Tag Archives: The Gobshites

ALBUM REVIEW: THE GOBSHITES- ‘All The Best’ (2017)

The Only Folk’n’Irish Band That Matters!

 

The Gobshites hail from Foxboro in Massachusetts which is about 22 miles south of Boston and is part of the Greater Boston area making them part of celtic-punk folklore. Let’s face it everything Boston is worshipped in the scene and The Gobshites have certainly played their part in making Boston so. We have waxed lyrical about Boston before when we have reviewed albums form the Dropkick Murphys and Mickey Rickshaw but the story of Irish migration to the Boston area begins with those who were brought over unwillingly as indentured servants in the mid-17th Century.  The first real migration of the Irish began in 1718 with the arrival of the Scot-Irish or the ‘Ulster Irish’. The Irish continued to arrive throughout with the slow pre-‘famine’ trickle of the 1820’s onward of Irish Catholic immigrants as well as the corresponding increase in anti-Irish/Catholic sentiment within Boston beginning with the notorious Pope’s Day celebrations and the burning of the Ursuline Convent in 1834 in Charlestown and the Broad Street Riot of 1837. Finally the massive wave of immigration into Boston after the so-called ‘Famine’ and the rise of the Irish from poverty and discrimination into their assimilation into Boston culture. Mind you, The Gobshites ignore all that and sing about boozing it up!

Way back inn 2002 Irish-American punk rocker Pete Walsh, then the lead singer and rhythm guitar player for punk band Meat Depressed, decided he wanted to start up an Irish band and within less than a month later The Gobshites were supporting New York Irish legends Black 47 in their first gig. The band have been through many many line up changes but have been lucky to have had several periods of stability through their career where they have been able to release some of the best records in celtic-punk history. Their debut album, When The Shite Hits The Fans, hit the streets running and instantly gained them a legion of fans and led to them playing all over  the northeastern United States as well as the renowned Shamrockfest in Washington DC and having a float playing along the route of the South Boston St. Patrick’s Day parade. 2007 was a busy year with two albums released with Get Bombed and Another Round before 2011’s Songs Me Da Got Pissed To and the official live bootleg Poitin. It may have been six years without any new material but the lads had not disappeared and continued to play regularly around their home and further afield leading to The Whistle Before the Snap late last year which featured Ritchie Ramone on drums and for the first time consisted of solely Gobshites penned songs.

All The Best is their new release and is typical of The Gobshites wicked sense of humour. The band are famed for taking unusual punk rock songs and turning them into Irish folk trad classics. In a scene where we are more used to folk songs being given a punk rock edge The Gobshites happened on something both really good and highly original. Transforming songs like Black Flag’s ‘Six Pack’ into good auld Irish Singalongs with The Ramones ‘Long Way Back to Germany’ becoming ‘Long Way Back to Ireland’ with fiddle jig incorporated.

All The Best was released on June 1, 2017 and is sixteen of the best songs from The Gobshites back catalogue and is an absolutely fantastic album and the perfect introduction to the band if you have been unlucky not to have heard them yet! Beginning with a superbly ramshackle trad Irish folk tune ‘Anderson’s Reel’ showing that the lads can really play their instruments. A great version of celtic-punk fave ‘Star Of The Country Down’ follows and then ‘Cheers (Raise A Pint)’ which was the first song I ever heard by The Gobshites. It appeared on the famous celtic-punk compilation series What the Shite? Volume Two from 2006 which introduced the world to a whole load of new bands. Catchy is The Gobshites byword and though acoustic and folk its also punk as feck as well!

The Gobshites left to right: Stephen Feeney- Accordion * Corey Jobeau- Mandolin * Nina Ross- Fiddle * Peter (Peadar) Walsh- Vocals/ Guitar * Paddy O’Hare- Drums * Amanda McCue- Guitar/Vocals * Dave Vittone- Accordion/ Keyboards/ Hello Kitty Piano * Tom Hughes- Bass (various folk fill in on Whistle and Banjo but looking for full time applicants for both!)

Booze features heavily on the Gobshites play list and would come as no surprise seeing as they follow the two most beer friendly music scenes in Irish and punk. ’12 Steps’ has a “drink, drink. drink, drink, drink etc.,” chorus that must make it VERY popular at live gigs and again is a brilliantly catchy tune and has a Hello Kitty toy piano solo to boot! ‘Give Ireland Back To The Irish’ is a cover of the song banned by pretty much everyone on it’s release in 1972. Penned by Irish-scouser ex-Beatle Paul McCartney it was banned so thoroughly that its pretty much unknown in the UK despite it reaching number 16 in the Official Singles Chart.

“Tell me how would you like it
If on your way to work
You were stopped by Irish soldiers
Would you lie down do nothing
Would you give in or go berserk”

Written in response to Bloody Sunday when British soldiers ran amok in Derry in the north of Ireland murdering sixteen unarmed Catholic civilians. It’s a great song and we can’t imagine the bravery of McCartney to release it at that time. Again a brilliant version here with Pete’s voice giving it the right amount of emotion and The Gobshites stamp is all over it. Next up is possibly the album standout for me, ‘Friggin’ In The Riggin’. The Sex Pistols risque double-A side that reached No. 3 in the UK singles chart in 1979 and was actually the band’s biggest selling single and being three quarters sea shanty anyway it was ripe for covering. Over in a flash the celtic instruments rule and turn the Pistols song into the Irish standard it was always meant to be.

“It was on the good ship Venus
By Christ, ya shoulda seen us
The figurehead was a whore in bed
And the mast, a mammoth penis”

Not for the faint-hearted, or your Nan, but great fun. Two great drinking songs next with ‘I Only Drink Stout’, a piss take version of The Queers ‘I Only Drink Bud’, and the simply titled, and apt!, Gang Green song ‘Alcohol’ keep up the tempo until a good and solid ‘Dirty Old Town’ hits the decks and yeah I know you’ve heard it a million times but a good version is still a good version and even a shite one can still have you belting out your lungs! Has a very good Clash tribute at the end to ‘London Calling’. ‘Pubcrawling’ name checks the local bars of Foxboro (be interesting to know how many have survived the yuppie invasion) while ‘Pirates Life For Me’ begins with the sound of the ocean and sample galore as The Gobshites ham the theme tune to Pirates Of The Caribbean right up.

‘Trouble With Women’ is a funny wee ditty which slots in nicely with its slow and (yes!) catchy chorus. Another favourite of mine here is The Ramones track ‘Somebody Put Something In My Drink’, though this live version owes as much to The Meteors psychobilly version as The Ramones.

Pete is joined on vocals by Ritchie Ramone and what sounds like a massive crowd. The aforementioned ‘Long Way Back’ features another Ramone in Tommy and begins with uileann pipes and is another bloody corker. Boston based musician and sometime actor Lenny Lashley of The Street Dogs gives us a song simply called ‘Irish’ and its as good a homage to the homeland as any. Written by Lenny for his old band Darkbuster we are nearing the end and its time for the abso-fecking-lutely hilarious ‘Shane’s Dentist’. Written by country/punkabilly legend Mojo Nixon just watch the video for the story but yes it’s about you know who. For the final song we leave where we came in with a short and extremely well played Irish traditional tune ‘The Sally Gardens’.

So there you have it and there can be no surprise when I say that every song on this album is Premier League. The Gobshites have been at the forefront of the celtic-punk scene ever since they started and with a back catalogue to die for they could have made this Best Of thirty-two (or sixty-four!) tracks and the quality would still shine right through. They may not have toured Europe or even across America (yet!) but they have still managed to make quite the name for themselves. I haven’t played The Gobshites in quite a while but this is surely one of the most catchiest and cool as fk records I have heard in ages and not only that but they have made it a ‘Pay What You Want’ download meaning that it’s available for free if you so wish but get the Bhoys at least a Guinness won’t you? So drop what you doing, get downloading, get the beers in, only stout of course, sit back and relax and turn up the volume!

(listen to Some Of The Best for free below on the Bandcamp player)

Download All The Best

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gob·shite  (gŏb′shīt′)

n. Chiefly Irish Slang  person regarded as mean or contemptible.

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NEW DROPKICK MURPHYS TRIBUTE ALBUM OUT TODAY!

Take a Shot Records are proud to announce the release of their first major album as a record label. The idea for ‘Famous For Nothing: A Tribute to Dropkick Murphys’ came from Mike Franey (The Scally Cap Brats) and Chris Arias (Blackthorn Billy), and their love for the band. It was decided that the best way to pay tribute to the band that has influenced them so much was to recruit others who felt the same way and to make a tribute compilation and donate all the proceeds to The Claddagh Fund (Dropkick Murphys’ own charity).

As Mike said

“both of us have listened to the band for a long, long time, and we felt that just covering their songs ourselves wasn’t enough. A quick chat with Ken Casey and he gave us permission to go forward with it and here we are!”

Famous For Nothing A Tribute To Dropkick Murphys

With the permission of Ken Casey and Dropkick Murphys, the compilation features eighteen bands from a wide array of places such as the United States, Sweden, Australia, Germany and Canada and 100% of the proceeds will be donated directly to the Claddagh Fund. Work on the release has been going on for over a year and it promises to deliver an eclectic mix of sounds from celtic-punk to street punk to folk to everything in between. Spanning the Murphys entire career, a wide array of songs have made the final roster for your listening pleasure.

The full track listing is as follows and you can click on the individual band name for more information.

Nowhere USA (Boston) – Never Alone
Blackthorn Billy (San Antonio) – A Few Good Men
BarRoom Heroes (Boston) – Barroom Hero
East End Radicals (Montreal) – Buried Alive

Murder State (Ottawa) – Worker’s Song
Saturday’s Heroes (Finspång) – Surrender
Hoist the Colors (Los Angeles) – Take ‘Em Down
The Ramshackle Army (Melbourne) – State of Massachusetts
Penalty Kill (Boston) – On The Attack
The Lucky Ones (St. Catharine’s) – Get Up
Irish Moutarde (Quebec City) – The Dirty Glass
Skullians (Toronto) – Heroes From Our Past
Machine Gun Dolly (Ottawa) – The Torch
Emscherkurve 77 (Oberhausen) – Fightstarter Karaoke (featuring Al Barr)
Brain Damage (Ottawa) – Curse of a Fallen Soul
The Scally Cap Brats (Ottawa) – Boys On The Docks
Hex Bombs (Kalamazoo) – Forever

and the CD ends with irish-American celtic-punk legends

The Gobshites (Boston) – Shipping Up To Boston

ORDER NOW AT

 BANDCAMP

Official release date is today Tuesday, February 24th, 2015.

Contact Take A Shot Records

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Contact The Claddagh Fund

Claddagh FundThe Claddagh Fund was founded in 2009 by Ken Casey of the Dropkick Murphys.  Ken, his bandmates and their families have supported charities throughout the history of the band.  Understanding the power of their position to harness the passion and generosity of their fans, the Claddagh Fund was created to raise funds for and broaden our impact on worthy, underfunded non-profits that support the most vulnerable individuals in our communities.
Utilizing a grassroots approach to fundraising, The Claddagh Fund supports community-based non-profits, with a focus on children and veterans organizations and programs that support alcohol and drug rehabilitation in cities across the country and around the world.

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