Tag Archives: Sons Of Clogger

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2019!

Well here we go again. It only seems like five minutes since I was compiling all the votes into last years Best Of that saw The Rumjacks romping home with Album Of The Year. This year has been a bit quieter on the Celtic-Punk front but as last year was so busy that is perhaps not surprising. That’s not to say their weren’t some fantastic releases as their were plenty and it was still really difficult to come up with the various lists below. Not so many big bands this year so it was left to the lesser known bands to shine but remember this is only our opinion and these releases are only the tip of the iceberg of what came out last year. Feel free to comment, slag off or dissect our lists. As a bonus we are adding the Readers Poll again this year so you can even vote on your favourite release of 2019 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

(click on the green link to go where you will find more information on the release)

1. THE WALKER ROADERS – Self Titled

2. MICKEY RICKSHAW – Home In Song

3. FEROCIOUS DOG – Fake News And Propaganda

4. GREENLAND WHALEFISHERS – Based On A True Story

5. BARLEYJUICE – The Old Speakeasy

6. THE NARROWBACKS – By Hook Or By Crook

7. McDERMOTTS TWO HOURS – Besieged

8. PIPES AND PINTS – The Second Chapter

9. THE RUMJACKS – Live In Athens

10. SELFISH MURPHY – After Crying

11. TORTILLA FLAT – Live At The Old Capitol

12. FIDDLERS GREEN – Heyday

13. THE RUMJACKS – Live In London Acoustic Sessions

14. THE WHIPJACKS – This Wicked World

15. 13 KRAUSS – Redención

16. ALTERNATIVE ULSTER – Craic Agus Ceol

17. AIRES BASTARDOS – Self Titled

18. THE TEMPLARS OF DOOM – Hovels Of The Holy

19. THE FIGHTING JAMESONS – A Moment In California

20. ANGRY McFINN AND THE OLD YANK – Songs of Whiskey, Women & War

21. THE SHILLELAGHS – Ripples In The Rye

22. HELLRAISERS AND BEERDRINKERS – Pub Crawl

23. BODH’AKTAN – De Temps Et De Vents

24. HEATHEN APOSTLES – Dust To Dust

25. SONS OF CLOGGER – Return To The Stones’

26. THE CHERRY COKE$ – Old Fox

27. THE FILTHY SPECTACULA – The Howl Of The Underclasses

28. THE POTATO PIRATES – Hymns For The Wayward

29. TC COSTELLO– Horizon Songs

30. THE TENBAGS – ‘Bags o’ Craic’

How to compete with last year? Every single top band in the genre released an album so things were always going to be a bit quieter for 2019. Top spot this year unsurprisingly goes to The Walker Roaders Celtic-Punk super group! With Pogues, Mollys and Dropkicks making up the team how could they possibly go wrong! Everyone’s ‘next big thing’ Mickey Rickshaw came in a well deserved second and Ferocious Dog took third after releasing their best album, for me, since From Without. Greenland Whalefishers celebrated 25 years on the road with their best album for quite a while and what Best Of would be right without some bloody brilliant Irish-American bands challenging at the top too. Pipes And Pints new album with a new singer received acclaim from across the Punk media and The Rumjacks couldn’t follow up last years unanimous victory despite having two album releases (both sort of live) in the top thirteen. Fiddlers Green continue to make consistently great albums and go into 2020 celebrating thirty years together! Good to see homegrown bands The Whipjacks, The Tenbags, The Filthy Spectacula and Sons Of Clogger making it too. The top thirty was made up of thirteen countries from USA, England, Norway, Czech Republic, Australia, Switzerland, Germany, Argentina, Japan, Quebec, Hungary, Spain and Japan.

1. THE LUCKY TROLLS – Self Titled

2. DRUNKEN DOLLY – The Party

3. LORETTA PROBLEM – The Waltz Of My Drunken Dream

4. THE CLOVERHEARTS – Sick

5. KRAKIN’ KELLYS – Irish Tribute

6. THE PLACKS – Rebellious Sons

7. GYPSY VANNER – Five Distilled Celtic Punks

8. THE RUMPLED – Grace O’ Malley

9. FOX’N’FIRKIN – Hey Ho! We’re Fox n Firkin

10. SHANGHAI TREASON – Devil’s Basement

The Lucky Trolls took #1 spot with their brilliant self-titled EP following on from fellow countrymen the Krakin’ Kellys multi award winning 2018. Trust me it would have taken an exceptionally good release to keep The Party by Drunken Dolly off the top spot but that is what happened. Dolly’s excursions over to these shores this year j=has seen them grown in stature and you can’t go to a Ferocious Dog gig without spotting at least a dozen of their shirts. Loretta Problem wowed us with their single ‘Waltz Of My Drunken Dream’ which took us right back back to The Pogues glory days and what about that accompanying video too!! If we had a award for best video then that would have walked it. The Kellys had a quiet year with comparison to ’18 but still managed a respectable #5 and great debut releases from The Placks our sole representative from a Celtic nation (big things are going to happen to this band in 2020 mark my words), Italian/Aussies The Cloverhearts and, from just down the road from my Mammy, Shanghai Treason from Sheffield who only put out one song… but what a song! Eight countries represented from Belgium, Netherlands, Finland, Italy, Scotland, Argentina, Australia and Yorkshire!

AIRES BASTARDOS– ‘Self-Titled’

Argentina is becoming a bit of a hot-spot for Celtic-Punk with not only some well established bands but also some new ones starting up too and with this release Aires Bastardos announced their arrival on the international scene too. Not afraid to dive straight into a folk number after a Cock Sparrer cover they veer from standard Celtic-Punk to Folk and back to fast as hell Punk but in that really accessible way that only Celtic-Punk (and maybe Ska-Punk) bands can do.

1. THE DREADNOUGHTS – Into The North

2. CROCK OF BONES – Celtic Crossbones

3. 6’10 – Where We Are

4. BRYAN McPHERSON – Kings Corner

5. CALLUM HOUSTON – Gravities

6. PYROLYSIS – Daylight Is Fading

7. SEAMUS EGAN – Early Bright

8. LE VENT DU NORD – Territoires

9. DONNY ZUZULA – Chemicals

10. DERVISH – Great Irish Songbook

The Dreadnoughts don’t really think of themselves as Celtic-Punk so I reckon they’d be happier to win this than Celtic-Punk Album Of The Year. A superb collection of sea shanties that is a pleasure to listen to that was always going to be #1. Crock Of Bones representing the London Irish in 2nd with an album of trad folk with punk rock attitude and it’s especially good to hear some originals done in the style of the ‘auld ways’. 6’10 challenged for the top spot as they always do with everything they release and Bryan MacPherson and Callum Houston both produced great releases of singer-songwriter acoustic folk with Irish roots.

Sadly the Celtic-Punk world has shrunk a little regarding Web-Sites. Winners of the last two years the Mersey Celt Punks have been slacking (sort it out lads!) and enjoying their gigs too much to tell us while Shite’n’Onions have been too busy transferring everything onto a different platform and preparing for a bit of a re-launch I expect. Sadly celtic-rock.de have shut up shop after twelve years so it just makes it all the more clear how much we all miss Waldo and his fantastic Celtic-Folk-Punk And More site. As regular as clockwork and all the news that was ever fit (or not!) to print. Closing down the site in its 10th year in March must have been a tough decision to make and so this year we award best Website to Waldo and let it be known that no Celtic-Punk site will ever come close to replacing you. We would certainly not exist without his kind help and inspiration. All the best comrade enjoy your retirement! One welcome addition is Michu and his Celtic-Punk Encyclopedia site from Poland. Worth checking out especially if you are in a band.

We are not alone in doing these Best Of 2019 lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

FOLK’N’ROCK

MERSEY CELT PUNKS

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other Celtic-Punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 8th year of making these Best Of lists so if you would like to check out out who was where in our previous ones then just click on the link below the relevant year.

Last year we introduced a new feature THE READERS PICK. We had no idea if it would work or not but it was a raging success so we going to do it all again this year. With well over 500 votes cast you lot chose the debut album from the Krakin’ Kellys as a worthy winner. Only the Top Ten albums are listed but there is an option to write in your favourite release or just to send us love… or abuse!

You are allowed to vote twice but not for the same artist.

The Poll will close at midnight on Friday 31st January with the result announced soon after.

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2020

ALBUM REVIEW: SONS OF CLOGGER- ‘Return To The Stones’ (2019)

West Midlands based Sons Of Clogger are an alternative four piece band with a huge sound fusing Punk, Indie, Rock, Metal and Folk. Their full blooded invigorating music has been captivating crowds and listeners in many countries and as our man in the States T.C. Costello finds with the release of Return To The Stones their second full length album they are set to continue doing so…

About a year ago, I found myself at the Ragged Bear Festival in Warwickshire. This two-stage festival seemed tailor-made for anyone who’s ever been to a London Celtic Punks show, tailor made to anyone who loves a sea chantey as much as a moshpit, and indeed tailor made me. The Whipjacks’ played of some the speediest Celtic-Punk I’ve ever heard downstairs, and Greenman Rising, who organized the festival, brought their hardcore folk tradition to modern audiences on both stages.

Another highlight of the festival was Sons of Clogger. This Staffordshire foursome’s sweaty basement show felt like a folk session from long ago but unstuck in time, with traditional melodies and story teller lyrics over an rhythm section straight out of the ‘80s punk scene in London. Adding mandola, low-D tin whistle and a 12-string acoustic guitar created a sound evocative of pre-Christian Britain, a bit of ‘80s Camden Town, and an Irish Session.

Needless to say, it came as a massive surprise to me that the band’s first full-length album starts with a distorted guitar riff. And this album, indeed, is full of surprises – so much so that this review may warrant a spoiler alert. With ‘Return To The Stones’, the band continues to blur the lines between the ancient and modern, the Folk and the Punk, and even more genres.

After the unexpected electric guitar on the opening title track, the full band comes in with 4/4 rock groove a bit reminiscent of The Clash. I was wondering where the folk aspect of the band had gone. But as soon as DaveO’s vocals kicked in, I had my answer.

“We’re heading for the Northern Lights

From town to town with you right by my side

Oh Yeah, Bring me that girl today”

He croons with the command of a storyteller and the fury of punk, narrating a tale of the Callanish Stone Circle in the Outer Hebrides during Pagan times. The Narrator is a mother who had visited the stones 10 years previous to ask for a daughter. She is travelling to the stone circle again to thank the stones, this time with her daughter, now of course ten-years-old.

More definitive folk elements sneak into this song, too, but I don’t want to spoil the surprise.

The second song of the Album, ‘London Town’, also takes you back in history, though not nearly as far, and tells of decadent underground cults amongst the gentry in London. The band writes, “Over the last 300 years, underground gentry have worshipped various cults: Some celebrating homosexuality, some devil worship, and some even to this day celebrating the death of King Charles I!”

“Subterranean location

Was shattered and prosaic

It earned its reputation

Was full of old posh rakes

With lavish cars and fat cigars

Certain gentry found

I’ll meet you at the serenade

Down in London Town.”

Once again, this song is driven by electric guitar and the Band’s tight rhythm section, but adds folky vocals and even a bit of mandolin over the main guitar riff.

Next comes ‘Harrignton And Boots’, a punky number a bit reminiscent of The Cockney Rejects, and tells of punks who have gone to serve in the military.

“My Brothers they said to me,

What happens if we die?

Better think about the last words that we’ll say.”

And the last words are the chorus:

“Bury me with me Harrington and Boots.” It’s “The Harrington Jacket and Doc Marten Boots worn by punks past and present,” The band writes, “It’s a soldier’s last wish to be buried in his true identity, not as a soldier, but the true honor of a lifelong punk.”

With the fourth Track ‘Ragged Bear’, the band’s folkiness is unambiguous. Starting with a vocals-and-mandola intro, the full band doesn’t come in until a minute in, and when it does, there’s a big, tin whistle lead with the bands ‘80s punk rhythm section still going strong.

The karmic tale starts with an abused bear, left in a horrible state, only to be healed by the devil, who sent the bear to take revenge on the humans who mistreated him so, and I challenge any listener not to shout “The Bear! The Bear!” along with the chorus. The Into of ‘Running Out The Guns’, blurs the line of ancient and modern a bit more, with an intro powered by a heavily echoed guitar and tin whistle, which gives into a big, tin whistle breakdown a bit reminiscent of Flogging Molly. The hard rocking, seafaring tune covers the tradition of the plight of sailors’ lives:

“We’ll bring ye Hell on the seas’ great swell

We are the devil’s sons.

While ye lye and the breast of thy own sweet maid

We’ll be running out the guns.”

Next comes a trio of love songs. ‘On The Road’ is a guitar effects-heaving ode to long-distance love with a big chorus, and ‘Traveling Fair’ has a haunting, droney arrangement and tells of a collier’s son running away to be with a green-eyed Romani Gypsy girl, which ends with an jig that’s somehow reminiscent of The Clash.

Finishing the trio is ‘Punk Rock Girlfriend’, a hard rocking number that makes me think “hey, i know her!” every time I hear it.

She’ll shave her hair, give you the stare

She’s hanging with the punks

When you see here dancing, she’s dancing near the front

Piercings of silver rings and green and purple hair

She’s my punk rock girlfriend!”

Having met her at a couple festivals, these lyrics as far as I can tell are 100% accurate.

Closing out the album are ‘Beautiful Dream’ and ‘Goodbye’.

‘Beautiful Dream’ is an anti-war song with a nice jangly electric guitar-and-mandola wall of sound. The lyrics seems hopeful but also self-consciously naive with the chorus,

“No more war, Just love / Is a beautiful dream”

‘Goodbye’, the album’s closing number starts with a cinematic-sounding intro, powered by floor toms, spacey keyboards and sparse piano work. It builds to a hopeful song about moving on on life:

“I’m holding on, to something that’s killing me

To something that’s thrilling me

I’m changing things, you were my everything

Ain’t nothing can be the same

‘Cause I’m leaving tonight.”

The band writes “It’s a goodbye to a love that’s lost; it’s a goodbye as in lost life; it’s a goodbye as in leaving drug or alcohol addiction.” A fitting hopeful ending to the album.

‘Return To The Stones’, is an unpredictable journey, full of alluring settings, powerful stories and a colourful cast of characters. If you want folk and punk fused in a way that would even surprise the most loyal readers of London Celtic Punks, look no further.

Buy Return to the Stones  CD- FromTheBand  Amazon

Contact Sons Of Clogger  WebSite  Facebook  Twitter  Instagram  YouTube

2019’s Ragged Bear Festival will be held on the 25th and 26th of October at The Crew and Queen’s Hall, conveniently locked in the same building in Nuneaton, Warwickshire.

Cheers to our good friend and comrade T.C. Costello for the review and you can keep up with his antics across the globe by checking him out here Facebook  Bandcamp  Twitter  YouTube

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