Tag Archives: CRAIC

ALBUM REVIEW: CRAIC- ‘Sounds Of Vandemark’ (2017)

craic

noun also crack UK  /kræk/ US  /kræk/ irish english

enjoyable time spent with other people, especially when the conversation is entertaining and funny:

“The boys went driving round the town just for the craic”

CRAIC are your quintessential American-Irish band. Named after the Irish word for a good time that has invaded the English language in recent years and has become the word to describe a night out drinking. They hail from the city of Cleveland in the mid western state of Ohio in the Great Lakes region of the United States. A heavily industrial town that was built upon the bones of mainly immigrant labour in the 1800’s and needless to say a large proportion of those bones came from Ireland. Arriving in the 1820’s the first Irish settled in ghetto’s along the river where they they would build the Ohio and Erie Canal. Hard work that would see many of them perish. As numbers increased as the Great Hunger took hold in the old country the Irish in Cleveland grew too large for their ghettos and expanded into the factory districts of the city where many would eventually work. The Irish had a tough time of it living on Cleveland’s West Side.

“Shantytown was an open sewer of industrial and human waste.  The Flats area was home to cholera, diphtheria, and scarlet fever.  Because of the continuing Irish immigration, there were not enough homes to house everyone.  Therefore, many homes of Irish families housed many relatives from the old country.  The saloons became a place for the Irishman to go to get away from the house and to enjoy the company of his fellow Irishmen”

These Irish built the churches and schools for their descendants and even today many years after large scale Irish immigration to the States has finished the Irish still make up the second largest ethnic group in the city, with the largest being Germans. Irishness is still very much alive in the city with Irish traditions and customs still observed and sports clubs formed as is getting more common across the States Cleveland has an active and successful gaelic games club in the St.Patricks’s- St.Jarlath’s G.A.A. team (join them here if you’re in the area).

So it was in 2009 that this bunch of talented Cleveland Irish musicians got together and decided that the one thing missing from their local Irish scene was a fist pumping, ‘in your face’ good time band that takes traditional Irish music and mixes in folk, bluegrass and (you know what’s coming don’t you?) some quality high voltage punk rock.

CRAIC left to right: Timmy Causing – Acoustic Guitar * Brett M. Burlison – Lead Vocals * James R. McWilliam – Drums * Jennifer O’Neal – Fiddle * Theresa Kalka – Tin Whistle * Mitch Kozub – Banjo * Jason ‘Gojko’ Kollar – Bass * Aleks Patsenko – Electric Guitar

CRAIC’S first studio release was the 2011 EP It’s Still New Enough That It’s Forgivable which they followed up in March 2014 with their debut album Amongst The Mischief And Malarkey. The album received favourable reviews across the celtic-punk media and featured in many of 2014’s Best Of lists. That album was produced by ex-Dropkick Murphys star Ryan Foltz at Cleveland Audio studios and the band were so happy that they have welcomed him back to do a similar job on the follow up album Sounds Of Vandemark and again he has performed an exemplary job.

Sounds Of Vandemark is nine songs and seems to be over in a flash at just under a half an hour. I say seems as thats a perfectly reasonable length for an album but I enjoyed it so much I would have loved a bit more!!! There are five self-penned tracks and four covers and while that may seem a lot for a nine track album they have chosen well with a couple of standards and a couple of interesting non-Celtic songs that I had never heard before. The title of the album comes from the bands rehearsal space on Vandemark Rd, in a little suburb of Cleveland called Litchfield Township and the whole thing kicks off with ’20 Years Later’ and it don’t get better here than this. What a cracker to start with. Dropkick’s influences all over it from the crunchy guitar to the catchy chorus and vocals involving the whole band at times. Not to forget the subject matter which is of course having a beer or two with your friends and comrades. This is followed by a bit of an Irish/celtic-punk standard but what to say about ‘Drunken Sailor’ that hasn’t been said before I wonder?

Every few weeks it seems I have to come up with a new way to review this song so I won’t bother this time as it’s enough to say that CRAIC’s version with brilliant banjo, fiddle and tin-whistle is pretty damn good and is up there with any of the best. One of the ways that CRAIC have made their name has been their combination of bluegrass/ country and Irish music and while it hasn’t been particularly evident so far it sticks out a mile with ‘Gettin’ Up & Gettin’ Out’. Next up is another cover, this time ‘It’s Dangerous Out There’ written by American folk singer Bill Morrissey. Many of Morrissey’s songs reflected on working class life and he sadly passed away early at the age of 59 in July 2011. The song originally appeared on his album North in 1986 and his fabulous version can be heard here. Great lyrics and CRAIC do it justice keeping the folk heart of the original intact. We are back in Ireland again now with ‘Rocky Road To Dublin’ and again it’s one covered countless songs but very hard to master due to the speed you need to sing the words. Still it’s one of my personal favourites and I love the lines

” Hurrah me soul says I, me shillelagh I let fly
Some Galway boys were nigh and saw I was a hobble in
With a load “Hurray” joined in the affray
Quickly cleared the way for the rocky road to Dublin”

A cool version that leads us nicely into ‘Hal’ and another great example of CRAIC and their excellent county influenced celtic-punk. All that’s missing here is a ‘Yee-Har’ but takes an unexpected punky turn during the chorus before returning to the C’n’W. ‘Wool’ is more of a straight punk number and gives the band the chance to let fly and rock out. The album’s penultimate song is the final cover here and again it’s a cleverly chosen one. ‘Anything Anything’ was originally penned by New Jersey rockers Dramarama and featured on their debut album from 1985. You may not know them but possible you will have heard the song due to it being featured on the soundtrack of A Nightmare on Elm Street 4: The Dream Master. CRAIC turn an already great song (here) into even better one. The tune stays sort of the same but the addition of all those Irish folk instruments takes it to another level. The album ends with the band’s superb tribute to their home simply titled ‘Cleveland’

“It’s a town for shots and beers

Steel mills and refineries

Our fathers’ broken dreams

Promises and fears

I’ve been around the world

But Cleveland’s always home to me

And when I need a friend

I’ll always find them here”

Working class Irish-American life summed up in just a few lines in one hell of a song! With Chicago belonging to The Tossers, London to the Bible Code Sundays and Glasgow to The Wakes we can now add Cleveland to CRAIC. A great album and that rare thing in that it has more than enough folk to please the folkies and yet is punky enough as well to keep the punks pogoing away. This band will go from strength to strength I can see and with their name on the rise across the States judging by the number of festivals they get to play then there is no stopping them I fear. ‘Hooligans With Rhythm’ indeed!

Buy Sounds of Vandemark

FromTheBand

Contact Craic

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(excellent video showing Craic playing live at Peabody’s in Cleveland, Ohio)

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ALBUM REVIEW: TRIBUTE TO THE POGUES- Various Artists (2016)

A huge compilation of songs written by the world’s #1 celtic-punk band as covered by today’s generation of modern celtic-punk bands from every single corner of the world!

FREE DOWNLOAD!

Tribute To The Pogues

We were sent this brilliant album by our good mate Vladimir, who also did the fantastic artwork and also seems to do the artwork for most celtic-punk releases in Russia, just before St Patrick’s Day. I had to warn him that we wouldn’t be able to do it justice in time to put a review up on release day as we would all be in the pub busy celebrating our Irish ancestry so here a few days late is our opinion on this years must hear compilation album.

As far as I know this is the first international tribute to the Godfathers of celtic-punk – THE POGUES! Everything we hold dear in celtic-punk comes out of the influence of The Pogues and their seminal and legendary front man Shane MacGowan. What they mean to celtic-punk is unmeasurable and the only question you must ask of this album is whether or not this is a worthy tribute to them or not and the answer is of course is that it most definitely, certainly  is!!! The whole thing clocks in at nearly ninety minutes and has 27 bands from right across the entire globe with just about every corner covered. The list of countries here goes from the obvious ones like the USA, Norway, England, Italy, to some ones that may surprise you like Poland, Slovenia, Czech Republic,  and Russia to some that will downright shock you like Indonesia, Ukraine or Belarus. They have all combined to bring you The Pogues most popular London Irish ballads from the era of safety pins, ripped jeans and dishevelled hair!

Now this has been put together by our mucker and artist Vladimir from Novosibirsk in Russia and has a whole host of bands that are both new to us as well as some that are already firm favourites. It would be pointless here to go too far into the history of the songs as they are surely known to even the slightest fan of The Pogues. The whole thing kicks off with one of The Pogues least known songs ‘Curse Of Love’, which was a bonus track on the Hell’s Ditch re-issue album, by Indonesian band The Cloves And The Tobacco. They recently released a new album and it has been making huge waves across the international celtic punk scene and it is a fantastic start and swiftly followed by ShamRocks from the Ukraine and Dzieciuki from Belarus before the London Irish very own The Craicheads weigh in with ‘Sally MacLennane’. They give it plenty of oompf and one of The Pogues fastest ever songs is delivered more than safely with a hint of country and bluegrass. Next up is easily one of the most inventive bands in the whole scene, and one of my own personal favourites, from California are Craic Haus playing ‘A Pair Of Brown Eyes’. You won’t have heard another band like them in the world of celtic-punk I can guarantee it. They have even invented their own genre called ‘Shamrockabilly’ and though their rock’n’roll may be a little lacking on this track it is still outstanding and worthy of you checking out the rest of their back catalogue. Another bunch of my favourite bands roll up next playing some of my fave Pogues songs. A good combination indeed. Happy Ol’ McWeasel from Slovenia doing ‘Sunny Side of the Street’ with the band I once described as being a cross between The Exploited and The Chieftains Middle Class Bastards from Russia next with ‘Big City’, Ukrainian band O’Hamsters sing ‘The Sick Bed of Cuchulain’ before possibly the album’s biggest band The Greenland Whalefishers from Norway chipping in with a brilliant version of ‘Birmingham Six’. A couple of bands I don’t know follow with Kelush and the Bastards (feat. Chris Dutchak) from the Ukraine with an absolutely fantastic skate punk ‘Fairytale of New York’ before Harley McQuinn from Russia nails it with ‘London Girl’. Keeping just enough of the originals rock’n’roll sound before adding some great guitars and gang vocals. Czech’s Benjaming’s Clan and Italians Dirty Artichokes are both bands that have impressed us here over the years and you could almost call them celtic-punk veterans compared to some of the groups here! Russian band The Real Blackbeards I don’t know but they present a great fun pirate version of ‘Sea Shanty’. Americans CRAIC are another big hitter here and they also do a Hell’s Ditch classic ‘Sayonara’ and is one of the many album highlights. Troty hail from Poland and are one of the few bands with a female vocalist. They give us a faultless Polish version of Bottle of Smoke while Hell’s Ditch is revisited again by another Indonesian band Forgotten Generation with ‘Rain Street’ and again it is absolutely superb. Amach  I don’t know but they offer up ‘Transmetropolitan’ and bloody great in its simplicity it is too. They come from the Crimea and like the best bands here they don’t over complicate things but just add a twist to add their own stamp to the songs. Yet another Indonesian band pops up next and The Working Class Symphony give it plenty in their cover of ‘Fiesta’. Never one of my favourite songs but this version bloody rocks and I have fallen for it big time. Like all the Indonesian bands here they play traditional Irish folk influenced punk and is so well played you would think they were all Irish if heard them on the radio! БНД I can’t even pronounce their name but ‘Boys From County Hell’ keeps up the high standard while The Humble Hooligans are a band I only got into recently and these Californians give Turkish Song of the Damned a right auld kicking complete with proper authentic moans and wails. Great accordion leads and Troy’s perfect vocals mark them out as a band to watch out for. Red Box from Russia again I don’t know but offer up a decent ‘If I Should Fall from Grace with God’ before Rum Rebellion from Portland, USA serve up an epic ‘Boat Train’. Been fans of these for a long time and they do not disappoint. Всё_CRAZY are from Belarus and their ‘My Baby’s Gone’ is another album highlight. Taken from the first post-Shane Pogues album Waiting For Herb it’s a brave choice and fits in and works perfectly. We are nearing the end of the album and the last band I know here is the marvellous Moscow Celtic Punks group Drunken Fairy Tales. Keep an eye out soon for the review of their new EP it’s both fantastic and free to download! Crow Dog Clan have another brave choice with ‘Oretown’ from the final (non-Shane) Pogues album Pogue Mahone. They take the song and give it a real shake to come up with something outstanding. Almost gothic country its actually great to hear something not so celtic. Finally the album comes to a sad end with Kozlobar from Russia bringing down the curtain on this amazing tribute with the mental instrumental ‘Battle of Brisbane’.

Well what to say now in summing up. With 27 bands you’d think their would at least be a few duffers here but you’d be mistaken. I’m sure if their were any they ended up on the cutting floor as from beginning to end the whole thing is simply fantastic. From the selection of bands to the bands own selection of songs this is as good as it could have possibly have mine. Yes this is kinda dominated by eastern European groups but it has been put together by a Russian guy and I for one am glad its not dominated by American bands. If celtic-punk exists and is to prosper beyond The Pogues/Dropkicks/Molly’s then it must also exist outside the countries of the Irish/celtic diaspora like the States, Canada, Australia or England. Compilations serve a purpose in introducing you to new bands and if there was a problem in celtic-punk it is that far too many people think the scene these days revolves solely around the Dropkicks or The Molly’s. I am sure this album will introduce everyone hearing it to today’s generation of bands that are carrying the torch for Shane and his buddies and not only that but will inspire another generation of fans as well.

Tracklist

1. The Cloves and The Tobacco feat. Cathy Shannon – Curse of Love
2. ShamRocks – Wild Unicorns of Kilkenny (Wild Cats of Kilkenny)
3. Dzieciuki – Не Саскочу! (Streams Of Whiskey)
4. Craicheads – Sally MacLennane
5. Craic Haus – A Pair of Brown Eyes
6. Happy Ol’ McWeasel – Sunny Side of the Street
7. Middle Class Bastards – Big City
8. O’Hamsters – Лiжко Кухулiна (The Sick Bed of Cuchulain)
9. Greenland Whalefishers – Birmingham Six
10. Kelush and the Bastards feat. Chris Dutchak – Fairytale of New York
11. Harley McQuinn – London Girl
12. Benjaming’s Clan – The House of Gods
13. Dirty Artichokes – The Rake at the Gates of Hell
14. Real Blackbeards – Пират и Колдун (Sea Shanty)
15. CRAIC – Sayonora
16. Troty – Butelka Smoke (Bottle of Smoke)
17. Forgotten Generation – Rain Street
18. Amach – Transmetropolitan
19. The Working Class Symphony – Fiesta
20. БНД – Boys From County Hell
21. The Humble Hooligans – Turkish Song of the Damned
22. Red Box – If I Should Fall from Grace with God
23. Rum Rebellion – Boat Train
24. Всё_CRAZY – Ты Ушла (My Baby’s Gone)
25. Drunken Fairy Tales – Плот “Медузы” (The Wake of the Medusa)
26. Crow Dog Clan – Oretown
27. Kozlobar – The Battle of Brisbane
So there you have it. Don’t forget to tell all your friends about it now! Share it with all you know and let the world enjoy this superb free compilation! And a happy (belated) St. Patrick’s Day to you!!!
(you can listen to the entire record here for free by pressing play on the Bandcamp player below and follow the link below that to get the download)

Download The Album- Bandcamp

any problem with Bandcamp then you should try here)

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