Tag Archives: The Go-Set

ALBUM REVIEW: THE MAHONES- ‘Unplugged’ (2020)

The Mahones have always been one of Celtic-Punk’s heavyweights and last month celebrated their 30th anniversary in style with another knockout album to add to their ‘Irish Punk Collection’!

The Mahones are well regarded amongst Celtic-Punk fans and recognised indeed as pioneers of the scene. Formed in 1990 on St. Patrick’s Day in Kingston, Ontario as a band for a one-off show their reception was such that they would go onto become one of the most famous DIY Punk bands in the world and one of the hardest working bands out there. Their tours each year take them right across Europe and North America to every nook and cranny. In fact at this moment in time they ought to be on tour in Australia with The Go-Set! With a stack of studio albums behind them as well as Best Of’s, Live Albums, Compilations even tribute albums their back catalogue is second to none in the scene and to add to them now is this compilation of acoustic, mainly original, Mahones tracks taken from throughout their career.

I’m a sucker for albums like this and I’m sure those of you of a certain age will well remember Nirvana’s triumphant Unplugged album that set the scene for many albums of this kind afterwards. The Mahones may be one of the biggest ‘good time’ bands around but these songs given a raw and intimate performance gives them a new lease of life. The Mahones main attraction has always been their songwriting and whether wrapped around a three minute Punk Rock mosh pit filler or a five minute ballad the effect is much the same. Here Dublin born frontman Finny McConnell comes into his own and already famed for his ached and emotional way of singing his voice really suits these songs new arrangements.

The album begins with the romantic ‘Girl With Galway Eyes’ originally recorded for 2010’s Black Irish. Played at much the same tempo like the majority of songs here it becomes a new song played like this. ‘Rise Again’ is from the album of the same name from 1996 and is a bit of a cheat as it was acoustic then too! Still it’s a nice updating. ‘A Little Bit Of Love’ comes from 2006’s Take No Prisoners and Finny is accompanied on vocals by Canadian-Irish singer-songwriter Damhnait Doyle. So far the influence of country has been trying to make it’s presence felt and here it takes over but not in a cheesy way at all. This is followed by a couple of live set favourites with the fiddle heavy ballad ‘London’ and ‘Draggin’ The Days’ both from the early days of the band as well as the next, ‘Cocktail Blue’ and these songs lyrically show The Mahones singing about the Irish emigrant experience of drink, work and loneliness. The days of the Irish student gap-year supported financially by Mammy and Daddy were decades away. Back then the Irish emigrant was almost exclusively working class and like the generations who left before them worked the shittiest jobs and lived in the roughest and toughest areas. Like the best Irish singer-songwriters Finny takes you back to those days and makes you re-live them with him. ‘Far Away’, ‘Night Train To Paris’, ‘Will Ya Marry Me’, ‘100 Bucks’ and ‘Back Home’ also come from those early days and ‘Unplugged’ is becoming a really nice overview of those early albums and it’s even better to hear a few songs that don’t get played anymore. This is the sort of album that will have you re-visiting your record collection to search out the original. I haven’t played The Mahones so much since I started listening to this one!! Next up is arguably their most famous song, ‘Celtic Pride’, and the one that introduced yours truly to The Mahones. The title track for the 1996 film of the same name about two Irish-American Boston Celtics basketball fans starring Dan Aykroyd and Damon Wayans. I remember watching the film and sitting by the telly with a pen and a bit of paper trying to catch the name of the band on the soundtrack! It’s commendable that Finny has recorded an album of mostly originals and also songs from across The Mahones songbook but ‘Hurt’, famously recorded by the legend Johnny Cash towards his final days, is one of the albums highlights here, Finny’s vocals fit superbly and the slow accordion easily nails the sound. Written by Trent Reznor of Nine Inch Nails he described the song as being “a track I wrote in my bedroom at a black moment” but it was Johnny’s amazing version that brought the song to the public’s attention. Another highlight is Simon Townshend of The Who providing acoustic guitar and harmony vocals on ‘Stars’ telling the sad tale of Irish poet and playwright Oscar Wilde. Convicted of “gross indecency” at a time when homosexuality was illegal, he was imprisoned and died in poverty in 1900 at the tragically early age of 46. One of The Mahones best more modern songs it has a chorus that is out of this world and would I am sure have Oscar looking down with grace and a twinkle in his eye. We are nearing the end and it’s clear Finny writes directly from the heart and on ‘Someone Saved Me’ it can sometimes feel like you’re sitting in on a private conversation. Finny has experienced much tragedy in the last few years which we won’t go into here but if music can save us (the listener) then it can also save them (the performer) too. The curtain call for the album is another in the same style ‘Never Let You Down’ featuring singer-songwriter  Sarah Harmer and her stunning voice is the perfect counterpoint to Finny’s. A slow burner of a song that slowly builds and builds and with the aid of tin-whistle and mandolin it’s the most Celtic sounding song on their last album Love + Death + Redemption from 2018.

So another release from the ever prolific Mahones and for me one of their best in recent years. Their is nothing here that most die-hard Mahones fans won’t have heard before but these new interpretations are worth getting as the often subtle and occasionally overt differences in the songs really make he songs sound fresh and even original. Their is plenty left in The Mahones cannon but this is probably the best imaginable way they could have celebrated thirty years on the road.

(Stream The Mahones Unplugged on the Soundcloud player below)

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THE GO-SET LIVE IN LONDON

Finally it sees the light of day! Four years ago in a dingy sweaty packed out basement in Brixton Aussie Celtic-Punk LEGENDS The Go-Set blasted us away. The footage has only just been uploaded so join us for nearly a hour of some of the best Celtic-Punk ever played!

Comrade X

Back in 2016 we got the call from who I cannot remember to ask if we could help out with a band on tour from Australia called The Go-Set. Now being MASSIVE fans it was a chance we could not refuse and we said “F*ck Aye” straight away. I got on the blower to my auld school pal John McCullagh (he of ‘Dance On Your Grave Mrs. Thatcher’) who had not long returned from a decade in Oz himself for the lovely streets of Rossington, northern England. He said aye and then it was a simple task of rounding up The Lagan and Matilda’s Scoundrels as other supports. Matilda’s were yet to hit the heights they were later to reach but even then I knew they were going to go on to bigger things. Not long before the night John pulled out so we roped in another London Celtic Punks favourite the one and only Comrade X to kick proceedings off. The build up to the gig was the same as ever. A friend recommended The Veg Bar in Tulse Hill, south London. Their had been regular Punk gigs there for ages and I had enjoyed a drunken night there that had passed with very little memory of the venue or bands! So the venue was booked. The basement of a vegan restaurant ten minute walk from the centre of Brixton. Flyers were done and handed out at various gigs and in the run up to this gig we hosted a smaller gig at the same venue with The Cundeez bagpipe Punk from Scotland and Black Water County. The attendance that night was OK but did not prepare me for the crowds that would flock to The Go-Set two weeks later on that warm September evening in 2016. To say it was packed would be an understatement. The sweat was dripping off the walls and the 1 (yes one) bog was doing overtime as crowds of Celtic-Rockers flew in and out to get some air. The bands were outstanding and contrary to what Darren of Flat Cap says i thought yer man doing the sound did an excellent job. CX, The Lagan and Matilda’s played great sets of course and then the rest of the night was documented by Darren stood on a chair at the back of the crowd. Does it even need to be said that the bar was drunk completely dry and that when we opened the back door leading to the street to let in some air the off-license next door did a raving trade! The footage has remained hidden for a few years till Darren got sick and tired of me cajoling him to release it no matter what the quality. So here it is in all it’s glory sit back and enjoy the fabulous The Go-Set.

FLAT CAP PRODUCTIONS

In 2016 The Go Set took there Celtic folk punk tunes to the UK, I was taken along for the ride to help out with merch and do a bit of filming. We ended up in Brixton at The Veg bar for this celler dweller of a show! It’s a bit booming to start but the sound guy got to grips with it so stick with it, it was a cracking night thanks to the guys at London Celtic Punks and the support, Matilda’s Scoundrals and The lagan. It’s early Flatcap so don’t judge us too much just soak in the sweaty atmosphere and enjoy The Go Set Live! Thanks for having us along Cheers

The full fifty minute set (Blimey it felt like a lot longer at the time!) and maybe the sound quality aint the best but this wasn’t yer typical venue so I think Darren did a great job considering. Anyway its a shitload better than our offering that has been up for the last couple of years here…

Check out Flat Cap Productions they do a fantastic all round job supporting live music in Australia. They run a printing service that is dirt cheap for bands as well as regular You Tube interviews and all sorts of other malarkey worthy of your suppport.

FLAT CAP PRODUCTIONS

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(more photos from the night are here on Facebook)

INTERVIEW WITH GARETH OLVER FROM THE AUSTRALIAN RADIO SHOW ‘THE CELTIC PUNKCAST’

We never shut the feck up about how brilliant Australian celtic-punk is so we are pleased as punch to present to you this interview with Gareth from the Celtic Punkcast radio show. He gives the lowdown on who the movers and shakers are over there, what its like living in the bush and a whole lot more.

“The best Celtic punk, Celtic rock & folk punk from around the world on this podcast”

Right we have always said that the Australian celtic-punk scene is the best in the world and that the bands in it are as well. When any idea how the celtic-punk scene started in Oz? Who were the first bands, the first concerts or festivals. Who from overseas made the biggest impact?  It’s a pretty good scene over here that’s for sure. We definitely have some world class acts here in Australia. When it comes to Celtic Punk I guess it’d be artists like Roaring Jack who got the scene going here, they were contemporaries of bands like The Pogues and The Men They Couldn’t Hang. There’s always been a strong folk and celtic scene here, bands such as Claymore who wouldn’t necessarily slot into that Celtic punk pigeonhole have been playing trad influenced music at places like the Port Fairy Folk Festival for years and they help introduce Celtic music to larger audiences. As for overseas bands that have made big impacts, obviously The Pogues were and still are really well known and popular and bands like the Dropkick Murphys are massive worldwide. The Murphys have had a couple of tunes used by the Australian Football League as well. Most people know Flogging Molly as well. In terms of influence, I’d say The Dubliners had just as bigger influence as anyone though, especially when it came to people staying in touch with their roots via music.

(We asked Gareth to pick the three best videos to represent Aussie celtic-punk and his first choice was ‘Riot On Race Day by Shambolics)

Who are the main players in the scene at the moment? Are you all missing The Rumjacks?  Oh yeah, we definitely are missing them! Honestly I didn’t realise how big The Rumjacks are outside of Australia. Probably after them would be The Go Set, The Ramshackle Army and even artists like The Dead Maggies do a great job holding down their part of the world. It’s been great to see some Oz bands get over to the states in recent years as well as over here too. In fact we see more of you then we do American bands!

The massive distances between cities in Australia must cause lots of problems for touring and networking but does this also mean that you have developed a certain sound or way for each area independent of each other?  Interesting question and one I probably don’t have the knowledge to answer. I think that social media and the internet in general makes networking so much easier. Anyone can find bands in any part of the world which is very cool. As for touring, I don’t really know, might have to ask Benny Mayhem about that one, he’s a Perth lad! Funny enough it was Benny himself who told me that when he was over in the summer!

You run a Celtic-punk radio show? Whats the deal behind that? How does it work? Give us an idiot proof way to listen to it.  Well the easiest way to listen is to subscribe to the podcast on iTunes or follow on Podbean. Most podcast catchers have it on there though. Podcasts are great because of the convenience of them, you can listen whenever and wherever you want. The other way to catch the show is the weekly show on Blues & Roots Radio, which is a fairly large online radio network. Putting together a one hour podcast/weekly radio show usually takes me a couple of hours, between getting music sorted, the actual recording, editing and post production. Once I’ve done all that the podcast gets uploaded which can take about 30 minutes to an hour depending on whether Podbean is being cooperative or not. The weekly radio show when it’s done gets sent to Stevie Conner, who’s the head of BRR in Toronto and he slots it into the schedule. My show is meant to merely be a showcase for the bands who make such great music and there was a bit of an opening for another Celtic punk podcast. There was already some awesome shows like Paddy Rock, Irish Power Hour and the Shite’n’Onions podcast, so if I could complement them I’d be stoked. 

How did you get into celtic-punk? Do you have Celtic ancestors. A hell of a lot of Aussies do so do they make up the bulk of your audience?  Like most people my age it was probably the Dropkick Murphys who were my gateway band to the genre. First song I heard was The Warriors Code on a compilation CD and it just pumped me right up. From there I discovered bands like Flogging Molly, Flatfoot 56, Blood Or Whiskey and The Tossers who are probably my favourite band. I do have Celtic ancestry, my family came to Australia from Kernow (Cornwall) and I also have Welsh in there too. My wife’s heritage is Irish and Scottish so my kids almost have the Celtic crescent covered! As for the audience, it’s really a mixed bag, some from Australia, a lot in North America and some from the UK & Europe. Anyone who wants to listen is more than welcome wherever they’re from.

You’re based in Victoria but is there much of an Irish community there? People say that the Irish diaspora is smaller but has there been a noticeable decline, especially with emigration from Ireland still at peak levels? It does seem to me that here in London the new arrivals are not interested in Irish music. They seem to be wealthier and emigrating for ‘fun’ and in their gaps year rather than to escape poverty like in the past.  I am a Victorian, I live on a property about 200km west of Melbourne, in the Grampians. Spectacular part of the world. Where I live has a population of between 350-500 people, so only a wee place. Some parts of the state like the south west you really notice the Irish influence, especially in towns like Koroit, Casterton and Killarney. Koroit and Killarney both have yearly Irish festivals. We still see a lot of Irish people come to Australia, but mainly backpackers or students. The Irish mates I have for the most part are fans of Celtic punk, and they all still have that appreciation for the trad stuff too which is cool. It’s when it comes to shite like Ed Sheeran I call them out!

Gareth’s back garden!

I would like to think so but does it follow that celtic-punk fans also listen to folk from the past or present?  Honestly, I reckon it depends on the individual. If they come from families that played that sort of music when they were growing up then they probably do, but perhaps people who were punk fans first may not necessarily listen to folk or trad. But if they don’t then I’d encourage them to give it a go, there’s some great bands out there playing folk and trad.

Which figures or bands do you think have been the important links between the past and the present and folk/celtic/traditional music and punk/rock music?  I think the standard answer would be The Pogues, who no doubt have been extremely influential on a number of bands, but I’d say you’d be looking at bands like The Dubliners, The Wolfe Tones etc who were the ones that bands like The Pogues were listening to. Even bands like The Clash that embraced different styles of music and had success with it. There’s probably plenty of unsung heroes as well, like the venues that gave some of the bands that become legends in the Celtic Punk scene starts when they were just beginning.

(Gareth’s second Aussie celt-punk BIG hitter is a new song from The Bottlers)

There’s always been a big debate about celtic-punk and whether or not it is cultural appropriation and politically correct for non-Irish bands singing about the Irish getting pissed and fighting and pubs and what have you. Personally I love it. The idea of the likes of Indonesian or Brazilian bands getting into The Dubliners and The Wolfe Tones after listening to the Dropkick Murphys. I mean its not like The Dubliners ever wrote a song about getting pissed is it? I think its just a case of snobbery but do you think it’s ok?  It doesn’t bother me too much at all, especially if it teaches people a bit about the history of the Celtic nations and Celtic people. It also helps keep the culture alive, if people from South America or Eastern Europe for example are inspired to take up the pipes or tin whistle after listening to the Murphys or Flogging Molly then that’s great. I get some people’s issues if all they see is the drink and fight stereotypes getting perpetuated or if it comes off like that faux Celtic Irish pub stuff that The Rumjacks described so perfectly but for me if people are respectful of the music and culture and they learn a thing or two then great. Honestly I’d love more people to know the Celtic history of my Cornish heritage, so if people dive in further and expand their knowledge how could that be a bad thing? Totally agree. The ideas behind ‘cultural appropriation is bad’ can be dangerous. That people cannot share cultures or even haircuts is absurd or maybe it’s just that we Celts have thicker skins?

Gareth with Jimmy from Shambolics

As we said many times we really love the Aussie take on celtic-punk. What do you think sets it apart from the celtic-punk of say the North America or Britain? It seems to have a very strong working class ethos and a Aussie slant that I can’t quite put my finger on but involves having fun and being serious at the same time, being full of mischief and after all any country that calls mates cunts and cunts mates is not half bad!  Interestingly enough I spoke a bit about this with Jimmy from the Shambolics not too long ago, he’s an Irishman who has lived in Australia for a long time and played in bush bands when he was living in rural areas. Australia has a long Celtic history, we the Celts were the ones brought out here after English colonisation and built the framework of what became Australia. They didn’t have the musical instruments from home, so they had to make do and create instruments like the bottle cap stick. They created a fusion of traditional style music with instruments created from necessity which became the bush bands that still survive in a small way today. The Australian way was we were a people who always kind of thumbed our nose at authority, enjoyed a laugh but would stand up for our mates and believed in the fair go. That spirit lives on in in the Celtic and folk punk music that comes out of this country. We as Australian people have had different experiences to people in North America and Europe and it shows in the music. When my wife was in Australia in her teens she said that she saw parliament on the TV and the MP’s were swearing at each other. That tells you what kind of place it is. My kind of place!

Celtic-punk nowadays. It seems to us that the scene over there is massive. There does seem to be more bands than before. Is this right is the scene bigger? If it is bigger has that made it more commercial/mainstream?  No I don’t think it has. Outside a couple of bands like the Dropkick Murphys and The Pogues you get blank responses to other bands. Outside the Celtic Punk scene in Australia a band like The Rumjacks are pretty well unheard of by the mainstream. Although I did hear a Go Set song on an ad the other night during the cricket so who knows?

the friendly neighbourhood wallaby

Who do you think are the best Australian bands and their best records? The ‘essential’ place to start in Aussie celtic-punk?  Well for me, I really like The Rumjacks, The Go Set, Shambolics, The Currency, The Bottlers, The Ramshackle Army, The Dead Maggies and Benny Mayhem. If people were looking for some Australian Celtic Punk albums I’d start with the Rumjacks debut ‘Gangs Of New Holland’, man that is a fecking fantastic album. Also, ‘Rising’ by The Go Set, ‘Riot On Raceday’ by The Shambolics and the new album from The Bottlers. My three year old daughter also told me to mention the Pogue Mahone album by the Shambos too, she has a meltdown if that CD gets changed in the car!

Any Aussie links you would recommend?  Honestly the best thing to do would be to check out the websites, twitter feeds and Facebook pages of some of the bands. The Triple J Unearthed site also has some good unsigned artists, just search for Celtic Punk on there and discover something new.

(Gareth’s third video this time from The Go Set who have darkened these shores many a time and each time with a growing fan base)

We are just about to publish our Best Of list for 2017 so what were your favourite releases of the year? Any you looking forward to in the coming months?  Man last year was a great year for albums in these genres, any year you have new albums from most of the big guns like the Dropkick Murphys, Flogging Molly, The Tossers, The Real Mackenzies, Flatfoot 56 etc is a bloody good year, but my  favourite release for 2017 was ‘In It For Life’ by Black Anemone. That was a kick arse album. Loved the new Tossers album as well as the ones released by The Kilmaine Saints, The Peelers, Matilda’s Scoundrels, Craic, Dreadnoughts and The Bottlers. The new Real McKenzies album was great too. For 2018 I’m looking forward to the new album from 1916 and the new stuff The Mahones are releasing. Four new albums this year apparently! Yeah plenty of bands there that feature in our Best Of 2017. Stay tuned!

Thanks for taking time out of your schedule so all that’s left is for you to plug plug plug the Radio show and is there anything else you want to add or anyone you want to thank? Been my pleasure chatting to you guys, thanks for your support of the show, I really appreciate it. So subscribe to the podcast on iTunes and leave a review or hit me up on Twitter, Facebook or email me. Check out the schedule on Blues And Roots Radio as well to see the weekly shows schedule. I’d love to thank anyone who’s listened, chatted, shared the show and supported it, especially the bands who’ve supported the show as well as Stevie, Annie and Neil from BRR for giving the show a bigger audience and of course London Celtic Punks, Waldo from the Celtic & Folk Punk blog, the Mersey Celtic Punks, shout out to big fans Peter, Erin and Jennie and to anyone I’ve forgotten sorry. Oh and of course my wife and two girls. Can’t forget them.

You can listen to the latest January edition of the Celtic Punkcast at the link below. Simply cli for just over an hour of the best Celtic-Punk of the past and the present.

To find previous editions visit the web-site click the link

CELTIC PUNKCAST

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If you as interested as I am in Australian celtic-punk then two sites worth checking out on Facebook are Aussie Celtic Punks and Australian Folk Punk Scene.

EP REVIEW: THE DEAD MAGGIES- ‘Wild Dogs And Flannies’ (2017)

The Dead Maggies are a folkpunk band from Tasmania. 

Hear tragic tales set to a lively toe-tapping hoedown of music that will make you dance, yell and folk till you punk.

Now here’s another chance for me to wax lyrical about the quality of of music coming down to us from the heights of the Australian celtic/folk-punk scene. Regular readers know my views but it doesn’t hurt to reiterate them again every now and then so here we go. The best music in the world comes from the Australian celtic-punk scene of that there is no doubt. We have been fortunate enough in London to have hosted The Dead Maggies before and fellow Aussies The Rumjacks and The Go-Set have blazed their paths through London several times each leaving behind a ever growing army of fans each time they play.

They formed in Hobart on the day of Margaret Thatcher’s death when a bunch of punk and folk musicians were celebrating and started jamming songs accompanied by plenty of home brew. It wasn’t long after that they were up on stage playing with some of the biggest names in Australian celtic-punk. This EP is the third release from The Maggies and follows in the footsteps of their amazing debut mini-album The Dead Maggies Sing About Dead People.

Released in April, 2014 it’s a fantastic way to begin with seven original songs/stories that tell the tale of Tasmania in a way that not many bands could do. Tragic tales set to a toe-tapping lively folk punk hoedown. The above is a link to the re-issue that is the same except with added fiddle. After this release they toured Europe including a week long tour here that took them as far north as Scotland and as south as London where they fair set the TChances stage alight with a set that had the sweat dripping off the walls! They followed this up with their debut full  length album Well Hanged in November, 2015. We ranted and raved about this LP and it even mad #7 in the 2015 London Celtic Punks Album Of The Year (here). We ended that review with these words that are worth repeating

“Twelve tracks that explore the lives, battles, deaths and loves of ordinary people. The people whose history is being written out of the books. The history children don’t learn at school. History that is an embarrassment to the people who rule us and who are scared stiff of the inspiration it could once again provide to the ancestors of the original folk these stories are written about. Music to dance to, love to, cry to and rejoice. The Dead Maggies provide all this in spades and by telling of the dark and oppressive past of Tasmania that history will never leave us. Bands like this should be an inspiration to us all in the celtic-punk scene. Story telling is at the very core of our music. We have a glorious past and if indeed our music has any connection to the past we are forced to retell it in song. Thanks to The Dead Maggies for doing that and doing it so well”

So then what they got to offer in 2017? Well the year started with discussions about a Dead Maggies follow up tour of England which is now definitely happening people (but more on that later!). So with the band busier than ever and looking forward to the rain they released Wild Dogs And Flannies last week on Tassie record label Folk ‘Til Ya Punk Records.

It would seem on Wild Dogs And Flannies they have taken a break from tales of convicts and bushrangers and given us five tracks that deal in the here and now. The EP begins with ‘When I Die’ and its heavy stuff but put to a great ‘cow-punk’ back beat. Starting off slowly before the band kick in and give it us in spades. The subject of assisted suicide is not yer typical celtic-punk fare but that’s exactly why the Aussie scene is so well loved by us all. Never afraid to take on serious subjects or open their hearts. They follow this up with another serious subject dealing with domestic violence on ‘She’. Released last November with all proceeds from the song going to Tassie group SHE (Support, Help, Empowerment).

“One day will come liberty
But for my children, I would die to be free”

I love The Dead Maggies for their raucousness and unabashed celebration of dark things and here they show they can still put out a tune that makes you think. Show your support for SHE by downloading this song here for just one Aussie dollar.

They keep up the serious theme of the EP with ‘Goodbye Gondwanaland’ a slow acoustic number telling of the dangers of the coming (or has it already arrived?) environmental disaster. A beautiful song again designed to make you think and given that GTMongrel has one of the most distinctive voices you will hear in any genre its an emotional song given that added depth by his wonderful vocals. Gondwanaland was one of the two ancient super continents from about 200 million years ago. ‘Wild Dogs And Foxes’ is classic Maggies beginning with acoustic guitar and fiddle before the tempo shifts and we are back in  the celtic-hoe down territory that we love. The curtain comes down and they finish with a flourish and a light hearted fast paced track ‘All My Flannies Are Broken’ with the whole band having a go at vocals. A flannie is a Aussie term for them tartan button up long sleeve flannelette shirts. A lovely ditto about getting them ripped in the moshpit. A superb end to proceedings.

So there you have it. Another masterpiece from The Dead Maggies. Five songs that stretch what they do in every direction possible. This is a band that can really make you think and while that is not always what you want (lets face it music is an escape from the trials and tribulations of life) you could always instead switch off your brain and just enjoy the excellent music!

The Dead Maggies deserve to be massive and while they are half way there in Australia you will get a chance to check them out on these shores this summer. The dates of the tour are yet to be finalised but they are booked to play at Outcider festival on Sunday 6th August and Boomtown on Saturday the 12th. The inbetween bits are being sorted now and in there will be dates in London and Kingston (provisional dates are Thursday 10th and Friday 11th) so if you want to be kept up to date check out the London Celtic Punks Facebook page and subscribe to our Events here and we will see you at the bar!

Get Wild Dogs And Flannies

FolkTilYouPunkRecords

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Since we last reviewed The Dead Maggies there has been an explosion in Aussie sites concentrating on Celtic/folk-punk. Well two anyway. So if you absolutely obsessed with the Australian scene like me do yourself a favour and head over there now.

Aussie Celtic Punk’s and Australian Folk Punk Scene

You can find a host of other amazing Australian bands on the ‘Folk ’Til Ya Punk Records’ web site which has some of the best Australian folk punk, folk, punk, folk rock, celtic punk, gypsy and bluegrass artists around on its roster so well worth supporting.

EP REVIEW: HANDSOME YOUNG STRANGERS- ‘Battle Of Broken Hill’ (2016)

From backyard barbie to the biggest stages in Australia, Handsome Young Strangers play 100% colonial bush folk-punk !

bobh-cover

It’s an absolute pleasure to pretty much see out 2016 at pretty much where we came in, raving about Australian celtic-punk bands! It’s been another outstanding year for the Aussies with both The Rumjacks and The Go-Set continuing to tour like crazy all over the world leaving nothing but good wishes and lot’s of new fans in their wake. Well hopefully we can soon add Handsome Young Strangers to that list as it would be criminal plain wrong to not tour this, especially in London! Now Handsome Young Strangers are not a new band they actually formed way back in 2004 as a sort of loose collective and it wasn’t until 2007 they recorded for the first time, the Shane Warne EP in honour of the hard drinking and hard living Aussie cricketer. This was followed by another EP, Melbourne Town, in 2009 and in 2011 their debut album Here’s The Thunder Lads! hit the streets and the following year another EP, Thunderbolt, was their last release till now. They could quite rightly consider themselves some sort of super group given the amount of talent in their ranks including past and present members of, among others: Sydney City Trash, The Rumjacks, Roaring Jack and The Bottlers.
hys-band

Handsome Young Strangers L-R:  Drizabone D: Vocals, Mandola * Adam Young: Vocals, Guitars * Looch: Drums * Browny: Acoustic Guitar * Jim Mongrel: Bass * Mark ‘Na-Na’ Hyland: Vocals, Guitars Adam Kenny (currently on tour with the Rumjacks): Bazouki

The EP begins with the raging self-penned number ‘The Battle Of Broken Hill’ and it tells a very strange story indeed. As with most Aussie bands they dig deep into their countries rich and tragic history and come up with a real belter of a song that shows that the modern scourge of religion based terror attacks are not a new thing. Over 100 years ago at Broken Hill in New South Wales two Muslim men supposedly working for the Ottaman Empire opened fire on a train full of tourists. In the ensuing gun battle and subsequent siege four people were murdered and the killers themselves were shot down in a final dramatic shoot out. The Go-Set’s Lachlan McSwain guests on bagpipes and the song sounds not unlike the Rumjacks most folkier songs. A real thigh slapper and more than a touch of country’n’western all over this great opener.

I couldn’t figure how to group the songs together so though this would be the best way so read about the song and then play the song. Simple. Next up is ‘Mrs Jones’ a song written by one time Handsome Young Stranger Andrew ‘Fredo’ Donkin who sings vocals on the song. More of a rocky number with the folk instruments pushed to the back but still there. A nice bit of Hammond organ too, ably played by Michael Carpenter, who mastered the EP. A real catchy chorus here.


Now it don’t take a genius to suss out what ‘Poor Ned’ is about. I was brought up on folk stories about the great Ned Kelly. Being the son of Tipperary this Aussie outlaw featured quite high in my bedtime stories of him taking on the British army while helping the poor and needy and fighting back against anti-Catholic and anti-Irish discrimination rampant in the colony. If ever their was a symbol of Australian celtic-punk than itn is Ned Kelly.

“You know they took Ned Kelly
And they hung him in the Melbourne gaol
He fought so very bravely
Dressed in iron mail
And no man single-handed
Can hope to break the bars
It’s a thousand like Ned Kelly
Who’ll hoist the flag of stars”

Written by Trevor Lucas it was first recorded by Fothringay and released as a single and was used as title track of the Tony Richardson film Ned Kelly starring Mick Jagger. Also performed by Fairport Convention (here) and Adelaide 1970’s folk-punk band Red Gum (here) Handsome Young Strangers give it a real blast through. A really good version with the Strangers stamp all the way through.


The longest song on the EP follows with ‘I, Argonaut’ clocking in at over six minutes. Another self -penned number written by DrizoBone D it’s the slowest song on the EP though that doesn’t matter much in the world of celtic-punk.


‘Maxine’ follows and is a unusual cover of the New Zealand born singer-songwriter Sharon O’Neill (here) smash hit in Australia and NZ from 1983. The song tells the sad story of a prostitute in Kings Cross, the red light area of Sydney.

“Maxine, you’re not the only one
To take the whole world on
But no one’s ever won
Maxine, Case 1352
A red and green tattoo
Eyes cold steel blue”

Well done to the Bhoys for choosing such an unusual song and certainly not one I ever heard before. It’s played as a straight up rock number and fits in perfectly with the EP.

The EP ends with ‘Fisherman’s Blues’ and what exactly can you say about one of the most popular and recogniseable celtic songs ever written. The Waterboys track became a ‘classic’ a long long time ago and I’m sure has kept Mike Scott plenty warm in clover over the years. Here the Strangers keep pretty much to the blueprint but again add just enough to make it their own. Superb fiddle here which adds a touch of country to the celtic.

The Battle Of Broken Hill is the fourth release from the simply amazing Tasmanian record label ‘Folk ‘Til Ya Punk’ and is available in physical and digital formats as well as iTunes but before you give your hard earned to those tax dodging bastards please check out the record label’s store. They are wholly independent and I daresay run on a shoestring, but nobody is doing more at the moment to promote new music within the celtic-folk punk scene.  A real labour of love!. Folk ‘Til Ya Punk will be going on to release their new album in early 2017 and I truly cannot wait to hear it.

Australiana (I love that word!) bushpunk stalwarts Handsome Young Strangers are an institution in the Sydney folk-punk scene and deservedly so too. Here they have delivered a quality EP of almost half an hour of great Aussie music. Seriously I’ve been reviwing LP’s all year with smaller running times than that! Six songs, three of their own and three well chosen and polished covers. It won’t surprise anyone to hear I loved this and that I’m sure anyone with the smallest appreciation for any of the bands mentioned will as well.

Buy The EP  FolkTil’YaPunk  iTunes

Contact The Band  Facebook  MySpace(!!)  Soundcloud

Folk Til ‘Ya Punk Records: Our roster contains what we some amazing and upcoming Australian folk-punk, folk, punk, folk-rock, celtic punk, gypsy and bluegrass artists. WebSite  Facebook

SINGLE REVIEW: THE RAMSHACKLE ARMY- ‘Foreign Soil’ (2106)

The new release from The Ramshackle Army proves again the high quality of Aussie celtic-punk. Influenced by the punk they grew up with, the Celtic traditions of their families history and the colonial heritage of Australia the band come up trumps again.

ramshackle

With The Rumjacks just landing back home in Australia after a God alone knows how many months European tour which saw them ship up in London twice and The Go-Set set to follow them into town a week today Australian celtic-punk is spreading across the globe like cane-toads (remember The Simpsons versus Australia?). Anyhow last Wednesday saw the first new release from The Ramshackle Army since their early 2014 album Letters From The Road Less Travelled hit the shops to great applause and its another belter.

ramshackle3

The Ramshackle Army began plying their trade in the pubs and bars of their home town Melbourne before making the leap to a wider Australian punk and celtic-punk audience and then they were handpicked by The Dropkick Murphys themselves to support them on their 2011 Australian tour. After this the Murphys asked the Army to join them for their 2012 St Patricks Tour of the USA. So in March they embarked on their first tour of the US playing a handful of warm up shows with some of the best American celtic-punk bands going before joining the Murphys for a run of shows which ended with the massive 6,000 Tsongas Arena on St Patrick’s Day. Their adventures in America ended with the Ramshackle Army headlining the Guinness stage at the Shamrock Fest in Washington before 15,000 eager celtic-punk fans.

ramshackle2In 2014 the band joined the prestigious independent record company East Grand and released Life Lessons And Drunken Sessions following it up with their first full length release Letters From The Road Less Travelled. In 2015 and with the band on the verge of world domination they were hampered by line up changes but ended the year in the USA again in September and October of 2015, playing California’s Get Shamrocked festival and going on to join scene legends The Tossers for their Halfway To St Patricks Day tour. This year has seen them playing across Australia and seen their welcome return to the studio with the new EP Whitewashed Grave set for release later in the year.

ramshackle-1As with all their previous recordings Foreign Soil is heavily influenced by the story-telling style in the old folk tradition but comes wrapped up with a boatload of high energy punk rock that does the sometimes impossible act of transferring the live energy of an Ramshackle Army live gig onto disc. So after just six years and countless shows across two continents The Ramshackle Army are back and for just a lousy American dollar (that’s only about 75p or 89c!) you can own their new single and give the bhoys and ghirl a hand up in taking over the world!

In search of solace land of hopes and dreams was sought.
In waters treacherous and in storms that we were caught,
A 9 to 5 with pride and life for sons and daughters.Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.Whoah oh oh whoah oh oh, When will you heed my plea.
Whoah oh oh whoah oh oh, Will someone rescue me
Whoah oh oh whoah oh oh, I’ll never ask for more than peace on foreign shore.Imprisoned by our plight and desperate acts faith,
They enter battles in our name and battle cry our pain,
Just keep me sane and welcome my escape.Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.

Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh

Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.

Whoah oh oh whoah oh oh, When will you heed my plea.
Whoah oh oh whoah oh oh, Will someone rescue me
Whoah oh oh whoah oh oh, I’ll never ask for more than peace on foreign shore.

When will you heed my plea
Will someone rescue me
I’ll never ask for more than peace on foreign…

Buy The Single

FromTheBand (for a buck!)

Contact The Band

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go-set

If you fancy a spot of live Australian celtic-punk then you are in luck! Fellow Melbourne celtic-punkers The Go-Set sail into London town a week today Friday 30th September at The Veg Bar in South London. Playing alongside London Irish favourites The Lagan and Hastings folk-punkers Matilda’s Scoundrels, fresh from supporting The Levellers last week. Kicking off the night is internet sensation (look up ‘I’ll Dance On Your Grave Mrs. Thatcher’) John McCullagh who may, or may not, be joined on the night by some extra special guests from South London’s favourite band Alabama 3. It’s an expensive business touring from Oz so tickets are £8 and available from WeGotTickets. You can keep up with the gig at the Facebook event here. The rest of the tour takes in Brighton 29th September, Derby 1st October and Leicester 2nd. Details from their Facebook page here.

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

2015 REVIEWS ROUND UP PART THREE- THE CHERRY COKE$, SMZB, THE GO SET, LEXINGTON FIELD, MICKEY RICKSHAW

2015 has been another exciting year for celtic-punk releases but sadly we haven’t had a chance to review everything we received or heard so here’s the last of our ‘Round-Up’s’ catching up with some of of the more obscure records we missed first time round as well as a couple of the scene’s major celtic-punk hitters. These releases prove that celtic-punk has gone global!

THE CHERRY COKE$- ‘Self Titled’

Cherry Coke$Now The Cherry Coke$ won’t win any awards for Best Name but when it comes to celtic-punk then that is more than possible. Formed in 1999 in Tokyo in Japan they play extremely tight and fast traditional Irish music. Absolutely huge at home, they regularly appear on TV, and this is their ninth release since forming. I have only heard two of their previous records but I can tell you that this self titled album is at least as good as what I have heard before. As mentioned they are tight and powerful and as clear an example of what James Stephens said back in the 1840’s that “it is not blood that makes you Irish but a willingness to be part of the Irish nation”. Easily as good as anything in celtic-punk this is proper party music and a perfect example of what the album has in store is the opening track ‘Rise Again’ for which they and Japan MTV produced this great video.

Ten songs coming in just shy of forty-five minutes so the songs gets plenty of time to develop and like all the best bands in celtic-punk they know how to play a ballad or a traditional folk number as well as punk it up to the high hills! The quality of the playing is amazing, especially the folk instruments. To be put in the same bracket as Flogging Molly but having grown up in different continents its hard to say who is following who here. Absolutely brilliant and well worth checking them out. Couldn’t find a link for you to buy the album but have a look round and see if you can.

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SMZB- ‘A Letter From China’  (BUY)

SMZBNow for something well out of ours (and yours too no doubt) comfort zone. Its one thing to review a Japanese band in The Cherry Coke$ but they been around for years and most celtic-punk ‘knowitalls’ would have heard of them but SMZB are the real underground celtic-punk band… from China. Yes China and they have been playing punk rock since 1996. Their lyrics and music are not appreciated much by the Chinese authorities so three of their albums have been banned. They toured Europe in 2005 and around this time took the decision to move away from their original raw sound of early British punk, ska and ’80s hardcore and add bagpipes, flutes and fiddles to their sound. How or why they decided this is unknown as the internet don’t have an awful lot on them. They have though received plaudits galore from the various celtic-punk sites and sounding like a combination of The Pogues, the Murphy’s and Rancid they have gone on to be absolutely huge in their native country. Previous releases include a split LP with celtic-punk legends The Greenland Whalefishers. A Letter From China makes the bands intentions clear. The cover features a red tank with the caption ‘1989-2014 25th Anniversary’ as well as their rather interesting band logo (have another look!!) Its basically well played melodic punk sung partly in English but with bagpipes chucked into the mix. Its all very very catchy and opener ‘A Song for Chen Huaimen’ seems to be about the singers grandfather where he compares himself to a Chinese fighter pilot who fought against the Japanese. Fourteen songs in just under a hour and some real beauties especially in ‘Smash His Statue’ SMZB hit the real celtic-punk highlights and its songs like this that get them into trouble and long may they rebel! There’s an oldish interview with Wu Wei from SMZB here from The Guardian in England

LastFM    DeadlambRecords  MySpace  GenjingRecords

THE GO SET- ‘Rolling Sound’  (BUY)

The Go SetIf there was an award for most hard working on the other hand then I think it is The Go Set who would deserve it. Yeah I know The Mahones never stop touring but for an independent DIY band to be able to finance themselves to be able to tour quite as much as The Go Set do is quite an amazing achievement. This year not only did they play a pretty long tour of the USA but they also made in over here to Europe including Blighty to play a few gigs around the big Rebellion punk festival. Formed in 2003 in Melbourne in Australia we have long been big fans of the Aussie celtic-punk scene and The Go Set are one of the biggest and best bands among them. With a bunch of first rate and critically acclaimed albums The Go Set released seventh album Rolling Sound to a helluva lot of expectation and it didn’t disappoint at all. The album begins with a bagpipe dirge that grows in sound before exploding into ‘Bones’

which has all the trademarks of The Go Set’s fantastic sound. Justin’s clear and distinctive Aussie accented vocals atop of catchy tuneful punk rock accompanied by great bagpiping and mandolin from Lachlan and Ben. Politics is never too far away and the lyrics deal with the social and political plights of the working classes, speaking out both for them and with them. The music doesn’t stand still for a second but the boys spread their wings beyond celtic-punk and as is the way for a typical Go Set album it’s their slower stuff I actually prefer more than their full on punk. Stand out punky tracks include the title song, ‘Bones’, ‘The Struggle And The Fight’ but its the working class celtic ballad ‘In The Streets’ that gets me. Yet another blinder from The Go Set and further cements their place as one of the best bands in the celtic-punk scene.

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LEXINGTON FIELD- ‘Greenwood’  (BUY)

Lexington Field

Lexington Field formed in 2009 in San Diego, CA and Greenwood is the bands fourth album so they have been pretty prolific in their short existence. They describe themselves as ‘Fiddle Rock’ and while it is true that the fiddle does loom large in Lexington Fields sound it by no means dominates and when its quite hard to pigeonhole a band then it makes sense to invent your own genre! Having followed the band since their early days I am again happy to say that Greenwood has hit the spot nicely. Thirteen tracks and forty minutes gives the songs plenty of time to develop and Beau’s great vocals and lyrics stand out as usual giving Lexington Field that extra bit more. Their has been a fair amount of personnel change in the last couple of years but finally the band are settled down and Greenwood is the result. The more celtic-punk days are behind them and Lexington Field are another band who have spread beyond the genre while at the same time keeping one foot firmly in place. The album starts with the furious ‘Ghostwriter’ and the rest of Greenwood keeps up the place with ‘The Hitchhiker’s Guide Out of Suburbia’ following.

The catchy, fist in the air music coupled with the dark lyrics is sometimes at odds with the almost jolly sometimes music. The fiddle and the banjo keep them in folk-punk land and they are signed to folk-punk friendly East Grand Records who have no end of great bands on their roster, including more than a couple excellent celtic-punk bands. From the pounding and metalesque ‘Target Rich Environment’ to the slow punk rock ballad ‘Calarity Jane’ this is a fantastic album and Beau further shows his talents as one of the best lyricist’s in celtic-punk.

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East Grand Records

MICKEY RICKSHAW- ‘No Heaven For Heroes’  (BUY)

Well well well we all know The Dropkick Murphys can’t go on for ever and with Boston’s place secured in celtic-punk folklore who then will take on their mantle when they have gone? Well fellow Bostonians Mickey Rickshaw are up for the job. A team of young fired up blue collar Irish Americans in touch with both their working class American lives and their roots back in the auld country. With Boston’s massive Irish population as well as its place in the history of punk then traditional celtic folk and punk rock aggression equals the 100% perfect sound for the Boston Irish and if the Murphys invented celtic punk post Pogues then its bands like Mickey Rickshaw that will carry for the flame for the next generation. The EP ’16 Down and Back Again’ came out in 2013 but it has been No Heaven For Heroes that has seen their name explode onto the celtic-punk scene with universal great reviews and plaudits heaped upon them from all corners of the globe. The first of the album’s twelve tracks starts with an eastern European flavour before ‘Sapphire Hills’ hits you in the jaw. The album flows mercilessly at at breakneck speed with no let up and the few times you think a ballad is on its way you are resoundly proved wrong!

‘Sapphire Hills’ is an early standout as is ‘I’m Sorry Mrs Mahoney’ but after a few listens you begin to realise that the whole album is one big standout. The album takes in some nice touches of ska as well as hardcore and will leave you out of breath and ready to swop all your Dropkick t-shirts for Mickey Rickshaw ones. Unbelievably the album is available to download for just a single dollar so get on there as quick as you can and make haste to get it into your earholes! LONG LIVE BOSTON CELTIC-PUNK!!!!

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So ends Part 3 and again apologies to all the bands that we weren’t able to give each album the full London Celtic Punks treatment but was just not possible with time on our backs. If you missed Parts One and Two check them out (Part One here and Part Two here)but if you don’t want to miss any of our posts in future then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2014!

TOP TWENTY CELTIC PUNK ALBUMS OF 2014

Last year our ‘Best Of’ list was completely dominated by bands from these shores but this time there’s a much more international flavour to 2014’s Best Album’s list. Again Irish influenced bands dominate but the absolute standout album for me was without a doubt Uncle Bard And The Dirty Bastards from Italy who nailed their fusion of punk rock and traditional music completely. With their own roots and influences included along with some amazing uilleann piping they are deserved winners of the Best Album spot. Kitchen Implosion join them in what has been a great year for Italian bands. Sure not all of these twenty bands are celtic-punk in the dictionary definition of the phrase but sod that anyway. These are what we liked and they all fit in in some way. Twenty bands from thirteen countries (Italy, England, Sweden, Brittany, Canada, Ireland, USA, Australia, Brazil, Catalonia, Germany, Switzerland and Belguim) which only goes to show the international appeal of the celtic-punk scene these days. A special mention for London Irish band Creeds Cross superb debut album. Only just caught them live and they were awesome so hoping to see much more of them around town in 2015.
As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review.
We compiled the ‘Best Of’ lists together from the scraps of paper handed to me by the various admins from the London Celtic Punks facebook page.
1. UNCLE BARD AND THE DIRTY BASTARDS- ‘Get The Folk Out!’ (here)
2. CREEDS CROSS- ‘Gods And Fighting Men (here)
3. ROVERS AHEAD- Always The Sinner, Never The Saint (here)
4. LES RAMONEURS DE MENHIRS- Tan Ar Bobl (here)
5. THE MAHONES- The Hunger And The Fight
6. BLOOD OR WHISKEY- Tell The Truth And Shame The Devil (here)
7. THE ROUGHNECK RIOT- Out Of Anger
8. BASTARD BEARDED IRISHMEN- Rise Of The Bastard (here)
9. JAY WARS- Carry Me Home (here)
10. THE RAMSHACKLE ARMY- Letters from the Road Less Travelled
11. 6’10- The Humble Beginnings Of A Rovin’ Soul (here)
12. LUGH- Quando Os Canecos Batem (here)
13. SIGELPA- TerraMorte (here)
14. KITCHEN IMPLOSION- Pretty Work Brave Boys! (here)
15. THE KILKENNY KNIGHTS- Bradys Pub Tales (here)
16. BEYOND THE FIELDS- The Falcon Lives (here)
17. THE YOUNG DUBLINERS- ‘Nine (here)
18. KELTIKON- Agenbite Of Inwit (here)
19. FM 359- Truth, Love And Liberty (here)
20. THE BLACK TARTAN CLAN – Scotland in Our Hearts
a special special mention for three absolutely brilliant compilation albums too. Can’t really include them in the Best of charts so heres all three in no particular order at all as they are all 11 out of 10!
a class album with 4 songs per band and an absolutely beautifully put together record. THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS 4-WAY SPLIT DOUBLE ALBUM- ‘Welcome To The Folk Punk Show’ (2014)  here
a mostly Russian compilation paying tribute to all (lets just face it they are!) our favourite celtic-punk band- ‘Ex-USSR Tribute To The Dropkick Murphys’ (2014)  here
this ought to be the number one album of the year to be honest. a fecking amazing compilation of Indonesian celtic-punk bands.the quality is amazing throughout.absolutely stunning. I cannot recommend enough!! ‘Wind From The Foreign Land- Indonesian Celtic-Punk Compilation’ (2014)  here

TOP FIVE CELTIC PUNK EP’S OF 2015

No question which EP deserved this and Russia’s Middle Class Bastards just blasted us away with their follow up to their 2013 album. Superb use of bagpipes and brass instruments combined with fast but tuneful punk rock. A bit unfortunate for Black Water County who looked nailed on to win this for most of the year with their fantastic 2nd EP. The Breton band The Maggie Whackers released their EP back at the start of the year while The South Sea Ramblers from South Africa literally released theirs just a couple of weeks ago while LQR from Holland slipped theirs out in time for St Patricks Day… ooh err missus! So spread out across the year but these are the ones that left their mark. Looking forward to hearing more from them all and long players must be arriving soon I hope.
1. MIDDLE CLASS BASTARD- Rebel To The Core (here)
2. BLACK WATER COUNTY- Fellowship Of the Craic (here)
3. THE MAGGIE WHACKERS- Naoned Whisky (here)
4. LQR- A Touch Of Liquor (here)
5. SOUTH SHORE RAMBLERS- Bare Knuckle Blackout

TOP FIVE TRAD ALBUMS OF 2014

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved them all to bits. Hard to decide which order they should go in but this is how we ended up. Turned out to be an all Irish list with I DRAW SLOW from Dublin with beautiful alternative country sounds and both Cork’s THE BUACHAILLS and London’s THE CRAICHEADS going head to head with both bands playing similar styles of music while Irish-American supergroup THE ALT’s debut album was a worthy runner-up to fellow Irish-Americans RUNA’s brillliant fourth album.
1. RUNA- Current Affairs (here)
2. THE ALT- ‘The Alt (here)
3. THE CRAICHEADS- Brewed in London (here) 
3. THE BUACHAILLS- At Your Call (here)
5. I DRAW SLOW- ‘WhiteWave Chapel (here)

BEST CELTIC PUNK WEB-SITE OF 2014

Celtic Folk Punk And More Blogonce again there is no question who gets this
CELTIC FOLK PUNK AND MORE
 keeping the whole wide world up to date with what’s going on and who is doing who within celtic punk (and more!) while also supplying us with regular free downloads and free compilations. Waldo you’re great. Keep it up mate!

BEST GIGS

Apart from the ones we put on which were all amazing and showcased some amazing performances from JAY WARS and THE DEAD MAGGIES from Aus, THE GREENLAND WHALEFISHERS from Norway, a couple of benefit gigs for Mad Dog out The Popes (hope youre back on your guitar highkicking soon pal!), BLACK WATER COUNTY played their London debut and went down a fecking storm, me O’s mates STEVE WHITE AND THE PROTEST FAMILY were as superb as ever and released a fantastic album. One of the major highlights was discovering the quintessential London Celtic Punk in ANTO MORRA and we look forward to working with him again in the future. We teamed up with fellow Londoners of Urbankelt and will be doing so again too.

I also saw DAVID ROVICS for the first time, THE MEN THEY COULDN’T HANG’s amazing 30th anniversary show was incredible, NECK and their sadly ended residency at TChances which had us all pissed on Polish lager on Sunday afternoons for the first 6 months of the year, FLOGGING MOLLY in Reading in June which showed they havent lost a thing and are as great as ever, THE POGUE TRADERS were the best Pogues tribute band I ever seen. Disappointing was missing so many gigs where I just didnt have the cash especially The Pogues various outings. THE STANFIELDS from Canada seemed like a decent bunch of lads but their London gig was a total rip-off. The pre-gig ticket price was £7-50 which more than doubled to £15 on the door on the night. Oi bands watch out for charlaten promoters won’t you? Rebellion music fest brings loads of decent bands over to play but that means that they all end up playing in the same week so I had to forgo THE GO-SET’s return to London. Missed out on THE WOLFE TONES London gigs too due to work. All three of them! THE LAGAN have been brilliant. Far far too many of their gigs to go into detail so we have choosen the whole of St Patricks Weekend as our Number One! With NECK playing three gigs over the weekend and both THE BIBLE CODE SUNDAYS and THE LAGAN playing on the same day as well it seen a clean sweep of all the London bands done. Afterwards sick days were phoned in, headache pills were taken and the best St Patricks in donkeys was had.
Now were just looking forward to catching THE DROPKICK MURPHYS ‘Celtic Invasion ‘ Tour in Dublin and London this year round St Patricks Day.
Sláinte, The London Celtic Punks Crew- 2015
 London Celtic Punks
Of course all these things are very subjective so don’t be dismayed if your album ain’t here. What appeals to one don’t neccessarily appeal to another. It would be impossible to keep up with the multitude of celtic-punk related releases so these are the best of of what we actually did get to hear. All the various sites in the celtic-punk family had different winners so to see what they thought check out the Best Of lists of the following sites…
click on the blog logo at the top of the page to find more of this kind of stuff…
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