ALBUM REVIEW: UNCLE BARD AND THE DIRTY BASTARDS- ‘Handmade’ (2017)

Italian celtic-punk band Uncle Bard And The Dirty Bastards play fantastic celtic-punk but spice it up it with pure traditional Irish music. With uilleann pipes, tenor banjo and Irish flute no other band in the celtic punk scene can compete with these Bastards in their knowledge of Irish trad music…

as well as that they are a great bunch of lads!

Handmade 2017

It’s a long time now and in this modern age we are taught to have short memories but back before the now deceased ‘celtic tiger’ roared it’s last breath Ireland was a land of plenty. High wages, plenty of work and regular masses promised opportunities for all good Catholics that washed up on it’s shores. Plenty of Italians flocked to the dear auld sod and among those emigrants were members and friends of the band Uncle Bard And The Dirty Bastards. These Bhoys weren’t tourists they were there to work and their love of Ireland was inspired from living, working, and visiting there. So in 2007 the celtic tiger having croaked and the work dried up many of those Italians returned home but a part of their hearts remained in Ireland.

Day by day we found there what we were searching for in our entire life, something that would change us forever. That’s how we fell in love with Irish music and how we learned it”

The boys got together and with a few songs learnt in the pubs and streets they began to practise what has gone on to become a real tour-de-force within the celtic-punk scene. From dingy wee backrooms in pubs to massive rock festivals to small mountain huts Uncle Bard And The Dirty Bastards have gone down an absolute storm wherever they have set foot.

(video filmed by our good mucker Rory over at This Drinking Life web-zine here which also included an extensive interview with the Bastards so click and go there.)

They released their debut album, Drinking Not Thinking, in 2011 and soon after set out on a busking tour of Ireland, Wales and England where they fine tuned their sound and began to write some of their own material. On their return home they were joined by Irish traditional folk musician Luca Crespi who added uilleann pipes, tin whistle and the Irish flute to the bands repertoire. ‘Up The Bastards’ EP followed before 2014’s absolute stunning Get The Folk Out! took us all by surprise. Not knowing them I opened up their e-mail and my first reaction was “not another band with Bastard in the name”. I sat down to listen and my bloody jaw hit the floor with amazement. Get The Folk Out! is a masterpiece. Straddling both the Irish trad sound and celtic-punk it easily fits into both genre’s. The addition of uilleann pipes moved the bands sound into something quite incredible. You can read our review of Get The Folk Out here. The album went on to walk away with the London Celtic Punks #1 Album of 2014 here, something unheard of for a ‘unknown’ band to do.

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Uncle Bard And The Dirty Bastards left to right: Silvano Ancellotti- Electric Guitar * Luca Crespi- Uilleann Pipes, Irish Flute, Tin Whistle * Luca Terlizzi- Drums * Guido Domingo- Vocals, Acoustic Guitar * Lorenzo Testa- Tenor Banjo, Mandolin. Seated: Rob Orlando / Uncle Bard- Bass Guitar.

So with such high praise and expectation it was with wonder i sat down to listen to their new album Handmade. Could they live up to what we now expected of them? Well within one listen I realised they were onto another surefire hit! Released a fortnight ago on February 9th, 2017 they have managed to squeeze more than a hour onto the CD and have done it without a single weak moment. Uncle Bard And The Bastards start the ball rolling with the album’s title song ‘Handmade’. A short refrain starring Guido and his perfectly raspy and hoarse vocals and that’s it. The words explain the bands philosophy to what they do. A beautiful song and the perfect start.

“For a labour of love, Makes a work built to last”

They swiftly turn to their more raucous sound next with ‘Gipsey Geezers’ and them uilleann pipes fill the speakers but don’t be thinking that they rely solely on them. The whole band is extremely talented but you still need the songs and these Bastards do have them. As catchy a song as any on Get The Folk Out! it’s been a couple of years and I realise how much I have missed them. Not that only that but they finish the song with a jig called ‘The Arses Of The Lasses’ written by Lorenzo the like of which you will NEVER hear a fellow celtic-punk band play.

‘Too Old To Stop Now’ explains being in a band these days is more a labour of love than anything. Fortunes are to be made but only if you do as you are told and sell your soul for success. Things the Bastards have never and will never do. Again the celtic-punk of the main tune contrasts nicely with a polka tacked seamlessly onto the end. ‘Stay Untamed!’ again shows the songwriting talents of this band. Shared between them all it amazes how people who have English as only their second language can write such brilliant words. Never be afraid to take chances is the thing here and wrapped around a real foot-tapper. The tin whistle and punky guitar leads on a right celtic-punk classic that slows and speeds up with the fastest banjo I have heard in ages. ‘The Man Who Spoke To The Earth’ speaks of the the rich man in his castle and the poor man and again the song is interspersed with some absolutely amazing Irish folk tunes.

“I am just a poor man, On his own. But they will never know, What I’ve known”

The Bogman again written by the talented Lorenzo starts the section that concludes with Séamus Egan of Solas ‘The Czar of Munster’ and the trad ‘Coleraine’s Jig’. All played as expertly as you will hear. They leave the celtic-punk behind next and present further evidence that this band can whip up a traditional celtic folk storm as good as anyone. ‘The Donegal Lass/Butler of Glen Avenue/Tell Me About You’ has the fiddle and pipes giving it all. Never afraid to dip their toes in another genre we get the first taste on Handmade with ‘The Ferryman’. Bluegrass and ‘proper’ country spice up a song written by the legendary Irish songwriter Pete St John. ‘The Ferryman’ tells of the closure of the Liffey Ferry service in 1984, the loss of jobs and the end of a 320 years-old tradition that perfectly pictures how Dublin was changing during the 70’s and 80’s. The pipes are out in force for ‘Anger’ while the short and gentle banjo and flute piece ‘The Clarenbridge Fair’ is dedicated to Fintan and Tom Cussen where Lorenzo spent time in their Galway workshop.

“I dedicate this banjo composition to both of them, with a sense of gratitude for the great instruments they build and for their unequalled kindness”

‘The Streets Of Dublin’ is Lorenzo’s ode to the city that forever captured his heart. It’s not the saccharine sweet version of Dublin presented for the tourists but the warts an’all kind. Having watched Dublin change during the years and get through the economic crisis with more homelessness and teenage drug problems than ever there is hope. The Home Sweet Home movement is occupying offices in the centre of Dublin, to give shelter to homeless people for the winter and raise awareness of the problem. The music is again superb the mix of old and new never better while the lyrics speak of the same.

“Dublin me darlin’, What’s left for those who will come?”

Lorenzo again excels as a singer-songwriter on ‘Lads From The Countryside’ where he tells of the benefits of being born in the country. That they can follow a serious song such as ‘the Streets Of Dublin’ with this speaks volumes of their talent. Their is a phrase much loved by the foreign born Irish, like myself, “More Irish than the Irish themselves” and on ‘The Luck Of The Irish’ Uncle Bard And The Dirty Bastards prove they are indeed.

“So tell me, oh dear Where’s our pot of gold? I stumbled ‘till West Clare, To find there was none. At the top of me lungs, Leaned out over the cliffs I shouted ye oversea “Lucky me arse!”

the title reminded me of the John Lennon song which had much the same theme but without any of the Bastards humour. With British occupation, war, genocide, immigration heaped upon the Irish race where is this f’ing luck I keep hearing about? Now obviously I am drawn to the next song like a moth to a flame. The phrase ‘Plastic Paddy’ is well known to us outside Ireland. We can never be Irish enough for some people, mostly those who never suffered the necessity of emigration to survive rather than as some kind of student gap year.

It was released as a single last year but has been re-recorded and tweaked for inclusion on Handmade to make it a whole lot better!

“I went back to Temple Bar in great haste and fear
since I wanted to preserve the teeth I had in me mouth
I paid my seven euro for an iced pint of stout
but as everyone knows Guinness here is not the same
thanks goodness I found a few americans there
so we went out singing aloud along Merchant’s Quay
First “Whiskey in the Jar” and then a Garth Brooks’ song
Could it be a better way to celebrate today?”

Told again with great humour and is the longest song here. Have a good read of the lyrics over at the YouTube video. The music as ever is catchy as hell and the Bhoys admit they’ll be contributing to the whole mess themselves on St Patrick’s/Paddy’s/Patty’s day! My favourite song on Handmade is up next. ‘Rust’ is a beautiful song that  is more celtic-rock than punk but Guido’s great voice and his lyrics raise the song high. Superb banjo playing and the song has epic written all over it. Nearly at the end and ‘The Flat Above My Pub’ is Silvano’s turn at telling a tale. He reaches into his dark past and shares them with us in a happy-go-lucky song because

“when life hands me a lemon I just go to the pub and I ask for a pint or two. I don’t like lemonade too much”

Fast and furious and still catchy the song is possibly the best example of Uncle Bard And The Bastards on Handmade. Everything that makes them truly unique within the celtic-punk scene is here within this brilliant song. The album ends with the modern Irish folk classic ‘The Town I Love So Well’. Not much to say here except its a faithful version Phil Coulter’s classic personal lament about the war in the north of Ireland, specifically in Derry city, a republican stronghold. Written about his childhood the song begins by telling of the simple life he grew up with till he emigrated and then returned finding how his hometown become plagued with violence. Dennis Jelly, of the brilliant French celtic-punk band The Moorings, takes over on vocals and sends this album off triumphantly.

So there you go. It may not be up to Get The Folk Out! standards but fecking hell there’s only a small handful of celtic-punk albums EVER made they do. Handmade is absolutely brilliant in every way. Buy this and give it to any Irish folk/trad music fan and they will see celtic-punk in a completely different light. They don’t have producers, record labels, arrangers, lyricist’s or anyone backing them. Piece by piece Handmade was truly a labour of love. Every aspect of this album has been produced by this group of friends themselves not just from the lyrics and music arrangements and the recording but also the excellent ,and massive, CD booklet containing photos, lyrics and song explanations. This album is truly handmade and made with a genuine passion missing from most modern music. At a time when the most popular bands in celtic-punk are releasing album’s you should definitely not miss out on this album I have an inkling it will again be troubling them at the top of the Best Of charts again at the end of the year.

Discography

Drinking Not Thinking – 2011, Up the Bastards! EP – 2013, Get The Folk Out! – 2014

Buy The Album

FromTheBand  iTunes  Amazon      

Contact The Band 

Facebook  WebSite  Twitter  ReverbNation  YouTube

ALBUM REVIEW: FLATFOOT 56- ‘Odd Boat’ (2017)

Playing positive-natured hardcore-tinged celtic-punk Chicago heavyweights Flatfoot 56 released their new album, Odd Boat, last week with Sailor’s Grave Records. Produced by Matt Allison in Chicago and featuring twelve songs that blend their unique blend of traditional Irish folk music and surging punk rock.

by  Gerard Mellon, 03/2017.

flatfoot-56-odd-boat

So, it’s been five long years since we had a new album from Flatfoot 56, although in that period we had an acoustic album from 6’10, a punk/oi album from Brick Assassin (both bands featuring members of Flatfoot 56), and an EP, featuring a couple of new tracks, split between 6’10 and Flatfoot 56. But a new release from the Chicago Celtic punkers, has been a long time coming! It is called Odd Boat, and comprises a dozen tracks, it runs for 37 minutes.

(Justin has since been replaced on drums by Conrad)

And what a cracking half an hour or so it is! The punk and folk factions in the band blend so well together, giving us a sound so unique to Flatfoot 56 that places them right at the heart of Celtic Punk. These lads get it, they really do! Their last offering Toil was a superb album and this follow up is equally as good. Although it’s not a clone of Toil, far from it! The production on Odd Boat gives it a rawer sound, maybe it’s a bit more punk influenced. There is still the musicality and excellent instrumentation there, but it’s a bit like aggression or power has been added. Perhaps this disc is more related to the wonderful Jungle of the Midwest Sea album from 2007. Anyway, whatever tweaks that have been made over the past five years, they work very well.

Flatfoot 56 formed in the summer of 2000 as a three-piece punk band. The three original members, who are brothers (Tobin, Justin and Kyle), started writing songs in mid-2000 and by the Christmas they were playing their first gig. The following January they band added Josh Robieson to the lineup and the band began including the Highland bagpipes into its sound and Flatfoot 56 had began their rise as one of America’s most popular celtic-punk bands. Countless TV appearances and remember that series of Sons Of Anarchy involving the IRA that played them throughout the whole series! We even had the pleasure of seeing them live in London back in 2010 I think it was. They were first band on at 8pm and maybe twenty people tops there in the Hope And Anchor basement. Didn’t realise it at the time but this gig was the direct inspiration to start the London Celtic Punks! 

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Flatfoot 56 from left to right: Kyle Bawinkel – Bass, Vocals * Brandon Good – Mandolin, Guitar, Vocals * Conrad – Drums, Vocals * Eric McMahon – Bagpipes, Guitar, Bass Drum * Tobin Bawinkel – Lead Vocals, Lead Guitar

The opening ‘Ty Cobb’, is about a famous Detroit baseball player who was renowned for diving in (“studs up” in our London parlance!) at the bases, is a fast paced, up-beat intro that draws you in and lets you know that you’re in for something special. From the following track ‘Stutter’ through ‘Penny,’ ‘Odd Boat’, ‘Englewood’, ‘Forward’, ‘The Crippled’, ‘Curtains’, ‘KPM’, ‘PS’, ‘The Trap’ to the final track, ‘A Voice’, you feel that you have heard something special! ‘KPM’ is a ballad like track that leans toward acoustic. ‘The Trap’ goes the other way and is a much more punk/oi sounding track. Many people will have heard ‘Penny’ already and so will know just how good this new material is. The final track ‘A Voice’ is a mid-tempo spiritual song that signs off the album beautifully.

(the first single off Odd Boat featuring guest vocals from an artist named IL Neige)

I honestly could have sat here and gone through each track individually and told you all how good they are, but that would be crazy and still wouldn’t do the album justice. The only way you’ll be able to see how right I am is by going out and buying it! Then if you’re anything like me you’ll play it, then play it again and again. It’s an absolute pleasure having to review albums like this, but what I’d like to do and what many more people would like, would be an opportunity to review a live show! It must be time for the band to come over and play a few gigs in the Ireland and Britain!! I mean, even if they have to sail over in an Odd Boat!!!

Buy Odd Boat

SailorsGraveRecords  iTunes

Contact Flatfoot 56

WebSite  Facebook  Twitter  YouTube  LastFM

Discography

Rumble of 56– 2002 * Waves of War– 2003 * Knuckles Up– 2006 * Jungle of the Midwest Sea– 2007 * Black Thorn– 2010 * Toil– 2012

ALBUM REVIEW: THE TOSSERS- ‘Smash The Windows’ (2017)

From the predominantly Irish neighborhoods of Southside Chicago The Tossers have been expanding the boundaries of contemporary Irish music since before much better known bands had even begun and have become one of the most popular and successful bands in the worldwide celtic-punk scene.

By Shane O’Neill

tossers

Only a few weeks into 2017 and we have already seen a whole host of fantastic album’s being released onto the scene. The Tossers are celtic-punk heavyweights and they hail from Chicago, Illinois. To be exact they hail from the South of Chicago. This is the part of Chicago that has housed the cities Irish Catholic community ever since they first started arriving from the ‘auld country’. The immigrant history of Chicago is rooted among untold amount of countries and people whose struggles and adversities have led them to the Midwest and to Chicago. From the cities founding in the 1830’s, Chicago has been the final destination for people journeying from all over the world looking for the famed land of opportunity that is the US of A.  It may surprise people to know that in a city known as ‘Chicago Polonia’, and also ‘Poletown’, that it is the Irish that constitute the city’s biggest ethnic community. While most Irish-American families in Chicago are three or four generations deep, plenty of Chicago’s Irish have landed fairly recently. Ireland’s economy in the 1980’s and 1990’s prompted many of its young people to go where many others had gone before them and Chicago with it’s strong Irish links was if not top of the list then very close to it.

tossers-erin

It’s hard to believe that the self-proclaimed ‘World’s Loudest Folk Band’ have been around for twenty-four years now, forming as they did in July, 1993. The six piece from south Chicago have been unleashing their brand of Celtic folk punk even before Dropkick Murphy’s (1996) and Flogging Molly (1997) hit the scene. Steeped in Irish tradition, The Tossers take their place as one of the finest Celtic punk bands on the planet. Like most bands of this genre you can clearly hear the influences of The Pogues and Tony Duggins style of delivering the vocals is frighteningly close to Shane McGowan. That said, The Tossers are not a tribute act – far from it. They have a very unique way of delivering a fine but hooligan like take on folk music. The band’s name though for us here in Britland is an unusual one and would I think effect their t-shirt sales here. Saying that one of the blog editor’s wears his Tossers t-shirt with pride and I must say it suits him fine! Rest assured though it’s not the rude meaning you lot think it is as it actually dates back to Shakespeare, and depending who you ask it also means commode, drunk, to agitate, disturb, or disquiet but the band chose their name for its meaning to “throw away”.

tossers-band

Smash The Windows is due for release early March 2017 and comes four years after their last album hit the streets, the astounding The Emerald City back in March 2013. You can read our review of The Emerald City here and I suggest you do as it is a fantastic album that i still play regularly. Smash The Windows is certainly value for money with a total of seventeen songs that clock in at just under one hour in length. That is definitely a well packed album and there’s something in there for everyone. The album pays tribute to the bands Irish roots and what it meant to be an Irish American.

The album begins with ‘Erin Ga Bragh’ which is of course Irish for Ireland For Ever and The Tossers nail their colours to the mast from the very off. Fast and furious Irish punk rock played on mainly acoustic instruments that would equally please the most devout punk or folky! ‘Smash The Windows’ and ‘The Horses’ are both full of energy and I can imagine them being a real hit live. There is a cracking cover of ‘The Foggy Dew’ which is always a crowd pleaser. I have never really been a fan of the song ‘Danny Boy’ (not sure why) but I must say I really like The Tossers version. Of course, it wouldn’t be a Celtic Punk without a tribute to our beloved alcohol. ‘Drinking All The Day’, ‘Whiskey’ and ‘Lots Of Drops Of Brandy’ ticks this box on the new album. ‘1969’ brings us back to a darker time in Ireland’s history during the Civil Rights campaign and serves as a reminder that we should never forget what the brave people of the time fought for on our behalf. In today’s world, we take too much for granted and forget that without the sacrifices of many back in the 60’s and 70’s things could have been very different today. There are too many good tunes on this album to pick a favourite. Not one of them have disappointed. The album is being released by Victory Records and will be a big hit.

The Tossers Logo

Again on this album one of the things that amazes me is the way that The Tossers can change tempo and go from a raucous Irish punk rock number to a solemn reflective Irish ballad or a full on trad folk piece without you even noticing. The Tossers are more than just a band to their fans. They inspire and promote a love in your roots that is sadly missing for most people. They tell the tale of both Chicago and America’s Irish communities. Serious and piss-taking and joyful and sad and upbeat and maudlin The Tossers do it all and yes we Irish are all of these things… and The Tossers celebrate it all.

Discography

The Pint of No Return (1994) * We’ll Never Be Sober Again (1996) * The Tossers/The Arrivals- split (1998) * Long Dim Road (2000) * Citizen Fish/The Tossers- split (2001) * The First League Out From Land-EP (2001) * Communication & Conviction: Last Seven Years (2001) * Purgatory (2003) * Live At The Metro ’04 (2004) * The Valley of the Shadow of Death (2005) * Agony (2007) Gloatin’ and Showboatin’: Live on St. Patrick’s Day (2008) On a Fine Spring Evening (2008) The Emerald City (2013)

Buy The Album

Here directs to several sites where the pre-order is available or VictoryRecords

Contact The Band

WebSite  Facebook  Twitter  YouTube  Spotify

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE O’NEILLS- ‘Chapter One’ (2017)

ireland-hungarySo welcome to you to our third and final part of Hungarian Celtic Punk Week. After two fantastic celtic-punk bands in The Crazy Rogues and Firkin we calm it down a little with The O’Neills and their debut EP. We can be quite parochial in celtic-punk sometimes and tend to stick to bands we know or have heard of but there’s an absolute wealth of music out there begging to be heard and some of it may be from countries you wouldn’t expect. If the only thing this blog does is gain some of these bands a tiny bit of recognition then we are succeeding in what we set out to do. Leave your misconceptions at the door and take off your pub shoes and dip your toes into the celtic-punk scene worldwide and what better place to start off in than Hungary!

chapter-one-album-cover

The O’Neills formed in April, 2013 and hail from the Hungarian capital city of Budapest. Where as the first two bands we featured this week both play celtic-punk that sees the folk and punk in equal measures The O’Neills are much more of a Irish folk band in the traditional sense. Formed for a one off occasion The O’Neills success led them to be asked to perform on the Irish Stage of the Sziget Festival some months later. The huge impact gave the five-piece group the bit of push they needed to become th regular session band playing traditional acoustic Irish music at Jack Doyle’s Irish Pub. After two years, they tried different pubs and bars in the inner city of Budapest, changing their gigs to an unique show each time. By January 2017 it had led them to become one of the most sought after bands in Budapest and they recorded this debut EP at the Artist Factory studio. As its title they chose ‘Chapter One’ with the band planning to release subsequent chapters annually. Here we get as Chapter One three songs of excellently played music that perfectly evokes the spirit of Ireland.

oneills-1

The EP begins with the Irish rebel song ‘Down By The Glenside’ and is beautifully sung by Krisztina. One of the best known and also saddest of the Irish folk song repertoire it dates back to the time of the 1916 Easter Rising. Written by Peadar Kearney, an Irish Republican and composer who also wrote numerous other rebel songs, including ‘The Soldier’s Song’ (‘Amhrán na bhFiann), which would go on to become the Irish National Anthem. Kearney was a member of the Irish Republican Brotherhood, popularly known as the Feniansand the song stands as a call to arms for a generation of Irish people who were used to only political nationalism.

“Some died by the glenside, some died mid the stranger
And wise men have told us their cause was a failure
But they stood by old Ireland and never feared danger
Glory o glory o to the Bold Fenian Men”

The O’Neills version starts slow and maudlin. Just as it should be before speeding up with military style drumming and tin whistle. Never in a thousand years would you guess that this wasn’t an Irish band! The EP dips into more poppy territory with ‘Avicii’ next. The song is a mash-up of three of the house DJ Avicii’s three biggest hits done in a folk style. Again Krisztina’s voice is prominent, and why not when its this good, with the bands instruments wrapped around it. The song is mid-paced and is a catchy as hell foot tapper. Later on Dániel joins in on vocals and is the perfect foil for Krisztina.

“One day my father—he told me,
“Son, don’t let it slip away”
He took me in his arms, I heard him say,
“When you get older
Your wild life will live for younger days
Think of me if ever you’re afraid.”
He said, “One day you’ll leave this world behind
So live a life you will remember”

The EP ends with ‘Country Medley’ and is exactly what it says on the bottle. A compilation of Irished up excerpts of country (ish) classics. Daniel leads the bands on vocals with what must be a sure fire live favourite proving that these Bhoys and Ghirls can certainly play their instruments.

oneills-band

The O’Neills from left to right: Tamás Kaposvári- Cello * Dániel Fekete-Szűcs- Acoustic Guitar, Vocals * Krisztina Hajdu- Vocals * Sophia Lajgút- Fiddle * Júlia Seres- Flutes

All over and done and dusted in just over ten minutes its a great first chapter and though it may not appeal to all celtic punk fans I’m sure there’s plenty out there willing to give a band from the more folkier side of things a chance.

( you can hear the whole of Chapter One below on You Tube)

Buy The EP

Contact The Band

Facebook  YouTube

So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: FIRKIN- ‘Into The Night’ (2017)

Our Hungarian Celtic Punk week continues with the second of our three reviews and this time it stars the wonderful Firkin. As they say on their press “Firkin should not be seen, Firkin must be experienced! Firkin is good, firkin’ good!” and for once when talking about European celtic punk I can agree! For the final installment check back in a couple of days.

firkin-into-ep

Well here’s the second part of our Hungarian triple header. An EP released by one of the more prominent and internationally well known of the Hungarian celtic-punk bands. Firkin’s appeal doesn’t just stop with celtic-punk fans and they are one of the biggest bands in Hungary full stop and these days quite a draw across Europe too. Formed in 2008 in the Hungarian capital of Budapest they have released a bunch of albums and toured numerous times including playing an absolutely stunning one-off show in London on New Years Eve 2015. The gig drew in equal numbers of Hungarian ex-pats and London celtic punks that raised the bloody roof off the Dublin Castle! Certainly if putting in the hard work gets you the glory then Firkin have been working overtime to get the attention they deserve. Their original vocalist Barna left since recording their last album, which we reviewed here, but new singer Andy has stepped ably into his shoes and Firkin have carried on without pause or even catching breath!

firkin-band

Into The Night starts off with the title song ‘Into the Night’ and you can spot from the very off the different approach Firkin have to celtic-punk than The Crazy Rogues, who we reviewed the other day here. A far heavier sound erupts from the speakers and they manage to have both a trad Irish and punk sound going on at the same time. Their are some similarities though. The fiddle leads the way and also flute which is used a lot here to great effect. One of my favourite memories of that London NYE gig was PJ’s playing. You just couldn’t take your eyes off him so amazing was he to watch. For an instrument that sounds so Irish it does surprise me that not more bands use in it the scene especially when you hear bands like Firkin utilising it so well. Andy also sings in English and has a very strong and clear voice and again there is a very clear story telling way of writing song lyrics going on here. If they get off to a storming start to the EP they follow it up with the more Irish trad folk based ‘Flowers’. A beautiful song that shows Andy’s voice can easily manage both the folk and punk side to Firkin. Hey I tells you if your mammy wouldn’t like this this song then she got no taste! A song that swirls around Andy’s voice which is used another instrument alongside the flute here. Originally known as ‘The Flower of Magherally’ it has been recorded in the past mainly by the Irish trad community so was unknown to me but what a bloody good version this is I straight away thought.

We have a much more widely known cover up next with ‘Johnny I Hardly Knew Ye’. Mainly famous in these circles I would have thought for the Dropkick Murphys recording that Firkin stick fairly close to. A fast paced punky song with shouty chorus and fiddle lead. First published in 1867 and written by Joseph B. Geoghegan it remained popular in Britain and Ireland and the United States into the early years of the 20th century but it was when it was recorded by The Clancy Brothers & Tommy Makem in 1961 that lead to a renewal of its popularity. An anti-war song that was used to great effect to stop Irishmen joining the British Army the story tells of an Irish woman who bumps into her former lover near Athy, Co. Kildare, Ireland. He is badly disfigured, losing his legs, his arms, his eyes and his nose and is now begging. The woman though is happy to see him and the implication is that she looks after him so for once a happy ending in an Irish song! The EP comes to an end with a bonus song that I have heard before. ‘Focimese’ was the song that Firkin wrote for the European Football Championship last year to support the Hungarian football team. It’s a rollicking great tune with plenty “La, La, La, La La’s” to keep the fans happy and a chugging guitar that accompanies the fiddle. A song that inspired the team to top their initial group before sadly losing to Belgium 4-0 in the Round Of 16. Four great tunes that show exactly why Firkin are so sought after across Europe. A absolutely perfect mix of Irish and punk rock with a real story telling way to them and on top of that a really good live show as well.

Buy The EP  FromTheBand  iTunes  Amazon

Contact The Band  WebSite  Facebook  Twitter  YouTube  Soundcloud

So all in all our Hungarian celtic-punk week gets another thumbs up. Don’t forget to check back in a couple of days for our final installment. If you are interested in finding out more about the great celtic-punk scene in Hungary (and you better be) the best place to visit is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here.

HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE CRAZY ROGUES- ‘Rebels’ Shanties’ (2017)

ireland-hungaryAnyone remember 2015? That was the year of the Hungarian celtic-punk record. A whole host of bands coming together in a perfect storm and absolutely completely dominating the scene that year. Loch Nesz, The Jolly Jackers, The Crazy Rogues, The Scarlet, Firkin and Paddy And The Rats all featured in the London Celtic Punks end of year ‘Best Of 2015’ charts and all received glowing critical praise galore. What quite happened to them all last year is a mystery but the Hungarian celtic-punks are back with a fecking bang! So for one week we are running a Hungarian celtic-punk special. Three reviews in seven days from three amazing EP’s from three equally amazing bands who all have completely different styles of celtic-punk.

crazyroguesepThe Crazy Rogues are from Veszprém in mid-Hungary and were formed in 2014 making them among the earliest of the second wave of Hungarian celtic-punk bands.With two EP’s behind them, one of Demo versions and another called Chapter 1 which we reviewed back in 2015 here giving it a massive thumbs up. They have named their style as ‘Rogue ‘N’ Roll’ taking in elements of punk, country and bluegrass as well as Irish and Celtic. The EP begins with ‘And Then the Sky Fell’ and its fast fiddle led celtic-punk with good ole’ fashioned punk rock drumming and punk rock guitar playing in the background at times pushing the fiddle forward. ‘Fleet’ is up next and is a bit more traditional celtic-punk of the Flogging Molly kind. One of the things I liked on The Crazy Rogues previous releases is how they can switch from their folkier side to their more punky side with ease. They slow it down next with the sad tale of ‘The Sad Leprechaun’. A leprachaun is a mischievous mythical creature that roams the Irish countryside playing tricks on humans. Many though think they are real, including my Grandparents! Again the fiddle is the lead here and Verrasztó’s vocals are suitably angsty as he tells us of the life of these solitary creatures. The flute appears here and like a lot of Hungarian bands in particular it’s used to good measure.

They speed it up next with the fast paced punky song ‘Mutineers (must DIE)’ and though it does seem funny to call something a ‘traditional punk rock’ song this is it! Shouty gang choruses and fast guitar and then all of the sudden banjo pops up and we get a short blast of each band members individual talents before it ends. Short and sweet and snappy as hell and then we drift into ‘Silver Hair’ which reminds me of the sort of bluesy country folk that Shane MacGowan and The Popes were so f’ing brilliant. Superb mandolin here from Fellegi and I have to say that the mando and the banjo have been a bit low in the mix thus far so great to hear it dominate on this track. Well that is until right out the blue it suddenly switches to a ska song and the song ends with an absolute flourish with electric guitar helping it speed to a finish. The absolute standout track here for me. Can’t tell you how much I enjoyed this song! The EP ends with the song ‘Rebellion’ and is a tribute to the Easter Rising of 1916 when a small band of Irishmen and woman declared war on the British Empire. They took over several important buildings in Dublin and held them for a week against far superior British forces and many died during that week until the rebels were forced to surrender. The British executed the leaders of the rebellion and this led to a wave of sympathy which would eventually lead to full scale war across Ireland that would in the end see freedom for the 3/4’s of the country. Verrasztó’s voice is clear and loud and stamps out where The Crazy Rogues stand. A perfect celtic-punk tune with everything that makes celtic-punk great. Story based lyrics with a solid punk rock base embellished with Irish instruments especially the fiddle again. Songs to get you both thinking and dancing is what celtic-punk is all about!

crazy

So six Crazy Rogues composed songs that clock in at a very healthy twenty-five minutes and not a single sign of a cover version. All sang in English with a multitude of musical styles thrown into the celtic-punk mix and with very thoughtful lyrics about a multitude of subjects that are very easy to understand. Rebel’s Shanties is an excellent EP and The Crazy Rogues continue to forge ahead to make a name for themselves in celtic-punk circles. Like both their previous releases Rebel’s Shanties is available for ‘Name Your Price’ download which basically means pay nothing if you got nothing and a couple of pounds (or more) if you got a couple of pounds. This EP is certainly worthy of it.

(listen to the Rebel Shantie’s EP for free by pressing play on the player below)

Download The EP  Bandcamp

Contact The Band  Facebook  Bandcamp  Soundcloud  Instagram  YouTube

So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

THE LANGER’S BALL FROM MINNESOTA ANNOUNCE DISCOGRAPHY AVAILABLE FOR FREE DOWNLOAD!

Straight up, no-frills Irish ballads from the frozen Mid-West with just a hint of razor blades, safety pins and American rock ‘n’ roll!

The Langer's Ball 2

The Langer’s Ball have long been hailed as one of the most interesting and innovative bands in the north American celtic-punk scene. They have never been afraid to mix in other genre’s of music while all the time keeping one toe firmly in the music of The Emerald Isle. It’s bands like The Langer’s Ball that keep the scene alive and fresh and bring new ideas to the celtic-punk table. Just recently they took the unusual step of releasing their entire Bandcamp back catalogue for free download,a move that will I am sure get them the recognition they so richly deserve.

The Langer’s Ball two studio albums

Hailing from Saint Paul in Minnesota in the frozen mid-west of the USA have long been at the forefront of the celtic music scene in the area and now their fame reaches right across the America’s and it’s time us over this side of the Atlantic tuned into what they have to offer. The story of the Irish in Minnesota is remarkably similar to many other states across the States. They may only be the second largest population of the city at 14% but despite being only half the number of those of German descent they managed to somehow (I wonder how they managed that?!?!) control all facets of government for decades. Of course the days when the Irish ran the city are long gone now but still many of those in local government, the Police and Fire Service come from typical Irish backgrounds.

The Langer’s Ball began life as a duo back in 2007 and the release by Michael and Hannah of a couple of low key album’s that were well received by the celtic-punk community. This persuaded them to fill out the sound somewhat and so they recruited a few local musicians expanding from a duo into a full on band and so The Langer’s Ball were born. Taking their name from the Irish word ‘Langer’ which has its origins in county Cork and can mean up to three things. A right eejit, being pissed or your dick! After those two early albums back in 2007 and 2008 The Langer’s Ball went on to release ‘Drunk, Sick, Tired’, a live St Patrick’s day recording, in 2011 and ‘The Devil, Or The Barrel’ in 2012. Their first studio album went on to garner #1 Rock/Trad Album Of The Year by Grinning Beggar, #2 Album of The Year 2012 for Shite’n’Onions and #3 Album of The Year for Paddy Rock as well numerous outstanding reviews across the board and not solely from the celtic-punk media.

They followed this with 2014’s ‘7 Year Itch’ their last release from a couple of years ago which we reviewed here and described it as

“The title of the EP refers to this being the bands seventh year together and with a bunch of new songs they were itching to release and with the success of the session it all came together perfectly to release this to The Langer’s Ball growing army of fans at home and abroad. The music itself is reminiscent of the more folkier side of celtic-punk but with plenty of bite with the extremely well played accordion to the fore throughout the EP”

They followed this up last year with the stunning Whiskey Outlaws, their first full-length studio album in 4 years. An absolute killer of an album which made all the Best Of lists of the major celtic-punk media and confirmed their place as one of the best bands in the scene.

Brilliant originals and a superb choice of covers complement each other well. When we reviewed it here we thought

“One of the things I love about The Langer’s Ball is their sense of humour and its evident on every recording I have heard of theirs. ‘I’m Looking Over A Four Leaf Clover/Bye Bye Blackbird’ just about sums them up. A three minute romp that is guaranteed to get you up and jigging about”

From the band’s interesting and knowledgeable choice of traditional folk covers to their incorporation of Americana, country, rockabilly, hardcore, baroque, klezmer and even psychobilly alongside the Irish punk The Langer’s Ball are constantly evolving and constantly improving and you can get on board and check out that from begiinning to present with their very generous decision to make it all *FREE!!!!* So don’t delay you never know how long these offers are going to last do you?

Contact The Langer’s Ball

WebSite  Facebook  Twitter  YouTube  ReverbNation  Bandcamp  Google+  Soundcloud

The band have made their entire Bandcamp discography ‘Pay What You Like’ which means you can download for free. Just click the ‘Buy Now’ option, which will ask you to ‘name your price’ but there is no minimum price, so just have it, the band want people to share their music.

“The music business is an odd one, especially when you love to make music and have people enjoy it. We have worked for nearly 10 years to better ourselves as musicians and play as often as we can. We are still trying to make the transition to full-time musicians, and are of the mind that if people love what we do, we can do it! That said, people have to hear what we do before they can love it, so we want to afford them the opportunity to do just that”

So what are you waiting for?? BUT if you’re feeling generous then chuck them a few bucks and if you like what you hear then why not visit their store here and get the  physical CD’s.

ALBUM REVIEW: THE O’REILLYS AND THE PADDYHATS- ‘Sign of the Fighter’ (2017)

Hot on the heels of their second album is The Sign Of The Fighter the brilliant new long player from German celtic-punkers The O’Reillys And The Paddyhats. 

paddyhats

Well it only seems like five minutes since we reviewed the second album from The O’Reillys and the Paddyhats and in fact it is. Last November we raved to the high heavens about Seven Hearts One Soul (here) and it ended the year a very respectful #16 (here) in the London Celtic Punks Best Of 2016 poll.

paddy-hats

Formed to play at a local wedding near Dortmund back in June 2011 they have since quickly shot to the top branches of the European celtic-punk tree. These Bhoys and Ghirl hail from the small town of Gevelsberg which is just down the road from the city of Dortmund. The local football team of course being Borussia Dortmond who have long had a kind of special relationship with Celtic supporters going right back to the 1980’s when Dortmond signed Celtic legend Murdo McLeod. As well as that the German celtic-punk scene is among the best in the world with bands such as Mr. Irish Bastard, Fiddler’s Green, The Porters, In Search of A Rose, The Ceili Family and the sadly deceased Auld Corn Brigade spreading celtic music and culture while entertaining the world!

(a teaser for the album giving a quick run through of several songs)

The Sign Of The Fighter is the band’s third album and begins with the title trackSign Of The Fighter’ and it starts off right from where Seven Hearts One Soul finished. I mean if you got a winning formula why bother changing it? A bluegrass tinged celtic-punk epic with a great big chorus ready to shouted out at the top of your lungs. Great fiddle work and a a superb start to proceedings. They follow this up with the more traditional celtic-punk ‘Come On Board’ with more fast paced tales of the ocean. More celtic punk themes next with ‘Barroom Lady’ and their very distinctive sound is aided by Sean and Dwight’s vocals and their familiar shouty choruses that beckon you to join in. ‘In Chains’ has a sort of ska beat to it in places and again the fiddle is cracking here. The album’s first cover is of the traditional sea shanty ‘Haul Away Joe’ dating from the early 19th century. To haul, in nautical terminology, means to pull on a rope and is designed so all the men haul at the same time. The story told is of a sailor who has trouble with his Irish girl and goes to sea, it’s usually played as a acapello song The Paddyhats choose to sing it with the band backing but in a much more subdued style and the song works perfectly. The fiddle, mandolin, banjo, accordion, whistles and wash board are back for the following song, ‘Irish Way’, and its time get tapping your toes again while ‘Interlude’ sets the scene with a little story with the sound of cop cars and water at the beginning which spirals into ‘White River’,the tale of a serial killer ‘on the job’ as it were and is accompanied by a great video below.

(Video by Wüstenberg & Römer)

One thing The Paddyhats are famed for is their videos and again its another top notch production that only adds to the song. Great lyrics though not a subject for everyone’s taste I’d suppose!

“White river washes me clean again
Clean my soul and take away the pain
White river washes me clean again
So the keys to heaven will be mine again”

Pirate ships are back next with the catchy ‘Bucket Of Blood’ while in ‘Old Gang’s Lullaby’ the band slow it down but a chugging guitar keeps the punk spirit intact. ‘Paddyhats’ is up next and is the longest track her at just over four minutes and though I still no idea what one is this is where the band truly hit the heights. It’s all here with the folky instruments leading the way while the fiddle shines and the “Hey Ho” chorus gets the old blood moving. We are nearing the end and ‘Ghost Of A Soldier’ continues the way we have have trodden the previous eleven songs. The album wraps up with the first  proper cover version to be found here ‘The Boxer’. Written by Simon And Garfunkel (here) and appearing on their fifth studio album Bridge over Troubled Water in 1970. The song’s lyrics describe the struggle to overcome loneliness and poverty in New York City. The final verse switches to a third-person sketch of a down and out boxer, who has spent his whole life fighting and is still fighting now.

“In the clearing stands a boxer
And a fighter by his trade
And he carries the reminders
Of ev’ry glove that laid him down
Or cut him till he cried out
In his anger and his shame
“I am leaving, I am leaving”
But the fighter still remains”

Its a return to the bluegrass tinged celtic-punk of the early songs on the album and though I hate to say that a cover is the album standout I have to here. The Paddyhats stamp their name all over the song and bar the “Lie-la-lie…” chorus you’d have a job to nail it down. A fantastic choice of cover and a brilliant way to end The Sign Of The Fighter.

paddyhats

left to right: Fitzgerald O’Brien (Bass) ; Sean O’Reilly (Acoustic Guitar, Flutes, Lead Vocals) ; Emily O’Farrel (Fiddle) ; Dr. Bones (Drums) ; Ian Mac Fannigan (Backing Vocals, Washboard, Chain) ; Dwight O’Reilly (Banjo, Mandolin, Accordion, Backing Vocals) ; Ryan O Leary (Step Dancer) ; Connor O’Sullivan (Electric Guitar)

Celtic-punk can sometimes feel a bit bland on record. After all it is designed to be heard in the public house as it is the official feel good music to the world but The O’Reillys And The Paddyhats have done a top job of transferring their great live sound onto record.paddy-wagon-17 The production here is amazing and is completely faultless. The band play with an passion and pride in Irish music and culture that is a joy to behold and constantly find it within themselves to come up with a fresh and original approach to their music. Whether it’s their amazing videos or their amazing artwork The O’Reillys And The Paddyhats put their everything into the band and it shows. They are already in the top division of the German scene and with output of this quality their name is spreading beyond their local scene and we look forward to seeing them in Germany on the London Celtic Punks Euro tour in September for the Paddy Wagon festival. Lots of great bands including The O’Reillys and the Paddyhats and a whole host of other bands we have featured in the London Celtic Punks site and that we never thought we’d get to see. If you are interested in joining us then contact us and we’ll add you to the event so we can make arrangements nearer the time.

Discography

2012 Sound Of Narrow Streets * 2016 Seven Hearts One Soul * 2017 The Sign Of The Fighter

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The scenery of the places and towns is footage of fans. They were asked to film their ‘home’ or those places that mean ‘home’ to them. You will see Mexico City, Dresden, Dusseldorf, Munich, Gevelsberg, Schwelm, Hagen, Usedom and many more. The Song ‘Fair Old Lady’ is about a man who sees his hometown as an old lady that breathes and lives just like a family member.

ALBUM REVIEW: BLACK WATER COUNTY- ‘Taking Chances’ (2017)

Dorset based six-piece celtic-punk band Black Water County’s debut album for this reviewer is as good as ANYTHING to be released this year.  Music to proper “beat up the floor to” !!

bwc-chances

Sandwiched between album releases by such celtic-punk greats such as the Dropkick Murphys, The Real McKenzies, The Tossers and Flatfoot 56 is this wonderful album by one of the best bands in the English scene Black Water County. Truly it’s no exaggeration to say that Taking Chances will be neck and neck with the aforementioned bands come the end of the year Best Of poll’s. Formed in Dorset, on the English south-coast, back on St Patrick’s Day in 2013 they celebrate only their 4th anniversary this year and in that time they have the folk/celtic-punk scene here alight and with this album hopefully their popularity will spread beyond these shores. Dorset and the surrounding area has been a mecca for celtic style punk bands for well over a decade with a whole host of bands plying their trade. People may think that London is some hot bed of celtic-punk activity but truth be told the real powerhouse is down there on the south coast of England! Most of them are gone now but several fantastic bands are still playing in each others backyards and all support each other with a friendly rivalry that most music scene’s could only dream of.

(debut EP Welcome To The Black County)

With basically the same line up since day one it’s not just the music that holds these Bhoys and Ghirl together but also the bonds of friendship. Famed for their energetic live show and their stout quaffing, banjo breaking, tin whistle mangling music Black Water County ‘s busy schedule seems them gigging away all over the south of England and building up an army of fans that sees many sold out and packed out shows along the way. They have two releases under their belts thus far with their debut EP Welcome To The Black Water County coming out in 2013 and following it up in 2014 with The Fellowship Of The Craic. Both achieved a high level of critical success from the celtic-punk media and around Dorset and has left us all eagerly awaiting Taking Chances to see if it’s as good as we are hoping.

(follow up EP The Fellowship Of The Craic)

The album kicks off with ‘Start Something New’ and right from the very first seconds you know it’s Black Water County. Released as the second single from the album a couple of weeks ago it’s fast, it’s furious, it’s fun and it’s f’ing brilliant as well. Everyone in the band gets a chance to showcase what they do and they do in every single song. Tim’s vocals suit the music perfectly with a voice that can easily switch between the punkier tunes to the more subtle celtic songs with ease.

(video filmed and edited by Marriane Harris)

Andy’s drumming is loud but not obtrusive and keeps the music flowing while the rest of the band swirl around and in between it. ‘The Painful Truth’ is slower but still the drumming gives it that punky edge without being over the top. A track that on the face of it owes much to Flogging Molly but when i really listened to it sounds nothing like them but a whole lot like Black Water County. They definitely inhabit the Molly’s side of celtic-punk rather than the Dropkick Murphys but they have managed to carve out a sound of their own within a scene that does sometimes lack in originality. What have been the Irish musical influences that have seen them get here is a question for another day but BWC haven’t just downed the Flogging Molly songbook and regurgitated it that’s for sure. Shan gets her first chance on the album to shine vocally sharing vocals with Tim on ‘Way Down Low’ and Gavin’s mandolin is the other star of this song. Expertly played and one of the features of this band live is watching his fingers as he plays with steam coming off them!

They don’t let the speed drop off for a second and I can attest that they are like this live as well. No time to breathe as they sweep through. On ‘If Only You Were Here’ Shan sings alone while Bradley and Tim hammer their guitar and bass in the album’s punkest song. Well you think they gonna follow this up with a ballad but the slow start is just a con and before long their thrashing away again with tin whistle dominating ‘Rise and Fall’. We at the half way point now and no sign of ‘The Irish Rover’ either. ‘One More Beer Won’t Hurt’ was the first song to be released from Taking Chances and quite rightly takes it’s place as the standout track of the whole album. Not to say there is much in it as every song here could take that title at one time or another.

Again this is classic Black Water County and they are doing in without sounding like anyone else. Tim’s voice again stands out in this joyful song and the bands lyrics are told in that story telling way we love here in London Celtic Punks. The right mix of humour and seriousness certainly belies Tim’s youth though that beard does make him look older! Re-recorded from the single version I do think it misses Shan on backing vocals but that’s only a minor gripe. Finally we get a ballad with ‘Memories from Another Life’ and it’s long been established that the older celtic-punk fans get the more we like the ballads! Shan is back on lead vocals on the longest song here of five and a half minutes. A country tinged ballad of love and pain and loss. They can’t help themselves and the song speeds up at the end making it something you could imagine Bruce Springsteen 2017 singing. We get a brass section on following song ‘Rambling Johnny’ which chucks in an unexpected ska beat and we are away with what must be a live favourite I’m sure. Had me nodding the head listening to it anyway! ‘No Regrets’ continues with the brass section and the album is getting more and more rockier with a song that could easily get in the set of ska-punk legend’s the Voodoo Glow Skulls.

(not the album version but still great)

We are nearing the end of Taking Chances and it’s been one hell of a ride I can tells you. Penultimate song ‘Under Skies of Black and Blue’ slows it down for about five seconds and they seem to determined to go out fighting with another fast as hell country tinged celtic-punk song. The only band member here who so far hasn’t received a mention is fiddle player Russell and I hope I don’t embarrass him now by heaping ten tonnes of praise onto his shoulders. Simply fantastic playing all the way through this album. Where required the fiddle comes through loud and clear and those other times when it needs to step back again and let other instruments and voices shine it is just perfect. Taking Chances ends with ‘Seeing Is Believing’ and finally the auld fogies among us get that ballad we awaiting. Just Tim and acoustic guitar and some great positive lyrics about picking yourself up and carrying on. Some tin-whistle and understated fiddle joins in but its Tim here who leads.

BWC

Well what to say. Eleven songs that comes in at a very healthy forty-three minutes of original tunes played by a band who haven’t copied or aped anyone to get where they are. Coupled with the fact that these are some of the nicest people I have ever met through the music scene what we have here is the first installment of a band set to go onto legendary status. Yes this album is that good. From beginning to end not a bum note or a tiresome song. Each track is superb and shows a band that works together to achieve such a great sound. There are no leaders here just a bunch of friends working together to bring some of the best Irish/celtic-punk rock to your ears as is possible, despite that competition, in 2017!

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INTRODUCING THE BABES. A NEW LONDON CELTIC PUNK BAND!

Tomorrow seems so far away,

why don’t we live for today?

When yesterday is all said and done,

why don’t we just have some fun?

(directed by Maciej Bąkowski & Lost Data Productions)
Its always great to hear of another London celtic-punk band popping up and when they are as good as The Babes are it’s doubly welcome. The guys met in the IMW sound engineering school in East London. A group of misfits that wanted to play Pogue’s type music that bred in a garage in Twickenham, South West Londonand before too long The Babes were delivered. They play snotty, two fingers in the air Punk Rock with bagpipes. Bringing together Colombian, American and UK backgrounds and featuring ex-members of punk legends Total Chaos and Blitz.
babes

The Babes (Left to Right): Matt Ren Ex: Bass, vocals * Mao Holiday: Bagpipe, vocals * Marvin: Drums * Saul Holden: Guitar

Contact The Band

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The Babes Invade Mainland Europe

babes-the-gunners– Feb 11 Bristol,UK @ Chelsea Inn with Disorder
– Feb 13 Paris, FR TBA
– Feb 14 Assen, Holland @ WHPP
– Feb 15 TBA
– Feb 16 Wiesbaden, Germany @ Dotzheimerstarsse 37 65185
– Feb 17 Zwijndrocht, Belgium @ De Smoutpot Cafe. Benefit Party De Vloek, with The End of Ernie, Altered State and Black Heroin
– Feb 18 The Hague, Netherlands @ Verenigging de vinger, Loosduinsekade 725 , 2571 MX
– Feb 19 Schleswig, Germany @ BM Private Party
-Feb 20 Rostock, Germany @ Squad Gig With Hammers of Misfortune, Driller Killer

The Babes also play a headline show next week at The Gunners in north London on Sunday 12th February. The full line up is yet to be finalised but it’s only £3 in and a chance to see the new celtic-punk kids on the block. The Gunners is just a short walk from Arsenal tube station or a slightly longer walk from Finsbury Park tube/rail station. We’ll see you there!

ALBUM REVIEW: ORTHODOX CELTS- ‘Many Mouths Shut’ (2017)

Sixth album from Serbia’s Orthodox Celts. The first and still one of the best Irish/Celtic bands from not just Eastern Europe but anywhere!

orthodox-celts-lp

There are so many bands in the celtic-punk scene that for one reason or another can be regarded as legendary. One of these bands well deserving of that word are the Orthodox Celts. They may not be a name very familiar to you but as the first band in Eastern Europe to play Irish music we can safely say that all who came after them owe them a debt for popularising Irish music and culture. Orthodox Celts hail from Belgrade in Serbia and celebrate a quarter of a century together this year with the release of their new album Many Mouths Shut. Over the last 25 years they toured right across Europe with their energetic and mesmerizing performances playing to packed houses wherever they go. I have never seen them live but a friend of a friend had a live DVD of the band and i can certainly attest to the amazing show they put on with a great and positive atmosphere for an army of fans that follows wherever the Celts play.

Despite Irish/Celtic music being unheard of in their home country the Celts have risen to become one of the biggest bands in the Serbian rock scene and have gone onto influence many, if not all, of the newer Celtic punk bands in the region. While we were getting all excited at ‘An Irtish Pub’ by The Rumjacks easing into the millions of views on You Tube Orthodox Celts version of ‘Star of the County Down’ recently racked up an incredible 10,000,000 (aye ten million) views and continues to grow.

orthodox-celts

Orthodox Celts left to right: – Dragan Gnjatović- Whistles * Dušan Živanović- Drums, Bodhran, Percussions, Accordion * Dejan Lalić- Octave Mandola, Mandolin, Guitar * Aleksandar Petrović- Vocals * Dejan Grujić- Bass * Vladan Jovković- Acoustic Guitar * Nikola Stanojević- Fiddle.

Many Mouths Shut begins with ‘One / Milk & Honey’ which was the first single from the album released last year and you can tell from this opening song pretty much what you going to hear for the next half hour. Put simply its energetic mostly acoustic Irish folk. The sort of stuff you use to only hear where the Irish gathered but bands like the Orthodox Saints have helped introduce it far and beyond almost anyone could ever have imagined.

“Many Are Drowned In This Sea That I Swim
Many Nailed To The Cross That I Bring
Many Are Burnt In The Flames That I Feel
But I’ll Never Be The Fallen One”

The first part of the song is followed by a beautiful Irish tune and shows right from the start that the standard of musicianship is outstanding and there’s more than a bit of a punk rock spirit in there too. These Bhoys play louder than Motorhead live! They follow this with the cracking ‘I Wish You The Very Worst’ with some great lyrics about someone who somebody doesn’t like.

“I’m So Sick Of Being The Lamb, In This Game I’ll Be The Wolf”

Wouldn’t want to be on the receiving end of this! The first of the album’s rockier songs but again the song is interspersed with some brilliant Irish reels and has some great fist (or pint!) in the air chants to get the crowd going.

As I already said about the standard of musicianship here and with ‘Morrison’s Jig’ they take an old Irish traditional folk song named for the Sligo-born, Irish-American fiddler James Morrison from the 1930’s and breathe new life into the tune. They take it and make it almost unrecognisable while still keeping true to the song itself. We are back in more in more upbeat Celts territory next with one of the poppier songs on the album, ‘Save Me’, a song that would fit snugly into a set of The Saw Doctors or The Bible Code Sundays. They have come a long way since their debut album of all Irish standard covers.

Not one of my favourite songs here I have to say but great lyrics again and I never cease to be amazed how some celtic-punk songwriters who have English as a second and sometimes third or fourth language can write such great stuff. It is a talent I will be eternally jealous of.

“Save Me Girl
Give Me Shelter In Your Arms
Save Me Girl
And Blow Away My Harms
Save Me Girl
Arise Me From The Dead Tonight”

The second of the traditional Irish songs is next and again they come up trumps with ‘The Banshee’. A fast and furious reel that was thought to have been written by famed Monaghan tin-whistler James MacMahon (1893-1977). The sort of reel that at a session just gets louder and faster and faster till your head bursts!  Named after the female spirit in Irish mythology that heralded the death of a family member by shrieking. ‘King Of The Hill’ is next and is a bit more upbeat with a great drum back beat keeping the lot of them in time. Another traditional instrumental ‘Flowers Of Red Hill’ keeps the momentum flowing and the tin whistle playing here is exemplary with the only problem is that again it’s over in just over a minute. Recorded by many great Celtic bands like De Dannan, Bothy Band, Silly Wizard we can now add Orthodox Celts to that esteemed list. You can compare The Bothy Band here to the Orthodox Celts here. Been waiting on a ballad for half the album and with ‘Lone Wolf’ its arrived. A simple song that starts with just voice and acoustic guitar before the rest of the Celts team join in and takes us through to ‘Revolution’ where as usual the same old story comes out of politicians betraying the very people who put them into power.

“Hey You Are The Same As Those Who We Dethroned For You, You’re Spitting On The Faces Of Those Who Cleared Your Way
We Bled For You, We Fought For You, And Gave You All Those Years, You Became A Kind Of Master For Whom We’ll Never Be Obeyed”

The break up of Yugoslavia and the subsequent war that followed saw many innocent people killed and homes destroyed across the region. That the Serbian people deserve something better cannot be in dispute and I hope they get the politicians in power that will deliver it. ‘Banish Misfortune’ is another traditional instrumental folk song arranged by the Celts followed by ‘Double Cross’ which delivers an album standout of epic proportions. With an album that is roughly half and half Celts compositions and trad folk covers I love that they choose to avoid the better known tunes and delve deep into Irish folk history to find some tunes worthy of them. For the penultimate track they do come out with ‘The Parting Glass’ and as is their way the Celts turn it on it’s head and while 99% of the time bands play it as a slow ballad the Celts speed it up and deliver something as close to original as a cover can be.

“Goodnight and joy with you all”

Another old Irish trad song brings down the curtain on Many Mouths Shut and a rollicking version of the ‘Kesh Jig’, again made famous by, and I would say right up there with, The Bothy Band.

Orthodox Celts are that thing that raises shackles back in Ireland.  A band that plays Irish music as good and as great as any Irish band at home or abroad. Their love for the music and culture of our tiny island is evident in all they do. Band front man Alex said to me

“The Pogues were the only major influence when we talk about music as we didn’t want to sound like any other band so we sound very different from all the other bands in this genre. My definitive personal literary influences are Shane MacGowan and Alexandre Pushkin. Talking about the whole figure my major influence is Ronnie Drew of The Dubliners”

They have established themselves as unique ambassadors of the Emerald Island and have spread and continue to spread the very best of what we are to the entire world.

Discography
Orthodox Celts- 1994, The Celts Strike Again- 1997, Green Roses- 1999, A Moment Like The Longest Day- 2002, One, Two… Five- 2007

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(you can hear the whole album below by playing via You Tube)

ALBUM REVIEW: PLANXTY- ‘Between The Jigs And The Reels: A Retrospective’ (2017)

The word ‘legend’ gets chucked around with wild abandon these days but no other word seems fit to accompany an article on a band that truly were ground breaking and have gone onto have an everlasting effect on Irish music. Put together by Planxty themselves this is the ultimate retrospective of their music coming, as it does, with a DVD featuring over two hours of previously unreleased performances.

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Forty five years after Planxty formed back in January 1972 comes Between The Jigs And The Reels – A Retrospective. The band was made up of Christy Moore (vocals, acoustic guitar, bodhrán), Andy Irvine (vocals, mandolin, mandola, bouzouki, hurdy-gurdy, harmonica), Dónal Lunny (bouzouki, guitars, bodhrán, keyboards) and Liam O’Flynn (uilleann pipes, tin whistle). They released six studio albums starting with Planxty in 1973 and following with The Well Below the Valley (1973), Cold Blow and the Rainy Night (1974), After the Break (1979), The Woman I Loved So Well (1980) and finally Words And Music in 1983. At the time of that debut album their music was quite simply revolutionary and they popularized Irish folk music like no other band from that era.

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Andy Irvine, Liam O’Flynn, Donal Lunny and Christy Moore

Back in 1972 Christy Moore who was already a star in both the Irish and British folk scene’s had begun work on his second album and grouped around him some of the best musicians Ireland had to offer. His old friend from school in Newbridge, County Kildare, Dónal Lunny was a gifted multi-instrumentalist who had taught Moore how to play both guitar and bodhrán while the London born Andy Irvine of late-60’s Irish folk group Sweeney’s Men was a prominent figure on the Dublin trad scene and who co-ran a folk club with Lunny. Finally came Liam O’Flynn a true master of the uileann pipes. This group gelled instantly and with Christy Moore returned from England Planxty were born. With their bedraggled hair and bohemian image their music they literally took Ireland by storm. For the first time uileann pipes were accompanied by guitar, mandolin and bouzouki while Christy and Andy were possibly the finest singers of their generation. Although labelled Jigs And Reels the scope of the songs on this album is simply breathtaking from stirring tunes of war to gentle balllads and haunting airs. Planxty didn’t just play they also collected these songs saving many from obscurity or even death. Their music bridged the gap between the developing rock music scene in Ireland and the new wave of folk music musician.

There are seventeen songs here and it all begins with the tragic love story of an Irish emigrant to New Mexico ‘True Love Knows No Season’ and Liam O’Fynn’s beautiful piping is sure to send a shiver down the spine of listeners. Andy Irvine belts out the glorious ‘Pat Reilly’ followed by the instrumental ‘Sí Bheag, Sí Mhór’ while Christy returns to the fore to do ‘Follow Me Up To Carlow’ a song that tells of the battles of the Gaels of Ireland fighting the English oppressors in the war that began hundreds of years ago.

‘Băneasă’s Green Glade / Mominsko Horo’ takes us back to Andy’s time living in Bucharest in the 1960’s swiftly followed by the instrumental ‘The Aconry Lasses / The Old Wheels Of The World / The Spike Island Lasses’ and then by ‘The Pursuit Of Farmer Michael Hayes’ as arranged by Christy Moore who still contends that their are several verses missing that he puts down to

“the realisation that it was opening time”

On ‘Accidentals / Aragon Mill’ the heartbreaking main song is preceded by a short acoustic guitar piece that he is joined together by Liam’s piping with ‘Aragon Mill’ which Andy learnt from the North Carolina singer songwriter Si Kahn.

“But there’s no smoke at all
Coming out of the stack
For the mill has closed down
And it’s not coming back”

In Si’s neck of the woods, cotton has always been of paramount importance and closing of a mill brings with it, not only unemployment, but also the end of a way of life, whether it be a cotton mill in North Carolina, Lancashire or Belfast.

“But the only tune I hear
Is the sound of the wind
As it blows through the town
Weave and spin, weave and spin”

‘The Irish Marche’ is an English composition from the 16th century written by William Byrd while ‘The Rambling Siúler’ is from the early-19th century and tells the odd tale of an Irish colonel and the lengths he will go to win fair maid. Having heard a version of ‘The Well Below The Valley’ where Christy is only accompanied on bodhrán it was nice to hear a full band version of this beautiful song. Planxty are back in full on jaunty mood next with another instrumental ‘Junior Crehan’s Favourite / Corney Is Coming’ before Andy sings ‘Roger O’Hehir’, the story of an not very good petty criminal whose career leads to the gallows. Now for that Balkan tune that seems to have ruffled a few reviewers feathers with ‘Smeceno Horo’ Not knowing much about this I’ll just leave the video up for you to decide.

With the album nearing the end perhaps three of the widest heard and better known songs finish the album starting with the stunning Andy Irvine composition ‘The West Coast Of Clare’.

“Sorrow and sadness, bitterness, grief
Memories I have of you, won’t leave me in peace
My mind is running back, to the west coast of Clare
Thinking of you, the times we had there”

The sensitive and definitive version of ‘Nancy Spain’ keeps the momentum building and has since been made famous by Christy during his solo career. Written by Barney Rush who also wrote ‘The Crack was Ninety in the Isle of Man’, which Christy has also recorded. Sadly Barney passed away back in 2014 and this wonderful song brings us up nicely to the album’s end and ‘Timedance’. Commissioned back in 1981 for the Eurovision song contest back when it was big news and back when Ireland use to win it every year! This was, in many ways, a precursor to Riverdance and was for millions around the Europe the first time they had ever heard authentic traditional Irish music and can be said to have had a lasting effect on Irish music’s popularity.

Planxty Re-Union Show, Live at Vicar Street, Dublin. February 2004

Compiled and chosen by the band themselves they could literally not squeeze another minute onto the CD with it clocking in at seventy-nine minutes. The CD comes with a bonus DVD of previously unreleased performances from the RTÉ (Irish Televison) archives that lasts over two hours. The care and attention that has gone into this release is breath taking with an absolute goldmine of recordings, TV appearances and live sets that does the band the justice they deserve. Planxty ruffled a few ‘trad snobs’ feathers when they were around the first time and some of the modern day era trad snobs may find the inclusion of harmonies, compositions, English songs and Balkan tunes somewhat odd but for me it only adds to what is one of the best traditional album’s I ever heard. Planxty were one of the major reasons for the revitalisation of Irish music that led eventually to the development of celtic-rock and then celtic-punk so do yourself a favour and check out this album and find out where we came from.

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EP REVIEW: IN FOR A PENNY- ‘Every Day Should be Saint Paddy’s Day’ (2016)

Rowdy Irish folk punk from Tybee Island, Georgia in the southeastern United States
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The first Irish may have rowed ashore in Savannah (Georgia’s largest city) way way back in 1734 but it has taken over 280 years for an Irish band to pop up. Fortunately the wait was worth it. There’s a rich and deeply held Irish-American heritage in the Savannah with the area holding one of the oldest, and second largest in the world!, St Patrick’s Day celebrations but until 2014 it was nigh on impossible to find some local rowdy live Irish music… that was until In For A Penny came around. 

savannah-irishThe original Irish that arrived in Georgia were descendants of the Calvinist Scots who had been planted in Ulster in the 1600’s. These Irish made their living trading, trapping and soldiering. They included Sergeant William Jasper who was mortally wounded leading the charge to retake Savannah from the British in 1779 but the main chapter in local Irish history began in the 1830’s like it did with so many other Irish towns across America. With the arrival of the railway the owners needed a plentiful supply of workers willing to do the back breaking hard labour required, and that is where the Irish came in. According to ‘Irish History in Savannah, Georgia’ here

“The story goes that Irish were employed on the railroad because, unlike slaves, their bodies had no commercial value and could be worked to exhaustion with impunity. A second wave of Irish immigration followed two decades later when the ‘potato famine’ in the old country forced many to seek new shores.”

savannah-irish-festThese Irish on arrival suffered prejudice and discrimination but it was that willingness to do the dirty, dangerous and low-paid work that made them important to Savannah’s economy. As in other parts of America the Irish soon realised the best way to raise their collective lot was with political clout and they soon became, and remain still, major players in Savannah society.

Sean McNally only began playing the mandolin in 2014 after taking a few years away from the music scene but a few open mic performances and a regular solo spot which was dubbed ‘Monday Mandolin Mayhem’ and after responding to an audience request to play the Dropkick Murphys Sean realised something. If he can get such a great audience reaction to a stripped down cover song on just mando and vocals the next step was to form a band. Gathering around him old friends in Henny ‘da butcha’ on drums and Jeremy Riddle on guitar and like a celtic-punk Van Halen the last member of the band is Sean’s son Bryce on bass.

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This is In For A Penny’s second release after last years debut album, The Guardian Angel Sessions. We missed that but the good folk at Celtic Folk Punk And More never miss anything so you can read their review of that here. This EP follows pretty much the same route as the album with a handful of Irish standards butting up against a handful of self -penned songs. Needless to say I much prefer their own songs though there is nothing like a song like ‘The Rare Auld Mountain Dew’ to get the blood pumping and the ales flowing. In For A Penny have that age old problem for Irish/Celtic-punk bands. They could quite easily just keep singing the standards and the bookings would still roll in and they would keep everyone happy but every musician must have the urge to get some of their own material out and when it’s as good as In For A Penny’s then I’m afraid it is a necessity!

in-for-a-penny-skullOn Every Day Should Be Saint Paddy’s Day you get five tracks, two covers and three originals that clock in at a very healthy sixteen minutes. Its basically a collection of drinking songs with a shed load of energy all done with enough of their own approach to stand it out. The EP begins with ‘The Rare Auld Mountain Dew’ which was around for years before The Pogues and The Dubliners collaborated back in 1987 for a Top Ten hit in Britain and re-introduced it to future generations. Dating from 1882 it has become fairly popular but you’ll not hear a pumped up version like this one too often. Sean has a real strong voice that suits the style of the band completely and errs more towards to the Drew/MacGowan style of singing than the O’Donnells! Another original Whiskey in Heaven’ is up next and Sean introduces the song to his Dad and Bryce’s Grandad who sadly passed away last year. He must be well proud sitting up there with a Jameson’s in hand looking down.

“I’m not ready to go / I’m having too much fun, I’m having too much fun / When it’s my time to go /I hope there’s whiskey in heaven”
The last time he saw the band play they played ‘Whiskey In Heaven’ so seems apt to dedicate this to him. Great songwriting and  I recently heard the phrase (from a non-Irish person) about drinking songs and “racial stereotyping”. Well I can think of no better words to reply than what a load of fecking bollocks. The Irish drink. Obviously not all but it is part of our culture and if you don’t get it then keep your opinions to yourself rather than try and score points off the celtic-punk scene.
(here’s a live version with the sound quite low so get it turned up!)

Another original up next which was the first release from the EP. ‘Stumblin’ Home’ is the standout for me here with a seriously great singalong chorus and the addition of some great fiddle from one of the bands mates. You need to get this fella signed up Sean. It’s the slowest of the songs so far, or so it seems, but Sean’s vocals keep the energy right up there.

The band released the class video for ‘Stumblin’ Home’ above, which was filmed over the course of two days at various pubs, Sean’s flat and on their home streets of Tybee Island, Georgia. Have a watch and tell me you not been there too… Love the tricolour and The Rumjacks t-shirt by the way Sean!
in-for-a-pennyNext up is the bhoys St Patrick’s Day anthem ‘Every Day Should Be Saint Paddy’s Day’ and you can breathe a sigh of relief as these guys know full on well it’s not St Patty’s! Now can you just tell the rest of America for us. A bit of tin whistle comes in here and adds to the sound and as anthems go its a good ‘un. We’d all love it to be true but our livers would disagree but whens the last time we gave them a word edgeways. A great riproaring trek through Irish-America’s good and bad bits about our patron Saints feast day in which they reveal the major reason they think ‘Every Day Should Be Saint Paddy’s Day’ is that they would never be short of a place to play! The EP comes to an end with the other standout for me. ‘The Parting Glass’ was made famous by The Clancy Brothers and is the perfect way to end any record. Sean plays mandolin and sings along and I don’t know why but I find it absolutely brilliant. We all have our own reasons to like this song and usually it’s to do with someone close to us and I’m no different. Sean’s reigns in the energy and instead lets emotion come out and his hoarse raspy vocals do indeed do the song perfect justice.
If I was local to these boys then I just know we would be great mates and no doubt great drinking buddies too. In For A Penny are not pretending to be anything they’re not it’s just good old fashioned Irish music with an injection of punk rock spirit that will keep the flames alive for the next generation of Irish down Savannah way.
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LQR’s ’10 PINTER’ FESTIVAL 2017

10 PINTER FESTIVAL- Bladen, Netherlands

Saturday 14th January 2017

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Last Saturday, Dutch folk punk band LQR (Liquor) celebrated their 10th anniversary with their own ’10 PINTER’ festival at Grand Café De Baron. At the entrance to the gig was a festival banner and a sign that says

“Tonight only: 10 PINTER (10%) – Limited Edition”

That’s right! LQR has their own beer. A blond Triple Grand Cru, and of course it’s named after their last CD ’10 Pinter’. They have their own LQR-coins specially made for the festival. No detail is spared, everywhere you look you see LQR on shirts, coasters, beer bottles etc. There’s even a bowl with pink M&M’s (with LQR on it) backstage.

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10 Pinter Beer Logo

The evening kicked off with the band Daisy Chain. Four ladies on guitar, banjo, bass and violin who play bluegrass in English, French and Dutch. Great opener! At the end of their set LQR jump on stage and join in and together they play a nice version of Dropkick Murphy’s ‘Rose Tattoo’. Meanwhile the place is absolutely packed and LQR start their set with ‘Muffins and Coffins’, normally the last song of a LQR gig. The set includes mostly up-tempo songs out of the 10 years of LQR. Halfway the set, accordion player Arjan calls on the audience to grab their phone’s and to film their next song, ‘Mis Amigos’, and send it to LQR’s e-mail address. The same trick they did in 2015 for the video of ‘Leprechauns’ which can be found at the end of this review.  The crowd goes mad when they play Gogol Bordello’s  ‘Start Wearing Purple’, which is always a personal favourite of the band. After over an hour they finish their performance with two Flogging Molly covers, ‘Black Friday Rule’ and ‘Salty Dog’. The crowd loves it! Next one up are the Hillbilly Moonshiners. A cover band who play pop and rock songs in bluegrass style. Hilarious is their version of Beyonce’s ‘Single Ladies’. An energetic set from the lads is driving people insane and there is a LOT of dancing going on. It is possible that some of it is influenced by 10 Pinter beer I’m sure! The last band of the night is LQR’s fellow Dutch celtic-punkers The Royal Spuds. They surely know how to party! The band keeps the energy level high with some great songs from their 2015 album It’s a Feckin’ Freakshow along with some older material and a few covers. At the end of the night LQR members Mark and Arjan join the Spuds for their last two songs, ‘Drunken Lullabies’ and ‘What’s Left of the Flag’, both Flogging Molly covers.

A great first edition and a roaring success that will certainly will have a sequel in 2018.

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  • You can read our reviews of LQR’s great 2015 EP A Touch Of Liquor here and their even better 2016 album 10 Pinter here.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2016!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

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TOP 25 CELTIC PUNK ALBUMS

1. THE RUMJACKS (Australia)-‘Sleepin’Rough’  Review

2. THE NARROWBACKS (New York)- ‘Arrogance & Ignorance’  Review

3. THE CLOVES AND THE TOBACCO (Indonesia)- ‘Across The Horizon’  Review

4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’  Review

5. THE WAKES (Glasgow)- ‘Venceremos!’  Review 

Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.

6. THE CLAN (Italy)- ‘All In The Name Of Folk’  Review

7. HOIST THE COLORS (USA)- ‘Mourners’  Review

8. SIR REG (Sweden)- ‘Modern Day Disgrace’  Review

9. FOX n FIRKIN (Australia)- ‘No Vacancy’  Review

10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’  Review

11. LUGH (Brazil)- ‘Histórias Do Mar’  Review

12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’  Review

13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’  Review

14. SIGELPA (Catalonia)- ‘Rabant Original’  Review

15. TENHOLES (Indonesia)- ‘Loyalty’  Review

16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’  Review

17. 13KRAUSS (Spain)- TheEnd Is Nigh’  Review

18. DRINK HUNTERS (Catalonia)- ‘Shameless’  Review

19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’  Review

20. THE MUCKERS (USA)- ‘The Muckers’  Review

21. LQR (Netherlands)- ’10 Pinter’  Review

22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’  Review

23. Всё CRAZY (Belarus)- ‘По Морям’  Review

24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’  Review

25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’  Review

A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!

TOP TEN CELTIC PUNK EP’S

1. MICK O’TOOLE (England)- ‘A Working Class Battalion’  Review

2. THE RAMSHACKLE ARMY (Australia)- ‘Whitewashed Graves’  Review

3. DRUNKEN FAIRY TALES (Russia) – ‘Пьяные Сказки’  Review

With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.

4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’  Review

5. MICK O’TOOLE (England)- ‘False Flag Collapse’  Review

6. BAY STREET BASTARDS (Canada)- ‘Small Batch’  Review

7. LEXINGTON FIELD (USA)- ‘Redwood’  Review

8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’  Review

9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’  Review

10.  BALSALL HEATHENS (England)- ‘Life’s Too Short’  Review

TOP TEN FOLK/TRADITIONAL RELEASES

1. ANTO MORRA (London)-’16’  Review

2. THE LOGUES (Ireland)- ‘Comin’ Of Age’  Review

3. MICKEY RICKSHAW (Boston)- ‘Wild Atlantic’  Review

Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.

4. ShamRocks (Ukraine)- ‘Captain’s Log’  Review

5. LARKIN (USA)- ‘A Toast To St. Jude’  Review

6. FOLK THE SYSTEM (England)- Unrest In The Wolds’  Review

7. SHAMBOLICS (Australia)- ‘Riot On Race Day’  Review

8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’  Review

9. SOLAS (USA)- ‘All These Years’  Review

10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’  Review

TOP CELTIC PUNK WEB-SITE

Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.

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Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.

We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

PADDYROCK

MacSLONS IRISH RADIO

CELTIC-ROCK.DE

remember any views or comments we would love to hear them…

Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.

“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”

Read our obituary for Erik here and raise a glass the next time you get the chance to.

 Rest In Peace comrade.

 Sláinte, The London Celtic Punks Crew- January, 2017

ALBUM REVIEW: DROPKICK MURPHYS- ’11 Short Stories of Pain & Glory’ (2017)

as reviewed by special guest writer

Frankie MacLaughlin from The Rumjacks

11-short-stories-of-pain-glory

When I was tasked with reviewing the new offering from Dropkick Murphys ’11 Short Stories of Pain & Glory’, I thought ‘shit!.. I wonder if I shouldn’t be half steamin’ in a pub with couple o’ pals in tow, instead of cooking dinner in preparation for a quiet night in, pet sitting for friends. Perhaps then I’d better appreciate the raucous, sudsy, barrage that has long been standard fare, down among its natural habitat.

I admit I was less than enthused by their early offerings, the singles ‘Blood’, ‘You’ll Never Walk Alone’ and ‘Paying My Way’. I don’t think I’m all that alone in saying I’d been disappointed in the past, so I decided I’d need to listen with fresh ears and not hold their finest moments against them as a yardstick.

It might surprise some to learn that I dont habitually listen to a great deal of Celt-Punk, whatever music finds its way in and out of my day does so of its own accord and on its own merits. This helped make listening to ’11 Short Stories’ as impartially as I could, a hell of a lot easier, and I’ll tell you now… I like it.
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I think its safe by now to say that the Murphy’s weren’t about to come kicking in doors and changing the world, but that’s fine, they already did that, arguably several times over. After first steaming in with some proper street punk clout, they went on to spearhead the modern age of Celtic punk rock. While many of us were still busy trying to be The Pogues, these guys gave us a whole new benchmark to work to.

While the album lacks some of the punch that we’ve been treated to previously, it still has its decent share of moments. Tunes like the lead single ‘Blood’ and ‘Paying My Way’ are unashamedly crafted to get everyone in on a singalong, big rolling chants with easy to latch onto lyrics sees them at their most accessible. So too with the albums opener ‘The Lonesome Boatman’, first recorded by The Fureys in ’69, its huge atmosphere & ‘whoa-oh-whoa’ vocals would make a great set opener in the big arena.

‘Rebels with a Cause’ is just a good, solid, punk rock tune that could sit just as easily with Al Barrs efforts as part of The Bruisers, for all its rapid fire delivery. ‘Kicked to the Curb’ strikes me as a ‘fun as f#%k classic rock & roll tune, that you could take the piss & do the twist to… without feeling like you’re taking the piss.

‘Sandlot’ is as nostalgic as it gets, its acoustic guitars and almost Motown beat are refreshing. I’m sure that no matter who we are we could relate pretty easily to the sentiments on show here, particularly…

“we were rich but no one told us, we didn’t know..”
‘4.15.13’ really stands out to me as a seriously honest moment from the band. Minus all the usual bells and flashing lights that normally draw us to a Murphys tune, its a humble and very human song, which I cant help think would’ve been right at home in a Joe Strummer & The Mescaleros set.

‘You’ll Never Walk Alone’ similarly rocks a little of that Motown rhythm, and I like it a lot more than when I first heard it released. Though when you’ve been to Celtic Park a bunch of times to hear 70 odd thousand heads singing the classic tune, it was always going to be a tough comparison for me… it chugs away admirably enough nonetheless. ‘First Class Loser’ is folkie singalong Murphys at their best, while ‘I Had a Hat’ is a wild old calamitous affair. Here the tune written by James Mooney and made famous by the likes of Ray Perkins and The Andrews Sisters, sounds like the fight scene in a dodgy western,.. the kind where the barman expertly ducks a flying chair and carries on polishing the glassware.

All in all what I’m hearing on this record is a band enjoying what they do, making the music they feel like making right now. I wouldn’t go so far as to suggest it was an exercise in ‘karaoke’ or ‘Dad-Rock’, although if they were to lean a little more that way, who’s going to hold it against ’em? It goes with the territory, these guys aren’t hungry young punks anymore, they’re family men, who work tirelessly and humbly in their community, a community they clearly love. I think they can be forgiven for being a little more nostalgic, or wanting to do their bit to lessen the impact of serious drugs, violence and hatred on that community. Something they’ve been particularly vocal about, especially of late, and very especially on this album.
When they finish the record with ‘Until Next Time’, singing
“We all had a good time and we’re sad to see it end…”
its nothing if not entirely believable. I think the Dropkick Murphys had a lot of fun making this record, they were as true to us all as they could be, and more importantly they were true to themselves. I for one wouldn’t be too offended if they stuck around and kept making music with that approach…
But that’s just my opinion. 
dkm-stpauliGet The Album

iTunes  FromTheBand-UK/Ireland  NorthAmerica  Europe

Contact The Dropkick Murphys

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frankieMajor thanks for Frankie to taking the time out to write this review and for those of you been living under a rock then that can be the only possible excuse to not know that Frankie is the singer/songwriter for Sydney celtic-punk legends THE RUMJACKS. Later this year they will be heading to the USA for a series of shows and they are intending to get back to Europe too so do yourselves a favour celtic-punk fans and get on board with The Rumjacks. It’s been one hell of a ride so far and there is no sign of it slowing down for a good while yet!

Read up on what we have had to say about The Rumjacks here. Our panel of pissheads experts even awarded them Best Celtic-Punk Album Of All Time here! Hunt them down at these- WebSite  Facebook  Twitter  Instagram  YouTube  Soundcloud

INTERVIEW WITH BOSTON CELTIC-PUNKERS MICKEY RICKSHAW

London Celtic Punks and UrbanKelt interview Boston Celtic Punk band ‘Micky Rickshaw’ before they took the stage at their first ever English gig at The Stags Head in Hoxton London as part of their European Tour.

Thanks to Bunney for the interview and John Murphy for filming.

Contact The Band

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ALBUM REVIEW: THE LOGUES- ‘Comin’ of Age’ (2016)

The Logues are five culchies from Co. Tyrone who play music!

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Formed in 2006 in the sleepy small village of Castlederg (in Irish: Caisleán na Deirge, meaning ‘castle on the Derg’) in County Tyrone in the north of Ireland. It lies on the River Derg and is just across the border from County Donegal. The various members were keeping a drunken promise by having a informal jam session on St Patrick’s Day that went down so well that now ten years later it has seen the lads tour right across Ireland and Europe (and America in 2017!). The five piece folk-rock band is made up of drums, bass, acoustic guitar, mandolin, banjo, tin whistle and vocals and with plenty of talent, wit and charm too! the-logues-1They self released their debut album ‘Tough at the Bottom’ in July 2011. A semi-concept album of eleven original songs based on that great Irish activity- drinking! Part autobiographical, part satire, the album explores house parties, being in love with mentally unstable women, being a ‘culchie’ (an Irish word for country personand even the literature of Flann O’Brien. They followed this up with a bunch of single releases that kept them in the public domain receiving plenty of airplay and eventually helping them become one of Ireland’s most sought after bands. The band name is not as you probably imagined a tribute to the #1 celtic-punk band but is in fact the surname of vocalist and tin whistle player Justin Logue. The Logues did though begin by playing mainly songs from The Pogues/The Dubliners song book before taking the adventurous step to move beyond cover band status and into the realm of real music. The band have an unmistakable folk-rock sound and their music has drawn some interesting comparisons to, among others, Christy Moore, Goats Don’t Shave, The Waterboys and The Saw Doctors and they are all well deserved.

Comin’ Of Age sees The Logues at ten years old and if Tough at the Bottom was a superb, though unpolished, debut album then their follow up is certainly set to see them cross over into the big leagues. The album kicks off with ‘Absence Makes the Heart Grow Fonder’ and it’s a strong opener with the trad Irish butting up against electric guitar and making for a lovely racket. Short and sweet and over before you know it and next up is ‘Bless the Land’ which was released as a single back in August 2014.  An album standout with great vocals from all the band and a real catchy chorus. ‘Better Man’ is up next and slows it down for a lovely ballad of just vocals and acoustic guitar and banjo. The universal theme of trying to prove you can be a better person. The best celtic-punk bands can knock out a ballad or two and The Logues do it with ease while ‘I Don’t Love You at All’ is a short and sweet song lasting just over two minutes. Busting with humour and with the welcome sound of a trumpet too!

They follow this up with a cover of the Philip Phillips hit song ‘Home’. Not so much in love with this one sounding as it does like The Lumineers or one of them other ‘Posh Folk’ bands from this side of the water. I’m sure will be popular enough mind but for me it just sticks out a bit from the rest of the album.


The LP returns to Irish trad with ‘Yvonne John’ with a country/ folk/ rock romp with a song based around the mispronunciation of a brand of Dutch rolling tobacco. ‘Sirens Call’ is pure folk-rock with a loud and bombastic beat but never too far from their folky roots.


‘Fly Free’ begins with piano and was another song released as a single in the run-up to the albums release. Nice to hear a ballad that shows that their prowess as a band and even though it has no folkier touches it fits snugly into the album. After a non folky song they follow it up with the country tinged ‘Drinkin’ with God’ and the full on country themed ‘All I Want Is You’.


‘No Place Like Home’ originally appeared on that 2011 debut album but The Logues have re-recorded it and it’s slighty shorter but ten times the original with the much better production only emphasising how much better the production on that debut could have been. More of the country feel to it and great banjo and lyrics about well you don’t need me to tell you.

‘Paisley Pattern’ is banjo led and catchy enough and over fairly quickly before we get a real standout track with ‘Logan’s Lament’ and an instrumental that really shows the Bhoys can play their instruments and also know their stuff as well. Fast and furious with all the band getting stuck in it’s traditional Irish folk for now and as good as any you’ll hear.


Comin’ Of Age comes to an end with ‘I’m on Fire’ and yeah it’s The Boss tune and while it may seem a bit sad to say the album standout track is a cover please don’t take it that way. All the elements of the original song are here but what The Logues have done to it is truly make it their own. An absolutely brilliant way to wrap up the album and the live version below doesn’t quite do it justice so hunt down this album just to hear ‘I’m on Fire’.

Signed to one of Ireland’s most respected music agency’s the future looks extremely bright for The Logues and with their army of fans in Ireland now beginning to extend to over here and with that American tour set to launch them in the States things couldn’t look any better for them. In the scale of celtic-punk they may not be up their with the more punkier bands but it’s loud and it’s catchy with great intelligent lyrics and a punk spirit that carries them along and means that not only do The Logues love what they do but it’s obvious to anyone listening that they love what they do. Last year it was their friends from just across the border in Donegal O’Hanlons Horsebox that took the Irish music scene (and this web zine!) by storm with their infectious brand of trad-celtic-folk-rock so only fitting that it should be a band from just down the road in 2016!

the-logues-band

The Logues L-R: Logan MacCool- Vocals, Tin Whistle * Kiel Cathers- Vocals, Acoustic Guitar * Chris Speer- Banjo * Darrell Nelson- Drums * Jesse Darragh- Bass, Keyboards

Buy The Album

FromTheBand  but if you really must  iTunes  cdBaby

Contact The Band

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Band Interview here

2016…THE STATISTICS!

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Sandy Row 2016. Photo- Ruairí

I know we say this every year but once again it’s been another absolutely fantastic year for both the celtic-punk scene in general and for us personally.  The amount of visits to the site exceeding last year by a whopping 15% and with a reduced amount of posts too! This is far and above anything we could have ever imagined. Once again we have been told by several bands that our reviews have a positive effect on music sales and things like Facebook Likes have shot up after we have posted on our site so we’re even more grateful that you seem to be listening and acting upon our recommendations.

TOP TEN COUNTRIES VIEWING

(2014/2015 in brackets)

1. United Kingdom (!) (1/1)

2. USA  (2/2)

3. Germany  (3/3)

4.  Ireland  (7/4)

5. France  (5/5)

6. Australia  (4/8)

7. Spain  (8/6)

8.Canada  (6/7)

9. Italy  (9/10)

10.Netherlands  (11/11)

We know from regular checks on our WordPress stats page that we have regular readers from all over the world and a big shout out to our fan in the Ivory Coast. We would love to see the Celtic nations listed separately as well as Catalonia and the Basque country as well as Sardinia and Corsica (all countries we have regulas viewers from) but until they gain independence they continue to be listed under the counties that occupy them. Not for much longer we hope…

TOP TEN ARTICLES VIEWED
(click to read)
So there you have it. Not particularly interesting to anyone but me but maybe there’s someone else out there who gives a feck!!! The next week will see the unveiling of the London Celtic Punks Best Of 2015 lists so be sure to check back and find out who rocked our boat the last twelve months.
Why not follow the blog and receive a e-mail every time we post by clicking on the logo at the top of the page and, depending how your viewing this, by clicking on the ‘Follow’ button either on the left hand side or scroll down after the posts.
* 2014 THE STATISTICS here
* 2015 THE STATISTICS here

SHIPPING UP TO LONDON! MICKEY RICKSHAW ON TOUR. 7th-9th JANUARY IN LONDON

Heading to these shores for the first time ever in January 2017. Ten days and counting! These awesome Boston celtic-punkers are coming to London, Kingston and Woking as part of their European tour.

We need your help in spreading the news of these gigs to anyone you know. Join the Events on Facebook and share and invite your mates. We know it’s hard trying to get people to watch relatively unknown bands but with your help lets make this tour a success for the Boston Bhoys!

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Well well well we all know that The Dropkick Murphys can’t go on for ever and with Boston’s place secured in celtic-punk folklore then who then will take on their mantle when they have retired to the great celtic-punk in the sky? Well I know a band that is more than capable and are ready and waiting in the wings to take over. That band are fellow Bostonians Mickey Rickshaw. A team of young fired up, blue collar, Irish Americans in touch with both their working class American lives and their roots back in the auld country. With Boston’s revered place in the history of punk, especially of the hardcore variety, and its massive, and vocal, Irish population its only natural that celtic-punk should have caught on so well among the Boston Irish community like nowhere else. Traditional celtic folk and punk rock aggression equals the 100% perfect sound for the Boston Irish and if the Murphys invented celtic-punk post Pogues then they have done their job well to hand the baton on to bands like Mickey Rickshaw that will take the sound on for the next generation.

With an Demo EP behind them from 2013, 16 Down and Back Again, it was their critically successful album, No Heaven For Heroes, from last year that saw Mickey Rickshaw’s name explode onto the celtic-punk scene with universal great reviews and plaudits heaped upon them from all corners of the globe. Reaching the top echelons of all the major celtic-punk Best Of lists, including #9 in the London Celtic Punks Top Twenty Of 2015 here.

So this brings onto that new album,  Behind The Eight Ball, again Mickey Rickshaw have hit the jackpot. Eleven tracks of blistering celtic-punk rock that I can’t honestly imagine anyone from yer finger in the ear folkie to yer crustie auld punk not loving the hell out of it. Whizzing past at you at just under half an hour it’s a frenetic sprint to the finish and bar a couple of moments is fast as hell celtic punk rock to be mentioned in the same breath as the Dropkick Murphys so good is this album. Celtic Folk Punk And More web site seem to have already crowned it album of the year here!

And so it is that Wild Atlantic lands across our desk. Indeed the Bhoys from Mickey Rickshaw will be crossing the said ‘wild’Atlantic’ very shortly and bringing their original and brand of celtic-punk to several cities across Europe during January 2016. With four songs, two taken from No Heaven for Heroes, one from Behind The Eight Ball and a new track all done in the stripped down acoustic style they shall be touring with it certainly loses none of its power by being acoustic and if anything proves the old adage right about you know a band is loud when they out punk an electric band with a banjo and a accordion! It’s available for free download at the link below but be warned. Once listened to you will not want to miss their gig/s I can guarantee it!!

MICKEY RICKSHAW TOUR 2017

rickshaw-stagsheadSaturday 7th January 2017 Opening night of the tour at The Stags Head, 55 Orsman Rd, Hoxton, London N1 5RA. Local bus routes include 149, 242, 243, 67. The pub borders Hoxton, Shoreditch, Dalston and Islington. 7-30pm start and admission is £5. Supports from Hastings folk-punkers MATILDA’S SCOUNDRELS, local female fronted Anarcho’s REFUSE/ALL, that man again COMRADE X and GREENFORD BHOY- DJ  Venue here Facebook event here

lcp-kingstonSunday 8th January 2017 at The Cricketers, 20 Fairfield South, Kingston upon Thames KT1 2UL. An absolutely fantastic venue that is only ten minutes walk from the rail station and the music venue is upstairs. Support comes from MATILDA’S SCOUNDRELS, post-punk band with a Celtic twist PHOENIX CHROI, a solo set from BRENDAN O’PREY from local celtic-punk legends The Lagan and GREENFORD BHOY- DJ. It’s a 7-30pm start and admission is just a paltry fiver. Venue here Facebook event here

lcp-wokingMonday 9th January 2016 at The Phoenix Cultural Centre, 27 Goldsworth Road, Woking, Surrey, GU21 6JT. Just a very short walk from Woking bus and rail stations. Come and say goodbye to the Bhoys and send them on their way to Europe with a smile in their hearts and with raging hangover’s! No bar in the centre only tea and coffee. Only joking it’s BYOB. Yes that’s right it’s BRING YOUR OWN BOOZE… and on a school night too! Support from COMRADE X and one more to be confirmed as well as GREENFORD BHOY- DJ. Live music from 7-30 until 10-30pm and admission is £4. Venue here Facebook Event here

Contact the band on Facebook  Bandcamp  YouTube

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