Tag Archives: Fiddler’s Green

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2016!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

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TOP 25 CELTIC PUNK ALBUMS

1. THE RUMJACKS (Australia)-‘Sleepin’Rough’  Review

2. THE NARROWBACKS (New York)- ‘Arrogance & Ignorance’  Review

3. THE CLOVES AND THE TOBACCO (Indonesia)- ‘Across The Horizon’  Review

4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’  Review

5. THE WAKES (Glasgow)- ‘Venceremos!’  Review 

Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.

6. THE CLAN (Italy)- ‘All In The Name Of Folk’  Review

7. HOIST THE COLORS (USA)- ‘Mourners’  Review

8. SIR REG (Sweden)- ‘Modern Day Disgrace’  Review

9. FOX n FIRKIN (Australia)- ‘No Vacancy’  Review

10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’  Review

11. LUGH (Brazil)- ‘Histórias Do Mar’  Review

12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’  Review

13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’  Review

14. SIGELPA (Catalonia)- ‘Rabant Original’  Review

15. TENHOLES (Indonesia)- ‘Loyalty’  Review

16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’  Review

17. 13KRAUSS (Spain)- TheEnd Is Nigh’  Review

18. DRINK HUNTERS (Catalonia)- ‘Shameless’  Review

19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’  Review

20. THE MUCKERS (USA)- ‘The Muckers’  Review

21. LQR (Netherlands)- ’10 Pinter’  Review

22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’  Review

23. Всё CRAZY (Belarus)- ‘По Морям’  Review

24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’  Review

25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’  Review

A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!

TOP TEN CELTIC PUNK EP’S

1. MICK O’TOOLE (England)- ‘A Working Class Battalion’  Review

2. THE RAMSHACKLE ARMY (Australia)- ‘Whitewashed Graves’  Review

3. DRUNKEN FAIRY TALES (Russia) – ‘Пьяные Сказки’  Review

With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.

4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’  Review

5. MICK O’TOOLE (England)- ‘False Flag Collapse’  Review

6. BAY STREET BASTARDS (Canada)- ‘Small Batch’  Review

7. LEXINGTON FIELD (USA)- ‘Redwood’  Review

8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’  Review

9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’  Review

10.  BALSALL HEATHENS (England)- ‘Life’s Too Short’  Review

TOP TEN FOLK/TRADITIONAL RELEASES

1. ANTO MORRA (London)-’16’  Review

2. THE LOGUES (Ireland)- ‘Comin’ Of Age’  Review

3. MICKEY RICKSHAW (Boston)- ‘Wild Atlantic’  Review

Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.

4. ShamRocks (Ukraine)- ‘Captain’s Log’  Review

5. LARKIN (USA)- ‘A Toast To St. Jude’  Review

6. FOLK THE SYSTEM (England)- Unrest In The Wolds’  Review

7. SHAMBOLICS (Australia)- ‘Riot On Race Day’  Review

8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’  Review

9. SOLAS (USA)- ‘All These Years’  Review

10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’  Review

TOP CELTIC PUNK WEB-SITE

Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.

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Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.

We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

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remember any views or comments we would love to hear them…

Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.

“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”

Read our obituary for Erik here and raise a glass the next time you get the chance to.

 Rest In Peace comrade.

 Sláinte, The London Celtic Punks Crew- January, 2017

ALBUM REVIEW: THE O’REILLYS AND THE PADDYHATS- ‘Seven Hearts One Soul’ (2016)

Imagine the foggy streets of long ago Dublin, crowded pubs ringing with laughter and singing, a time of sailing fishermen and people with stalwart beliefs. The past wrapped up in songs that make you want to dance and sing along till your throat demands another pint. This is what it’s like to listen to The O’Reillys And The Paddyhats!

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The O’Reillys and the Paddyhats played their debut gig at a wedding near Dortmund back in only June 2011 and since then have quickly shot to the top branches of the European celtic-punk tree. Germany has has always had a big love affair with Ireland. As a child it never ceased to amaze me that when i was over in the ‘auld country’ on my school holidays every other person seemed to be a German and their love of Ireland was clear. I remember well a conversation with some German tourist at a train station about The Wolfe Tones as a young teen while getting disapproving looks from my Grandad who though special branch were listening to every word anyone said! These Bhoys and Ghirl from the small town of Gevelsberg, just down the road from the city of Dortmund, are no different. Their love of Ireland is palpable and you can can feel it throughout this wonderful album that is sure to only improve their standing. The German celtic-punk scene is among the best in the world with bands such as Mr. Irish Bastard, Fiddler’s Green, The Porters, In Search of A Rose, The Ceili Family and the sadly deceased Auld Corn Brigade entertaining the world!

the oreillysThis is the bands follow up to their debut album Sound of Narrow Streets from September 2012 and they raised the funds for the release of Seven Hearts One Soul themselves and with the help of their loyal fans raised an incredible E8000 on crowdfunding to pay for its production in full. Recording the album in the famed Principal Studios home of legendary German punk band Die Toten Hosen just up the road from them the album is not simply your typical Irish folk punk record. All the elements are there sure and they straddle nicely the middle ground between scene giants The Murphys and the Mollys between the more folky and the more punky sides of celtic-punk but The O’Reillys And The Paddyhats have found their own niche within the scene and boy does it work well.

Seven Hearts One Soul begins with a short intro set aboard a sailing ship before ‘Black Sails’ bursts into your eardrums and we are off. Chugging guitar and great fiddle work with touches of country but firmly within the pirate tradition with a outstandingly catchy chorus. One of the things that the German celtic-punk bands don’t shy away from is Irish republicanism and I would even go so far as to say it’s one of the reasons why the Germans love us so much. ‘We All Know’ is not your standard rebel but the band give it plenty of oompf and its drives along at a great auld pace. Next is ‘Black and White’ and the banjo stands out here with a slightly slower song without losing any of the bands power. They return to pirate territory with ‘Chief of the Sea’ which starts slow before turning into a real thigh slapper. A solid backline accompanying the celtic instruments in this song about wanting rum!

The video is not the version from the album but if anything I much prefer it. Next up is the fantastic song ‘Barrels of Whiskey’ for which The Paddyhats put out a fecking brilliant video, below. Amazing fiddle here in this song, about illegally making whiskey, as throughout the album.

Follows is ‘Hey You’ and catchy as hell until the chorus kicks in and it manages to get a whole lot better and even has the tiniest bit of a ska beat chucked in there too. ‘Fair Old Lady’ is an ode to their home town of Gevelsberg and begins with acoustic guitar and has some great lyrics. ‘What I Am’ shows The O’Reillys And The Paddyhats in reflective mood with a slow ballad start that soon speeds up but could still be classed as a ballad. They have managed to record an album that captures their live sound well and if I ever get to see this band I expect to be on the receiving end of a sore throat screaming for an encore. ‘Hang By the Neck’ continues the catchyness of this album with more than a wee trace of country. The album ends with the only cover version here and ‘Black and Tans’ is a faithful version of the Dominic Behan penned Irish rebel song that is sure to get anyone’s blood pumping every time you hear it coming on!

“I was born on a Dublin street where the Royal drums do beat
And the loving English feet they tramped all over us,
And each and every night when me father’d come home tight
He’d invite the neighbors outside with this chorus

Oh, come out you black and tans,
Come out and fight me like a man
Show your wives how you won medals down in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra”

Tin whistle leads us into this song tells of the brutal paramilitary force the British government sent to Ireland in 1919 to smash resistance and the quell the rebellion that sought to end British rule and links that fight for freedom to others around the world. The nickname ‘Black and Tans’ came from the colours of their hastily put together uniform of mixed khaki of the British Army and rifle green from the Police. With the Irish leading the way and providing inspiration others took up the mantle and fought the British Empire across the world for their own independence. Due to their murderous activities and the atrocities they committed, feelings continue to run high and a ‘Black and Tan’ or just simply a ‘Tan’ remains a term of abuse and their very mention shows they are still despised by many in Ireland. It rocks out and has the best shouty chorus of any rebel song ever written.

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left to right: Fitzgerald O’Brien (Bass) ; Sean O’Reilly (Acoustic Guitar, Flutes, Lead Vocals) ; Emily O’Farrel (Fiddle) ; Dr. Bones (Drums) ; Ian Mac Fannigan (Backing Vocals, Washboard, Chain) ; Dwight O’Reilly (Banjo, Mandolin, Accordion, Backing Vocals) ; Ryan O Leary (Step Dancer) ; Connor O’Sullivan (Electric Guitar)

Released on the 9th of April earlier this year it has been slow in reaching us and then we were a bit late in getting this review done but it has been well worth the wait. Of the eleven songs all have been written by the band with the only exception that one excellently played cover. The CD comes with an excellent 16 page booklet with all song lyrics and any other information you could possibly need. The CD also comes in a special limited edition box-set with a whole host of goodies so check out the band web-site for that. Clocking in at 35 minutes the album is a quick and highly enjoyable blast that simply bursts with energy and atmosphere. Transporting you out of your living room and into the one place this kind of music was supposed to be heard. Yes, the pub! The O’Reillys And The Paddyhats play with an passion and pride in Irish music and culture that is a joy to behold. They take us on a journey (by sea of course!) full of tales of love and loss, of rebellion and comrades and friendship and, of course, drinking. The Paddyhats show what is possible in the celtic-punk scene. That it is still possible to come up with something fresh and unique and entertaining from beginning to end.

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ALBUM REVIEW: FIDDLER’S GREEN- ‘Devil’s Dozen’ (2016)

Fiddlers Green. The band that invented their own genre- ‘Irish Speed Folk’ !!

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Fiddler’s Green celebrated their 25th anniversary last year with the release of the fantastic compilation album 25 Blarney Roses and was as about as good as anything released in 2015. They hail from the small Bavarian town of Erlangen, that is twinned with our very own Stoke. Famed for their live shows and the ability to transfer that live sound to disc their popularity has grown and grown to see them hailed as one of the major bands in the European celtic-punk scene. It’s always hard to capture the passion and excitement of a celtic-punk gig onto a studio album but when a band achieves it then that album surely becomes a must have and Fiddler’s Green have been doing exactly that for 25 years now. Beloved by their loyal following it was only the other day when talking about fellow German band The O’Reillys And The Paddyhats new album, that we remarked on how Germany has has always had a big love affair with Ireland. Despite competition from such great bands as the aforementioned Paddyhats as well as  Mr. Irish Bastard, The Porters, In Search of A Rose and The Ceili Family it has been Fiddlers Green’s consistency that has seen them become arguably Germany’s most popular celtic-punk band.

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‘Devil’s Dozen’, also known as a Bakers Dozen, is a term often used in them olden days to mean 13, one more than a standard dozen. The practice of baking 13 items for an intended dozen was insurance against the items being lower than the statutory weight, or of lower than usual quality, which could cause the baker to be fined. And so on ‘Devils Dozen’ we find thirteen songs of, as it says on the cover, “Finest Irish Speed Folk”. The album begins with the title song and its accordion led classic Irish themed folk-punk from the very off. This is pure good time party music and there’s no one better at supplying that then Fiddlers Green. You won’t find much social commentary here and so what if you don’t!

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Fiddlers Green (left to right): Tobi Heindl- violin, vocals * Steve Klug- accordion, bodhran * Ralf ‘Albi’ Albers- vocals, guitar, bouzouki, mandolin, banjo * Pat Prziwara- vocals, electric and acoustic guitars, bouzouki, mandolin, banjo * Rainer Schulz- bass * Frank Jooss- drums, percussion *

Music has the ability to unite us and celtic-punk should not just unite but have us all linking arms throwing our beers in the air and professing our love for each other at the top of our lungs. There’s plenty of time to worry about the result of the American Presidential election another day. A great song that is followed by ‘Bottoms Up’ and you guessed it. It’s an ale themed song but the most interesting thing is they have sound rather like The Kaiser Chiefs here. That is if The Kaiser Chiefs had a fiddle payer and a accordionist! Very catchy and pure folk-punk though not of the celtic-variety in fact it has a more Eastern European feel to it.

Nevertheless a class song and just shows that Fiddlers Green refuse to rest on their laurels and churn out what is expected of them. One of the album standouts for me.

“Loose girls standing by the backdoor
Hot legs stepping on the dance floor
Join in, get the mojo working
Movin’, groovin, you know what it’s good for…”

Couldn’t get this bloody song out of my head for days after listening to this album so I was glad when we moved on to ‘Down’. The first minute is a ramped up celtic -punk version of the Simon and Garfunkel hit ‘El Condor Pasa’ and just as your settling down to a rather nice cover version the Fiddlers turn it round and add their own song about going down to you know where…

“We’ll pay the ferryman a dime
So come along, you’ re dead and gone
The demon tied up to the ground
He gives the world its saddest sound
Its saddest sound…”

One of the most interesting things about Fiddlers Green is their outstanding videos so you would be well advised that after you finish this review to go make yourself a cup of tea (or something stronger) and hightail over to their You Tube channel (link below) for a hour or two. and enjoy your viewing!

They can’t keep the energy going for ever so they slow it down a little for next song, ‘Boat On The River’. Now this is a cover I have never heard before and surprisingly its not an auld Irish song its a metal ballad from old and nearly forgotten 70’s rockers Styx. I actually really like the original too which you can find here but its a great and highly unusual cover that pays tribute to Styx while taking it into celtic-punk territory. They add in a bucket full of country to ‘Perfect Gang’ with absolutely superb fiddle here and a real crowd pleaser I’m sure with the great chorus. The only traditional Irish folk cover here is up next with the famous ‘Leaving Of Liverpool’.

“I have sailed with Burgess once before, I think I know him well
If a man’s a sailor he will get along, if not then he’s sure in hell
So fare thee well my own true love
When I return united we will be
It’s not the leaving of Liverpool that grieves me
But my darling when I think of thee”

A brilliant rousing version of this great tune. Liverpool was once one of the world’s major sea ports and this song was collected from Richard Maitland, a resident of Sailor’s Snug Harbor a home for retired seamen on Staten Island. He told that he learned it while on board the sailing ship General Knox around 1885 and The Davy Crockett mentioned in the song was launched in 1853. Previously recorded by The Dubliners, The Clancy Brothers and The Pogues its one of the standard Irish folk songs that pop up from time to time but great to hear a version that can stand alongside them here. ‘Johnny’ sees us back in ‘celtic-indie’ territory while ‘Bad Boys’ is there punkiest song here all the while the fiddle is still fiddling and the accordion pumping meaning we never stray too far from the Fiddlers Green sound. They slow it down again for ‘Blame It On Me’ and Ralf’s vocals are never better than here. A tale of bad luck and bad choices his voice fills with emotion while the band sweep and swirl around him and the gang chorus work brilliantly well. ‘All The Way’ switches it up again and we get a lovely slice of celtic-ska with the fiddle leading the track and pushing it along till the song speeds up into a great punk song before slipping back easily into ska. We are nearing the end so time for a silly one with ‘Mr. Tickle’ about everyone’s favourite Mr Men character (apart from Mr Messy that is). ‘Here We Go Again’ and ‘We Won’t Die Tonight’ bring the curtain down on this great album that proves Fiddlers Green are truly one of the best bands in celtic-punk. Solid reliable and innovative and always moving.

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Devils Dozen is thirteen songs of mostly self penned numbers with a smattering of unusual and well picked covers that comes in at just over 13 45 minutes long. The album is available on CD, with vinyl due in December, but also comes as various deluxe versions including things such as DVD’s and t-shirts. Fiddlers Green are a lot different from the band that released that debut album way back in 1992 but the core of the band has remained the same and they have as a unit never lost sight of the groups main principal that their fans are everything. They would never have become so popular if they had stood still and it is their ability to try new things and styles, but always in keeping with the Fiddlers Green ethos and sound, that has helped them achieve that popularity.

Discography

Fiddler’s Green (1992), Black Sheep (1993), Kings Shepherd (1995), Make Up Your Mind (EP 1996), On And On (1997), Spin Around (1998), Stage Box (Live 1999), Another Sky (2000), Folk Raider (2002), Nu Folk (2003), Celebrate (Live 2005), Drive Me Mad! (2007), Sports Day At Killaloe (2009), Folk’s Not Dead (Live 2009), Wall of Folk (2011), Acoustic Pub Crawl (2013), Winners and Boozers (2013), 25 Blarney Roses (Compilation 2015), 25 Blarney Roses Live In Cologne (Live 2016), Devil’s Dozen (2016).

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ALBUM REVIEW: THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’ (2015)

Berliner celtic-folk-punk band The Rathmines debut album is superb and done with a passion and a feeling and a joy for Irish music that very few Irish bands have. A must hear album.

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With Irish/ celtic music’s popularity blazing across Europe we must make a stop over in the country that has truly embraced the music like no other. For whatever reason celtic music and culture have taken off in Germany and they have produced some of the best celtic-punk bands in the scene as a result. The Rathmines are the latest in a line that includes Fiddlers Green, Mr Irish Bastard and, now sadly disbanded, Auld Corn Brigade.

CLICK HERE TO READ OUR INTERVIEW WITH THE RATHMINES

The thing that immediatly leaps out on you as you listen to this album is the degree of respect The Rathmines have for the music. This is no imperialist appropriating of the culture of others this is the joyous celebration of Irishness and inclusiveness. The boys all come from a punk rock background and was a Pogues gig in their home of Berlin that persuaded them to put away the electric instruments and get all folky. The music itself is of the kind our mam’s and dad’s use to listen to but done in such a way that the energy and spirit of punk comes shining through. The albums sixteen tracks come in at just a few seconds under a hour and its a hour well spent trust me.

The Rathmines

The album kicks off with celtic-punk standard ‘Drunken Sailor’ and it amazes me that you can get sick of hearing a song until you hear it done in a way that brings it back to life for you. Nothing particulary different but just a great version. ‘Hot Asphalt’ the Ewan MacColl penned song, made famous by The Dubliners ,follows and again theres nothing that should stand out but what you get is a enjoyable enthusiastic romp through the story of Irish immigrants to England digging the roads.

“Well, we laid it in a hollows and we laid it in the flat
And if it doesn’t last forever, sure I swear, I’ll eat me hat
Well, I’ve wandered up and down the world and sure I never felt
Any surface that was equal to the hot asphalt”

The first of the albums self-penned tracks is the Parisian style ‘How to Steal Horses’ with accordion drifting through and percussion keeping the beat while the vocals tell a story telling you exactly how to steal a horse and why. ‘Impossible’ is yer classic celtic-punk song about drinking and how missing your love can drive to further into the drink. Another self penned number from The Rathmines and again they hit the spot. The tune moves away slightly from traditional Irish and is all the better for it as it breaks the album up from being just a hour of trad. Hadn’t heard much of ‘Johnny I Hardly Knew Ya’ since I was a kid until the Dropkick Murphys recorded it and The Rathmines give it a blast with a great version and follow it up with more songs made famous by The Dubliners ‘The Leaving of Liverpool’ and, made famous recently by its recording by The Boss, ‘Mrs. McGrath’. ‘Oró Sé do Bheatha ‘Bhaile’ is a song originally written during the Jacobite rising in 1745-6 but was re-written by the great Irish patriot and leader of the 1916 Uprising in Dublin, Patrick Pearse. It was sung by Volunteers as a fast march during the Irish War of Independence.

“Óró, sé do bheatha ‘bhaile/ Anois ar theacht an tsamhraidh

Oh-ro You’re welcome home…/ Now that summer’s coming!”

Sung in Irish by the bhoys and with guest vocals by Alexandra Arnsburg it is truly a remarkable song when you consider even how few Irish bands use their own language. Full marks for The Rathmines for this and for pulling off what is an acoustic-reggae-ska-trad Irish version that I am sure has Patrick smiling down from above.

(left to right) Marcus - Bass, Vocals; Rene - Cajon; Egidio - Accordion; Martin - Guitar, Vocals

(left to right) Marcus – Bass, Vocals; Rene – Cajon; Egidio – Accordion; Martin – Guitar, Vocals

‘Paddy’s Taksim Square’ is another Rathmines number and the albums highlight for me from the great lyrics to the catchy as hell tune.

Again it strays a little away from their usual traditional Irish sound but manages to keep within the celtic camp.

“Her yer Taksim, her yer Direniş’
Paddy has no difficulties ever understanding this
No matter if it’s Istanbul, Brazil or day or night
Everywhere is Taksim-Square and everywhere we fight”

With their love of The Pogues its perhaps a bit suprising that we get towards the end of the album before a more famous Pogues track surfaces. ‘Poor Paddy (Works On The Railway)’ yeah I know The Dubs did it first but it was The Pogues that I would say are more famous for playing it.  During the mid-19th century poor Irish immigrants worked almost exclusively to build railways in the United States. Untold thousands of Irish section crews worked as track layers, gaugers, spikers, and bolters and the song begins in 1841, during the time of the famine. ‘Rocky Road to Dublin’ is another Dubs classic while ‘Sog Nischt Kejnmol’ is dedicated to

“all fighters who died in prisons, camps and on the battlefields against Fascism during the dark years when Fascists in Europe slaughtered the workers’ movement, Jews and all others”

It is an interpretation of a Yiddish partisan song written 1943 in the Vilnius ghetto by Hirsch Glik who joined the ‘Fareinikte Partisaner Organisatzije’ and participated in 1942 in an uprising in the Ghetto. He was caught by the German troops and deported to an Estonian concentration camp from where he escaped. After this he joined the fight against the German troops and died aged 22.

A worthy tribute to Hirsch.

“Sure the hour that we’re dreaming for will come/
We’ll arrive with steps pounding like a drum”

Talk of ‘The Boss’ earlier and on hearing the traitional murder ballad, Two Sisters, you can almost hear Bruce singing it. Made most famous by Clannad its truly a monstrous song not that you’d notice as its so beautifully done! ‘Whisky In The Jar’ and ‘The Wild Rover’ complete the ‘Stolen Songs of Struggle’ and the album ends with the last of The Rathmines self penned tracks ‘Years Of Depression’. Another standout song that rails agains the bankers and their kind

“All you boldholders, bankers and fuckheads in the firms”

 

and wishes upon them

“Years of depression will be yours”

From beginning to end this album is brilliant. Recorded, self produced, mastered and designed by the band themselves in the living room of their singer it surely deserves a wider audience and I have noticed they have began to make a few waves in the celtic-punk scene over in Europe so hopefuly that continue. The Rathmines are not trying anything particularly different but what they are doing is doing it superbly and with a passion and a feeling and a joy for Irish music that I wish more Irish bands had.

(to hear the entire album press play below)

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Buy The Album

FromTheBand

if you are on Facebook then get yourself directly to the ‘Irish Folk, Celtic Rock, Celtic Punk – Deutschland’ group here for up-to-date news and more on the German scene.

ALBUM REVIEW: FIDDLERS GREEN- ’25 Blarney Roses’ (2015)

Fiddlers Green… the band that invented their own genre- ‘Irish Speedfolk’ !

Fiddler's Green- '25 Blarney Roses' (2015)

A new album from one of Germany’s, nay the WORLD’S foremost celtic-punk bands Fiddler’s Green hits the streets and to celebrate their 25th anniversary the band have handpicked fifteen (plus two new songs) of their best ever songs from their long career  for release on this their first ever Compilation/Best Of album.  Now first off an apology as Fiddler’s green have not been featured on this here blog that much. Don’t know why it’s just been that way and for a band their size and popularity we’re hoping to redress that right now.

Fiddlers Green

Fiddler’s Green formed way back in 1990 in the Bavarian town of Erlangen. A small town that is twinned with our very own Stoke. Their live shows are infamous and they have released a multitude of albums and singles over the years. It is that live act that has enabled them to perfect their sound and also their ability to transfer that sound successfully onto disc that has gained them such popularity. One of the problems with all celtic-punk bands is that it is primarily a thing to be enjoyed in the flesh as it were. In the boozer or the club with friends, new and old, and a beer or two in the hand as well. It’s hard to capture the passion and excitement of a celtic-punk gig on a studio album but when a band achieves it then that album surely becomes a must have and Fiddler’s Green have been doing exactly that for 25 years now!!

Fiddler's Green

left to right: Stefan Klug, Tobias Heindl, Ralf Albi Albers, The Goat, Pat Prziwara, Rainer Schulz and Frank Jooss

Various members have come and gone, as they will do in a band that has been going for such a long time, but the core of the band has remained the same and they have never lost sight of the bands main principal. For their fans are everything to them. Another reason that Fiddler’s Green are so well loved by all and sundry. As for myself I don’t have a lot of their stuff so I thoroughly enjoyed this. With only ‘Wall Of Folk’ from 2011 sitting in my collection I had only heard a couple of songs from this album so I am loving it as if it was a brand new one. With that knowledge then I have to first say that I don’t know the albums or the years recorded the various songs are from though they are sequenced in a very good way and you can tell a lot of thought has gone into the placing of the songs on the album. The album starts with the first of the new songs, ‘Take Me Back’, and to say it is a blinder is a massive understatement. From the very off Fiddler’s Green show their power and intensity and superb musicianship.

Followed by a great version of the Irish standard ‘Rocky Road To Dublin’ and then from their ‘Wall Of Folk’ album the great ‘Victor And The Demons’ a fantastic celtic-metal-punk song with great catchy chorus and brilliant drumming keeping time.

As your flying through this review I have to draw your attention to Fiddler’s Greens amazing collection of videos. each and every one is worth repeated viewing so check out their YouTube page, address at the bottom of the review. Next up is ‘Yindy’ and has a gypsy feel to it with the accordion to the fore. ‘Old Dun Cow’ is more of the same and then the Fiddler’s Green anthem ‘Folks Not Dead’. Fast and furious this could be the anthem for the whole scene to be honest. ‘Long Gone’ slows it down and shows the Bhoys can do ballads as well as anyone before ‘We Dont Care’ shows another side to them with a catchy ska-tinged punky number. Taken from the ‘Winners And Boozers’ album of 2013 this shows how versatile Fiddler’s Green are and at their exciting best too.

‘Green And Fellows’ has them slowing it down again followed by a return to their own brand of ‘speedfolk’ with ‘A Night In Dublin’ telling of a tour round Ireland. ‘Never Hide’ and ‘Another Spring Song’ show again that the band can play celtic-punk without copying others or the songs sounding all the same. ‘The Night Pat Murphy Died’ is only the albums second cover and is again a fantastic version of this Newfoundland traditional song regarding the death of a man and the antics of his friends as they engage in a Irish wake. ‘A Bottle A Day’ is yer class drinking song while ‘Bugger Off’ is from 2009’s ‘Sports Day At Killaloe’ and speedfolk can  barely describe how fast they can get. Wouldn’t want to be caught unawares on the dance floor when this comes on. You’d end losing both your pint and your shoes!

I know I’m repeating myself here but the versatality of Fiddler’s Green is what amazes me the most about them. That ability to play fast, slow and inbetween without you even noticing the change in rhythm. The albums other new song ‘Burning The Night’ is a epic blast and though played slow the band play with such an intensity that it almost seems punked up to 11. That the albums two new songs are among the best shows Fiddlers Green have an awful lot more to come and even though it may leave you very poor its well worth checking out their extensive back catalogue. ‘Blarney Roses’ brings this fantastic album to an end and this Irish classic is a fitting end with the celtic instruments pushed right to the foreground.

“A-chusla gra mo chroi young man, she murmered soft to me
If you belong to Ireland, it’s yourself belongs to me
Her Donegal come-all-ye-brogue, it captured me you know
Bad luck to her and bugger the place where the Blarney Roses grow”

The tracks seventeen tracks come in at exactly one hour long so value for money is not an issue here. The question is would I recommend it to you. The answer is the same with all compilation albums. If you’re new to Fiddler’s Green then without question as soon as you finish reading this review go to your purse/wallet and get your card and order yourself a copy of ’25 Blarney Roses’. If you do like them then I suppose its a question of weighing up how much of the tracks you’ve already got and deciding for yourself. And finally if you are a massive fan then you will just get it for the brilliant two new songs I am sure… and believe me it’s a wise investment!

Contact The Band

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Buy The Album

FromTheBand (as well as the standard CD also available is a Deluxe Version which comes in a black metal box and comes with a lighter, sunglasses, scarf, poster and sticker)  iTunes  Amazon

ALBUM REVIEW: KELTIKON- ‘Agenbite of Inwit’ (2014)

Celtic Boogie, Folk’n’Roll, Pipes-Punk
KELTIKON- 'Agenbite of Inwit' (2014)

Just recently we reviewed the debut album from Rovers Ahead , who are an  amazing celtic-punk band from Denmark (see here). Well the reason we bring that up here is their lead singer is from Dublin and Keltikon, despite hailing from Zurich in Switzerland, also have a celtic singer in Iain Duncan. That a 2nd generation Scot should wash up in Switzerland should come as no surprise as people from the celtic nations spread out in further directions than just the usual routes of the America’s or Australia/New Zealand and bring with them the knowledge and know-how and, lets face it, a extra bit of authenticity to celtic-punk bands out there in Europe.

Keltikon

Formed as late as March 2012 Keltikon have wasted no time in their short existence and their debut album hit the shelves in February of this year. The title of the album ‘Agenbite Of Inwit’ is an old-English phrase meaning ‘Again, a bite of inner wit’ or, put into modern terms, a crisis of conscience or remorse. Taking traditional Scottish and Irish jigs and reels, celtic songs and ballads Keltikon spice them up with their own recipe of punk and rock to come up with something relatively unique to these ears!

The album begins with the title track and with the bass thundering away it starts as any pop-punk record only for the bagpipes to kick in and once again i’m left marveling at the expert pipe playing involved. The band describe it as thus

“This is a song for anyone whose life has in some way been damaged by the decision of someone in ‘power’ that doesn’t give a jot for the consequences it causes us”

The song also has a jangly guitar feel to it reminding me of bands like The Wedding Present. They slow it right down for the following track with flute taking the lead on ‘Bonnie Ship The Diamond’, an old Scottish song popularized by Scots folk legends The Corries and more recently , the German celtic-punk band, Fiddlers Green. ‘Seven Ships’ comes next and has a real northern English folk feel to it. Traces of The Levellers too, at their best I hasten to add. ‘The Mariners Tale’ is a spoken word piece done in the style of old English TV programme Jackanory, telling the tale of a nuclear submarine called The Diving Dutchman. The story continues in the next track also called ‘The Diving Dutchman’ and steams along at a good old rate in the albums punkiest song. ‘Away To Fight’ is a beautifully slow acoustic ballad telling the tale of the WW2 invasion of Normandy beach in the words of a soldier about to disembark.

Keltikon

‘The Blackbird’ a traditional Irish reel whizzes past with the band not missing a beat and the pipes in truly outstanding form. That we have returned to feudal times is the theme of ‘Hold On Tight’ another slow acoustic ballad, the female backing vocals a nice touch. The fiddle is to the fore in ‘Each Others Dreams’ a rather poppy song that never really gets going in the way you’d expect it to leaving  the epic ‘Taliesin’ to close the album. At nearly ten minutes long its pretty risky but completely works as all the band members get a chance to show what they can do and none come up short. Taliesin was a renowned Welsh bard who is believed to have sung at the courts of at least three Brythonic kings and lived during the 6th century. It has a bit of a prog-rock feel to it and comes in waves getting louder and louder building up to a crescendo and despite its length does not outstay its welcome.

With ten tracks and clocking in at just under a hours worth of music it’s great value and even though the tracks are quite lengthy it never drags for a second. The various elements of celtic music are all represented so this album will appeal to anyone with even the slightest interest in celtic music.

Contact The Band

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here

 

FREE DOWNLOAD: IRISH PUB SONGS COMPILATION (2014)

FREE DOWNLOAD!

phonto-7

To celebrate Saint Patrick’s Day 2014, and courtesy of GET ROCK MUSIC, we are super pleased to offer you this superb collection of some of the finest celtic-punk bands around to download completely for *FREE*. Seriously this is as good a sampler as you’ll find of what’s alive and kicking and fecking brilliant in the world of celtic-punk 2014. Download link below but you can follow the links to find out more about each band.

TRACKLIST

01. Celkilt (France)- Everyday’s St Patrick’s Day  WebSite
02. Drink Hunters (Catalonia) – Drinking Song  Facebook
03. The Ramshackle Army (Australia) – Boilermaker’s Hands  Facebook  WebSite
04. Auld Corn Brigade (Germany)- Day To Day  WebSite
05. The Vandon Arms (USA) – Streets Of Gold  Facebook
06. Sunday Punchers (South Africa)- Guinness – Facebook
07. Lexington Field (USA) – Crazy Eyes  Facebook  WebSite
08. The Lagan (London)- Fields Of Athenry  Facebook  WebSite
09. Fiddler’s Green (Germany)- A Bottle A Day  WebSite
10. The Detonators (Serbia)- My World  Facebook
11. The Tosspints (USA) – Blood or Whiskey  Facebook
12. Pint Of Stout (Ukraine)- We All Deserve To Die Facebook  Album Review here
13. The Fatty Farmers (Spain) – At The Counter Bar  Facebook
14. Cheers! (Czech Republic)- Cliffs Of Galway  Facebook
15. Fox’n’Firkin (Australia)- 1788  Facebook
16. 1916 (USA)- Wild Rover  WebSite  Facebook
17. Bastards On Parade (Galicia)- Drunken Haze  Facebook
18. The Tossers (USA) – Here’s To A Drink With You  Facebook  WebSite  Album Review here
19. Irish Moutarde (Quebec)- Farewell to Drunkenness  Facebook  Album Review here  Band Interview here
20. LochNesz (Hungary)- Have Another Whisky  Facebook
21. Brutus’ Daughters (Spain) – 6 Beers  Facebook
22. The Scally Cap Brats (Canada) – Dress Sharp, Drink Hard  Bandcamp
23. The Irish Rovers (Canada) – Drunken Sailor  Facebook 
if any links go dead leave a comment or use the Contact Us form via the top of the page
YOU CAN LISTEN TO THE ALBUM BELOW
CLICK ON THE ALBUM SLEEVE BELOW AND FOLLOW DOWNLOAD INSTRUCTIONS
you can download Irish Pub Songs for free if you wish but there is also an option to donate to the Justice For The Craigavon 2 campaign. Brendan McConville and John Paul Wootton have been locked up unjustly convicted of murder and sentenced to life imprisonment. To find out more information on the case visit
jftc2.com
www.facebook.com/JFTC2/
So there you have it. The CD clocks in at a whopping 70 minutes + and its not even dominated by North American bands with 15 countries represented on the compilation.
So get downloading, get a drink in your hand and get listening…
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