Tag Archives: Phantom Of The Black Hills

2019 REVIEW ROUND-UP’S PART ONE: NORTH AMERICA- ROSIER, THE LUCKY EEJITS, WOMEN SING WAITS, HEATHEN APOSTLES

Each year the number of Celtic-Punk and related releases we receive here at 30492- LONDON CELTIC PUNKS continues to amaze us. Now this is great news but it does mean that we cannot keep up with everything we receive. We simply don’t have time to give a review to everything. Each December we have a week to concentrate on catching up with anything we missed the first time round. We like to write detailed reviews so apologies to the band’s concerned that we had to squeeze them in this way. Each and every band featured here are worthy of your time so please be sure to check them out. To start with here in Part One we are concentrating on four releases from North America with the USA and Canada featuring. In a few days time we will head to Europe and then we will focus on the Rest Of The World so please be sure to check back soon.

ROSIER- ‘Self-Titled’ EP

Anyone expecting a pulsating Quebecios folk fusion, in the vein of La Bouttaine Souriante/ Genticorum and such like, will be in for quite a surprise here. Released to accompany a fall tour from  Montreal 5 piece Rosier this 4 track EP blends a very lush, dreamlike, multi -layered  indie folk organically together with strong Quebecois folk traditions- which while always having a sense of exploration and development, never loses its distinct lightness of touch.
Rosier features the band’s steadfast original lineup: front-woman Béatrix Méthé (lead vocals and fiddle), Colin Savoie-Levac (lap steel, banjo and foot percussion), Sarah Marchand (lead vocals and keys), Éléonore Pitre (acoustic and electric guitar) and Marie Savoie-Levac (bass) while everyone helps out on background vocals. All the songs adapted from traditional and arranged by Rosier, except You Behind, which was written by Béatrix. A very relaxing listen, maybe best as an accompaniment to a wee dram at the end of the night.
Contact Rosier- WebSite  Facebook  YouTube  Instagram

THE LUCKY EEJITS- ‘Out Of Time’

Now I was first attracted to The Lucky Eejits thanks to their name and it’s ‘Gaelic’ meaning. Eejit of course being the way an working class Irish person would pronounce ‘idiot’. Playing straight forward punk rock this trio blast high speed and high energy upbeat punk music and their is simply no let up on Out Of Time with its catchy riffs in your face punk rock edge. Based in Oakland California the band began life as a Celtic-Punk outfit featuring six eccentric Irish-Americans but after a change in the bands line up The Lucky Eejits were reborn as a more than solid Punk-Rock band. The album is twelve songs long and lasts just over a half hour. Not bad for a album chockablock with songs played at breakneck speed. From the fast Pop-Punk of opener ‘Get Out’ to the final song, a nod to their Celtic-Punk days perhaps, ‘Warm Guinness’, about the perils of tour life, it’s an album that never lets up. Album highlights include ‘Champion’ and ‘So Far So Good’ which they released as singles with the latter as a pretty damn good official video.

Throughout Out Of Time it is packed with catchy melodies and is a fantastic follow up to 2016’s Do It Again. It’s definitely a fan friendly album with chances galore to join in the singing. This may make them more of a live band to follow but this album is certainly worth hearing too. The message here is one of hope and positivity and lets pray the guys get their hands on a cold Guinness soon!

Contact The Lucky Eejits-  Facebook  Bandcamp  YouTube

VARIOUS ARTISTS- ‘Come On Up To The House: Women Sing Waits’

The main problem with albums like this is that everyone on it treats their song as if it’s either the opening or finale of the whole thing and produces something incredibly over the top. A female only tribute to the legendary Tom Waits sounds great on paper but it is rather overblown and judging by Corinne Bailey Rae’s version of ‘Jersey Girl’ they’d have been well to invite Mariah Carey to perform here! Twelve artists of Tom Waits greatest ballads covered by Aimee Mann, Patty Griffin, Rosanne Cash, Phoebe Bridgers, Joseph, Shelby Lynne, Allison Moorer, Corinne Baily Rae, Courtney Marie Andrews, Kat Edmonson, The Wild Reeds, Iris Dement and Angie McMahon and yet it’s the oldest artist here Rosanne Cash and ‘Time’ that steals the show for me though the jazz influenced Kat Edmonson’s ‘You Can Never Hold Back Spring’ and the Country and Western singer Iris DeMent’s ‘House Where Nobody Lives’ wring out every piece of emotion from Tom’s majestic words and the album’s final song ends with the overblown (and rightly so this time!) The Wild Reeds version of ‘Tom Traubert’s Blues’.

Tom Waits has just recently celebrated his 70th birthday though sadly this album adds very little to his canon of work. An opportunity to really re-interpret his work has got lost (largely) under some rather inflated ego’s. For Waits fanatics its worth buying for the Rosanne Cash song alone and also producer Warren Zanes who wrings as much out of the songs as possible and provides some excellent liner notes on his relationship with Tom Waits music.

“He kept writing those songs that burrowed into the broken places inside of us, Waits could regularly deliver that revelation that comes with only the best songs: you may be lonely, but you’re not alone. As the years rolled by, every Waits recording arrived like it had come just in time.”

HEATHEN APOSTLES- ‘Born By Lightning’ EP

So far here we have reviewed a Folk album, a Punk album and a sort of Bluesy compilation album so none of our usual uptake and that doesn’t change with this review of the latest EP from Heathen Apostles. They play a sort of Gothic Americana Blues crossed with alternative alternative country. Born By Lightning comes hot on the heels of their recently released album Dust To Dust, their fifth to date, and five new songs of what one reviewer described as “the bluegrass of Bill Monroe put into the woodshed with the Gothic tendencies of Siouxsie And The Banshees”. Label mates of one of my all time favourite bands Phantom Of The Black Hills they tread much the same path but definitely in a more accessible way to yer average Joe. Fiddle and banjo aplenty here while Mather Louth’s beautiful yet powerful voice shines above all else. Starting off with the slow Country styled Gothic ballad ‘Death Bell Blues’ a tribute to the legendary Howlin’ Wolf before leading into the dark ‘Chosen One’ which shows the Apostles at that catchiest best. The title track ‘Born By Lightning’ sees them back in darker country again with an intense ballad that builds on Mather’s voice with the rest of the band restrained before here. A million miles away from the Grand Ole Opry! The last two songs have a much harder edge, ‘Devil Comes For All Of Us’ is elf explanatory while ‘Scarecrow Blues’ take us far away from traditional Country and into the realm of the ‘murder ballad’ with its tale of a social misfit  being burned out of his house only for the vigilantes to burn down the entire town while it slinks and slithers to the beat of the blues! A Country-Bluesy-Punky affair the band have long wanted to do a Blues style release and with Born By Lightning they have managed to stay close to their roots and something that would also appeal to more traditional music fans too. Signed to Ratchet Blade Records which specialises in ‘Dark Roots Music’ where you can find out all you need to about this glorious genre.

Contact Heathen Apostles  WebSite  Facebook  YouTube

So ends the first part of our 2019 Round-Up’s and again apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have still missed some fantastic music I am sure so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. And finally if you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

2018 REVIEW ROUND-UP’S. PART THREE: USA AND JAPAN- THE CHERRY COKE$, THE GODDAMN GALLOWS, RAILROAD EARTH

Here is Part 3 and the final part of our 2018 Round Up’s where we catch up with the releases that we couldn’t give a decent review to first time round. I would make it a new year resolution to do better in 2019 but feel I can’t as the amount of excellent releases we receive far exceeds our ability to review them in time, but we are getting better! We don’t want to dilute our reviews or hurry them so hopefully you will understand the thought and work that goes into our reviews and forgive us. Today we go to the north America and also fit in one of the best Celtic-Punk bands in the world from Asia. Each and every one are worthy of your time so go ahead and check them out and apologies to the band’s concerned that we had to squeeze them in like this. Part 1 was releases from the Celtic nations (here) and Part 2 was Europe (here) so today dive in!

THE CHERRY COKE$- ‘The Answer’  (Buy)

One of the most established bands in the Celtic-Punk scene and yet still widely unknown outside their home The Cherry Coke$ release their eighth studio album, The Answer. Now veterans of the scene since their humble beginnings back in 1999 they have gone onto become huge at home mixing traditional Irish folk music with fast and furious punk rock in the same way as Flogging Molly. They rose to prominence after the release of their debut album Beer my Friends which earned them nationwide attention and appearances on Japanese TV and their video being shown regularly on MTV. Twelve songs here lasting just under forty-five minutes and what you get is an eclectic mix of Irish, Punk, Rockabilly, Folk and more all blended together into The Cherry Coke$ very own style. Imagine a harder edged Mollys but with a bit more bite and dual male/female vocals and you’re on the right track and just to show these guys can play they knock out a couple of traditional Paddy’s Day cover songs in ‘The Irish Rover’ and a blazing traditional version of ‘John Ryan’s Polka’ but it’s their own compositions that really shine.

The single ‘Dong Chang Swag’, the Poguesy ‘A-Yo’ and the seven minute song ‘Lilac’, taking in the pomposity of Queen amongst everything else they pack in!, that are my standout track’s here. Another outstanding album and no surprise there!

Contact The Cherry Coke$-  Facebook  LastFM  YouTube

THE GODDAMN GALLOWS- The Trail  (Buy)

The sixth album from a band that is new to me but one I will be definitely checking out. The band formed in Portland, Oregon in 2004 later moving to Los Angeles, living, so they say, in squats and abandoned buildings before spending four solid years on the road dragging their asses from town to town defining their sound. They certainly are a novel band with hardly two songs on The Trail sounding the same. The band mix up a chaotic blend of rockabilly, psychobilly, punk rock, bluegrass, folk and metal to make what some have labelled as ‘hobo-core’. Kicking off with ‘Grassmuncher’ a mental instrumental which begins with the folk elements of the band coming together before the band unleash and metal guitar soon takes it far far away from the finger-in-the-ear folkies. The vocals and music here is gritty and hard and not for those of a gentle disposition. That is not to say that The Goddamn Gallows can’t knock out a quality tune and this album is full of them. Cut from the same cloth as one of my favourite bands Phantom Of The Black Hills (who we did a feature on recently here well worth checking out). Loads of great songs like ‘It’s Gonna Be Ok (no, It’s Not)’ a doom laden slow dirge of a song that also has its speedy bits and a wicked sense of humour, the title track with its folk-punk-metal xylophone (!), the Demented Are Go-esque psychobilly-country-metal of ‘Honeyhole’ and the epic closing track ‘Down With The Ship at over six minutes with dual vocalists and the catchiest song you’ll find here. The little I have heard of Goddamn Gallows gives me the impression that this album is a mixture of the old sound of the band and the new heavier direction they seem to be travelling in. They are on tour throughout Europe later this year, sharing shows with Gallows Bound and Koffin Kats, so I guess we’ll find out then won’t we?

(you can hear the whole of The Trail over on You Tube below)

Contact The Goddamn Gallows-  WebSite  Facebook  YouTube  Spotify

RAILROAD EARTH- Captain Nowhere EP  (Buy)

With some similarities to The Goddamn Gallows this is another release that is certainly not Celtic-Punk but interested me enough to give it a far few plays this year. This is The Goddamn Gallows with all their rough edges gone and a shave! That’s not to say it is in any way weak or wimpy just that its coming from a different angle. Beautifully played Americana with some of the best banjo of the year from a band that has been together for eighteen years! With six albums behind them Captain Nowhere was my first experience of Railroad Earth but carries on in the same tradition as that first album, The Black Bear Sessions, back in 2001. The EP kicks off with the marvelous banjo and mandolin laden ‘Blazin’ A Trail’ accompanied by the glorious sound of an upright bass its utterly fantastic and a surefire foot-tapper if not thigh-slapper!! The kind of song that is guaranteed to get you off your backside and jigging about.

Only six songs here on a record that lasts thirty-five minutes but eleven of those belong to the epic closing title track, ‘Captain Nowhere’. A slow countryfied ballad that ebbs and flows beautifully along that belies it’s length. ‘Only By The Light’ and ‘The Berkeley Flash’ also stand out for me on a release that is kind of hard to pigeonhole but fiddle player Tim says “We’re a Country & Eastern band!” and that may indeed be right.

(The band live in concert at Red Rocks Festival)

Contact Railroad Earth-  WebSite  Facebook  YouTube  Soundcloud

So ends the third and final part of our 2018 Round-Up’s. We are guaranteed to have still missed some fantastic music so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. If you don’t want to miss any of our posts then you can follow us by filling in your e-mail address in the box that is either below or to the left depending on how you are viewing.

DON’T MISS THE HIGHLIGHT OF OUR YEAR ON MONDAY WHEN WE UNVEIL THE LONDON CELTIC PUNKS BEST ALBUM OF 2018!!

PHANTOM OF THE BLACK HILLS

Phantom of the Black Hills are one of the most innovative bands you will ever hear that has a banjo! This isn’t the Country music of Nashville or the Grand Ole Opry instead its angry polemic over bluegrass banjo, mandolin and upright bass mashed together with raucous punk guitar, blistering drums and dirty, snarling distorted vocals with extreme sound effects and movie dialogue samples. They are one of my favourite bands so I thought I’d attempt to convert a few of you lot too.

The Black Hills are a mountain range in South Dakota famous for the Mount Rushmore memorial of the four presidential heads of Washington, Jefferson, Roosevelt and Lincoln carved into the granite. It’s also an area where large populations of Scots and Scots-Irish settled which may explain the areas fondness for moonshine. Production of illegal alcohol that is still widespread today. Another possible by-product of the Celtic on the local population is widespread mistrust of all government. Many see themselves as outlaws and in the Black Hills you are unlikely to find a Vegan coffee shop or demand for stricter gun control laws. Phantom Of The Black Hills are a band that shy away from publicity. From the bandana’s that hide their faces in their videos and photos to their Web-Site and Facebook page that are very careful not to give away any clue as to their identities. We can only hope they are the real deal and not a bunch of music school rich kids!

The musical worlds of Phantom of the Black Hills couldn’t be more different. In the Celtic-Punk scene we are used to bands fiddling with traditional music and adding, sometimes taking away, things to come up with something fresh. Country And Western though sometimes seems so staid and set in its ways its hard to imagine a band doing to it what say the Dropkick Murphys have done with Irish music. That was until the Phantom Of The Black Hills rode into town. With their cowboy hats pulled down over their eyes and frightening outlaw masks they look more like they have come to relieve you of the gold in your purse. Violence, drunkenness, debauchery abound in these tales of South Dakota’s doom country and hellbilly punk outlaws.

Relatively unheard of over this side of the pond I thought it only fair to share my good fortune with you. They have released five albums, the links to hear each one are included as well as one of their amazing videos from each album. You can buy all together from the Bandcamp site for a reduced rate just check there and the link is at the bottom. This is surefire music to go to hell for.

Whoever said the devil had all the best tunes must have heard the Phantom Of The Black Hills.

Ghosts

Released January 1, 2009

Ghosts was the 2009 debut album of the Phantom Of The Black Hills. It was released on Ratchet Blade Records who specialise in ‘Dark Roots Music’. They have supported the Phantom Of The Black Hills from the beginning and have released all their albums thus far. Ghosts  introduced the  world to their relentless Hellbilly music and rants. Opening with the insane  ‘Confessions Of A Barn Burner’ it goes from weirder to weirder right up to album closer ‘Read My Bible’. Banjo laden doom music for a generation of country and folk fans who want something a bit more extreme and it don’t come no more extreme than this!

(Part One of the ‘Government Demons’ trilogy)

(Listen to Ghosts below on the Bandcamp player)

Born To Gun

Released January 1, 2010

The second album from the Phantom Of The Black Hills and again it was released on Ratchet Blade Records. If you thought Ghosts was dark then prepare yourselves. With loops and sampling, and with as much distortion as twang the two worlds of country and punk crash together. Bluegrass banjo pickin’ and mandolin, upright bass thumpin’, with loud punk guitar, hard-hitting drums and angry, snarling distorted vocals it carries on in the same vein as Ghosts but more so…

(Part Two of the ‘Government Demons’ trilogy)

(Listen to Born To Gun below on the Bandcamp player)

Enemy!

Released January 1, 2012

Lyrically more dark and intense than the previous two releases, Enemy! is filled with musical imagery of war, lust, death, and hell… Produced by Cramps bassist Chopper Franklin and mixed by legendary punk rock producer Geza X they pushed the banjo, fiddle and mandolin up even more to the fore but with the guitars as brutal as ever. The arrangement of the music is flawless. Able to spend two years on Enemy the band were able to create heavier sound effects and loops and with ever more controversial lyrics. Hard-hitting, controversial dialogue permeate the raw, rusty sounds of the record. Their best release to date.

(Listen to Enemy! below on the Bandcamp player)

Moonshine Bright

Released January 1, 2014

This was the album that somehow winged its way across the Broad Atlantic to me and saw me play it to death over the next few years. The highly-anticipated fourth album release  was again produced and mixed by The Cramps bassist Chopper Franklin and he captures the band absolutely perfectly. On Enemy! the banjo, fiddle and mandolin were to the front, so for Moonshine Bright it was time to grind the guitars up more. The result is as memorising mix of traditional country instruments with searing guitars, distorted vocals, intense sound effects and movie dialog. One of the most innovative bands around their songs are brutal missiles that encourage all to live a life of full freedom.

(Listen to Moonshine Bright below on the Bandcamp player)

Scalped

Released August 25, 2017

Which brings us nicely onto the Phantom Of The Black Hills last release and you can tell from the album sleeve who exactly they would like to scalp! Still blending a lively mix of styles from Southern Rock, punk, Alternative Country and a B-movie aesthetics but always experimenting and never standing still. For a band that don’t give anything away and pride themselves on their anonymity they had this to say about Scalped “our previous records have either leaned more toward the roots music or the aggro approach, but on ‘Scalped’ we’ve combined everything on one on album”.

(The first music video from Scalped, directed by Chopper Franklin and featuring Mather Louth from the Heathen Apostles)

(Listen to Scalped below on the Bandcamp player)

Phantom Of The Black Hills

WebSite  Facebook  YouTube  Soundcloud  Bandcamp  POTBH Shop   Ratchet Blade Records

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