Anyone fancy a bit of Punk and Metal tinged Celtic-Folk music? Well how about Liddington Hill hail from the South West of England. They have made their entire back catalogue free to download so get downloading!
Liddington Hill began life in 2015 when fiddle player Matt Meads and singer Emily Slinger got together to perform lively tradition Celtic and English folk songs. Taking their name from the hill that is home to the Iron Age Liddington Castle just outside Swindon in Wiltshire. The band went through a few different incarnations eventually settling into a much heavier darker sound. With their current line up of Tamzin Meads with her low fuzz bass, Ethan Meads with his roaring SG guitar, Liam Gallagher playing high leads and vocals, Chris Taylor bringing a dark metal undertone on drums and Matt Meads playing the melodies on fiddle takes the lead. Together Liddington Hill record and perform original and traditional, alternative rock and Celtic-Punk.
(The bands last single ‘With You’ from October 2020. Grunge, Punk, Love and Cider…)
The first time I clocked Liddington Hill on Instagram it instantly reminded me of the 1980’s Somerset based Anarcho-Folk-Rockers Blyth Power. A shadowy mix of Celtic and Folk tinged Metal and Punk giving them a rather unique sound for these days. One of the main differences between English and Irish Folk and traditional music can be where they share the same often depressing lyrics and themes the actual music is not as upbeat. This gives Liddington Hill that ‘dark’ feel added to which the dual male / female vocals gives them a further range than most bands we hear. That’s not to say it’s all downbeat but this is more Joy Division and The Pogues rather the usual Clash / Pogues we hear. With everything going on we haven’t had a chance to check them out live but they do have a rather good live video from The White Hart Inn in Swindon with clips of their set featuring original and covers including a great version of ‘Whiskey In The Jar’.
Liddington Hill: Front- Tamzin – Vocals / Bass * Left to right – Ethan – Rhythm Guitar * Liam – Lead Guitar / Vocals * Chris – Drums * Matt – Fiddle / Vocals *
Back in March last year Liddington Hill made all their recordings available to download for free. That’s three EP’s and a bunch of singles. Download link below but their songs are also available from Apple and Amazon if you choose to support the band. Alternatively check out their merchandise here.
(‘Long Lankin’ is a traditional English Folk murder ballad telling the gruesome story of the killling of a woman and her infant son. Recorded previously by Steeleye Span and, a band they share some similarities and influences with, Blackbeard’s Tea Party)
Liddington Hill WebSite Facebook Instagram YouTube
“shoulders back boys
hold your heads up high…
don’t ever let them bastards see you cry”
Headsticks are a relatively new band to me coming from Stoke-On-Trent in the northern Midlands of England. The area is named The Potteries after its main industry of pottery. Sadly those days are long gone and along with coal mining and steel making all of the areas main industries have been decimated. Headsticks prove though that in an area where fascists until recently made up the official opposition in the local council that their is hope for the left, and by that I mean the real left not the trendy middle classes who helped destroy Stoke and its communities.
The band describe themselves as inhabiting the place
“where folk and punk collide”
and is very reminiscent of classic British folk-rock acts like the New Model Army, Billy Bragg (when he was good) and Blyth Power. Formed out of the ashes of two much loved celtic-punk bands ‘Tower Struck Down’ from Crewe in Cheshire who were one of the original scene bands formed way back in 1985 and the band that came out of them Jugopunch who featured on the Shite’n’Onions 2nd Volume Compilation CD.
Headsticks have been kicking up a bit of a fuss around their home and now further afield as well with the release of this their debut album. Last year they released a 3-track demo which was pretty well received but the reception to ‘Muster’ has been universally impressive.
Twelve tracks and an impressive 45 minutes long ‘Muster’ pulls you in from the first seconds of brilliant opening track ‘Flatline Town’ telling the well known story of what happens to places when you systematically set out to destroy them by closing down the industries that those places were built on. Its worth remembering though its not the towns but the people in them the rulers of this land wanted to destroy and ‘Muster’ is testament to the resistance to that. Despite only having acoustic guitar and harmonica as ‘folk’ instruments the album has a traditional british folk sound to it but despite not being celtic at all I’m absolutely 100% sure it would appeal to all fans of celtic-punk. ‘Youre Killing Me America’ is an anti-imperialist anthem that is particularly apt at the moment while the USA funds the Israeli’s attempted genocide of the Palestinians. ‘Cold’ takes Headsticks over to Mullingar and is me fave album track about love gone wrong. A slight C’n’W feel due to the great guitar playing. ‘Two Sides’ slows it right down and the harmonica (which regular readers will know I love!) is to the fore and again in the next song ‘Wishing’ which to these ears reminded me of The Housemartins. They speed it up again with ‘Fanatics’ and the social commentary is flowing and we’re glad to see these boys plant themselves firmly on the left. ‘Ghost’ sees the Headsticks heading back to Ireland to Achill Island. ‘World Away’ and ‘Teenage Widow’ continue the theme of trying to find out what happened to the working class of the northern cities and ‘Every Dog Will Have Its Day’ shows the gritty dark humour of the band
“You’re standing outside Wilkinson’s
Strumming on your guitar
To buy a liquid lunch and another pack of ten”
‘Paper Flowers’ tells of young men being sent away to kill and be killed in wars that we shouldn’t be involved in. ‘I Love The Way’ ends the disc with another great anthem and fist in the air chorus.
A great album and recommended for all here. Despite only being formed in 2012 I can see these boys shortly becoming firm favourites on the festival scene. Their music will appeal to all from the teeny punk bopper to the grizzled old folkie and with sound politics and even sounder ethics this is a band we can all put our trust in.
Tower Struck Down WebSite
There’s a nice review of the album here
on Louder Than War