miles away from the usual drinking’n’fighting we usually hear. On No Love In The City it was circus performers, outcasts, freaks and other round pegs in square holes while the follow up single ‘Sideshoe Hallelujah‘ stayed in the same territory and the hypocrisy in cheering for the sideshow freaks during the show and mocking them afterwards.

GOSPEL

We’ve seen trouble

in kerosene light
We’ve seen murder
over methanol delights
And we’ve seen worries
in the cold, cold rain
And we’ve seen pain
*
There’s a shadow in Red Hook
It’s there day and night
Through the smoke of ol’ barrels
You can see the Brooklyn lights
But it’s home to the queen, the mayor
the wolf and to me.
So we’ll stay here
We’ll cry here
We’ll pray here
We’ll die here
We’ll never grow old
So we’ll make us a life here
It’s home to the queen, the mayor
the wolf and to me.
GOSPEL
Love’s the only thing brave girl
Love’s the only thing to slip away
I still miss the old country
Sometimes I even miss the snow
I keep my dreams to myself
So no one can ever know
That this is the home to the queen, the mayor
the wolf and to me.

Ogras new single ‘Red Hook’ is a gospel-infused up-tempo Folk-Rock tune, as always done with a very particular acoustic/electric mix. The lyrics are inspired by the horrific stories of poor and unemployed Norwegian immigrants to New York 100 years ago. The homeless gathered in a community called ‘Ørkenen Sur’ (‘The Bitter Desert’) in Red Hook, Brooklyn. At a time when people from every European nation were fleeing from poverty, oppression and unrest in search of happiness and prosperity in the States, between 1825 and 1925 almost a million Norwegians left for North America. Roughly a third of the entire population of Norway, a higher proportion of any other country other than Ireland. Those early immigrants were almost all farmers so settled in rural areas in the Midwest becoming the most rural of any group arriving in America in the nineteenth century. Others, mainly sailors, were drawn to the city where competition for jobs and housing were high and many slipped through the gaps thankful for a place where they would find if not material needs at least a little comfort and love.

“Between barrels, pipes and in wrecked cars they made their home and where they lived, in summer and winter. Instead evolved into a separate small community.”

The setting for both On The Waterfront and Last exit To Brooklyn, Red Hook was, in the 1990s, named  in Life magazine as one of the “worst” neighborhoods in the United States and as “the crack capital of America”. A legacy no doubt of how much was cared for the working classes and the places they lived.  Today the Norwegian diaspora in the States is the tenth largest from Europe and the ancestors of those early settlers still celebrate their roots and traditions in high numbers.

Ogras (left to right) Knut Peder Voldset – Guitars * Aleksander Eidsvåg – Fiddle * Filip Eidsvåg – Drums * Thomas Dahle – Bass * Pål Elnan – Piano, Organ and Trumpet * Paul Solåt – Vocals

‘Red Hook’ was recorded at Ocean Sound Recordings in Norway and mixed by Jordon Silva (California), known for mixing The Avett Brothers, Flogging Molly among others. The video was shot in the landfill docks of Åndalsnes and, as usual, made by the exceptional one-man production team of Thomas Dahle.

Download Red Hook  Here

Contact Ogras  WebSite  Facebook  Instagram  YouTube

WE’RE ON THE MARCH WITH STEVIE’S ARMY! THE CUNDEEZ ANTHEM FOR THE SCOTLAND NATIONAL TEAM

Ready to banish all memories of 1978 Scotland have qualified for Euro 21 and to start off the campaign Dundee band The Cundeez present ‘Kilts On Taps Aff’. A football anthem to beat all other football anthems 6 (six)- 0!

This year members of the Scotland national team will have to find someone else to tend their gardens as they will be otherwise occupied! 2021 sees a rare summer outing for the Scotland national team and it’s only fitting that our favourite Scottish band The Cundeez should celebrate Scotland’s qualification for this years European Championships with a rockin’ Celtic-Punk number that’s sure to be a big hit among the Tartan Army and their fans in the Celtic-Punk scene.
Scotland narrowly missed out on automatic qualification for UEFA Euro 2020, but nail-biting victories in penalty shootouts in the play-offs against Israel and Serbia meant Scotland under the leadership of manager Steve Clarke were into their first major tournament since 1998.

*
Thirz an army massed, see the banners fly
Thirz a saltire set on a clear blue sky
The pipes fire up an wir on wir way
Oor time, oor place, this is oor day
*
Kilts on taps aff, Kilts on taps aff
Kilts on taps aff, Kilts on taps aff
*
Highs an lows we’ve had a few
Ups and doons but we’ll follow you
Fae the Highlands, islands, hills and glens
Fae the city streets. here we go again
*
Kilts on taps aff, Kilts on taps aff
Kilts on taps aff, Kilts on taps aff
*
Voice of the past, hear the Hampden Roar
The terrace chants singin’ “We want more!”
Itz in the blood, runnin’ through oor veins
The Celtic spirit they can never tame
*
Kilts on taps aff, Kilts on taps aff
Kilts on taps aff, Kilts on taps aff
*
Battle hardened an wir on the move
The Tartan Army gonna raise the roof
Thirz a Lion Rampant an a beatin’ heart
So come on boys, this is just the start
*
We’ll be backing Na H-Abhagan Breacan (The Tartan Terriers) through the tournament up to the final on Sunday 11th July and will be glued to our telly’s watching their games.

Monday 14 June: Scotland vs Czech Republic (3pm, Glasgow)

Friday 18 June: England vs Scotland (9pm, London)

Tuesday 22 June: Croatia vs Scotland (9pm, Glasgow)

The Cundeez don’t have a huge media machine or major record company backing, just the small but brilliant independent label Tarbeach Records based in New York so give a lads a hand to take over the Summer by sharing and, of course, purchasing. The track is available to download direct from Tarbeach via credit card or PayPal. The band recently released their fifth album Teckle And Hide which hit the dizzy heights of #4 in 2020’s London Celtic Punks album of the year.
“Bagpipe heavy Celtic-Punk that is never afraid to stray off into other genres. Possibly their most accessible album to date it still has their trademark fast, punchy, catchy Punk-Rock and the same shouty vocals delivered in that raw Dundee dialect but their Celtic and Ska influences see them moving into new territory without ever watering down their music or their identity.”
Teckle And Hide is available on CD and vinyl(download coming soon I am told!) from Tarbeach Records.
Contact The Cundeez  Facebook  YouTube  Spotify  Twitter

SINGLE REVIEW: THE POKES – ‘Sail’ (2021)

The Pokes rock. The Pokes are danceable.
Berlin’s No. 1 Folk-Punk band are back with a new 7″ vinyl release.

It’s been seven years since The Pokes were last featured on these pages for their album Mayday, and the intervening years seem to have done them no harm judging by this their new single. Now two tracks in seven years doesn’t seem like much of a return but I have to say that both these songs are top notch and I thoroughly enjoyed them and hopefully they point to a rejuvenated Pokes and new recordings to come. Based in Berlin, Germany ‘Sail’ is the bands sixth release since their debut EP Hello, My Dear in 2005 and show a band that has always took it’s time and never rushed out their releases. On their web-site you can download for free a whole bunch of songs from their previous albums which track their progression from those early days and their incorporation of genres like Klezmer and Ska into their trademark sound. In the review of Mayday I compared them to legendary Geordie Folk-Punkers The Whisky Priests but here on ‘Sail’ they have a far more punky sound while still retaining a whole host of Folk and Celtic instruments.

The first track here is ‘Catch Me’ and a tale of a harassed delivery driver rushing from delivery to delivery (“Call me wanker, Call me Santa, I’m the parcel guy on the run”) and a plea for us all to be nicer to them though I must admit to not finding it easy when you find a parcel outside in the rain because they haven’t rang the doorbell! Catchy as feck with chugging guitar and fiddle the song soon sweeps away with accordion and drums kicking in. The Pokes manage to convey their message with humour something a lot of bands ought to realise makes it easier to digest. (“Yeah, one day I am going to burn, Burn all your parcels and quit”) A fantastic start which even sees the pipes taking a turn halfway though the song and we can never resist the sound of that magical instrument. The title track ‘Sail!’ is the flipside and again is sung in English, not untypical for German bands at all. The song has a sea-shanty feel to it unsurprisingly and while it may have been middle-class hipsters that brought the sea-shanty back out into the open again Celtic-Punk bands have been singing them for decades now. The accordion is king here and leads from beginning to end as the catchiness reaches #11!

Together the 7″ lasts almost eight minutes so decent value too. Released primarily on vinyl which has slowly but surely started to return to Celtic-Punk the cover features accordion player Matthias and is released on the famous German DIY label Mad Butcher Records. These two songs can be viewed as a taster as the good news is that a fifth Pokes album is currently on the way and will also be released by Mad Butcher. What can we say except more of the same please guys!!

Download Sail  MadButcherRecords (Vinyl) Amazon (Download)

Contact The Pokes  WebSite  Facebook  YouTube

 

NEW SINGLE FROM AUSSIE CELT-ROCKERS SHAMBOLICS

Things have been a bit quiet on the Aussie Celtic-Punk scene of late but just like buses prepare for some of the best Celtic-Punk in town with todays offering from Shambolics and the new EP from The Ramshackle Army coming soon. 

Shambolics (there’s no The!) hail from Adelaide which is the capital city of South Australia (and yes they do a knock out version and play good auld fashioned Poguesy style Irish Celt’n’Roll. The sort of tunes you are just as likely to hear at your local Irish centre with yer Nan as well as at a Punk gig at some rundown dive. Formed out of the ashes of another Celtic-Punk band, The Gartloney Rats, they have featured here in the past with reviews of their debut release the six-track EP Pogue Mahone (in gaelic ‘póg mo thóin’) which is of course the Irish for ‘kiss my arse’ and also the original name of The Pogues (until the Brit media realised what it meant and made them change it!). The Pogues reference fits Shambolics well as unlike the majority of Aussie Celtic-Punk bands they follow a much more folkier path than. Well that was 214 and two years later came there debut album Riot On Race Day with ten original songs from rollickin’ Celtic-Punk to Country and spaghetti western.

“A love and respect for folk music but which is never afraid to take it and shake it and give it a nudge up to the modern day”.

So it’s been a good few years that the Bhoys have graced the pages of London Celtic Punks not that they haven’t been busy and their regular updates have shown a band that gigs regularly in and out of town and is more than a little well known overseas too.

The new track ‘Goin Off’ takes Celtic-Punk into the realm of Surf-Rock and a sorta Irish take on both the Beach Boys and The Ramones. Catchy and totally different but yet unmistakably Shambolics still. Written by frontman Jimmy I hope this heralds a new wave of releases from the band as they have been sorely missed. The song is available for just a measly single dollar so support Celtic-Punk musicians in these shitty times.

Contact The Band  Facebook  Bandcamp  Soundcloud  Twitter

NEW SINGLE ‘As I Roved Out One Morning’ FROM CALLUM HOUSTON

Acoustic Alternative Folk Rock.
Made in Bretagne. Inspired in Ireland.

We’re big fans of Callum Houston and when we heard he had a new single out we had a quick chat to find out the lowdown on what it was all about.

This song first started out as a chord pattern I randomly came up with and posted on Facebook. I was then convinced to make a song out of it by my friend Anthony who plays with the Ska band The Groovin’ Jailers from the North of France. I had meet him previously while on tour with the Graveyard Johnnys when we had shared a stage together. I quickly made a structure for the song and sent it to him to put record some Dobro over the top. I had just got back from doing a week long St Patrick’s Facebook tour where I played live with a number of musicians in different locations all across Bretagne. My head was full of old Irish ballads so I cut a load of lines from songs and pasted them together to make a Frankenstein style ballad of my own. The words seemed to fall into place easily and actually pretty well portrayed the week that proceeded them. Both my parts and Anthony’s parts were recorded in our own home studios. I then sent the track over to another great friend and even better musician Sleeper Bill from Rennes, he added some piano and then with ease took over the mixing and mastering malarkey which I am hopeless at. The beautiful artwork was hand crafted by my good neighbor Maire Pauline. It was great fun creating it together and I hope you can enjoy it as much as I did. More music will follow in the coming months and some concerts (fingers crossed).

As I roved out one morning, at the dawning of the day,
I meet a pretty maid, traipsing along my way,
Like a fox caught in the headlights,
I looked with surprise,
My mind being bent on rambling,
away I did fly
*
I said no nay never, no never again,
I’ve traveled many miles, from glen to glen,
There’s some that you fuss over, and some that you forgo,
I fell right for a raggle taggle gypsyo,
*
 Her eyes they shone like diamonds,
she’s the queen of this town,
Like an angel I have lost my wings, fallen to the ground,
There was whiskey in the jar, and the maid behind the bar, it was the parting glass,
Her eyes they shone like diamonds,
she’s the queen of this town,
Like an angel I have lost my wings, fallen to the ground,
There was whiskey in the jar, and the maid behind the bar gave the parting glass,
That went just a little too far
*
 Now through the Foggy Dew,
I search for you, as I rove around,
the streets of this Dirty old Town.
*
Callum Houston – Guitar, Vocals / Anthony Francois – Dobro / Sleeper Bill – Piano
Mixed and mastered by Sleeper Bill / Artwork by Marie Pauline Van Parys
To promote the single Callum performed a craicing live stream set of original material. If you missed it fear not click here to be re-directed straight there! Music begins from 3 minutes in and lasts just over a hour. The single costs just €0.99 so help out struggling artists by helping them to get a pint!

Download As I Roved Out One Morning  FromCallum

Contact Callum Houston  Facebook  Bandcamp  YouTube  Spotify

NEW SINGLE FROM SHANGHAI TREASON FEATURING DAN BOOTH FROM FEROCIOUS DOG

‘Wildfire’ the second single from their forthcoming new album sees South Yorkshire’s Shanghai Treason teaming up with Dan Booth from Ferocious Dog on fiddle!

Swiftly becoming one of my favourite bands Yorkshire rockers Shanghai Treason knock it out the ball park again with their new single. Fiddle and banjo go together like a Steak pie and Hendersons (that be South Yorkshire talk!) so it is that when I heard they were working with Dan Booth of Ferocious Dog I did get a little excited. And as you will see it was justified!!

Wildfire is the second single to be released from their new album, due in the Summer on Black Dingo records. The St. Patrick’s Day release of ‘Emerald Causeway‘ came out to much accalim and the album seems to be shaping up rather nicely. Shanghai Treason arrived in 2019 just in time to lay down a few roots before the Covid lockdowns came in but that didn’t see them slow down (well much anyway) and continued to write and produce new music as best they could. By now they have become a recogniseable name on the Celtic-Punk scene and their string of singles and EP’s have all been well received among the many Celtic-Punk focused blogs, radio stations and publications. Beginning to write their new album last year via e-mail’s between the band they managed to pick up a record deal with the Italian label Black Dingo Productions (home of artists like The Rumjacks, The Real McKenzies, The Rumpled ). Earlier this year they booked into Arch Audio recording Studio in Mansfield to work with Dan Booth and Gianluca from The Rumjacks under the watchful eyes of Luke Wheatley, Ferocious Dog’s sound-engineer.

“We’ve really up’d the ante on Wildfire, Dan Booth’s fiddle playin’ smacked the track into the stratosphere, it’s fast, in your face celtic punk, wi’ a Yorkshire twist, tha knows” – Sam Christie (Vocals)

Soon as things get back to normal the #1 thing on my to-do list is to get up to Yorkshire and catch these boys in the flesh. The quality of their previous releases has been incredible and in a year where several albums have been hotly anticipated it is Shanghai Treason’s that has excited me the most and on the evidence of the two singles released so far then this album will be challenging for Album Of The Year!

Contact Shanghai Treason  Facebook  YouTube  Instagram

NEW SINGLE FROM A NEW BAND! ALL THOSE EMPTY PUBS

There’s a new band on the Celtic-Punk scene and what a great name! All Those Empty Pubs hail from up in the Swiss Alps and have just put out their debut release. We got to ask Diego the bands only member (!) a few questions.

Not a great year for music was 2020 but it did have small rays of sunshine and one has to have been the birth of All those Empty Pubs, created as a solo music project by talented multi-instrumentalist Diego. With over twenty years of Punk-Rock experience, with brief sidetracks into Medieval Folk and Ska, backed up with more live shows than hot dinners and multiple publication and internet features he has finally arrived at the best music in the world. That of Celtic-Folk-Punk.
It’s not uncommon these days for solo acts to give themselves grandiose names but these are usually of the dreary, wailing and whining singer-songwriter type. Here although the band is but Diego he’s not averse to new band members hopping on board so if you live near him then give him a shout and bring your talent. The ‘groups’ first release is ’40 Days’ and as a solid a opener as any band had. Diego utilises all his talents here with mandolin, flute, acoustic guitar, bag pipes and even Hammond organ alongside your more usual Rock band instruments. It just don’t get more DIY than this and the song rattles along at a great pace. Having no musical talents at all (I wasn’t even trusted with the triangle at school!) I find it absolutely incredible what has been achieved here. The track is available for the equivalent of around £/$ 1 so time to support new artists and more all-new All Those Empty Pubs tracks will be arriving soon I am promised.

Diego says of his arrival in the Celtic-Folk-Punk

“All Those Empty Pubs was founded 2020 in the Swiss alps as a solo project. I had been playing for nearly twenty years as a guitarist and singer,  with fifteen of those in the German speaking Punk band, Die Grimmelshäuser. I had the opportunity to play over 100 live concerts and to record some albums. Over the years I’ve contributed to the punk scene as a concert organiser and I’ve also had  the chance to create some Punk compilations.

Some years ago I played in a Medieval Folk band. We experimented a lot and everyone played all the instruments a wee bit. So I came into contact with the Irish bouzouki, tin whistles and the Hümmelchen (small baroque bagpipes). I’ve also tried some musical stuff like early Reggae and Ska. Two or three years ago I started to play the mandolin and learned some traditional Scottish and Irish tunes. Before that, I used to mainly listen to modern Celtic-Punk and Celtic-Rock.

Since I’m living in a rural, mountainy place, it’s hard to find other musicians. Of course there are some great ones. But to find people who like the same music as you, have talent and time is pretty hard. So after the Corona outbreak I decided to start a solo project. Maybe it’s easier to find other people, if there’s already a foundation.

For my first track, my band member of Die Grimmelshäuser lent me his voice for the backing vocals. Thanks Matthias! As a part of the do it yourself attitude I learned over the past years to record and mix audio tracks. At the moment I’m also training to be an audio engineer. So I have the great opportunity to record and mix my songs in my home studio.”

So there you go. A fantastic debut and we look forward to hearing more and in the spirit of these more enlightened times not a single mention of Toblerone’s or cuckoo clocks or even my second favourite Laurel And Hardy film.

(Stream / download ’40 Days’ from the Bandcamp player below)

Contact All Those Empty Pubs  Facebook  YouTube  Bandcamp

NEW SINGLE ‘Camden Lullaby’ FROM TRAVIS O’NEILL FROM PINTS AND PIPES

First new solo music in four years from Travis O’Neill Sligo born resident of Prague and vocalist for legendary Czech Celtic-Punk band great Pipes And Pints. An ode to his days in North London!

Camden and North London at the time I lived there was a real stronghold of the Irish and the London Irish and it had a massive sense of community. Like all cities, sometimes it could get dangerous but mostly fun. However it always had a this sense of family especially among the minorities and outcasts, I count the Punks, Skins, Goths, Irish and London Irish. The diaspora as big family or a movement. It made you feel like you were living in a separate island apart from the rest. It was an amazing time, I have friends that still feel as close as family from there and that will never leave, although I moved on from Camden. Ten incredible years that made me more streetwise, a better musician and more connected to my roots than actually living in Ireland. Very proud of what we had there, Miss the old stale beer smell of the Elephants Head and stagger home after a night there.

Travis O’Neill. March 2021

Walking down by Camden lock
Punker’s, Skins and the junkies flock
We sat on our leather jackets and listened to the band
Hearts full of dreams,
Black stout in my hand
*
 The Irish, Flats, Goths stood as one
this was our home, castle, kingdom
Call me a romantic ol drunken fool
Those were days we stood together we ruled
*
 Sweet Camden lullaby
Memories soaked in whiskey till we die
raising our glass to London Irish skies.
*
 Ronnie, Damo, Luke singing scripture
Philo Lynott comin to get ya
Don’t you ever feel so alone,
Céad míle fáilte in every Irish pub around the world
we scream, Sláinte
*
Camden lullaby
Memories soaked with whiskey until we die
and we fly raising our glass from London Irish skies.
*
 I will leave you one day, for distant winds I am sailing
Singing the parting glass through tear soaked eyes
 This is my Camden lullaby

Vocals/Guitar Travis O’Neill / Guitars, Bass, Keys, Drums and everything you hear by the Maestro Guy Bennett / Violin by Martin Manouche Horse

Dedicated to the Irish diaspora spread across the world, one family. This is my love letter to Camden, Sligo, Punk-Rock, the London Irish, The Boogaloo, The Elephants Head, Filthy McNasty’s and the MacGowan man who proved it was possible!

Happy St Patrick’s day to all! To my Jameson Whiskey Czech Family.Thank you!

Download Camden Lullaby  Spotify  Apple

Contact Travis O’Neill  WebSite  Facebook

Contact Pipes And Pints WebSite  Facebook  Instagram  YouTube

NEW SHANGHAI TREASON SINGLE OUT TODAY!

Big news from Yorkshire Celtic-Punkers Shanghai Treason with the release of new single and video ‘Emerald Causeway’ the first release from their upcoming self titled debut album which is due in summer 2021.

Sometimes a band doesn’t have to be around long to make a big splash in the Celtic-Punk scene. Two bands I can immediately think of that this applies to are China’s Grass Mud Horse and another band with a somewhat tenuous Chinese connection. Shanghai Treason though hail from less exotic realms in the post-industrial working class heartlands of South Yorkshire. Formed in only 2019 a flurry of releases made them THE band to see when their debut release the absolute belter ‘Devil’s Basement’ came out in late 2019. We had the privilege of premiering that release and we have followed the Bhoys eagerly ever since. Sadly Covid and the lockdown that followed put paid to their progress but not being a band to rest on their laurels they still continued to release material as best they could and the last few months have seen the band writing their debut album, bouncing back and forth song ideas via e-mail and getting ready for the recording studio to reopen. Along the way they signed to the Italian record label ‘Black Dingo Productions’, already home to some of Celtic-Punks biggest and best bands of artists like The Rumjacks, The Real Mackenzies, The Rumpled & more) and as soon as they were able they booked into Arch Audio recording Studio in Mansfield to work with producers Dan Booth (Ferocious Dog) and Gianluca Amendolara (The Rumjacks) under the watchful eyes of engineer Luke Wheatley (Ferocious Dog full time sound engineer). The good news is that the bands self titled debut album ‘Shanghai Treason’ is due to be released in June 2021 and will feature eleven tracks including guest violin from Dan Booth. Shanghai Treasons resident multi instrumentalist Tom Hardy has said

“We used a small arsenal of instrumentation on the album. In addition to the core instruments, we have brought in the Bouzouki, Acoustic Guitar, Tenor Banjo, Bluegrass Banjo, Piano, Accordion and the Fiddle. The Dulcimer can also be found in a small section of one particular song, see if you can hear it!”

Produced by Dan Booth & Gianluca Amendolara
Engineered by Luke Wheatley at Arch Audio

Many have tried, many have fallen
Some men lie, some men steal, I know many who went all in
Many have died, before they found their calling
Some saved lives, some men feel that they’re above the weighing
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
*
Many have fought, many have pillaged
Some have killed, some have hoarded way more then their fair share
Many hit the jackpot, still wound up distraught
Some have given their whole lives to an ideal that proved irrelevant in the end
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
*
Between this world and the next
*
Castaway
On the emerald causeway
Between this world and the next
*
What will the scales weigh?
When they measure up your good deeds
Will you be castaway?
On the emerald causeway
What will the scales weigh?
As you climb up to the pearly gates
Castaway
Between this world and the next

Download Emerald Causeway  Here

Contact Shanghai Treason  Facebook  YouTube  Instagram

SINGLE REVIEW: THE ROYAL SPUDS – ‘The Couch Potato Specials’ (2021)

A bit of Punk, a pinch of good old rock music and whole load of folkie tunes. In the studio, festival or concert venue The Royal Spuds are at home everywhere. So, if you want a party, you know where to go!  

Oh we got so damn close to getting The Royal Spuds over to London last year. We had even booked the iconic Dublin Castle in Camden for a Dutch Celtic-Punk double header with Pyrolysis but then the dreaded lockdown and despite my prayers and promises to never miss mass again the gig was eventually cancelled. Still hope remains that it will happen again. After all nothing is off. It is only put off for now!

The Bhoys have kept themselves busy through lockdown and just recently have released a couple of singles. It’s been a couple of years since their full length studio album Forgotten Lore was reviewed on these pages so it’s time to re-visit Leiden in the south Netherlands and see what The Royal Spuds are up to. ‘Alien’ came out in February and is available as a ‘Name Your Price’ download. Fast, furious and happy Celtic-Punk with plenty of gang ‘ooooooo oooooo’s’ throughout. Accordion Punk-Rock with a sense of humour. It isn’t illegal yet to have a laugh but you never know in these strange times!

They followed this up last month with the release of The Couch Potato Specials. A two track single also available as a ‘name your price’ download. This basically means if you’re skint then download for free but if you’re rich like a politician then you have no excuses not to send a few beer tokens to the guys. The first track is ‘The Wellerman’ a sea-shanty about the workers on board whaling ships owned by the Weller Brothers. Just recently the se-shanty has seen somewhat of a renaissance with it’s discovery by hipsters on Tik-Tok but Celtic-Punk bands have been singing these songs for decades now. The Royal Spuds describe it perfectly as

“what happens when six couch potatoes miss the hype train but still run to catch the bandwagon.”

Only two songs here but both quality and ‘The Scotsman’ is another cover lovingly covered by the Spuds. Also known as ‘The Drunk Scotsman’ it was originally written by Tennessee singer-songwriter Mike Cross, in or about 1981 but this somewhat bawdy (!) ballad has become a bit of a folk staple, covered by countless folk singers most famously I suppose by American Bluegrass artist Brian Bowers and is performed by Brian as an acapello song.

Well a Scotsman clad in kilt left the bar one evening fair
One could tell by how he walked that he’d drunk more than his share
He fumbled round until he could no longer keep his feet
Then he stumbled off into the grass asleep beside the street
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
He stumbled off into the grass asleep beside the street
*
About that time two young n’ lovely girls just happened by
One says to the other with a twinkle in her eye
“See yon sleeping Scotsman so strong and handsome built
I wonder if it’s true what they don’t wear beneath the kilt”
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
I wonder if it’s true what they don’t wear beneath the kilt
*
They crept up on that sleeping Scotsman quiet as could be
Lifted up his kilt about an inch so they could see
And there behold for them to view beneath his Scottish skirt
Was nothing more than God had graced him with upon his birth
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
Was nothing more than God had graced him with upon his birth
*
They marveled for a moment then one said, “We must be gone
Let’s leave a present for our friend before we move along”
As a gift they left a blue silk ribbon tied into a bow
Around the bonnie star the Scot’s kilt did lift and show
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
Around the bonnie star the Scot’s kilt did lift and show
*
Now the Scotsman woke to nature’s call and stumbled towards the trees
Behind a bush he lift his kilt and gawks at what he sees
And in a startled voice he says to what’s before his eyes
“Ah, lad I don’t know where you’ve been but I see you won first prize”
*
Ring-ding-did-a-little-la-di-oh, ring-di-diddly-eye-oh
“Ah, lad I don’t know where you’ve been but I see you won first prize”

*

So a fantastic wee single from The Royal Spuds. Two auld songs updated and brought back to life so get straight onto the downloads and hopefully look forward to seeing them in the flesh sooner rather than later!

(stream or download The Couch Potato Specials on the Bandcamp player below)

Buy The Couch Potato Specials  FromTheBand

Contact The Royal Spuds WebSite  Facebook  Twitter  YouTube  Bandcamp

NEW SINGLE ‘A Song’ FROM LUTON IRISH BAND MISSING THE FERRY

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging.
With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.

Missing The Ferry Left to right: Kevin Cunningham – Guitar/Vocals * Chris Anderson – Fiddle/Mandolin/Vocals * Kevin Anderson – Bass/Vocals (Lead vocals on ‘A Song’) * Paul Anderson – Whistle/Mandolin/Vocals *

Hot on the heels of their last single, the fantastic, ‘God Bless You And Keep You’, comes new music from Luton’s very own Missing The Ferry. Recorded mostly pre-Covid in Deptford, SE London and then remotely between bedrooms in Luton/SE London by the band then sent to our friend Luise (https://www.facebook.com/LuiseLondonAudio) in Germany to sprinkle some magic Teutonic Folk party Punk dust on.
A Song is about daring to dream; escaping from the box that the government, class and circumstance have shoved you in all your life.
A Song is about self-destruction, hitting rock bottom, temptation and redemption.
A Song is for the voiceless, the poor, the lonely and dispossessed.
But at the end of the day, it is just a song.

A song for all wise men, there’s not many left
A song for old Ireland that’s clearly in jest
A song for the workers, asleep on the dock
A song for the rich man who’s taken the lot
A song for the children, climbing the trees
A song for all housewives, God bless Mr Sheen
A song for the young ones, who just couldn’t wait
A song for the old one, who knows its too late
*
It’s a song, you won’t have to sing
Forget the words, sure they don’t mean a thing
It’s the dreams, that came just too late
And all the hearts, you just couldn’t break
*
A song for the lonely, living in chains
A song for the monarchs,  song for their slaves
A song for the weary, a song for the tired 
A song for all junkies, the stoned and the wired
A song for the living, a tune for the dead
A song for the dark thoughts that fill up your head
A song for all cowards, a song for the brave
A song for the secrets you’ll take to the grave
*
It’s a song, you won’t have to sing
Forget the words, sure they don’t mean a thing
It’s the dreams, that came just too late
And all the hearts, you just couldn’t break
*
A song for all wise men, there’s not many left…
*
It’s a song, you won’t have to sing
Forget the words, sure they don’t mean a thing
It’s the dreams, that came just too late
And all the times you just couldn’t fake
And all the lies you just couldn’t take
And all the hearts, you just couldn’t break
It’s a song…just a song
*
Words: Paul Anderson * Music: Paul Anderson/Chris Anderson *
Produced by: Luise London and Chris Anderson

(stream or download ‘A Song’ on the Bandcamp player below.  Only 90p!!)

Download A Song  FromTheBand

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

Anyone who has ever missed, or nearly missed, the Dublin-bound ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!

NEW CHRISTMASSY CELTIC-PUNK SONGS FROM IRELAND, CHINA, GERMANY, CANADA, LONDON AND MEXICO

Well that’s it. Christmas is over and done with and hopefully you all had a festively good time despite everything.  BUT if you are still in need of some good cheer though then wait no more as we here’s a selection of six brand new 2020 Christmas-ish Celtic-Punk songs for you to delight over.

Craic open what’s left of the Jamesons and enjoy!

ANTI-DEPRESANTS – ‘If It’s Gonna Be Cold’

Anti Depresants are four piece Rock‘n’ Roll band coming from the hills of Armagh in the north of Ireland with a lot of Punk attitude an’ a sprinklin’ of Ska to get your ass movin’, your heart beatin’ and your mind racin’ with their diverse sound embracing heavy rock, reggae, male and female vocals and blistering guitar work.

Contact Anti Depresants  Facebook  YouTube  Bandcamp

GRASS MUD HORSE – ‘Christmas Time In China’

Possibly the busiest band in Celtic-Punk this year (and definitely the busiest on these pages!!) Grass Mud Horse have been making, and releasing, music throughout the ‘clampdown’ to us lucky folk. Led by award-winning musician Chris Barry, a Scouser living in Qinhuangdao, China. They blend together the traditional Folk sound of Chris ancestors in Ireland with an distinctly raw and untamed Punk-Rock energy. 2020 while being quite the lame year has seen Grass Mud Horse become quite the name on the Celtic-Punk scene with their last single released dually across North America by Paddyrock and Europe by us! The song is available for download over on Bandcamp for next to nothing.

Contact Grass Mud Horse  WebSite  Facebook   YouTube

THE FEELGOOD McLOUDS – ‘Driving Home For Christmas’

St. Nicholas is on his way and The Feelgood McLouds have come up with a little present for you. Are you bored of long dark winter nights without pubs and concerts? Then here’s the solution the brand new Christmas song from these fantastic German Celtic-Punkers. Imagine if the Dubliners were only in their mid-twenties, very, very thirsty and had discovered punk for themselves. Then punk rock anthems would merge with bagpipes, banjo, tin whistle and accordion, there would be a good smell of beer and whiskey and sweat would drip from the ceiling. And that’s exactly what The Feelgood McLouds is all about. With their energetic punk rock show, the 6 Saarlanders make every concert room shake and everyone to empty their beer glass. In a nutshell: Sounding like NOFX and the Dropkick Murphys are meeting in an Irish pub for an endless party!

Contact The Feelgood McLeods  WebSite  Facebook  YouTube  Instagram

THE STANFIELDS – ‘(I’ll Stay Home) With Bells On

The Stanfields trod a well trodden path to 2020 from the Seahorse Tavern in their hometown of Halifax, Nova Scotia to where they are now. Their trajectory from full on their Celtic-Punk to “the bastard child of AC/DC and Stan Rogers” where their music blends Working Class Hard-Rock with the many strands of Folk that make up traditional Canadian music with much of it heavily influenced by Scotland and Ireland. Here they massacre pay tribute to the great Dolly Parton and Kenny Rogers song. Stanfields front man John is joined by his Mrs Shannon on this cheeky number that follows on from our review just a couple of weeks ago of their fantastic new album Welcome To The Ball.

Contact The Stanfields  WebSite  Facebook  YouTube  Instagram

CLAN OF CELTS- ‘A Christmas Quarantine’

Fusing together all their musical experiences & influences ranging from, Rock, Metal, Country, Punk, Classical and of course traditional Irish. Clan Of Celts have created a unique style and an unmistakable sound that is brought to you with Celtic pride, passion, commitment and respect for our traditional roots. The new team on the London Celtic-Punk scene bring you a classic cheesy Christmas song out now and available to download through Spotify and all decent streaming services. Will they ever complete the interview I sent them? Who knows what 2021 will bring!!!

Contact Clan Of Celts WebSite  Facebook  YouTube  Soundcloud

BATALLON DE SAN PATRICIO – ‘F*ck Merry Christmas And F*ck You’

And finally the new single from Mexican Celtic-Punk newcomers Batallón De San Patricio. Why they got such a downer on Christmas is anyone’s guess but ding-dong merrily on high here it is anyway! It’s been a busy year for these guys with a hit album Hermanos de Guerra under their belts as well as making themselves known right across the Celtic-Punk world. The band’s name comes from the famed St. Patrick’s Battalion (see The Irish Soldiers Of Mexico In Film And Song). A group of immigrants, mainly of Irish descent, who deserted from the US Army because of anti-Catholic bigotry and went to fight for the Mexican Army during the Mexican-American War (1846-1848). It’s a tale of great adventure and heroic valour. Batallón de San Patricio were formed in 2017 in Guadalajara and right from the start the idea was to pay tribute to their namesakes. In many ways the name was a obvious choice for a band whose chief aim was to play Celtic-Punk mixing Irish and Mexican culture.

Contact Batallón De San Patricio  Facebook  Bandcamp  YouTube

So that’s almost it for 2020. Tune in on Wednesday for our final post of the year. A fun packed Odd’n’Sods – Celtic Punk Round Up full of the most recent videos and news from around the scene.

NEW SONG AND VIDEO RELEASE FROM OGRAS

Ogras are a six piece Celtic-Punk band from Norway that shot to fame this year with the release of No Love In The City acclaimed as one of the best Celtic-Punk albums of 2020.

Back in April an album dropped through the digital letterbox at London Celtic Punks Towers that’s fair to say blew us all away. No Love In The City, the second full length studio album from Celtic-Rockers Ogras from western Norway, hasn’t been off our stereo since! On Friday they released their new single recorded in the world renowned studio Ocean Sounds Recordings and accompanied by a music video, shot in Aalesund. Joining Ogras on bagpipes is Anders Norudde, from the famous Swedish Folk music band Hedningarna/The Heathens.

OGRAS – ‘SIDESHOW HALLELUJAH’

Hear the Big Top windjammer
(Hear the screamers, all you dreamers)
I play the very sound of sin
To the drum beat of the sledgehammer
(Hear the screamers, all you dreamers)
The euphonium will lure you in
And as I sit there, I observe
Your angry eyes, I think we struck a nerve
This masquerade is challenging your faith
It’s hard to love when you’re so full of hate
And you all scream hallelujah,
You say that we sin, but it’s the world we’re living in
We’re tired of “How do you ya do” now!
It’s one – two – three, and we’ll punch you on the chin
You think you caught us by surprise
(Hear the screamers, all you dreamers)
Surrounded by your ragged friends
We play the Stars and Stripes Forever
(Hear the screamers, all you dreamers)
We know how the story ends
*
Ogras last album No Love In The City while not quite a concept album told varied stories of travellers. Those who up sticks and take to the road. Tales of outcasts, freaks and other round pegs in square holes. Most of the songs centred on circus performers and their difficult and lonely life on the road. ‘Sideshoe Hallelujah’ tells of a fictional travelling circus in the USA about 100 years ago and the hypocrisy in cheering for the sideshow freaks during the show and mocking them afterwards. Payback is due!

The song will be available for download (on iTunes Music Store and others) as well as for streaming.

*

No Love In The City stands out as one of the highlights of 2020 and it’s great to hear new music from the guys. They promise another single release in early 2021 before their next album, due next year.
 
“No Love In The City came as a complete surprise to me. Expecting wild Poguesy style Irish Folk what we actually get is on of the most imaginative and novel Celtic-Punk records of recent years. With it’s tales of circus strong men and disasters and bleak dark themes all wrapped in music that stays firmly in its own lane with influences from the American scene that we don’t often hear in Europe and from the East that Ogras incorporate into their own sound. A truly magnificent record and one that be can already be guaranteed to be one of the albums of the year.”
Not only that but they also had one of the standout Live Streams since the ‘clampdown’ playing a full band set aboard the MS Progress a 1914 built former fishing boat these guys showed why are they rapidly gaining a name for themselves in the Celtic-Punk scene. Well they just re-mastered and re-cut the show and put it up on You Tube so please I implore you to make yourself comfortable and feast your eyes and your ears on this magnificent production.

Contact Ogras  WebSite  Facebook  Instagram  YouTube

NEW SINGLE FROM LUTON IRISH BAND MISSING THE FERRY

The sound of a second generation…

Four second-generation Irish lads, three brothers and their best friend from school write songs about identity and belonging.
With influences as diverse as Brendan Shine, The Pogues and The Stone Roses their mission is to get people dancing and thinking.
Anyone who has ever missed, or nearly missed, the Dublin-bound ferry from Holyhead will get the name.
Don’t be Missing The Ferry yourselves!
 

Released November 13, 2020
Music and Lyrics by Paul Anderson.
Produced by Chris Anderson and Luise London

A barely heard phrase spluttered over the noise of a dimly lit Hackney Irish bar. A snatched image of an old fella nursing a pint and a chaser in a backstreet, Luton boozer. Just a couple of influences that lead to the creation of this tune.
Remembering a generation fast dying out along with their stories of love, loss, heroism and the mundane.
Our small tribute also this November to the bravery, senseless loss and sacrifice induced by war.
“God bless you and keep you.”
An old man leaves the pub his final farewell, coughing into the cold night air his breath still visible for a few moments before disappearing into the darkness.

(stream God Bless You And Keep You  on the Bandcamp player below)

Download God Bless You And Keep You  FromTheBand

Contact Missing The Ferry  Facebook  YouTube  Bandcamp  Instagram

OíCHE SHAMNA SHONA DAOIBH! NEW HALLOWEEN SINGLE FROM GRASS MUD HORSE

Chinese Celtic-Punk band Grass Mud Horse release a special Halloween themed single today but do you know that Halloween is a lot more than trick or treating and fancy dress? It’s origins go back to Ireland over a thousand years ago. Regarded as time of ‘The Celtic New Year’ marking the end of summer and the end of the harvest period. 

Woah Oh Woah Oh feed the hungry ghost
*
Come to the sea and swim at night
Where the darkness keeps us out of sight
We’ll drag you down and hold on tight
accept your fate don’t try to fight
When your spirits gone and I’ll let myself in
I’m free to walk about inside your skin
Come swim with us late at night
Where the darkness keeps us out of sight
*
Woah Oh Woah Oh feed the hungry ghost
*
When you’re walking home late at night
Try to keep yourself in the light
If you hear your name whispered slight
Don’t turn around don’t respond take flight
When your spirits gone and I let myself in
I’m free to walk about inside your skin
So don’t go walking late at night
Where the darkness keeps us out of sight
*
Woah Oh Woah Oh feed the hungry ghost
*

The Dead are literally rising from the grave

It’s pure chaos mass hysteria
The gates of hell have been thrust open
The souls of the hungry and forgotten march forth to exact their revenge
We’ll stay with you to the very end
May God have mercy on us all
*
Woah Oh Woah Oh feed the hungry ghost
*
Our new album Beijing Bikini is a collection of recordings we made in our first year, most of these where written before we had a band name or any musical direction. Many of the songs deal with life in China from a foreigners perspective. One of the songs I’m particularly proud of is the Hungry Ghost. I wrote it during the Chinese Ghost Month festival. It’s actually a really annoying time of year, cos people burn paper money, cell phones, e-bikes, and even little paper guitars and houses and things in the middle of the streets. We have to close all our windows in the height of the summer.
Anyway I was told some stories about why they make these offerings and I thought it was some of the spookiest shit I’ve ever heard! They burn these paper offerings to keep the ghosts of their ancestors happy and satiated, because during the ghost month the gates of hell open and they (the ghosts) can return to earth. Ghosts who have been forgotten by their families or committed evil during their life return as really dangerous hungry ghosts.
One thing they warn is not to swim during at night as the hungry ghosts are waiting to pull you under and drown you. But the story I thought was really cool and spooky, was if you’re walking home late at night and you hear someone calling your name behind you, DO NOT look behind you…it’s a hungry ghost who wants to eat your soul. Me and Rocco wrote some lyrics and I put it to music in the style of horror-punk for obvious reasons. We’ve made this video for the song to reflect the halloween season and the times we’re currently living in. I hope you enjoy it very much and Happy Halloween! 饿鬼👹
Chris from Grass Mud Horse. Qinhuangdao, China

Beijing Bikini is available on download only from the Bandcamp link below. You can support the band by buying the album or even just the song if you wish for just a measly dollar!

To find the origin of Halloween, you have to look to the festival of Samhain in Ireland’s Celtic past. Samhain had three distinct elements. Firstly, it was an important fire festival, celebrated over the evening of 31 October and throughout the following day. The flames of old fires had to be extinguished and ceremonially re-lit by druids. It was also a festival not unlike the modern New Year’s Day in that it carried the notion of casting out the old and moving into the new. To our pagan ancestors it marked the end of the pastoral cycle – a time when all the crops would have been gathered and placed in storage for the long winter ahead and when livestock would be brought in from the fields and selected for slaughter or breeding. But it was also, as the last day of the year, the time when the souls of the departed would return to their former homes and when potentially malevolent spirits were released from the Otherworld and were visible to mankind.

SAMHAIN AND ITS PLACE IN THE CELTIC CALENDAR
The Celts celebrated four major festivals each year. None of them was connected in anyway to the sun’s cycle. The origin of Halloween lies in the Celt’s Autumn festival which was held on the first day of the 11th month, the month known as November in English but as Samhain in Irish.

The original Celtic year 

Imbolc: 1st February, Beltaine: 1st May, Lughnasa: 1st August, Samhain: 1st November

The festivals are known by other names in other Celtic countries but there is usually some similarity, if only in the translation. In Scottish Gaelic, the autumn festival is called Samhuinn. In Manx it is Sauin. The root of the word – sam – means summer, while fuin means end. And this signals the idea of a seasonal change rather than a notion of worship or ritual. The other group of Celtic languages (known as Q-Celtic) have very different words but a similar intention. In Welsh, the day is Calan Gaeaf, which means the first day of winter. In Brittany, the day is Kala Goanv, which means the beginning of November. The Celts believed that the passage of a day began with darkness and progressed into the light. The same notion explains why Winter – the season of long, dark nights – marked the beginning of the year and progressed into the lighter days of Spring, Summer and Autumn. So the 1st of November, Samhain, was the Celtic New Year, and the celebrations began at sunset of the day before its Eve.

THE ORIGIN OF HALLOWEEN’S SPOOKINESS

For Celts, Samhain was a spiritual time, but with a lot of confusion thrown into the mix. Being ‘between years’ or ‘in transition’, the usually fairly stable boundaries between the Otherworld and the human world became less secure so that puka, banshees, fairies and other spirits could come and go quite freely. There were also ‘shape shifters’ at large. This is where the dark side of Halloween originated.

To ward off the evil let loose at Samhain, bonfires were lit and people wore disguises to confuse the spirits and stop the dead identifying individuals who they had disliked during their own lifetime. They also made a lot of noise to unsettle the spirits and drive them away from their homes. The timid, however, would leave out food in their homes, or at the nearest hawthorn or whitethorn bush (where fairies were known to live), hoping that their generosity would appease the spirits. For some, the tradition of leaving food (and a spoon to eat it!) in the home – usually a plate of champ or Colcannon – was more about offering hospitality to their own ancestors. Just as spells and incantations of witches were especially powerful at Samhain, so the night was believed to be full of portents of the future.

DOWNLOAD A FREE BOOK ON HALLOWEEN

The National Folklore Collection, which is managed at University College Dublin, has published a free booklet for Halloween. It explains the origins of Halloween and explores old Irish tales, legends and customs. You can download it (pdf 950Kb) here: Dúchas – Halloween.

NEW SINGLE FROM GRASS MUD HORSE ‘The Hill I Chose To Die On’ OUT NOW

Grass Mud Horse are one of the newest additions to the Celtic Punk Scene. Strong song-writing and a fascinating backstory has helped this China based three piece turn a lot of heads.

Grass Mud Horse was originally just a group of mates who got together each week for beer and BBQ. They would come up with song ideas and even rap about their lives in the “Big Red” (China). Chris turned these ideas into punk songs and started recording some of the better ones. The band is comprised of expats living in Northern China, Chris Barry (Guitars Mando, Tin Whistle, Vocals) from the UK/Canada, Will Wyld (Drums) from Texas and Rocca Desta (Bass) from Scotland.

Their debut single “Christmas Time in China” was a catchy and hilarious fish out of water Christmas sing-along. Since then Chris and Grass Mud Horse have released a second single, the pirate punk “No Prey No Pay” (we exclusively released the video here on London Celtic Punks), and an Acoustic EP “The Quarantine Sessions.”

The EP, a mix of originals and traditional folk songs, was written and recorded on a porta-studio in an Inner Mongolian kitchen with whatever instruments Chris could find whilst the band was split up on lockdown in various parts of China. Like I said this band has a very interesting back story…

“…Where I was food ran out, we had martial law basically. I saw a woman push past a government check point and get battered by a dude in combats. We lost a lot as band, some big opportunities, including a tour opening for a big headliner….”

Chris on how the CORONAVIRUS has affected Grass Mud Horse. Things are now getting better in China, Chris and Will are back together jamming again (Rocco is still stuck in Scotland) and released their third single on May 15th “The Hill I Chose to Die on.”

(You can stream The Hill I Chose To Die On on the Bandcamp player below. It is also now available on most other download/ stream sites)

The new single is a welcome return to the “plugged-in” full-band sound for Grass Mud Horse. The song begins with a single mandolin, which is quickly joined by thunderous toms, accordion and thick punk rock guitar. The Intro peaks when the tin-whistle jumps in with a catchy riff. The first verse sees the arrangement reduced as the accordion and tin whistle drop out. Chris’s snarling vocals from “No Prey No Pay” return belting out the first lines “This is the hill I chose to die on, This is where you’ll find my grave…” The hook and content of the song has a bit of a story behind it too.

“…It was a Facebook fight! Two keyboard warriors where going at it, calling each other “millennial”, “boomer”, “gammon” etc. Somehow that whole thing with the bakery refusing to make a cake for a gay couple had come up again and the “millennial” posted about how he was amazed that this was the hill so many “gammon”, “boomers”…(or whatever I can’t remember exactly)….chose to die on. I’d heard the phrase before, but it hit me that in the context of this “generation war” that’s going on, it was very poetic and I grabbed me notebook and starting writing…”

The second half of the verse builds again with the reintroduction of the Accordion, before a brief dropout announces the arrival of the PreChorus. Yet another shift in dynamics brings the tin whistle back, but this time it sits back and harmonises with the catchy vocal Refrain “The World is changing so fast without me…” Another dynamic breakdown leads us into the first Chorus and the arrangement now includes all the instruments together in support of the hook. Following the first Chorus the tin whistle takes the lead again, with a return off the riff from the intro and then we have a repeat of the first verse, but this time the arrangement is broken down to just a little guitar, mando’ and light drums. The last few bars of this verse feature an energetic build up over the lines “…quiet, reserved, with not much to say…” and then we go back to the pre-chorus and repeat the chorus twice to see the song out.

The Hill I Chose To Die On is about keyboard warriors in an angry exchange and that is how the song plays out. The song builds as the anger builds, ending in a crescendo of passionate exchanges. The protagonists are angered and spent but the listener is exhilarated and excited like a near death experience. At just under two and a half minutes it’s a short but sweet song that will have you wanting to listen again. “The Hill I chose to Die on” is a well-produced song, but I’m left hungry for a full length release from Grass Mud Horse, which is something they do have in the works apparently.

The future for Grass Mud Horse like many bands right now is fairly uncertain. Chris tells me they have more songs from the Quarantine Sessions that they plan to release as a Part Two and possibly even Part Three EP. However the real focus will be finishing a full length Celtic Punk Record comprised of the singles so far and new material, which Chris hopes they will release later this year.

Download The Hill I Chose To Die On  Spotify  Bandcamp

Contact Grass Mud Horse  WebSite  Facebook   GMH Blog  YouTube

NEW SINGLE FROM TC COSTELLO ‘THE PANDEMIC’ AND LIVE STREAM ANNOUNCEMENT

Irish-American multi-instrumentalist TC Costello is back with a new album in the Summer but to keep us happy he’s released a 2-track single available as a ‘Pay What You Like’ download.

TC Costello is no stranger to these shores (in fact he’s spent more time in my spare room than me!) and was due over here in a months time for a series of dates across England before returning back to South Carolina. So then coronavirus and blah blah blah and everything is off until further notice. Luckily the Celtic-Punk scene has been well served with a bunch of shows live streamed over Facebook. The pick of the bunch so far have to have been the Dropkick Murphys, 1916 and the Brick Top Blaggers shows (all still available to view on their FB pages) so today is a double hitter for TC with the release of ‘The Pandemic’ and a Live Stream announcement for his UK and Euro fans but more on that later.

Now I’m not a big fan of The Misfits. Not that I don’t like them I just never heard much by them so the opening title track is a cover of them with TC doing his best Punky vocals. Its a fast thrashy number which TC wrote with his brother Daniel and is followed by a much more typical TC song a cover of Dexys ‘Come On Eileen’ with the lyrics suitably adapted for a song called ‘Covid19’. Armed with his trusty accordion it’s a spirited version and with TC having lost both his jobs as a musician and driver you are invited to donate to his ‘Broke Musician’ fund. This song is available as a ‘Pay What You Like’ download which as TC himself says also includes nothing.

So look after each other and wash your hands and we are all in the same boat but if you can afford it send a beer or two TC’s way.

LIVE STREAM ANNOUNCEMENT

Par for the course and ages after everyone else has had a go we are doing a LiveStream. We sadly had to cancel the TC Costello/Tim Holehouse gig next month but TC still wants to play for his UK based fans so he will be streaming from South Carolina while hopefully Tim will fit in a show for us soon afterwards.

https://www.facebook.com/events/1150555188477972/

So the 20th May was all set for his 5th triumphant return to The Lamb but fear not his UK and European fans London Celtic Punks and The Lamb Surbiton will be presenting TC playing live from South Carolina direct into our phones and computers.
He will go live at 8pm on his page https://www.facebook.com/tccostello2/ and will play till his hands go sore… so that’s about a hour. Tune in there and then and we’ll see you in the comments section.

LOUIS RIVE NEW SINGLE ‘BUSINESS AS USUAL’

New single ‘Business As Usual’ by Catalonia-based Scottish singer Louis Rive tips its hat to hip-hop and cuts into the powers that be during the crisis with blistering lyrics that give voice to the anger of a generation.

When the powers-that-be looked at the ever-more distant European Union with its rising death tolls, unfamiliar looking police cars and panicked sound bites in languages that we don’t understand; they took a familiar and predictable line: It’s ‘business as usual’ here is the UK.

A few weeks later and we are reaping the seeds that we sowed, the leader who preached Blitz spirit, the importance of the economy and the certain loss of family members lies incapacitated by the virus. British spirit and stiff upper lips didn’t hold up against a pathogen that doesn’t discriminate between bank balance and social class. Still, the government’s negligence of our well being was evident and the damage had already been done. The message was clear; it’s better to be sick and working than to be poor and broke. Being ill has become preferable to being poor in a modern UK.

Louis Rive is no stranger to tackling social issues through music. His previous single ‘The State of the Nation’ pours scorn on the dual hypocrisy of both the Scottish and British governments in a post-Brexit UK. While such acerbic takes are unlikely to earn him a spot on breakfast radio, they remain more relevant than ever in a society which is currently under the microscope provided by the current crisis. This is what folk music was made for, protest and the highlighting of social issues. In a world where folk is often relegated to the immaculate dress code and unsubstantial lyrics that plague coffee shops and identikit bars, Louis’ fire puts more of the original punk attitude back into the genre.

It’s a loving tribute to the essential workers who are holding society together, and clear references to the shop workers and delivery workers who keep the nation fed and help those unable to leave their houses are interposed with the sense of powerlessness. At the same time visceral lyrics tear into the pillars of faceless capitalism, the stooges of ignorance and arrogance that have left the workers of this nation on their knees, frantically trying to keep it all together.

“Did you listen to the laughs, the cheers, the profiteers?
Bank balances embellished with an extra zero
You’re nothing but a number on a payslip given in the name of the minimum wage”

The corrupt ‘greased palms’ of politicians who put party donors before the folk that they are supposed to represent are joined by the convenient absence of organised religion in a time of crisis. Louis is unafraid of asking difficult questions, questions that deserve an immediate answer.

‘the money men, imitation Don Draper, sending out Deliveroo for toilet paper’

The bathroom with no window, mirror mirror on the wall
Who’s the fairest of them all, the undisputed belle of the ball?
Walking through the rain ‘cos the train’s on strike
But they had the gall, to label you ‘essential’
Against all common sense, now we sit on the fence
Waiting for someone just like me to take the fall

Did you think about the money men, imitation Don Draper?
Sending out Deliveroo for toilet paper
No contract means no consent about the wiping of a rich man’s arse
From ‘The Cheap Part of Town’ to this human zoo
A house made for seven that accommodates two
In splendid isolation, equality’s a farce

A murmur from the depths of hell grows louder every day
The economy is paralysed, the bill arrives and there no-one there to pay
We’ll remember next election who our friends are
Greased palms by example, champagne on standby
But in case you’ve forgotten the motto it’s never to late to be left at the bottom
When we hold all the cards

Did you listen to the laughs, the cheers, the profiteers
Bank balances embellished with an extra zero
You’re nothing but a number on a payslip given in the name of the minimum wage
The words of wisdom they spoke
Better to be sick and working than poor and broke
What’s the point in growing up? It’s time to act your age

Don’t turn to the clergy, don’t turn to organised religion
When the church door has been closed with lock and key
If you’re looking for solace in your fellow human
Now’s the time to drop the ten pound note for a shot of solidarity

Weights and measures, weekend pleasures, hidden treasures
It’s been too long
Interest rates mounting, advice from accounting, crying and shouting
It’s been too long

Too long, too long, far too long
Too long, too long, far too long

Did you imitate Cain and Abel to put food on the table
Starting at the grave and ending at the cradle
Stable living at the price of the thousands falling through the cracks
Paying off the jury, blood sweat and tears
Pound signs gleaming in the eyes of the overseers
Feeling the threat of the whip across your back

Nothing left to worry, nothing left to choose
Nothing, and when all’s said and done
Nothing left to lose
Rotten to the core, riven by disease
Learning how to walk again
From a life lived on my knees

Too long, too long, far too long
Too long, too long, far too long

There are plenty of traditional influences from his native Scotland in this, you can hear the bitterness of Dick Gaughan and the humour of Matt McGinn, but there is another edge evident in the single. Drawing from new influences in the world of hip-hop, Glasgow’s Darren McGarvey aka Loki, Belfast’s Jon Tsu and London’s Akala, Louis’ lyrics and musical delivery take on a new machine gun like delivery, dropping the buck squarely at the door of those who have left us in a situation that has brought to light the inherent inequality in the UK more than anything in this generation’s memory.

(Stream from Bandcamp. Business As Usual is available as a ‘Name Your Price’ download)

Download Business As Usual  Bandcamp

Contact Louis Rive  Facebook  Instagram  Spotify  Twitter  YouTube  Soundcloud

PREMIERING TODAY! DEBUT SINGLE/VIDEO FROM SHANGHAI TREASON

Highly rated and future A-Listers South Yorkshire based Celtic-Punk band Shanghai Treason release their third single today and you can watch the video exclusively here!

Let’s Shanghai Treason!

The Buzzcocks first ever gig supporting The Sex Pistols in Manchester in 1976 at a gig that has entered into music folklaw. Forty odd years later a young bunch of Celtic-Punkers from Sheffield played their debut gig supporting The Buzzcocks in Manchester. That band was Shanghai Treason and they went down a storm with a set of powerful Folk tinged Punk-Rock. Fast, melodic and catchy as hell.

Just before that gig Shanghai Treason  released their debut single the rip roaring ‘Devil’s Basement’ which announced their arrival on the Celtic-Punk and Punk scenes. Premiered on this here site the video soon shot past 40,000+ views with exposure across the Celtic-Punk media. They followed this with a extensive tour taking in shows in Bristol, Birmingham, Edinburgh, Liverpool, York. London’s Water Rats (where The Pogues first trod the boards) and the band’s first headline show at Sheffield’s #1 music venue Corporation.

Their second single ‘Drowning Heart’  further helped to cement their loyal local following and more exposure across the Celtic-Punk scene through The Celtic Punkcast and MacSlons Irish Pub Radio that they hope to expand on with their new single ‘Can’t Even Hang A Man Right’. A song about Brexit but released during the corona virus pandemic with the country finally rallying together after a turbulent number of years. Let’s hope we’ve seen the back of sleight of hand dirty politics from Westminster and the beginning of something else but as the lyrics suggest

“You can’t trust the rats by the river”

Video by Ben Parr and Elliot Beese of Quiet Tiger Productions

Johnny Hangman, can ya tighten my noose
Feels a little flimsy I’m afraid i’ll come loose
Johnny Hangman, can you shorten this rope
I’ll likely land on my feet, it don’t give me much hope
Johnny Hangman, don’t want my coffin to shake
Lets tighten this up, get a clean break
Johnny Hangman, heard you hung men in the war who didn’t suffer like this,
what ya playing me like this for
*
Let’s drop
We ain’t got all morning
Let’s drop
Don’t fancy purgatory
No
*
Can’t even hang a man right
Can’t even hang a man right
Not quite Albert Pierrepoint, more a slow and poisonous snake bite
Can’t even hang a man right
*
Oh John, you’ve made a reyt old mess of this chief
Let me standing here waiting on death’s sweet release
Oh John, this wait it should be a sin
Pass me the gun, I’ll do it me sen
*
Let’s drop
We ain’t got all morning
Let’s drop
Don’t fancy purgatory
No
*
Can’t even hang a man right
Can’t even hang a man right
Not quite Albert Pierrepoint, more a slow and poisonous snake bite
Can’t even hang a man right
*
When the light, it shines in from the cold
No hope left for the young or old
And the fruit you bore has all but become rotten
And i’m left shaking in the cold
*
Let’s drop
We ain’t got all morning
Let’s drop
Don’t fancy purgatory
No
*
Can’t even hang a man right
Can’t even hang a man right
Not quite Albert Pierrepoint, more a slow and poisonous snake bite
Can’t even hang a man right
*
Oh John
What are you like Johnny
Oh what are you like
What are you?
*
You can’t trust the rats by the river
You can’t trust the rats by the river
You can’t trust the rats, the aristocrats
Couldn’t even hang a man right

Get Can’t Even Hang A Man Right  Pre-Save

Contact Shanghai Treason  Facebook  YouTube  Instagram  Twitter

NEW SINGLE FROM INDONESIAN CELTIC-PUNK BAND THE WORKING CLASS SYMPHONY

The new single/ video release from one of the best bands around and from a non-English speaking country too! The Working Class Symphony play a brand of Celtic-Punk that is totally influenced by Irish traditional folk music. If only more Irish bands played with this much passion and pride!

The new single ‘Alerta Song’ from one of the best bands in today’s Celtic-Punk scene who also happen to be one of the most under rated too!) The Working Class Symphony. Formed in 2010 in Surakarta, in central Indonesia when a couple of friends were listening to Irish music in an internet cafe in the city. This sparked the idea to start up a band playing similar music and soon after The Working Class Symphony were born!

Life in this country is already very difficult, if it still has to be added by listening to mainstream music as it is today … Really it will be FORGETTING..There is no other way than making music that can be uplifting … God Save The Working Class !!!!!

Their new single is a tribute to Cornel Simanjuntak who is credited with the development of Indonesian music with his heroic and patriotic songs against the occupation of Indonesia. His words still inspire today to inflame the spirit of resistance to fight injustice, fight for rights and for truth. The Working Class Symphony dedicate this song to Cornel. With straightforward lyrics, as a picture of the reality that is happening here. Finally, keep on loving our country no matter what happens until the end of closing of your eyes… Freedom.

 

Cornel Simanjuntak 1921 – 1946

“Those in power write the history, while those who suffer write the songs.”

so said Frank Harte and by heavens he was right you know. The man that The Working Class Symphony pay tribute to is little known outside Indonesia and even at home his contribution is almost never taught in the schools anymore. Part of Cornel’s song ‘Maju Tak Gentar’ are incorporated into the Alerta Song! A man who fought for Indonesia  in every way possible and in the end gave his life for Indonesia’s independence. 

THE SMART MUSIC LOVING KID

Cornel was born in Pematang Siantar in 1921. His musical talent has emerged when he attended school and at that time he was already playing guitar and singing western songs that he heard on the radio and watching movies. Around 1937, Cornel went to school in Muntilan and his friends recall he was an intelligent, brave, honest student and never reluctant to defend his and others stand. While there he learnt to play music joining the symphony orchestra playing the work of Beethoven, Bach, Haydn, Wagner and Schubert. One of Franz Schubert’s songs, Ave Maria, became Cornel’s favorite song. Here he discovered the works of Indonesian poets: Amir Hamzah, Sanusi Pane, JE Tatengkeng, and Sutomo Djauhar Arifin and a love of literature becoming familiar with familiar with Goethe, Schiller, Heine and Shakespeare among others.

SONGWRITER

Cornel would become a teacher in Magelang, Central Java around the time Japanese fascist forces attacked in 1942 leading to the one of his earliest songs ‘Mekar Melatiku’. In 1943 having moved to Jakarta he worked at the Japanese Culture Office where he was assigned to make propaganda songs. Many songs were created: ‘Asia Has Awakened’, ‘Destroy Our Enemies’ and ‘Beware Of Britain And America’. The 1943-1945 period was the peak of Cornel’s creativity making songs simple songs that were easy to understand, but very agitative and able to capture the feelings and spirit of the common person

INTO THE REVOLUTION

In 1945, when the fire of revolution burned the bosom of youth and people everywhere, he chose to go directly into the revolution. Cornel said to a close friend at the time

“If you want to find me, don’t look at home. I am at API headquarters, Menteng 31. For a while I leave music. I now feel free as freely as I can and with the freedom I have gained, I will certainly be able to block my soul. I don’t want that feeling of freedom to disappear. If our independence is taken by people, it will also disappear. Now there is a battle for this freedom. I’m stuck in it.”

He shouldered a rifle involved in battle until he was shot. Not fully recovered, the allied forces conducted a sweep in the hospital he was being treated in and Cornel was hurriedly evacuated by comrades and taken outside the city of Jakarta. From there he was sent to Yogyakarta and it was in this city that his many heroic and patriotic songs were born. ‘Land Of Blood Spilt’, ‘Forward Undaunted’, ‘In Heroes’, ‘Indonesia Remains Independent’ and many others. His body weakened he cared little for his health and continued to work to produce songs of struggle hoping to ignite the heroic spirit of the Indonesian people. On September 15, 1946, Cornel, sadly only 25 years old, breathed his last. He was buried in the Kerkop Cemetery in Yogyakarta. He had given his life to the revolution and to the liberation of his country.

Contact The Working Class Symphony  Facebook  ReverbNation  Instagram  YouTube

For the best introduction to the Celtic-Punk scene in Indonesia you simply cannot go wrong than checking out Wind From The Foreign Land- Indonesian Celtic Punk Compilation’ from 2014. An album of fourteen tracks from fourteen different and diverse Celtic-Punk bands from right across Indonesia. From traditional Irish folk right up to Celtic-Oi! and ballads to full on rockers its all here and just goes to show why the scene in Indonesia is both wonderful and always interesting. No self respecting Celtic-Punker should not have at least a couple of favourite Indonesian bands in their arsenal so get along here Wind From The Foreign Land is one of the best compilation albums you will ever here. That’s a London Celtic Punks guarantee!

NEW SINGLE FROM THE PLACKS ‘MY DEAREST FRIEND’

A new release from a band making BIG waves in the Celtic-Punk scene. Based in the Scottish Highlands and Islands The Placks play a dynamite mixture of Celtic infused Punk Rock and Folk, with melody, mirth and message.

Proper CELTIC Celtic-Punk from the Celtic Nations. The Placks hail from deep in the Scottish Highlands and you can’t get much more Celtic than that! ‘Our Dearest Friend’ is the follow up release to their debut ‘Rebellious Sons‘ from last year. Four original songs of proud Scots folk with Punk Rock guitars. That single reached the dizzy heights of #6 in the ‘LCP Best Celtic-Punk EP/Single Of 2019‘ and launched The Placks on a road that will see them reach the very top of the Celtic-Punk ladder. The video for ‘Our Dearest Friend’ was filmed almost entirely at The Royal Marine, on the banks of the beautiful Holy Loch, in January. They announced their arrival on the scene with two sets supporting The Rumjacks at their sell out Scots homecoming gigs in Glasgow and Edinburgh earlier this month that were very well received plus an appearance on the 5th volume of the Celtic-Punk compilation album Raise Your Pints alongside many of the big hitters of the scene. Plenty to get excited about from The Placks with a full studio album promised later in the year.

Every year we meet back up on the date you went away

We always have a chair for you at our table with your mates

We always buy your favourite drink and place it by your chair

We gather to remember you and a say a little prayer

*

Our dearest friend, our dearest friend, drinking of you, our dearest friend

*

Every time I lie awake, late at night in bed

I listen to the wind outside and the raindrops overhead

I think about that fateful day that tore our world apart

We may not see you anymore, you’re forever in our heart

*

Our dearest friend, our dearest friend, drinking of you, our dearest friend

*

As we grow old and turn to grey and our sons they grow to men

Our daughters all grow up too quick and the seasons turn again

We always wonder what you’d be like with us growing old

To us you’ll be forever young and your story always told

*

Our dearest friend, our dearest friend, drinking of you, our dearest friend

Our dearest friend, our dearest friend, our dearest friend, our dearest friend, drinking of you, our dearest friend

Download My Dearest Friend  Here

Contact The Placks  Facebook  Twitter  YouTube

Read a interview with The Placks Clan Chief MacPlack here from Transceltic from last month.

Top quality shenanigans from The Placks set supporting the mighty Rumjacks. ‘The Kings Of Old Argyll‘ live at The Audio, Glasgow Saturday 7th March 2020

DAVE LALLY R-I-P

With the kind of coincidence he would love London Celtic Punks pay tribute today on what would been his 34th his birthday to Dave Lally. A friend and comrade for many years Dave passed away just before St. Patrick’s Day. A sad loss for his family, his many many friends and all who ever came into contact with him. He was always there for advice and encouragement and could always be relied on to buy a LCP t-shirt or 3 at Christmas time! The London Irish have lost one of their best.  A ‘dearest friend’ to all he met. God bless you Dave.

BEANNACHTAÍ NA FÉILE PÁDRAIG ORAIBH WITH THE DEADLYS

Happy St. Patrick’s Day  / Beannachtaí na Féile Pádraig oraibh!

(ban-ock-tee na fay-lah paw-rig ur-iv)

A very happy (and merry!) St. Patrick’s Day to all our readers with Irish roots or not. Well it’s not our purpose to bring you down on the most joyous of days but I have found myself increasingly irritated by something this year. With St. Patrick’s Day falling on a Tuesday our ‘friends’ in the pub industry seem to have taken it upon themselves to change the date of St. Patrick’s Day to the nearest Saturday. Complicit in this seem to be whoever does the Facebook events and publicity for literally dozens and dozens of Irish pubs and gigs across the world who ought to know better. Yeah call it a St. Patricks gig but the actual date is the 17th and only gigs on that date are St. Patrick’s Day gigs. Sorry if that means you won’t be able to maximise as much profit as you imagined but there you go. Of course this is all just another step along the road of finally removing any vestige of ‘real’ Irishness from the day and turning it into one unholy mess of alcohol abuse and consumption. Well I’d be the biggest hypocrite out there if I didn’t mention I don’t remember ever seeing a sober midnight on the 17th of March since i was at school but another thing that bugs me is the way every pub and music venue jumps upon the Irish bandwagon at this time of year. Sod these places. Spend your hard earned in real Irish places. Ones that support Irish culture and the Irish community all year round. Dust off the auld Eire/GAA/Celtic top or even your bloody leprechaun outfit and whatever you choose to do be proud of your roots if you got ’em. If you ain’t got them then come join us anyway everyone is welcome at this hooley. If possible try and spend some of the day in the company of family and elder members of our community and raise a glass, whatever your poison, to the sky for those who you love who are no longer here with us. Sláinte.

“No enemy speaks slightingly of Irish Music, and no friend need fear to boast of it. It is without a rival. Its antique war-tunes, such as those of O’Byrne, O’Donnell, MacAlistrum and Brian Boru, stream and crash upon the ear like the warriors of a hundred glens meeting; and you are borne with them to battle, and they and you charge and struggle amid cries and battle-axes and stinging arrows.”

Thomas Davis. 14 October 1814 – 16 September 1845

So have a grand St. Patrick’s Day today and sing along with The Deadlys from Arizona with a track from their forthcoming album. A celebration of the Irish all over the world. We as a nation have overcome so much hardship to stand proud like we do today. St Patricks Day is the day we sing it loud and proud!  Available for download. Spotify/iTunes/Amazon and all the usual digital platforms.

With fire in your eyes, burning bright
The fight in your hearts was strong
For every woman and every man
Who fought the Black and Tans
Sing it loud and sing it proud tonight
*
Here we are on St Patrick’s Day
The gangs all here and we’re here to say
We can take a hit and we never quit
Sing along with me…..
*
From Dublin down to Kerry
Up to Galway bay
The ghosts of so many
So many sailed away
To a land of hope and glory
from a land torn in two
Now the bells of St Patrick’s
Are ringing out for you
*
Here we are on St Patrick’s Day
The gangs all here and we’re here to say
We can take a hit and we never quit
Sing along with me……
*
When Irish eyes are shining
the whole world shines with you
When Irish eyes are smiling
The whole worlds smiling too
*
Here we are on St Patricks Day
The gangs all here and we’re here to say
We can take a hit and we never quit
Sing along with me…..

Facebook  YouTube  Instagram  TheDeadleysShop  Spotify 

NEW SINGLE FROM BLACK ANEMONE ‘STRAIGHT BACK TO HELL’

Celtic-Punk band from Sweden that loves to bring chaos and mischief to the world.

The band started out in 2010 when the front man Mattias wanted to start a new project in High School where most of the soon to be members of Black Anemone were studying music.

” I wanted to mix the sound traditional folk music, mostly Irish trad and fuse it with Punk-Rock.”

He recruited longtime friend Andy on guitar and soon after met Adam on drums. After recruiting some fellow school mates and after a few months rehearsing Black Anemone were formed. They released their first demo in 2011 and later an EP titled ‘”Let The Freak-Show Begin’. In the later part of 2011 Black Anemone started working on their first full length album that came put in 2013. The album, ‘King Of Kings’ was the first step for the band’s quest for world domination! At home they were making waves winning several awards including ‘Best local Act’ and appearing in most of the Celtic-Punk media’s end of year Best Of’s. Though the band has seen many changes from the original line-up the eight piece Black Anemone continue to grow.

”We love to bring chaos an mischief to the world. We like to go a little bit crazy and stir things up”.

(Video recorded and edited by Silversand Studios. Song recorded at Distmaskinen. Mix by Alexander Gabara Master by Ulf Blomberg)

Black Anemone are one of the most sincere bands in the scene. They share a real love for the music that sees them always encouraging others. Themselves they set the bar high as you will tell from watching the amazing video above. Young, edgy and sharp dressed and not afraid to be straight up in your face with their brilliant sing-a-long mix of Folk melodies, Rock’n’Roll sound and Punk feel.

Download Straight Back To Hell FromTheBand

Contact Black Anemone  Bandcamp  Facebook  Instagram  YouTube  Twitter

LONDON CELTIC PUNKS EXCLUSIVE VIDEO FROM CHINA! GRASS MUD HORSE NEW SINGLE.

Holed up in their apartments in northern China Grass Mud Horse have been keeping pretty damn busy under quarantine and here is their second release, the pirate themed ‘No Prey No Pay’ and an exclusive first viewing of the video too.

Celtic-Punk based in Qinhuangdao, northern China! Singing about living in one of the strangest, most amazing and, at the moment, most dangerous places on Earth. Singing in both English and Chinese, their music is tongue in cheek and in the spirit of the best Celtic-Punk will make you smile! Grass Mud Horse are a punk band based in Northern China fronted by Chris Barry, who also writes all the songs. Originally from Liverpool he now lives in China and was also a member of the Canadian Rock band The Strange. The music is an eclectic mix of various punk styles, including Skate, hardcore, Ska, Celtic and features a diverse array of musical instruments (most also performed by Chris Barry). This is their second release after ‘Christmas Time In China’ and their next release will be a acoustic EP while the lads work on their debut album, Beijing Bikini, which has been delayed because of something I am sure you must have seen on the news!

We’re setting sail once more to raid
The Spanish Kings own gold
We’ll hunt his scurvy rotten ships
And plunder all they hold
We’re setting course with no remorse
We’re as rotten as we’re damned
We’ll spill their guts just cos we must
It’s to fortune or be hanged
*
 No prey no pay
Our code our way
No prey no pay
We fight we slay
No prey no pay
And to the Devil we say
The order of the day
No prey no pay
*
 Prepare to come about
A shot across the bow
The chance to end this now
Strike your colours be a coward
If you stand your ground
You’ll be shark bate when you drown
*
 Throw the boarding hooks
 Draw your cutlass swig a dram
 Prepare to board her men
 Smell their fear drink it in
Lads we’ll soon be rich
while this lot will soon be dead
 We’re setting sail once more to raid
The Spanish Kings own gold
We’ll hunt his scurvy rotten ships
And plunder all they hold
We’re setting course with no remorse
We’re as rotten as we’re damned
We’ll spill their guts just cos we must
It’s to fortune or be hanged
*
No prey no pay
 No prey no pay
Our code our way
No prey no pay
We fight we slay
No prey no pay
And to the Devil we say
The order of the day
 Crack of muskets dying screams
Clash of steel striking bone
 The sweetest sound I know
Blood streams into the sea
Another Battles won and the day is ours again
*

Now the reason for the bands name Grass Mud Horse is that it is the literal English translation of the Chinese term for the animal known as a llama or an Alpaca. In Chinese the llama is named 草泥马 (pronounced Cao Ni Ma.) As Chris says

“Now the reason we chose this for our name, is because if you say “Cao Ni Ma” with the wrong tones…you don’t say Alpaca at all, in fact you tell somebody to go fornicate with their mother.  In addition to this being quite funny, China is of course a land of extreme censorship and to avoid getting in trouble for swearing, young Chinese angrily exclaim “Llama!”, when in fact they mean something else entirely.”

So more proof if it was needed of the global reach of Celtic-Punk, even if Chris is a scouser! It’s hard enough for new bands to make a mark on the scene but when you are living and working in China it’s near impossible so do the guys a favour and download the song and leave them a ‘like’ on Facebook.

Grass Mud Horse  WebSite  Facebook  YouTube

EP REVIEW: HOOLIGAN- ‘Dublin City Rockers’ (2019)

Dublin City Rockers is the 6th release from Hooligan. A new four track EP from these Dublin Punk-Rock hools. Expect thick guitars, hooks and plenty of energy.

Eleven years on from their blistering arrival on the Irish punk scene Hooligan are back again with yet another EP! That makes six now if you’re counting and if your waiting on an album then you will have to wait a little more as they seem more than content to keep pumping out the EP’s.

Kicking off with ‘Punk Rock ‘N’ Roll’ and its a explosive start with a nod to the past glories of Punk especially bands like The Clash or Stiff Little Fingers. Not overcooked  and even chucking in a guitar solo that doesn’t outlive its welcome its a fist in the air singalong that I would have called ‘melodic punk’ back in the day but I think that’s more a term for American bands now but the 1977 tag would suit them well. ‘Dublin City Girls’ is next up and if you recognise it you may be older than you think. Originally released by seminal Dublin blues rock band Skid Row (not the US hair metal band who stole their name!) in 1973 they were fronted by Brendan ‘Brush’ Shiels, Skid Row are famous now for being the first band Phil Lynott and Gary Moore first played in before they formed Thin Lizzy. The song sticks to the same blues rock of Skid Row but with more urgency and made to be louder! Now this EP is only available on vinyl as far as I know so flip the record over for side two and first up is ‘A Gang Like Us’ another original Hooligan number. It’s heads down Punk-Rock with some amazing guitar work from David who also sings and has a particularly good voice for this kind of malarkey. The EP ends with ‘Saturday’s Hero’s’ and signs off with another belter. Slower than the rest but with the same singalong chorus and some great lyrics. Stick two fingers in the air air punk rock as my auld mate Black Mick use to call it. The song winds to a close with the refrain

“Everybody hates us…we don’t care”

ringing in our ears and that can’t be true?!?! The word on the street is that Hooligan have re-located to London these days so hopefully we’ll get a chance to catch up with them soon. Great straightforward Punk-Rock that will have you shouting along after just a single play like me!

Discography Punk Rockers & Hell Raisers (2010) * Prodigal Son (2011) * No Blacks No Irish No Dogs (2013) * Criminal Damage (2014) * Teenage Rebel (2017) * Dublin City Rockers (2019)

Buy Dublin City Rockers  Advance Records  RoughTrade

Contact Hooligan Facebook  Soundcloud  YouTube

YE BANISHED PRIVATEERS NEW SINGLE ‘ROWING WITH ONE HAND’

Swedish sea-dogs Ye Banished Privateers, th’ most realist pirate band in th’ world are back again wit’ a new single from thar forthcomin’ album Hostis Humani Generis.
Ahoy! So ye be wantin’ t’ go to sea an’ ye don’t be wantin’ t’ end up in Davy Jones’ Locker. Then ye best be learnin’ t’ ways of a buccaneer. Don’t worry I’ll stop that now! Yes the most authentic pirate rock band Ye Banished Privateers continue the build up to the release of their upcoming fourth album Hostis Humani Generis with the release of a new single ‘Rowing With One Hand’. These Swedish marauders of the sea take you through the ups and downs of pirate life! Honest to the bone – the upcoming album tells the unfiltered story about desperation, starvation and war fatigue accompanied by catchy pirate hymns.

Rowing with one hand hey ho
Round and round and round I go
Lassies mourn and seamen flow
Rowing with one hand hey ho
*
Six weeks dry without consent
They all said no so off I went
Left the ship and aimed for shore
a sturdy grip around the oar
*
Yo ho, hey ho – Hey all hands in a row
Man the pumps down below
Yo hey ho – Now we row
*
Rowing in a rowing boat
A trail behind me left afloat
I’ll raise the level of the sea
Enjoying my own company
*
One oar on the deck I stow
Frees next hand to go below
I ain’t going straight for port
Of fantasies I’m never short
*
Yo ho, hey ho – Hey all hands in a row
Man the pumps down below
Yo hey ho – Now we row
*
Some like rowing two and two
Or pass the ore along the crew
Others row in solitude
All dressed up or in the nude
*
Some go left, some go right
In circles rowing day and night
Takes a while to get us there
But timewise we are millionaires
*
My starboard arm as strong and grand
As nimble be my pistol hand
Greasy oil from sperm whale spleen
Keeps my leather nice and lean
*
Rowing with one hand hey ho
Round and round and round I go
Lassies mourn and seamen flow
Rowing with one hand hey ho
*
Yo ho, hey ho – Hey all hands in a row
Man the pumps down below
Yo hey ho – Now we row

PIRATE CODE OF CONDUCT

In order to prevent disputes and to employ a democratic process for ensuring equality and cooperation among the crew, most pirate ships had rigid rules in regard to the division of their spoils and operating procedures. These eventually became known as Articles of Agreement, or Pirate Code…which each crew member was asked to sign or make his mark upon and swear an oath of allegiance. When a rule was breached, the crew was often without pity or remorse in punishing a guilty crew member.

Bartholomew Roberts (Black Bart) was one of the most notorious and successful pirates in the Golden age of piracy, his Shipboard Articles of 1721 prescribed the code of conduct that he and his crew agreed upon as shown below…

I. Every man has a vote in affairs of moment; has equal title to the fresh provisions, or strong liquors, at any time seized, and may use them at pleasure, unless a scarcity makes necessary, for the good of all, to vote a retrenchment.

II. Every man to be called fairly in turn, by list, on board of prizes because, they were on these occasions allowed a shift of clothes: but if they defrauded the company to the value of a dollar in plate, jewels, or money, marooning was their punishment. If the robbery was only betwixt one another, they contented themselves with slitting the ears and nose of him that was guilty, and set him on shore, not in an uninhabited place, but somewhere, where he was sure to encounter hardships.

III. No person to game at cards or dice for money.

IV. The lights and candles to be put out at eight o’clock at night: if any of the crew, after that hour still remained inclined for drinking, they were to do it on the open deck.

V. To keep their peace, pistols, and cutlass clean and fit for service.

VI. No boy or woman to be allowed amongst them. If any man were to be found seducing any of the latter sex, and carried her to sea, disguised, he was to suffer death.

VII. To desert their ship or quarters in battle, was punished with death or marooning.

VIII. No striking one another on board, but every man’s quarrels to be ended on shore, at sword and pistol.

IX. No man to talk of breaking up their way of living, till each had shared £1,000. If in order to this, any man should lose a limb, or become a cripple in their service, he was to have 800 dollars, out of the public stock, and for lesser hurts, proportionately.

X. The captain and quartermaster to receive two shares of prize: the master, boatswain, and gunner, one share and a half, and other officers one and a quarter.

XI. The musicians to have rest on the Sabbath Day, only by night, but the other six days and nights, not without special favour.

Pre-order the new album NapalmRecords  Here

Contact Ye Banished Privateers  WebSite  Facebook  Bandcamp  YouTube

Avast me hearties! Celebrate Talk like a Pirate Day…an international event… tis yer excuse to talk like a pirate e’ery year on September 19th so… gather yer mates an’ watch out fer concerts o’ all yer fav’rit musicians!

NEW SINGLE FROM CALLUM HOUSTON ‘ONCE UPON A TIME IN CARDIFF’

Acoustic Alternative Folk Rock.
Made in Bretagne. Inspired in Ireland.

Among the first reviews of 2020 is the new single from a relatively new favourite of ours Callum Houston. I say relatively as we have been big fans of his other band the Welsh Psychobilly band The Graveyard Johnnys for years. The last few years have seen Callum move from Cork to Bristol to Wales and then to Lorient in Brittany where he has become a much loved fixture on the Breton Irish music scene playing regularly around the country. His debut single from last year Gravities was a big hit reaching #5 in our recent Best Of 2019 poll. It led to a successful mini tour of England including a fantastic London Celtic Punks gig down at Frosty’s Bar in Kenton. His new single Once Upon A Time In Cardiff came out just last week and keeps up the high standard with a tale of a long forgotten love affair suddenly remembered.

From car to car and bar to bar, underneath the castle lights,
It was the time of year that brings good cheer, there was warmth in the city that night,
Though I talk some junk, I’m a romantic drunk and to you my words fell right,
So we cut the rope, we pushed the boat, set sail into the night

You don’t have to think about it,
Because it’s not for real,
Pay no attention to,
The things that I say or how I feel

From drunken chat in your student flat, the seeds of lust are sown,
Though I never really wanted it to be this way, I just hate to be alone,
Well these poster walls reflect your soul, all the books that you have read,
So I flick through the pages of a magazine, I found beside your bed,

The morning rain is falling down, clears my soul anew,
Cliches keep calling and most of them, most of them are true

And you roll a smoke, I toke, I choke, well never going to do it again,
And there’s hope in your eyes, there is no disguise, let’s leave it at that my friend,
Well you played me a song, I heard it wrong, the words didn’t get right through,
Six years from then, I hear it again, it makes me think of you, that life that I knew.

The track is available from the link below for a paltry Euro. Yes a single Euro! It was recorded at Sleeper Studio, Châteaubourg in Bretagne. Callum was vocals and acoustic guitar and Sleeper Bill was on everything else. Callum will be treading the boards again in London again soon with both The Graveyard Johnnys and as a solo artist so keep and ear out here for any developments.

Download Once Upon A Time In Cardiff   FromCallum

Contact Callum Houston  Facebook  Bandcamp  YouTube  Spotify

EP REVIEW: 1916- ‘Meant To Be’ (2020)

Hailing from upstate NY, Celtic rockers 1916 are an explosive concoction of the modern Irish Punk movement with an original mix of psychobilly which gives 1916 a sound that stands apart from other bands of the genre.

Kicking off on New Years Day with a new EP big fan of 1916 Marv was among the first to buy it and has been listening to it ever since so here’s our first review of 2020!

A couple of years ago on these very pages I first came across the band 1916 from Rochester, New York, when praise was rightly heaped on their last album ‘Far Beyond The Pale’. I immediately ordered their entire back-catalogue on CD, which while talking a little while to cross the pond, has since never been far from my playlists. If you are not familiar with their work (unlikely I know!) then I advise you put that right as quickly as you can. Their cover of ‘I’ll Fly Away’ is one of my all-time favourite tracks along with ‘Ordinary Man’ and ‘Nothing Left to Lose’ from the 2016 album ‘Last Call for Heroes’

Roll forward to late 2019, just before Christmas, and welcome news was received via the auspices of Facebook that 1916 would soon be releasing a new single. True to their word it went live on all digital platforms on 1st January. Now that’s how you start off a new year!

So here we have the new three-track single, every note classic 1916 from first to last. The title track of the single is ‘Meant To Be’ – Full of everything we love from the raw overdriven guitar, the solid drumming driving the track along maniacally, and Billy Herring’s gravelly wistful voice snarling through the words and harmonies.

With hardly time to catch your breath the tempo knob is cranked up a notch and ‘Khaleesi’ follows. Yes it is THAT Khaleesi. This is the condensed story of the mother of dragons from Game of Thrones with a monumentally singalong chorus:

“And it is no, no, NO! Khaleesi

Run those dragons nice and easy!

Far away, when you go far away…

And you will go, go, GO! Khaleesi

Run those dragons nice and easy,

Through the towns of Westeros today.”

Bloody hell. This is a CRACKER of a song. The energy, like most everything 1916 produces, just explodes out of the speakers. It must be an absolute belter live.

The final track is a curious cover and mashup of the old standard ‘Show Me The Way To Go Home’, a song I am only really familiar with due to my dear old mother singing it in a faux drunk slur to indicate she may be very slightly tipsy. Bless her. However, that being said, I prefer the 1916 version all day- thumping upright bass and frenetic drums with soaring guitar work and mob vocals for backing when needed.

(Check out The 1916 Shop for all their merchandise plus the chance to buy their complete discography for $35)

So there you have it, the best way to start a new year. Shake off the Christmas flab and the dire state of the political situation here in the UK. Press play on ‘Meant To Be’, crank the volume up to max lose yourself in a nine minute slab of rollicking psychobilly-tinged folk punk. Completely and undeniably 1916 on top form, I pray it heralds a new album in 2020 as much as I pray that the boys will somehow, sometime, make it across the pond to our shores so we can bask in their glory.

Buy Meant To Be  Amazon  CDbaby

Contact 1916  WebSite  Facebook  Instagram  Bandcamp  YouTube

FOUR NEW CHRISTMASSY CELTIC-PUNK SONGS FROM SCOTLAND, ENGLAND, SAN DIEGO AND CHINA!

Well Christmas is over and I hope you all had a festively good time. If you are still in need of some good cheer though then wait no more as we have four brand new stonking 2019 Christmas-ish Celtic-Punk songs for you to delight over.

Craic open the Jamesons!

PEAT & DIESEL- ‘Fairytale Of Stornaway’

The story began when three Stornoway Cove’s (Innes, Uilly and Boydie) met up in the house to have the craic on a Saturday nights playing music with just the dog and cat watching. After a few tunes getting thrown across the room Boydie stated muttering a few sentences. As he is a man of few words not attention was really given to him until he shouted ‘Quick, line me out!’ Not a second to spare a set of old broken headphones were cable tied to a guitar amp and out came a few cobwebs followed shortly after with a sound nobody had ever heard before. What came next was five gallons of lyrics, verse after verse, song after song – PEAT & DIESEL WAS BORN! The songs won’t make much sense to the average person, but the person behind the lyrics isn’t your average man so if you have a listen and you can relate to it you are a special breed! Peat & Diesel take you on a journey to the heart of the Western Isles, where #peatlemania was born. You might have time for a brandy in the ‘Airidh’ but don’t miss your ride in Calum Dan’s Transit Van, we ain’t stopping till we lose the water!

Contact Peat & Diesel  WebSite  Facebook  YouTube

CALICO STREET RIOTS- ‘Going Home’

In the summer of 2008 Calico Street Riots were born. Having formed immediately after the summer, Calico Street Riots wrote and recorded an EP, and were gigging by the end of the same year. After numerous gigs and plenty of praise in the folk-punk community, a second EP, From The City to the Shores surfaced in 2011. This EP showcased the band’s eclectic tastes coming together, flawlessly forming their own unique sound. The band would continue to play sporadic gigs and festivals throughout this time. Now, after an eight year hiatus from recording, Calico Street Riots have bounced back with some of their most unforgettable material to date. Most frequently compared musically to Flogging Molly meets The Dreadnoughts via The Pogues, Calico Street Riots draw their influences from a multitude of sources, fusing them into a satisfying blend of beer-fuelled, riotous and lively, folk-punk.

This track has been with Calico for a very long time, and we finally got round to recording it properly. They were fortunate to win studio time as part of a charity fundraiser in aid of Dementia UK so it felt like the right thing to do to help raise some more funds with this track. The single will be absolutely free, however we’d really appreciate it if you can spare anything at all, and make a donation to the charity via the link below. Dementia is a horrible illness, one which some of us are currently experiencing first hand, and hope to help the charity by raising funds into further research and prevention.  www.justgiving.com/fundraising/calicostreetriots

Calico Street Riots  WebSite  Facebook  YouTube

LEXINGTON FIELD- ‘Christmas At The Pub’

Formed back in 2009 in San Diego, southern California the band have previously released five albums, Old Dirt Road, Poor Troubled Life, No Man’s War, Greenwood and Dreamers as well as a bunch of quality EP’s as well. All have came garnered the same critical praise from both the celtic-punk and wider punk/rock music media. They have played and toured solidly and to call what they do unique is no way giving them enough credit! Lexington Field play a mixture of music blending genres from country and Americana as well as punk rock and not to be forgetting a massive dose of traditional Irish music with a expert fiddle player right slap bang in the middle. The band call what they do ‘fiddle rock’ and is as good a description as you could give them two words.

Contact Lexington Field  WebSite  Facebook  YouTube  Bandcamp

GRASS MUD HORSE- ‘Christmas Time In China’

Lao Wai punk rock based in Qinhuangdao China. Singing about our lives in one of the strangest, most amazing and sometimes horrible places on Earth. We sing in both English and Chinese, all our music is tongue in cheek and we hope it makes you smile! Grass Mud Horse are a punk band based in Northern China fronted by Chris Barry, who also writes all the songs. Originally from Liverpool he now lives in China and was also a member of the Canadian Rock band The Strange. The music is an eclectic mix of various punk styles, including Skate, hardcore, Ska, Celtic and features a diverse array of musical instruments (most also performed by Chris Barry). The lads are currently working on their debut album, Beijing Bikini.

Inspired by ugly Christmas jumpers (featuring llamas on them) the idea for a Christmas single formed. Now the reason for the bands name Grass Mud Horse is that it is the literal English translation of the Chinese term for the animal known as a llama or an Alpaca. In Chinese the llama is named 草泥马 (pronounced Cao Ni Ma.) As Chris says

“Now the reason we chose this for our name, is because if you say “Cao Ni Ma” with the wrong tones…you don’t say Alpaca at all, in fact you tell somebody to go fornicate with their mother.  In addition to this being quite funny, China is of course a land of extreme censorship and to avoid getting in trouble for swearing, young Chinese angrily exclaim “Llama!”, when in fact they mean something else entirely.”

And that is why some ugly Christmas jumpers with lamas on them inspired a Christmas single which could in turn act as a really nice lead-up to the bands debut album due soon. You can buy the single here.

Grass Mud Horse  WebSite  Facebook  YouTube

NEW SINGLE FROM YE BANISHED PRIVATEERS. THE WORLDS MOST AUTHENTIC PIRATE BAND!

Hoist the Jolly Roger!! The worlds most authentic pirate rock band Ye Banished Privateers roll up to shore with their new single ‘No Prey, No Pay’ from a forthcoming new album, Hostis Humani Generis due out soon. 

Ye Banished Privateers have taken no prisoners since launching back in September 2012 in the Swedish town of Umeå, and have a list of crew mates longer than yer arm with over thirty (!) members of the band at any one time and up to a dozen on stage at gigs. With a fourth album due soon the band have released their first single to promote it. While we called their last album 

“unabashed bastardized Irish folk an’ 17th century sea-shanty punk rock”
they have continued on their quest in much the same manner with ‘No Prey, No Pay’ with a utterly fantastic and authentic (smell that sea water!) video to promote it. Sounds of the ocean begin the song followed some pretty nifty accordion and then the song gets into swing. The song stands out in part to the fabulous vocals of Blackpowder Pete who sounds like a more gravelly Tom Waits! His voice is used as the ultimate instrument throughout the song urging it along. Besides that the rest of the band are a little understated with only the accordion, fiddle and tin whistle jumping out at you but nevertheless it sails along at a fine auld pace and guarantees to take yo back in time to when pirates dominated the seven seas. Smell the salty sea air, join an inn full of drunken singing, lots of shouts of ‘yarrrrrrrrs’ and splice the main brace (an order given aboard naval vessels to issue the crew with an alcoholic drink) and get yourself ready for the delivery of their fourth album Hostis Humani Generis (due to arrive in port in February) boasting a wealth of sea shanties, drinking anthems and trad folk tunes. While you would think it would be near impossible to avoid parody Ye Banished Privateers somehow manage it with an air of authenticity and thanks to some great songs. 
Blackpowder Pete goes onto say “No Prey, No Pay” sets the stage for the album and describes how times suddenly had become more difficult for those sailing under the black flag. More than ever, piracy had become a hazardous task, many times with the sole purpose of getting enough value to guarantee a decent meal for a couple of days.”

Sail away with Ye Banished Privateers new song. The most authentic pirate rock inspired masterpiece since the golden age of the dreaded sea-predators!

No Prey, No Pay
Deadlights fastened, pouches empty,
brace yourselves were heading out
Show a leg to the caulk stained sentry
Wet the sails the boom’s about
Set the course for Mayaguana,
a plate fleet’s moving cross the straight
Scudos coined in Old Milano
Pedro’s cog just took the bait
Chase is on in shallow waters
Swivels glowing through the smoke
’tis might be an even slaughter
Took a volley through the oak
Bring a spring upon her cable
Hunter now becomes the prey
Broadsides roar with cannons able
Hooks will take us to the fray
No quarter, No parley
No pay without a prey
Fresh water, fresh barley
fine rations to last the day
No quarter, No parley
Maynard’s sizing up our chains
Good sailors, dried gnarly
end their days in a rusty cage
Scuppers laying low with silver,
none but dead men tell no tales
Charon may their souls deliver,
as we cover up our trail
No more rest on easy booties
Them old days be now long gone
The hangman waits to do his duty
Sail again by the rise of dawn
Fill them seams with tar soaked oakum
Fish the mast to make her hold
Tie and hoist the leadswing’s scrotum
Oh, hornswogglers don’t grow old
Hogshead’s full of sailors folly
Salmagundi and sawbone’s stew
Crimp some knaves from the house of mollies.
At light of dawn head out anew
No quarter, No parley
No pay without a prey
Fresh water, fresh barley
fine rations to last the day
No quarter, No parley
Maynard’s sizing up our chains
Good sailors, dried gnarly
end their days in a rusty cage

Pre-order the new album NapalmRecords

Contact Ye Banished Privateers  WebSite  Facebook  Bandcamp  YouTube

NEW SINGLE RELEASE FROM LOUIS RIVE ‘THE STATE OF THE NATION’

Brand new single from one of our favourite artists the Catalonian based Scots singer-songwriter Louis Rive. Together ‘The State Of The Nation’ with the B-side ‘In The Shadows Of Big Ben’, takes a critical look at the double standards of living in Great Britain in an age defined by Brexit.

Scottish singer-songwriter, based in Barcelona, Louis draws on all aspects of folk music from the traditional ballads of the barroom to the modern day tale-tellers and poets. Influenced by The Pogues, Hamish Imlach, Matt McGinn and The Corries, to name but a few, Louis has set out to continue the grand tradition of the storytelling musician. His debut album, The Cheap Part Of Town, featured here last year and even went as far as #2 in our Top Ten Folk And Trad releases of 2018. The album was a truly wonderful and original half hour plus in the company of a singer-songwriter that deserves to more widely heard. Telling tales of working class life in folk music is not unusual but what is unusual is for them to be told with such passion and feeling and the taste and smell of authenticity that fills your senses with the legends of Louis life across Europe.

“Folk music is storytelling. Storytelling is poetry. Poetry is songwriting when you can’t play the guitar. Collecting stories of people and places and putting them into song is what I do. I’ve met every type of person there is to meet, especially through my work over the last decade. These are their stories, the stories of the street.”

The new single is available across all digital platforms and ‘The State Of The Nation’ aims to capture one of modern life’s most mysterious of traits, that of being Scottish in the modern day, and what relevance, if any, that moniker has any more. It’s nostalgic in a pointless way, and fairly lacking in optimism, so at least analogous with the general experience of being from north of the border.

The ‘State of the Nation’ is about the UK. It’s about being Scottish and it’s about living in Europe during a time of uncertainty. It may not be feel-good, but it might make you think, something that’s been fairly absent in the UK of late, in the wake of the great Brexit divide. In the wake of his critically acclaimed debut album and fresh from a summer of festival appearances across the UK, including Black Deer Festival and the Edinburgh Fringe, Louis’ new single provides a soundtrack to a land at odds with itself.

THE STATE OF THE NATION

Two-hundred years being wrapped snug in tartan
 Made to sing ‘God Save the Queen’
Your forefathers say ‘Be a proud son of Scotland’
But in this day and age what do they mean?
We’re all rebels and princes, fighters and lovers
 Feeling on top of the world
Oh the few who will feature on the pages of schoolbooks
And the many who’ll never be heard
 We’re solving the mystery without any proof
Oh enough of your lies, won’t you tell me the truth?
Are we up to our necks in the blood of old Jock Thompson’s bairns?
All the sugar, tobacco, cotton, molasses
Looking at history through rose tinted glasses
Nemo me impune lacessit, and other such joys
Be you Scottish or British or English or Irish
Tick the box for your colour or creed
Cultural appropriation on a packet of biscuits is the only real reference I need
From Ossian’s diaries to the Highland Societies
Inclusion behind padlocked doors
But the word ‘Caledonian’ was coined by the Romans
Just to mark out the mad bastards up north
Is it ‘yes’ is it ‘no’, is it getting beaten 3-0 at home?
Is it a pregnant teenager at the end of a phone?
But she hasn’t the time to read ‘Rob Roy’ nor ‘Ivanhoe’
Nothing to do so go out for a pint eh?
The blue-blooded bowler hats shout 1690 Next generation take heed and sharpen their swords
All suited and booted all dressed to the nines
In a Royal Stewart kilt from some factory line
‘Made in China’ hiding away under a plastic cockade Is it brains over brawn?
Is it link over lorne? Is it choosing the right football team?
The echoed frustrations in a half-empty Hampden With Gemmill, Dalgleish and Gordon McQueen
How do you feel about god or the devil? The ‘Flowers of the Forest’ for sale?
The young ones will pays for their parents’ transgressions
While the old ones rehash the old tales
Night by 15:30, cold mince and tatties
A wink to the lads and a toast to the lassies
A night at ‘Her Majesty’s Pleasure’ to round it all off
The blue and the white on a sky of slate grey
The grovelling politicos with nothing to say
But it’s hard getting by given neither the time nor the day
Hey for ‘Bobbin’ John’, hey for cockolorum
Tha tighin fodham, fodham, fodham
Oh well you take the high road and I’ll take the low
The ‘Skyscraper Wean’s’ got nowhere to go
Now the blue paint’s all smudged on the face
Of the star of the show
(you can stream/download State Of The Nation below for just £2)

Download State Of The Nation  Bandcamp

Contact Louis Rive  Facebook  Instagram  Spotify  Twitter  YouTube  Soundcloud

PREMIERING HERE TODAY! DEBUT SINGLE/VIDEO FROM NEW CELTIC-PUNK BAND SHANGHAI TREASON

Shanghai Treason are a new Yorkshire based Celtic-Punk five-piece who plan to traverse the darker, heavier, side of the genre. Expect breakneck performances complete with banjo, accordion and hard hitting rock rhythm section; fit to inject a jolt of action into any event.

On tour this December playing a series of charity gigs for Musicians Against Homelessness they release their debut single today and you can watch the video exclusively here!

Let’s Shanghai Treason!

Its always a great day at London Celtic Punks Towers when we hear of another band active on the scene. Today we are very happy to introduce you to a cracking band from South Yorkshire called Shanghai Treason. Fast paced Punk-Rock with some of the best banjo you’ll hear this side of the Atlantic. Doffing a cap to Celtic-Punk stalwarts the Dropkick Murphys at their heaviest it’s banjo heavy and all the better for it!

Shanghai Treason vocalist Sam Christie said to us

“It’s a fierce fire cracker of a debut, marking our intent early on. We’ve been working on this project for the best part of a year so to have it come into the light is a total joy!

Lyrically the song is about one of those nights out which get a bit out of hand. Where it feels like anything is possible!”

You can catch Shanghai Treason playing around the country next month on a tour sponsored by Musicians Against Homelessness, a organisation set up by former Oasis guru Alan McGee. Since setting MAH up in 2016 more than 1000 bands have played special MAH benefit gigs in the UK. All money raised goes to Crisis and the excellent work they do especially at this time of year.

SHANGHAI TREASON DECEMBER TOUR

Wednesday 18th Sneaky Petes Edinburgh

Saturday 21st Jakaranda Liverpool

Sunday 22nd West Street Live Sheffield

Saturday 28th The Fulford Arms York

Sunday 29th The Crofters Rights Bristol

(More details and support bands for the gigs can be found on Shanghai Treason’s Facebook page)

Contact Shanghai Treason 

Facebook  YouTube  Instagram  Twitter  

THE BABES RELEASE ‘LITERALLY A SINGLE’

Hardcore-Crust-Celtic-Punk-Rock!

Totally unique London band The Babes invented their own genre and there really is no other band like them. Hardcore Anarcho-Punk with bagpipes!

Celtic-Punk’s most hardcore band The Babes are  a pretty busy band so how they found the time to enter the studio I don’t know! They originally formed out of friendships made at the IMW sound engineering school in East London but a few comings and goings (it wouldn’t surprise me if they couldn’t keep up with The Babes heaving touring schedule!) including quite a long time as a 3-piece of drums, bagpipes and bass they have recruited Adriano on electric alongside Matt Ren Ex on bass, Animal on drums and Colombian born Mao Holiday on bagpipes and lead vocals. The song is called ‘Condemned’ and ‘Literally A Single’ is the name of the release and is sung almost entirely in Spanish. This will be the first of two singles The Babes will be releasing and buying the single directly from the band’s website will help them to press ‘BIG & HUGE’ their follow up album to Greetings From London from two years ago. The Babes are a DIY band and have always recorded, mixed, produced and mastered their songs themselves. In the near future the song will be made available on various platforms but we at London Celtic Punks always recommend to try and buy directly from the band. The few pennies that the likes of iTunes and Amazon let spill from their grubby little fingers won’t pay to help release the album so support the band by buying direct from them. As the boys put it 

“Thanks for your support and keep rockin’ XXX The Babes”

I AM NOT CONDEMNED
 
CONDEMNED A un pasaporte sin salida
CONDEMNED Del sagrado corazón
CONDEMNED Con sus políticos corruptos
CONDEMNED Y policías lame culos
CONDEMNED Divididos por estratos
CONDEMNED De su profundo letargo
CONDEMNED Duélale a quien le duela
CONDEMNED Son felices comiendo mierda
 
I AM NOT I’M NOT CONDEMNED
 
CONDEMNED Olvidan falsos positivos
CONDEMNED Y se halagan secando ríos
CONDEMNED El campesino olvidado
CONDEMNED Está Pidiendo paz a gritos
CONDEMNED El temor es su religión
CONDEMNED Y la guerra su grandeza
CONDEMNED Yo recuerdo carros bomba
CONDEMNED Mientras ellos generan amnesia
NO NO NO I’M NOT
NO NO NO I’M NOT
NO NO NO I’M NOT
NO NO NO I’M NOT CONDEMNED

The Babes left to right: Mao Holiday- Bagpipes, Vocals * Adriano Eretta- Drums * Alberto Kiri Pesco- Guitar * Matt Ren Ex- Bass *

As we said before in the review of their debut album Greetings From London The Babes may not be everyone’s cup of tea in the Celtic-Punk scene but for far too long we have feasted on the luscious sound of mandolins and fiddles and lilting Irish airs but sometimes you just need something to bang your head to. Their energy is boundless and infectious and proves again that just as you think the Celtic-Punk scene is all played out something comes along and pushes itself into view.
Buy Condemned (and Greetings From London)  FromTheBand
Contact The Babes  WebSite  Facebook  YouTube  Twitter  Instagram

SINGLE REVIEW: BATALLON DE SAN PATRICIO- ‘Familia/El último En Partir’ (2019)

The international flavour of Celtic-Punk continues apace with the first official release from Mexican Celtic punkers Batallón De San Patricio. Named after the famed St. Patrick’s Battalion of Irishmen who fought in the Mexican army during the Mexican–American War of 1846–48 this release further cements the friendly links between our nations.

The time has come and before too long if you ask me for the first official single from Batallón De San Patricio. Titled ‘Family’ it’s the first release from their upcoming debut album Brothers Of War that will be coming out later this year. They chose to call the song ‘Family’…

“because for us the Family is first. We invite you to enjoy our song with a beer in hand, whether you like it or not, help us share! So other people may like it or they may not… The idea is that the Battalion is heard wherever. ! Let the green wave grow!”

Batallón De San Patricio were formed in Guadalajara, the capital and largest city of the Mexican state of Jalisco, very recently, back in July 2017 and are now beginning to come into their own. Formed in honour of a great friend of theirs Jorge who sadly passed away in 2017 they have one previous release a six-track Demo in September of last year which you can check out below on the Bandcamp player.

The band have a strict honour code and strongly believe in brotherhood, honesty, dignity and respect. Batallón De San Patricio’s slogan is and always will be ‘Family First’. The music is part of their lives and the people around them and to remember those no longer with us. Brothers Of War will be released on all main platforms so keep an eye on these pages for our review and the release date.

Lyrics (Spanish)

Somos la legión mas grande de la región, Somos los primeros de la generación Los piratas mas buscados de esta gran nación, Y por nuestras cabezas, ofrecen un millón.

Lyrics (English)

We’re from the land the biggest legion, The very first on this generation, The most wanted pirates on this big nation, So then for our heads, they offer a million.

The band have also just released their new video for ‘Last To Leave’ only a few days ago so here that is in all it’s glory. Taken from their imminent debut album Brothers Of War the song is dedicated to all those who have lost a loved one. To all who have gone through difficult times and despite all adversity have continued to keep their chins up.

 

The bands main goal is to spread the Folk-Punk genre, heavily influenced of course by both Irish and Celtic culture, mainly in Guadalajara and in the surrounding regions. Maybe one day overseas. These are the kind of bands that Flogging Molly should be getting to play the Salty Dog Cruise so if any of them are reading or anyone who has any influence then you know what to do folks!

Contact Batallón De San Patricio  Facebook  Bandcamp  YouTube

To celebrate the imminent release of their debut album we will have a large feature on the history of the St. Patrick’s Battalion, who the band are named after, and their gallant history. Famous throughout Mexico and the Irish diaspora many songs have been written about them but we need to keep their history alive so our feature will include the background to their forming right up to their tragic end. Let’s face it there’s no need for a ‘spoiler alert’ when talking about tragic ends and Irish history!! Subscribe to the Blog or join the London Celtic Punks Facebook page to keep up to date.

SINGLE REVIEW: LORETTA PROBLEM (featuring Juha Lagström)- ‘The Waltz Of My Drunken Dream’ (2019)

Wow! What to say except that Finland’s Loretta Problem have hit the jackpot here with their new single. I think it’s  no exaggeration to say it’s a song that The Pogues would have been proud to record! Featuring Juha Lagström on vocals ‘The Waltz Of My Drunken Dream’ is perhaps Loretta Problem’s most influenced Irish folk song and I can’t wait to hear more of them! 

Loretta Problem have featured on these pages several times in their past with their Scandinavian/ Celtic flavoured punk rock and back in the beginning we even had them labelled as “not one of the most prolific bands in the celtic-punk scene but certainly one of the more interesting”. Well we will have to change that I think. They may still be one of the more interesting and innovative bands around in the scene but the last few years have seen more than regular releases hitting our doorstep/e-mail tray seeing them fit more in the last handful of years than the previous two decades!. Formed in the tiny Finish town of Vaasa in 1994 and yes Finland may be more famous for death-metal but such is the booming popularity of Celtic-Punk that you’ll always find one band representing everywhere and for Finland it is Loretta Problem. All the Nordic countries seem to have healthy alternative music scenes and appear to be much more open to each others music. Loretta Problem have released one album and a handful of singles in their time together which spread over those two decades plus may not be much but for well over a decade Loretta Problem took a back seat while the various band members were working on other projects like families or in other bands. Getting together to play every now and then at the odd gig or festival the band eventually regrouped and Loretta Problem have now become a permanent fixture on the music scene in their home country and, with every release, further afield too.

I sit and drink through rainy days
And after all what can I say?
Not sure ’bout God but when you pray
Pray for me too
Pray for me too

I lose out babe, reeled from the start
I’m lost, my love, somewhere in my heart
Please keep your faith, stay as you are
Shine like a star
Shine like a star

We waltz till the dawn under darkening skies
The steeples keep silent, the wind’s blowing by
Your eyes bring the light upon this falling night.
The ragged silver screen
of my drunken dream
…my drunken dream

One  for the road, one for yesterday
One more for hope and for this sad day
Not sure ’bout God but when you pray
Pray for me too
Pray for me too

We waltz till the dawn under darkening skies
The steeples keep silent, the wind’s blowing by
Your eyes bring the light upon this falling night.
The ragged silver screen
of my drunken dream
…   my drunken dream
….  my drunken dream
….. my drunken dream

One listen to ‘The Waltz Of My Drunken Dream’ will I am sure be more than enough for you all to fall in love with Loretta Problem though it is quite the departure from their usual fare. Punk rock with fiddle and the odd Celtic flourish is normal but here they try something new and by Christ it has worked! With the devilishly good looking Finish actor and singer (and former bandmate) Juha Lagström on vocals and aided by visiting musicians Lauri Kotamäki on accordion and Petri Judin on tin-whistle the song has an unmistakable Poguesy air to it but without any attempt at being a copy of them. Juha’s voice is strong and powerful and he cuts a more than menacing figure in the excellent accompanying video too.

Buy Download  Apple  iTunes

Contact Loretta Problem  WebSite  Facebook ReverbNation  YouTube

SINGLE REVIEW: CALICO STREET RIOTS- ‘Through The Storm’ (2019)

After a eight year hiatus Calico Street Riots are properly back and with a vengeance! Two new tracks with more promised on the way. Through The Storm carries on where they left with Celtic-Punk packed with passion and enthusiasm.

Calico Street Riots are a six-piece folk punk band hailing from the wonderfully named (and quite apt!) Gravesend in Kent. Formed in 2008 they shot to fame with the release of their debut EP From The City To The Shores from way back in January, 2011. One song on that EP perfectly captured the imagination of the worldwide Celtic-Punk scene and ‘A Drink And A Fight’ introduced the band to a worldwide audience. That EP is now available a free/pay what you like download and you can stream it on the Bandcamp player below.

Several gigs around town including supports to the Greenland Whalefishers at the, now sadly long gone, Gaff and a headline show at the spiritual home of the London Celtic Punks in Tottenham at Mannions. The band went quiet soon after though reforming every now and then to play locally around Kent and though it may have seemed like they had given up the towel was never quite thrown all the way into the ring. The success of Boomtown festival has also contributed to the rise again of Calico Street Riots with various members of the band heavily involved in the organising and the promotion of the festivals dedicated Irish stage, the Shamrock Bar. Calico Street Riots playing every year at the festival to a new crowd of adoring Celtic-Punk fans.

Calico Street Riots live at this years Boomtown, with guest bodhrán player Gilbert, from left to right: Nick Whiteoak – Bass * Tage Wood – Acoustic Guitar * Laura Felstead – Violin * Dave Irving – Electric guitar & Vocals * Dave Felstead – Drums * Nat South – Accordion *

So it was that this year and again set to storm Boomtown the band booked a handful of gigs as a warm up for the festival and even announced the release of their first new songs in over eight years. Though only two tracks Through The Storm has been worth the long wait and will win them over both new and old fans alike I’m sure. First track ‘A Course For Home’ speaks of a sailor returning home after months away at sea.

“Before I’ve had a chance to breathe I feel the storm surround me
But as the stars burst through the clouds I see the way to go
As each step towards the wheel steadies the ground beneath me
I feel the wind upon my skin ready to take me home”

A not too uncommon theme in Celtic-Punk the song has a certain influence from The Dreadnoughts and singer Dave handles the vocals with ease. Also like The Dreadnoughts they are not afraid to mix up genres and traditions and with some Eastern sounding accordion accompanying a Gaelic fiddle while the rest of the band give it plenty of oompf keeping it fast and furious. They have lost none of their passion for their music I am delighted to hear.

The other song here is ‘Broken Bones’ and this time it’s a much more ‘traditional’ Celtic-Punk track. The major influence here is The Pogues as distilled through Flogging Molly. The song may be about a prisoner or then again maybe not but the lyrics are clever and make your brain work. Another real foot-tapper with again Dave shining on vocals while Laura on fiddle and Nat on accordion also shine on the folky instruments. The whole gang come together to belt out the chorus

“We won’t always have to run
So catch your breath before it’s gone
And when I fix these broken bones
I’ll walk with you to never be alone”

and the song is over in a flash and left me wanting much much more from them. The production is excellent so hats off to the engineer Paul West at Awesome Source Studios for a job very well done. Hopefully Calico Street Riots have learnt their lesson now and won’t be going off again for another eight year break in a hurry! Passionate, intelligent and rowdy as hell Celtic-Punk is sometimes hard to come by down here in the south of England with just The Lagan and Neck thinly spread so to have the Riots return and back at their best to is the most exciting thing to have happened this year and I can’t wait to catch up with them.

(you can hear Through The Storm on the Bandcamp player below)

Download Through The Storm  FromTheBand  iTunes  Amazon  

Contact Calico Street Riots  Facebook  Instagram  YouTube  Bandcamp

SINGLE REVIEW: THE WORKING CLASS SYMPHONY- ‘Berdiri Bersama/Memories’ (2019)

A double single release from one of the best bands from a non-English speaking country and The Working Class Symphony play a brand of Celtic-Punk that is totally influenced by Irish traditional folk music. If only more Irish bands played with this much passion!

As we have stated many times before Celtic-Punk has become a truly international scene with some unlikely communities taking up the baton and one of the most unlikely is the country of Indonesia. As strange as it may seem for a Muslim country they have one of the best (arguably the best) Celtic-Punk scene in the entire world. Music played with passion and with absolutely amazing ability from some brilliant musicians but its not just the music that makes the Indonesian Celtic-Punk scene so utterly fantastic it’s the morals and ideology behind it. Life is tough over there and they have adopted Celtic-Punk not just for the joyous romp that it is but also the camaraderie and spirit of friendship, loyalty and working class pride that bands like the Murphys have instilled in it from their start.

Their are several great bands in Indonesia, many of whom have featured on these pages, but the perfect way to find out more about his great scene is through our review of Wind From The Foreign Land- Indonesian Celtic Punk Compilation from 2014, a compilation of fourteen Indonesian bands, which also features our band of today The Working Class Symphony. Founded in 2010 in Surakarta, a couple of good friends (one a drunk and the other a musician!) were working in an internet cafe listening to Irish pub song compilations and inspired by the music it sparked up the idea to get together with some other friends and play similar music. When this became a solid group shortly afterwards it was then decided that they take the name The Working Class Symphony.

 

BERDIRI BERSAMA

We just the other day came across both of these releases at the same time and though they are separated by just a week we thought we’d feature both together. The first track is ‘Berdiri Bersama’ and is sung in Indonesian. A tale of unity through adversity and togetherness. The music is straight up Celtic-Folk and with strong, clear and passionate vocals from Ican, who also plays a mean tin-whistle. With the song meandering off into folk the Bhoys bring it back and chuck in some drums and electric guitar and the song suddenly takes a more upbeat sound. Catchy as hell and utterly brilliant!

A long road to accompany
Every step of footing
with friends spend the night
singing and laughing happilyForget all the
important differences we can keep together
when we toast To
enjoy a pleasant bright night

Break the barrier, get
rid of all the differences,
here we stand together
we continue to work

Break the barrier Remove all the
obstacles
here we stand with
us I will continue to work,You, him and them
together, face the world hard,
unite, determination, keep on going,
to keep guarding each other

Break the barrier, get
rid of all the differences,
here we stand together
we continue to work

MEMORIES

The second track is this time sung in English and ‘Memories’ is also soaked in Irish whisky and tradition. The talent on display here is incredible from fiddle to accordion to the more usual ‘punk band’ instruments. A virtually acoustic band that kicks up more of a storm than most ‘proper’ punk bands do… and sung in near perfect English this time.

So there you have it a couple of cracking folk tinged Celtic-Punk songs from one of the best bands going. The good news just continues though and you can get these songs as a ‘Name Your Price’ download. This means if you are short then you can get them for free. Yes for bugger all!! Some of you may be a bit skint but we’d ask you to remember that Indonesia is a poor country and these guys need the support of the worldwide Celtic-Punk scene to keep the music flowing so chuck them the price of a Guinness or two if you can. Their goal in all this is to make music that is uplifting for others and their is surely nothing as noble as that. God Save The Working Class !!!!!

Download  Track 1 Track 2 

Contact The Working Class Symphony   Instagram  Facebook  YouTube  Bandcamp

SINGLE REVIEW: CAPTAIN JACK’S ARMY- ‘Dance Together’ (2019)

Swedish band Captain Jack’s Army take in influences from Celtic-Rock, Swedish and American Folk, Ska, Reggae and just about every other genre that is guaranteed to put a smile on peoples faces. ‘Dance Together’ is the first of four singles coming our way this year so expect energetic, foot stomping anthems where smiling is contagious.

When the time Is right and you starting to grow
It’s time for you to step In to the zone
When your life has turn and you not feeling old
No time for you to sitting alone
Cause when the day turns to night and your life Is going, and
you trying to get over what you lost
It’s time to let go and reach for the sky

(chorus)
We Better dance together

Drink It up it’s time, time for the show
No turning back, let’s hit the floor
Bring It back and start moving your feet
The night Is yours just follow the beat
Cause when the day turns to night and your life Is going, and
you trying to get over what you lost
It’s time to let go and reach for the sky

Formed in 2011 in Linköping in Sweden five close friends came together with an idea to start a new band they could have fun with. All were involved in local punk and metal bands and the idea was to try something different from what they were used to playing. Having realised they were all big fans of the Dropkick Murphy’s and Flogging Molly it became obvious the direction they wanted to take. So it was that Captain Jack’s Army came into existence as a tribute band playing songs from the Murphy’s and the Molly’s. They band played their first gig in March of 2011 in Norrköping and having gone down an absolute storm they knew their next step must be to change focus from being a covers band to being their own band and go all in with Captain Jack’s Army. The following couple of years saw them build up both a decent following and also a solid reputation for their exciting live gigs. Having played the tribute circuit for a couple of years they finally got their first release under their belts with the One For All single which was soon followed by the Royal Arms EP which led to successful tours of Germany and the Czech Republic.

In 2015 the band mirrored that of their idols the Dropkick Murphys when they were approached to write and produce a song for the Linköping Ice-Hockey Club that would be used in the arena at every home game. The song ‘Drömmar gror vid Stångebro’ is still strongly associated to the city of Linköping and has racked up more than half a million streams on Spotify. Band members have come and gone, as they tend to do with Celtic-Punk bands, but the core of the group has remained and stayed true to the ideals that they had in the first place. In 2017 a couple more releases followed, including a Christmas song in Swedish called ‘Julen’ where four members alternated singing the verses for the first time. At home they have supported internationally known fellow Swedish Celtic-Punk band Sir Reg many times as well as other scene giants like The Rumjacks and Street Dogs. Which brings us up to 2019 and after successful returns to Czech Republic and Germany, to play the Hörnerfest Festival in Hamburg, the band decided to put out another EP with the novel approach of releasing one song at a time. After ‘Dance Together’ will be the original Captain Jack’s Army compositions ‘Insane’, ‘Say My Name’ and ‘Sail Away (With Me)’ songs that gather in many diverse influences but still keep the essence of Captain Jack’s Army. Today’s release ‘Dance Together’ is a happy-go-lucky tune which really does fulfil all the promises they make about getting you up on your feet and smiling. With seven members of the band backed up here on trumpet (which always accompanies Celtic-Punk really well I always think) the sound is full and the combination of Celtic and Ska is a real winner. Pär’s vocals are clear and just the right side of raspy and pure Rock’n’Roll while the band chime in and help with the ‘Whoa Oh Ohs’ during the chorus. Keep an eye on us or Captain Jack’s Army for the future releases. The four songs that will make up the EP promise, and will deliver I am sure, songs to make your arses move and dance to the groove.

That’s what Captain Jack’s Army is all about. Let’s just Dance Together.

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SINGLE REVIEW: 5 HILLS OUT- ‘The Snug Sessions’ (2019)

When a new Folk-Punk band pops up somewhere in England we like to think we are on it straight away so we couldn’t wait for the third release from Derbyshire band 5 Hills Out to land on our doorstep! Two tracks of beautiful, infectious, foot-stomping folk-punk.

The Snug Sessions by 5 Hills Out is what use to be called a double A-side back in the day when vinyl truly ruled and it’s two songs will be officially released tomorrow on the 12th April but is available now on pre-release. The Snug Sessions is the bands third release and first on their own record label Culvert Collective Recordings. The single marks a step forward in the bands development after their debut acoustic EP No Way In from 2016 and the follow up Still Outside from Autumn 2017 which saw the band nominated for best folk act 2018 on Radio Wigwam. So they have tasted local success but if a band really wants to proceed they have to try untested waters and now is a good time for bands like 5 Hills Out with some other notable bands taking folk (and Celtic) punk to the masses.

5 Hills Out from left to right: Dave Coxon- Bass * Rebecca Liverman- Saxophone, Accordion *  Ben Liverman- Guitar, Mandola, Vocals * Andy Gurney- Guitar, Mandola, Mandolin * Chris Clay- Drums.

The EP opens with ‘Cogs’ and sometimes you know straight from the off if you like it and within just a few seconds I had that feeling. It has that sort of 80’s Anarcho-Punk feel to it but much much better produced and a BIG sound that encompasses fiddle, mandolin, tin-whistle and saxophone. Its as catchy a tune as i heard in a while and has a nice Irish/Celtic interlude taking it firmly into Celtic-Punk territory and with Ben’s great vocals that are sung with passion and gusto whilst still sounding quite angsty (quite the feat I tell you) but as usual you need the songs to make all this work and ‘Cogs’ is just that. A rollicking belter of a track that as vocalist Ben explains

“aimed at a society that continues to undervalue and underpay its workers”. 

On track two ‘The Divide’ the lyrics tell us that we must stick together despite the current political unrest and climate of division. Like many of the bands in the Ce;tic/Folk-Punk scene 5 Hills Out have never shied away from using their music to share their political and social views. In 2018 they took part in a protest march to protect a threatened local music venue and more recently shared and supported a campaign to protect the very same studio where they recorded in the past. ‘The Divide’ is another belter of a song. Faster than ‘Cogs’ but still tuneful and as catchy as feck! The accordion comes out here meaning they have now ticked all the boxes to become firm London Celtic Punks favourites. A great song that despite it’s power still has that folk melody unpinning it as Ben sings about us all coming together.

5 Hills out is quite the family affair, with Ben Liverman on mandola, guitar and vocals, which is complemented by Andy Gurney also on guitar, mandola and vocals. Ben’s wife. Beks contributes contrasting sounds to the band on accordion, saxophone and backing vocals, with Beks’ Dad, Dave Coxon on fretless bass and Chris Clay on drums. Shame there’s only two tracks here but 5 Hills Out are definitely a band to watch out for and one to add to that growing roster of bands that float in Ferocious Dog’s orbit. For fans of bands like The Silk Road, Folk The System, Under A Banner or huge stadium bands like The Levellers or New Model Army these two songs will strike a real chord and these infectious foot stomping folk-punk anthems really make us excited to see 5 Hills Out live in concert and hopefully a album won’t be too far behind either.

Buy The Snug Sessions

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(5 Hills Out, Live at The Hairy Dog, Derby, February 2017)

THE NEW SINGLE FROM GREENLAND WHALEFISHERS COMES ASHORE!

After almost a quarter of a century at the forefront of the Celtic-Punk scene Norway’s Irish Folk-Punk ambassadors Greenland Whalefishers show they still got plenty more in the barrel with a new single taken from the upcoming album Based On A True Story set for release next month.

Way back when the Mollys and the Dropkicks were just a twinkle in the eye a band from Bergen in Norway took to the stage to play their first ever gig. That day when Greenland Whalefishers played their very first concert on 8th March, 1994 saw the first major development in Celtic-Punk since Shane MacGowan and The Pogues first thought of combining British punk with Celtic/Irish folk influences. More than two decades later they are still going strong and have played just about every corner of the world. ‘K Says’ is the first single from the new upcoming studio album Based On A True Story which will be released on the anniversary of that night nearly twenty-five years ago. After the album release concert at home in Bergen, the band will play concerts in Germany, France and the Czech Republic.

Greenland Whalefishers- WebSite  Facebook  Twitter  YouTube  Spotify

Full a full biography of the fascinating history of Greenland Whalefishers check here.

Greenland Whalefishers are so amazing they had an award winning documentary made about them last year that is now available on You Tube so settle down with a cup of tea and a packet of biscuits and watch ‘Twenty Years Of Waiting- The Movie’ the inside story of how a small Celtic-Punk band from Norway went from playing small bars in Bergen to becoming festival favorites all over the world!

DING DONG MERRILY ON HIGH! THE TOSSERS CHRISTMAS SINGLE OUT TODAY!

Now plenty would say that Chicago’s The Tossers are the best Celtic-Punk band in the world and many would even say that they are the heirs to The Pogues crown. So it is that any new release is welcomed by the Celtic-Punk masses!

Ding dong indeed. With Christmas (we don’t go in for that Xmas shite) Day just around the corner blue-collar Irish-American Celtic-Punk living legends The Tossers have released their new single on Victory Records. Famous for their warts and all, gutsy, resolute working-class Irish anthems, The Tossers step out in a different direction with two songs celebrating that most wonderful time of the year. The two song single features one original composition, the biting ‘Merry Christmas’ and a recording of the Robbie Burns classic  ‘Auld Lang Syne’.

Merry Christmas to you
To all of the well heeled in your fancy clubs
To all my friends and cronies in the pubs
To all of the people and the kids down in the street
Who ain’t got nothin’ not a poxy thing to eat
Merry Christmas to you
To all of you thieves and men who have waged an endless war
While you were safe behind a bolted door
To those who have fought and to those who have died
And to every one of those who was on our side
Merry Christmas to you
Oh the hungry, thirsty, sick and cold and strangers now to you
And as you have done to the least of men
You have done this to me too
And may you all sleep warm at night
And may you all have all your hearts delight
And may God bring each one of you
Every God damned thing
That’s always been coming to you

The Tossers have been entertaining us and fighting the corner for Irish-America for 25 years so in the year of their 1/4 century they have been relatively quiet with last years brilliant ‘Smash The Windows’ album release only followed this year by the release of an official Tossers Stout that is also called Smash The Windows! A natural act you would think from ‘the world’s loudest drinking band’. Always amazing to hear new material from one of my favourite bands and even better that they will be announcing some major tour dates very shortly. Let’s pray they include some local to us as well!

The Tossers are more than just a band to their fans. They have inspired and promoted a love in your roots that is sadly missing for most people. They tell the tale of both Chicago and America’s Irish communities. Serious and piss-taking at the same time and joyful and sad and upbeat and maudlin The Tossers do it all and yes we Irish are all of these things… and The Tossers celebrate it all. In the words of Tony Duggins

“God Bless you all, and may each and every one of you have a very Merry Christmas, Happy Holidays, and a Happy New Year.”

Buy Merry Christmas

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SINGLE REVIEW: SIX FOOT TEN- ‘Christmas Is Here’ (2018)

It’s the first of December and not long now till Christmas Day so here’s the new Christmas single from Premier League Celtic-Punkers Flatfoot 56 off-shoot 6’10.

Chicago based 6’10 is the acoustic project of Tobin Bawinkel, the lead singer of Flatfoot 56 whose critically acclaimed first full length album, The Humble Beginnings of a Roving Soul came out in December of 2014. 

Gather around the Table, I’ll tell you of a stable

A humble place, the birth of grace, the son of God is here

The fire will be going, the candles will be glowing

We’ll sing the midnight carol songs, proclaim the son is near, 

Christmas is here.

Peace on earth is spoken, its a mending of the broken 

A second chance a song and dance, to celebrate the year

Bells they will be tolling, like angels they are showing,

Peace on Earth, good will to men, the fathers plan appears 

Christmas is here.

Come gather around and see, The birth of the king 

swaddled in a manger, here the angel sing

Christmas is Here

Tobin started 6’10 to go back to his musical roots in Americana and folk music. Life can’t be all circle pits and spitting on sweaty crowds. Here is a side that is a little more laid back and thought provoking. He is joined by many talented musicians who bring much to the table as far as diversity and musical creativity. 

“When I was growing up, I remember playing folk and bluegrass music with my family in our living room. I always loved the story telling aspect of this style and the joy of playing with close friends and family. I loved it when songs would have a quirky and playful tone and theme. All of the pretentious elements that can sometimes find their way into music, were absent during these sessions with my family and friends. You would find seasoned players, playing right next to children who were just learning. This culture is what I wanted again. The idea was to return to a simpler and more earthy feel.”

Those who have grown to love Tobin’s raw punk aesthetic and candor will find much to cling to in this new endeavor. There is sorrow and yearning for a place far from here. But there is also joy abundant amidst the unexpected twists in life’s passage. 6’10 is close to the hearts of those who hunger and thirst for something more than an empty life following the American dream. You can check out their debut album here on the Bandcamp player below.

Download Christmas Is Here

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SINGLE REVIEW: TENHOLES- ‘Trouble’ (2018)

We keep telling you that Celtic-Punk has gone global and if you don’t believe us then have a listen to the new single from, one band of several out of a fantastic scene, Tenholes from Jarkata in Indonesia.

We have waxed lyrically about the Celtic-Punk scene in Indonesia many times and to say it is absolutely amazing is a massive understatement. With a load of bands, too many to mention here, that all work together in making the scene bigger and better. No competition just #OneBigCelticPunkFamily in fact.

‘Trouble’ was released in celebration of the last Record Store Day on Saturday 21st April, 2018. Formed way back on 28th October 2004 are one of the most popular bands in the Indonesian punk and Celtic-Punk scene. Tenholes are six young(ish) chaps from East Jakarta who have and sometimes still wear ten eye Doc Martin boots, cropped hair, tight jeans and still listen to Oi music! The song ‘Trouble’ tells how complicated life can become when you add in romance, relationships and social life.

Let’s toast the past, present, and future because: This is Fun, This is Oi!, This is TENHOLES

Video produced in collaboration with Bergerak Records and Homeast Jakarta

Filmed by Ikhsan Bule, Ichsan Bodrex, Ody  

TROUBLE

wherever i go
whatever i say
trouble finds me everywhere
trouble finds anywhere
whatever i do
to make it up to you
trouble finds me everywhere
trouble finds me anywhere
what should i do
when you know it’s true
that i’m officially hated by you
but trouble loves me a thousand
more than you

Music & Lyrics : Jenggo * Arr : Tenholes
Vocals: Ukien Bstrd * Guitars : Andri * Lead Guitars : Endry Poison * Mandolins : Jenggo *
Drums : Acongaco * Guest Bass : Cahaya (SATCF)

Produced by Tenholes, Bergerak Records X Embrionic Studio
Mixed and mastered Donny Onda | Embryonic Music Studio | Assisted by Cahaya SATCF

in collaboration with
Bergerak Records | Embryonic Music Studio | FTO THE EDGE Creative house

Sing it loud, sing it proud and stay outta TROUBLE!

Tenholes

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For the best introduction to the Celtic-Punk scene in Indonesia you simply cannot go wrong than checking out Wind From The Foreign Land- Indonesian Celtic Punk Compilation’ from 2014. An album of fourteen tracks from fourteen different and diverse Celtic-Punk bands from right across Indonesia. From traditional Irish folk right up to Celtic-Oi! and ballads to full on rockers its all here and just goes to show why the scene in Indonesia is both wonderful and always interesting. No self respecting Celtic-Punker should not have at least a couple of favourite Indonesian bands in their arsenal so get along here Wind From The Foreign Land is one of the best compilation albums you will ever here. That’s a London Celtic Punks guarantee!

HEAR THE DEBUT SINGLE FROM TAN AND SOBER GENTLEMEN

The debut single from seven piece Scotch-Irish hillbilly music band Tan And Sober Gentlemen has arrived and this band from North Carolina have a bright future!

Irish-American Celtic-Folk-Punk band Tan And The Gentlemen have just released the first single off their upcoming album. It’s an amazing version of ‘Follow Me Up To Carlow’ and if anyone out there is missing the utterly fantastically brilliant Appalachian Celtic-Punk band Cutthroat Shamrock then put down the worry beads as The Tan And The Gentlemen will sate your appetite for good music!

Born and raised in Snow Camp in the North Carolina back country, Tan and Sober Gentlemen began taking in the songs, stories and tunes that make up their beloved state’s heritage before they could talk. Despite having played music together in some form or another for most of their lives, the current line up was formed in the summer of 2016. Since then, they’ve been in the saddle, playing stages from their hometown Cat’s Cradle and Shakori Hills to Galway’s legendary Roisin Dubh. The band aims to explore the Celtic roots of North Carolinian music and to play it with a fire and intensity that is lacking in much of today’s folk music. The full, as-yet-to-be-named record will be be released Dec. 1st, with the release party at the Cat’s Cradle in Orange County, N.C. The album was recorded largely live at BNB Studios in Chatham County, NC, featuring their high-octane take on Celtic and Appalachian traditionals along with a few of their own tunes. The record will be available on all platforms then, and is available for preorder by emailing tanandsober@gmail.com. Friends with the rest of the Southeast USA Celt-folk-punk crew in The Muckers, In For a Penny and Born Again Heathens who have all featured on these pages in the last couple of years. The result is Scotch-Irish hillbilly insanity they dub ‘Celtic punk-grass’. As far as folk music goes, they’re about the best drinking and dancing band I’ve found in a long time!
Download Follow Me To Carlow
Contact The Tan And Sober Gentlemen

FOLLOW ME UP TO CARLOW

I first heard ‘Follow Me Up to Carlow’ on a old cassette called Irish Songs Of Freedom belonging to my Grandad. It differed from the rest of the tape of sad ballads as it was played so fast with the words coming so quickly it was hard to keep up. This must have appealed to the wee punk in me and so it has become one of my favourite songs. It’s also become the perfect song for adapting to a Celtic-Punk song and has been recorded and played by such diverse artists as Blood Or Whiskey, Mickey Rickshaw, Cruachan and The Young Dubliners. The song celebrates the defeat of an army of 3,000 English soldiers by Fiach Mac Aodh Ó Broin (anglicised Fiach MacHugh O’Byrne) at the Battle of Glenmalure, during the Second Desmond Rebellion in 1580 though events in the song cover more than twenty years after. The air is reputed to have been played as a marching tune by the pipers of Fiach MacHugh at the battle  in 1580 and the words were written by Patrick Joseph McCall (1861–1919) and appear in his Songs of Erinn (1899) under the title ‘Marching Song of Feagh MacHugh’.

SINGLE REVIEW: TORTILLA FLAT featuring JORGEN RED WESTMAN- ‘THE 45rpm’ (2018)

With the Swiss taking the World Cup by storm here’s a band that’s been around for quite a while and have released a bunch of cracking Celtic-Punk records. ‘The 45rpm’ is a vinyl 7″ release of chugging punk rock with full blooded bagpipes roaring throughout.

Taking their name from John Steinbeck’s novel of the same title Tortilla Flat are from Langenthal in Switzerland and play Celtic-Punk heavily influenced by both Scottish and Irish melodies. This is a band that easily sits slap bang on the line between Celtic and Punk/ A band that anyone with the slightest interest in either would love I am sure. Therefore it’s a mystery to me why they don’t get a bit more press. They thoroughly deserve to. We are at fault as any as despite owning a couple of Tortilla Flat CD’s they have never properly graced these pages despite having a total of seven album releases and a couple of singles in their back catalogue. Well hopefully this will go some way to redressing the balance with the release of a vinyl only 7″ single. I have noticed vinyl making a bit of a comeback generally but more importantly there has been a good few recent Celtic-Punk releases too.

Tortilla Flat as featured on the single from left to right: Tom MacFly- Bagpipe * Rob Highlander- Bagpipes * Chris- Guitar & Vocals * Jorgen Red Westman- Vocals * Ritchie- Bass * Lord Peter of Lochaber- Bagpipes * Lexu- Drums *

Where folklore meets stirring punk attitude, there’s something for everybody. An invitation to dance and sing, or maybe just to shout along but these Bhoys are enjoying the ride

“because it’s both a soundtrack for party nights and comfortable evenings with friends; because it makes rainy days sunnier and brings you a holiday on the islands within reach during the summer heat.”

Tortilla Flat have at their core three good friends in Chris, Ritchie and Lexu and are supported at various times by the The Independent Pipers who supply a good dose of Celt whenever it’s needed. The music you hear first maybe punk rock but there is no denying that it’s Celtic melodies, mainly Scots, that run things here with the pipes always leading the way.

The single kicks off with the title song ‘The 45rpm’ and its a 1977 Brit punk style number with some wonderful bagpipes. The song features Jorgen Red Westman on vocals and he has a great voice, hardly surprising as he has just celebrated thirty years as the frontman of the legendary Swedish garage-surf-punk band Psychotic Youth. The song moves at a great pace with a catchy beat akin to those early punk bands. Not too fast but miles away from slow!!! The song first appeared, in a different version, on their seventh album from last year Forward To The Past.

Next up we have classic Tortilla Flat fodder where they take the song ‘A Man’s A Man For A’That’ written over 220 years ago by the great Scottish poet and nationalist Robbie Burns. A poem that promoted Burns political and moral views. Published anonymously in The Glasgow Magazine for fear of arrest, it is thought the song is proof of his support for the Revolution in France. The song was recorded live in concert at the stunning Klostersommer Rueggisberg, not that you would know it as the quality is far and above any live recording I have heard in years!

The guitars chug, the bass thumps and drums beat while the pipes pipe. A bloody brilliant song and a real foot stomper too. Originally recorded for The Great Escape from 2013 the brilliant video was recorded, filmed and mixed by Benny Wyder of Swiss Music Service

“Then let us pray that come it may,
(As come it will for a’ that,)
That Sense and Worth, o’er a’ the earth,
Shall bear the gree, an’ a’ that.
For a’ that, an’ a’ that,
It’s coming yet for a’ that,
That Man to Man, the world o’er,
Shall brothers be for a’ that”

This is followed up with the Irish folk classic ‘The Wild Rover’recorded during the same set again it is clear as crystal and could almost pass for a studio recording of not for the clapping and cheering from the audience. Played by everyone at some point there is no denying its popularity among the punters at gigs and I remember it being one of only a small handful of songs we (the boys) use to really enjoy singing at school as we were allowed to stamp our feet and clap our hands during the chorus. It makes for a perfect Celtic-Punk song with plenty of punk rock attitude and Folk history. Tortilla Flat do a grand job keeping it fast and catchy. The single comes to an end with a alternative version of ‘The 45rpm’ again featuring Jorgen and also Chris on vocals. The lyrics tell of how much better music on vinyl is than on CD or download. I’m afraid people I have to concur. I have never quite given up on vinyl in all my years and it is true when Jorgen sings

“you were born too late and you will never understand”

what it meant to you when you had saved up enough money to go and buy a record. A feeling that modern day music just doesn’t, and won’t ever, compare to. The single is released at the end of this week but you can pre-order the single via mail-order from MacSlon’s and Outsider at the links below. The 7″ vinyl version is limited to just 300 copies but will be available as a digital download as well.

Buy The Single

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Contact Tortilla Flat

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If all the dew were diamonds”, Pablo said, “we would be very rich. We would be drunk all our lives”. But Pilon, on whom the curse of realism lay uneasily, added: “Everybody would have too many diamonds. There would be no price for them, but wine always costs money. If only it would rain for a day, now, and we had a tank to catch it in”. “But good wine”, interjected Pablo, “not rotgut swill like the last you got”. “I didn’t pay for it”, said Pilon. “Someone hid it in the grass by the dance hall. What can you expect of wine you find ?”

dialogue from “TORTILLA FLAT” by John Steinbeck, 1935

EP REVIEW: FLATFOOT 56- ‘The Vancouver Sessions’ (2018)

Chicago’s Flatfoot 56 announce the release of their new EP featuring five songs old and new that blend the band’s mix of traditional Irish folk music and surging punk rock.

While the Dropkick Murphys and Flogging Molly are undoubtedly the biggest band in Celtic-Punk I have no doubt who the best band in Celtic-Punk is and that is Flatfoot 56. Ever evolving and always innovative it only seems a few weeks ago that they managed to walk away with the London Celtic Punks album of the year for 2017 (here) for their superb album Odd Boat. It was an unanimous #1 vote from all four of us here and Gerry made it clear what he thought on the review of the album

“I honestly could have sat here and gone through each track individually and told you all how good they are, but that would be crazy and still wouldn’t do the album justice. The only way you’ll be able to see how right I am is by going out and buying it!”

The new EP released last month is completely acoustic and consists of five songs one new and four old ones that have been completely re-written and presented as basically new songs.  The band have never been adverse to using traditional instruments but here they bring out the Irish uileann pipes as well as whistles and accordion to produce a sound that is both melodic and gritty but thoroughly magnificent. To help achieve this the Bhoys enlisted the help of veteran producer Roy Salmond, the owner of White Water Productions near Vancouver, BC who has been working with artists for over 30 years.

The Vancouver Sessions begins with a song from the bands 2007 album Jungle of the Midwest Sea re-imagined as a classic slice of Delta Blues. Compared to the original it is barely recognisable and I even had to check it was the same song! On ‘Cain’ Flatfoot 56 head more in the direction of their folky offshoot 6’10 but still manage to keep the Flatfoot 56 energy and passion. As Tobin puts it

 “took on an entirely different feel than the original, loved the way this new take on an old song turned out. It’s low, its gruff and it’s us in a very weird way.”

Mandolin, fiddle and Tobin’s gruff rumbling voice ensure this song is the ultimate ear-worm designed never to leave you alone once you’ve heard it. The song comes accompanied by one hell of a video too of the band sitting around a campfire playing in the most natural settings for the song.

In fact for the video members of 6’10 accompany them and even bringing in original members and friends including Tobin’s good lady Vanessa.

“I see you coming, don’t do it
I know you and I see through it
Your parents curse made you work the fields
You gave God what grew but you didn’t yield
In your anger, you beat him dead
And his blood turned your field red”

The song tells of Cain and Abel the first sons of Adam and Eve. Cain was a farmer and his brother Abel a shepherd. The brothers made sacrifices to God but God favoured Abel’s sacrifice instead of Cain’s. Cain then murdered Abel, whereupon God punished Cain to a life of wandering. ‘Cain’ is followed by the EP’s only new song ‘How Long’. Tobin kicks it off with acoustic strumming and then his wonderful warm full vocals take over and with accordion and drums keeping the beat while Vanessa’s beautiful voice is a lovely counterpoise to Tobin’s. The song’s lyrics talk about the yearning for something more than all of the chaos the world seems to be throwing around. Consistent with many of Flatfoot 56’s lyrical themes, this one leaves the listener hoping and looking for something more. ‘I Believe It’ has already seen the light of day in an semi-acoustic version on 2012’s Toil but here they slow it right down in a song that strips the original right back to its barest bones before adding in some amazing uileann piping. The pipes drone only adding to the melancholy of the song.

“thoughtful—and tender, at times—reminders of what life can be if we slow down and take lyrics in”.

The song ends with a few lines from the Flatfoot favourite ‘I’ll Fly Away’ and slowly it ebbs away.   ‘Penny’ was the fastest and most punky song on last years Odd Boat so even more remarkable that they have managed to turn it into the song here. The tune remains but the addition of gentle mandolin takes it to another level while again Vanessa’s traditional style of folk vocals adds perfect balance. For the EP’s closing number Flatfoot again take one of their fastest tracks and adapt it into something stunning and while ‘Take Hold Again’ is the most recognisable of the songs here its still packs a punch in such a different way to the original. Elements of trad Irish folk, Country and Americana abound and while its not your usual F56 release for those of us who have softened to 6’10 its utterly perfect.

The album has been released on Sailors Grave Records and comes as a special edition etched vinyl disc in three different colors. It is also released on CD and digital formats but you can have a sneaky free listen via the bands Soundcloud account here.

The band have announced that it is important to remember that this is not a new direction for Flatfoot 56 but rather a temporary diversion and it won’t be long before they are back to their driving anthemic Celtic-Punk rock anthems before we know it. And anyway they do have 6’10 for this sort of thing. If their goal is to help introduce their punk fans to folk then they can sit back and relax as it is mission accomplished as The Vancouver Sessions may be calm and laid back but it still successfully transfers their aggressive punk rock sound into something that is real, raw and superbly beautiful.

Buy The Vancouver Sessions

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Discography

Rumble of 56- 2002 * Waves of War- 2003 * Knuckles Up- 2006 * Jungle of the Midwest Sea- 2007 * Black Thorn- 2010 * Toil- 2012 * Odd Boat- 2017*

THE CARDINAL SINS- ‘Straight Left Right Hook’ (2018)

It may sound a bit strange that over the years we have only featured a handful of ‘Irish’ Irish bands on this site but for whatever reason Celtic-Punk in Ireland has never seemed to take off band wise. So with that in mind we love it when a new band from the auld country appears and even though The Cardinal Sins have been going a few years we are sure they are new to most of us over this side of the water and hopefully it won’t be long before we get to see them in the raw!

STRAIGHT LEFT RIGHT HOOK

Write him off at peril, he’ll dance around at god’s free will
Rolling through the town like a steam train running late
He’ll settle all and put em down, take any man that glanced a frown
Line em up 1 to 10 and let them have their go
Chorus:
Straight left down he go’s (hey Ho!)
Right hook down he go’s (the crowd began to shout!)
Straight left down he go’s (man Down!)
Right Hook down he go’s (he knocked the fucker out!)
Jimmy said he’d give a try he’s 7ft tall and just as wide
The crowd were looking for a cheer so they took it to the square
In and out they danced about, and from the sides they bawled and shout
The honey-badger threw his fist, Jimmy’s on his ear
It was hard to see if he’d get back on his feet,
But jimmy bowed his head, he was taken by the best
And in the disbelief well the crowd took to their feet
And then they start to shout
HE KNOCKED THE FUCKER OUT!!!

The Cardinal Sins are a Celtic Rock group from Laois and Offaly in Ireland that formed in 2013 with six members making up the Holy Synod. The band come with a high pace, high tempo list of contemporary , traditional and original songs played in their high energy style with influences including The Pogues, Flogging Molly and Dropkick Murphy’s to name a few. Over the years The Cardinal Sins have enjoyed success at home which saw the band release their debut EP, release several music videos, play at various festivals in Europe as well as becoming a regular on the Irish festival circuit. 2016 saw their first ambitious tour, outside Ireland, of Italy taking in Milan, Bologna, Parma, Cuneo and Pesaro. The same year also saw concerts in Copenhagen along with trips to Germany to co-headline the Volmarstein Folk Festival with Irish music legends De Danann. Last year saw The Cardinal Sins concentrate on the Irish festival circuit and to start to write some original material that will see the light as an EP later this year. The lead single to this EP “’Straight Left Right Hook’ is out now and available on iTunes and Google.

Cardinal Sins left to right: Trisha Mulraney- Fiddle / Whistles * Stephen Murphy- Bass / Vocals * Wayne Brereton- Lead Vocals / Acoustic Guitar / Electric Guitar * John Tobin- Banjo / Mandolin / Vocals * Reece Wardrop- Drums / Percussion * Darren Cahill- Accordion / Vocals.

The song itself is a riotous romp pitched somewhere between the simple Irish folk of our childhoods and uplifting pounding fist in the air punky rock music. A tonne of passion and plenty of pride The Cardinal Sins have nailed it here and we look forward to hearing that EP when it lands. In the spirit of the Dropkick Murphys ‘Shipping Up’ being played at every rugby match everywhere The Cardinal Sins have adopted their very own sports star in local Portalington MMA fighter Philip ‘the honey badger‘ Mulpeter and Straight Left Right Hook has become his walk on tune. Its all a bit rough for this gentle soul but you can check out this up and coming Irish fighter here

Get Straight Left Right Hook
Contact The Cradinal Sins

SINGLE REVIEW: THE PUNKFOLKERS- ‘Angry Man/ The Blacksmith’ (2017)

London Celtic Punks favourite and London Irish folk punker Anto Morra is back with his new project The Punkfolkers. This isn’t the folk-punk of The Levellers or The Pogues but the punk of the Pistols, The Stranglers and SLF as filtered through some real story telling and traditional folk.

The Punkfolkers are a three piece band based in East Anglia, around Norwich. Their mission in life is to introduce folk music to to the punks and punk to the folkies. This is the band’s debut release and comes out tomorrow, forty years to the very day that the Sex Pistols released the seminal Never Mind The Bollocks album. That album that changed the face of Britain and more importantly the music industry if, only for a short time, from the stale and boring to something alive and exciting and challenging.

This release is an old school double A side in the tradition of those early punk singles. With ‘Angry Man’ an original Punkfolkers song and ‘The Blacksmith’ in keeping with the style of the single is an traditional English folk song. Formed back in 2013 and led by the incredibly talented Anto Morra the band got together when recording Anto’s debut album Never Had To Shout. Accompanied here by John Child on guitar and Thim Flaxman on bass they have so far played an handful of shows including the London Celtic Punks sponsored release show for Anto’s EP ‘The Patriot’ but have been in the studio of late putting some tracks together for this single and a forthcoming album due for release in early 2018. The band’s knowledge of the punk movement is vast and diverse with Anto well known to us at London Celtic Punks and the London punk scene. As said an incredibly talented individual who is also unburdened by any sort of ego and is as nice a fella as could be met within the music scene. Anto has the not only a indepth knowledge of the asthetic and cultural importance of the movement but also a love and understanding of traditional folk music. If you ever want to hear unabashed folk music played on a acoustic guitar with no frills but filtered through the imagination of a dyed in the wool punk rocker then Anto Morra is your man without a doubt. Joined by John and Thim who as ex-members of East Anglian punk band Stain have brought the ability to recreate the sound used in early punk rock with an authenticity rarely seen.

Side A is the punky ‘Angry Man’ and a real time warp taking you back to the days of Liverpool winning the league and industrial disputes! Anto has a great voice and his London Irish twang fits perfectly and when he drops his ‘Aitches’ you know its not done for effect like the public school Lily Allen and co. Anto takes angry swipes at the things that piss him off like fox-hunting and the empire of The Sun but with a great dollop of humour and satirical bite that many Anarcho-Punk bands could only dream of. Chugging guitar and and throbbing bass instantly reminds you of 70’s bands like The Killjoys or Eater and loads of those early bands were London Irish so great to know we’re still doing now! The AA side is ‘The Blacksmith’ and is a bit more like what us Anto fan’s are use to.

Not afraid to play both the more popular or the obscure songs Anto has chosen well here with a song that has been covered by some real legends and pioneers of folk-rock. Steeleye Span, Planxty, Pentangle have all recorded it while into more modern times Runa had a marvellous version on their debut album Jealousy. It is a traditional English folk song also known as ‘A Blacksmith Courted Me’ and was first noted back in 1909.

“Strange news is come to town
Strange news is carried
Strange news flies up and down
That my love is married.
I wish them both much joy
Though they can’t hear me
And may God reward him well
For the slighting of me”

The well worn tale of illicit love and deceit is played by The Punkfolkers with Anto’s voice pushed to the fore but the understated backing is superb and really grows as you notice it more and more each time you hear the song. Of course the banjo that drops in half way simply takes it to another level. Superb.

The Punkfolkers

So keep an eye out for The Punkfolkers album Night Bus To Tombland  due out sometime early 2018 and in the meantime enjoy this single from a band with a great pedigree and to say I am excited to hear it is an understatement I can tell you. Forty years of protest, rebellion and punk and with records like this we can look forward to another forty as well!

Buy The Punkfolkers iTunes  Amazon

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AUSSIE CELT’S FOX n FIRKIN NEW SINGLE AND VIDEO

Fox n Firkin are a celtic punk rock band from Brisbane which formed in early 2012. Here is their brand new video for their single ‘Bastard Brigade’The single is taken from Fox n Firkin’s last album, No Vacancy which is out on Folk Til Ya Punk Records.

“fusing traditional Irish instrumentation and melodies into blistering catchy punk rock”

is how they describe themselves and you know what? I couldn’t put it better myself! The video was shot in Tasmania on a recent tour, while waiting to soundcheck and features their Folk Til Ya Punk record label mates, The Dead Maggies, who they were playing a show with that night.

Please feel free to share it around. We hope you like it!
Formed in early 2012 in the Australian capital city of Brisbane Fox n Firkin have taken the harder edged route into celtic-punk and though they would probably be nearer to the Dropkick Murphys than Flogging Molly but they don’t sound much like the Murphys either. One of the things about the Aussie celtic-punk scene is how they manage to find new approaches in what you would think is quite a narrow genre and make it really original. Fox n Firkin are no different to their peers and have a fresh original sound that fuses those celtic and folk instruments like mandolin and banjo to quality punk rock melodies. Fiercely independent they released a couple of DIY EP’s but have recently joined up, and have found the perfect label to support them in, Folk Till Ya Punk Records. They produced their first independently released EP To Hell And Back in May, 2013 and was produced By Fox n Firkin and Greg Arnott and is available as a ‘name your price’ download on Bandcamp below.
They followed this up with another brilliant 4-track EP ‘Roppongi’ release on December 1st, 2013 which if you buy the CD contains the best version of ‘Waltzing Matilda’ you will ever hear I fecking promise you.
Released on April Fools Day last year their debut album No Vacancy is ten quality punky celtic-punk tracks with that unmistakeable Aussie sound that we go absolute ape shit for here at London Celtic Punks. Ten songs that clock in at just over half an hour and includes nine original F n F compositions and only one cover. So after their first two EP’s I have got to say that Fox’n’Firkin have really hit the jackpot here with No Vacancy. A quality debut album that from beginning to end is just catchy as hell celtic-punk rock with great vocals and lyrics. On the punkier side of things but refreshing to these ears that they are doing their own thing and not aping any band I have heard recently. from the first few bars of mandolin you know you are in for a treat. Catchy and tuneful punk rock with a load of folk influences chucked in as well.

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NEW SINGLE FROM FINLAND FOLK-PUNKERS LORETTA PROBLEM

 Finnish celtic-punks Loretta Problem have been together for over twenty years and are happy to offer up London Celtic Punks readers a free download of their fabulous new single ‘Welcome To The Circus’.

Not one of the most prolific bands in the celtic-punk scene but certainly one of the more interesting. Loretta Problem hail from the death-metal loving fjord’s of Finland and are the sole representative’s of celtic-punk in their country. Like the other Nordic countries there are well established and popular punk and metal scene’s so should come as no surprise that celtic-punk would make an appearance. Loretta Problem have released one album and two singles in their time together which admittedly is not a lot to show for over twenty years together but for over a decade Loretta Problem took a back seat while the various band members were working on other projects like families or in other bands. They still got together to play at a select handful of gigs and festivals every year but regrouped about 2-3 years ago, and have reached the point now where they are ready to fully relaunch the band.

Their new single ‘Welcome To The Circus’ was released a few weeks back but we were waiting on the accompanying video to give it a well deserved plug so here it it. Sounding better than ever the single moves away slightly from their earlier stuff which had a certain metal influence toward a more folky sound akin to what I use to call festival folk. These days that sound is represented by the likes of The Levellers, New Model Army and Ferocious Dog. Well played anthemic punk rock with great fiddle from Tarja throughout. Clear vocals sung in English that completely suit the music but don’t waste time listening to me just have a listen I’m sure you won’t be disappointed! The celtic tone still remains, as well as big hearted punk attitude with fistful of middle fingers!

Loretta Problem have been together now since 1994 and have never stood still but instead have had constant development as a band. You won’t hear the Fields Of Athenry here but instead you will get some great folk’n’punk which takes Celtic music and even celtic-punk and puts a different spin on it. A fantastic single catchy and full of energy and life that leaves us only wanting more. You can hear their back catalogue over at their Spotify account here but follow the link below to get a free download of Welcome To The Circus.

Download The Single FromTheBand

Contact The Band WebSite  Facebook  Spotify  ReverbNation  YouTube

  • We reviewed an earlier single from Loretta Problem back in 2015 which you can find here.

IN FOR A PENNY RELEASE NEW SONG ‘EASTER MOURN’ AND VIDEO

A new song and video from Irish-American celtic-punk band In For A Penny from Tybee Island, Georgia in the southeastern United States. We don’t often feature videos. In fact I can only remember us doing it a handful of times but as soon as I heard ‘Easter Mourn’ I knew it was worthy and on what better day than the Bobby Sands anniversary. It’s a taster from their upcoming album ‘One More Last Hurrah!’ to be released soon.

 EASTER MOURN

05-05-2017

“Easter mourn in the early light of Spring April 1916
Did a proclamation ring o’er Dublin town
From the GPO came the charge to go
Right proudly flew the flag of war o’er Dublin town
There’ll be no resurrection on this Easter mourn
The poets and the teachers, soldiers and the speaker
Pledged their lives to free her,
Oh Dublin town in the rubble fought the rabble,
Bravely to the battle while the long range guns did pound and rattle,
O’er Dublin town
Locked up by the foreigner in Kilmainham gaol”
Singer/ bouzouki player and songwriter Sean McNally was kind enough to write a few words about the track so without further ado over to him.
“The song was inspired by a story I read about Canon O’Neill who wrote the modern lyrics to Foggy Dew. Came up with my own arrangement for the upcoming release and read about how he wrote it after he attended the first sitting of the new Irish Parliament, known as the Dail. The names of the elected members were called out, but many were absent. Their names were answered by the reply “faoi ghlas ag na Gaill” which means “locked up by the foreigner”. the line just hit me and it call came from there… it’s an homage to Foggy Dew basically”

Contact In For A Penny

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In For A Penny left to right: Jeremy Riddle- Guitar * Special Guest Appearance Ricardo Ochoa- violin * Sean McNally- Vocals and Bouzouki * Henny ‘Da Butcha’- Drums * Bryce McNally- Bass

you can support this great band by getting their latest EP ‘Every Day Should Be Saint Paddy’s Day’ for only $5 from here on CD or here on download. Read our review here.

Bobby Sands died in prison following a 66 day hunger strike on this day back in 1981. Bobby Sands would be the first of ten men to die in an effort to gain political status in a very public battle with British Prime Minister Margaret Thatcher.

Born in 1954, Bobby Sands grew up in Belfast under the cloud of nationalist and loyalist divisions. He joined the Republican Movement when he was 18 and was soon arrested and imprisoned for possessing a firearm. A second arrest in 1976 led to a 14-year-sentence. In prison, Sands embarked on a 66 day hunger strike that led to his death. During the strike he was elected a Member of Parliament.

A hero among Irish nationalists, Robert Gerard ‘Bobby’ Sands was born in Belfast, 9 March 1954. Bobby was the oldest of four children born to John and Rosaleen Sands, and the couple’s first son. At an early age, Sands’s life was affected by the sharp divisions that shaped Northern Ireland. At the age of 10, he was forced to move with his family out of their neighborhood due to repeated intimidation by loyalists.

“I was only a working-class boy from a Nationalist ghetto, but it is repression that creates the revolutionary spirit of freedom.”

Loyalist intimidation proved to be a theme in Sands’s life. At the age of 18, he was forced out of his job as an apprentice car builder by a group of British supporters. Not long after, he and his family had to move again. Thatcher’s view of the prisoners and the IRA was that they were murderous thugs. Nationalist Ireland’s view the complete opposite.

The IRA played a very astute international campaign during the hunger strikes gaining widespread support and attention for their cause. The deaths of Sands and his colleagues boosted IRA recruitment. The support for the strike was evidenced by Sands winning the vacant House of Commons seat for MP for Fermanagh and South Tyrone in a by-election necessitated by the death of sitting MP Frank Maguire. In a hugely emotional campaign, Sands defeated Unionist candidate Harry West.

The demands of the prisoners included:

1. The right not to wear a prison uniform;

2. The right not to do prison work;

3. The right of free association with other prisoners, and to organise educational and recreational pursuits;

4. The right to one visit, one letter and one parcel per week;

5. Full restoration of remission lost through the protest.

Britain never formally acceded to the strikers’ demands but three days after the hunger strikes finally came to an end on 3 October, Ulster Secretary James Prior announced a number of concessions including the right to wear civilian clothes and the restoration of partial remission for those who obeyed prison rules for three months.

SINGLE REVIEW: THE RAMSHACKLE ARMY- ‘Foreign Soil’ (2106)

The new release from The Ramshackle Army proves again the high quality of Aussie celtic-punk. Influenced by the punk they grew up with, the Celtic traditions of their families history and the colonial heritage of Australia the band come up trumps again.

ramshackle

With The Rumjacks just landing back home in Australia after a God alone knows how many months European tour which saw them ship up in London twice and The Go-Set set to follow them into town a week today Australian celtic-punk is spreading across the globe like cane-toads (remember The Simpsons versus Australia?). Anyhow last Wednesday saw the first new release from The Ramshackle Army since their early 2014 album Letters From The Road Less Travelled hit the shops to great applause and its another belter.

ramshackle3

The Ramshackle Army began plying their trade in the pubs and bars of their home town Melbourne before making the leap to a wider Australian punk and celtic-punk audience and then they were handpicked by The Dropkick Murphys themselves to support them on their 2011 Australian tour. After this the Murphys asked the Army to join them for their 2012 St Patricks Tour of the USA. So in March they embarked on their first tour of the US playing a handful of warm up shows with some of the best American celtic-punk bands going before joining the Murphys for a run of shows which ended with the massive 6,000 Tsongas Arena on St Patrick’s Day. Their adventures in America ended with the Ramshackle Army headlining the Guinness stage at the Shamrock Fest in Washington before 15,000 eager celtic-punk fans.

ramshackle2In 2014 the band joined the prestigious independent record company East Grand and released Life Lessons And Drunken Sessions following it up with their first full length release Letters From The Road Less Travelled. In 2015 and with the band on the verge of world domination they were hampered by line up changes but ended the year in the USA again in September and October of 2015, playing California’s Get Shamrocked festival and going on to join scene legends The Tossers for their Halfway To St Patricks Day tour. This year has seen them playing across Australia and seen their welcome return to the studio with the new EP Whitewashed Grave set for release later in the year.

ramshackle-1As with all their previous recordings Foreign Soil is heavily influenced by the story-telling style in the old folk tradition but comes wrapped up with a boatload of high energy punk rock that does the sometimes impossible act of transferring the live energy of an Ramshackle Army live gig onto disc. So after just six years and countless shows across two continents The Ramshackle Army are back and for just a lousy American dollar (that’s only about 75p or 89c!) you can own their new single and give the bhoys and ghirl a hand up in taking over the world!

In search of solace land of hopes and dreams was sought.
In waters treacherous and in storms that we were caught,
A 9 to 5 with pride and life for sons and daughters.Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.Whoah oh oh whoah oh oh, When will you heed my plea.
Whoah oh oh whoah oh oh, Will someone rescue me
Whoah oh oh whoah oh oh, I’ll never ask for more than peace on foreign shore.Imprisoned by our plight and desperate acts faith,
They enter battles in our name and battle cry our pain,
Just keep me sane and welcome my escape.Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.

Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh

Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.

Whoah oh oh whoah oh oh, When will you heed my plea.
Whoah oh oh whoah oh oh, Will someone rescue me
Whoah oh oh whoah oh oh, I’ll never ask for more than peace on foreign shore.

When will you heed my plea
Will someone rescue me
I’ll never ask for more than peace on foreign…

Buy The Single

FromTheBand (for a buck!)

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go-set

If you fancy a spot of live Australian celtic-punk then you are in luck! Fellow Melbourne celtic-punkers The Go-Set sail into London town a week today Friday 30th September at The Veg Bar in South London. Playing alongside London Irish favourites The Lagan and Hastings folk-punkers Matilda’s Scoundrels, fresh from supporting The Levellers last week. Kicking off the night is internet sensation (look up ‘I’ll Dance On Your Grave Mrs. Thatcher’) John McCullagh who may, or may not, be joined on the night by some extra special guests from South London’s favourite band Alabama 3. It’s an expensive business touring from Oz so tickets are £8 and available from WeGotTickets. You can keep up with the gig at the Facebook event here. The rest of the tour takes in Brighton 29th September, Derby 1st October and Leicester 2nd. Details from their Facebook page here.

SINGLE REVIEW: BRYAN McPHERSON- ‘Born Again American Blues’ (2016)

A fusion of Americana, folk, alternative and punk this Irish-American guy is a whole lot more than even this.

Bryan

Now I didn’t quite get the music of Bryan McPherson straight away I must admit. My fellow founding member of the London Celtic Punks had spent a couple of years previous trying to indoctrinate me and although I did really like what he did I was far from thinking he was the genius I now consider him. This all changed one summer Bryan MacPhersonevening in Camden last year when I saw Bryan perform live in a shitty rock venue with the crappiest PA ever and a even crappier sound man. Suddenly it all clicked into place and he has been a solid feature on my stereo ever since. Bryan was born and raised on the mean streets of Dorchester, a blue collar working-class Irish-American Catholic neighbourhood in Boston, that was also home to half the members of the original Dropkick Murphys. He was inspired as a kid by the energy and angst of punk, as well as the lyrically driven American folk songs of the early 1960’s. His first gigs were on street corners, at house parties and subway stations in Boston’s inner city. In 2001 he burst onto the acoustic music scene but then Bryan took a break from performing to address some personal issues and vanished from the scene. Since his return he has played the length and breadth of North America and more recently further afield as a solo artist. This is powerful passionate, acoustic-punk from the heart.

I got the born again american blues blues blues blues.

Playing another show down in Santa Cruz Cruz Cruz.
Up to Portland and Seattle, all the way from Syracuse.
And I’m playing like there’s nothing left to lose.
What do you want from me my lady of the sea?
You want to wash me toss me drag me wash me away.
I got the finger picking sticking love love love in my vein.
And I got an answer to all the other answers that will take your pain away.
I want to live forever on Friday.
When there’s always a check in the mail and I’m always paid.
What do you want from me my lady of the breeze?
I got a western wind blowing down on me.
I got a sleeping bag I take it with me wherever I go.
I always got a bed. I always got a home.
I got the sky for my sky light.
Don’t worry mama I’m alright.
‘Cause I was born at night.
I was born born born to fight with shadows on the wall.
7 years since last call, but there’s a soul dying somewhere tonight.
What do you want from me my lady of the street with your broken bottles and sewer caps forlorn?
I want 50,000 people to clap your hands right on time.
We can all sing in rhythm and we can all sing in rhyme.
The engineers will struggle to keep us all in time.
We’re all life-long prisoners of this time.
In these dark dark dark dark dark dark scary times.
We walk walk walk walk walk walk fine lines between ever present death and ever lasting life.
What do you want from me my lady of belief?
She says faith is a god damn motherfucker to keep.
Harmonica.
She said she’s never coming back again.
She said she’s never coming back again.
She said I’m as gone gone as your western wind.
You’re never ever ever ever ever gonna see me here again.
But then baby baby baby baby baby baby please come home.
You left me left me left me left me left me left me all alone.
And these eastern winds are blowing so god damned cold.
Look at us we’re growing so god damn old.
What do you want from me boy of the breeze?
She said you’re blowing like a broken tornado.
The End.

Released on July 18th, 2016 and is performed and was written by the man himself Bryan MacPherson and recorded by Bryan Dobbs in Atwater Village, Los Angeles, California and mixed and mastered by Willy Samuels at Nutone in Pittsburgh California.

Bryan McPherson

With just a guitar and a harmonica and a passionate and heartfelt and emotional and frail and powerful and uplifting voice. Bryan’s music can chill you to the very bone as he dissects American working class life. When those pampered and privileged members of the middle classes want to lecture us about so-called ‘white privilege’ then maybe they ought to have lived a moment in Bryan McPherson’s shoes. Just a moment. Street life, politics, addiction, the prison system, class war and discrimination litter the alleys of McPherson’s songs. Don’t despair though as amongst it all shining through are moments of beauty and clarity that are as beautiful as ever was committed to paper. The music of Bryan McPherson may not be an altogether fun roller coaster ride but you will get untold pleasure hearing it.

Download The Single

Bandcamp (only $1!!)

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  • Bryan is a bit skint so if you are feeling generous you can get all ten of Bryan’s available previous releases for just $20.22 (that’s about £13). That’s Born Again American Blues (2015), Street Lights (2009), Live at Artaban Hall (2013), Wasted World- Live At A Campfire In Nedrow, NY. (2015), American Boy / American Girl (2012),Wedgewood (2015), Live at The Milestone (2014), Kelly Thomas (2014), Originally From Dorchester (2013) and Live at Club Passim 2004 (2004). That’s over 50% off so help a buddy out here.

BLACK WATER COUNTY NEW SINGLE AND FREE DOWNLOAD

Stout quaffing, banjo breaking, tin whistle mangling original music so get ready to folk sh*t up, and get really angry… at the floor!

BWC- One More Beer

People may think that London is some hot bed of celtic-punk activity but truth be told the real powerhouse is down on the south coast of England that’s where the real power in English celtic-punk lives! Several fantastic bands all playing in each others backyards and all supporting each other with a friendly rivalry that most music scene’s could only dream of. One of these bands is the fantastic Black Water County. Don’t be fooled by those fresh faces though they been gigging relentlessly ever since they formed on St Paddy’s day back in 2013 and barely a weekend goes by without my inbox informing me of a new bunch of Black Water County gig’s that I sadly can’t go to!

Based in Dorset around Bournemouth they are a highly original and innovative part of the scene and have played in London a good few times, though not nearly enough for our liking, and gone down an absolute storm each and every time. Who could forgot the time at TChances in Tottenham where half the audience from the Polish punk gig next door ended up in our tiny room bouncing around and jigging like maniacs when they heard the sound of Black Water County coming on!

The bhoys and ghirl have just released a new single ‘One More Beer Won’t Hurt’ and an accompanying video too. It’s made up of exactly the stuff that we love them for. High octane full on Irish punked up folk music to (using their own famous slogan) “beat up the floor to”. Released only yesterday on a Pay What You Want deal you can follow the link below and download for whatever you like, though we’d like to hope you can chuck them a quid or two but if not they won’t hold it against you. Keep an eye on these as they are most definitely one of the up and coming bands of the scene and that will only be cemented I am positive when they release their debut album sometime late in the year. We cannot wait!!!

In the meantime you can catch them supporting top Aussie celtic-punkers The Rumjacks this Sunday coming on the 22nd live Upstairs At The Garage on Holloway Road (nearest tube/train: Highbury And Islington) in North London. Fellow south coaster celtic folk-punk band Matilda’s Scoundrels are also playing so be sure to be on time. Ticket link here.

But if that’s a bit short notice then Black water County will be playing a special London Celtic Punks show dahn Sarf London this time on Saturday 3rd September with The Cundeez down from Dundee and Kilburn Bomb Squad sort of across and down a bit from… well Kilburn. The event page for that is here.

Download The Single

Here

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BWC

SINGLE REVIEW: MATILDA’S SCOUNDRELS- ‘Crowleys Curse’ (2016)

Quality celtic folk punk from the smugglers cove of Hastings.

Matilda's Scoundrels

One of the highlights of 2015 was the emergence of a couple of bands who have gone on to become both solid fixtures not only on the celtic-punk scene but also on the wider alternative/punk scene also. I am talking of course about the mighty Mick O’Toole and, the band I am reviewing today, Matilda’s Scoundrels. It seems only five minutes since I was reviewing their last release, the split CD EP with The Barracks, in December. That went down an absolute storm among various punk media and has seen the bands profile rise considerably. Performances at this years Manchester Punk Festival and a short northern tour ending with a support slot to Blood Or Whiskey in Scotland are just the tip of the iceberg and the bands weekends have been spent traversing around England with guitars and tin whistle in hand!

Mat3

left to right: Dan Flanagan- Guitar, James Baughurst- Bass, Jon Gosling- Drums, Jason Stirling- Tin Whistle/ Vocals, Jens-Peter Jensen- Accordion/ Vocals, Thomas Quinn- Mandolin/ Vocals

Matilda’s Scoundrels formed in 2014 and the boys have been building a solid reputation on the south coast gig scene over the last couple of years and have began to bring their sound to festivals, bars, pubs and clubs across the UK with an ever increasing army of followers. Later this year they will perform at Rebellion, Boomtown and Common Ground festivals so plenty of chances for you to check them out. The boys hail from Hastings on the south coast of England. An area once famed for its pirates and smuggling links back in the 1800’s. As one native of the town commented

“No business carried on in Hastings was more popular and extensive as that of smuggling. Defrauding the revenue, so far from being considered a crime, was looked upon as a laudable pursuit, and the most successful ‘runners’ were heroes. Nearly the whole of the inhabitants, old and young and of every station in life, were, to some extent, engaged in it”

The smugglers of Hastings had an ugly reputation. They earned the nickname ‘Chop-backs’ after one of them split the spine of a Dutch sea captain! So in a town steeped in tradition the emergence of Matilda’s Scoundrels is not such a shock and their town’s history looms large in everything that they do. They recently became the first band to play on the newly rebuilt Hastings Pier after the original burned down in 2010.

Crowley

nice hat Al!

So it is then that Matilda’s Scoundrels have delved deep into their towns history again here and written a song ‘Crowleys Curse’ dedicated to one of Hastings most infamous residents, Aleister Crowley aka The Great Beast. Born to a wealthy family (as so many of these type of characters usually are!) he was made notorious in the popular press for his interest in astrology, Satanism and the practice of ‘sex magick’ and other supposedly shocking occult activities. He died in Hastings on 1 December 1947 aged 72 and is, no doubt, looking up and chuckling away at this song in his honour. The curse mentioned in the song is the local legend that Crowley cursed Hastings. The curse means that anyone who has ever lived there will always live there. Famous when I was a child for the Battle Of Hastings when in 1066 King Harold II was defeated by the Norman forces of William the Conqueror in a battle that would shape the future of England for centuries to come. Sadly, recently though the town has become more famous for the social problems the residents face. High drug addition and crime rates had turned the town into a regular feature on ‘poverty porn’ TV programmes. Of course the councils answer to this is to try and gentrify and opening up a art house cinema or selling croissants instead of candy floss on the new pier are not going to help anyone. Still things are improving and a healthy community spirit is developing and as usual the best way to improve things in your community is for that community to do it themselves.

Blending traditional punk instruments with accordion, mandolin, tin whistle and gravelly vocals Matilda’s Scoundrels have again hit the heights and when I described that Split EP as their best release to date I find myself saying it again now! Quinn’s vocals and Jason’s whistle start the song before the rest of the lads join in and even if I can’t see the council adopting it as the towns anthem it ought to be.

“The great beast proved a popular addition to the lonesome town without submission as darkness fell so he woke in the old town of Hastings.

A rancid smell from a molasses pipe sex drive down with all his might lightning strikes into the night in the old town of Hastings”

Slower than usual but unmistakeable Scoundrels. I was lucky enough to see the band play it live for the first time and it has grown on me ever since. They follow this up on side B (remember this is vinyl!) with another live favourite ‘Pissheads Anthem’. A lot faster and plenty of sweary gang vocals and “Hey!” shouts.

“Give me whiskey, give me beer, Get me drunk as fuck and just leave me here”
 Crowleys Curse is being released as a two track vinyl single and in all the years we have been doing this zine we have only ever reviewed one vinyl release and already this year we are on our second release. The other being The Cundeez 7″ ‘Rebellion’. It’s a collaboration between all the following record labels TNS Records, Smegma Records, AWOL Records, Almighty Beard Records and Charlies Big Ray Gun Records so a great project and a perfect example of working together. It certainly warms the heart to see an increase in the popularity of vinyl and see more and more vinyl releases. I keep saying it, and with a Mick O’Toole album due soon, it only remains for a Matilda’s Scoundrels album and international stardom awaits!

Mat 1

Hastings Pier

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FromTheBand (pre-order. official release date- June 10, 2016)

SINGLE REVIEW: MICK O’TOOLE- ‘False Flag Collapse’ (2016)

No egos, no divas just working class men having a good time.
Mot
Back in 2012 in the deepest darkest Shire, Wiltshire in a town called Calne a bunch of mates came together and feeling bored with heavy metal decided to get a celtic punk band together. They called themselves Mick O’Toole. Named from a character in a song from fellow celtic-punk local legends The Boys Of County Hell who have been the major inspiration for the band along with likes of The Dropkick Murphys, Flogging Molly, Gogol Bordello and The Pogues not to mention many other great punk bands such as The Clash, The Sex Pistols,The Adverts and Rancid. Mick O’Toole’s great sound comes from combining the ethos of punk with traditional folk music. With their first EP ‘Deep In Cider’ they set the benchmark sky high but managed to outdo even that with the release last year of ‘1665 Pitchfork Rebellion’ and it has shaken the celtic-punk world. Going on to claim EP of the year at both Celtic Folk Punk And More (here) and us as well (here) in our ‘Best Of 2015’ list. With hundreds of gigs behind them including blowing down the house at the London Celtic Punks New Years Eve bash in Camden the bhoys have but one goal. To keep making music that brings people together for a good ole knees up and a grand old sing along. They showcased this new single at that gig and it went down super well. Have a listen via the Bandcamp player below or the YouTube video above and I’m sure you will agree. Fast, furious, folky punky fun with a serious message of unity. The story goes that the inspiration for the song was hearing Johnny Rotten sticking it to the man while being interviewed by Jon Snow for the Channel 4 news programme.
‘Vile, nonsense, stupidity, lying and deceit. Modern politicians right now are uneducated morons and over privileged. Really bloody learn to love each other properly cause you only get one go at it”
-John Lydon

“Come gather round people politicians are preaching
The white Collars heating the fire of fearing
To scare us to war to fight for meaning
That wide open eyes have trouble in seeing
So black out your senses and all of your feelings
Let hatred immerse leave sympathy hidden
Yeah you boys and girls and people of ages
Hate on our neighbours for different agendas
We will go to war We will kill them all
It makes no sense at all But we still go to war
So why don’t we question what we’re told
When we fall like trees to the authorities
They’ll take what they want They’ll use all they need
Cut us wide open for their pleasure and greed
They abuse us, they use us, they tear us apart
Turn the lights off so we can’t see in the dark
We’re pawns in their games they use us to shield their comfortable lives as we die in the fields
We’re all brothers and sisters, we’re daughters and sons, fathers and mothers we all come from one
So why aren’t we all at peace
It’s time to take back the world that is ours
Let’s parade through the street and party all hours
Let’s refuse to conform to the hierarchy of old
We’re all this together no more us against the world
Load up guns and sharpen knives Strap bombs to yourself your kids and your wives
The powers have spoken and we have forgotten
That we’re here to love not for death and destruction”

100 Club

Mick O’Toole at The 100 Club, January 2016

Special guest vocals on the track are supplied by the Jamie Oliver of the UK Subs and was recorded, mixed and mastered by George Lever at G1 Production. Extra instruments and writing credits go to ex-O’Toole and all round top fella Johnny ‘Reprobate’ Edwards. Yet another great track from Mick O’Toole and the news we have all been wanting to hear from them is that they will be hitting the recording studio again soon and with several of the celtic-punk scene’s most favoured bands set to have 2016 album releases I am certain Mick O’Tooles will rival any of them for the Best Of 2016!

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FromTheBand– only £1!!!

you can watch this interview we done with the O’Toole lads a while back here.

SINGLE REVIEW: THE CUNDEEZ- ‘Rebellion’ (2016)

Unashamedly Dundonian working class band promotin Scots culture an havin a laugh!

Cundeez- Rebellion 7"

Been following these boys for a while and was meaning to review their album ‘Sehturday Night Weaver’ from last year from the moment I first heard it. In the end I had to sneak it in with the end of the year round-ups (here) sadly denying it the chance to get the full-on London Celtic Punks style review. Luckily they have just released this 3-track single so here’s a good chance to introduce them to you.

The Cundeez were formed back in 2010 in Scotland’s fourth largest city in Dundee. Interestingly Dundee during the defeated Referendum Vote in 2014 had the highest Yes vote for any local authority in the whole of Scotland leading Dundee to be christened ‘Yes City’ and The Cundeez are no exception to their fellow Dundonians! The city has two professional football clubs, Dundee who were founded in 1893 and Dundee United who came a little later in 1909, originally as Dundee Hibernian. They both (at the moment!) play in the top division of Scottish football and the real ‘pub fact’ is that their respective grounds are only 100 metres apart. Not sure which team the band follow but on this season’s performances I hope for their sakes its Dundee!

The Cundeez band

The Cundeez have released four albums with each one better than the previous one and this progression shows no signs of stopping with this release. The title song, ‘Rebellion’, kicks off the single and its mixing up their own unique style of punk rock with Highland bag pipes that gives them bit extra. Beware though the faint hearted. They are not The Real McKenzies and neither are they trying to be. Fast, punchy and catchy as hell punk rock with shouty vocals delivered in a raw Dundee dialect. Following this is ‘Roota’, the single’s best song with energy dripping right out of it. This time adding ska into the mixer and some great guitar work keeping it chugging along.

The single’s final track is ‘Jist A Number’ and its more straight up political punk rock that this time reminds me a bit like what fellow Scots punkers Toxic Ephex would have sounded like if they could have got their guitar’s sounding better.

Sadly for all you youngsters out there the single is available only on vinyl. Yes only vinyl. You don’t hear that much these days and not only that but is limited to only 300 copies so get your skates on if you want a copy from Urinal Vinyl Records. We will be hooking up with The Cundeez to get them all the way down from Dundee for a gig in London later this year on Saturday 3rd September. Details are yet to be finalised but keep an eye here or check out the Events section at our Facebook page here but keep the date free it is guaranteed to be something special.

Buy The Single UrinalVinyl (only 300 copies on yellow vinyl)

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THE CUNDEEZ… KEEPING IT OARY!

BIBLE CODE SUNDAYS CHARITY SINGLE ‘Something Inside So Strong’

Charity Single Released with Ginger Melodeon Experience Music Collective for The Lymphoma Association.
FREE DOWNLOAD!!

click above for your free download don't forget to donate!

click above for your free download
don’t forget to donate!

All we ask is that you make a donation, any amount you like!

Tracie O’Sullivan is a friend, she is one of the lucky ones and is the reason why The Bible Code Sundays have recorded this song. This is her story in her own words:

“In April 2013 my world was shattered, a routine blood test showed an abnormality in my liver, laughing I told the Doc I would slow down on the shots!  Her face wasn’t smiling, it was full of sorrow for me, it was nothing to do with shots, it was Lymphoma a blood cancer.  After eleven weeks of tests and an operation my sub type was found and a treatment plan put in place for 6 sessions of aggressive chemo.  There are so many types of Lymphoma cancer, and mine was a rare one, Nodular Lymphocyte Predominant Hodgkins Lymphoma, what a mouthful!  You immediately google it, and get a load of scary non truths, the Lymphoma Association had the answers for me and all written in easy to understand jargon.  My daughter was living in Australia; I had to tell my only child I had cancer and might die.  She was terrified and so distraught, being so far away.  The Lymphoma Association to the rescue again!  Loaded with information and realisation that, although a rare type, my type of cancer could be cured.  After a gruelling six months and the support of my family and friends I am out the other side, bald but better!! I am in remission and I am one of the lucky ones.  The Bible Code Sunday lads, are included in my group of bestest buddies, they were a huge support and comfort to me and the family, we love them dearly.  Along with the other talented Musicians on this track, my cancer anthem ‘Something Inside So Strong’ has been recorded.  It’s a free download, and is a fantastic version, it’s a free download, all we ask is you make a little donation, anything you can spare, no matter how small will go to the Lymphoma Association. I intend, when fully better, to volunteer to be a Lymphoma Buddy.  This is a free service for those who are diagnosed to talk to someone who has been through the experience, some people are not as lucky as me and don’t have the wonderful friends and family that I have around them. Your donations will help fund these types of schemes.  Every forty minutes someone in the UK is diagnosed with Lymphoma and it is particularly common in the younger population.  Thank you to the best group of lads and lassies ever, musical geniuses!  – The Ginger Melodeon Experience”

inspired by our friend Tracie O’Sullivan.
to donate to this great cause

http://www.lymphomas.org.uk/
http://www.lymphomas.org.uk/

THE BIBLE CODE SUNDAYS

The name…
The band started out as ‘Slainte’, originally formed by Ruairi and Kieran MacManus, Ronan’s brothers, before being joined by Ronan and other brother Liam, playing traditional Irish music. Slainte grew and evolved, with many musicians joining the band as part-time members. Simultaneously, Ronan and other band members had started to write original material for other bands. Over time other band interests quickly faded and writing and performing their own material became the band’s focus. It was in 2006 that the band changed their name to The BibleCode Sundays, at the time, the band were playing back to back gigs every Sunday in small pubs full of hard-drinking Irishmen

“…we used to have to join them in their drinking just to get through the gigs because they were so crazy!”- Ronan

And so, the band would routinely find themselves up in the small hours talking, usually about conspiracy theories, including the so-called Bible Code, which refers to an encryption in the Torah believed by some to prophecy future events. These drink-fuelled discussions would happen every Sunday around 4am, and hence became known as BibleCode Sundays…
The journey…
The band celebrated their name change with a self-titled album of covers of Irish crowd-pleasers and then, with new material, and a packed schedule of gigs around London, their popularity in London took off, winning the award for ‘Best Band on London Circuit 2006’ by the readers of The Irish World newspaper.
The Band released their first original album, ‘Ghosts of Our Pasts‘ in 2007, to great critical acclaim, both in the UK and North America. The album included three songs, ‘Bang, Bang, You’re Dead’, ’Honour Of The Gael’ and ‘My Town’ especially written for Mike O’Dea’s Boston-based movie ‘Townies’, subsequently retitled ”The Code Of Silence’. The album also included the bitter-sweet ‘Boys of Queens’ dedicated to the FDNY, inspired by the events of 9/11, and subsequently used in the 2011 CBS show ‘Unforgettable‘.
Second album ‘Boots or No Boots’ followed in 2008, and included the track ‘Maybe It’s Because I’m an Irish Londoner‘, which was subsequently adopted by premiership rugby club, London Irish RFC, as the club’s anthem. With their growing popularity and adoption by both Celtic FC and London Irish RFC supporters, the band’s fanbase has grown to include Europe and the States, with performances at major sporting events and stadiums, including Twickenham and music festivals, including Glastonbury. In 2007, they were invited to perform on the Sky Sports Christmas Day special. In 2009, with growing popularity in the US, the band were invited to support The Dropkick Murphys for their Boston St Patrick’s Day concert, a relationship which continues to date with BCS supporting The Dropkick’s on their 2012 UK Tour. With the addition of Kian on lead guitar and ever-maturing song writing, a new BCS sound started to emerge which began to find its way into their live performances.
The new BCS album New Hazardous Design was released in November 2013 and was launched with a sell out gig at swanky London venue Under The Bridge and we loved it so much we awarded it the London Celtic Punks Album Of The Year For 2013 by us here. A great band and a London Irish treasure.

From the community, For the community, Of the community

Palestine GigYou can catch the Bible Code Sundays playing pretty much week in and week out throughout London and the surrounding areas throughout the year but what about this for a great gig. Next Friday on December 11th ‘Irish Music For Palestine’ presents The Bible Code Sundays live on stage at Hennessys Bar in South Harrow with the original post-Pogues celtic-punk legends Neck. This will be the first time they have played together since the old days of the famed London Irish nightclub The Galtymore back on St Patrick’s Day in 2007 I think it was. Also supporting is Anto Morra. London Irish singer-songwriter of great standing. A great roster of bands and wrapping it up Greenford Bhoy will bt DJing all your favourite Irish rock and rebel all through the night and after the bands have finished. And all for the children of Gaza as every penny will go to the educational charity ‘Voices Of Gaza’. You can find out a whole lot more at the Facebook event here. Tickets are a straight £10 and you can get them here.

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SINGLE REVIEW: LORETTA PROBLEM- ‘Justice Or Crime’ (2015)

A bunch of Finnish punks and hippies mixing celtic tunes with punk-rock since 1994.

Loretta Problem- 'Justice Or Crime' (2015)

Peace, love and a fistful of middle fingers when needed!

Doing this blog has certainly opened my eyes to the spread of celtic music across the world. Not only with the celtic diaspora re-connecting with their roots but among people with none of those roots in the celtic nations. One country that I had never come across in celtic-punk though was Finland. That changed a month ago when the new single from Loretta Problem turned up in London Celtic Punks HQ. Finland is a music loving country but perhaps is best known here for their Eurovision winners back in 2006 when death metal band Lordi stormed to victory. There is a renowned punk and metal scene much like the other Nordic countries so it should come as no surprise that celtic-punk would make an appearance.What is surprising though is that that band should have been around for over twenty years!

Loretta Problem have only had three releases in all that time with an album and two singles, not much to show admittedly but then Loretta Problem have always prided themselves on being primarily a live band. Their most active period was between 1994 and 1997 and these days they play for fun at a select handful of gigs and festivals every year.

The music itself is well played celtic-punk with with some celtic metal influences thrown in as well. Their sound has adapted and changed over the years and you can hear that development yourselves as the band have kindly put all their releases on Spotify for you to listen for free.

“Once a man ran away from the army
I’m so tired of killing that’s all
I found it so unnecessary cause there’s no winner in war

Judges were noble and fair
War heroes with medals and tails
they put him away without glory and forgot that man in jail

He met her on the street and raped her
laughing all the time just like that
that girl was so young and pretty and the man he was rich and fat

So she cut off his balls and put knife through her heart
oh yes she wanted to die
she was lying in a grave of her own and people wondered why

Justice or crime, what’s right and what’s wrong
justice or crime, well just sing along
the drums are banging so lets start the hanging
and justice wins once again

Justice or crime, who deserves hell
justice or crime, the jury members yell
the drums are banging so lets start the hanging
and justice wins once again

Hey this was only another song of unfairness of life
where everything’s already lost and pens are weaker than knives
Sometimes I hope there would be God waiting for the judgement day
but I’m afraid the winner’s the devil who has taken us all the way

Justice or crime…”

spotify

So click above to hear everything Loretta Problem have ever released.

Buy The Single iTunes  

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EP REVIEW: PIRATE COPY ‘Goin Down A Storm’ (2015)

high-octane, rum-fueled celtic punk rock from Cornwall, the home of piracy!

PIRATE COPY ‘Goin Down A Storm’ (2015)

Pirate Copy have graced our pages once before. almost exactly a year ago to the day, for the release of their debut EP ‘The Shape Of Piracy To Come’ (check it out here and even get a free download of it too!). Formed on December 1, 2011 in Portreath, a fishing port on the north coast of Cornwall, which is the spiritual home of smuggling and piracy and all that malarkey! As is our way we sometimes like to elbow in a bit of celtic history when talking about one of the celtic nations and it would be impossible to talk about Kernow and its tradtions and culture and language without first mentioning that history of piracy along the south-western coast. Cornish mythology is often derived from tales of seafaring pirates and smugglers who thrived from the early modern period through to the 19th century. Cornish pirates exploited both their knowledge of the coast as well as its sheltered creeks and hidden anchorages. For many fishing villages, loot and contraband provided by pirates supported a strong and secretive underground economy in Cornwall. Coupled with this rebelliousness was the fact that the Cornish, quite rightly, saw themselves as seperate nation to the one they were suppose to pay taxes and duties to. The Cornish are linked very strongly to both their ‘Brythonic cousins’ Brittany and Wales and all three share very similar traditions and languages. Over the years the Cornish have suffered from the closure of its mining industry, emigration and deglect on behalf of the Westminster juggernaut which seems determined to stamp out any signs of the celtic Cornish nation and turn it simply into southwest England.