Tag Archives: The Dreadnoughts

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2022!

It’s that time of year again for the London Celtic Punks annual Best Of list. Has it really been a year since The Peelers waltzed (or should that be jigged) off with album of the year? It’s been possibly the best year for Celtic-Punk since we started doing this site and this was easily the closest it has ever been in that time. Pretty much all the big hitters, with one or two one notable exception (The Tossers where were you!), released records and on top of that a bunch of debut albums that were top class too.

so without further ado…

CLICK ON THE GREEN LINK TO BE FORWARDED TO REVIEW

2022’s #1 was the amazing new album from THE MAHONES. That they are as prolific as they are and yet can still put out quality like this 30 + years on is incredible. Well done Finny & co. FLOGGING MOLLY won the battle of the big Celtic-Punk 2 with the DROPKICKS and were also the best gig of the year for me personally (August in Dublin with Ferocious Dog). THE LUCKY TROLLS followed on from their Best EP award from 2019 with the highest place for any ‘outsider’ this year while Scandinavian stalwarts SIR REG gave us possibly their best album yet. REINA ROJA from Spain were another highly placed new band and their were several others among the Top 30. Their were also a handful of albums that didn’t qualify for the chart but were worth noting including a couple of greatest hits albums THE REAL McKENZIES Float Me Boat and UNCLE BARD AND THE DIRTY BASTARDS The Story So Far that were both superb introductions to the bands, the second volume of the Black 47 covers compilation AFTER HOURS VOL. 2 and finally the HEADSTICKS 10th anniversary album of the best songs of their career to date re-recorded.

1. THE MAHONES – Jameson Street

2. FLOGGING MOLLY – Anthem

3. DROPKICK MURPHYS – This Machine Still Kills Fascists

4. THE LUCKY TROLLS – Raised Fist And Rebel Songs

5. SIR REG – Kings Of Sweet Feck All

6. REINA ROJA – Hooligan Folk

7. FINNEGAN’S HELL – One Finger Salute

8. REAL McKENZIES – Songs Of The Highlands, Songs Of The Sea

9. HOIST THE COLOURS – When Daylight Breaks

10. SHANGHAI TREASON – Shanghai Treason

11. PADDY’S PUNK – With Full Horse

12. THE TAN AND SOBER GENTLEMEN – Regressive Folk Music

13. ZECKYBOYS – Dirty Brands

14. THE MOORINGS – March On

15. THE MULLINS – Gold In Our Hands

16. PADDY AND THE RATS – From Wasteland To Wonderland

17. SYRSentinel 

18. MAN THE LIFEBOATS – Soul Of Albion

19. THE GROGGY DOGS – Still Groggin’

20. WHISKEY’S WAKE – Wake Up Whiskey

21. JAMIE CLARKE’S PERFECT – Monkey See Monkey Do

22. O’HAMSTERS – From Green Hills To Raging Sea

23. SLAINTE – Up Down 95

24. THE ENDINGS – Completely Pickled

25. THE CUNDEEZ – Geez It

26. THE ROYAL SPUDS – Roots Of Life

27. THE DREADNOUGHTS – Roll And Go

28. THE SCARLET – Freedom Call 

29. TEMPLARS OF DOOM – Rising Of The Doom!

30. DRUNKEN FIGHTERS – Someday

Bubbling over: THEIGNS AND THRALLS – Theigns And Thralls 

As funny as it may seem the Best Debut Album award for 2022 was decided way back in January last year when the long awaited self titled debut album from Yorkshire banjo Punks SHANGHAI TREASON arrived in the post. Eleven original songs of high tempo energetic Celtic-Punk with some of the best banjo we heard all year long! On top of that later in the year they released a 3-track EP of songs that didn’t make the album that was also superb!  That’s not to say it was a easy choice as by the end of the year REINA ROJA, THE LUCKY TROLLS and ZECKYBOYS all put out albums that challenged the Treason and in any other year could easily have won the award themselves.

A well deserved top two for THE RUMJACKS and their new singer Mikee. The split EP with FLATFOOT 56 in particular was absolutely flawless! Their were fantastic debut releases from THE DEAD IRISH, THE GALLOWGATE MURDERS and THE RAMSTAMPITS out of the Celtic nations of Ireland and Scotland that completely blew us away and were eagerly anticipated. A word here for BOG IRON from California who I found completely by accident and been playing ever since.

1. THE RUMJACKS / FLATFOOT 56 Split EP

2. THE RUMJACKS – Brass For Gold

3. THE DEAD IRISH – Four Corners Of Hell

4. THE GALLOWGATE MURDERS – ‘ Dead, Gone And Living On’

5. BRICK TOP BLAGGERS – Obey The Tyrant

6. BOG IRON – Star Of The County Down

7. DISTILLERY RATS – We Are Rats

8.  THE KILLIGANS – Dread Naught

9. KRAKIN’ KELLYS – Old Ways New Days

10. THE RAMSTAMPITS – Light The Beacon

Bubbling Under: THE CLOVERHEARTS – Still Pissed / JAMESTOWN BROTHERS – Just Is

In what is usually the hardest category to choose from we actually had a very easy choice this year with the new album from Boston singer-songwriter BRYAN McPHERSON never off our play list all year long. The great news is that Bryan is heading to these shores in the Summer and we are very happy to be helping out. Dundalk’s THE MARY WALLOPERS were busy all year round and ended 2022 with a sell out London show and a debut album in December. The debut album from THE WINTER CODES saw a welcome return to the wider music scene for Barney the original vocalist for Blood Or Whiskey. Some may be surprised to find the first solo album from MARCUS MUMFORD listed but it really was a great album both musically but especially lyrically. 

1. BRYAN McPHERSON – How To Draw Everything

2. THE MARY WALLOPERS – The Mary Wallopers

3. OYSTERBAND – Read The Sky

4. IAN PROWSE – One Hand On The Starry Plough

5. PRONGHORN – Welcome To Pronghorn Country

6. BODH’AKTAN – Valcourt Sessions

7. BURBRIDGE AND BOOTH – Icons

8. THE WINTER CODES – Set The Darkness Reeling

9. THE ALT – Day Is Come

10. MARCUS MUMFORD – (self-titled)

A new section this year and the first winner is THE OUTCAST CREW out of Laois in the Irish midlands. A new single and video directed, filmed and edited by Thomas Moyles that came out at the end of the Summer. Laois is famous for an abbey, some gardens, a castle and a couple of lakes and now a kickarse class Celtic-Celtic-Punk. They won the 2020 Celtic Punk debut album of the year and it’s about time we heard some more guys!

The competition for best Celtic-Punk video of the year was incredible so next year (which will be our 10th anniversary) we will make a bit more effort and maybe even include you in the decision!!

There were several people involved in the collation of these results and so it is that some of those people may not have heard every album listed or released through the year. If you’re album is not listed maybe you didn’t send it us or not all the folks here heard it so couldn’t give a opinion so really don’t feel too put out. We’re not perfect but we do try our best.

This is the ninth year we’ve been doing these Best Of lists. It seems incredible looking back at some of the previous winners and also-ran’s just how many bands are still with us from Year 1. Have a look for yourselves just click on the year below to redirect.

*  2013  *  2014  *  2015  *  2016  *  2017  *  2018  *  2019  *  2020  * 2021 *

THE LONDON CELTIC PUNKS SHOP

If you like what we do then why not visit our  shop where you can buy all manner of Celtic-Punk tatt including t-shirts, badges, stickers, CD’s, fridge magnets, patches, Celtic nations flags and we just got in new for ’22 some bobble hats and polo shirts.

https://the30492shop.fwscart.com/

Alongside the Best Of polls we also run a special Readers Choice poll where you get to pick your favourite release of the year. This will be the fifth year it’s been running with Krakin’ Kellys, Mickey Rickshaw, The Go-Set and Ferocious Dog our previously champions! Last year we had well over 1500 votes (the most ever!) so remember the auld Irish adage ‘Vote Early – Vote Often’. There is only room on the form to list the Top Ten albums but there is an option for YOU to write in your favourite release (album or EP) of the year.

Poll will run until midnight on Tuesday 31st January 2023. You can vote twice. If the release you want to vote for is not listed then you can write it in.

Keep up to date with London Celtic Punks web-zine for all the latest news, record reviews, features and plenty more. Find all our social media here

https://linktr.ee/londoncelticpunks

to subscribe to the web-zine email londoncelticpunk@hotmail.co.uk

The poll will close at midnight on Tuesday 31st January 2023 with the result to be announced soon afterwards.

Dedicated to our good friend Scott Chrystal

Slainte, The London Celtic Punks Bhoys – January 2023

ALBUM REVIEW: THE DREADNOUGHTS – ‘Roll And Go’ (2022)

The folk-punkers from Vancouver are back, with a new collection o’ songs to get ya up and dancing. Following our review of 2019’s Into The North, we now present some o’ the finest moments from the band’s latest offering, Roll And Go. Let’s get into it!

Roll And Go by The Dreadnoughts. Out on Stomp Records, home to most of the band’s material.

In case ye don’t know ’em so well, The Dreadnoughts are a 6-piece band hailing from the West coast of Canada. They refer to their brand of Celtic punk as “world-core cluster folk”, and these humorous songs are brought to you by a cast of musicians with equally humorous nicknames. Examples include Wormley Wangersnitch on fiddle, Drew Sexsmith (aka. Dread Pirate Druzil) on mandolin and banjo, and – perhaps best of all – The Stupid Swedish Bastard on drums. I wonder what fellow Celtic punkers Sir Reg would make of that one…😁

On a more serious note, The Dreadnoughts have toured and recorded pretty relentlessly since they started out in 2006. This new record gives the band another chance to showcase their experience. We kick off with “Cider Jar”, a short and unnerving intro complete with glockenspiel, of all things, and a bastardisation of “Twinkle Twinkle, Little Star”. This is, of course, only the quiet before the storm.

Soon, we’re launched into “Cider Holiday”, which kinda speaks for itself 🍺 Everything that the Celtic punk fan knows and loves is on offer here – the 2/4 polka rhythm, the band’s street punk attitude, a chorus singalong and – of course – a nod to the ol’ West Country influences (i.e. Bristol way, to anyone outside the UK). Sean Astin pulled off a decent West Country accent in Lord of the Rings. In my estimation, these North American dudes aren’t too bad at it either.

Track #2 “Cider Holiday”. Gets the record going and the fans dancin’.

Problem?

One of the standout tracks on Roll And Go has to be track #4 “Problem”. Not to be confused with the Sex Pistols song of [almost] the same name, the band get the klezmer/polka punk out here, and to brilliant effect. Slow Ride’s accordion and Wangersnitch’s fiddle link up well, and the lyrics are witty, funny, and very catchy. So call some mates, get some drinks in, and get dancing round the room to this one. There’s a “trippy” break in the middle of the song, if you need to catch your breath!

Don’t forget to check out the official YouTube video to this song too. In contrast to the energy of polka punk, this clip features the band doing absolutely nothing 😁 Fortunately, the fans in the video more than make up for it.

The official video to track #4 “Problem”. Try to stay in your seat – how the band managed to is beyond me.

“Battleford 1885” is more of a straightforward, hard rock song. It does have its Celtic influences, however, and I quite enjoyed this number meself. For those of us interested in history, the song refers to a wee town in the Canadian province of Saskatchewan. It was looted in the late 19th century by a party of Cree Native Americans, who were short on food supplies at that time.

Love music…with a difference

To sample the band’s own polka-powered take on a love song, try “Vicki’s Polka”. This is a touching, but bouncy tune with some sweet accordion passages to break it up. The Dreadnoughts regularly perform as a trad polka band at certain festivals, under the name of Polka Time. This song is a nod to that factor. Next time you’re thinkin’ of ideas for a date, don’t take your other half to a club. Go polka with them ☘️ As we all know, it’s a barrel o’ fun and you’ll both love it.

“Scrumpy-O” is a different kind of, er, love song, as it’s another dedication to the band’s favourite beverage. Scrumpy, for those who ain’t sampled it yet, is a cider originating in the good ol’ West Country of England. An angry-sounding bass intro by Squid Vicious (great name there) leads us into another Celtic punk thrash rhythm, complete with a West Country “Cider!” growl. I quite fancy a trip back to Bristol and a pint in the pub after listenin’ to this one. Make mine a Guinness though, please, my wife’s the cider fan 🍻

The loveliest song of all, though, is saved till last (well, second from last). Track #12 is the band’s take on traditional sea shanty “Bold Riley” – or “Reilly”, by their own spelling. Many a musician has covered this one, from Kate Rusby to fellow Canadians The Wailin’ Jennys. The ‘Nought’s rendition is similarly beautiful, while a soft percussive tap keeps time. One of my favourites on the album, and a song that puts me fondly in mind of “John Kanaka”, another sea shanty.

Track #12 “Bold Reilly”. Brings a tear to the ol’ eye.

Roll And Go

Last of all, we’re treated to the epic title track. The band pack everything they’ve got into this finale: a quiet acoustic intro, a build-up on drums, and then the heavy guitars to kick our ears into gear. The klezmer-polka influence makes a final return during the instrumental breaks. But it’s interesting how the band dial back the typical 2/4 thrash rhythm on this one. A well-worked ending to a well-worked album, and The Fang’s closing lyric made a particular impression upon me:

I’ve never known a better bunch of bully lads than you. And we’ll be back some fine and lucky day.

– The Dreadnoughts, “Roll And Go”

Give the title track a spin here:

“Roll And Go”, the title and closing track to the album.

So…

What The Dreadnoughts have delivered here is a strong collection of songs, with clean and crisp mixing and mastering values. The six-piece continues to show its experience, but they’ve lost none of their Celtic punk grit on this latest offering.

Now…to support the band directly, buy yourself a copy of Roll And Go on the band’s Bandcamp page. If your CD or vinyl player’s long been consigned to the ocean floor (or the local dump), then you can get the album in digital format as well, from the same link above. If streaming’s your thing, then listen to it on Spotify or via Apple Music.

Last of all, communication is key as they say, so stay in touch with the band on their social media channels. They’ll tell ya what’s next, and when they’ll be appearin’ in your neck of the woods. Find ’em on Instagram, Facebook or Twitter.

Folk on, me hearties!

Andy x

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