Tag Archives: Anto Morra

EP REVIEW: BENNY MAYHEM- ‘Song For Absent Friends’ (2017)

Australia’s folk-punk troubadour!

Just a few days before we review the new EP from Tasmania’s premier folk-punk outfit The Dead Maggies and it’s more of the same with more Aussie fare from Benny Mayhem. Not a name known to us till recently it would seem that Benny has blessed Europe quite a few times before as both a solo artist and as the shirtless, writhing front man of kick-arse smart alec punk rock party band Project Mayhem. He tours as both solo and with a band and if plans go to plan he will return to England with both in 2017 while inbetween Benny will be studio-bound applying the finishing touches to his latest LP.

From his home base on the west coast of Australia in Perth, Benny Mayhem has toured the world as a wandering troubadour and in England has gone from busking outside tube stations to the festival circuit in only two years. The EP begins with the title song ‘Song For Absent Friends’ and is an ode to the multitude of people that have helped Benny on his journey’s around the globe delivering folk-punk to the masses. It was in the Fuelled By Cider Studio in Somerset that Benny realised the three original songs delivered here needed the backing of a full band to realise their full potential. Returning to Australia he set about mixing the songs and gathering the right musicians for the job.

“Now I’m sitting in my room,
Thinking of times I shared with you,
And I wouldn’t be me today…
If it wasn’t for you”

He wrote the opener in a hotel room in the Austrian Alps and its poppy’ness’ and Cali-punk style belie its snow laden roots! It may not have much in common musically with The Dead Maggies but the Aussies seem to have cornered the market in great song/story writing.

(acoustic version of the full band song on the EP)

Benny and his acoustic guitar start the show next with the amazing ‘Mother Nature Will Have Her Revenge On Old Fatty’. Great well thought and inspiring lyrics as well as a great sense of humour. Listening to this song especially you can tell it would have worked as just Benny and that guitar but the band takes it into a different territory and will I am sure open many more doors for him.

“You’ll watch the jungle close in
Just as it always has before…
And the waters will rise
Just as they always have before…”

‘Bulwer Street Waltz’ is next and again it’s mostly Benny and his guitar with minimal but crucial backing from the band. A tale of mis-spent youth that ends with the absolutely fantastic line

“We were glared at in clubs
But we didn’t care
My only regret is that I didn’t dance”

What a line. I love it.

Song For Absent Friends ends with a class acoustic version of the Stiff Little Fingers standout ‘Suspect Device’. Jake Burns spits the original out with real bile while Benny plays it much calmer. Perhaps taking inspiration from Anto Morra who did an amazing job with SLF’s ‘Wasted Life’ proving you can do an angry song without an angry voice (here) Benny nails it regardless.

“Inflammable material, planted in my head
It’s a suspect device that’s left two thousand dead”

You can file Benny Mayhem in the folk-punk section with fellow Aussies like The Rumjacks and The Go-Set but just don’t be expecting the same celtic fuelled raucousness of said bands but more hook laden, catchy and contemplative songs from an artist whose journey has only just started. Whether that journey will lead him away from his trademark folk-punk sound who can tell but wherever it does end up you can be sure Benny will be delivering it straight from his heart.

(listen to Song For Absent Friend here for free before you buy)
* Benny Mayhem will be playing at Rebellion festival in Blackpool on August 4th so look out for dates across the country around then in what will be his fifth visit to these shores.
Buy Song For Absent Friend
Contact Benny Mayhem
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LONDON CELTIC PUNKS PRESENTS THE BEST OF 2016!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

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TOP 25 CELTIC PUNK ALBUMS

1. THE RUMJACKS (Australia)-‘Sleepin’Rough’  Review

2. THE NARROWBACKS (New York)- ‘Arrogance & Ignorance’  Review

3. THE CLOVES AND THE TOBACCO (Indonesia)- ‘Across The Horizon’  Review

4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’  Review

5. THE WAKES (Glasgow)- ‘Venceremos!’  Review 

Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.

6. THE CLAN (Italy)- ‘All In The Name Of Folk’  Review

7. HOIST THE COLORS (USA)- ‘Mourners’  Review

8. SIR REG (Sweden)- ‘Modern Day Disgrace’  Review

9. FOX n FIRKIN (Australia)- ‘No Vacancy’  Review

10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’  Review

11. LUGH (Brazil)- ‘Histórias Do Mar’  Review

12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’  Review

13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’  Review

14. SIGELPA (Catalonia)- ‘Rabant Original’  Review

15. TENHOLES (Indonesia)- ‘Loyalty’  Review

16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’  Review

17. 13KRAUSS (Spain)- TheEnd Is Nigh’  Review

18. DRINK HUNTERS (Catalonia)- ‘Shameless’  Review

19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’  Review

20. THE MUCKERS (USA)- ‘The Muckers’  Review

21. LQR (Netherlands)- ’10 Pinter’  Review

22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’  Review

23. Всё CRAZY (Belarus)- ‘По Морям’  Review

24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’  Review

25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’  Review

A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!

TOP TEN CELTIC PUNK EP’S

1. MICK O’TOOLE (England)- ‘A Working Class Battalion’  Review

2. THE RAMSHACKLE ARMY (Australia)- ‘Whitewashed Graves’  Review

3. DRUNKEN FAIRY TALES (Russia) – ‘Пьяные Сказки’  Review

With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.

4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’  Review

5. MICK O’TOOLE (England)- ‘False Flag Collapse’  Review

6. BAY STREET BASTARDS (Canada)- ‘Small Batch’  Review

7. LEXINGTON FIELD (USA)- ‘Redwood’  Review

8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’  Review

9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’  Review

10.  BALSALL HEATHENS (England)- ‘Life’s Too Short’  Review

TOP TEN FOLK/TRADITIONAL RELEASES

1. ANTO MORRA (London)-’16’  Review

2. THE LOGUES (Ireland)- ‘Comin’ Of Age’  Review

3. MICKEY RICKSHAW (Boston)- ‘Wild Atlantic’  Review

Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.

4. ShamRocks (Ukraine)- ‘Captain’s Log’  Review

5. LARKIN (USA)- ‘A Toast To St. Jude’  Review

6. FOLK THE SYSTEM (England)- Unrest In The Wolds’  Review

7. SHAMBOLICS (Australia)- ‘Riot On Race Day’  Review

8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’  Review

9. SOLAS (USA)- ‘All These Years’  Review

10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’  Review

TOP CELTIC PUNK WEB-SITE

Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.

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Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.

We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

PADDYROCK

MacSLONS IRISH RADIO

CELTIC-ROCK.DE

remember any views or comments we would love to hear them…

Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.

“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”

Read our obituary for Erik here and raise a glass the next time you get the chance to.

 Rest In Peace comrade.

 Sláinte, The London Celtic Punks Crew- January, 2017

INTERVIEW WITH COMRADE X

Hitting home with the force of a police raid on a late night lock-in at the dodgiest South London boozer Comrade X emerges from the rubble of political failure, X Factor and wall to wall mediocrity to raise a pint of Guinness to the spirit of 1977!
Over the last couple of years it has been our pleasure to make the acquaintance of a good few people, who we are extremely proud to say, have become part of the extended London Celtic Punks family. If you have attended a London Celtic Punks gig over the last few years then I am sure you will have witnessed our auld mucker Comrade X starting off proceedings by kicking up a storm with his own unique brand of acoustic-punk. Best described as “one geezer, one guitar, three chords and the truth” and, my own favourite, “Woody Guthrie meets Oi!” he’s just an ordinary bloke with an acoustic guitar and the truth to tell. That pretty much tells you all you need to know about what he does, but what does he think on the important matters of the day? We asked yer man a few questions over a few pints of stout so read on and find out…
Comrade3

Now Comrade X has been around on the music scene a lot longer than any of us have been so we thought we’d give him a chance to fill us in (not literally!) and give us the benefit of his knowledge. Now there may be a small handful of people reading this who are not aware of your contribution to the world of alternative music so want to enlighten them? What started your interest in music and how long you been playing and what bands you been involved in up to now? I was 14 when the Pistols appeared on Bill Grundy and it just blew me away. Till that point I was wearing tank tops, Oxford Bags and DM’s and fancied myself as a boot boy with an aspiration to be a face on the Shed End at Chelsea. After Grundy I wanted to know more about these punks. I bought New Rose when it came out and that was that – but it was really the first Clash album that shifted everything for me. After that I bought a guitar out of a junk shop in Leatherhead and started rehearsing with my first band Discipline at the Cabin Club down on Longmead Estate in Epsom. That would have been some time in 1977. We had guitars that chopped your fingers off and 5 watt Woolworths’ practice amps – we were dire but a fire had been lit. 

Comrade1Like most Londoners there’s more than just a drop of Celtic blood coursing through your veins. Do you think that has effected or contributed to how you play or why you play or your beliefs? Well, my grandad was from Kilkenny and arrived in Liverpool sometime in the 1890’s before heading to the East End. Of course I never knew him – he was dead by the time my dad was ten years old and he was orphaned and bought up by his older sister. The family name was changed by my grandad and I only know what my dad and his older brothers told me. Grandad sang rebel songs in pubs around Stepney and his favourite was Bold Robert Emmett so I was told. I think there’s a fair drop of that spirit in what I do. What? Singing rebel songs in a pub? I’d say so!!
Having been in bands and played solo yourself which figures or bands do you think have been the important links between the past and the present and folk/celtic/traditional music and punk/rock music? Biggest influence on me is Joe Strummer – his catalogue from the 101ers to the Mescaleros stands the test of time. The Mescaleros picked up some of Joe’s Celtic connections back to his own Scottish roots. He also introduced a lot of us to Woody Guthrie and through that Leadbelly and some of that deep roots Americana which of course all tracks back through the Celtic immigrant trail. I remember seeing the Pogues in their early days and for loads of us with an Irish/punk background lots of bits started dropping into place. Great to see new bands tipping their hat to that pioneering work by the Pogues and the Men They Couldn’t Hang. The Lagan are the tops for me, that might be a Surrey thing, but they are run close by outfits like Matilda’s Scoundrels and Black Water County. Steve Earle deserves a nod here as well – I was lucky enough to get to work with him a few years back. Top fella
 How you find the London Irish scene these days? Obviously the old community has shrunk and the new arrivals seem, to me anyway, not to be interested in Irish music. Maybe I’m reading it wrong. I certainly hope so. Is there still a community out there? So many pubs have closed or changed and communities are much more dissipated. I’m from Epsom where there used to be five big mental hospitals and they were staffed throughout by Irish immigrants working alongside colleagues from across the Commonwealth. My dad worked his way up to managing and inspecting the quality of those NHS services. Those hospitals have all closed but the social clubs in those places were something else. The sense of community was massive. The loss of those big centres of employment has had an inevitable impact.

As I say you’ve been performing for a hell of a long time in bands and now as a solo act but it has been said (and I am in agreement) that being a solo artist is the hardest thing to do. Just yourself on the stage and nowhere to hide. What does it take to be a solo performer. I would say big nuts and a big ego but obviously that’s not right for everyone! Yep, nowhere to hide! That is a bit of a downside but on the upside there’s no one to row with other than yourself and the odd sound man who thinks that every solo artist with a guitar should sound like Cat Stevens.

What bands are you listening to at the moment? Do you follow celtic-punk at all. Any bands out of the scene that you like? I’ve already bigged up The Lagan, Matilda’s Scoundrels and Black Water County but I can add to that Mick O’Toole and of course the old troopers Neck who I’ve know since time began. I pick up loads of stuff from your recommendations from around the globe and I think that the Irish influenced punk/folk scene is healthy as fuck – cant wait to see the Cundeez down in Brixton as well.

Comrade2There’s always been a big debate about celtic-punk and whether or not it is cultural appropriation and politically correct for non-Irish bands singing about the Irish getting pissed and fighting and pubs and what have you. Personally I love it. The idea of the likes of Indonesian or Brazilian bands getting into The Dubliners and The Wolfe Tones after listening to the Dropkick Murphys. I mean its not like The Dubliners ever wrote a song about getting pissed is it? I think its just a case of snobbery but do you think it’s ok? I agree. I’m sick of being told what is and what isn’t acceptable and until everything is narrowed down to a tiny spec. I like covering Holy Spook by the Popes – “…I wrecked my life on whisky, bad wives, taking pills and cursing…”. That’s just the blues mate and it doesn’t belong to anyone. This “cultural appropriation” stuff is just more hand-wringing, liberal bollocks.

Now London Celtic Punks have always had the by-line of ‘Folk Punk Football’ and football is very dear to your heart as we know. Obviously the modern game is shite and the only real football fans are to be found in the lower divisions and non-league. That about right? ha ha – no, you are completely wrong and modern football, as invented by Sky TV, is brilliant! What’s the matter with you?
How long you been going to Sutton United? Do you think supporting a team that has never really won anything has made you a better person? Does learning the value of defeat and pride in losing but trying your hardest teach you something that is missing in the Premiership or even society? I’ve been going to Sutton since the early seventies. My old man took me down there to try and wean me off Chelsea and a career as a hooligan. He wasn’t totally successful but I always kept a link with the U’s. About ten years ago I jacked in the Chelsea season ticket and now it’s Sutton home and away. I love it. I meet loads of old punks who see the connection with those old values in the non league game. Never won anything? We won the bloody league last season! And did I ever tell you about the time we beat Coventry City in the FA Cup? 
As well as football you are heavily involved in promoting trade unionism. The decline of the unions is a terrible thing but what do you think can be done to reverse that trend. My own union is a waste of space and I may as well throw my money down a drain but as a good friend of mine (a Scouser of course!) once said joining a union is like having house insurance you don’t expect the house to burn down tomorrow but what do you do if it does. I got involved in NUPE in the early eighties when I lost my job as a sparky and took a job as hospital porter. Brilliant days and we were solid as a rock before everything was ripped apart and privatised. You’ve got to have that strength in the workplace or you’ve got nothing.
With so much music in your life. What are your happiest memories of playing. The best gig or best people… Tolpuddle main stage last week was one of my best ever gigs. Strummercamp and that night at the Water Rats with you lot, Anto Morra and Pogue Traders is up there as well. The rest is just a blur of fast living. 
Comrade4Right you have hinted at this every now and then on stage so lets get the full unabridged story out of you now. How did you manage to get Neck’s anti-racist single ‘Every Bodies Welcome To The Hooley’ into the national charts? Ha, that really was the wide boys revenge mate. I pulled in favours with every journo I know and got the band on BBC prime time TV and radio and we had people targeting the record shops that used to file returns for the official chart. It was some proper old spivery and I am rightly proud of it.
What’s the immediate future hold for Comrade X. Any gigs/ festivals we should be looking out for you at? What about recordings. Ain’t it time you got something down on disc… or vinyl’s coming back you know? I’ve got a mate up in Luton who has built an analogue studio and I’ll be doing some recording up there in the autumn – some great shows coming up very shortly with you lot and the Veg Bar, The Lagan at the Fighting Cocks and Undercover Festival. And I will be helping my old mate Noel Martin from Menace with his bands 40th anniversary bash at the 100 Club. I’m enjoying myself and you can tune in through the Comrade X Facebook page.
 

Thanks Comrade for taking the time to answer a few questions. It’s a privilege to include you as a member of the London Celtic Punks crew and work with you over the last few years, so here’s to many many more!
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You can catch Comrade X playing live at our next London Celtic Punks gig later this year on Saturday 3rd September on home territory in South London. He will be supporting Dundee based bagpipe punk band THE CUNDEEz on their London debut gig. All starts at 7-30pm sharp and costs just a fiver on the door. You can check out the Facebook event here to find out all the details of the venue and the other support bands or go to our What’s On- Upcoming Gigs & Events here.
Contact Comrade X

ALBUM REVIEW: ANTO MORRA-’16’ (2016)

London Irish Folk Punk

Anto16

Somewhere between the Pogues and Ian Dury with perhaps a dash of Madness.
The ever prolific Anto Morra returns with this sixteen track album tribute to the 1916 Easter Rising. In the 100th Anniversary year of the Rising their have been many books and musical tributes paid to that heroic act and I have to say that ’16’ is up there with the best of them. For those that don’t know the Easter Rising took place in April 1916 in Dublin and is one of the most important events in Irish history. It was an attempt to win independence from the United Kingdom by force of arms. Lasting only a few days from April 24 to April 30 around 1500 members of the Irish Volunteers, led by school teacher Pádraig Pearse, joined by the smaller Irish Citizen Army of James Connolly, seized key locations in Dublin and proclaimed an Irish Republic independent of Britain. They called on the Irish people to rise up and follow them but their call fell on death ears and they were quickly crushed by the huge police and government forces sent against them. For nearly a week Dublin was paralysed by street fighting before British artillery bombardments finally compelled Pearse and his colleagues to surrender. Sixty-four rebels were killed during the fighting, along with 134 troops and policeman and at least 200 civilians were injured in the crossfire. James Connolly whilst dying from shrapnel in his chest was carried on a stretcher to the courtyard in the prison and after confessing his sins to a priest and receiving communion he was shot while tied to a chair to stop him falling out of it. When asked by the priest would he forgive the men who were about to shoot him, James Connolly replied
“I will pray for all men who do their duty according to their lights [conscience]. Forgive them father, for they know not what they do”.
After only six days the Rising was over and fifteen leaders were court-martialed and executed at Kilmainham Jail in Dublin. A sixteenth, Eamon de Valera, was saved from a death sentence because he was an American citizen. The executions caused a wave of revulsion against the British and turned the dead republican leaders into martyred heroes. Despite its military failure, the Rising was a significant stepping-stone in the eventual creation of the Irish Republic. These men would soon prove to become an inspiration to the next wave of freedom fighters in the War Of Independence who would eventually force the British Empire to it’s knees.

ProclamationThe tradition of rebel music in Ireland dates back many centuries, dealing with events such as the various uprisings over the years, the hardships of living under oppressive British rule, but also strong sentiments of solidarity, loyalty, determination, as well as praise of valiant heroes. Though not confined to Ireland it can be said that the Irish have mastered the art of oral history in song and rebel songs are a massive part of that history.

Anto’s album contains sixteen tracks that include some surprising inclusions as well as as some of his own compositions. He is accompanied on several songs by his great friend Tim Chipping on mandola and banjo but for the most part this is pure Anto. Pure London Irish folk punk as Anto puts it himself. Raised in west London by Irish parents his formative years were as a punk rocker floating from band to band and dole cheque to dole cheque in Thatcher’s Britain. Moving from the rat-race of London to the quiet of the Norfolk countryside Anto began to further explore his Irish roots by joining Whirligig, a four-piece ceilidh dance band. In 2013 he left the band after ten years and decided to concentrate on his songwriting and solo performances.

16 begins with the first of Anto’s compositions the ballad ‘Blood On The Shamrock And The Rose’ and is the story of the feelings that the war in Ireland evoked on both sides. Hatred is never a good thing and for the those of us would like to see a united Ireland sooner rather than later hate is not the way to achieve it. A truly great anti-sectarian anthem. This is followed by Kelly From Killane. Made famous in the past by The Dubliners and more recently Damien Dempsey and written by the influential poet Patrick Joseph McCall (1861–1919) about John Kelly who fought in the 1798 Rebellion. He was one of the leaders of the victory over the English at the Battle of New Ross, but was later captured from his bed and hanged and decapitated by British soldiers on June 22, 1798. A up tempo version more akin to Damo’s version. Anto is unaccompanied on ‘The Wind That Shakes the Barley’ a ballad written by Robert Dwyer Joyce (1836–1883). A beautiful tragic song telling of a young man doomed to fight and die in the 1798 rebellion spending his last moments with his loved one. ‘The Rising Of The Moon’ follows and is one of the most covered of all Irish songs and is again based on the 1798 rebellion. One of my personal favourites is up next. hearing this for the first time on one of my Grandad’s old records. ‘Down By The Glenside’ tells of a old woman of around the time of the 1916 Rising recalling her youth.

“Some died by the glenside, some died near a stranger
And wise men have told us their cause was a failure
But they fought for old Ireland and never feared danger
Glory O, Glory O, to the bold Fenian men”

A somewhat modern classic is up next with ‘Back Home In Derry’. A song written by Bobby Sands who was the leader of the Irish Republican Army prisoners in the Maze Prison and led the infamous hunger strikes of both 1980 and 1981 which would eventually lead to his death on the 5th of May 1981. Before he died Bobby was elected as an MP to the British parliament gaining 30,492 votes which dwarfed the votes his many enemies (including Thatcher) had received in that parliament who called him a criminal. He borrowed the tune from Gordon Lightfoot’s ‘The Wreck of the Edmund Fitzgerald’ for his tale of a young Irish rebel being transported to Australia. Covered by many artists including Christy Moore and Neck it’s a beautiful song and all the more tragic that Bobby’s light was extinguished so early. ‘Wasted Life’ follows and its a brilliant version of the Belfast band Stiff Little Fingers punk rock hit from the late 70’s. Taken from what I think is the best punk rock album of all-time Inflammable Material.

Fast and emotion filled and over in a flash and Anto sings next of an emigrant thinking of his home in ‘Charleville’ in north Cork. ‘Song For Ireland’ is another classic beautiful song. Made a hit in the 70’s it was  written by an English couple, Phil and June Colclough, and was inspired by a trip they took to the Dingle Peninsula. It has been recorded by Mary Black, Dick Gaughan, Barleycorn and Clannad to name but a few.

“Dreaming in the night
I saw a land where no one had to fight
But waking in your dawn
I saw you crying in the morning light
While lying where the falcons fly
They twist and turn all in your air-blue sky”

‘Only Our Rivers Run Free’ is another personal favourite of mine and the title is self explanatory. Mickey MacConnell wrote the song in 1973 and it became a huge hit for both Christy Moore and Irish living legends The Wolfe Tones. Never has Anto sounded better but then straight away he goes one better with ‘Paddy’s Lamentation’. A song written during the American Civil War era about an injured Irish soldier fighting for the Union who dreams of returning to Ireland. ‘The Merry Ploughboy’ is known wherever you’ll ever find an Irish person from the terraces of Celtic Park to bars and clubs though out the world. It’s the first of two consecutive songs written by the great Dominic Behan (1928-1989), brother of writer Brendan. Both were committed socialist’s and republican’s and were among the most influential Irish artists of the 20th century. Anto gives it plenty of ‘ooompf’ and sings with gusto for one of the few, especially on this album(!), joyous and uplifting songs on this album.

“And when the war is over, and dear old Ireland is free
I’ll take her to the church to wed and a rebel’s wife she’ll be
Well some men fight for silver and some men fight for gold
But the I.R.A. are fighting for the land that the Saxons stole”

Definitely one of those songs that gets the blood racing and would get even yer most avid ‘west-brit’ up on a bar stool baring his chest and belting out his lungs. We are back to more serious matters next with ‘The Patriot Game’. One of the most tragic songs ever written about the war in Ireland and also contains some of the most savage put downs you’ll ever hear of the

“quislings who sold out the patriot game”

Telling of Fergal O’Hanlon, from Monaghan who was killed at the young age of just 20 in an attack on a British Army barracks on New Years Day in 1957. Another volunteer, Seán South, was also killed during the raid. ‘Rocky Road To Dublin’ is an upbeat Irish classic, an incredibly fast-paced 19th century song about a Irish man’s experiences as he travels to Liverpool from his home in Tuam in Ireland. A live favourite of Anto’s he performs the song accompanied only on the bodhran. Written by D.K. Gavan, known as ‘The Galway Poet’, for the English music hall performer Harry Clifton who made the song famous.

Another live favourite of Anto’s is up next with ‘The Foggy Dew’ perhaps the best and most widely known, and covered, of songs about the 1916 Rising. It was written by a Catholic priest, Canon Charles O’Neill (1887-1963), sometime after 1919. The song encourages Irishmen to fight for the cause of Ireland, rather than for Britain, as so many young men were doing in World War 1. The most famous version of which is by the The Chieftains and Sinead O’Connor to which The Dropkick Murphys have been taking to the stage for the last decade. With nearly an hour on the clock 16 finally comes to an end with Anto’s song, his own ‘Green, White And Gold’. Anto’s take on the 1916 Rising is well worthy of its place here amongst some of the best Irish songs ever written.

16 is released next week as a limited edition digipack gatefold CD on St Patrick’s Day, March 17, 2016. The cover art, as on all Anto’s releases is by the famous London Irish artist Brian Whelan. It is more than refreshing to hear these songs sung in a London Irish accent as I noticed that even in my head I was singing along in a Irish accent! Anto is a unique talent with an ability to tell a story in a way that grabs you and forces you to listen. Famed for his wordplay and the way he manages to inject the spirit of punk rock into his acoustic folk he has taken these famous songs and re-told them in a way accessible to everyone. One of the most moving things about this album is surprisingly not one of the songs but the small tribute on the record sleeve that I will end the review with.

“This album is dedicated to my Dad Edward Anthony Morrissey and my Grandfather Daniel Forde. Both brave Irish men who fought for the British and survived World War 1, World War 2 and the Korean War and always dreamt of an united Ireland”

Buy The Album

E-Bay (CD)  FromAnto (Download)

Contact Anto Morra

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Pogues at WRYou can pick up a copy of 16 at the official record release show on St Patrick’s Day at The Water Rats in Kings Cross where Anto will be supporting the #1 Pogues tribute band The Pogue Traders well into the early hours. This is the same venue where The Pogues played their first ever gig so come along and be part of history! Tickets are only £7 and are available in advance from here and you can find all the details including set times nearer the date here on the Facebook event page.

  • we have much much more musings in the Anto Morra vaults here if you would like to catch up with them.

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

LIVE REVIEW: THE POGUE TRADERS at The Water Rats 13th December 20015

Reviewed by Heather Hoy

It was on the 4th October 1982 that The Pogues played their first ever gig at The Pindar of Wakefield on London’s Gray’s Inn Road.

The Water Rats

Back then, they could never have imagined the impact their music would have on the world around them or how people’s lives would be changed as they introduced the audience to a slightly different style of Irish Music, Celtic Punk.

 Over thirty years later, on Sunday 13th December 2015, The Pindar of Wakefield, which is now called The Water Rats, recreated that historic day and welcomed The Pogue Trader’s. The band are described as ‘the UK’s number one Pogues tribute act’ by Pogues drummer Andrew Ranken and were playing their first gig at the venue that night.

Comrade X

Comrade X

There were two support acts on the bill, Comrade X and Anto Morra, both guitarist singers who played sets of just over half an hour each.  Both were entertaining and energetic and treated anyone who turned up early to a lively versions of a range of folk and punk songs.

 

 As 9.30pm approached, the room filled up and the atmosphere was electric as The Pogue Trader’s took to the stage. They started the show with ‘Streams of Whiskey’, from The Pogues first album, Red Roses For Me, which The Pogues have usually started their own sets with since they reunited in 2001.

The Pogue Traders

The Pogue Traders

This was followed by a wide range of Pogues classics, ‘If I Should Fall From Grace With God’, ‘Sally MacLennane’, ‘Dirty Old Town’, ‘Fiesta’, ‘Transmetropolitan’, ‘Poor Paddy on The Railway’, ‘The Irish Rover’, ‘Waxie’s Dargle’ and the classic ‘Fairytale of New York’ were amongst the many highlights and they even did an excellent rendition of ‘Johnny Come Lately’, a Steve Earle number for which The Pogues provided the backing.  The show was about an hour and a half long and The Pogue Trader’s, sounding every bit like the real Pogues, gave it their all even though there was not much room on stage for dancing. From start to finish, the crowd sang along and danced just the same as they would had they have if they had been watching the originals. By the end of the night, the bar was almost drunk dry and there were a lot of people who left The Water Rats in high spirits happy to have been part of this momentous occasion.

The Pogue Traders3The Pogue Traders are without doubt, one of the finest Pogues tribute bands around and their sound is so close to the original band that sometimes it is hard to differentiate between them, which is what a tribute band should be about.

Unlike some of the other tribute bands around, they seem to have the ability to balance correct style, choice of instruments and musicians which is a formula that works well.

  • thanks to Heather for the review. She does an excellent blog on The Pogues here called Pogues Fan 4 Eva so go and check it out.

The Pogue Traders

are available for the proverbial weddings, christenings and bar mitzvah’s so give them a knock if you want them to come play for you.

Facebook  WebSite  Soundcloud

and here for Comrade X and here for Anto Morra

for me though there is no bigger or better band in celtic-punk than The Pogues so here’s this here

The Best Pogues Related Sites

In The Wake Of The Medusa Paddy Rolling Stone * The Parting Glass * Pogues Facebook Page

For me though the best place on the internet for The Pogues is this unofficial group on Facebook (here) all the diverse views you would expect from a bunch of people who follow The Pogues. Be sure and join up won’t you?

photos by Nessa and Comrade X

2015 REVIEWS ROUND UP PART TWO- WILL TUN AND THE WASTERS, SKONTRA, LOUISE DISTRAS, HAPPY OL McWEASEL, THE CUNDEEZ, ANTO MORRA

This year has been quite brilliant for celtic-punk releases. In fact it has been far the best year since we began doing this here thingy. Good news surely but it also sadly means we didn’t get a chance to review everything we received or heard. So after catching up with our North American cousins (here) last time in Part 1 this time round we catch up with some a wee bit closer to home.

WILL TUN AND THE WASTERS- ‘The Anachronist’s Handbook’  (BUY)

Will Tun And The WastersThis album release came accompanied with the sad news that lead singer Will Tun was leaving the band. An amicable split and the rest of The Wasters have decided to carry on without him and so this is the swansong of Will Tun’s Wasters. Formed in 2010 by a gang of students based all over southern England Will Tun And The Wasters released a smattering of EP’s and singles and managed to get pretty popular so it was only a matter of time before an album was due. I suppose losing your lead singer would also also help lose a big slice of momentum as this album sneaked out rather than be unleashed and that was a mighty shame as this is a album deserving of being unleashed! Impossible to pigeonhole they were a hard working bunch ready to arrive from several starting points to play gigs at a drop of a hat. Though starting off more as a folk/celtic/ska-punk band they never stopped evolving and traces of hip-hop, Balkan and Latin found a home and nowhere more so than on The Anachronist’s Handbook. Twelve songs and over fifty minutes long the album takes you on a roller-coaster ride of musical styles but its the accordion and fiddle that stand out for me as well as Will’s great distinctive vocals. The energy is infectious and ‘Red & Black’ and ‘A Criminal’s Waltz’ could be The Pogues but whatever genre they turn their hand to they master it. The album ends with ‘Downtime’ another album highlight but this time a reggae/ska beat dominates. I really hope The Wasters can regroup and carry on (as they do intend to) as they would be sorely missed.

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SKONTRA- ‘Foguera’  (DONATE/FREE DOWNLOAD)

SkontraHere’s some authentic celtic-punk for you played by Skontra from the city of Gijón in the celtic region of Asturias currently under Spanish control. There is a school of thought amongst celtic scholars that to be a true authentic celtic nation you must have your own language but if to be truly celtic is based on culture then we must instead expand our thinking to include both Asturias and their neighbours Galicia as well. Celtic culture is alive and kicking and the people are especially proud of their celtic roots. Formed in 1991 Skontra this is their fourth full length album and the thirteen songs are mingled with elements of punk, hardcore, ska and reggae but always with a celtic base and with the traditional Asturian bagpipes leading the way. Seven of Foguera’s songs are in their native Asturian and the rest in Spanish so can’t tell you what the songs are about but its all dead catchy and if you’re looking for a comparison then this would please all you Real McKenzies fans but its very well played celtic-punk that ought to get you all moving your feet. Typical of Skontra is the fantastic title track which includes just about everything that makes them tick. They have made the album available for free for download so you’d be a mug not to get this fantastic album.

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LOUISE DISTRAS- ‘Dreams From The Factory Floor’  (BUY)

Louise DistrasMaybe not a celtic-punk album but Louise has popped up supporting both The Mahones and Bryan McPherson in the last year and her folky-punk solo set is right up our alley. She has been called the next Frank Turner but as I don’t think she went to the poshest most exclusive school in Britain I reckon we can ignore that. There’s no style over substance here, what you see and what you hear is what you get. ‘Dreams From The Factory Floor’ is twelve songs of over half an hour of folky punk that sometimes veer into almost poppy tunes like the great ‘Bullets’ but then the album goes in a direction that (very) early Bragg or Springsteen at his best would approve of. Plenty of harmonica (I love that) and great politics too. The politics of the working class and its struggles in every day. The spoken word title song is amazing and delivered in Louise’s broad Yorkshire accent sounds about as authentic as some others don’t. The use of both acoustic and electric guitar and the poetic lyrics and every song is both catchy and meaningful. No filler or fluff here and though not as punk rock as Louise is with her full band this album certainly shows an artist who is on her way to stardom.

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HAPPY OL’ McWEASEL- ‘Heard Ya Say!’  (BUY)

Happy Ol McWeaselFrom the first moment I heard this album I fell in love with Happy Ol’ McWeasel’s brand of joyous uplifting celtic punk rawk! Formed in 2007 in the Slovenian town of Maribor this is their second album and while on No Offence they relied maybe a little too much on traditional folk covers on this album they decided to take the more risky route and play only their own songs and I tells you it works… and it works well! All the usual instruments are here as well as accordion, fiddle, and banjo making as authentic a celtic sound as you are likely to hear in celtic-punk in 2015. Most important of all through the album’s twelve tracks you get the feeling that the band really love doing what they are doing. Their is a real sense of enjoyment running through this album and though you could bracket it with Flogging Molly style celtic punk it certainly ploughs its own trough too though it certainly could compare with bands like Rancid as well. Well played instruments, clear vocals and these fun-loving tunes are a definite hit. Its criminal that bands like Happy Ol’ McWeasel don’t get the applause they deserve but they are definitely one of the scenes best bands. They have given us an album that doesn’t just pump out standard celtic-punk rock but something with a whole lot more substance. One of the best productions on a album I have heard helps a lot but this innovative band will go far I am sure.

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THE CUNDEEZ- ‘Sehturday Night Weaver’  (BUY)

The CundeezIf their was a prize for best pun in a album title then Dundee band The Cundeez would walk it. Do you get it? Anyway this is their third album and with each one the band have got more polished and accomplished. Saying that it’s still ramshackle punk rock in all its glory. The lyrics are mostly either political or a bit daft and shouted in a raw Dundee dialect and combined with the punching guitars, pounding drums and occasional bagpipe The Cundeez certainly offer something well different to yer usual punk rock fare. The opening song is pure bagpipes and well played they are too but with the next song ‘Scaffie Radio’ the album steers away from celtic-punk into more standard (but still very good) punk. Elements of ska too especially on the brilliant ‘Rooota’ The pipes return occasionally and the album ends with a cover of ‘Teenage Kicks’ where the pipes return again to great effect. The rest of the album rocks by and can’t wait to catch them live from what I have heard they put on a great show.

The Cundeez unashamedly Dundonian working class band promotin the culture an havin a laugh!

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ANTO MORRA- ‘Patriotism Is Not Enough’ EP  (BUY)

Anto MorraNow this EP from London Celtic Punks favourite Anto Morra sticks out like the proverbial sore thumb here. I can say that freely as it was Anto himself who said it first! Those coming along to this EP expecting more of the same as Anto’s previous releases will get a shock as what you get here is hardcore ‘finger in the ear’ folk music that brings back reminiscences of people like Ewan MacColl and Pete Seeger. Famed for his wordplay and the way he somehow manages to inject the spirit of punk  rock into his London Irish acoustic folk Anto has come up here with something very novel and you can listen to the whole EP below on the Bandcamp player first before you buy. Again the amazing fellow London Irishman and artist Brian Whelan has provided the artwork and the whole EP is a tribute to Edith Cavell. Edith was a nurse and is celebrated for saving the lives of soldiers from both sides during the First World War. She aided some 200 Allied soldiers to escape from German occupied Belguim and it was for this that she was arrested and accused of treason. Edith was found guilty and sentenced to death and despite international calls for mercy, she was executed by firing squad with her execution receiving worldwide condemnation. She is well known for her statement that “patriotism is not enough” and it was her strong Anglican beliefs that compelled her to help all those who needed it. She was quoted as saying, “I can’t stop while there are lives to be saved”. Edith, who was 49 at the time of her execution, was already notable as a pioneer of modern nursing in Belgium and this EP tells of her glorious life. Five tracks of Anto recorded in a church in Norfolk last Summer including ‘Edith Louise Cavell’ which was performed and broadcast live at the Edith Cavell’s centenary memorial service on BBC Radio 4. So a lot different to what Anto has previously done and I doubt we’ll get to hear any of these songs at a London Celtic Punks gig but full marks for producing this beautiful tribute to Edith and I do hope you will give it a chance.

Contact Anto Morra

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So ends Part 2 and again we’re sorry we weren’t able to give each album the full-on London Celtic Punks treatment but it was just not possible with work and family commitments. Soooo only one more part to come and in Part 3 we will checking out some cracking releases from across the other side of the world. Yes from Japan, China and Australia. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

BIBLE CODE SUNDAYS CHARITY SINGLE ‘Something Inside So Strong’

Charity Single Released with Ginger Melodeon Experience Music Collective for The Lymphoma Association.
FREE DOWNLOAD!!

click above for your free download don't forget to donate!

click above for your free download
don’t forget to donate!

All we ask is that you make a donation, any amount you like!

Tracie O’Sullivan is a friend, she is one of the lucky ones and is the reason why The Bible Code Sundays have recorded this song. This is her story in her own words:

“In April 2013 my world was shattered, a routine blood test showed an abnormality in my liver, laughing I told the Doc I would slow down on the shots!  Her face wasn’t smiling, it was full of sorrow for me, it was nothing to do with shots, it was Lymphoma a blood cancer.  After eleven weeks of tests and an operation my sub type was found and a treatment plan put in place for 6 sessions of aggressive chemo.  There are so many types of Lymphoma cancer, and mine was a rare one, Nodular Lymphocyte Predominant Hodgkins Lymphoma, what a mouthful!  You immediately google it, and get a load of scary non truths, the Lymphoma Association had the answers for me and all written in easy to understand jargon.  My daughter was living in Australia; I had to tell my only child I had cancer and might die.  She was terrified and so distraught, being so far away.  The Lymphoma Association to the rescue again!  Loaded with information and realisation that, although a rare type, my type of cancer could be cured.  After a gruelling six months and the support of my family and friends I am out the other side, bald but better!! I am in remission and I am one of the lucky ones.  The Bible Code Sunday lads, are included in my group of bestest buddies, they were a huge support and comfort to me and the family, we love them dearly.  Along with the other talented Musicians on this track, my cancer anthem ‘Something Inside So Strong’ has been recorded.  It’s a free download, and is a fantastic version, it’s a free download, all we ask is you make a little donation, anything you can spare, no matter how small will go to the Lymphoma Association. I intend, when fully better, to volunteer to be a Lymphoma Buddy.  This is a free service for those who are diagnosed to talk to someone who has been through the experience, some people are not as lucky as me and don’t have the wonderful friends and family that I have around them. Your donations will help fund these types of schemes.  Every forty minutes someone in the UK is diagnosed with Lymphoma and it is particularly common in the younger population.  Thank you to the best group of lads and lassies ever, musical geniuses!  – The Ginger Melodeon Experience”

inspired by our friend Tracie O’Sullivan.
to donate to this great cause

http://www.lymphomas.org.uk/
http://www.lymphomas.org.uk/

THE BIBLE CODE SUNDAYS

The name…
The band started out as ‘Slainte’, originally formed by Ruairi and Kieran MacManus, Ronan’s brothers, before being joined by Ronan and other brother Liam, playing traditional Irish music. Slainte grew and evolved, with many musicians joining the band as part-time members. Simultaneously, Ronan and other band members had started to write original material for other bands. Over time other band interests quickly faded and writing and performing their own material became the band’s focus. It was in 2006 that the band changed their name to The BibleCode Sundays, at the time, the band were playing back to back gigs every Sunday in small pubs full of hard-drinking Irishmen

“…we used to have to join them in their drinking just to get through the gigs because they were so crazy!”- Ronan

And so, the band would routinely find themselves up in the small hours talking, usually about conspiracy theories, including the so-called Bible Code, which refers to an encryption in the Torah believed by some to prophecy future events. These drink-fuelled discussions would happen every Sunday around 4am, and hence became known as BibleCode Sundays…
The journey…
The band celebrated their name change with a self-titled album of covers of Irish crowd-pleasers and then, with new material, and a packed schedule of gigs around London, their popularity in London took off, winning the award for ‘Best Band on London Circuit 2006’ by the readers of The Irish World newspaper.
The Band released their first original album, ‘Ghosts of Our Pasts‘ in 2007, to great critical acclaim, both in the UK and North America. The album included three songs, ‘Bang, Bang, You’re Dead’, ’Honour Of The Gael’ and ‘My Town’ especially written for Mike O’Dea’s Boston-based movie ‘Townies’, subsequently retitled ”The Code Of Silence’. The album also included the bitter-sweet ‘Boys of Queens’ dedicated to the FDNY, inspired by the events of 9/11, and subsequently used in the 2011 CBS show ‘Unforgettable‘.
Second album ‘Boots or No Boots’ followed in 2008, and included the track ‘Maybe It’s Because I’m an Irish Londoner‘, which was subsequently adopted by premiership rugby club, London Irish RFC, as the club’s anthem. With their growing popularity and adoption by both Celtic FC and London Irish RFC supporters, the band’s fanbase has grown to include Europe and the States, with performances at major sporting events and stadiums, including Twickenham and music festivals, including Glastonbury. In 2007, they were invited to perform on the Sky Sports Christmas Day special. In 2009, with growing popularity in the US, the band were invited to support The Dropkick Murphys for their Boston St Patrick’s Day concert, a relationship which continues to date with BCS supporting The Dropkick’s on their 2012 UK Tour. With the addition of Kian on lead guitar and ever-maturing song writing, a new BCS sound started to emerge which began to find its way into their live performances.
The new BCS album New Hazardous Design was released in November 2013 and was launched with a sell out gig at swanky London venue Under The Bridge and we loved it so much we awarded it the London Celtic Punks Album Of The Year For 2013 by us here. A great band and a London Irish treasure.

From the community, For the community, Of the community

Palestine GigYou can catch the Bible Code Sundays playing pretty much week in and week out throughout London and the surrounding areas throughout the year but what about this for a great gig. Next Friday on December 11th ‘Irish Music For Palestine’ presents The Bible Code Sundays live on stage at Hennessys Bar in South Harrow with the original post-Pogues celtic-punk legends Neck. This will be the first time they have played together since the old days of the famed London Irish nightclub The Galtymore back on St Patrick’s Day in 2007 I think it was. Also supporting is Anto Morra. London Irish singer-songwriter of great standing. A great roster of bands and wrapping it up Greenford Bhoy will bt DJing all your favourite Irish rock and rebel all through the night and after the bands have finished. And all for the children of Gaza as every penny will go to the educational charity ‘Voices Of Gaza’. You can find out a whole lot more at the Facebook event here. Tickets are a straight £10 and you can get them here.

Contact The Bible Code Sundays

Facebook  WebSite  Twitter  YouTube  Amazon  iTunes

PREPARE YOUR LIVERS FOR THE WORSE LONDON! COMING SOON…

Sorry if you don’t live in London but if you do you lucky souls are in for a cracking weekend from December 11th to the 13th!

2nights

FRIDAY 11th DECEMBER 2015

NECKHennesseysIRISH MUSIC FOR PALESTINE
BENEFIT CONCERT FOR ‘VOICE OF GAZA’
We are proud to announce a benefit gig in aid of the Palestinian charity ‘Voices For Gaza’
We have lined up some of the best Irish acts around for you with the marvellous BIBLE CODE SUNDAYS set to headline. They are simply the best band in the Irish scene in London.Best described as “The Clash on Irish steroids”. NECK are the original celtic-punk band. Taking The Pogues and The Clash and The Dubliners as a starting point they invented their own genre ‘Psycho-Ceilidh’ and have toured the world spreading the London Irish message to the masses and ANTO MORRA a singer-songwriter of great standing. Anto (real name Anthony Morrissey) was raised in London by Irish parents, and this background provides a theme that runs throughout his fantastic music. Three fantastic acts representing the London Irish community and Neck and The Bible Codes haven’t taken the stage together since the days of The Galtymore so you’rein for a rare treat.
Tickets are £10 in advance with no extra fees. All money going to ‘Voices For Gaza’. Get your ticket from here. Official Facebook event here.

The gig is being held at Hennesseys Bar, 399 Northolt Road, South Harrow, HA2 8JE. Nearest tube is South Harrow on the Picadilly line so come out of the train station and turn left and walk approx 500 metres.
Buses galore but 140, 487, 258 stop directly outside the bar. Live music is from 7-30pm till 11-15pm and last tube is around 11-45pm so people can get back to central London.
…but for those that stay our special guest DJ MR GREENFORD BHOY will be spinning the best in Irish rebel folk rock and more till the early hours.

Voice Of Gaza (VOG) project, is helping young Gazan female students to overcome trauma through writing about their experiences. They will participate in a 2 year programme learning all aspects of English, so their voices can reach out into the world. VOG has no tuition fees, to enable any student access to the project. Abedalrahman Elderawi has established an Educational Non-Profit Center in Gaza. This programme will give these young people:
The tools they need to become more effective writers and speakers
The platform to help their expressions reach the larger world
Build their character as future leaders able to speak eloquently for the Palestinian people
Enhancing their spiritual side through music and arts, while also helping them cope with the trauma of war and occupation.
Voice Of Gaza Facebook page here.
If you can’t make the gig feel free to still buy a ticket to support the great work ‘Voice Of Gaza’ are doing or go to the Go Fund Me page here and leave a donation.

SUNDAY 13TH DECEMBER 2015

POGUETHE LONDON CELTIC PUNKS /URBANKELT CHRISTMAS PISSUP BASH

On October 4th back in 1982 something happened that would forever change peoples lives and perceptions. A band called THE POGUES took the stage in an iconic old venue in Kings Cross and the rest as they say is history!
with THE POGUES run of yearly Christmas shows seemingly ended we know you all miss a good auld Pogues yuletide pissup so hows about the UK’s Number One Pogues tribute band THE POGUE TRADERS live at the very venue that The Pogues actually had their first ever gig!
And its not just a marketing ploy to describe them as the UK’s best Pogues tribute band – that’s what The Pogues own drummer Andrew Ranken said about THE POGUE TRADERS ably supported by COMRADE X one man whirlwind of numerous influences and traditions best described as “Woody Guthrie meets Oi!”. One geezer, one guitar, three chords and the truth. ANTO MORRA is back again. A singer-songwriter of great standing. Anto (real name Anthony Morrissey) was raised in London by Irish parents, and this background provides a theme that runs throughout his music. In the best tradition Luke Kelly, Brendan Behan and Shane himself.
and all at the historic music venue The Water Rats at 328 Grays Inn Road, London WC1X 8BZ. Situated just a couple of minutes walk from Kings Cross station so perfect for loads of rail and tube links and with the music set to finish around 11-30pm you will be able to get back to anywhere in London or further afield.
The bar will stay open a little longer and we will have MR GREENFORD BHOY dj’ing all your favourite celtic-punk, Irish, Punk and rebel tunes until we are shown the door.
Admission is only a fiver so you’ll already be saving £30 on the real band! Tickets are available from here. Official Facebook event here.

So prepare your livers… and your wallets and see you there!

P.S we will have the new London Celtic Punks t-shirts (and Badges) available so bring plenty of cash wont you. They will make great Christmas presents.

LONDON’S GREEN’n’WHITE: THE WAKES LIVE AT THE COCK TAVERN SATURDAY 29th AUGUST 2015

IMPORTANT NOTICE:

CHANGE OF VENUE

LONDON’S GREEN’n’WHITE

CELTIC SUPPORTERS IN LONDON UNITE!

wakes @ cock

supported by the
UNDERGROUND CELTIC SUPPORTERS CLUB
HAYES BHOYS CELTIC SUPPORTERS CLUB
BRIGHTON CELTIC SUPPORTERS CLUB
LONDON CELTIC SUPPORTERS-FACEBOOK
URBANKELT
LONDON CELTIC PUNKS

Buy Tickets Here

click above to buy advance tickets

THE WAKES

we are pleased to announce the headliners who will be making a very rare London appearance. The Wakes are a folk rock band from Glasgow, Scotland. The band’s sound is a mixture of Celtic traditional music fused with punk rock. The band’s lyrics embrace their culture, heritage and surroundings. They cover all manner of subjects from anti-fascist politics, immigration and unemployment to uprising and rebellion in Scotland, Ireland and beyond.
http://www.thewakes.info/

supports act will include
ANTO MORRA
the music of London Irish Celtic and QPR supporter Anto can be found somewhere between the Pogues and Ian Dury with a dash of Madness.
http://www.antomorra.com/

BUCKETS OF COURAGE
an old school streetpunk band made up of Celtic fans all the way from County Kilburn!
https://www.facebook.com/bucketsofcourage

GREENFORD BHOY

our resident DJ Mr.GREENFORD BHOY will be spinning his ipod playing a whole host of celtic punk and rock, trad folk, rebel Irish and just plain auld rebel before, inbetween and after the bands.

more acts to be announced (and SPECIAL GUESTS to be confirmed!) so keep an eye out here…

the proceeds for the gig will go to the Clapton One. an anti-fascist Celtic supporter who was recently arrested unfairly in London and received a huge fine. lets show that we look after our own…

Entry is from 7-30pm and is £10 and advance tickets are available (click the giant ticket stub above). If their are any tickets left then it will be Pay On The Door. The gig will end at midnight.

The Water Rats is closed for refurbishment (thanks for telling us!) so we have had to move to The Cock Tavern, home of the Underground Celtic Supporters Club, literally just around the corner from Euston station and not far from the Water Rats either!
Plenty of trains, tubes and buses galore will get you back to pretty much anywhere all through the night. Map and some other shit here and here.

cock tavern

The Cock Tavern

23 Phoenix Road, Euston, London, NW1 1HB

020 7387 1884

Facebook event here

https://www.facebook.com/events/933811693308277/

come down before the gig and join the infamous UNDERGROUND CELTIC SUPPORTERS CLUB for the Celtic v St Johnstone game which will be shown live in the pub at 3pm.

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2014!

TOP TWENTY CELTIC PUNK ALBUMS OF 2014

Last year our ‘Best Of’ list was completely dominated by bands from these shores but this time there’s a much more international flavour to 2014’s Best Album’s list. Again Irish influenced bands dominate but the absolute standout album for me was without a doubt Uncle Bard And The Dirty Bastards from Italy who nailed their fusion of punk rock and traditional music completely. With their own roots and influences included along with some amazing uilleann piping they are deserved winners of the Best Album spot. Kitchen Implosion join them in what has been a great year for Italian bands. Sure not all of these twenty bands are celtic-punk in the dictionary definition of the phrase but sod that anyway. These are what we liked and they all fit in in some way. Twenty bands from thirteen countries (Italy, England, Sweden, Brittany, Canada, Ireland, USA, Australia, Brazil, Catalonia, Germany, Switzerland and Belguim) which only goes to show the international appeal of the celtic-punk scene these days. A special mention for London Irish band Creeds Cross superb debut album. Only just caught them live and they were awesome so hoping to see much more of them around town in 2015.
As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review.
We compiled the ‘Best Of’ lists together from the scraps of paper handed to me by the various admins from the London Celtic Punks facebook page.
1. UNCLE BARD AND THE DIRTY BASTARDS- ‘Get The Folk Out!’ (here)
2. CREEDS CROSS- ‘Gods And Fighting Men (here)
3. ROVERS AHEAD- Always The Sinner, Never The Saint (here)
4. LES RAMONEURS DE MENHIRS- Tan Ar Bobl (here)
5. THE MAHONES- The Hunger And The Fight
6. BLOOD OR WHISKEY- Tell The Truth And Shame The Devil (here)
7. THE ROUGHNECK RIOT- Out Of Anger
8. BASTARD BEARDED IRISHMEN- Rise Of The Bastard (here)
9. JAY WARS- Carry Me Home (here)
10. THE RAMSHACKLE ARMY- Letters from the Road Less Travelled
11. 6’10- The Humble Beginnings Of A Rovin’ Soul (here)
12. LUGH- Quando Os Canecos Batem (here)
13. SIGELPA- TerraMorte (here)
14. KITCHEN IMPLOSION- Pretty Work Brave Boys! (here)
15. THE KILKENNY KNIGHTS- Bradys Pub Tales (here)
16. BEYOND THE FIELDS- The Falcon Lives (here)
17. THE YOUNG DUBLINERS- ‘Nine (here)
18. KELTIKON- Agenbite Of Inwit (here)
19. FM 359- Truth, Love And Liberty (here)
20. THE BLACK TARTAN CLAN – Scotland in Our Hearts
a special special mention for three absolutely brilliant compilation albums too. Can’t really include them in the Best of charts so heres all three in no particular order at all as they are all 11 out of 10!
a class album with 4 songs per band and an absolutely beautifully put together record. THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS 4-WAY SPLIT DOUBLE ALBUM- ‘Welcome To The Folk Punk Show’ (2014)  here
a mostly Russian compilation paying tribute to all (lets just face it they are!) our favourite celtic-punk band- ‘Ex-USSR Tribute To The Dropkick Murphys’ (2014)  here
this ought to be the number one album of the year to be honest. a fecking amazing compilation of Indonesian celtic-punk bands.the quality is amazing throughout.absolutely stunning. I cannot recommend enough!! ‘Wind From The Foreign Land- Indonesian Celtic-Punk Compilation’ (2014)  here

TOP FIVE CELTIC PUNK EP’S OF 2015

No question which EP deserved this and Russia’s Middle Class Bastards just blasted us away with their follow up to their 2013 album. Superb use of bagpipes and brass instruments combined with fast but tuneful punk rock. A bit unfortunate for Black Water County who looked nailed on to win this for most of the year with their fantastic 2nd EP. The Breton band The Maggie Whackers released their EP back at the start of the year while The South Sea Ramblers from South Africa literally released theirs just a couple of weeks ago while LQR from Holland slipped theirs out in time for St Patricks Day… ooh err missus! So spread out across the year but these are the ones that left their mark. Looking forward to hearing more from them all and long players must be arriving soon I hope.
1. MIDDLE CLASS BASTARD- Rebel To The Core (here)
2. BLACK WATER COUNTY- Fellowship Of the Craic (here)
3. THE MAGGIE WHACKERS- Naoned Whisky (here)
4. LQR- A Touch Of Liquor (here)
5. SOUTH SHORE RAMBLERS- Bare Knuckle Blackout

TOP FIVE TRAD ALBUMS OF 2014

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved them all to bits. Hard to decide which order they should go in but this is how we ended up. Turned out to be an all Irish list with I DRAW SLOW from Dublin with beautiful alternative country sounds and both Cork’s THE BUACHAILLS and London’s THE CRAICHEADS going head to head with both bands playing similar styles of music while Irish-American supergroup THE ALT’s debut album was a worthy runner-up to fellow Irish-Americans RUNA’s brillliant fourth album.
1. RUNA- Current Affairs (here)
2. THE ALT- ‘The Alt (here)
3. THE CRAICHEADS- Brewed in London (here) 
3. THE BUACHAILLS- At Your Call (here)
5. I DRAW SLOW- ‘WhiteWave Chapel (here)

BEST CELTIC PUNK WEB-SITE OF 2014

Celtic Folk Punk And More Blogonce again there is no question who gets this
CELTIC FOLK PUNK AND MORE
 keeping the whole wide world up to date with what’s going on and who is doing who within celtic punk (and more!) while also supplying us with regular free downloads and free compilations. Waldo you’re great. Keep it up mate!

BEST GIGS

Apart from the ones we put on which were all amazing and showcased some amazing performances from JAY WARS and THE DEAD MAGGIES from Aus, THE GREENLAND WHALEFISHERS from Norway, a couple of benefit gigs for Mad Dog out The Popes (hope youre back on your guitar highkicking soon pal!), BLACK WATER COUNTY played their London debut and went down a fecking storm, me O’s mates STEVE WHITE AND THE PROTEST FAMILY were as superb as ever and released a fantastic album. One of the major highlights was discovering the quintessential London Celtic Punk in ANTO MORRA and we look forward to working with him again in the future. We teamed up with fellow Londoners of Urbankelt and will be doing so again too.

I also saw DAVID ROVICS for the first time, THE MEN THEY COULDN’T HANG’s amazing 30th anniversary show was incredible, NECK and their sadly ended residency at TChances which had us all pissed on Polish lager on Sunday afternoons for the first 6 months of the year, FLOGGING MOLLY in Reading in June which showed they havent lost a thing and are as great as ever, THE POGUE TRADERS were the best Pogues tribute band I ever seen. Disappointing was missing so many gigs where I just didnt have the cash especially The Pogues various outings. THE STANFIELDS from Canada seemed like a decent bunch of lads but their London gig was a total rip-off. The pre-gig ticket price was £7-50 which more than doubled to £15 on the door on the night. Oi bands watch out for charlaten promoters won’t you? Rebellion music fest brings loads of decent bands over to play but that means that they all end up playing in the same week so I had to forgo THE GO-SET’s return to London. Missed out on THE WOLFE TONES London gigs too due to work. All three of them! THE LAGAN have been brilliant. Far far too many of their gigs to go into detail so we have choosen the whole of St Patricks Weekend as our Number One! With NECK playing three gigs over the weekend and both THE BIBLE CODE SUNDAYS and THE LAGAN playing on the same day as well it seen a clean sweep of all the London bands done. Afterwards sick days were phoned in, headache pills were taken and the best St Patricks in donkeys was had.
Now were just looking forward to catching THE DROPKICK MURPHYS ‘Celtic Invasion ‘ Tour in Dublin and London this year round St Patricks Day.
Sláinte, The London Celtic Punks Crew- 2015
 London Celtic Punks
Of course all these things are very subjective so don’t be dismayed if your album ain’t here. What appeals to one don’t neccessarily appeal to another. It would be impossible to keep up with the multitude of celtic-punk related releases so these are the best of of what we actually did get to hear. All the various sites in the celtic-punk family had different winners so to see what they thought check out the Best Of lists of the following sites…
click on the blog logo at the top of the page to find more of this kind of stuff…

EP REVIEW: ANTO MORRA- ‘The Patriot’ (2014)

somewhere between the Pogues and Ian Dury with perhaps a dash of Madness

Anto Morra- The Patriot EP (2014)

Over a year since Anto Morra’s last record, the superb album ‘Never Had To Shout’, comes his new EP released this week ‘The Patriot’. We are pleased to announce that it is more of the same. Yeah we know in some cases that might not be very good but here trust me thats a great thing. We really rated his album so within the first play of this we had fallen again. Five tracks of autobiographical storytelling accompanied by  acoustic folk of the Irish and English variety. The country of his parent’s birth influences everything Anto writes in one way or another. The celebrated (!) figure on the front of the EP is the great British patriot the Duke Of Wellington and a little known fact about the Irish catholic hating Duke is that he was in fact born in Dublin. He did though come up with a quote that every single proud second generation Irish person has used at one time or another

“being born in a stable does not make one a horse”

The painting is again done by Anto’s good friend the London Irish artist Brian Whelan. With five tracks and just under twenty minutes the EP begins with the track ‘Green White And Gold’ a celebration of Anto’s Irish roots and is probably the closest we’ll hear to Anto doing a rebel song.

“So many have said goodbye to dear old Erin’s isle

Although they leave we know their pleased

to see the flag that is Green White And Gold”

The bodhran starts before tin whistle comes in and a short blast of fiddle and banjo and eventually you realise it is in fact a rebel song. Like those you heard at your Granda’s knee that celebrate a small nations victory against an empire. The song tells the story of the Easter Rising and of its heroes and the realisation that Irish freedom came at a bad price for many that they would not be able to live out their lives in the country of their birth and that their reward was emigration.

Anto Morra

The following song is simply entitled ‘England’ and begins and ends with a line from Jerusalem. A jaunty number with Anto reeling off a list of

“there’s so much to love about England”

boating, Blackpool Tower, Pimms, Cheddar Gorge, Bobby Moore, fish and chips, beer, tea and scones and so on with just a piano until near the end when a fiddle pops up. Its a great song and is all about reclaiming Englishness away from the likes of the far-right or the Conservatives. Too often its the negatives that pop up and its good to see someone challenging that.

“Doesn’t matter your religion or race

Let’s all celebrate the different cultures

Let’s just enjoy this place”

‘Poets Day’ is next and is classic Anto telling the tale of skiving off work. Long ago in a time before we all had cash cards everyone was paid in the ‘coin of the realm’ on a Friday so it was off to the pub soon as you got your pay in your mitts. The song is just Anto and his bodhran keeping time  and is classic storytelling in the Irish tradition. The title of the song comes from the acronym for ‘Piss Off Early Tomorrows Saturday’!

‘Wheres Daddy Gone’ tells of a  broken home, poverty, domestic abuse and the sad lives of far too many in our communities. Acoustic guitar, fiddle and harmonica drift along with the song in this slow moving tale of struggle. The EP ends with ‘Draconian Measures’ a folk-punk masterpiece that sticks the boot into the British justice system. Overcrowding blights a system where many are institutionalised and prisons are packed with non-violent prisoners whose sentences serve nobody any good.

Anto MorraThe background to this EP is that Anto was booked to play a local pub on St Patricks Day and then a month later to play St George’s Day. St Patricks Day proved easy to come up with a couple of hours of material whereas St George’s proved more difficult. Proud of his Irish and English roots Anto is very much a patriot but without the racism or bigotry.

I love this EP it looks great with a gatefold sleeve with some amazing artwork and I’m proud to say that the celtic-traditions live on strongly in Anto Morra. His story telling singer songwriting is exemplary. Here we have five different stories telling basically the story of his life. He has a great ear for a tune as well with the music veering from Irish folk to English folk to trad before ending with a old school punk feel with each one influencing the other.Gig Flyer Sturday 29th November 2014

We are extremely proud that Anto has chosen us here at London Celtic Punks to organise The Patriot EP Release show so you can catch Anto live at TChances in Tottenham in North London on Saturday 29th November. He is supported by the best new celtic punk band in the country Black Water County from Bournemouth, acoustic punk rocker Comrade X and Paul’s good mate from The Popes Whiskey Mick as well. Its a benefit for Paul ‘Mad Dog’ McGuinness singer from the much loved London Irish band The Popes who is recovering from a serious car accident. All for a fiver and all going to a worthy cause.

You can join the event page on Facebook here.

Contact Anto

WebSite  Facebook  Reverbnation  Twitter

Buy The EP

Direct From Anto  *£5 plus P&P

to read our review of Anto Morra’s first album ‘Never Had To Shout’ then go here

UPDATE ON PAUL ‘mad dog’ McGUINNESS FROM THE POPES RECOVERY

 

Paul McGuinness

recent photo of Paul

The great news is that Paul was eventually discharged  from Homerton Hospital in North London and continues to make great progress with his physical strength and mobility improving daily and also his cognitive skills. He has moved into a self contained flat and is well on the road to recovery.

To those who hadn’t heard Paul was sadly involved in a serious car accident late last year and was hospitalised for quite a long time afterwards so serious were his injuries. Paul is the singer from The Popes, best known as Shane MacGowans backing band but also a God damn brilliant celtic rock/punk band in their own right and the loss of them, while Paul recovers, to the scene in London has been immense.

Ian Bramble (The Popes), Will Morrison (The Popes), Paul 'Mad Dog' McGuinness, Charles (Popes Web Design)

Ian Bramble (The Popes), Will Morrison (The Popes), Paul ‘Mad Dog’ McGuinness, Charles (Popes Web Design)

Paul would like to thank everyone for their support and best wishes over the last few months, and looks forward to seeing everyone again before too long. He thanks everyone from London Celtic Punks for writing and said thanks for our giant get well card you all signed at the benefit gig we put on for Paul. As Dave said on visiting him last weekend

“He was in great form, and looking really well”

We all at London Celtic Punks wish Paul all the very best and our thoughts are with him. It will be a long process and we’ve another another benefit gig for Paul shortly but in the meantime you can send a donation to Paul via PayPal here

click here and then scroll down the page to find the PayPal logo

So keep Paul in your prayers for a swift and speedy recovery and please send whatever you can to help.

we are holding a benefit gig for Paul on Saturday 29th November in London. theres gonna be a shitload of Irish music with bands and artists galore going on into the early hours and every penny going to Paul. we’re privileged to be chosen to do the official release show for Anto Morra’s new EP ‘The Patriot’ (more on Anto here and here). so join the facebook event page and keep up with all the updates going on.

facebook event for Paul McGuinness here

Contact The Band

WebSite  Facebook

ALBUM REVIEW: ANTO MORRA- ‘Never Had To Shout’ (2014)

Anto Morra- 'Never Had To Shout' (2104)

Every now and then you can come across a new act or artiste that literally blows your socks off and you just cannot work out how you had never heard of them before. Well this is exactly what happened recently with ourselves and Mr Anto Morra. Without going into the twists and turns of fate that brought us together I somehow managed to hear his track ‘London Irish’ which I deemed so worthy I gave it it’s own post here on the blog, something previously only Grammy award winning Macklemore had achieved! Contacting Anto was easy so we sounded him out about playing one of our gigs. He said he’d love to so last Monday he took to the stage supporting The Dead Maggies at TChances in North London and blew us all away. He’s a very nice, genuine and humble man with a great sense of humour and this all comes across in his show. We will have him back soon as we can!

Afterwards Anto gave me a copy of ‘Never Had To Shout’, his recent album, to review and having marvelled at his set I promised it would be a good one. So how did I feel once I sobered up and got home and listen to it a few times? Well it wasn’t the Newcastle Brown talking and indeed this is going to be a very good positive review!

Anto Morra- 'Never Had To Shout'

First off a bit of background on Anto. His real name is Anthony Morrissey and he was raised in London by Irish parents and his formative years were as a punk rocker floating from band to band and dole cheque to dole cheque in Thatcher’s Britain. His Irish background provides the backbone for ‘Never Had To Shout’ and focuses on the confusion of being brought up between two cultures that were so opposed to each other. Old animosities are thawing but the relationship remains an uneasy one. It is after all an interesting fact that rather than be associated with England the Irish in England call themselves London Irish or Yorkshire Irish rather than the English Irish and unlike Irish Americans or the Irish Scots. We have touched on the role punk played for the 2nd generation Irish in Britain before here. Moving from the rat-race of London to the quietness of the Norfolk countryside Anto began to further explore his roots by joining Whirligig, a four-piece ceilidh dance Band. In 2013 he left the band after ten years deciding to concentrate on his songwriting and solo performances.

 

But enough of that as the opening track ‘Ballad Of Anto Morra’ will tell you just about everything you want, or need, to know about Anto. The track is an unaccompanied autobiographical song in the great Irish ‘air’ tradition and bursts with humour and the story of Anto’s life. Originally intending for the album to be just himself, his guitar and his bodhran he ended up roping in some fantastic musicians to help him out and even though the songs would have been powerful enough I’m glad he did. ‘Gypsy Smile’ follows and the simple accordion and guitar are a perfect foil for Anto and the fantastic Norwich band The Woodland Creatures voices.

Anto Morra

a London Celtic Punk!

‘Shamrock And The Rose’ is the story of the feelings that the war in Ireland evoked on both sides. Hatred is never a good thing and for the those of us would like to see a united Ireland sooner rather than later hate is not the way to achieve it. A true anti-sectarian anthem. ‘Tale Of The Sligo Widow’ is a lovely story of magic and romance and inspired the amazing London Irish artist Brian Whelan to paint the picture that adorns the back of the album cover. ‘London Irish’ is another worthy anthem that reaffirms Anto’s identity. A nostalgic song that tells the tale of the changing face of London and those parts of London that were Irish but are now home to untold races. The Irish even though not as visible as in the past haven’t gone away and are still here fighting their battles big and small! On the vinyl album thats the Irish side over and done with and so begins the English side with ‘Time’ and some good advice for the young on not following the crowd and learning to love being yourself.

“To football down at Loftus Road I was taken by my Dad

Learnt to win and lose with dignity when I was just a lad”

The title track follows and is a grand story of a young lad called Jimmy and has a upbeat punk sound and a brilliant story that I wont spoil for you as it has such a great twist at the end its worth finding out yourselves. The electric guitar makes its first appearance on the album and is a worthy addition.

Next is ‘Wrong Path’ began as a song twenty years ago but was finished during the London riots of 2011 and is a sad indictment of what happens in working class communities when children are left without the correct guidance. ‘Desperation’ is yer traditional feminist murder ballad and Anto is accompanied again by The Woodland Creatures to great effect ‘Conscientious Odd Drinker’ is an anti-war song telling the tale of both what happens to soldiers when they return from wars and of the soldier who refused to do a second tour of duty in Afghanistan. Mostly just Anto and his bodhran and some good friends, including his Mrs, Julie, and Brian Whelan,  assisting in the chorus.

“have a drink with me my friends

have a drink with me my friends

before I have to go away

have a drink with me my friends”

So there you have it. A whole bunch of reasons why you should buy this great album. But perhaps the greatest reason of all is that Anto raised the money to self release ‘Never Had To Shout’ by flogging off his punk record collection so get a tenner (or £15 for the vinyl) off to Anto so he can replace it them.

Anto MorraTen tracks of mostly autobiographical story songwriting with lovely music in a mostly Irish tradition but with strong elements of British folk also. The album runs for just over forty minutes and moves at a grand old pace, never dragging and with Anto’s clear and distinctive vocals and London Irish brogue keeping your interest all the way through. I have to tell you though not to get the download of this as the actual package the album or CD comes in has had time and devotion lavished on it. As previously mentioned Brian Whelan’s artwork is quite simply breathtaking and his painting of Anto in the mouth of a devil on the album sleeve is worthy of yer cash alone. I would definitely recommend getting the heavyweight vinyl of this, if you’ve got a record player that is, as not only does it contain all the lyrics and descriptions of the songs you also get the CD as well.

So we can be very grateful for those twists and turns of fate as otherwise we wouldn’t be able to bring this fantastic album to your attention and Anto would have continued on under our radar but London being London I’m sure we would have run into each other eventually and the wait would still have been worth waiting!

Contact Anto

Facebook  WebSite  Reverbnation

Buy The Album

From Anto  Amazon

Contact The Other Artists

The Woodland Creatures- acoustic folk and bluegrass duo here

Brian Whelan- absolutely amazing artist whose work adorns many London Irish bands records including The Popes for one here

and watch this space for news of ANTO MORRA AND THE FOLK PUNKERS coming soon…

 

APPEARING SOON: ANTO MORRA- ‘London Irish’

The wonderful Anto Morra telling it how it is with ‘London Irish’

“London town is always home to me

But I’ve another across the Irish sea

That my parents do come from

But it’s not where i belong

I’ve been called a Paddy and a English pom

A thick Mick and lousy cockney scum

But I don’t give a damn cos I know I am

And that is

Chorus

Irish London Irish 

And there’s millions just like me

 

Our good mothers did all that they could

While our fathers worked the mixer and the hod

Digging tunnels underground

Oh so hard to earn a pound

When you were

Chorus

Irish London Irish 

And there’s millions just like me

 

The Banba, Garryowen and Galtimore

Was where they’d meet up and dance around the floor

But they’d always save some cash

For the plate at Quex Road Mass

Cos they were 

Chorus

Irish London Irish 

And there’s millions just like me

 

The city’s changed so much since I was young

Some much cleaner but so much soul has gone

The Stag’s Head in Camden Town

Like so many got closed down

But still there’s 

Chorus

Irish London Irish 

And there’s millions just like me”

playing next Monday in North London at TChances in Tottenham with The Dead Maggies and Steve White And The Protest Family.

THE DEAD MAGGIES

‘London Irish’ is taken from Anto’s new album ‘Never Had To Shout’ which is available on CD or vinyl and is well worth a tenner of anybodies money. We’ll be reviewing the album real soon and its every bit as good as this song too!!  

 

http://www.antomorra.com/store/

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