“Land of the free? Fuuuuuck Off! Land of the rich white man”
“Never again will I bow down to a false ideal or a faded crown”
“Students they don’t march no more the middle class won that war”
collective promoting celtic music especially celtic-punk and unofficial Celtic supporters club for drunx, punx 'n' vagabonds!
“Land of the free? Fuuuuuck Off! Land of the rich white man”
“Never again will I bow down to a false ideal or a faded crown”
“Students they don’t march no more the middle class won that war”
Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…
6. BLACK WATER COUNTY (England)- ‘Taking Chances’ here
7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’ here
8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here
9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’ here
10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’ here
11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’ here
12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’ here
13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’ here
14. THE SILK ROAD (England)- ‘S/T’ here
15. FLOGGING MOLLY (USA)- ‘Life Is Good’ here
16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’ here
17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’ here
18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here
19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’ here
20. CRAIC (USA)- ‘Sounds Of Vandemark’ here
21. THE MOORINGS (France)- ‘Unbowed’ here
22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here
23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here
24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here
25. CELKILT (France)- ‘Stand’ here
26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’ here
27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’ here
28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’ here
29. THE BABES (London)- ‘Greetings From London’ here
30. CHEERS! (Czech Republic)- ‘Daily Bread’ here
Just bubbling under:
THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)
No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.
BLACK WATER COUNTY- ‘Taking Chances’
This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!
1. BLACK ANEMONE (Sweden)- ‘In It For Life’ here
2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’ here
3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’ here
4. THE BOTTLERS (Australia)- ‘The Bottlers’ (here)
5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’ here
6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’ here
7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’ here
8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’ here
9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’ here
10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’ here
Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.
1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’ (here)
2. ShamROCKS- ‘Ye Ould Chariot’ EP (here)
3. CRIKWATER- ‘Crikwater’ (here)
4. BEOGA- ‘Before We Change Our Mind’
5. FOLLOW THE CROWS- ‘West is East’ EP (here)
6. PLASTIC PADDY- ‘Lucky Enough’ (here)
7. DAMIEN DEMPSEY- ‘Soulson’
8. GALLEY BEGGAR- ‘Heathen Hymns’ (here)
9. I DRAW SLOW- ‘Turn Your Face To The Sun’
10. ANTO MORRA- ‘From The Vaults’
Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!
MERSEY CELT PUNKS
This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.
So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.
Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.
We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.
His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!
He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.
We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.
Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say
“I try to be serious but the humour always takes over”
He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.
Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.
Ladies and Gentlemen, on drums.. Mr Carlton Hunt
This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.
We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.
remember any views or comments we would love to hear them…
Sláinte, The London Celtic Punks Crew- January, 2018
In every musical scene every now and then a band comes along that is so good they threaten to break out and become the next big thing. That band is Ferocious Dog and that they have got to where they are solely on their own merits and without any sort of backing is simply incredible. Ferocious Dog are on the brink of something special and their new album Red will only speed them there.
Where to start with Ferocious Dog? I first came upon their name a few years ago whispered quietly upon the internet. They were formed way back in the day but for some reason they raised few eyebrows on the celtic-punk scene despite playing some of the best kick-arse celtic-punk rock you are ever likely to hear. Maybe they were missed because they were tucked away up north or we had them pigeonholed as a punky Levellers or a folky New Model Army and while those comparisons may be true there’s a whole lot more to the Ferocious Dog phenomenon than that. Originally formed back in 1988 as a duo with Ken on vocals and acoustic guitar and Dan on fiddle it wasn’t until 2010 that they took the step to becoming a full band.
It was the famed, and sadly now defunct, Paddy Punx website that first brought FD to my ears. The web site that upset every Celtic band in history by providing free links to pretty much every release by anyone that ever called themselves celtic-punk. Their description of the band as ‘English celtic-punk’ is not an oxymoron trust me and was enough to get me scurrying to my laptop and start downloading their self-titled debut album. From the very first play I knew I had to track this band down. That was back in early 2013 and you knew you were listening to something special straight away. Here was a band that bridged perfectly the folk and punk/rock scene’s perfectly. Since those days their star has risen higher and higher with the release of their acclaimed second album From Without and a bunch of absolutely brilliant EP’s and singles.
For Ferocious Dog it was the year 2015 that saw their promotion to the Premier League of alternative music. The release of From Without accompanied by two awe inspiring singles, ‘Ruby Bridges’ and ‘Slow Motion Suicide’, and a near sell out tour that went from one end of this sceptred isle to the other and across again culminated in a sell out performance in their, near, home town of Nottingham at the famed Rock City venue. The first time in that esteemed venues 35 year history that a unsigned band had sold out the venue in advance! One fan explained
“For me it felt like a real watershed moment for a band I’ve had the pleasure of following for the last few years. It feels like this gig was the moment things might change, they have integrity and strength and a loyal following”
Headline spots at Glastonbury followed and in the years since they have become a de-facto headliner for festivals to fight over. Any festie appearance guaranteeing bums in wigwams. Constant touring has helped to cement their position even if it did mean saying goodbye to two of the original Hounds who helped them on their way, Scott Walters and Ellis Waring.
All this and without even a tiny bit of support from the record industry… and not for the want of either. Ferocious Dog are that rare thing. A band with integrity and belief. Yeah you read that right these guys have been courted by the industry and they have chosen the DIY route. No one controls the bark of this dog! The punk scene is notorious for having bands within it making all the right (on) sounds but the moment any interest is shown they are off like a shot with any principals and convictions left chucked to the floor in the haste to get on board the gravy train. None of that holds any sway for Ferocious Dog and they continue to plough their way through the alternative music scene gathering up more and more fans as they take England (and now the Netherlands!) by storm.
With new members on board, Les Carter, from indie Gods, Carter USM, multi-instrumentalist John Leonard and drummer Alex Smith, and all now firmly bedded in, Ferocious Dog have just released their third and latest album to the world. Titled Red it continues where From Without left off with more of their punk rock infused folk/Celtic sounds but with a more mature feel to it. Everything seems a progression in the FD camp from their gigs to their records and even their merchandise! The six piece band take in elements of punk, rock and reggae and mix it up with Irish and Celtic folk music and biting social commentary that comes from the ‘shop-floor’ not university lectures. The band hail from around Nottinghamshire, a working class area that once was famed for its industry and among the areas most important was coal-mining. In the famed 1984-85 miners strike the majority of Nottinghamshire’s miners sided with the government against their own trade union causing splits among friends, family and work-mates and it’s no exaggeration to say that civil war was breaking out in many mining communities across Britain. My own father worked at a coal mine across the border from Notts in South Yorkshire and never spoke to his strike-breaking brother again, not even attending his funeral. Real life experiences that shape and change minds and whole communities. The politics on Red are from the heart and from the working class. From where real politics come from.
One of the things that has enabled Ferocious Dog to achieve what they have done is the high degree of loyalty they bring out of their fans. Known as ‘Hell Hounds’, taking their name from a song from their debut album, its not unknown for fans to follow the band around the country from gig to gig and its a loyalty that is well deserved. A friendly bunch who make every gig an event and their lively mosh pits are welcome to all. Having seen them play now countless times I can assure you that the Hell Hounds make sure every gig is different and while it is, and always will be, better to see them in a small venue it doesn’t get better than seeing this wonderful bunch live! The first time I saw the band in a packed Half Moon in South London I still managed to have a quick chat with two of the band members after the gig they seemed to know the entire audience by name! Always accessible and available and with a real interest in what’s going on in the scene few bands have the following that Ferocious Dog deserve to have.
Red begins with ‘Black Gold’ and there’s no holds barred from the very beginning with this song telling of the role of the British Empire in slavery. Kicking off with some amazing mandolin before fiddle and electric guitar announce the arrival of the whole band into the fray. Ken has a very strong voice that is clear and precise and his northern accent shines through. I’ll try not to mention that word (catchy) too much in this review but as that word could have Ferocious Dog next to it in the dictionary it may be hard! This is followed by ‘American Dream’ and a bit of a first here in that I think it may be the first song that a proper video was shot for.
This is where the real celtic-punk kicks in. The first few songs remind me of San Diego celtic-rockers Lexington Field and it comes together perfect with superb fiddle driving the song along. ‘Spin’ is up next and begins as a straight up Irish trad tune with tin whistle and fiddle and is a real lyrics heavy track about the state of the country as Ken puts the boot into the Tories. One of the things that Ferocious Dog are famous for is their own compositions but they always throw in a couple of well placed covers and the first here is a version of Steeleye Span’s ‘Black Leg Miner’ that fair raises the roof. It first appeared on their album Hark! The Village Wait back in 1970 and the lyrics spit bile and give an insight into the contempt felt by striking miners and their communities to the weasels who stabbed them in the back.
“Across the way they stretch a line
To catch the throat, to break the spine
Of the dirty blackleg miner.
They grabbed his duds, his picks as well,
And they hoy them down the pit of hell,
Down you go, we pay you well”
The songs origins lay in the Durham coalfields of the 19th century and Ferocious Dog with a sense of their own history have certainly chosen well here. It’s perfect FD fodder with its slowly sung verses and frantic and manic chorus giving the audience plenty of chance to singalong before the moshing starts!
The next track up is ‘Together we are Strong’ and will soon I am sure become a firm live favourite. Catchy as hell and a real fist in the air shoutalong rather than singalong. Pleading for unity among the poor and dispossessed it’s not one of my favourites here but I’m sure the Hell Hounds will lap it up. It just seems a bit formulaic for me still it’s an upbeat number that is designed for the dance floor not critics tapping away on their laptops! So five songs in and the pace has been relentless with the band refusing to let up for a second so we were due a slower song but ‘A & B’ still came as a bit of a surprise. The change in pace is not unexpected but what a song! Up there with the best that they have ever recorded. Fiddle player Dan takes over on the vocals with simple but effective backing from John on acoustic guitar in a beautiful song about “the hardest story to be told”. Inspired by visits to Auschwitz and Birkenau concentration camps in Poland the song has few lyrics but packs more in than any on this album. Ending with mournful fiddle that brings the song to an end.
We are back in proper FD territory again with the next song ‘The Enemy Within’ and again its a song dedicated to the miners and the strike. For a year the miners held out against a government determined to not only break them but to smash them. The miners went from “saviours of a nation” to, as Thatcher christened them, The Enemy Within. In France as the last coal mine close the miners were lauded as they rose from the depths of the earth. They were feted on live TV and the whole French nation paid tribute to these brave hard working men who faced death every time they left home for work. Here as the pits closed they simply threw the miners and their families onto the scrapheap and did absolutely nothing for the communities that relied so heavily on the industry.
I look around and all the mines are gone, I felt the need to put my feelings into song, You dare to tell me now the miners were all wrong and yes I am your enemy”
So yes a lot of anger and rightly so. Starting with military drumming it soon turns into a potted history of mining over a typical FD mosh friendly Celtic rocker. We are rolling up towards the end now and ‘A Place I Want To Be’ is a bit of a shocker with Les taking on lead vocals and having always been a huge fan of Carter USM it really made my day when they first announced he was joining the band. The song begins slow and gentle with Les picking away on an acoustic guitar before it explodes into action and any tale of a relationship breakdown deserves a bit of passion before it returns to just Les and his guitar. Now many seasoned celtic-punk fans may give a little sigh at seeing ‘Johnny I Hardly Knew Ya’ on the track listing but to be fair it’s possibly not a song that well known to the FD fan base. While many celtic-punk bands have given it a whirl (none have bettered the ‘rebel’ version by Easterhouse by the way here) it’s not particularly well known outside our circles. I’ve a tonne of family in Athy and spent many a summers day there escaping farm work and trust me they never shut up about this song! Here they start off gentle with the Celtic instruments to the fore but its not long before the band have all joined in and turned it into the celtic-punk dance fest its always destined to be. This is followed by ‘Small Town Hero’ and by Christ it’s the album standout for me. A chugging bouncy punk rocker with some lovely fiddle work. Despite Ken’s accent it has a feel of early Dropkicks to me. Maybe its the gang chorus of ‘Heys’ but it’s a real belter of a song and sure to be another live favourite with pints and fist thrust to the air. We have arrived at the end and the curtain comes down on Red with a real surprise number. FD have often flirted with reggae but here they go for a seven minute epic bastard of a song titled ‘Class War’. Now I’m not the biggest reggae fan. Twenty-five years of living in Hackney and listening to selfish bastards playing it out their windows at 3am has turned me right against it but I can appreciate it here and the change of pace is nice but the laid back vibe doesn’t last for long as FD can’t help themselves and before long it speeds up out of the blue and we are off again. Class war is indeed raging on the streets of England but it is not a war between the classes but a war against the working class and our very identity and culture. A great way to finish the album and so ends forty minutes of pure unabashed celtic-punk fun.
So there you have it and this is the longest album review to have ever appeared on these pages and all written in just a couple of go’s with no notes. Obviously the inspiration flows out of Ken and the Bhoys into us all! The production on Red deserves a mention and Phil Wilbraham at the Electric Bear Studios in Mansfield has done an exemplary job here capturing the sound and feel of FD perfectly. The release comes in both vinyl and CD and the CD comes with a massive 28 page booklet featuring photos and lyrics. As is usual with all FD releases is has been recorded in tribute to Ken’s son Lee Bonsall.
This third studio album from Ferocious Dog shows a band at the top of their game but they seem to have been at the top of their game for so long now that you could regard it as a usual state of affairs for them. It’s hard to see where their progression has come from as they haven’t radically altered their sound from their debut album but the difference from other bands comes from the quality of their songwriting and lyrics. Here three different members of the band take the mic and each excel on songs that range from full on fast celtic-punk rock to soft and gentle tear jerkers while all the time playing with a sincerity that would alien to most bands. I simply cannot state how much respect and love I have for this band and to prove it I am even giving up the heady delights of St Patrick’s Day in the capital with the London Irish to go see them in Oxford so see you there. I’ll be in the middle of the dance floor!
Ferocious Dog (2013) * Ferocious Dog 3 Piece Acoustic (2014) * From Without (2015) * From Without Acoustic (2017) * Red (2017)
Contact Ferocious Dog
Lee Bonsall Memorial Fund
Irish folk punk band from Sweden bringing chaos and mischief to the world!
Black Anemone hail from very close to the river Lagan… no not that one but the one just by Jönköping in southern Sweden! Now the Swede’s have quite the liking for celtic-punk music and Sweden has supplied the scene with some fantastic bands like Sir Reg and Finnegan’s Hell for just two and one of the latest are this bunch of young, edgy, sharply dressed folk-punk folk with their excellent brand of straight up, in your face singalong mixture of Irish folk and rock’n’roll and punk attitude.
Black Anemone formed in 2010 when front man Mattias fell in love at school with old time Irish music and after recruiting his longtime friend Andy on guitar they began to lay the foundations for the band. As Mattias says
”I wanted to mix the sound traditional folk music, mostly Irish trad and fusion it with rock and punk. Having strong roots in the rock and punk genre”
Within a few months and with the addition of several more school friends Black Anemone was formed. Solid rehearsing and some low key gigs saw the release of their first Demo, Let The Freak Show Begin, in 2011. That Demo definitely takes the raucousness of Flogging Molly but takes it to another level with fast Irish folk and Scandinavian raspy but still tuneful vocals. Its been made available by the band as a free download if you like (here). They soon after began work writing songs for their debut album and with a growing reputation as a live act and bolstered by several local music awards this album would be eagerly anticipated not just by their fans at home but also throughout the celtic-punk world. Titled King Of Kings it hit the streets in early 2013 and was eleven tracks of mostly acoustic but upbeat fast played Irish folk that shifts and changes and along the way sounded like most of celtic-punk’s major league players, as well a few that would deserve to be, and added to all that further folk influences sneaking in from all across Europe.
Their new album In It For Life begins with an absolute stormer of a song, ‘Freedom And For All’ with Mattias vocals perched somewhere between Shane McGowan and Joe Strummer it’s a banjo led number that has the feel good factor turned up to eleven and four years on from King Of Kings they haven’t lost any of their bite whatsoever.
‘Amber’s Point’ follows and is more a trad Irish number with a very distinctive Irish intro. Very catchy with a country feel at times and great vocals and lyrics and a banjo/accordion combination to die for! We stay in trad territory next for ‘Every Dog Has It’s Day’ an original song (not a cover of you know who!) and its what passes for the album’s epic slow number except it’s not really that slow but is indeed very epic. It’s the album’s longest track and for me it doesn’t get any better here than this. The accordion drives it along while the band accompany Mattias with the odd yell of ‘Hey!’ and with mandolin giving it that incredible Irish celtic-punk sound we all love so much. The album is only eight tracks and fairly brief at twenty-six minutes long but the Bhoys and Ghirl (an incredible nine members- that’s nearly a football team!) certainly know they way round a tune and the first cover, of two, is up next and yeah, yeah, yeah I know everyone seems to have covered ‘Drunken Sailor’ but there’s an obvious reason to why it’s covered so much and that’s because when its done well it’s quite simply one of the best tunes ever written and here I can be happy to report that Black Anemone turn in as good a version as you will ever likely hear. They keep it short and fast and proper-celticpunk! We are at the halfway point through the LP and next up is the title tune ‘In It For Life’. Again Mattias explains
“In It For Life is our tribute to the love of playing music. The love of playing live, Writing music, traveling and the constant grinding that is the music business today! we are are and will forever be in it for life”
The prominent banjo and alternatively fast punk/ska’ish sound reminds me a lot of our very own English celt-rockers Mick O’Toole. Gang vocals and a brilliant tune that leads us into ‘It’s A Short Life (But A Merry One)’ and they may have turned the punk down a fraction and maybe it’s possibly the odd one out on the album but its still an absolute belter that shifts towards being accordion driven halfway through before joined by fiddle. ‘Hellhounds On My Back’ is next up and funny enough Hellhounds is what fans of English celtic-punk band Ferocious Dog call themselves and the fiddle here gives the song an air of them as well before we get to the last track, and the second of the album’s covers of traditional folk songs. ‘Banks Of The Roses’ was originally made famous by The Dubliners and has been recorded by many Irish and Scottish artists since. The song is given a pretty standard celtic-punk showing and by pretty standard I mean, of course, utterly brilliant!
“On the Banks of the Roses me love and I sat down
And I took out me fiddle for to play me love a tune”
Sounding quite like The Rumjacks when they get hold of an old trad song Black Anemone give it plenty of oomft and the album ends on very much a high note.
In It For Life came out last June and as you can imagine for a nine piece band the sound is incredible so hats off to Alexander Gabara for his amazing work in capturing the band so perfectly. The band have got it exactly spot-on here with both their sound and the combination of folk and punk and folkpunk all underpinned with the trad sounds of Ireland. A superb album and well deserving of your ear time so don’t delay and follow the links below to hear Black Anemone today!
(listen free to In It For Life before you buy by pressing play on the Bandcamp player below)
Buy In It For Life
Contact Black Anemone
(full live concert recorded at Tre Trappor in Sweden last February)
Infectious and catchy throughout the debut album from northern English celtic-folk-punkers The Silk Road has more than enough punk to keep the punks happy and plenty of folk to keep the oldies like me happy!
Here’s an album we have been waiting for here at London Celtic Punks with baited breath! Those with a good memory will remember way back last October we reviewed the four track pre-album sampler from The Silk Road and back then we were very impressed
“This kind of music lends itself more to the live experience so if they are able to capture that in the studio then by St George they will have cracked it”
and I am pleased to say they haven’t let us down either!
The Silk Road hail from Chesterfield in the north of England an area famed for it’s industry and for the militant trade unionism that goes with it. Their music reflects this. Their is no pretense or ‘virtue signalling’ here. Their beliefs were learnt at the knee of older generations who lived through times they did not want to see repeated. Formed in 2015 all the band have played music locally going back some twenty years ranging from folk to punk to ska so plenty of experience involved here. Taking some old demos that singer/songwriter Tich had recorded in his studio as a base The Silk Road began to take shape and after adding some new material The Silk Road’s debut album began it’s story.
Musically The Silk Road are cut from the same cloth as three bands who are still regularly packing them in at gigs across the country all year round. The Levellers, New Model Army and Ferocious Dog are the main bands that represent a broad mixture of scenes from folk-punk to celtic-punk to English-folk. The music while it may sound like celtic-punk to some is actually the music of the north of England. Their has always been a strong tradition of folk music among the working class and just as with celtic music it was in the early 80’s that young bands began to change, add and adapt it with hard rock and punk music. For me there is no better example of this than the first two album’s from Billy Bragg. He may be a bit of a wanker now on his farm in Devon lecturing us on how to vote and still pretending he lives in Barking but those albums are an incredible mix of politics and passion that captivated us and I still regularly play them. Armed only with a cheap electric guitar Bragg stormed the Singles charts of the day with his rough but passionate voice and a way of writing straight from the heart. His best songs were always about the mysterious interactions between men and women rather than his left-wing polemics but this was urban folk at it’s finest. Now some 20+ years later The Silk Road take their place on the same path and I’m sure they won’t be moving to Devon the first chance they get!
This self-titled album is thirteen original compositions by the band and though it’s very much a team effort it’s in no small part down to the vision and drive of lead vocalist Tich. A tattooist by trade it was his idea to use the symbol of the silk road as the bands logo. Yes it may look Celtic/Irish but the three hares with interlocking ears is actually from the far east where the silk road was the ancient trade route linking Asia to the West. The album cover itself was designed by no other than celtic-punk’s leading lady Katie ‘Kaboom’ McConnell of The Mahones.
The album begins with ‘No Revolution’ and it’s a loud start. I was expecting something a bit quieter so was pleasantly surprised. Quite a basic 80’s punk sound here which I absolutely love. The fiddle may have been worth turning up a bit but its got harmonica so that’s me happy for the next forty-eight minutes! Tich’s vocals are clear as crystal and so easy to understand, and get, that there is literally no point in putting them in the CD booklet. ‘Find A Cure’ follows the same road except with a short reggae interlude before a great punk rock Irish jig takes over. Great chorus here that will have you singing it in your head long after you’ve heard it. One of the highlights is ‘I Don’t Care’ with it’s snotty punk rock base but with the fiddle in charge and Tich’s great vocals laden over the top. It’s all been very punk rock orientated so far and just as i was settling in ‘Elizabeth Rose’ comes on and by Christ I’m in celtic-punk heaven with this Irish trad punk jig. The fiddle leads the way with the rest of the band pushed to the background and a real foot tapper that I’m sure is a live favourite and gives Tich a chance to rest his lungs. They slow it down next with ‘Scars’, the first song here that featured on that Pre-Album Sampler, and sounds to me not too far from The Levellers. Not a much of a fan of them myself but this is excellent stuff with slow acoustic guitar and fiddle and nice vocals. The welcome sound of the banjo kicks off ‘Master Race’ with what sounds like spoons! Harmonica is top dog here and I love it. A instrument I always feel suits celtic-punk but is criminally underused. ‘Still Breathing’ seems to me a bit out of place here. Hard to say why exactly but its upbeat and jaunty sound perhaps. Not to say it’s not a great song as its class fiddle led punk rock. ‘Breaking Down The Laws’ keeps the music flowing with Brian’s solid drumming. ‘Ancient Road’ leads directly into ‘Montagu’s Harrier’ and while the first three minutes are reminiscent of 80’s anarcho-punk bands like The Mob or Zounds the second half is an absolutely stunningly traditional Irish folk piece/reel dedicated to an endangered bird of prey.
The bodhran is out and it’s not long before the whole band have gate crashed the song and take it another level. These two songs are a perfect introduction to The Silk Road and showcase brilliantly whet they are capable of. We are coming towards the end of the album and it’s clear by now that the band wear their politics on their sleeves and no better than in ‘City Under Siege’. Back in October I wrote
“this kind of music is very much in vogue at the moment. Not played or favoured by fashionista’s or middle class hipsters it comes very much from that sort of old Labour background of trade unionism and old fashioned values like solidarity, compassion and the wish for a better world for all. Things sadly out of fashion at this moment in time”
and while ‘Corbyn’ and the Labour Party’s revival hasn’t completely convinced me I do see hope for my class where once I saw none. Another album high point up next with ‘Boats Come In At Midnight about modern day smuggling. Very catchy indeed and half way through the fiddle comes in giving it a real nice ending. The album ends with ‘On Ya Way’ and maybe it’s a sign of mellowing with age but I really love this song. My favourite track. Tich belts it out from his heart and harmonica and acoustic guitar steer it in a direction that reminds me of Ferocious Dog a little when they slow it down.
Overall this is a great debut from The Silk Road and will win them legions of fans from the trinity of bands I mentioned above. Infectious and catchy throughout with more than enough punk to keep the punks happy and folk to keep the oldies like me happy. Its always brilliant to welcome another celtic-punk band into the scene and even better when they have trodden their own path. Haven’t seen them yet but will be making it my mission to catch them over the summer and I really hope they play ‘On Ya Way’ when I do.
German celtic-punk band Restless Feet’s second studio album playing fast Irish folk from Traditionals to more asskickin‘ stuff about sailing far away and returning home.
In a genre that most music fans would probably think of as being extremely small its heartening when you come across a band that you think is new only to find out they have been around a while and this is not their debut album as originally thought. That after all is a sign of a very healthy scene and long may it continue that I don’t know every band out there!
Restless Feet originate from the beautiful old town of Freiburg in the south-west of Germany and were in fact formed back in November, 2011. Their debut album Almost Irish contained seven tracks of which but two were covers but did contain the amazing track ‘Empire Of Gold’. If I had come across this song back then then I can tell you with all certainty that I would have been following them ever since.
The mini-album also contained a couple of Breton songs showing that Restless Feet know their onions and were not content to just rattle out the old favourites. That’s not to say they can’t play the old faves as it also contained a couple of Irish folk standards but it set the pace for their following album, which was about to hit the streets over three years later, just in time for St Patrick’s Day 2017.
I have mentioned on this site before the special affinity that German’s hold for the Irish. Time and time again when I have met German folk I have been impressed by their knowledge of Irish culture, music and history. That Celtic are by far the most popular foreign team among German football supporters is testament to that affinity. There are several theories for this but my guess is that the Germans love a drink and a good party so it has got to be between us and the Mexicans aint it? Here Restless Feet offer up six self penned tracks and seven carefully chosen covers that go to show that the German love for Erin still shines strong and shows no signs of abating either.
Homeward Bound begins with ‘I Hold Sway’ and gets proceedings off to a great start. All acoustic but with a real punk rock feel. The Irish/celtic sound is supplied by the energetic fiddling of Marcy and Kai on tin whistle and banjo while the rest of the lads, Maggu, Arthur and Alex, supply a steady and sturdy back drop.
(the first single and official video released from Homeward Bound)
Fast and over in a flash and leads into ‘The Cabin’ a very short accordion number used as the intro to the following song ‘Wake’s Souvenir’. Slowish but still tuneful and catchy that speeds up in the middle and its not often you will hear an acoustic guitar being thrashed so loudly! Many Euro celtic-punk bands include flute and I was a late convert to the idea but here, as it usually does, it sounds fantastic.The first cover is ‘The Shores Of Botany Bay. First time I ever heard this was by the legendary Irish folk band The Wolfe Tones and Restless Feet do it justice with a wee Irish trad tune slapped into the middle making it extra bit special. Restless Feet have two main vocalists and they slip from song to song so forgive me for not which is Kai and which is Maggu. They both sing in a distinct German style with the accent strong but at the same time absolutely clear as crystal and while the CD does come with the lyrics included you don’t need them at all. ‘Sailor’s Yarn’ is a great tune with superb fiddle and backing gang vocals. In the search for the song that represents celtic-punk the following, ‘Waste My Throat (On Irish Folk)’, song is a worthy contender. A real footstomper and one for the crowd to join in with cries of “yeah” peppered throughout. Would have maybe perhaps benefited from some driving electric guitar but still a album high point. Restless Feet next show us that their is more to their band than just punked up folk songs with ‘Tuneset’ which is in fact two and a half minutes of full on Irish trad folk with three superb reels- ‘Irish Washerwoman’, ‘Cooley’s Reel’ and ‘Maid behind the Bar’. Banjo, fiddle and flute giving the impression that what you got here is a trad band not an actual celtic-punk one. Next we have ‘Greenland Whale Fisheries’ which I am sure most of you will know as it has been covered by most bands between The Dubliners and The Pogues and has even been taken as a name for one of the celtic-punk scene’s most popular bands. Now I love this song but would have preferred something a little more off the map but we have to remember that to audiences not accustomed to Irish music this is a song that will get people off their bar stools and up jigging. On that first album Restless Feet showed they weren’t adverse to playing the odd rebel song and here they serve up the glorious ‘The Boys Of Wexford’. The song commemorates the Irish Rebellion of 1798 and, more specifically, the rebellion in Wexford.
“We are the Boys from Wexford
Who fought with heart and hand
To burst in twain the galling chain
and free our native land”
Made famous by The Clancy Brothers and The Wolfe Tones its a great version and sure to get the blood pumping of any freedom loving patriot. The last self penned number is ‘The Ballad Of Johnny Doran’ and bejaysus it’s an absolute corker. Loved it. Slowish and catchy with the backing minimal and the fecking brilliant chorus telling of a traveller’s life.
“I’m the Everywhere Man, slán and I’m gone”
The album standout and not just for me either (see the review on Celtic Folk punk here). We are back in Pogues/Dubliners territory again next with version of ‘The Irish Rover’ and not much to add but its as good as you will hear and the Bhoys stick fairly close to that most famous version. We are shipping up to shore and I feel I really must take off my hat and salute Restless Feet for including ‘By Memory Inspired’ here. Growing up with Irish music I thought I had heard just about every rebel song but this had passed me by. Again it’s a song commemorating the Irish Rebellion of 1798. Slow and quiet and beautifully played and sung from the heart.
“By Memory inspired And love of country fired, The deeds of Men I love to dwell upon”
The tragic defeat of that rebellion is remembered and the brave men who gave their lives names are sung with a poignancy that many Irish bands could learn from. Daniel O’Connell, William Orr, John Mitchel, John McCann, John and Henry Sheares, Fr Thomas Maguire, Robert Emmet, and others are recalled. Homeward Bound comes to an end with ‘Rolling Down To Old Maui’ and I was actually dreading another acapello version of this but the Bhoys turn it into a great tune with brass instruments and superb fiddle turning it into one of the best versions I have heard straight up!
So forty minutes of class acoustic Irish folk punk from a bunch of Germans with a real feel for what they are playing. Whether it’s playing their own material, classic Irish standards or even lost and forgotten gems of Irish folk, Restless Legs are a great addition to the celtic-punk scene and to landlubbers everywhere. With recent gigs supporting some of the scene’s biggest bands, including our own Ferocious Dog, the future is looking very bright for them.
Buy Homeward Bound
Contact Restless Feet
We don’t hang about here and hot off the press here’s a review of last nights shenanigans. It all happened in the heart of Arsenal territory in North London but thankfully they weren’t at home and we had the Wetherspoons to ourselves pre-gig. Two of the greatest celtic-punk bands around combined for the perfect night and gave their London Hellhound following a night to remember.
Review by Chris Brown
Tonight’s gig was Ferocious Dog and Neck at The Garage in Highbury.
An easy trip from Pimlico to Highbury and Islington on the Victoria line and the venue was opposite the tube station.
Ferocious Dog and Neck have been talking about doing this gig at The Garage for a year or two now and finally it’s happened.
I was there to do Neck’s merch and covered a couple of Leanne’s breaks too. Also had a Sea Shepherd stand next to us so I was able to talk to them about having a stall at my event raising funds for Hunt Sabs and Sea Shepherd in Derby on May 6th. 13 bands in 12 hours and free entry.
Neck’s set was superb. Playing favourite tracks like ‘Every Day Is Saint Patrick’s Day’, ‘Always Upsetting Somebody’, ‘McAlpine’s Fusiliers’, ‘Star Of The County Down’, ‘Everyone’s Welcome To The Hooley’ and ‘The Psycho-Ceilidh Mayhem Set’. A wonderful set of London-Irish Psycho-Ceilidh performed with the added bonus of Ruts DC’s Leigh Heggarty as guest guitarist.
And then, Ferocious Dog tore the fucking roof off. This is the first time I’ve seen Ferocious Dog with their new line-up after the departure of Scott Walters and Ellis Waring earlier this year.
Their more than capable replacements in the form of Hung Like Hanratty’s ex-drummer Alex Smith and multi-instrumentalist John Leonard of Seven Little Sisters have fitted in nicely and added their own thing to the mix that is Ferocious Dog.
From the atmospheric intro written and recorded by Hell Hound John James JJ Kirk to the opening notes of ‘Gallows Justice’ through to ‘Mairi’s Wedding Pt II’ and the encore of ‘Paddy On The Railway’ and ‘Slow Motion Suicide’ via ‘Poor, Angry and Young’, ‘Verse For Lee/The Glass/Lee’s Tune’, ‘Ruby Bridges’, ‘Crime and Punishment’, ‘I Stand’, ‘Unconditional’, ‘Raggle Taggle Gypsy’, ‘Freeborn John’, ‘Hell Hounds’, ‘Criminal Justice’, Blind Leading The Blind’ and ‘Freethinker’ (not in order and a few missing but yeah) the set was non-stop foot-stomping, hand-clapping, Ferocious moshing, heel-to-heeling and toe-to-toeing punk folk at it’s best.
I love the fact that Blind Leading The Blind is reappearing in the set now and that the loss of two very accomplished band members hasn’t meant Ferocious Dog calling it a day. They survived three members leaving before so it was hardly a surprise but I am genuinely delighted that the new line-up sounds so feckin’ good.
There’s life in the old Dog yet.
thanks to Chris for the review, Amy O’D for the photos.
Thatcher may be gone but the people still need a voice and FOLK THE SYSTEM are back. They’re older, got less hair and slightly cleaner clothes but still folking angry!
Last year we received a CD in the post from deepest darkest Oxfordshire, otherwise known as the Cotswolds and here on this CD as just plain Wolds. Taking in parts of Wiltshire, Gloucestershire, Oxfordshire, Somerset, Warwickshire and Worcestershire the word Wold comes from the old English meaning ‘forest’. It’s basically what is left of the English countryside and parts of it would rival anywhere in England as the most beautiful spots in the entire country.
Based in, and from, the old Oxfordshire town of Banbury Folk The System got together in the early 1990’s and toured the length and breadth of this island from the Scottish Highlands to Cornwall and played with all the folk-punk scene’s big hitters of the day before sadly, after years of drinking, dancing and general chaos, deciding to call it a day back in 1996. (The band have put their 1994 demo up for free download here if you want it!) The boys though remained good friends throughout the years and in 2013 all the original members of the band decided to give it another crack. 2014 saw Folk The System return to the stage for the first time in nearly 20 years and this brings us nicely up to date and the release of Unrest In The Wolds. The album is available on download and CD and the the CD comes with a 4 page booklet with the lyrics printed so small you’ll need a magnifying glass to read them!
Though the album came out last year we are finally getting around to reviewing it now due to two things. First off an unreliable mate who said he would write it and secondly I was planning to catch them live on home turf in Banbury supporting Ferocious Dog which I thought would help me write this. Well as they say better late than never and looking at their stall last weekend they still have a few copies of the album left so follow the link at the bottom to get your mitts on one.
Folk The System- ‘Witchfinder Generals’
Bringing together some tracks from the past with some new and unreleased material, the album is ten tracks that clock in at a very respectful forty minutes and just like their live set is over far far too early for my liking. The first impression you get from listening to the album is that their are no drums (they must be followers of the Steve White And The Protest Family philosophy that ‘Drums Ruin Everything’) only a bodhrán and that all the instruments are acoustic. Don’t be dismayed though celtic-punk fans they kick up a right storm and can easily be compared to early 80’s English anarcho-punk bands like The Mob or Zounds. The album begins with ‘Witchfinder Generals’ and its a very familiar Irish/English hybrid folk sound crossed with Simon’s punky vocals and hardcore lyrics about the social services and the power they wield. Starting off slowly it begins to build up and with some bitter and angry vocals its a great start to the album. Next up is ‘Civilisation’ and you may not think it but I found the bodhrán dominating here as the excellently played fiddle flies off the scale. Two songs in and I’m getting a sort of harder version of The Levellers here both musically and politically. Yeah they cover much the same ground as B-right-on’s favourites but I always found them a bit lame so it’s refreshing to hear the anger and passion I always found missing from The Levellers. ‘Lost Land’ again hits the spot with gang vocals and superb fiddling. ‘Death of a Nation’ follows much the same path with the whole band coming together even though the mix could have been a bit louder here. The next song is probably their most popular and if the band had a signature tune then I am sure it would be ‘Enviromentally Friendly’. It got the largest cheers live and also the most audience participation as the crowd sang along to the words about the hypocrites who tell us to recycle while continuing to ruin the environment themselves. Like those green charities who spend your hard earned on massive wages for their bosses or office furniture. Simon spits out the words with a bile that comes from truly believing in what your singing about. A very catchy fiddle tune accompanies this and for certain one of the standout tracks here. ‘To No End’ again hits you in the heart and brain and further confirms the album as one of the best I have heard this year. All the songs here are written by the band and the only instrumental is up next and called ‘Murphy’s Logic’ I suppose in tribute to its Irish sounding tune. While the album is, as I already said a hybrid of Irish and English tunes ‘Murphy’s Logic’ is unashamedly Irish and will leave you breathless as it swirls around you with the band combining on this the albums most trad song perfectly with the occasional shout from Simon it certainly gets the auld feet tapping. It featured on that old demo mentioned earlier and like an old wine has matured and got better with age. Following on and getting towards the end of the album ‘Street Corner People’ takes in the cuts on the National Health Services especially in regard to mental health. Again strong bodhrán and the introduction of tin whistle keep the song going at a healthy pace and at nearly five minutes is the longest on the album. ‘Vanity’ was my favourite song when they played live and here they are at their most anarcho-punk with a song about animal rights and animal liberation. Another song that has survived from that old demo from twenty two years ago and has only got better in time. Unrest In The Wolds come to a sad end with ‘Least You Deserve’ and Simon’s heartfelt vocals are never better. An extremely strong and dark end to the album that only leaves you wanting to listen to it all again.
Now after seeing them live and listening to this album I can tell you two things. They may be an acoustic band but they kick up more of a storm than most full on punk bands that I know. Loud and shouty but never preachy with a sound that may remind you of the aforementioned Levellers or more modern bands like Ferocious Dog and I suppose it is a familiar sound but don’t be misled into thinking theirs nothing original here. Folk The System far out date most of the bands in the scene so give them credit for coming up with it in the first place. While bands like The Levellers continue to garner the applause and pundits and sell out venues with their soppy mish-mash of hippyfied folk and punk its bands like Folk The System, and Ferocious Dog, that deserve to sweep them away as the passion here is more than most of The Levellers tie-dyed crowd could probably ever contemplate. The monster that was Thatcher may be gone but the evils of the system that spewed her out are still here and though they be a bit older and cleaner, and have less hair, Folk The System are still folking angry about it. Far be it for us to want to perpetuate the unfair system we are in bu let them remain so if it means they keep playing fantastic music like this.
Buy The Album
Contact The Band
Part Dropkicks, a wee part Molly’s but always 100% celtic-folk-punk!
The End is Nigh is the follow up album from 13Krauss to their excellent debut album, Seguir En Pie, which was released to great acclaim back in 2014. For our review of that grand album then check out here. Originally forming up as a straight up, no frills punk rock band but after a Real McKenzies show in their home town they were inspired to change direction and take the celtic-punk high road. So the boys went on to add an accordion player and a bagpiper and 13Krauss the celtic punk band were born! Hailing from Zaragoza in what is basically the dead centre of Spain they have become firm favourites on the Spanish scene, and further afield as well, and on the basis of these two albums it is no surprise why either.
The album begins with ‘Reza Por Tu Vida’ and the sound of an ocean and a toiling bell adds some nice touches to this blistering slab of fast and furious celtic-punk. One of only three songs sung in Spanish, the rest are in English, except for the one instrumental. Its a brilliant start with shouty gang vocals atop of acoustic guitar and bagpipes and its very Dropkicks sounding indeed. ‘Doomsday’ follows and reminds me of my current scene fave’s Ferocious Dog with the fiddle looming large and cranked up electric guitar and mandolin. Bodi vocal style is excellent. Shouty and strained but never unintelligible and you know that if pushed he could give it a real ‘croon’ with the best of them. The bagpipes are back out for ‘Flying Broken Chairs’, a catchy as hell track telling of a wicked and wild night down the boozer. They literally just released the video for ‘Flying Broken Chairs’ just yesterday featuring footage from this years St Patrick’s Day gig in Sala López in their home town of Zaragoza.
The best celtic-punk bands have the ability to slow it down and with the aptly named ‘Slow Down’ 13Krauss prove they can do it too. The story is of looking for leprauchauns and has quite the polka sound to it. Much like The Dreadnoughts use to play. Another thing a lot of non-celtic in origin celtic-punk bands are very good at is bringing new sounds and influences into their music and again ‘En Mi Ataúd’ has a sort of polka /Russian thing going on and its great. ‘Don’t Feed The Goblin’ is the only instrumental here and instrumental by name MENTAL by nature. A fast as hell ride through Dropkick Murphy’s style bagpipe punk rock. 13Krauss switch it up again and ‘Miserable Bridges’ has a skate-punk feel to it while again David’s bagpiping is absolutely superb. We are nearing the end now and ‘The Smitting Blow’ changes it up again with a country folk punk number that is unlike anything else here but equally as good and then finally we have ‘El Mañana No Espera’ and the end of the album. The bagpipes are loud and proud and the curtain comes down on this fantastic album with another piece of Murphy’s influenced celtic-punk rock.
(You can have a free listen to The End Is Nigh by pressing play on the Bandcamp player below. Follow the link below to buy)
Buy The Album
Contact The Band
* the guys from 13Krauss have also set up the ZARAGOZA CELTIC PUNKS group on Facebook so trot along there and join up here…
(Check out this full concert from 13Krauss. a unusual camera angle but you can see how much the crowd gets into as the gig goes along. Brilliant!)
Where folk and punk collide to provide a passion infused commentary that is as raw and honest as it comes…
Nothing particularly ‘celtic’ going on here but if you’re after some fantastic played and in-yer-face folk-punk then the second album from Headsticks is for you. That’s right Headsticks not The Headsticks and they may be familiar to readers as we gave their debut album, Muster, a glowing review back in August, 2014. Since that album they have concentrated on playing live taking the stage at some decent festivals including the anti-fascist 0161 Festival in Manchester. The band come from the once proud industrial town of Stoke. Famed for the manufacture of pottery (hence the reason the area is known as The Potteries) those days are long gone and along with coal mining and steel making all of the areas main industries have been decimated by successive governments of Labour and Tory who care little for the working classes while they chase the votes of the urban middle class.
“I’ve got tickets for the weekends match, for the boys in red and white,It’s the third round of the cup you know, if I missed it well, it wouldn’t seem right,We can meet up in the town tonight, and we can drink this world to rights,We can raise a glass to liberty, and to the glory of the fight?”
“There’s rumours in the pubs and bars, whispers on the streets,The crooked cross is on the roll, hear the sound of marching feet,Strange fruit growing on the trees, like in Billy Holiday’s song,The years pass by, more old men die, those who stood and fought so strong…
The rise seems to have been checked but not won. The ‘victory’ was based on ‘if you vote BNP you are scum’ no way to win the working class over to the left so the people of Stoke simply retreated to apathy. I feel for Stoke as it reminds me of my home town. Another once proud industrial town with a strong left-wing ethos virtually destroyed by a corrupt (and criminal) Labour council. I don’t know why but the more harmonica led songs like ‘Pay The Price’ seem also to remind me a bit of The Housemartins.
“Like the fiercest fire burning through the night…Everybody has their price to pay,it’s killing me to walk away…”
Another catchy as hell track with superb lyrics. Andrew, the vocalist, wrote all the songs and is one of those writers I’d describe as a story-songwriter.
The songs here are beautifully written and given the subject matter most of the time they are never sloganeering or badgering but just pure passion and compassion for other people. The plight of the common man is never far away her and ‘Tomorrow’s History’ tells of
“See the man who’s toil has built this land, a land they call great,Reduced to bitter hatred, served their bile upon his plate”
but then hits us with
“Today we’ll write tomorrow’s history, so tomorrow we can liveSo tomorrow we can live”
reminding us that our destiny is in our own hands we must only grasp it. ‘Every Single Day’ is about the media and the propaganda that spills out that if its not telling us that immigrants or travellers are responsible for the ills of society then its promoting the dumbest and most stupid to levels of fame unknown in the past. Politicians and the media don’t just lie to us they try to convince us we are worth nothing and our history and the hard (sometimes we won!) battles of the past were for nothing. Headsticks are here to remind us to take pride in those battles and to look forward to next one. ‘Burn The Sun’ gets all funky guitar while it puts the boot into The Sun newspaper. Read almost exclusively by the working classes while being written almost exclusively by middle class ex-public school children it has long left much of the authentic left amazed at its popularity amongst those it regularly abuses and victimises. Football, bingo, telly and tits have served it well and one of the benefits of the decline in printed media is that less and less people read this shitty paper all the time. The song ends with
“Where’s the justice for the ninety six?Justice for the ninety six”
which refers to the lies pumped out by the Sun after the tragedy of the Hillsborough disaster in 1989 where 96 Liverpool supporters went to a football match and thanks to the ineptitude and criminal failings of the police never made it home. The album ends with the ballad ‘Falling Out Of Love Song’ and Headsticks save the best till last. The longest song here and it gives them plenty of time to vent their spleen at the political correctness that the m/c have somehow managed to inject into the left. Where once the left were able to call a spade a spade now we cannot even question important issues as even the idea of bringing them up can see people labelled as racist or right wing.
you can read our review of Headsticks debut album Muster here
Again Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.
* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.
all the major players in celtic-punk do Best Of lists so click below to check out what they thought
remember any views or comments we would love to hear them…
pirate songs and punk polemics!
Another great new band from England has arrived on the London Celtic Punks doorstep with their cracking debut EP ‘Bindle Punk’. Formed only in April last year Jack Of All began gigging locally but soon they spread their wings out to Yorkshire across the Midlands and even ‘dahn’ here in London. Good things lie ahead of Jack Of All and don’t be a fool and miss out. They have a long list of gigs coming up (here) but they are playing London at The Gunners, 204 Blackstock Road, North London N5 1EN, nearest tube Finsbury Park, on Saturday 4th July so get along and catch them in the flesh. They take the stage at approx. 8pm and its an all day event and completely free for a ton of bands. Keep an eye on the FB Event page here.
The Jack Of All sound is of classic English folk but with a few punky chunks added. You can make out obvious influences coming from bands as diverse as Ferocious Dog, New Model Army, Billy Bragg and The Levellers but Jack Of All follow no-one. The first thing that strikes you on listening to the EP is Laurence’s vocals and and how good they actually are. You can forget sometimes that in a genre where Shane MacGowan is king it is actually possible to still sing ‘properly’ and also fit in. Added to this is Anna’s superb fiddle playing and the concoction is pretty sweet. Nothing too manic here and its possibly stretching things by calling it punk but the spirit is there and the spirit is willing. They play mostly original material and I’m sure they would make a fortune if they decided to go the ‘pub route’ but with Laurence being a professional actor and Anna an ethical jeweller they can happily steer clear of that route and go their own way. Thank God I say! The EP’s name was I thought a odd one so I looked it up and came up with
‘a hobo or derelict hired to do rough or unpleasant work’
which seems to fit Jack Of All pretty nicely. I mean even though there’s no Tom Waits style growling its still very much the music of outlaws and vagabonds. They have some pretty amazing lyrics too and by the sound of them they fit in ever so nicely with ourselves, with a sample from Paul Kenny, head of the GMB Union talking to Mark Thomas, the icing on the cake!
The EP starts off with ‘Definitions’ and a bit of celtic sounding fiddle and the tempo is up and Jack Of All are off. From the very start Jack Of All let you know where they stand. Even though they are usually a 2-piece band the added drums on this EP give them a extra bit of bite. ‘Home’ follows and begins acapella style
“if home is where the heart is why is my heart not home”
before it becomes a folky-celticy-rockabilly number and as catchy a chorus as I heard in a long time. A guaranteed foot tapper. ‘Thank You For Your Application’ is the EP’s slowest track but stills keeps up that God-damn catchiness! With ‘Home’ and now this one my foot is going like the bloody clappers! Beginning slow the song builds to a crescendo and what I originally thought was an electric guitar, but turns out to be Anna’s electric violin through a distortion pedal, coming in is a great move. Simply brilliant. ‘On Top Of The Hills’ continues and is still more of the same but how are they keeping up the quality. Absolutely impossible to pick a stand out track as the whole EP is fantastic. If we did marks out of ten it would be 10/10 all round. The final track is ‘All About The Money’ and it reminded me a bit of 50’s style crooning Germans The Baseballs but was a great way to end the EP. Capitalism is a disease and Jack Of All know the cure… They funded the EP themselves through the Pledge music web-site and of each sale 10% goes to charity through Parkinson’s UK, which is the charity which helped the late father of Laurence while he suffered from a life-threatening illness. So there you have a great EP and a chance to help others too so don’t delay! Over twenty minutes and every song is a strong self-penned number well worth your measly few quid. When you do reviews one of the words you find yourself using the most (if you’re lucky) is ‘catchy’. I’m sick of the fecking word but sometimes it explains everything. This EP has it all catchy songs, expertly played fiddle and great vocals and lyrics and all without being over produced. I reckon this EP has captured Jack Of All’s live sound so be sure to catch them somewhere soon. Can’t recommend this enough.
(listen to the whole EP by pressing play on the Soundcloud player below)