Tag Archives: Angry McFinn And The Old Yank

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2019!

Well here we go again. It only seems like five minutes since I was compiling all the votes into last years Best Of that saw The Rumjacks romping home with Album Of The Year. This year has been a bit quieter on the Celtic-Punk front but as last year was so busy that is perhaps not surprising. That’s not to say their weren’t some fantastic releases as their were plenty and it was still really difficult to come up with the various lists below. Not so many big bands this year so it was left to the lesser known bands to shine but remember this is only our opinion and these releases are only the tip of the iceberg of what came out last year. Feel free to comment, slag off or dissect our lists. As a bonus we are adding the Readers Poll again this year so you can even vote on your favourite release of 2019 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

(click on the green link to go where you will find more information on the release)

1. THE WALKER ROADERS – Self Titled

2. MICKEY RICKSHAW – Home In Song

3. FEROCIOUS DOG – Fake News And Propaganda

4. GREENLAND WHALEFISHERS – Based On A True Story

5. BARLEYJUICE – The Old Speakeasy

6. THE NARROWBACKS – By Hook Or By Crook

7. McDERMOTTS TWO HOURS – Besieged

8. PIPES AND PINTS – The Second Chapter

9. THE RUMJACKS – Live In Athens

10. SELFISH MURPHY – After Crying

11. TORTILLA FLAT – Live At The Old Capitol

12. FIDDLERS GREEN – Heyday

13. THE RUMJACKS – Live In London Acoustic Sessions

14. THE WHIPJACKS – This Wicked World

15. 13 KRAUSS – Redención

16. ALTERNATIVE ULSTER – Craic Agus Ceol

17. AIRES BASTARDOS – Self Titled

18. THE TEMPLARS OF DOOM – Hovels Of The Holy

19. THE FIGHTING JAMESONS – A Moment In California

20. ANGRY McFINN AND THE OLD YANK – Songs of Whiskey, Women & War

21. THE SHILLELAGHS – Ripples In The Rye

22. HELLRAISERS AND BEERDRINKERS – Pub Crawl

23. BODH’AKTAN – De Temps Et De Vents

24. HEATHEN APOSTLES – Dust To Dust

25. SONS OF CLOGGER – Return To The Stones’

26. THE CHERRY COKE$ – Old Fox

27. THE FILTHY SPECTACULA – The Howl Of The Underclasses

28. THE POTATO PIRATES – Hymns For The Wayward

29. TC COSTELLO– Horizon Songs

30. THE TENBAGS – ‘Bags o’ Craic’

How to compete with last year? Every single top band in the genre released an album so things were always going to be a bit quieter for 2019. Top spot this year unsurprisingly goes to The Walker Roaders Celtic-Punk super group! With Pogues, Mollys and Dropkicks making up the team how could they possibly go wrong! Everyone’s ‘next big thing’ Mickey Rickshaw came in a well deserved second and Ferocious Dog took third after releasing their best album, for me, since From Without. Greenland Whalefishers celebrated 25 years on the road with their best album for quite a while and what Best Of would be right without some bloody brilliant Irish-American bands challenging at the top too. Pipes And Pints new album with a new singer received acclaim from across the Punk media and The Rumjacks couldn’t follow up last years unanimous victory despite having two album releases (both sort of live) in the top thirteen. Fiddlers Green continue to make consistently great albums and go into 2020 celebrating thirty years together! Good to see homegrown bands The Whipjacks, The Tenbags, The Filthy Spectacula and Sons Of Clogger making it too. The top thirty was made up of thirteen countries from USA, England, Norway, Czech Republic, Australia, Switzerland, Germany, Argentina, Japan, Quebec, Hungary, Spain and Japan.

1. THE LUCKY TROLLS – Self Titled

2. DRUNKEN DOLLY – The Party

3. LORETTA PROBLEM – The Waltz Of My Drunken Dream

4. THE CLOVERHEARTS – Sick

5. KRAKIN’ KELLYS – Irish Tribute

6. THE PLACKS – Rebellious Sons

7. GYPSY VANNER – Five Distilled Celtic Punks

8. THE RUMPLED – Grace O’ Malley

9. FOX’N’FIRKIN – Hey Ho! We’re Fox n Firkin

10. SHANGHAI TREASON – Devil’s Basement

The Lucky Trolls took #1 spot with their brilliant self-titled EP following on from fellow countrymen the Krakin’ Kellys multi award winning 2018. Trust me it would have taken an exceptionally good release to keep The Party by Drunken Dolly off the top spot but that is what happened. Dolly’s excursions over to these shores this year j=has seen them grown in stature and you can’t go to a Ferocious Dog gig without spotting at least a dozen of their shirts. Loretta Problem wowed us with their single ‘Waltz Of My Drunken Dream’ which took us right back back to The Pogues glory days and what about that accompanying video too!! If we had a award for best video then that would have walked it. The Kellys had a quiet year with comparison to ’18 but still managed a respectable #5 and great debut releases from The Placks our sole representative from a Celtic nation (big things are going to happen to this band in 2020 mark my words), Italian/Aussies The Cloverhearts and, from just down the road from my Mammy, Shanghai Treason from Sheffield who only put out one song… but what a song! Eight countries represented from Belgium, Netherlands, Finland, Italy, Scotland, Argentina, Australia and Yorkshire!

AIRES BASTARDOS– ‘Self-Titled’

Argentina is becoming a bit of a hot-spot for Celtic-Punk with not only some well established bands but also some new ones starting up too and with this release Aires Bastardos announced their arrival on the international scene too. Not afraid to dive straight into a folk number after a Cock Sparrer cover they veer from standard Celtic-Punk to Folk and back to fast as hell Punk but in that really accessible way that only Celtic-Punk (and maybe Ska-Punk) bands can do.

1. THE DREADNOUGHTS – Into The North

2. CROCK OF BONES – Celtic Crossbones

3. 6’10 – Where We Are

4. BRYAN McPHERSON – Kings Corner

5. CALLUM HOUSTON – Gravities

6. PYROLYSIS – Daylight Is Fading

7. SEAMUS EGAN – Early Bright

8. LE VENT DU NORD – Territoires

9. DONNY ZUZULA – Chemicals

10. DERVISH – Great Irish Songbook

The Dreadnoughts don’t really think of themselves as Celtic-Punk so I reckon they’d be happier to win this than Celtic-Punk Album Of The Year. A superb collection of sea shanties that is a pleasure to listen to that was always going to be #1. Crock Of Bones representing the London Irish in 2nd with an album of trad folk with punk rock attitude and it’s especially good to hear some originals done in the style of the ‘auld ways’. 6’10 challenged for the top spot as they always do with everything they release and Bryan MacPherson and Callum Houston both produced great releases of singer-songwriter acoustic folk with Irish roots.

Sadly the Celtic-Punk world has shrunk a little regarding Web-Sites. Winners of the last two years the Mersey Celt Punks have been slacking (sort it out lads!) and enjoying their gigs too much to tell us while Shite’n’Onions have been too busy transferring everything onto a different platform and preparing for a bit of a re-launch I expect. Sadly celtic-rock.de have shut up shop after twelve years so it just makes it all the more clear how much we all miss Waldo and his fantastic Celtic-Folk-Punk And More site. As regular as clockwork and all the news that was ever fit (or not!) to print. Closing down the site in its 10th year in March must have been a tough decision to make and so this year we award best Website to Waldo and let it be known that no Celtic-Punk site will ever come close to replacing you. We would certainly not exist without his kind help and inspiration. All the best comrade enjoy your retirement! One welcome addition is Michu and his Celtic-Punk Encyclopedia site from Poland. Worth checking out especially if you are in a band.

We are not alone in doing these Best Of 2019 lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

FOLK’N’ROCK

MERSEY CELT PUNKS

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other Celtic-Punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 8th year of making these Best Of lists so if you would like to check out out who was where in our previous ones then just click on the link below the relevant year.

Last year we introduced a new feature THE READERS PICK. We had no idea if it would work or not but it was a raging success so we going to do it all again this year. With well over 500 votes cast you lot chose the debut album from the Krakin’ Kellys as a worthy winner. Only the Top Ten albums are listed but there is an option to write in your favourite release or just to send us love… or abuse!

You are allowed to vote twice but not for the same artist.

The Poll will close at midnight on Friday 31st January with the result announced soon after.

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2020

ALBUM REVIEW: ANGRY McFINN AND THE OLD YANK- ‘Songs of Whiskey, Women & War’ (2019)

Two Finns, A Yank and three Japanese making Irish flavoured tunes in the craziest city in the world.

A group of drunken musician from all over the world who met up in Tokyo to play aggressive Celtic-Folk-Rock telling tales of drinking, relationships and war.

Angry McFinn And The Old Yank were formed in the Japanese capital of Tokyo in May 2014 by Irish-American Dean Lewis. Dean had grown up listening to a sweet mixture of Appalachian country music and The Beatles. From the age of five he was writing poems and songs so fast forward to the adult Dean and he could be found in the famous bars and clubs of the Sunset Strip in Los Angeles. Then after a visit to Tokyo and falling in love with the city he turned his back on his old life and packed his bags and set off for a new life. Settling into his new life playing the occasional solo gig he had continued to write songs and so it meant to sense to start thinking of playing them so one night in 2014 near the famous Nihonbashi Bridge, Dean was chatting to an auld friend, a Finn named Petja Marttinen. Now despite knowing Petja for years he had never mentioned before that he was a classically trained musician who had even spent time in Ireland playing jigs and reels in local Irish bands. So as they chatted over a few pints of Guinness Dean asked Petja if he knew anyone interested in playing traditional Irish and American folk music with an attitude? Petja quietly said, “I know someone” and so Angry McFinn The The Old Yank was born that very night. Over the next few years the band grew quickly and with the the band now consisting of a stable and regular line up of Dean Lewis on acoustic guitar and lead vocals, Petja Martinnen on mandolin and fiddle, Yosuke Iwanaga on fiddle, fellow Finn, Petteri Pussinen on electric guitar, Nobu Kimura on bass guitar and Giant Sakimura on drums and bodhran. Regular gigs around the city saw their reputation flourish and so it was time for them to get some recording done and the result has been their debut album Songs of Whiskey, Women And War.

(Opening their set at their spiritual home the What the Dickens pub in Tokyo. May 2018)

The album begins with ‘Seamus’ and from the very off you know what’s coming over the next three quarters of an hour. Gaelic fiddle over fast paced Irish tinged folk music that builds and builds and gives plenty of scope for some audience participation too. I bet this goes down well at live gigs. The song tells of Seamus T. O’Malley a brave son of Ireland from Boston who took his fight to the Germans in WW2 and kicked everyone’s arse but still ended up answering to a French girl in France. Another sad one next with ‘Bitter’ but wrapped again in a joyous romp of a song and told with a bit of black humour of a relationship breakdown. The fiddle is more reserved here leaving the mandolin to take the lead alongside Dean’s great vocals. His love of Appalachian country shines through and here on ‘Bitter’ where the music is clearly influenced by Country music it works absolutely perfectly which is not to say he can’t belt out a Celtic-Punker with the best of them!

The pace returns with ‘Making Whiskey’ and the tale of making the “water of life” again its influenced by Country but the Gaelic is never too far away. It’s catchy stuff and reminds me of fellow Japanese bands The Cherry Coke$ and Royal Shamrock and even though the style of music is different they all play with a wild abandon that is a joy to listen to. That said on ‘Burn’ they slow it right down and as we know no Celtic-Punk album is complete without a couple of sad ballads! Adding in some heavy guitar licks and some fantastic fiddle alongside Deans mournful voice keeps the toes tapping (or thigh slapping in my case) while the songs builds towards the end and ends loud and proud. One of the highlights of the album without a doubt. ‘Never Was Your Friend’ starts off slow but soon kicks into another Celtic knees-up with more bitter tale of life and the shite you have to put up with just to get by. The album’s only cover is up next and is a good choice in the wonderful anti-war song ‘Mrs. McGrath’ with its fantastic chorus. Recently made famous by The Boss himself (here on You Tube) on his 2006 roots album We Shall Overcome. Brought to the USA during an Gorta Mór (the great hunger) in the mid-19th century the song is soon adapted as a marching song by Irish soldiers fighting in the American Civil War.

The version here sails closely to both the Bruce Springsteen version and the more traditional folk standard. An excellent song that portrays the horror of war and its effects with Dean’s voice on the album never better than here. ‘1017’ is next and we are back into the Celtic/Country fusion that has worked so well for Angry McFinn And The Old Yank so far. The mystery of the opposite sex is explored while Dean plays in a bar wondering where all the years have gone. Again its a sad song wrapped up in a real stomper of a tune. One of the outstanding things about this album has been the songwriting and it’s clear that Dean’s experiences across continents has paid dividends. On ‘Sally’ while the song has more than a tinge of Flogging Molly about it to my ear it’s the lyrics that really got me so no excuses for re-printing them all here so you can sing along to the video.

(The video for ‘Sally’ is a early versions of the track on the album. The song here represents the band before fiddle and electric guitar added to the mix)

“Sally, my lovely one, where have you gone? Fair thee well my chosen son, now here’s your gun. We marched all through the winter time. Summer has now come. But Sally, my lovely one is gone. Sally, my chosen one, you’ll not reckon’ me. I’d like to think when we were young that you’d have married me. But a hussar’s blade took away my smile and a dragoon my left eye. Sally, my lovely one, goodbye. Take me away, to the rolling hills of old. Take me away, to where the winter is never cold. Take me away, to the sunlight in her hair. Take me away, take me away from here. Sally, my broken one, I ask one thing of thee. If you’ll do me this one kindness, my soul will be set free. Tell my kin, tell all of them, to drink to me in Hell. Sally, my lovely one farewell. Take me away, to the cherry blossom spring. Take me away, to where my love, she wears my ring. Take me away, to where the guns they ring no more.. Take me away, to where she waits behind my bedroom door. The things I used to do with you, the summer rains, the morning dew. The long walks in the fields of green the way you used to dance and sing. They took away your soft caress, replaced it with a gun and death. They took away my light of day, now only pain and sin remain. So not the part I longed to play, a false flag led me far astray. They took my heart, took my name, and took away every damn thing that day. They took you away.”

We are sailing up to shore and the penultimate song ‘Whiskey & Blood’ is the album’s second ‘ballad’. A it of epic as at just over six minutes it’s the longest song on Whiskey, Women And War but the vast majority of songs here all hover around the four and half minute mark giving them plenty of scope to develop. A slow song that belies it’s length and seems over far too quickly leaving us with just ‘Pirate’s Life For Me’ to wrap the album up. Another one that’s a bit of a epic at five and a half minutes and winds proceedings up nicely with a lively and jolly sea bound number.

Angry McFinn And The Old Yank left to right: Yo Iwanaga – Fiddle * Petja Marttinen – Mandolin *  Dean Lewis – Vocals/Acoustic Guitar * G’ian Sakimura – Drums * Nobu Kimura – Bass * Hubert Benke – Electric Guitar * (electric guitar on album was – Petteri Pussinen)

Loud and brash but often quiet and reflective Angry McFinn And The Old Yank have produced an outstanding debut album and though it makes for an emotional ride it’s also played for fun with I am sure audiences cheerfully singing along and relating to the songs. Watch out for these Bhoys they are going places!

Buy Songs of Whiskey, Women And War  CDbaby

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