Tag Archives: Finny McConnell

ALBUM REVIEW: AFTER HOURS VOLUME TWO – BLACK 47 TRIBUTE COMPILATION (2022)

Thirty years on from the release of Black 47’s eponymous first album and a year after Volume One comes the second part of a trilogy of tribute albums celebrating this popular and most controversial of Celtic-Punk bands of whom Time magazine wrote in 1993

“the proletariat passion of Black 47’s songs that make the group stand out”.

Celebrating the songs of Larry Kirwan and Black 47 with Finbar Furey, Barleyjuice, Jonee Earthquake Band, Finny McConnell, Bangers And Mash, The PoguestrA and The Muckers and once again produced by Peter Walsh of The Gobshites and Larry Kirwan himself.

While not strictly a Celtic-Punk band their influence on Celtic-Punk, especially in the States, is immeasurable. A New York band made up of Irish expatriates playing a mixture of several genres but with traditional Celtic and Irish Folk music at its very core and led by the distinctive and talented songwriting of Larry Kirwan.

Taking their name from the year 1847 which was the worst period of An Gorta Mór / The Great Hunger when blight wiped out the potato crop the staple of the Irish working class diet. This blight caused famine in the land while all the time the British army escorted Irelkand’s numerous other crops, under armed guard, to the docks and away from Ireland. A conservative estimate puts the number killed between 1845 and 1850 as way more than the official figures of one million people and another two million forced into exile with most of them washing up to North America.

THE JONEE EARTHQUAKE BAND – ‘Who Killed Bobby Fuller?’

Punk-Rock pirates hailing from the  Boston, Massachusetts playing a crazy mix of Surf, Country-Punk and Rockabilly… and whatever else they feel like playing! ‘Who Killed Bobby Fuller?’ was originally released by Black 47 on their second album, Home of the Brave, in 1994. Bobby was an American singer-songwriter best known for ‘Let Her Dance’ and his cover of the Crickets’ ‘I Fought the Law’ who was found dead in his car in Los Angeles in 1966 at only 23. One of the great unsolved Rock’n’Roll mystery songs!

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FINBAR FUREY – ‘Mychal’

Finbar Furey needs no introduction except to reiterate what a true legend of Irish music he really is. His song is ‘Mychal’ perhaps the highest emotional peak Black 47 ever reached. Written as a tribute to Father Mychal Judge a Franciscan friar and Catholic priest, who served as chaplain of the New York City Fire Department. On September 11, 2001 Fr. Mychal entered the North Tower of the World Trade Centre alongside other firefighters and rescue personnel. As the South Tower collapsed, debris flew through the North Tower lobby killing many including Fr. Mychal.  Though many had perished before him, he was given the solemn honour of being designated Victim 0001 – the first recorded casualty of 9/11.

When Larry asked me if I would sing this song, I told him I  would be honoured. Mychal was a wonderful human being who did so much for the people of New York and never left their side in their darkest hour. A beautiful song for a beautiful man.

BARLEYJUICE – ‘Celtic Rocker’

Barleyjuice are a nationally-known Celtic Rock band from Philadelphia who play mainly original but also a few traditional Irish music. Their songs over seven albums have been heard in movies, TV and radio programmes for over twenty years.

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FINNY McCONNELL- ‘I Got Laid On James Joyce’s Grave’

Another legend of Irish music Finny has been making music with premier league Canadian Celtic-Punk knock-outs The Mahones since 1990 over a dozen studio albums plus several other full players. Finny finally branched out on his own last year recording his first solo album The Dark Streets Of Love.

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BANGERS AND MASH – ‘Izzy’s Irish Rose’

Formed in 2003 in Suffolk County, New York Bangers And Mash have a personal recommendation from Larry Kirwan- “If you’re looking for a band with strong songs who can rev up the party and get punters dancing, you should have Bangers and Mash on your menu. Guaranteed to go well with Guinness and good times!”

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THE POGUESTRA – ‘Green Suede Shoes’

The PoguestrA is a group of musically diverse musicians from across the world united by a love of The Pogues playing together remotely. Tending to usually only record Pogues related material here they branch out to take in another of Black 47’s more popular and well known songs. Always on the lookout for new members feel free to contact them and join the gang.

THE MUCKERS – ‘Five Points’

After Hours 2 comes to an end with another of the Celtic-Punk scene’s favourite bands The Muckers. A five-piece Celtic-Folk-Punk band from Atlanta. With a strong emphasis on Irish music, the band also blends influences of Gypsy music, sea shanties, Country, Rockabilly, and plenty more!

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Another top notch production from Valley Entertainment and we await Volume Three eagerly. Their are links included for a variety of places to order from but if possible get it from the label directly instead of funding vultures who make money out of other peoples hard work and risks.

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Released by Valley Entertainment. Independent record label based in New York City. The label includes an eclectic repertoire with focus on singer-songwriters, modern Irish musicians and World music.

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AFTER HOURS VOLUME ONE COMPILATION

Volume 1 of the trilogy featured 7 more songs from Larry Kirwan and Black 47 by Celtic Cross, Pat McGuire, Screaming Orphans, The Gobshites, Rory K, Gary Óg and Martin Furey. 

Further Recommended Reading:

Let Ireland Remember

Irish National Famine Memorial Day

but the most extensive resource on Facebook about this period is to be found at

Irish Holocaust –Not Famine: The Push To Educate In Facts

ALBUM REVIEW: FINNY McCONNELL – The Dark Streets Of Love (2021)

After 30 years of leading renowned Celtic-Punk rockers, The Mahones, Finny McConnell decided that it was time to make an album for himself. Showcasing his intimate songwriting skills, Finny also includes covers of songs with deep meaning to him. The Dark Streets of Love is a collection of his most intimate music, stripped bare.

Earlier this year Finny made an announcement over on The Mahones Facebook page that the band’s days of spending months on end touring round the world were at an end. It didn’t come as much as a shock admittedly as I don’t think it was possible to keep up that level of commitment indefinitely. I mean The Mahones not only covered more miles than any other Celtic-Punk band in a year but I daresay any band!

It must be strange being in a band where you alone are the chief songwriter as well as singer and for all and purposes the leader so where does the urge to go solo come from I wonder? In just the past couple of years The Mahones have recorded an acoustic album where much of the ground covered on The Dark Streets Of Love is covered. But this album is much more than just a Mahones album in Finny’s name you feel. The songs he has chosen, and among them are a few of his composition, are obviously very close to his heart. Finny has always been one for wearing his heart on his sleeve and it’s rare that a performer can come across so honestly especially at a time when honesty is at a premium.

Of the eleven songs presented here seven are covers the rest by Finny. To a causal observer though it would seem like they were all covers such is the quality of Finny’s songwriting. Whether writing about going on the piss in north London, basketball, Irish history, loss or love or unrequited love he put’s the same passion into everything. That with other people is sometimes their undoing though Finny seems to thrive on it. The Dark Streets Of Love kicks off with a song by everyone’s favourite Irish-German-American and The Bosses ‘Atlantic City’. From the opening few seconds even before Finny comes in you know you’re onto a winner here. When he does come in he sings with a sort of weariness that even Bruce didn’t achieve. Gentle accordion adds to the atmosphere only coming into the open during the musical sections and so taking none of the spotlight away from Finny’s voice. ‘Someone Save Me’ is from a recent Mahones album, The Hunger And The Fight Pt. 1 from 2014. Co-written with his now ex- wife Katie I thought it was a beautiful song then but now… Gina Romantini’s beautiful fiddle lends subtle support to Finny’s voice just as Kevin Hearn’s accordion did during the opening track. A magnificent tribute to love and such is the passion expressed it can sometimes feel like you’re sitting in on a private conversation.

‘Stars’ is again from the same Mahones album as ‘Someone Save Me’ and again was co-written with Katie. A loving tribute to the life of Oscar Wilde. A sad tale of the famed Irish poet and playwright convicted of “gross indecency” at a time when homosexuality was illegal. He was imprisoned and died in poverty in 1900 at the tragically early age of 46. One of The Mahones better ‘modern’ songs it has a fantastic chorus and Finny tells the story with grace. Finny has always had a bit of a Shane drawl and puts it to good use on ‘A Pair of Brown Eyes’. Even among the stone cold classics Shane MacGowan penned this song is one of a handful that tower above even them. Fellow Mahone Michael O’Grady adds haunting tin-whistle and Glenn Milchem drums as Finny sticks closely to the original. Maybe a bit too closely at the end!! On a album that is so tender ‘New York City’ seems a bit out place with its Glam-Rock bounce and chunky guitar but then why wouldn’t a solo album follow the same pattern as The Mahones. He never said it was going to be a quiet album. Loud and bombastic and taken from The Hunger And The Fight Pt. 2 from 2015 Finny channels the 1970’s for the next few songs beginning with this tribute to NYC. Maybe the cities best era as despite it’s high crime rate and poverty it wasn’t full of fucking yuppies. The introduction of piano for ‘So Far Away’ is masterful as Finny sounds like he’s chatting someone in a pub in the early hours. Again piano led ‘Pale Blue Eyes’ sees Finny’s gravelly vocal chords giving a simple but stunning rendition of Lou Reed’s original. Though the covers here are great it is Finny’s own material that shines through. On ‘We’re Miles Apart’ he talks maybe about himself and maybe he doesn’t. A sad song about lovers who become friends. I’ve always though Finny was cut from the same cloth as the legendary Tom Waits and on the Waitsy ‘Cocktail Blues’, swishing drums and jazz piano steer clear of ‘Jazz Club’ comparisons thank God. From one of the earliest Mahones albums The Hellfire Club Sessions from 1999 it drops the Gaelic touches and sticks tightly to ‘lounge lizard’ territory. The curtain comes down with a song in tribute to Gord Downie from Finny’s home town of Kingston in Ontario. Gord passed away in 2017 of cancer and is remembered as lead singer and lyricist for the The Tragically Hip’ ‘Fiddlers Green’ is a great tribute and played stripped back with just Finny and acoustic guitar.

As is the way though there’s a bonus track and it’s ‘Back Home’. One of The Mahones best ever tracks taken from Draggin’ The Days from 1994.

“Hey, it’s not long till we get home
Say, you know I hate to drink alone
Did I tell you, you send shivers through my bones
And I wish I was back home with you again”

A great way to end things buy why bother with this ‘bonus track’ hooey!

The album was produced by Finny himself and engineered by Gene Hughes and recorded as live over St. Patrick’s Day 2021, in Toronto. It’s not your typical Mahones album in fact the Irish touches here are far and few between but Finny’s Irish soul shines through. A beautiful and at times heart wrenching journey through one of Ireland’s true musical geniuses.

Buy The Dark Streets Of Love  TrueNorthRecords   OtherCorporateBullshitSites

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As suspected you can’t keep a good man down for long and Finny will still need his suitcase and shower cap as he’s now a part of the Punk-Rock trio Ultrabomb with Greg Norton of Hüsker Dü and Jamie Oliver of the U.K. Subs. The guys will be performing a mix of all three bands songs plus material they’ve written for a new album. They have announced a handful of gigs as we to press including Ireland and one here in London at 229 The Venue in the west end. Sadly though we are going to have to wait till April 2022. You can find all the relevant details including ticket information over on the band’s Facebook event.

ODDS’N’SODS. A CELTIC-PUNK ROUND UP SEPTEMBER 2021

Summer holidays are almost over which in time honoured tradition means its time for the good weather to really kick in. It’s also time again for this months London Celtic Punks round-up of all the band news, record releases and videos from bands big and small from across the Celtic-Punk scene. 

Where better to start than with another bloody brilliant music video from the DROPKICK MURPHYS. This time for ‘H.B.D.M.F.’ taken Turn Up That Dial. While not one of the album’s strongest songs the video more than makes up for it!!!

Sheffield band THE SILK ROAD are the first (I think) of the English Celtic-Punk bands to really start gigging and they already have quite a few under their belts. Here’s them giving it large at a Dronfest ’21 last week. Loads more live videos on their Facebook page.

Regular readers will have seen how we gushed over the new recent Phantom Of The Black Hills album (It’s brilliant!!!) well Mather Louth of the HEATHEN APOSTLES played a huge part in the album success and with the Heathen’s set to tour Europe next month their new release is a 3-track EP as featured in the first Gothic Western animated series The Goodbye Family, by author Lorin Morgan-Richards from his comic book series. The instrumental ‘Lake Of Fire’ is out of this world!

Another band in much the same vein are THE BRIDGE CITY SINNERS from Portland who just released their debut album Unholy Hymns last week

FINNY McCONNELL of The Mahones released ‘Someone Save Me’ from his upcoming new solo album The Dark Streets Of Love. Out on True North records on September 4th.

We missed the release of the debut album from SLOPPY BUT LUCKY from Topeka, Kansas. It came out back in January 2020 and seems an awfully long time ago now. Glad I caught up in the end though as its pretty damn good. The guys call it all ‘Celtic Folk-Punk Camping Music’ and aye that’s about right. Hobo Rich is 6 songs of intense acoustic music with all proceeds donated to animal rescues and animal charities. An issue the band are passionate about and good to them.

GREEN DIESEL – After Comes the Dark

VARIOUS ARTISTS – The Electric Muse Revisited: The Story Of Folk Into Rock And Beyond (4CD compilation)

BELLOWHEAD – Reassembled

This section is for Celtic-Punk bands that have (on the large) left us but their music is still deserving to be heard. Anyone who knows us knows how much we love our Aussie Celtic-Punk. With all the ranting and raving we do about it is no wonder. Here’s JACK FLASH a band from Toowoomba in Queensland. Having long departed the scene they left some pretty damn good music behind and where better to start then their last release a recording of their final show, recorded live at The Irish Club Toowoomba on 4th June 2016. The album is available for ‘name your price’ download and there’s a whole host of other releases on their Bandcamp page available the same way dating right back to their debut EP Take Notice from 2007.

Ken from FEROCIOUS DOG recorded this heartfelt music video at Harlech in North West Wales while carrying out a beach clean with Sea Shepherd volunteers to support Sea Shepherd UK, a marine conservation charity. The song will feature as a bonus track on our upcoming album The Hope on the deluxe CD version.

MATT HARTLESS AND THE MAVERICK 7 got an interesting new album out. The Manchester band cover plenty of bases but I thought it may be of interest to you as I know how good the musical taste is of people who read this web-zine.

Some great live gigs coming up if you live here in the belly of the beast. It’s been a long, dark year and a half for the live music industry, both here and beyond, but the resurgence of live music has begun and is returning to London once again. For lovers of Celtic-Metal you in for a treat with a rare London appearance from extreme metal masters PRIMORDIAL over from Ireland supported by one of my genre favourites SAOR down from Scotland as well as Hellripper and Fen. It’s all at The Electric Ballroom in Camden, north London August 29th. Tickets £25 from the Electric Ballroom.

Some London Celtic Punks news now and we still have a handful of Green’n’White ‘Skully Cap’ ringer t-shirts available. They come in all sizes from Small right up to XXX-L and are available from our online store. Also check out our full range of other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan would ever need!  https://the30492shop.fwscart.com/

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The more I see of Facebook the more and more I dislike it. It’s stranglehold on all forms of expression is not good so if you feel the same you can now subscribe to London Celtic Punks posts via our group on the new phone app Telegram. Very similar in style (but better and easier to use) than What’s App and completely free from Facebook control. Join us on Telegram and don’t miss a single post! https://t.me/londoncelticpunks/  

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A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

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EP REVIEW: TOXIC FROGS – ‘My Lucky Own’ (2021)

From France it’s the Toxic Frogs. 5 girls and 2 Fiddles. Six fantastic new original songs with the Mahones Finny McConnell guesting on lead single ‘Thank You Humanity’.

The last thing we were expecting was a flurry of new releases to land at London Celtic Punk Towers in the first couple of weeks of 2021. With releases down to the bare minimum during the latter part of last year we were surprised and delighted to receive them and will be giving them all the LCP treatment in the following weeks! So far we have 1916, The Feelgood McLouds, Jason Stirling and Tir Nan Og to catch up with but first this six-track EP from the French band Toxic Frogs.

The most obvious place to start with the review is that they are Celtic-Punks only all female band (I had quite a good rant about the idea of segregating bands into female/male ones when we reviewed their last release The Mermaids Song so I will spare you that this time!) and with an EP and an album, Kill The Devils, behind them they have kept up a steady stream of well produced videos to keep them in the Celtic-Punk public’s eye. As I say to bands all the time a good way to keep your profile up when you are not actually recording is to put out videos. Toxic Frogs ones are always entertaining and well produced and they have become one of the better known Celtic-Punk bands through them. Formed in the east-central French city of Lyon in September 2014 it was Ella who came up with the idea of an all girl Celtic-Punk band so started to advertise and soon enough a team of girls was ready. Having already played fiddle for the excellent French Celtic-Punk legends Celkilt she already knew the scene well and as soon as they hit the practice rooms something gelled. The name is an obvious dig at the friendly nickname the English give to French people (well don’t they call the English “rostbif”!!) and within a few years they had made quite the name for themselves with their energetic and passionate live performances and soon developed their own musical style as well.

My Lucky Own is released today and the EP starts with ‘Beginning’. A short intro of wailing eastern style fiddle soon giving way to the EP’s first single the superb ‘Thank You Humanity’. Chugging guitars and I’ve always been a big fan of dual vocals and they are used expertly hear with Ella dueling with no other than Mr. Mahones himself Finny McConnell. Finny has been as busy as pretty much any musician alive during the various lockdowns and it’s really nice to see him helping out other bands. The vocals are quiet, almost whispered in parts and it fits perfect the song and it’s story of leaving your homeland to go on an adventure.

The lyrics are all in English here and Ella certainly has a great voice and you can barely hear her French accent at times. The two fiddles give them a pretty unique powerful sound and having added banjo to the groups sound giving them a more ‘gaelic’ sound than before especially on ‘My Lucky Own’. Tribal drumming and again rather subdued musically and not the raucous free-for-all we have been use to with previous Toxic Frogs releases but that is soon sorted out with ‘The Shamrock’s Jig’ instrumental and a full throttle Irish throwdown with fiddles flying and smoking I am sure! These girls can certainly play and top marks for making it all themselves. No ‘I’ll tell Me Ma’ here you know! The EP really gets into its stride with the final two songs and they Punk it up with ‘Bestie Life’ while ‘Go Back Again’, for me the album’s standout track, is about as close as they come to a Celtic-Punk ‘standard’. Tuneful and catchy with great vocals and them fiddles and banjo with gang “Hey Hey’s” and a brilliant chorus and a great way to end proceedings.

The EP is sadly only sixteen minutes long but I’m afraid we will have to get use to the idea that at the moment bands will find it much easier to record shorter releases and full length albums will I fear be thin on the ground throughout 2021. On top of all that is the much reduced opportunity to promote anything via live gigs and tours. Thankfully though new music is coming out albeit sporadically and we are lucky to receive My Lucky Life. The girls have recently signed to Otbox Productions ( a French record label and tour promoting agency) so hopefully those of us further afield will have a chance to see them play live at some point in the future. This EP shows Toxic Frogs are much much more than just a ‘all girl band’ and can quite rightly take their place among the continents best Celtic-Punk bands.

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ALBUM REVIEW: THE PEELERS- ‘Palace Of The Fiend’ (2017)

Formed way back in 1999 in a small farmhouse kitchen in North Glengarry County in Eastern Ontario and now based in Montreal The Peelers have long become one of the more famous and popular celtic-punk bands in Canada. Glengarry holds a special place in Canadian Irish history being separated from New York State by the St. Lawrence river it was originally settled by Irish immigrants who chose the name Glengarry in memory of their home. It was the place that the coffin ships during Án Gorta Mór, otherwise known as the Irish ‘famine’, sailed when turned away from America. The major quarantine station for immigrant ships was on the St. Lawrence river and it is thought up to 15,000 Irish people are buried on the small island of Grosse Île where a huge Celtic cross now stands as a memorial to their souls. We recently covered this subject on our review Of Declan O’Rourke’s new album Chronicles of the Great Irish Famine here.

The Peelers have, over their long existence, played at just about everywhere you can think of right across North America. From your small town dive to snowboarding championships,  cocktail lounges, festivals and just about every other kind of place a bunch of guys can fit a drum kit. Their debut album, Boots And Suits, hit the streets in 2002 before second album Liquordale a couple of years later. That release was named as Album Of The Year by the Boston based Shite n’ Onions web-site.

They started recording the new album in 2013 but like they say ‘good things come to those who wait’. For me this album is one of the best releases of 2017 and there has been some cracking albums released this year. It has thirteen songs and features guest performances by Finny McConnell (The Mahones) on the third track ‘Going Down Swingin’. Palace Of The Fiend was recorded in five different studios, located in Montreal, Toronto and Casablanca, Morocco and was one of the first releases of 2017, coming out on January 3rd so apologies to the band for taking so long to get the review done.

(The first video released from Palace of the Fiend)

This is a great upbeat tune to put you in the mood for a pint or two. The album opens with ‘New York’ which sets the scene nicely for the fifty+ minutes that follow. Stand out tune for me are ‘Five Roses’, ‘A1a Fla’, ‘Stand Down Clearly’ and ‘The Black Eye Blonde’. The curtain comes down with an amazing version of ‘Cúnla’ and illustrates the link to the past that The Peelers are so proud of. A ‘sean-nós’ (style of unaccompanied traditional Irish singing) children’s song believed written in the 14th century. The album is definitely more in The Flogging Molly school of celtic punk than Dropkick Murphys. I’d highly recommend Palace of the fiend to anyone who likes their Irish music with a twist of punk. – Shane

Buy Palace of The Fiend

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