Tag Archives: Raise My Kilt

2019 REVIEW ROUND-UP’S PART THREE: THE REST OF THE WORLD. THE CHERRY COKE$, AIRES BASTARDOS AND ANGRY ZETA & THE HILLBULLYS

Welcome to the third and final instalment of our yearly Round-Up of Celtic-Punk, and related, releases from the past twelve months. As the scene becomes more popular we are finding it increasingly difficult to keep up with everything so for a week in December we give a short mention to those bands that have slipped the net. Each and every band here are worthy of your time so please be sure to check them out. To start with in Part One we featured releases from North America (here) and in Part Two Europe (here) so here in our final round-up of 2019 we have releases from Japan and a couple from Argentina as well as an Argentinian Celtic-Punk playlist put together by out good friend Pablo that I recommend you check out and a South American Folk-Punk compilation from last year that we somehow missed and is also highly recommended.

THE CHERRY COKE$- ‘Oldfox’ LP  (Buy here/here)

The Cherry Coke$ may have one of the daftest names in Celtic-Punk but they are far far far away from being any kind of joke band. Celebrating their twentieth anniversary with the release of their ninth (!!!!) album Oldfox Japanese Irish rockers The Cherry Coke$ were probably the first band in the scene from outside of one of the ‘traditional’ Celtic-Punk countries (the ones with substantial Celtic diasporas) to become famous. Basically playing fast as hell trad Irish folk they became as close to superstars as is possible in the Celtic-Punk scene for a while and though their star may have waned a little over the years that they are still producing the goods recording wise is testimony to how good a band they actually were and still are now too. They have got a bit faster and a bit punkier but the unmistakable sound of Irish music can be throughout Oldfox. With a multitude of members playing every imaginable Celtic instrument yet it always seems, just like the band that influenced them the most- The Pogues, to always be leading the way.

As far as I can tell the whole album of eleven songs are all original material with many standout songs like the opening track ‘Hibana’ which takes in elements of Ska and Metal as well as Folk and Punk and all are played with an incredible passion and energy and respect.

On the banjo heavy ‘Public House’, you have an uplifting Irish song that will have you stamping the floor while on ‘Social Network Slave’ they offer up something more akin to what Bruce Springsteen is making these days. The song is heavy in places while delicate in others while also criticizing modern society and the alienation coming from our over reliance on social media. The songs are sung mostly in Japanese and it is in the albums shortest song that I feel the true spirit of The Cherry Coke$ comes out. ‘Of Music’ is a sort of pop ballad full of innocence and love for music. Another outstanding song here is the album’s closing track ‘Brigade’ where they get as Poguesy as you can possibly get. Fantastic record and here’s to another twenty years, and another nine albums too!!
Contact The Cherry Coke$  Facebook  Twitter  Spotify  WebSite  YouTube

AIRES BASTARDOS- ‘Self-Titled’ (Buy )

A few years ago Brazil was the leading country in South America when it came to Celtic-Punk but slowly and surely the balance of power has slowly been moving to the country that is Brazil’s great rival in everything- Argentina! With several bands on the go at the moment (more on them below) Aires Bastardos have released their debut album onto the scene and it is a corker as we say in England. We get eleven songs clocking in at almost forty minutes and though the majority of the songs are Aires Bastards originals their are a smattering of inspired covers as well. Lets get them out the way first with two great versions of The Ramones ‘We Want The Airwaves’ and Cock Sparrers ‘Because You’re Young’ which adds fiddle and banjo to these great songs while Pablo’s gravelly voice is perfect for belting out these numbers which are definitely in the Celtic-PUNK scheme of things. Singer Pablo is also responsible for most of the lyrics here and is a well known member of the Celtic-Punk scene networking across the web and promoting not just his own band but in the spirit of Celtic-Punk all the other Argentinian bands as well in #OneBigCelticPunkFamily ! The third cover here is the auld traditional Irish folk song ‘Drunken Sailor’ and to say it is well covered is a bit of an understatement with just about everyone having a go at it at sometime. Assisted on vocals here by Zeta Vaccaro from Angry Zeta And The Hillbullys (more below) and Gabriel Leão from their Brazilian next door neighbours the Celtic-Punk band McMiners. The rest of the songs are sung in the bands native language, Spanish, so thanks to the English education system when it comes to learning languages I don’t have a clue what the band is saying. So only going on the music it definitely has a ring to it of other Spanish language bands like Brutus Daughter and 13Krauss and the three Celtic instruments of banjo, fiddle and tin whistle are evident throughout but they have a lot more to offer than that. The songs are catchy and cool and veer from pretty much standard Celtic-Punk to Folk and back to fast as hell Punk but in a really accessible way that will have a wide appeal. I loved this album and for a couple of weeks in November I listened to nothing else!! The band have put the whole album up on YouTube for free but it is also available from Apple Music to buy.

Contact Aires Bastardos  Spotify  Facebook  YouTube  Instagram

ANGRY ZETA & THE HILLBULLYS- ‘Live’ (Buy)

With Celtic-Punk releases from the ‘Rest Of The World’ being a bit thin on the ground in 2019 I have had to cast my net a bit far this year to reel in some bands that will interest you all. I actually came across this band while writing the review for Aires Bastardos above and with one click of a button I found a new band to love from Argentina! Angry Zeta & The Hillbullys are from Buenos Aires and Live is the bands second release. The band play mostly Country-Punk (it use to be called Cow-Punk back in the day) versions of famous C’n’W and Cowboy songs like ‘Rawhide’, ‘Sam Hall’ and ‘Cocaine Blues’. The music is intense acoustic music with the spirit of the west throughout. Male and female shared vocals compete with some absolutely astounding banjo plucking and fiddle work as well as some double bass pounding. Their debut album is available as a ‘Name Your Own Price’ download on the Bandcamp link below if you want a taster of Live go check that out. The band have toured Europe before so keep an eye for them appearing at anytime. Here’s a stripped down version of ‘Glory’ taken from Live but as gloriously ramshackle as could be!!

It’s a really good recording that at times is very hard to tell its recorded live. I also couldn’t tell if there any originals on here but the ones that I know are covers are done in such an original way and with a passion and energy flowing through them they may as well be Angry Zeta & The Hillbullys own songs anyway!

Contact Zeta & The Hillbullys  Facebook  Bandcamp  YouTube

Here also seems a good place to mention a couple of other important things. One is this amazing compilation album ‘Latino American Folk Punk’ of sixteen South American bands that came out last year. Featuring bands from Argentina, Brasil, México, Colombia and Chile it includes (in fact most of them are!) several Celtic-Punk bands whose name has spread beyond the continent like Lugh, Punching Namard and McMiners from Brazil, Aires Bastardos, Gypsy Vanner and Raise My Kilt from Argentina and the amazing La Fiesta del Diablo from Chile. The other bands I don’t know but overall this is a fantastic album and I can’t believe it passed me by. Maybe someone with a bit more knowledge would like to write a feature on it and the bands? If you are interested in a hard copy of the album you should contact Essential Distro on their Facebook or Instagram pages.

CELTIC-PUNK ARGENTINO!

Another interesting development in the Argentinian scene is the Spotify playlist of the three most popular bands in the scene Aires Bastardos, Gypsy Vanner and Raise Your Kilt. All great bands who deserve a bit of recognition beyond their own shore. Hopefully this playlist will introduce them to a whole new range of fans so do them a favour and share wherever you can.

Put together by Pablo Gadea of Raise Your Kilt the Playlist contains twenty-eight songs and gives a wide range of all three bands and the songs they perform. You can go check it out on Spotify here.

So ends our 2019 Round-Up’s and again apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have probably still missed some fantastic music so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. And finally if you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

EP REVIEW: RAISE MY KILT- ‘A New Tartan’ (2018)

All the way from Argentina it’s the new EP from Raise My Kilt. Celtic-Punk that is 100% attitude and  100% fun!

Well what can we say except that its become common these days for bands in the celtic-punk scene to schedule their releases around St. Patrick’s day and 2018 has been no different and we have been overwhelmed here at London Celtic Punks with both the number and the quality of recent releases. One such band is relatively new to me. Raise My Kilt hail from Buenos Aires in Argentina and are one of a handful of bands ion that country playing celtic music. Last year they self-released their debut EP, Gaitas And Tanos, which received a great review over at Celtic Folk Punk And More which brought them to many people’s attention and thank Heavens they did. The title of the EP refers to Gaitas which is a local Argentinian word for people from the celtic nation of Galicia and also the word for Bagpipes while Tanos is the local word for Italian people and as the band are all  of Italian and Spanish descent.

Raise My Kilt from right to left: Mariano Miramontes- Guitar, Vocals * Manuel Magariños- Drums * Damian Giancarlo- Guitar, Mandolin, Vocals * Diego Moreno- Banjo, Acoustic Guitar * Carlos Scelzi- Bass, Vocals * Pablo Gadea- Bagpipes

Their new EP, A New Tartan, consists of six songs and similar to that debut has a fine balance of traditional folk songs and original compositions. While some may roll their eyes at some of the bands choice of covers its important to remember that not everyone has grown up on these songs and while I may have first heard ‘Dirty Old Town’ in the womb I respect everyone who chooses to do their own version of it. As long they inject it with a bit of life and a bit of their own personality then Good Luck to them. Its also worth remembering that this is not for our market here it’s for their own country where many wont have heard them before.

Raise My Kilt have trodden a similar path to many of their contempories in the celtic-punk scene in that a bunch of friends in the Buenos Aires punk and hardcore scene had started to listen to some traditional folk music and before they knew it an idea to start a band had formed. To take the trad folk of Irish legends like The Dubliners and The Chieftains and to mix in the energetic and raucous sounds of Celtic-punk legends like the Murphys, McKenzies and Mollys. That was October 2013 and little more than a year later the band played their debut show. With over three years of shows behind them we would much rather be reviewing an album but I suppose a EP will have to do… for now!

The EP kicks off with the title track, ‘A New Tartan’, and if you like bagpipes then this is the band for you. Obvious comparisons to major league hitters like The Real McKenzies and Pipes Or Pints but these guys have their own take on things too. The drone of the pipes begins the song and its a sound that fills my heart. You can hear why the sassenach would often run from it in battle or why you would follow it into battle. The band chip in half way through and run it down as an instrumental trad punk number. Now I was expecting more of the pipes’n’punk but ‘New Arcadia’ takes me by surprise and is a much more trad folk-punk number with the banjo leading and some ace gang vocals. To top they close out the track with ‘John Ryan’s Polka’. This song may have been a better choice to close the EP but what the hell do I know. No pipes in that number but they are back for a healthy version of ‘Dirty Old Town’. Chugging guitars and them wonderful pipes give it the Raise My Kilt stamp and yeah it may be done to death here but fecking hell when it’s played this good you’ll forget you ever heard it before. After all Ewan MacColl who wrote the song hated The Pogues version so whose to say anything! Again they surprise you with ‘1982’ up next. Played as a a straightforward punk rock number with the pipes coming in and out its catchy as hell and a real foot tapper. A great song and shows the bands versatility in the different strands of celtic-punk on display. Nearing the end and we get a celtic cover of the Cock Sparrer favourite ‘We’re Coming Back’. The banjo and pipes accompany on a song that I’m sure will have any dance floor filling. The EP comes to an end with a fast and furious version of the Scottish anthem ‘Scotland the Brave’ that would have many a other band diving for cover.

With the recent retirement and somewhat resurrection of Black Tartan Clan and bands like Krakin’ Kellys and The Clan raising the pipes throughout Europe it would seem that Bagpipes in the celtic-punk scene have not gone away. Some would say that the sound may be an acquired taste but when you have band’s that really care about how they use the instrument in their songs it really makes a huge difference. These are not just punk bands with a piper attached playing along to the tune these are songs where the pipes are an integral part of the song every bit as much as say the drums or guitar are. Raise My Kilt are a solid addition to the worldwide celtic-punk scene and as one of only a handful of bands in the South American continent playing Celtic-Punk we ought to get behind them and show them our support. Here they have only whetted our appetite for a full length release and I for one cannot wait to hear it.

Buy A New Tartan  Amazon

Contact Raise My Kilt  Facebook  Twitter  Spotify  YouTube

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