Tag Archives: Mr Irish Bastard

ALBUM REVIEW: THE O’REILLYS AND THE PADDYHATS- ‘Seven Hearts One Soul’ (2016)

Imagine the foggy streets of long ago Dublin, crowded pubs ringing with laughter and singing, a time of sailing fishermen and people with stalwart beliefs. The past wrapped up in songs that make you want to dance and sing along till your throat demands another pint. This is what it’s like to listen to The O’Reillys And The Paddyhats!

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The O’Reillys and the Paddyhats played their debut gig at a wedding near Dortmund back in only June 2011 and since then have quickly shot to the top branches of the European celtic-punk tree. Germany has has always had a big love affair with Ireland. As a child it never ceased to amaze me that when i was over in the ‘auld country’ on my school holidays every other person seemed to be a German and their love of Ireland was clear. I remember well a conversation with some German tourist at a train station about The Wolfe Tones as a young teen while getting disapproving looks from my Grandad who though special branch were listening to every word anyone said! These Bhoys and Ghirl from the small town of Gevelsberg, just down the road from the city of Dortmund, are no different. Their love of Ireland is palpable and you can can feel it throughout this wonderful album that is sure to only improve their standing. The German celtic-punk scene is among the best in the world with bands such as Mr. Irish Bastard, Fiddler’s Green, The Porters, In Search of A Rose, The Ceili Family and the sadly deceased Auld Corn Brigade entertaining the world!

the oreillysThis is the bands follow up to their debut album Sound of Narrow Streets from September 2012 and they raised the funds for the release of Seven Hearts One Soul themselves and with the help of their loyal fans raised an incredible E8000 on crowdfunding to pay for its production in full. Recording the album in the famed Principal Studios home of legendary German punk band Die Toten Hosen just up the road from them the album is not simply your typical Irish folk punk record. All the elements are there sure and they straddle nicely the middle ground between scene giants The Murphys and the Mollys between the more folky and the more punky sides of celtic-punk but The O’Reillys And The Paddyhats have found their own niche within the scene and boy does it work well.

Seven Hearts One Soul begins with a short intro set aboard a sailing ship before ‘Black Sails’ bursts into your eardrums and we are off. Chugging guitar and great fiddle work with touches of country but firmly within the pirate tradition with a outstandingly catchy chorus. One of the things that the German celtic-punk bands don’t shy away from is Irish republicanism and I would even go so far as to say it’s one of the reasons why the Germans love us so much. ‘We All Know’ is not your standard rebel but the band give it plenty of oompf and its drives along at a great auld pace. Next is ‘Black and White’ and the banjo stands out here with a slightly slower song without losing any of the bands power. They return to pirate territory with ‘Chief of the Sea’ which starts slow before turning into a real thigh slapper. A solid backline accompanying the celtic instruments in this song about wanting rum!

The video is not the version from the album but if anything I much prefer it. Next up is the fantastic song ‘Barrels of Whiskey’ for which The Paddyhats put out a fecking brilliant video, below. Amazing fiddle here in this song, about illegally making whiskey, as throughout the album.

Follows is ‘Hey You’ and catchy as hell until the chorus kicks in and it manages to get a whole lot better and even has the tiniest bit of a ska beat chucked in there too. ‘Fair Old Lady’ is an ode to their home town of Gevelsberg and begins with acoustic guitar and has some great lyrics. ‘What I Am’ shows The O’Reillys And The Paddyhats in reflective mood with a slow ballad start that soon speeds up but could still be classed as a ballad. They have managed to record an album that captures their live sound well and if I ever get to see this band I expect to be on the receiving end of a sore throat screaming for an encore. ‘Hang By the Neck’ continues the catchyness of this album with more than a wee trace of country. The album ends with the only cover version here and ‘Black and Tans’ is a faithful version of the Dominic Behan penned Irish rebel song that is sure to get anyone’s blood pumping every time you hear it coming on!

“I was born on a Dublin street where the Royal drums do beat
And the loving English feet they tramped all over us,
And each and every night when me father’d come home tight
He’d invite the neighbors outside with this chorus

Oh, come out you black and tans,
Come out and fight me like a man
Show your wives how you won medals down in Flanders
Tell them how the IRA made you run like hell away,
From the green and lovely lanes in Killashandra”

Tin whistle leads us into this song tells of the brutal paramilitary force the British government sent to Ireland in 1919 to smash resistance and the quell the rebellion that sought to end British rule and links that fight for freedom to others around the world. The nickname ‘Black and Tans’ came from the colours of their hastily put together uniform of mixed khaki of the British Army and rifle green from the Police. With the Irish leading the way and providing inspiration others took up the mantle and fought the British Empire across the world for their own independence. Due to their murderous activities and the atrocities they committed, feelings continue to run high and a ‘Black and Tan’ or just simply a ‘Tan’ remains a term of abuse and their very mention shows they are still despised by many in Ireland. It rocks out and has the best shouty chorus of any rebel song ever written.

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left to right: Fitzgerald O’Brien (Bass) ; Sean O’Reilly (Acoustic Guitar, Flutes, Lead Vocals) ; Emily O’Farrel (Fiddle) ; Dr. Bones (Drums) ; Ian Mac Fannigan (Backing Vocals, Washboard, Chain) ; Dwight O’Reilly (Banjo, Mandolin, Accordion, Backing Vocals) ; Ryan O Leary (Step Dancer) ; Connor O’Sullivan (Electric Guitar)

Released on the 9th of April earlier this year it has been slow in reaching us and then we were a bit late in getting this review done but it has been well worth the wait. Of the eleven songs all have been written by the band with the only exception that one excellently played cover. The CD comes with an excellent 16 page booklet with all song lyrics and any other information you could possibly need. The CD also comes in a special limited edition box-set with a whole host of goodies so check out the band web-site for that. Clocking in at 35 minutes the album is a quick and highly enjoyable blast that simply bursts with energy and atmosphere. Transporting you out of your living room and into the one place this kind of music was supposed to be heard. Yes, the pub! The O’Reillys And The Paddyhats play with an passion and pride in Irish music and culture that is a joy to behold. They take us on a journey (by sea of course!) full of tales of love and loss, of rebellion and comrades and friendship and, of course, drinking. The Paddyhats show what is possible in the celtic-punk scene. That it is still possible to come up with something fresh and unique and entertaining from beginning to end.

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ALBUM REVIEW: FIDDLER’S GREEN- ‘Devil’s Dozen’ (2016)

Fiddlers Green. The band that invented their own genre- ‘Irish Speed Folk’ !!

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Fiddler’s Green celebrated their 25th anniversary last year with the release of the fantastic compilation album 25 Blarney Roses and was as about as good as anything released in 2015. They hail from the small Bavarian town of Erlangen, that is twinned with our very own Stoke. Famed for their live shows and the ability to transfer that live sound to disc their popularity has grown and grown to see them hailed as one of the major bands in the European celtic-punk scene. It’s always hard to capture the passion and excitement of a celtic-punk gig onto a studio album but when a band achieves it then that album surely becomes a must have and Fiddler’s Green have been doing exactly that for 25 years now. Beloved by their loyal following it was only the other day when talking about fellow German band The O’Reillys And The Paddyhats new album, that we remarked on how Germany has has always had a big love affair with Ireland. Despite competition from such great bands as the aforementioned Paddyhats as well as  Mr. Irish Bastard, The Porters, In Search of A Rose and The Ceili Family it has been Fiddlers Green’s consistency that has seen them become arguably Germany’s most popular celtic-punk band.

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‘Devil’s Dozen’, also known as a Bakers Dozen, is a term often used in them olden days to mean 13, one more than a standard dozen. The practice of baking 13 items for an intended dozen was insurance against the items being lower than the statutory weight, or of lower than usual quality, which could cause the baker to be fined. And so on ‘Devils Dozen’ we find thirteen songs of, as it says on the cover, “Finest Irish Speed Folk”. The album begins with the title song and its accordion led classic Irish themed folk-punk from the very off. This is pure good time party music and there’s no one better at supplying that then Fiddlers Green. You won’t find much social commentary here and so what if you don’t!

fiddlers-green

Fiddlers Green (left to right): Tobi Heindl- violin, vocals * Steve Klug- accordion, bodhran * Ralf ‘Albi’ Albers- vocals, guitar, bouzouki, mandolin, banjo * Pat Prziwara- vocals, electric and acoustic guitars, bouzouki, mandolin, banjo * Rainer Schulz- bass * Frank Jooss- drums, percussion *

Music has the ability to unite us and celtic-punk should not just unite but have us all linking arms throwing our beers in the air and professing our love for each other at the top of our lungs. There’s plenty of time to worry about the result of the American Presidential election another day. A great song that is followed by ‘Bottoms Up’ and you guessed it. It’s an ale themed song but the most interesting thing is they have sound rather like The Kaiser Chiefs here. That is if The Kaiser Chiefs had a fiddle payer and a accordionist! Very catchy and pure folk-punk though not of the celtic-variety in fact it has a more Eastern European feel to it.

Nevertheless a class song and just shows that Fiddlers Green refuse to rest on their laurels and churn out what is expected of them. One of the album standouts for me.

“Loose girls standing by the backdoor
Hot legs stepping on the dance floor
Join in, get the mojo working
Movin’, groovin, you know what it’s good for…”

Couldn’t get this bloody song out of my head for days after listening to this album so I was glad when we moved on to ‘Down’. The first minute is a ramped up celtic -punk version of the Simon and Garfunkel hit ‘El Condor Pasa’ and just as your settling down to a rather nice cover version the Fiddlers turn it round and add their own song about going down to you know where…

“We’ll pay the ferryman a dime
So come along, you’ re dead and gone
The demon tied up to the ground
He gives the world its saddest sound
Its saddest sound…”

One of the most interesting things about Fiddlers Green is their outstanding videos so you would be well advised that after you finish this review to go make yourself a cup of tea (or something stronger) and hightail over to their You Tube channel (link below) for a hour or two. and enjoy your viewing!

They can’t keep the energy going for ever so they slow it down a little for next song, ‘Boat On The River’. Now this is a cover I have never heard before and surprisingly its not an auld Irish song its a metal ballad from old and nearly forgotten 70’s rockers Styx. I actually really like the original too which you can find here but its a great and highly unusual cover that pays tribute to Styx while taking it into celtic-punk territory. They add in a bucket full of country to ‘Perfect Gang’ with absolutely superb fiddle here and a real crowd pleaser I’m sure with the great chorus. The only traditional Irish folk cover here is up next with the famous ‘Leaving Of Liverpool’.

“I have sailed with Burgess once before, I think I know him well
If a man’s a sailor he will get along, if not then he’s sure in hell
So fare thee well my own true love
When I return united we will be
It’s not the leaving of Liverpool that grieves me
But my darling when I think of thee”

A brilliant rousing version of this great tune. Liverpool was once one of the world’s major sea ports and this song was collected from Richard Maitland, a resident of Sailor’s Snug Harbor a home for retired seamen on Staten Island. He told that he learned it while on board the sailing ship General Knox around 1885 and The Davy Crockett mentioned in the song was launched in 1853. Previously recorded by The Dubliners, The Clancy Brothers and The Pogues its one of the standard Irish folk songs that pop up from time to time but great to hear a version that can stand alongside them here. ‘Johnny’ sees us back in ‘celtic-indie’ territory while ‘Bad Boys’ is there punkiest song here all the while the fiddle is still fiddling and the accordion pumping meaning we never stray too far from the Fiddlers Green sound. They slow it down again for ‘Blame It On Me’ and Ralf’s vocals are never better than here. A tale of bad luck and bad choices his voice fills with emotion while the band sweep and swirl around him and the gang chorus work brilliantly well. ‘All The Way’ switches it up again and we get a lovely slice of celtic-ska with the fiddle leading the track and pushing it along till the song speeds up into a great punk song before slipping back easily into ska. We are nearing the end so time for a silly one with ‘Mr. Tickle’ about everyone’s favourite Mr Men character (apart from Mr Messy that is). ‘Here We Go Again’ and ‘We Won’t Die Tonight’ bring the curtain down on this great album that proves Fiddlers Green are truly one of the best bands in celtic-punk. Solid reliable and innovative and always moving.

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Devils Dozen is thirteen songs of mostly self penned numbers with a smattering of unusual and well picked covers that comes in at just over 13 45 minutes long. The album is available on CD, with vinyl due in December, but also comes as various deluxe versions including things such as DVD’s and t-shirts. Fiddlers Green are a lot different from the band that released that debut album way back in 1992 but the core of the band has remained the same and they have as a unit never lost sight of the groups main principal that their fans are everything. They would never have become so popular if they had stood still and it is their ability to try new things and styles, but always in keeping with the Fiddlers Green ethos and sound, that has helped them achieve that popularity.

Discography

Fiddler’s Green (1992), Black Sheep (1993), Kings Shepherd (1995), Make Up Your Mind (EP 1996), On And On (1997), Spin Around (1998), Stage Box (Live 1999), Another Sky (2000), Folk Raider (2002), Nu Folk (2003), Celebrate (Live 2005), Drive Me Mad! (2007), Sports Day At Killaloe (2009), Folk’s Not Dead (Live 2009), Wall of Folk (2011), Acoustic Pub Crawl (2013), Winners and Boozers (2013), 25 Blarney Roses (Compilation 2015), 25 Blarney Roses Live In Cologne (Live 2016), Devil’s Dozen (2016).

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ALBUM REVIEW: BUNCH OF BASTARDS- ‘My Drinkin’ Ain’t Done’ (2016)

‘FULL FORCE FOLK’

from a Bunch Of Bastards from The Hague, Rotterdam and Dordrecht!

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I’m not sure quite what it is about the word Bastard in celtic-punk but their are a whole host of bloody brilliant bands about with it in their name. Think Mr Irish Bastard from Germany, Bastards On Parade (now shortened to just Bastards) from Galicia, Uncle Bard And The Dirty Bastards from Italy, Middle Class Bastards from Russia and Bastard Bearded Irishman from Pittsburgh in the United States. It’s just a shame we don’t have a decent band here in the UK to add! Well to this bunch of Bastards we can now add another Bunch Of Bastards from the Netherlands.

BOB

Bunch Of Bastards left to tight: Cor- vocals * Huib- electric guitar and mandolin * Dex- bass * Andries- accordion * John- drums * Peter- electric/acoustic guitar and banjo

Coming together in mid-2013 the main inspiration for the band was accordionist Andries (better known in the celtic punk scene as Mr Dutch Irish Bastard) who has graced the stage with many of the top European celtic punk bands like Circle J, Mr.Irish Bastard (and even The Mahones)  and recorded with the likes of Bastards On Parade, Sir Reg, Greenland Whalefishers and Firkin. Fed up of being a guest he decided it was time to form his own band and vision and this is what he did, over what seemed like a loooong time to those of us watching on Facebook!

Fey

perfect timing too as Feyenoord won the Dutch Cup yesterday beating Utrecht in the Final. well done from all your friends at Celtic.

(Listen to one of the tracks from the album here but it was recorded at their 5th gig sometime ago so they have moved on and got much tighter as a band since then. Just to give you an idea!)

And so the trials and tribulations sorted The Bunch Of Bastards began to play live and picked up some nice support slots along the way before they released My Drinkin’ Ain’ Done their debut long player to an eager and awaiting public. Now Holland has some amazing bands like Circle J and LQR both of whom we have featured recently and the Dutch celtic-punk scene is famous for not solely sticking to celtic music allowing other genres and influences to seep in. Bunch Of Bastards keep it mainly celtic and punk though and is no poorer for it.

BOB3We get fourteen songs lasting exactly fifty minutes and like all the aforementioned bands its all brilliant stuff alright. From the first bars of opening song ‘Lucky Break’ the mandolin kicks it all off before the whole band join in and its great joyous sounding music even though the story is about one of life’s losers. ‘Back In The Day’ follows and ‘Middle of Nowhere’ and the pattern is forming. The music is fast and definitley on the folky side without being any less punk. Shouty vocals that fit in perfectly with gang choruses (that I especially loved) and the production is amazing. All the instruments are clear as crystal with Cor’s vocals over the top they have got everything just right here. We all here in England never cease to be amazed how well the Dutch speak English and here they sing in it as well as one or two English bands I could mention! The lyrics are all pretty damn cool as well. Mostly dealing with the downside of life but the music is never less than uplifting even if the tales sometimes aren’t! The first signs of that famous Dutch style is, unsurprisingly, next on ‘Katuska Kalashnikova’ where Andries lets his accordion do the talking and some great Russian/eastern European music seeps in. ‘Hey Barkeeper’. next and from the off its as catchy as hell, accordion and vocal led. The mix is great with the balance just right and fitting the Bunch Of Bastards sound perfectly. This is followed by ‘Sky Over Rotterdam’ which tells the moving and emotional story of the bombardment of Rotterdam by German planes during World War 2. Desperate to destroy the city and its manufacturing base hundreds of people per week starved to death or were killed in the bombing.

“The sky over Rotterdam is so peaceful now
But my old man, he still remembers how
That war made that sky such a restless place
And airplanes were never hard to trace
First them planes brought war, then they raised hopes high
And in the end, they dropped food from the sky
The sky, the sky, the sky, over Rotterdam”

The song celebrates the ending of the blockade and the allied food drops into the city that saved countless lives. The song is Andries Dad’s war time memories as a kid in Rotterdam. He wrote them down and Andries made them into first a booklet and later into this song so when I said it was moving and emotional you can bet it is. ‘Sing With Us Bastards’ sounds like a celtic-punk Toy Dolls and the humour is self evident. Not much of a story to this one but

“we are part time punks but full time folkies”

its a happy pint in the air moment before ‘Michael Malloy’ tells the true story of a homeless Irish man in New York who is famous for surviving a number of murder attempts on his life by five friends, who were attempting to commit life insurance fraud. Iron Mike (or Durable Mike) was originally from Donegal and was a fire fighter till he fell on hard times. After several attempts he was finally finished off but his murderers were caught and all bar one went to the electric chair.

“not easy to kill Michael Malloy, this tough Irish bloke was hard to destroy”

‘Run’n’Drink’ is another ode to the pint and the Bunch punk it up for this but you still get plenty of accordion for your ear holes. Not remembered much these days but Holland was very much a colonial power back in the day and like most of the European countries that dabbled in imperialism they have lots to be ashamed of. Don’t get me wrong though pretty much every country in the world has something that they are embarrassed to teach in schools. ‘The Dutch’ tells of their role in slavery in times past and smuggling in modern times. AS usual the Ruling Classes have a lot to answer for. They slow it right down for ‘Live Again’ and a beautiful song about a loved one slipping away. ‘Let’s Call It A Day’ again has a strong and positive message like a lot of the lyrics on My Drinkin’ Ain’t Done. We have all got pissed, nicked, left, beaten up etc., haven’t we but the pain soon goes and what better advice than

“head’s up tomorrow and you will be okay”

Catchy is not the word for ‘Many a Good Reason’ as again the Bunch give us a brilliant drinking song. The Dutch know plenty about the pleasures of alcohol and its celebrated here in song and ‘Many a Good Reason’ is as good as they get. Definitly one of the album highlights!

So fourteen songs and fifty minutes worth of quality celtic-punk comes to an end with the only cover and it’s a good one in both choice and execution. Traced back to the 17th century and made most famous by The Dubliners and later Thin Lizzy ‘Whiskey In The Jar’ is a classic Irish folk song and well deserving of its place too. Bunch Of Bastards give it plenty of oompf and bring the curtain down on the album very nicely indeed.

BOB UK TourWell what to say except we are not even half way through 2016 and already we have a tonne of fantastic album’s challenging for that coveted Album Of The Year award. Here is fifty minutes of some of the best celtic-punk you are going to hear this year I promise you. Now for the good (and bad) news. Bunch Of Bastards are heading over to England in early May but the bad news is they are sadly not coming to London. You can still catch them playing three gigs around Hampshire and Shropshire. They play 5th May at The Vaults in Bishops Castle, 6th May at Percys in Whitchurch and 7th May at The Bear in Bridgnorth. The support for all gigs will be Paul Henshaw and friends so if you fancy a few days away in a lovely part of the country then there’s your chance. I just might join you! 

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(great and very interesting interview with Andries and Peter from the band here)

FILM REVIEW: TOWNIES- IRISH MOB (2007)

For any of you out there who haven’t seen Townies the short film by Mike O’Dea then here it is in all its original You Tube glory. Made back in 2007 it began production as a full movie but was forced to closed down after the Police busted them for filming a mob hit scene in south Boston without the official permits. The director took that footage and incorporated it into a forty-five minute short film. There were plans to re-shoot the entire film under a new title this year and Mike O’Dea has just announced that this will be happening. As Mike said on his official Facebook page

“I’m gearing up to begin filming my latest feature film ‘Hustler’. It’s about a Boston drug dealer who loses drugs and guns that belong to the mob. He has only 2 days to get it all back”

Country: USA Release Date: 15 August 2009 Production Co: Shamrock Films

Director: Mike O’Dea  Writer: Mike O’Dea

Starring: Mike O’Dea, Jimmy Burke, Frannie Bryne, Michael Foot, Wade Gallagher, Johnny Hickey

Townies opens to the sound of London Irish celtic rockers The Bible Code Sundays singing ‘Honour Of The Gael’, a tune the band wrote specifically for the film. It is set in the town of Charlestown an Irish-American neighbourhood where the locals refer to themselves as townies. It is the oldest district in Boston and has always been known as an Irish area. In common with most cities now though since the late 1980s Charlestown has changed dramatically. The yuppies have moved in and gentrification has overtaken much of the area, as it has in much of Boston, but it still maintains a strong working class Irish American population and ‘Townie’ attitude.

After being released from prison, the son of an Irish mafia boss returns to his home town. Mickey Callaghan dreams of getting out of Boston and relocating to Florida but visions of palm trees vanish in gun smoke when he’s immediately surrounded by his Charlestown gangster crew and all of their problems. Murder and revenge is taking brother for brother and friend for friend until the vicious circle of bloody violence finally comes around to him.

(newspaper report about the filming of Townies)

Townies 1CHARLESTOWN, Mass.-A handgun, gun shots and a bleeding victim; sounds like the scene of a crime, but when police responded to the incident, they discovered that it was all part of an act. State Police rushed to the scene for a report of shots fired at Paul Revere Park. When they got there, officers found a man, a fake gun and another with fake blood on his arm. “As I was coming up to him, he did pull his right hand out and saw a bit of his weapon,” Trooper Robert Malloy, State Police Marine Unit, said. “My adrenaline was pumping pretty good man,” Wade Gallagher, actor, said. “It was quite a rush.” Wade Gallagher is not a killer. He’s an actor who was filming a mob movie called ‘Townies’. Paul Revere Park was not an actual crime scene, but witnesses saw the gun and the blood they ran screaming for help. “It’s an actual gun and it fires blanks,” Mike O’Dea, Film Director, said. “Nothing actually comes out of the chamber.” Here’s the problem, O’Dea never told the city or police they were filming a violent mob scene in broad daylight. They did however post a sign on a car near the scene. “Well, we don’t have any money for permits, so you gotta do what you gotta do to get the movie done,” O’Dea said. “So, we took a risk and paid the price for it.” The actors were not arrested; however they are expected to face a judge later this month to face charges of disorderly conduct. They say that it was all worth it. “It’s supposed to be the most realistic mob movie ever made, so I guess we proved that today didn’t we,” O’Dea said. – – 2007 Sunbeam Television Corp.

Soundtrack:

Bible Code Sundays- ‘Honour Of The Gael’
Nowhere USA- ‘Enemy Is Me’
Sharky Doyle’s- ‘Everybody’d Irish’
The Bible Code Sundays- ‘My Town’
Kilmaine Saints- ’57’
Kilmaine Saints- ‘The Whiskey’s Calling’
Mr Irish. Bastard- ‘Everyone Must Die’
Wet Your Whistle- ‘Well Below The Valley’
Nowhere USA- ‘Today’
Sharky Doyle’s- ‘Catholic School’
Nowhere USA- ‘Perfect’
The Cloves And The Tobacco- ‘Shamrockville’
Kilmaine Saints- ‘Brave Yankee Boys’

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The Top Ten Irish Mobster Movies Here * Twenty Questions With Mike O’Dea  Here * Irish Organised Crime Forum  Here *  The Irish-American Gangster In Film  Here

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

ALBUM REVIEW: MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’ (2015)

13 tracks that read like 13 commandments, packed full of Irish wit, tall tales and the kind of wisdom that can only come from God’s Green Isle!

Mr Irish Bastard-The World, The Flesh & The Devil

Formed in 2006 Mr Irish Bastard consist of Mr. Irish Bastard (guitar, vocals), Lady Lily (tin whistle), Gran E. Smith (banjo), Boeuf Strongenuff (bass) and Ivo K’Nivo (drums). They have toured literally all over the world and with two full length albums, a mini-LP and a covers album under their belt this German band certainly play in the top division of European celtic-punk!

By Shane O’Neill

It takes real balls to cover a the Sex Pistols platinum selling ‘Never Mind The Bollocks’ album in its entirety but that’s exactly what Mr. Irish Bastard did in 2011 with ‘Never Mind The Bastards – Heres Mr. Irish Bollocks’. It has to be said they did a mighty job of it adding a Celtic / folk twist to some of the worlds best selling punk tunes. Now this poses the problem….how do you top that?

Well the latest offering from Mr. Irish Bastard ‘The World, The Flesh & The Devil’ definitely doesn’t disappoint. 2015 has been quite a year so far for celtic-punk album releases but I think it’s safe to say that Mr Irish Bastard will be appearing in the top 10 celtic-punk albums for 2015 at the end of the year. If I’m wrong I can’t wait to hear what is coming from the competition in the next 8 months. The album is packed with 13 tunes with 3 bonus tunes if you feel flush and want to splash out on the deluxe version.

It’s one of those albums you’ll love from the first time you press play and luckily so as I had limited time to pull this review together.

‘I Hope They Sell Beer In Hell’ is one of those songs that gets stuck in your head (but in a good way).

“I’m stranded here on a empty rock
while the ships just pass me by,
and the sun has burned a hole in me
that the moon fills every night.
I watch the stars explode 
right above my head
and one day son you’ll find your place
that’s what the old man said”

The title could easily be adopted by the London Celtic Punk crew for their anthem!! ‘Don’t You Walk Away’, ‘Captain O Captain’ and ‘That Bitch Drank My Whiskey’ are well worth a listen and would be sure to get the crowd going at a live gig ( hint, hint ….come to London!!!!). ‘Drink Another Day’ is Mr Irish Bastard’s call to prayer, an ode to perseverance and determination with a chorus that sticks in your head like a three-day hangover.

“with a raised glass and a raised fist – I‘ll fight my way out of this – and we‘ll live to drink another day!”

I would definitely recommend you pick up a copy of this album and get listening to the Munster based Mr Irish Bastard.

Mr Irish Bastard 2

‘The World, The Flesh & The Devil’ was recorded with producer Jörg Umbreit. It’s set to be released on 8 May 2015 on CD, vinyl and as a digital download on Reedo Records, distributed through Rough Trade. Keep an eye out for the special limited deluxe edition featuring a CD, a bonus vinyl-look CD, a MR. IRISH BASTARD flag and engraved hip flask as well as two beermats and a membership card for the School of Drinking.

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ALBUM REVIEW: THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’ (2015)

Berliner celtic-folk-punk band The Rathmines debut album is superb and done with a passion and a feeling and a joy for Irish music that very few Irish bands have. A must hear album.

The Rathmines 1

With Irish/ celtic music’s popularity blazing across Europe we must make a stop over in the country that has truly embraced the music like no other. For whatever reason celtic music and culture have taken off in Germany and they have produced some of the best celtic-punk bands in the scene as a result. The Rathmines are the latest in a line that includes Fiddlers Green, Mr Irish Bastard and, now sadly disbanded, Auld Corn Brigade.

CLICK HERE TO READ OUR INTERVIEW WITH THE RATHMINES

The thing that immediatly leaps out on you as you listen to this album is the degree of respect The Rathmines have for the music. This is no imperialist appropriating of the culture of others this is the joyous celebration of Irishness and inclusiveness. The boys all come from a punk rock background and was a Pogues gig in their home of Berlin that persuaded them to put away the electric instruments and get all folky. The music itself is of the kind our mam’s and dad’s use to listen to but done in such a way that the energy and spirit of punk comes shining through. The albums sixteen tracks come in at just a few seconds under a hour and its a hour well spent trust me.

The Rathmines

The album kicks off with celtic-punk standard ‘Drunken Sailor’ and it amazes me that you can get sick of hearing a song until you hear it done in a way that brings it back to life for you. Nothing particulary different but just a great version. ‘Hot Asphalt’ the Ewan MacColl penned song, made famous by The Dubliners ,follows and again theres nothing that should stand out but what you get is a enjoyable enthusiastic romp through the story of Irish immigrants to England digging the roads.

“Well, we laid it in a hollows and we laid it in the flat
And if it doesn’t last forever, sure I swear, I’ll eat me hat
Well, I’ve wandered up and down the world and sure I never felt
Any surface that was equal to the hot asphalt”

The first of the albums self-penned tracks is the Parisian style ‘How to Steal Horses’ with accordion drifting through and percussion keeping the beat while the vocals tell a story telling you exactly how to steal a horse and why. ‘Impossible’ is yer classic celtic-punk song about drinking and how missing your love can drive to further into the drink. Another self penned number from The Rathmines and again they hit the spot. The tune moves away slightly from traditional Irish and is all the better for it as it breaks the album up from being just a hour of trad. Hadn’t heard much of ‘Johnny I Hardly Knew Ya’ since I was a kid until the Dropkick Murphys recorded it and The Rathmines give it a blast with a great version and follow it up with more songs made famous by The Dubliners ‘The Leaving of Liverpool’ and, made famous recently by its recording by The Boss, ‘Mrs. McGrath’. ‘Oró Sé do Bheatha ‘Bhaile’ is a song originally written during the Jacobite rising in 1745-6 but was re-written by the great Irish patriot and leader of the 1916 Uprising in Dublin, Patrick Pearse. It was sung by Volunteers as a fast march during the Irish War of Independence.

“Óró, sé do bheatha ‘bhaile/ Anois ar theacht an tsamhraidh

Oh-ro You’re welcome home…/ Now that summer’s coming!”

Sung in Irish by the bhoys and with guest vocals by Alexandra Arnsburg it is truly a remarkable song when you consider even how few Irish bands use their own language. Full marks for The Rathmines for this and for pulling off what is an acoustic-reggae-ska-trad Irish version that I am sure has Patrick smiling down from above.

(left to right) Marcus - Bass, Vocals; Rene - Cajon; Egidio - Accordion; Martin - Guitar, Vocals

(left to right) Marcus – Bass, Vocals; Rene – Cajon; Egidio – Accordion; Martin – Guitar, Vocals

‘Paddy’s Taksim Square’ is another Rathmines number and the albums highlight for me from the great lyrics to the catchy as hell tune.

Again it strays a little away from their usual traditional Irish sound but manages to keep within the celtic camp.

“Her yer Taksim, her yer Direniş’
Paddy has no difficulties ever understanding this
No matter if it’s Istanbul, Brazil or day or night
Everywhere is Taksim-Square and everywhere we fight”

With their love of The Pogues its perhaps a bit suprising that we get towards the end of the album before a more famous Pogues track surfaces. ‘Poor Paddy (Works On The Railway)’ yeah I know The Dubs did it first but it was The Pogues that I would say are more famous for playing it.  During the mid-19th century poor Irish immigrants worked almost exclusively to build railways in the United States. Untold thousands of Irish section crews worked as track layers, gaugers, spikers, and bolters and the song begins in 1841, during the time of the famine. ‘Rocky Road to Dublin’ is another Dubs classic while ‘Sog Nischt Kejnmol’ is dedicated to

“all fighters who died in prisons, camps and on the battlefields against Fascism during the dark years when Fascists in Europe slaughtered the workers’ movement, Jews and all others”

It is an interpretation of a Yiddish partisan song written 1943 in the Vilnius ghetto by Hirsch Glik who joined the ‘Fareinikte Partisaner Organisatzije’ and participated in 1942 in an uprising in the Ghetto. He was caught by the German troops and deported to an Estonian concentration camp from where he escaped. After this he joined the fight against the German troops and died aged 22.

A worthy tribute to Hirsch.

“Sure the hour that we’re dreaming for will come/
We’ll arrive with steps pounding like a drum”

Talk of ‘The Boss’ earlier and on hearing the traitional murder ballad, Two Sisters, you can almost hear Bruce singing it. Made most famous by Clannad its truly a monstrous song not that you’d notice as its so beautifully done! ‘Whisky In The Jar’ and ‘The Wild Rover’ complete the ‘Stolen Songs of Struggle’ and the album ends with the last of The Rathmines self penned tracks ‘Years Of Depression’. Another standout song that rails agains the bankers and their kind

“All you boldholders, bankers and fuckheads in the firms”

 

and wishes upon them

“Years of depression will be yours”

From beginning to end this album is brilliant. Recorded, self produced, mastered and designed by the band themselves in the living room of their singer it surely deserves a wider audience and I have noticed they have began to make a few waves in the celtic-punk scene over in Europe so hopefuly that continue. The Rathmines are not trying anything particularly different but what they are doing is doing it superbly and with a passion and a feeling and a joy for Irish music that I wish more Irish bands had.

(to hear the entire album press play below)

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if you are on Facebook then get yourself directly to the ‘Irish Folk, Celtic Rock, Celtic Punk – Deutschland’ group here for up-to-date news and more on the German scene.

ALBUM REVIEW: THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS- ‘Welcome To The Folk Punk Show’ (2014)

THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS- ‘Welcome To The Punk Rock Show’ (2014)

I’ve noticed lately that vinyl is becoming more and more popular within the celtic-punk scene and it’s more recent releases. Not just ordinary vinyl either but the really heavyweight discs that are the super duper best quality you can get. Like the those early Dubliners albums your Da’s got indoors. Still though a bit of a shock though when this, ‘Welcome To The Folk Punk Show’,  landed on our doorstep… well when the postman handed it to me anyway! A four way split, double album of two of the scene’s biggest and best bands and two I had never heard of was not what I was expecting.

The PortersThis double album starts with The Porters who along with The Auld Corn Brigade and Mr Irish Bastard are at the forefront of the German celtic-punk scene which is probably the biggest in Europe. With three albums tucked into their belts already this five piece from Düsseldorf have traversed Europe with their folk-punk-country sounds. They’ve admittedly moved away a little from the overt celtic-punk roots sound of their debut album ‘A Tribute To Arthur Guinness’ but The Porters sound is still recognisable and is all the better for bringing in a few wider influences.

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They’ve recorded three brand new songs for the compilation and here’s the video for the album’s opening song

The Judas BunchNext up are The Judas Bunch who hail from Sweden. They call themselves call ‘Honky Tonk Punks’ and I have to say I really enjoyed their three songs. Fast Rancid style punk rock with the accordion very much up front and very good female vocals to boot.  The singer has a uncanny American accent so it should be no surprise that their mixture of punk, folk, celtic and country has, despite them being relatively unheard of, seen them touring the USA a couple of times already. A band to be filed with others like Old Man Markley or Nowherebound or even Social Distortion I’d say.

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The MahonesComing round the bend now is the album’s biggest hitters. Yeah its The Mahones. All the way from Canada is the celtic-punk scene’s most prolific and hardest working band. Fresh from releasing a live album and the first part of their new double album ‘The Hunger And The Fight’ they include three live tracks for this comp and they are all Mahones super standards. The recording is crisp and clear and shows The Mahones at their raucous and rowdy best! Not much to be said about The Mahones as everyone has seen them play and everyone owns at least a couple of their albums so you know how brilliant they are!

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MalasanersFinally closing the second disc with their trio of songs are Malasañers who are named after a district of Madrid in Spain. Two of the band are from Spain while the rest are German and the band now reside in Germany completely. They play lovely Irish style celtic-punk with clear vocals in English. They may not have  been together very long but it certainly doesn’t sound like it on these recordings. These working class madrileño musicians certainly bring their music to life and supply two fast numbers and one slower one. They have one album already under their belt ‘Spanish Eyes’ and it is well worth picking up.

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The whole package is beautiful with both the music on the discs and the sleeve artwork as good as it gets. I would get a wiggle on though as there’s only 500 of them and once they’re sold out that will be it. No more will be released. My only gripe is that for such a Irish influenced project why the disc’s on orange vinyl!! A very minor gripe as they look wonderful. That shouldn’t put anybody off as clocking in at forty minutes it is great value and very reasonably priced as well. Wolverine Records are to be congratulated on putting out such a work of art!

Side A:
THE PORTERS
1.Barfly 2.Fathers And Sons 3.Hellbound Lovers
THE JUDAS BUNCH
4.Honkytonk Punks 5.Hey Bartender 6.Jim Dennys Diner
Side B:
THE MAHONES
1.Great Night On The Lash 2.Paint The Town Red 3.Blood Is On Your Hands
MALASANERS
4.Rights 5.Immigrants 6.For A Pint

you can get the album from www.wolverine-records.de at this link here.

EP REVIEW: LQR- ‘A Touch Of Liquor’ (2014)

And Free Download!

LQR- 'A Taste Of Liquor'
LQR hail from the town of Eersel in southern Holland and follow in the footsteps of fellow Dutch bands Circle J and The Royal Spuds in playing a brand of celtic-punk that’s tinged with country and bluegrass.
Formed back in 2007 they have previously released two other EP’s, ‘Murder By Liquor’ a 5-track EP in 2008 and ‘Boxpak’ a 4-track EP in 2012. With this their third EP the boys must be due a album out next. All their releases have so far only contained their own self penned numbers and they are to be applauded for taking that rather risky route rather than the tried and tested, and safe, route of throwing in a load of covers that everybody loves.
LQR
The music is a mish-mash of influences with ska and country mingling with celtic-punk and the spotlight on the accordion and mandolin even though the rock’n’roll pumped up to ten. The five tracks on here last just shy of twenty minutes and fly past before you know it in that way that only celtic-punk bands can. All the songs are fast as feck Irish tunes and only leave you wanting for more of the same. By the sound of LQR on here they must be amazing live so take the time to check out their YouTube channel. As is usual there’s touches of Flogging Molly and the Dropkick’s in there and it’s the opening track ‘I’ll Never Get Drunk Again’ that sounds most like either with it’s Molly-esque accordion ramped right up and lyrics that I’m sure need no explanation. It’s followed swiftly by ‘Wargames’ a great rocking anti-war song with great lyrics.

LQR1Coal mining songs feature quite heavily in American celtic-punk so was nice to hear ‘Black Mining Company’ even though the subject is suitably grim. There’s a fantastic tradition of folk songs from out of mining communities and ‘Black Mining Company’ can take its place among them. ‘Liquor’ is about drinking and has a real good pint in the air, sing yourself hoarse chorus. Last song ‘Coulrophobia’ shows LQR’s sense of humour and starts with a wee gypsy-punk feel to it before singer Mark tells us of his fear of clowns and the music goes flying off into a great celtic tune before slowing right down again.
Once again I find myself saying that if LQR were American, or even English, they would be massive…and if we had our way they f’ing would be!
 All of the songs from ‘A Touch Of Liquor, can be downloaded for free (yes that’s right for FREE!!!!) from Soundcloud, along with all their previous releases as well. The playlists of the EP’s are at the top of the page so simply scroll down to find the different tracks.
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