Tag Archives: The Rumjacks

ODDS’N’SODS. A CELTIC-PUNK ROUND UP SEPTEMBER 2022

Here’s another Odds’n’Sods to keep you occupied for a bit. A whole load of Celtic-Punk entertainment from all the scene’s bands big and small, established or just starting out.

Big news from the DROPKICK MURPHYS that their long awaited new album This Machine Still Kills Fascists lands on September 30th. Following up on their success collaborating with Woody Guthrie’s lyrics in ‘Gonna Be A Blackout Tonight’ and ‘I’m Shipping Up To Boston’, the Murphys are at it again. This Machine Still Kills Fascists is a ten song album featuring original previously unpublished lyrics by Woody Guthrie.

“First off, Woody Guthrie embodies the spirit of true rebellion. Always one to stand up for the working man, and to fight the good fight against fascism. As his famous guitar so boldly declared – THIS MACHINE KILLS FASCISTS… And this isn’t our first collaboration with him. Back in 2004, we found an unpublished lyric in Woody’s archives called “Shipping Up To Boston,” and turned that into a song you may know… With Al Barr on hiatus, the rest of us wanted to record, but not do a typical DKM album without him…so we figured this was the perfect time to reconnect with Woody’s words. And we can’t wait for you to hear it.”

Here’s a short documentary the Bhoys made about the making of the album bringing you behind the scenes with some new song previews. Pre-order your copy here – available in CD and vinyl.

‘Roots Run Deep’ is the first music video from the last HEATHEN APOSTLES album Bloodgrass Vol. 3 & 4, out now on Ratchet Blade Records. It was directed by Caroline Poisson and shot in and around Liege, Belgium. Read our review and hear this fantastic album!

Dyed-in-the-wool Boston-area blue collar punk rock icon Lenny Lashley (ex – Street Dogs and Dropkick Murphys) returns with new LENNY LASHLEY’S GANG OF ONE single ‘It Got So Dark’ from upcoming album Five Great Egrets.

I know it must seem like I have 1000 favourite bands but KRAKIN’ KELLYS are definitely in the top 2 or 3. Celtic skate punk, beer and bar fight! Cannot wait to see these guys live. ‘Golden Youth’ is from their debut album and here is from last St. Patrick’s day at L’entrepôt Arlon, Belgium. The guys have a new EP out which we reviewed the other day so go look it up.

THE RUMJACKS had a successful tour of the UK last month. Here is them mucking about in the far north singing ‘One for The Road’ from Brass For Gold.

UNHOLY MISSIONARIES are from Texas I think and a really new band. The video is from their debut show so chuck them a like over on that there Facebook.

Love TEJON STREET CORNER THIEVES. Came across them by accident and bought their new album. It’s sorta alternative Bluegrass but with some Folk and Celtic influence and brilliant!

KRAKIN’ KELLYS – Old Ways, New Days (review incoming)

TEJON STREET CORNER THIEVES – Thick As Thieves

THE GALLOWGATE MURDERS – Dead, Gone and Living On

UNCLE BARD AND THE DIRTY BASTARDS – The Story So Far

THE JAMESTOWN BROTHERS – Just Is (review coming soon))

REINA ROJA – Hooligan Folk

HOIST THE COLORS – When Daylight Breaks

Remember we cannot review it if we don’t hear it first!

THE TOSSERS are one hell of a band. Is their a American band that nails the Irish-American experience so well? I think not. They are in the studio recording a new album right now!

I’ve nay time for Rebellion festival but this is a personal view so any bands get to play it then good luck to them. Their isn’t much Celtic-Punk and never has been so was good to see them book Czech band PIRATES OF THE PUB whose set went down a storm. They even made the The 10 rowdiest sets from Rebellion Festival 2022 article from Kerrang.

THE MAHONES 30th anniversary tour first dates are out for Vancouver so expect more to follow!

FLOGGING MOLLY fresh from their Euro mega-tour have a new album on the way. ‘This Road Of Mine’ is taken from Anthem and the album is available for pre-order. I’m after a hoody myself!

Their is really no one out there that can compare to DEREK WARFIELD AND THE YOUNG WOLFE TONES when it comes to ballad singing, the retelling of Irish history and an absolutely bloody good night. They are always touring (even to my God forsaken home town!) an just released a new album too of some auld Wolfe Tones favourites and a few new ones.

Former Dead 60s frontman Dubliner MATT McMANAMON returns with a slice of sunshine gilded jangle-pop that evokes memories of classic Merseyside sounds, slipping neatly between The La’s and The Coral.

London Irish rockers THE GODFATHERS new EP Midnight Rider is out now. Featuring two tracks from the forthcoming Alpha Beta Gamma Delta album and two exclusive numbers that won’t be released on the album.

DEXYS MIDNIGHT RUNNERS had a triumphant performance at the Commonwealth Games representing the West Midlands enormous Irish community and have just re-mixed a bunch of old material to sound just as how it was originally envisaged. All is explained in the video.

In the 9 years we’ve been doing this plenty of bands have passed us by. We can’t see everything after all so this column is to remind us of bands that never made these pages at the time but deserve another mention. These hopefully come with a free download like today so you can help yourself to some free music. This month is the turn of NEDERGOTH from Toulouse in France. Made up of French and Finn’s the music is a mix of Punk, Metal elements and Folk and trad from Celtic, Scandinavian and Slavic culture. Their only goal is to have fun and there’s not much wrong with that. Their debut album here is available as a ‘name your price’ download as well as last years La Mandale Amicale.

Some old school Punk-Rock outta north London from our mates DISSENT and thumbs up and pints in the air to our auld mucker Eric who was on strike the other day. Up the posties – Up the workers!

We start this section with some interesting news that we are expecting to be putting on Italian Premier League Celtic-Punk band UNCLE BARD AND THE DIRTY BASTARDS sometime later in the year. If you can offer any help or fancy putting them on in your town drop them a line. FLOGGING MOLLY had a triumphant return to these shores accompanied by FEROCIOUS DOG. The Dublin gig was incredible and just underlines why the Dog are so popular. Dublin Metal style acoustic Folkies THE SCRATCH are touring in December and playing Camden Underworld on December 15th while fellow Irish acoustic band THE MARY WALLOPERERS are a minutes walk on the same night at the Electric Ballroo . Expect to see a few of us at each of them. NEW MODEL ARMY play 3 Christmas dates ending at the Roundhouse on the 10th. The BIBLECODE SUNDAYS are at the Powerhaus in Camden (formerly Dingwalls) on Saturday November 5th.

Both our recent gigs went brilliantly so big thanks to all the bands for playing and McCaffertys and The Bird’s Nest for hosting us. We enjoyed it so much it will happen again so if you’re in a band and fancy playing London let us know but only if you’re Celtic / Folk-Punk OK!

Forty years ago in 1982, a new group played their first ever gig at The Pindar of Wakefield. It was 4th October 1982 when James Fearnley, Shane MacGowan, Spider Stacy and Jem Finer took the stage in dingy Kings Cross as Pogue Mahone. They would go on to change peoples lives.
The Pindar Of Wakefield is now The Water Rats and Kings Cross is, unbelievably to those who remember it from them days, a most desirable place to live and The Pogues are no more either. Their spirit lives on though within The Pogue Traders. Now in their 15th year themselves of bringing The Pogues back to life for those who were lucky enough to see them live and for those that never will. Support for the night is from Paul ‘Mad Dog’ McGuinness And Band. Paul toured with Shane MacGowan for almost a decade as a founder member of The Popes. For an hour before that Shane’s official biographer Richard Balls will be doing a Q And A and copies of his recent book ‘A Furious Devotion: The Life of Shane MacGowan’ will be available.  https://www.wegottickets.com/event/555406

THE WORKING CLASS SYMPHONY are one of the best Celtic-Punk bands in the world. You don’t know them well that’s probably because they are from Indonesia but we love them and guarantee you will too. Check them out on You Tube and Facebook and look forward to catching them live in Europe at the end of the year. They are heading over sometime between December – January and need the help of the Celtic-Punk community. If you can help with the tour in any way then drop them a line and let them know.

We managed to capture the last song of from DIRTY ARTICHOKES for posterity when they played London last month. An amazing set and we can’t wait to see them back. Standing room only!

If you like what we do then you can support us by checking out our online store. The Harp’n’Bones design is back in all sizes and on black or white shirts. Also we have new polo shirts, in all sizes, and some nifty woolly hats as well as the Green’n’White ‘Skully Cap’ ringer shirts. Click the link below for the full range of all our other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan could ever need! Help keep Punk Celtic! https://the30492shop.fwscart.com/

Facebook is rubbish and I can’t wait to see it fold. That the world’s most ‘popular’ social media site has only 2/5 in the app store says it all! It has a stranglehold on all forms of expression that is not good and it’s no surprise to see people leaving in droves. Don’t despair though if you are one of them as you can keep up with London Celtic Punks posts via our wee group on the phone app Telegram. Similar in style (but better and easier to use) to What’s App but completely free from outside interference. Join us on Telegram, don’t miss a single post and even receive the odd exclusive and special offer! https://t.me/londoncelticpunks/

Well what do you think of these then?

Brand new absolutely gorgeous new metal London Celtic Punk badge. Just about the nicest bit of merchandise in Celtic-Punk if you ask me! Comes with butterfly clip and made in Ireland. It’s available for just a £5 post paid for the UK. That’s £3-50 plus £1-50 postage and we’ll throw in a few stickers and a button badge too. For the EU it’s £3-30 postage and anywhere else contact us and we’ll work it out. Send to Paypal (friends & family) to londoncelticpunks@hotmail.co.uk

Even though we hate it Facebook does supply the (very) occasional ray of sunshine so a shout out to some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans just like you and me. Like and join in the fun!

London Irish band THE KINKS take us out…

A reminder too that we need your news so anything you would like to share with the rest of the Celtic-Punk scene send it onto us.

If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

EXCLUSIVE! FIRST SINGLE FROM FRANKIE McLAUGHLIN’S NEW PROJECT LIPTON’S ORPHANS

A London Celtic Punks exclusive! We are pleased to be the first to bring you the new single and first release ‘Alang Cam A Boaby’ from Lipton’s Orphan, the long awaited new project featuring former Rumjack, Frankie McLaughlin.

It’s been a long time coming but worth the wait in the long run and we’d like to say a huge thanks to Frankie for allowing London Celtic Punks to share the exclusive first showing of his new music with Lipton’s Orphans with the promise of lots more to come!

“Inspired by true events, and by a creepy little wrong-un from the local constabulary”

ALANG CAM A BOABY

I were were ridin’ by the White Cart, A favourite o’ mine,
I were happy and ma business were mine alane tae mind,
About tae tan a couple o’ cans & leave the world behind,
When alang cam a Boaby, yak de yaldy daa..

(CHORUS)
He were ‘HAW, STOP! Who are you y’f**ker?’ and the rest,
And he’s pointed tae the shiny badge he’d pinned upon his chest,
A dirty trotter point in’ east the other lookin’ west,
A wee fat Boaby, yak de yaldy daa..

Aw Boaby is it lost ye are? and no fed up i hope?
Nae weans left tae batter or nae lassies for tae grope,
Nae gammie up the calton for a baggie fu’ ay dope?
Sick wee Boaby, yak de yaldy daa..

He’s callt me aw the bastarts, spittin’ in ma face,
He’s gone for aw his thingmy-jigs his zappers and his mace,
H’es hi-de-ho’d his radio a squealin for his mates,
A saft wee Boaby, yak de yaldy daa..

Ya pervy little porky bit, i’ll pull ye doon a peg,
Now get tae ‘fore I fire ye oan a roll wi’ beans & egg,
The likes o’ you are overdue a switch aboot yer neck.

All performances: Frankie McLaughlin. Video shot and edited: Frankie McLaughlin.

Welcome back Frankie, what’s the news? Is it a new band you’ve got,.. or are you flying solo?

“Lipton’s Orphan was what my Mother used to call me anytime I was looking particularly scruffy, or came in the door covered head to toe in mud & shite.. so yeah, I heard it a lot I guess,.well into my adult years too.” “It was a popular saying around Glasgow once upon a time, and as it turns out refers to a fella named Thomas Lipton, as in Lipton’s tea. More specifically it refers to his pig.. which he would buy from the market and parade through the town with ‘Lipton’s Orphan’ daubed on the side of it.. apparently to drum up business for his grocery store. He was a definite character, once awarded a cup for being ‘The Worlds Best Loser’.. fantastic!” “Anyway, the name just kept popping up in my life for a bit there again, so I took the cue and adopted it. Sometimes it’s just myself,.. others it’ll be a few other folks involved.. depending on whose hanging about & not up to much.”
“So primarily just a recording project for now, with the occasional pop-up here & there.”

Tell us about the song, and well, ..what is a ‘Boaby’..

“The song came originally from a ‘chance encounter’ with a representative of the local constabulary while out walking the woods near my home at the time, a proper slimy wee wrong-un who displayed some seriously worrying behaviour. I’d finally got shot of the clown and was leaving the woods when I saw the ubiquitous A.C.A.B painted on the underpass, the chorus was born right then in my head, a humorous little ditty,.. I remember in England they used to call a policeman a ‘Bobby’, and in Scotland ‘Boaby’ is the term for the male appendage,.. the rest wrote itself.”

The video is pretty wild, where’s that coming from?

“I took my wee camera for a walk back to the woods and shot all the background stuff. There’s the remains of a fortified Iron Age settlement there, where I shot a lot of bits, it’s an amazing place.” “Apart from the Boaby himself, the only other two creatures I recall from that day were a crow, who just kinda followed me through the wood the whole time, and a stag that I spotted alone in his enclosed field. I’d been bingeing hard on a lot of old films including the original Wicker Man, so the old guising masks were born outta that as a way of telling the story.”

And can we take this as a sign of more to come?

“There’s a whole other load o’ songs around here in various states just now, so I guess we’ll get a few more things out there soon,.. then there’s a bunch o’ stuff that I think’ll better suit an entirely solo approach, so I’ll have a crack at that too.”

The single ‘Alang Cam A Boaby’ will be available this week via all major digital platforms

SPOTIFY

ODDS’N’SODS. A CELTIC-PUNK ROUND UP JUNE 2022

Calling out around the world, Are you ready for a brand new beat? Summer’s here and the time is right, For dancing in the street… well maybe not!

Here’s another Odds’n’Sods. A whole load of Celtic-Punk entertainment from all the scene’s bands big and small, established or just starting out.

Irish music band from Ukraine! THE JOLLY’S performing Irish pub songs and traditional Celtic Folk in a modern setting. No one needs to know whats going on in their home country so do these guys a favour and send them some love and a like over on Facebook and YouTube. Their’s an recent interesting interview with Nick and Valerie Mazurenko from the band over at Irish Radio Canada worth checking out. Here’s a recent live stream they did just last week.

‘Learn To Play Celtic Punk (guitar) With Krakin’ Kellys !’ new video from Matthieu from one of the Celtic-Punk scenes best bands. Sadly for any English folk it’s in French but maybe you can get subtitles or something.  STOP PRESS- Now with English subtitles!!

After a quiet couple of years (wasn’t everywhere?) the Hungarian Celtic-Punk scene has sprung into life again and JOLLY JACKERS have just released a new track and video.

Fans, like me!, of South Yorkshire based THE SILK ROAD were upset to hear that the lads are no more… but don’t despair Tich, Shaun and Neil have stuck together and formed a new band – ESTEN. The rhythm section remains the same and they are currently working on a new set of original songs including a few old Celtic-Punk favourites. You can send them over a ‘like’ on Facebook.

CHRIS GARD has a new video out. Didn’t dig up any information on him but it’s a really good tune and I was sure you folks would love it as well.

Brand new videos are flying out from THE RUMJACKS stable all the bloody time. Here’s the latest one with a track taken from the band’s recent split EP with Flatfoot 56.

Made In Dundee THE CUNDEEZ have a new album, Geez It, out soon scheduled for release in August and it features great track ‘On The Ran Dan’. Doesn’t seem like five minutes since their last knockout album so the bar is set high guys!

Belgian band THE LUCKY TROLLS have a new album out and it features this great version of the classic Irish Folk song ‘The Foggy Dew’. We’ll be reviewing this belter of an album in the next few days so don’t miss that!

Canadians THE DREADNOUGHTS just put out ‘Problem’ taken from their forthcoming new album Roll And Go coming June 24th! We will have the low down on it but if you can’t wait then get it on pre-release from Stomp Records.

More from one of the best and definitely one of my own personal favourite Celtic-Punk bands the KRAKIN’ KELLYS who put out a great live video, recorded on St. Patrick’s Day, for a new song ‘1985’. These guys vids are always entertaining!

Another personal favourite and occupying a completely different wing of Celtic-Punk are the Italian band BARDS FROM YESTERDAY. This is Irish trad music but with that Punk Rock feel to it. If only more Irish bands played trad like this!

London Celtic Punks fell for New Jersey bhoy SEAN TOBIN in a big way last year and great to hear he’s a new album out on June 10th. He’s a new 3-track single out called ‘Memorial Hall’. Have a listen over on Spotify and here’s a wee video he did for Kickstarter featuring Sean talking about how he got started and with some new and old tracks.

We missed this on May Day so if i remember we’ll give this another plug next year. FORFOCSEIC seem to be a one man project by Thom Dunn in good auld Boston, Mass. A bunch of trad Irish rebel songs given the ‘Boston. Mass.’ treatment including a couple of covers of the Murphys! Support new bands and new music folks!!

CRASH NOMADA (Sweden) – En Rispa I Evigheten

THE LUCKY TROLLS (Belguim) – Raised Fist And Rebel Songs (review on its way!)

HEATHEN APOSTLES (USA) – Bloodgrass Vol 3 & 4 (review coming…)

THE WATERBOYS (England) – All Souls Hill

TROLLFEST (Norway) – Flamingo Overlord

MUTABOR (Germany) – Rebel

BLACK TARTAN CLAN (Belguim / Spain) – Demo Sessions

Remember we can’t review it if we don’t hear it

There’s literally a bit of everything in the new single from Germany’s MUTABOR. Punk, Folk, Ska, Reggae, Grunge etc., etc., The track is taken off their new album Rebel and ‘dummheit’ is German for stupidity my wife tells me.

Blast from The Past is dedicated to bands, many of whom are no more, who put out great music but were never featured on these pages at the time. Usually they come with a free download link. From epic road songs to tear-stained tales of heartache, from Texas-style rockers to dark-humoured murder ballads, THE SWEARENGENS from Seattle, Washington, cover a lot of musical and emotional territory in their twisted attempt at reviving the glory days alt-country of Whiskeytown, The Jayhawks, Dwight Yoakam, Uncle Tupelo, and Steve Earle. You can download the album here on We Transfer for free or via the Bandcamp app for a small fee.

Indonesian Celtic-Punk band SKAROCKOI have a new single out this month. Wish some of these guys would include some links for the band or download…

New (to us anyway) raucous and rowdy Celtic-Punk from Italy that looks like a bloody fantastic time was had by all. Keep an eye out for ZECKYBOYS as they will be featured very soon!

Founded back in 1998 in Kansas THE ELDERS recently retired than just as quickly changed their minds again and this month played to a sold-out show on their ‘Well Alright Then’ reunion tour.

We are pleased to announce the first London Celtic Punks gig in a couple of years with Italian band DIRTY ARTICHOKES – the tidiest Celtic-Punk band in the Celtic-Punk scene – returning to town at the beginning of August and will be playing with THE LAGAN and ANTO MORRA, two artists popular on the London Irish music scene that sadly haven’t been able to play much of late. The gig will be at the Bird’s Nest in Deptford and all details are on the Facebook event. We have almost finalised plans to bring Florida’s #1 Irish band CLOVER’S REVENGE over to London in the Summer. Keep an eye out for details of that when they emerge.

ULTRABOMB staring Greg Norton of Hüsker Dü, Finny McConnell of The Mahones and Jamie Oliver of the U.K. Subs play the 229 in the west end of London on July 1st performing a mix of Husker Du, UK Subs, The Mahones and brand new material from their forthcoming album! News just in that our very own FEROCIOUS DOG will be supporting FLOGGING MOLLY on all their UK tour gigs during August. Now that’s 2 reasons to make sure you get a ticket!

If you like what we do then you can support us by checking out our online store. The Harp’n’Bones design is back in all sizes and on black or white shirts. Also we have new polo shirts, in all sizes, and some nifty woolly hats as well as the Green’n’White ‘Skully Cap’ ringer shirts. Click the link below for the full range of all our other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan could ever need! Help keep Punk Celtic!  https://the30492shop.fwscart.com/

Facebook is shit. Proper shit. That the world’s most ‘popular’ social media site has only 2/5 in the play app store says it all! It’s stranglehold on all forms of expression is not good and it’s great to see people leaving in droves. Don’t despair though if you are one of them as you can keep up with London Celtic Punks posts via our wee group on the phone app Telegram. Similar in style (but better and easier to use) to What’s App but completely free from outside interference. Join us on Telegram, don’t miss a single post and even receive the odd exclusive and special offer! https://t.me/londoncelticpunks/  

Even though we hate it Facebook does supply the (very) occasional ray of sunshine so a shout out to some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans just like you and me. Like and join in the fun!

A reminder too that we need your news so anything you would like to share with the rest of the Celtic-Punk scene send it onto us.

If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

ODDS’N’SODS. A CELTIC-PUNK ROUND UP MAY 2022

As we transition from wet and cold winter to wet and cold summer it’ll soon be time to reveal your ‘covid’ body in all its glory to the watching world so to help take your mind of that here’s another Odds’n’Sods. A whole load of Celtic-Punk entertainment from all the scene’s bands big and small, established or just starting out.

Italian band UNCLE BARD AND THE DIRTY BASTARDS deserve to be bigger than the Dropkicks and the Mollys in my opinion. With some cracking albums behind them their back with a new video for a song taken from their 2020 album The Men Beyond the Glass.

PADDY AND THE RATS have a new album out this month, From Wasteland To Wonderland, out on the 29th via Napalm Records. The first single, ‘After The Rain’, is now out and is dedicated to the bands accordion player Bernát Babicsek, who went by the stage name Bernie Bellamy, who sadly passed away earlier this year. The song celebrates Bernát ensuring that he will sail forever in the Rats and their fans hearts. The album is available for pre-order from Napalm.

We’d like to dedicate the first single of the album to Bernie and to express all our emotions through the song we release first. That’s why we’ve chosen ‘After The Rain’. It’s a sad song but it also has a fully positive vibe. Sadness and desperation are there through the whole song, but meanwhile, you can feel something powerful when the pipe and the accordion come in at the drop. It conveys the feeling that you have to be strong and you have to move on. The last line in the chorus says: ‘After the rain, sunshine will never be the same’.

‘Luton Irish Folk-Rockers MISSING THE FERRY have a new single out, ‘Castlebar’ which will be the last release before their debut album coming later this year! The song is about the emigrants’ yearning to return home to Ireland. For many, they only made it in a casket. Despite such a serious subject matter, ‘Castlebar’ is an  upbeat celebration of life, of music and of London-Irish culture. The song begins with a poem inspired by Beatrice Mugan and read by three of the bands Mammy, Roseanna, both Roscommon girls who arrived in London and St Albans in the 1960’s and became nurses.

We recently reviewed the debut album from Boston band SLAINTE and the album featured ANNIE CHIVERS on a couple of tracks who has just released a new single ‘Big Kid’ from her upcoming EP.

THE RUMJACKS have a new 6-track split EP out in a few days with FLATFOOT 56. Last month we had Flatfoots song so look that up and we will have the low down on it soon so be sure to check that out but here’s their first single from it. It’s available for pre-order from https://snd.click/SplitEP.

I finally at last got to see the amazing Yorkshire banjo Punks SHANGHAI TREASON and they were every bit as good as I had imagined over the three years I’ve been waiting to see them! Blowing some much more famous bands off the stage. They just released a B-Sides EP featuring songs that never made their debut album, which in my book is the #1 Celtic-Punk album of the year. https://open.spotify.com/album/66aL6qH2yRUStU8PbfQ3W6

THE MOORINGS are back with a class new album and first single ‘Nothing Is Going My Way’ is a great opener. Looking forward to hearing this as I’ve always really enjoyed their previous releases.

THE ALT are a Irish-American supergroup consisting of the trio of Nuala Kennedy, John Doyle and Eamon O’Leary, all of who have become very much stars of Irish Folk music through their solo works and collaborations over the years. The songs here come from traditional music archives, poetry and original compositions including three songs in Gaelic. Outstanding album!

“Our ancestors rarely met, seldom mingled. Would the yearnings for one lost world speak to those who’d lost another?” AMID THE MIRK AND OVER THE IRK is an amazing and fascinating collaboration between Irish and Klezmer Folk music traditions and the children of Irish and Jewish immigrants to Manchester.

Five piece English band ONE EYED GOD just released a new album, A Land Fit For Heroes, featuring some rather nice bouncy fun Folky-Punkyness. The album includes lots of elements of Celtic Folk, Reggae, Ska, Dub and Klezmer and you will no doubt come across them this Summer playing out doors in the sun somewhere in southern England during festival season.

Conceived in the bowels of Belfast THE SCUNTZ have a new single just out. An unholy trinity of Punk, Folk and Cider. It’s the first release from their new album Fall Apart Gang. For the first time in a few years theirs a few home grown bands playing Celtic-Punk’ish type music so as usual support them.

THE REAL McKENZIES – Float Me Boat (review coming!)

IN FOR A PENNY – In Memory Of

THE ROYAL SPUDS – Roots Of Life (review coming!)

THE DREADNOUGHTS – Roll And Go

PADDY AND THE RATS – From Wasteland To Wonderland

THEIGNS AND THEALLS – Theigns And Thralls

THE MOORINGS – March On ?

Remember we can’t review it if we don’t hear it

Blast from The Past is dedicated to bands, many of whom are no more, who put out great music but were never featured on these pages at the time. Usually they come with a free download link. This months band is 7-piece Irish Punk’s ST. BUSHMILLS CHOIR from Seattle. They originally came from a group of friends from other bands and before releasing this classic of American Celtic-Punk. Produced by Jack Endino of Nirvana fame the album captures the energy of a live show. “Unrelenting, Punked-out Irish jigs and expert musicianship recalls The Pogues, Stiff Little Fingers, and dare we say it, The Clash” it really is an excellent album and featured in our Best Celtic-Punk Albums Of All Time list from 2014. Available as a ‘name your price’ download so free if you like or if you’re a politician £1000!

Cancelled in the original Covid lock down we were really looking forward to the long awaited re-arranged MR. IRISH BASTARD English tour later this month. One of Europe’s ‘Premier League’ Celtic-Punk bands it was bound to be a treat but sadly the tour is kaput … off! Hopefullly to be re-arranged soon. The good news though is that London Celtic-Punk fans have a gig just up the road on May 21st with a utterly fantastic gig the same night in Guildford with some right proper stars of the English Celtic-Punk scene with EAST TOWN PIRATES, MICK O’TOOLESINFUL MAGGIE and Emergency Bitter. Check the Facebook event for more details. Gothic Americana band HEATHEN APOSTLES have their most extensive tour of Europe from the end of May till the end of June through mainly Germany. We are pleased to announce the first London Celtic Punks gig in a couple of years with Italian band DIRTY ARTICHOKES – the tidiest Celtic-Punk band in the Celtic-Punk scene – returning to town at the beginning of August and will be playing with THE LAGAN and ANTO MORRA, two artists popular on the London Irish music scene that sadly haven’t been able to play much of late. The gig will be at the Bird’s Nest in Deptford and all details are on the Facebook event.

PAIRC FESTIVAL is probably the biggest celebration of Irish culture on this island this Summer. Taking place in Birmingham over August Bank Holiday Weekend. The 26th – 28th sees a bunch of the best and brightest acts playing – FINBAR FUREY, DAMIEN DEMPSEY, HOTHOUSE FLOWERS, BEOGA, SHARON SHANNON and many more. Shame they couldn’t have found room for some 2nd /3rd generation bands but still an outstanding line up. http://paircfestival.com/

Really cool interview with Michael O’Grady from THE MAHONES from Canadian Breakfast TV. He talks about what it means to him and his favourite part’s of the day and what NOT to do at the pub. Michael came us pretty well occupied with his brilliant live streams during lockdown so look forward to seeing him up on stage again soon.

Not many of us really believed that THE MAHONES retirement from touring would last long and they recently announced new dates in Ireland plus the imminent release of new album, Jameson Street, coming soon.

If you like what we do then you can support us by checking out our online store. The Harp’n’Bones design is back in all sizes and on black or white shirts. Also we have new polo shirts, in all sizes, and some nifty wooly hats as well as the Green’n’White ‘Skully Cap’ ringer shirts. Click the link below for the full range of all our other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan could ever need! Help keep Punk Celtic!  https://the30492shop.fwscart.com/

Facebook is shit. Proper shit. That the world’s most ‘popular’ social media site has only 2/5 in the play app store says it all! It’s stranglehold on all forms of expression is not good and it’s great to see people leaving in droves. Don’t despair though if you are one of them as you can keep up with London Celtic Punks posts via our wee group on the phone app Telegram. Similar in style (but better and easier to use) to What’s App but completely free from outside interference. Join us on Telegram, don’t miss a single post and even receive the odd exclusive and special offer! https://t.me/londoncelticpunks/  

Even though we hate it Facebook does supply the (very) occasional ray of sunshine so a shout out to some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans just like you and me. Like and join in the fun!

No better way to welcome in the new season than THE UNDERTONES and a piece of classic Irish Pop-Punk. Best wishes to founding member Billy Doherty on his recent illness too. Hope all is better there. Till next time Folk-Punk folks! The lads have a new compilation out called Dig What You Need out now and available all over the place.

A reminder too that we need your news so anything you would like to share with the rest of the Celtic-Punk scene send it onto us.

If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

LIVE REVIEW: DROPKICK MURPHYS ST. PATRICK’S TOUR WITH THE RUMJACKS AND MORE

The power of your example is far greater than what you say!

and their ain’t no band who set a better example than the Dropkick Murphys. Love, loyalty and friendship. Ray Ball was lucky enough to catch the Murphys on only the second leg of their St. Patrick’s tour in Rochester, New York. 

So, we all know this is a DKM show. And I’ll get into that later, but I wanted to get into a couple of the other groups that played.

Jesse Ahern

First on deck was Jesse Ahern. Before walking in the doors even, I was a big fan. I got turned on to him when he was supposed to see him on a tour that got cancelled opening for DKM. Admittedly I’ve got all the records on my phone and keep them going pretty steadily on rotation in my car.

    But he’s got a classic act down. One guitar, a harmonica and his vocals when he plays live. The records have more instrumental parts but it is bare bones, solid, working-class folk music. Solid solid set, early on and probably didn’t get the attention he deserves but I was definitely right up front and center.

  Next came on The Rumjacks. First and foremost, replacing a band member is hard. I don’t care if you’re playing in a garage or were AC/DC trying to replace Bon Scott. Obviously a singer can also make or break a band. A new one-well damn. Uncharted waters. But they did it well.

The Rumjacks

The sound has changed. Personally I love the newer material-yes the ended with “Irish Pub Song” but ironically I wasn’t to familiar with the rest of the set. The overall sound and vibe is definitely headed in a direction I like. It makes me think definitely of what I wanted to sound like on record-only much, much better. No frills, crazy lighting, etc.  On, straight Celtic punk, filled with whistles, bouzouki’s and a set of highland pipes, and go.

The Bombpops

  The Bombpops are not a group I would have bought headlining tickets for. Just not in my normal spectrum. That said, they had come cool music. Even though in my mind it shouldn’t be, it’s always unique to see two girls on stage. To me, in my own work I could really care less who you are as long as we have a good vibe and make good music. But it made me think of the bonus track on “Elgin Avenue Breakdown” by the 101ers. The track is a live cover of “Gloria” in which Joe Strummer goes into talking about women in the punk scene. “I’ve seen Patti Smith do it…” he says, and in a long tangent into how the whole idea of the punk movement was to break down those walls of convention.
  Have we since 1976 when that was recorded made that headway?  I’m not certain. I think we could argue both sides. I’m not entirely familiar with Bombpops repertoire. But I want to say, girls onstage in any act-punk or no-should not be a novelty. I personally don’t care if you’re a guy, a girl, black, white, purple-if you can play solid music and mean it I will listen. And damn, their guitarist played some of the most true punk palm-muting-all-downstroke machine gun sounding guitar playing I’ve seen in a very long time.
   Ok, onwards. Dkm. I don’t need to introduce anyone here. But there were a few key points. Al Barr is out of the current tour on account of family matters. Much much much respect. The first thing I thought of when I heard that news was “Do you think Mick Jagger took time off from the Stones to help his sister take care of their mom?”  Much respect to those who made it possible for him to do that. Frankly I don’t know much about Mick Jagger’s life, but I’m thinking I’m going to err on the side of probably not.
That leaves a hefty job for Ken to hold down. And he did it like an absolute champion. I’m willing to bet that everyone reading has at least seen them live on one of the Live Streams if not once or many times over the years. You know exactly what a good show you’re in for. But the one thing I will point out-the set list. “Do or Die”, “Caught in a Jar”, Caps and Bottles” and “Curse of a Fallen Soul” (some of which are mostly Al songs) came out of the vaults. The opened with “Cadence to Arms”. I’ve seen them every chance I get since 2004 and don’t think I’ve ever heard that done like that. They also did a mean cover of AC/DC’s “ Rock n’ Roll Singer ”. Old school my friends. A lot of us there were on the older side of the spectrum. There were even a few wee ones with their parents at the front.

So overall, some music I love, some fresh sounds, some impressive unexpected artists? Yes. Some serious nostalgia? Sort of. It got a bit rowdy and we were yelled at by two street preachers waiting on doors to open. It’s a crazy world, and it’s a punk show. Expect anything.

Set-List : Hang ‘Em High / The Fighting 69th / Sunday Hardcore Matinee / Deeds Not Words / Johnny, I Hardly Knew Ya / Never Alone / Time to Go / Cruel / Going Out in Style / Take ‘Em Down / Echoes on A. Street / Devil’s Brigade / Boys on the Docks / The Dirty Glass / The State of Massachusetts / The Irish Rover / The Burden / Your Spirit’s Alive / 1953 / Barroom Hero / I’m Shipping Up to Boston / Encore / Kiss Me, I’m Shitfaced / Skinhead on the MBTA / T.N.T. (AC/DC cover) /

Dropkick Murphys  WebSite  Facebook  Store

Dropkick Murphys – Fan Page

Now seems the perfect time to mention the #1 Dropkick Murphys group on Facebook. Ran by fans for fans. Simply click the link and join up and join in the Murphys related fun.

Thanks to Ray Ball for the great review and all photos. He has already featured on these pages as the driving force behind The Fighting 69th from Buffalo. The review of his 2-volume set of Dropkick Murphys covers was one of the most viewed of the year. One of the most prolific and diverse artists in the Celtic-Punk scene we are proud to have Raymond on board the London Celtic Punks team. Writer, artist, musician he is a credit to the American-Irish community and you can find a wealth of his material available at his Bandcamp site .

ODDS’N’SODS. A CELTIC-PUNK ROUND UP DECEMBER 2021

We take Christmas very seriously at London Celtic Punks and so begins the countdown to the second best day of the year! Expect much Christmas themed Celtic-Punk in the coming weeks but in the meantime here’s this months biggest yet round-up of all the band news, record releases and videos from bands big and small from across the Celtic-Punk scene.

6’10 the utterly brilliant offshoot from Flatfoot 56 just put out a new video to accompany ‘The Road’ taken from their awesome last album, Carried In Retrospect.

We missed the release of the new SHANGHAI TREASON single but needless to say it is again fantastic fast and punky Celtic-Punk and quite unlike anyone else knocking about. The album draws ever nearer and we cannot bloody wait to her it! Catch’em on tour in the UK with The Rumjacks soon.

It is probably easier to stop a train going at full speed than to convince the former members of the Black Tartan Clan to put an end to their musical adventure. After a small pose due to a change of line up at the end of 2017, the black kilt wearers have reformed ranks and changed their name, becoming BLACK TARTANS. The new group has a solid experience of live and studio work and continues to bring an energetic mix between trad Celtic instruments (bagpipes and banjo) and Punk-Rock. Here’s some footage of them playing live from their Facebook page. They’ve also started a You Tube channel so give that a follow if you can. Lots of new footage promised.

A little late for Halloween or especially early for next years? PADDY FINNEGAN’S GREEN MACHINE is no other than London Celtic Punks columnist Raymond and he put out a five track EP of scary covers and originals just in time to go trick or treating!

Another Halloween release we missed (except this was from last year!!) was When The Tombstones Speak a 4-track EP from Chicago band WORK THE COUNT. A collaborative music project that draws inspiration from American and Celtic Folk, Punk and Pop. Available as a ‘name your price’ download.

While it’s been many a year since The Dublin Castle in Camden has been much of a Irish pub Peggy Conlon talks about life behind the bar at the iconic pub.

THE RUMJACKS released a new video last month for the lead single off an upcoming new release. A eight track EP titled Brass for Gold is due out 11th February 2022 and is available for pre-order

BLACK MATILDA are a new Celtic-Punk band from Lunenburg, Nova Scotia in Canada and just put out their debut song, ‘I Must sail Away’, on You Tube accompanied by a fantastic stop motion animation video. You can find the band on their Instagram page.

THE CUNDEEZ new single ‘The Stornoway Stomp’ is out now on major download sites along with the bands brilliant Scottish football anthem ‘Kilts On Taps Aff’. Both tracks are taken from the forthcoming album ‘Geeez It’ and the song tells the tale of a trip to the Isle o Lewis.

Acclaimed Pirate band and pure theatrical spectacle YE BANISHED PRIVATEERS announced the release of a Christmas themed album next month and I am really hoping we get a copy! A Pirate Stole My Christmas comes out on December 3rd and is on preorder here: https://smarturl.it/APirateStoleMyXmas

London Gaelic Athletic Association launched a commemorative 125th anniversary booklet, which lays out the history of the county’s past century and a quarter. You can read it here.

Speaking of Instagram (Remember it is owned by Facebook so none of your photos are safe!) THE TENBAGS from Birmingham have just discovered it and have been posting some great content on their page. Well worth looking up.

I’m not much of a whiskey man I’d be the first to admit. My father-in-law always gets the Bells out for me and my brother just shakes his head disappointedly when I put Cola in but here’s a good wee video from a couple of Aussies reviewing THE POGUES Irish whiskey.

HAWTHORN are from Tucson, Arizona and just released their second album, All The Light We Cannot See. An aggressive mix of raw energy and fast punk rooted in traditional Celtic music.

SONS OF CLOGGER are a well known fixture on the English Folk-Punk and festival scene with a good few releases behind them. On finding a bass player they are now casting their net out for a rhythm guitarist and keyboard player so if you live anywhere near Staffs. give them a shout on their Facebook page. ‘Siabost Beach’ is taken from their last album The Neolithic as filmed in the Outer Hebrides/ Western Isles.

Irish born Barcelona based tongue-in-cheek singer-songwriter CAL MURPHY released The Partin’ Rocky Rattlin’ Lass 4-track EP earlier in the year but we only just got round to hearing it. All cover versions the EP covers modern day Irish music pretty damn well from the Celtic-Punk of ‘Will Ye Go, Lassie, Go’ to it’s polar opposite ‘The Parting Glass’ stripped down to just vocals and acoustic guitar. 

THE OUTCAST CREW – Myths And Yarns (review coming)

WHISKEY OF THE DAMNED – We Made Bail

BRIAN FALLON – Night Devine

THE GROGGY DAYS – Grog ‘o’ Clock

HAWTHORN – All The Light We Cannot See

remember we can’t review it if we don’t hear it

A wee plug for London Irish Rugby Club. After years in the wilderness out in Reading and some would say a watering down of the club’s Irish ethos they arrived back in London at the tail end of last season and a joy to behold it was too, except for the last minute defeat after being miles ahead at half time!! The club is back in the heart of the Irish community so check out the clubs merchandise and show your roots and get some mates together and get down there. Eight train and tube stations within a 20 minute walk and no shortage of decent pubs too means their is literally no excuse. Games against Newcastle Falcons December 4th, CA Brive in the EPCR Cup December 19th and the first home fixture of the New Year against Bath on Monday January 3rd.

This section is for Celtic-Punk bands that have (on the large) left us but their music is still deserving to be heard and heard for free courtesy of a free download. Well here’s a band that are still together and playing. FALPERRYS are one of them actual Celtic-Punk bands from an actual Celtic country (I use to call that Keltic Celtic-Punk) in Galicia. Do Amor e das Mentiras was their debut album from 2011 and is available as a ‘Name Your Price’ download as is their more recent album Nova Abordagem.

Everyone is wetting themselves that THE DROPOUTS are fronted by former Booze & Glory singer and guitarist Liam well we remember his glory days when he nonchalantly would play the banjo for London Irish Ceilidh rockers Neck whilst dreaming of the day he could be in a Oi! band! A top geezer he moved off to Sydney a couple of years back and hasn’t looked back since. This self-titled release is the bands debut and though only seven tracks it’s all great stuff and perfect melodic and hard hitting Punk Rock.

The more I see of Facebook the more and more I dislike it. It has a stranglehold on all forms of expression and this isn’t good. Anything that breaks their monopoly is a great thing (except Twitter equally as shit!) so if you feel the same you can now subscribe to London Celtic Punks posts via our group on the new phone app Telegram. Very similar in style (but better and easier to use) than What’s App but the best thing is that it is completely free from Facebook control. Join us on Telegram, don’t miss a single post and even receive the odd exclusive and special offer! https://t.me/londoncelticpunks/  

We’re not beyond a wee bit of crass commercialism so just to let you know that London Celtic Punks merchandise would make great Christmas presents! We still have a handful of Green’n’White ‘Skully Cap’ ringer t-shirts available in all sizes from Small right up to XXX-L from our online store. Also available are 2 other shirt designs so click the link below for our full range of all our other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan could ever need!  https://the30492shop.fwscart.com/

On the live front here in London town we have the return of London Irish Pyscho-Ceildh rockers NECK to the New Cross Inn on December 10th with support form the awesome CROCK OF CELTS. The following day sees THE MEN THEY COULDN’T HANG at the Subterania in Ladbroke Grove and then  a choice of the London Folk legend SEAMUS MOORE at the Sporting Green in Enfield EN3 5JF or THE FIREPIT COLLECTIVE Irish-Folk offshoot from the Inner Terrestrials at the New Cross Inn sees us into Christmas on Sunday 19th. There was also talk of a secret POGUES TRADERS afternoon show somewhere in Central London. Keep an eye out for that. Lots of gigs being announced check the LCP FB events page but the new year will see the return of our dedicated London ‘What’s On’ page.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans just like you and me. Like and join in the fun!

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If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

NO ODDS’N’SODS NEXT MONTH BUT IT WILL RETURN FOR FEBRUARY

ALBUM REVIEW: THE RUMPLED – ‘The Perfect Match’ (2021)

Another release from prolific Italian Celtic-Punkers The Rumpled. With a sound influenced by traditional Irish Folk they are already one of the best bands in the scene and a band to expect big things from in the near future.

The last few years have been quite a time for fans of Celtic-Punk in Italy. While the genre has always been popular due in no small part to to the friendly relations between Italy and the Celtic nations never before has Italy had quite so many great bands, among them some of the best in Europe. I won’t go into the names as I’m afraid to miss one of them but a simple search among the posts here will give you the opportunity to give your ears a real treat. The Rumpled are one such band and in their relatively short existence they have been as prolific as any band in Celtic-Punk. Formed in Trento in the north in 2013 it was five years before they got some songs down on record and the result was Ashes & Wishes, recorded and produced by Gianluca of Black Dingo Productions, who have supported The Rumpled ever since. A sixty date tour of Switzerland, France and Italy in 2119 promoting the Grace O’Malley EP was followed by another EP, Toss The Coin, and tour the following year. Of course Covid soon arrived and any plans the band had were shelved while the world came to terms with what was going on.  Despite this the band ploughed on and did manage to release both Home Sessions, a EP of covers with the help of some pretty well known faces in Firkin and Uncle Bard And The Dirty Bastards, and an acoustic EP Rumplugged.

The Rumpled from left to right: Michele Mazzurana- Drums, Backing Vocals * Davide Butturini- Guitars * Patrizia Vaccari- Fiddle * Marco Andrea Micheli- Lead Vocals * Luca Tasin- Bassman, Backing Vocals * Tommaso Zamboni- Accordion *

The new album is called The Perfect Match and was released late last month again for Black Dingo and while new material is thin on the ground, with it being basically a re-recorded and re-vamped compilation of The Rumpled’s last two studio releases it is still an outstanding release and the perfect place to enter if you are new to the band. The Perfect Match kicks off with ‘Time To Go’, the album’s only new song and which was also the lead single for the album. The song is dedicated to Italian para-olympian athlete Giuliana Chiara Filippi and her story of fortitude and resilience, despite her many obstacles to overcome, and her dream to represent Italy in the Paralympics. Inspired they choose her to be featured as the main character in the video. A truly Perfect Match.

A great rocking start and a lovely tribute. We wish her well. Talking about the single The Rumpled said

“The song is an invitation to return to life with energy and enthusiasm and move into the future, throwing the difficult situation of last year behind us. After this long break, our desire to restart, to get back on stage and perform for a crowd is uncontainable, that’s why we all sing the in chorus: “hey ho, it’s time to go, we’re gonna raise hell tonight – So let’s go to another show and everything’s gonna be alright”!”

Musically The Rumpled play an energetic and lively style of Celtic-Punk. While The Rumjacks influence casts a shadow over much of the Italian Celtic-Punk scene The Rumpled have always done their own thing with a sound influenced by traditional Irish Folk music as much as anything. ‘Stand Up’ was the opening track on the Toss The Coin and sees the band accompanied by the Bold Rumjacker himself Frankie McLaughlin. Accordion led and with one hell of a catchy chorus it’s fist in the air time here as you swing your mates round and round. The energy is unrelenting and continues throughout the albums forty minutes with only a handful of pauses for breathe.

The following six songs also come from the Toss The Coin with ‘Take A Drop’ and ‘The Gipsy Dancer’, a lead single from Toss The Coin and you will see where the EP gets its title from in the excellent accompanying video. ‘The Road’ is less ‘traditional’ and more modern sounding Celtic-Punk combining elements of Ska with some great ‘Woah-Woah-Woahh’ gang vocals. ‘One Love’ is the first of two songs to feature guests from fellow Italian Celtic-Folk-Rockers Folkamiseria from western Piedmont. More Folk orientated but still with that harder edge while ‘Broken Romances’ has a more harder edge.

‘Patty’s Jig’ was the final song on the EP but here marks half way. Accompanied again by Folkamiseria on bouzouki The Rumpled show they can go full on traditional with a self penned Irish Folk tune that could have been written a hundred years ago!! Song #9 here is the song that began the Grace O’Malley EP ‘Song of Ill Repute’, a speedy accordion and fiddle led whirling dervish of a song which is followed by the EP’s title track, a extended version, ‘Grace O’Malley’. With over 1,000,000 plays on Spotify and a place in the Top Ten Celtic-Punk EP’s Of 2019 on this here web-zine. Grace O’Malley was known as ‘The Pirate Queen’ and until recently was largely known only to Irish communities around the world with tales of her exploits being told and re-told through the generations. A fearless leader over land and sea, a politician and tactician, rebel and pirate, and the ’most notorious woman in all the coasts of Ireland’.

‘Fearless And Brave’ sees the band accompanied by Paddy O’Reilly from the awesome Celtic-Punk band Paddy And The Rats. Utterly brilliant the dual vocals work to great effect while the Celtic-Punk crosses into Ska and back. ‘Feelin’ Fine’ keeps up the pace going and finally ‘The Maiden’ brings down the curtain.

So while it’s a shame for us long time fans of the band not to have an album of brand new music its perfectly understandable that The Rumpled want to get their music out to as wider audience as possible and this is a great opportunity for them to do so. So if you’re a fan pass this on to someone who isn’t (yet!) and make their day. The album is available on both download and physical release and also why not read up on Grace O’Malley it really is a fascinating story.

Buy The Perfect Match  Here  Contact The Rumpled  WebSite  Facebook  Instagram  YouTube

Black Dingo Productions  WebSite  Facebook

ALBUM REVIEW: THE RUMJACKS – ‘Hestia’ (2021)

The long awaited and hotly anticipated new studio album from The Rumjacks is now out and available everywhere. We missed the release date last week as we didn’t get an advance copy for the first time (!) but better late than never and who better to judge it for us than the ‘FolkPunker’ himself Anto Morra

This arrived just in time to put on while I made my breakfast on St Patrick’s Day, the opening track ‘Naysayers’ had me pogoing around the kitchen and the second ‘Bullhead’ had me attempting to step dance on the tiled floor so that’s a pretty good start I’d say! Both songs have Irish Rebel fury and ‘Bullhead’ not only has a tongue twisting refrain ‘If my will is the wind, then I will die willing and free’ but also borrows the brilliant line ‘I’ll not die ‘till you bury me’ from Shane MacGowan’s song ‘Aishling’ from there it’s straight into the mouth of the craicin’ title track ‘Hestia’ which starts like a sea shanty before bursting into a pure rock wig-out. The celtic sound freely ploughs through but if it wasn’t there you might think you were listening to a hair less Punk band.

I think they must have channeled the late great Ennio Morricone for the intro of ‘Through These Iron Sights’ just over 60 seconds of moody bliss before 15 seconds of metal, then we remember we’re listening to a Celtic-Punk band again. ‘Sainted Millions’ can only be described as an anthemic war cry to the Celtic diaspora and it’s fantastic to hear a really distinctive accent from down under in the shared lead vocal. Here is a great live acoustic version (that makes me wonder is Mick a closet morris dancer with ‘bells on his toes he’ll have music where ever he goes’)

“Sleeping sainted millions, can you tell me what you know? Sing to me a song you wrote beneath your pile of stone.”

“I wouldn’t trade it for another, and I would do it all again.”

It’s a challenge for any band to replace a vocalist when they’re as established as The Rumjacks but the choice of ‘Mickey Rickshaw’s’ Mike Rivkees is a very wise one as he clearly has the range and aggressive delivery needed. This is very different from past offerings but still has the elements we love. More of the same would be… well just the same and bands and audiences need to progress and grow and the Celtic-Punk genre needs this new line up. The musicality is top notch and with a younger singer the energy pours out of the recordings. The generation that saw Punk arrive in ’76 / ’77 and then The Pogues carry a certain amount of baggage that a band like The Rumjacks new line up don’t and that makes them much more confident to lift influences from places us oldies would never dream of.

The Rumjacks left to right: Johnny McKelvey- Bass, Vocals * Pietro Della Sala- Drums, Vocals * Mike Rivkees – Vocals, Tin Whistle, Accordion * Gabriel Whitbourne- Guitar * Adam Kenny – Bouzouki. Mandolin *

Although there is a lot more of heavy rock influence here, it still maintains a celtic charm and punky reggae party feel even if it lacks some of the humour of punk and Irish folk. That is until we hit ‘Tell me what Happened’ which ticks both boxes ‘The girls that carried you home have left you to rot in the bars alone’. There’s a beautiful simplicity to the ‘Rhythm Of Her Name’, it’s catchy and classy and one of those songs that you could do anything to and it would work. I could even imagine The Proclaimers doing it. As for ‘Lizzy Borden’ the folk story telling tradition at it’s gruesome best. ‘Light in My Shadow’ is up there with the best really abrasively catchy with bagpipes to die for.

‘Wunderlust’ is for some reason reflective of something that may have come out on the Two Tone Label in 1979. ‘Goodnight & Make Mends’ is the perfect closer.

In conclusion this is a belting new start for one of the best bands on the Celtic Punk scene. There is not a bad track on it, 14 songs and no dud’s or fillers- what you hear is a band re-invigorated and joyous. They’ll probably hate me for saying some of this but I was hearing all sort through this record so I’ll just list ‘em in no particular order, Big Country, Metallica, Green Day, Madness, Kiss, The Levellers and most obviously The Rumjacks right back on form.

Buy Hestia  (CD/ Download/ Vinyl) Here

Contact The Rumjacks   WebSite  Facebook  Instagram  YouTube

Born and raised in London by immigrant parents from Ireland Anto Morra swapped the Smoke for the Swamp in 1989 and adopted Norfolk as home but still returns often to visit his Mammy and play for London Celtic Punks. At times a pogoing, gobbing Punk, a lazy pot smoking hairy Hippy, a bopping Rock-A-Billy, a sharp dressed Mod and even a Bauhaus loving Goth he’s soaked it all in and none of it and all of it has been an influence on him.

https://www.antomorra.com/

ODDS’N’SODS. CELTIC-PUNK ROUND UP DECEMBER 2020

In a attempt to get away from just doing ‘ReviewReviewReviewReview…’ we started a monthly feature of all the Celtic-Punk news that passed us by. All will get a mention but I need YOU to help if it’s going to work. Any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., send it into us at londoncelticpunks@hotmail.co.uk or through the Contact Us page.

So much has written about it but here is our one and only take on FONY and it comes from the man himself. The Pogues’ Shane MacGowan brands decision to censor Fairytale of New York ‘ridiculous’  from The Irish Post, 25th November 2020.

We may have heard it a million times before but here’s a different spin on FONY but with a New York Puerto Rican influence by ST. DOYLE AND THE LAST CALL PHILHARMONIC.

‘Johnny Depp Presents’ it states right at the beginning of this feature length documentary on the Godfather of Celtic-Punk the legendary Shane MacGowan. Featuring unseen archival footage from The Pogues and Shane’s family, as well as animation from Ralph Steadman, Julien Temple’s rollicking love letter spotlights the iconic frontman up to his 60th birthday celebration, where singers, movie stars and Rock’n’Roll outlaws gathered to celebrate the man and his legacy. Available everywhere December 4th!!

The BRICK TOP BLAGGERS are a wicked band and here’s a full band live performance originally streamed on the internet but shown here on You Tube. The Blaggers been as active as any band can over the last few months and we’ve enjoyed some great Live Streams from them but this one, performed for the 2020 Samhain Celtic New Year Festival, is one of the better ones regarding sound.

We’ve seen plenty of the DROPKICK MURPHYS since Paddy’s Day but each time with no one there so here’s a recently released video of their storming full set from their last tour at Zenith in Paris on the 9th of February.

Two new songs have been released by the DROPKICK MURPHYS. A cover of Darlene Love’s ‘Christmas (Baby Please Come Home) and a new song ‘I Wish You Were Here’ are out on limited edition 7″ flexi-discs available from the Murphys store. They, unsurprisingly, have some wicked new merch available too and just in time for Christmas! At the same time it was announced that the new album will be out in mid-January.

BARBAR’O’RHUM – Pirate Des Champs

EFA SUPERTRAMP – Rhyddid yw y Freuddwyd

LQR – Barrel-Aged

PYROLYSIS – Alotsle

PENNILESS TENANTS – Lockdown Sessions (review next week!!)

Remember if you want your release featured then we have to have heard it first!

Love these daft feckers! They done the Murphys ‘Shipping Up To Boston’ a while back and now they turn their attention to The Rumjacks absolutely-mega-fecking-internet hit ‘An Irish Pub’. I’ll not go into it but sit back and have a listen and again top marks for destroying the ridiculous notion of cultural appropriation. Yes lads it is bollocks.

Life goes on and THE RUMJACKS have a brand new video out seeing them performing ‘McAlpine’s Fusiliers’ dahn an Irish pub in Milan, Italy with new vocalist Mikee from Mickey Rickshaw.

French Pirate Punkers BARBAR’O’RHUM have a new album out and also released the epic ‘Pirate Des Champs’ video. Nearly ten minutes of Pirate themed fun!

Mariner Rock, and Celtic Shenanigans, homebrewed on the South Shore of Nova Scotia. Even doing this we still come across stuff we missed from the past that is worth another look. This time we turn once again to Nova Scotia where we turn our attention to THE STAB ROVERS. Nova Scotia is home to vast amounts of Celtic folk and Celtic folk Folk bands and the area has featured here regularly. The Stab Rovers debut album came out in June, 2018 and is available as a ‘name your price’ download. The Bhoys are happily still together and looking forward to recording soon.

Now I don’t pretend to know anything about Hip-Hop and I do know what I like and here’s a couple of new releases that got me. The first video is ‘Back Around The Way’ featuring a bunch of rappers from Boston and New England including our auld favourite SLAINE and American Irish bhoy MILLYZ.

Another rapper to feature on these pages before is the Manchester born Irish D’LYFA REILLY who has a new single out available as a ‘name your price’ download. If you remember he performed with DANNY DIATRIBE on the utterly fantasticPaddys Cure’. Irish immigrant Hip-Hop at its finest!

The Polish band PIJUN have released their debut release, a 5-track demo called Jigra. The band play Slavic Folk which I’m sure you’ll hear is close to Celtic in both sound and vibe.

Dutch band PYROLYSIS had to postpone their dates in England earlier in the year but have just released a mini album of six songs. They play an incredibly joyful mix of Celtic music and Folk and are still not wearing any shoes!

Swedish Celtic/ Folk/ Irish Punk-Rock band PUNK MAHONE performed a bloomin’ brilliant Live Stream on Facebook at the end of October and it has just come out on You Tube. Not to be missed!

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

EP REVIEW: THE RUMPLED- ‘Toss The Coin’ (2020)

Yet more brilliant Italian Celtic-Folk-Punk has arrived on the London Celtic Punks doorstep. The new seven track EP from the Rumpled is here!
“Are you ready to face fate? Are you going to accept your
destiny or will you challenge it? Toss the Coin!”

The last month has seen a resurgence of Italian Celtic-Punk with several releases around St. Patrick’s Day of bands like Patricks  and The Cloverhearts who have both featured on these pages in the last few weeks (and not only that but probably the best band in the scene Uncle Bard And The Dirty Bastards have a new album due out very very soon!!). The Rumpled have appeared on these pages several times and although only formed in 2013 have long become a solid fixture on the Italian Celtic-Folk-Punk scene. Based in northern Italian city of Trento they have a steady collection of releases behind them including their debut album Ashes And Wishes in 2018 recorded and produced by Gianluca Amendolara of Black Dingo Productions. Last year saw the well received release of Grace O’Malley, a 5-track EP based on the story of the Irish pirate Queen that made the Top Ten Celtic-Punk EP’s Of 2019 on this here web-zine.

The Rumpled from left to right: Michele Mazzurana- Drums, Backing Vocals * Davide Butturini- Guitars * Patrizia Vaccari- Fiddle * Marco Andrea Micheli- Lead Vocals * Luca Tasin- Bassman, Backing Vocals * Tommaso Zamboni- Accordion *

Toss The Coin continues The Rumpled story with seven self penned original songs that maintains The Rumpled way of fresh and original Celtic-Punk. As I have stated before the Italian scene in particular has very strong links to Ireland and Irish music and culture and this comes across in their Celtic-Punk music. Toss The Coin begins with ‘Stand Up’ and sees the band once again accompanied by the Bold Rumjacker himself Frankie McLaughlin. The Rumjacks influence on the Italian scene is immense and allthough many of the bands take inspiration from The Rumjacks sound you won’t find many ‘covers bands’ here! Singing in English and accordion led they blast through the longest song here (only 3 and 1/2 Minutes) in a fast and breezy way with Frankie doing what Frankie does best and his unmistakable voice. The song tells of the time when it doesn’t matter which side of the coin falls. ‘Take A Drop’ has an Irish air but has still plenty of Punk Rock energy. Again the accordion is the fore and Tommaso is certainly a very very good player. ‘The Gipsy Dancer’ was the first single to be released from the EP from back at the beginning of March (seems a lot longer!!) and one thing that is quite common among Italian Celtic-Punk bands is the quality of their videos and The Rumpled like to make theirs interesting and The Gipsy Dancer’ is no different so be be sure to check it out.

Again it’s the story of tossing a coin. Head or tails? Fate speaks to us and while the coin spins there is the illusion that anything is possible. Next ‘The Road’ and for me the EP’s high point. Less ‘traditional’ or maybe more modern sounding Celtic-Punk that combines elements of Ska it’s a great song and I always love a bit of group ‘Woah-Woah-Woahh’ gang vocals. ‘One Love’ features another guest this time on banjo from Andrea Verga from fellow Italian Celtic-Folk-Rockers Folkamiseria from western Piedmont. A more Folk orientated song and catchy as hell while ‘Broken Romances’ has a harder edge to it and Marco’s vocals shine here. All the songs are sung in English and very easy to understand. My guess is we will be seeing a lot more videos like this but even with the restrictions imposed them they still manage something interesting and worth a view. The Bhoys go full out for the last song and ‘Patty’s Jig’ is the perfect way to bring the curtain down on an album of class Irish Punk. Accompanied again by Andrea and this time by Jacopo Ventura from Folkamiseria on bouzouki here they show they can go full on traditional with a self penned Irish Folk tune that could have been written a hundred years ago!!

The EP came out in St. Patrick’s week and was set to be followed by a massive series of dates across Europe labelled the ‘2020 Saint Patrick’s Tour’ similar in size to their 40 (!) date ‘Ashes And Wishes” tour which was them hitting 60+ stages and festivals. They were set to be joined on stage at several of those gigs by their friends The Rumjacks and the last I heard most of these have been re-arranged for later in the year so check the press for details.

#StayRumpled

Buy Toss The Coin  Here  Contact The Rumpled  WebSite  Facebook  Instagram  YouTube

Black Dingo Productions  WebSite  Facebook

LONDON CELTIC PUNKS 2019 READERS POLL WINNER ANNOUNCED!

The votes are in and have been counted and although it’s just a bit of fun really a champion has been declared the 2019 Readers Poll winner!

One of most popular releases of the year and it showed as they romped home as champions quite safely in the end. In true Mickey Rickshaw style they didn’t ask their fans to vote for them and even agreed with us that the #1 Celtic-Punk album of the year was The Walker Roaders. A very talented yet humble bunch of guys with a great future ahead of them. Well done fellas.

You can stream Home In Song on the Bandcamp below before you part with your hard earned. We promise you it is well worth it.

Buy Home In Song- Bandcamp   ArrestRecords (T-Shirt/Vinyl offer)

Contact Mickey Rickshaw  WebSite  Facebook  Bandcamp  Twitter  YouTube  Instagram

A special edition of Home In Song is available from MacSlons Irish Shop featuring seven (!) bonus tracks from their acclaimed 16 Down And Back Again demo from 2013 previously only available as a download.

With nearly 500 votes cast for thirty (plus three that came out in 2018!) different releases from 2019 it’s been a much more interesting Poll than 2018’s for a variety of reasons.The vote was slightly down on the previous year but was spread among a much wider selection of releases and a lot more votes were cast in the ‘Other’ section than ever before too. Early on it looked likely to be a four horse race between early leaders Ferocious Dog, Mickey Rickshaw, Greenland Whalefishers and Pipes And Pints. As time went by The Rumjacks made it a five horse race but Mickey Rickshaw slowly but surely overtook Ferocious Dog at the top and in the end romped home comfortably by over thirty votes.

In fact the actual winner of the Poll was the ‘other’ section with 20% of all votes. They were spread among twenty-one releases but with Ny’ers The Templars Of Doom hitting 19 votes which lifted them into joint 9th place with McDermotts 2 Hours overall and Seth Mountain not far behind on 17 votes giving him 10th position pushing out The Narrowbacks with The Whipjacks, The Rumjacks and Tortilla Flat all just behind.

So onto 2020 we go and several ‘big’ bands are promising new albums so it all seems set to be another exciting year ahead of us in the Celtic-Punk scene so if you are in a band and have something planned be sure to let us know. We can’t review what we don’t hear of and why not consider subscribing (the form is on the left or below depending how you are viewing this page) and you won’t miss any posts.

LONDON CELTIC PUNKS READERS POLL 2018

EP REVIEW: THE CLOVERHEARTS- ‘The Sick’ (2019)

From false friends, to (temporary) sobriety, to lovable junkies and the world’s worst public transport however you like your Celtic Punk’n’Roll – the debut release from The Cloverhearts will have you covered!
No country in the world had had such a relationship with Ireland and the Irish as Italy. From the poverty stricken roots of our mass migration to the new world and then living side by side in American slums to the eventual ‘coupling’ of their communities to the influence of a shared religion that dominated every strand of life back home and that they also helped spread around the world. When I was a kid on holiday back in the ‘auld country’ it was pretty common to bump into foreign travellers and in my experience the Italians always outnumbered everyone else. Even these days its common to meet young Italians experiencing the real Ireland away from gentrified Dublin. These links have now gone full circle and we have those same Italians going back home with a love of Irish culture and music (that many sadly in Ireland no longer have) and re-inventing it. To that end no countries in Europe have adopted Celtic-Punk as Germany and Italy have. With The Rumjacks Italy has took them to their bosom and several bands have hit the streets with an obvious affiliation with The Rumjacks sound.
The Rumjacks sound is a good place to start here as both they and The Cloverhearts have a very unusual thing in common. The Rumjacks have a Italian drummer and The Cloverhearts have a Australian singer in Sam Cooper not only that but Sam and Italian tin-whistle/bagpipe extraordinarie, Chiara de Sio first met at a Rumjacks show in Manhattan, New York fresh from Chiara’s departure from fellow Italian Celtic-Punkers, The Clan. Fast forward and joined by guitarist JJ Bassi, bassist Stefano ‘Cione’ Becce, and drummer Christian Amendolara The Cloverhearts have unleashed their first record alongside two recent high profile support slots with (them again!) The Rumjacks. So considering the band have only been together for just a short time their rise has been meteorically and this new EP is a great way to start.

The Cloverhearts left to right: Cione Becce – Bass, Backing Vocals *Christian Amendolara – Drums, Percussions * Chiara De Sio – Tin Whistle, Bagpipes * Sam Cooper – Vocal , Songwriter * Luigi JJ Bassi – Guitar, Backing Vocals

The Sick came out at the beginning of last month on the Italian record label, Black Dingo Records and has six new songs all written by Sam and the band themselves. The EP begins with ‘Always Monday’ which was the first single and shows how much those Europeans love their ska. I’m not such a big fan myself preferring sad tearful songs about hunger, famine and forced emigration to happy-go-lucky joyful bouncy Ska like this! I know this all makes me somewhat of a pariah. “How can anyone not like Ska” has been said to me many a time. Luckily this song has a tough edge to it and threatens to turn Punk at any moment meaning that I can just about tolerate it. Basically a song everyone else will love and enjoy so just ignore this miserable bastard.

I’m in much more favourable territory next with what I consider the EP’s standout track, ‘Black Eyes And Broken Hearts’. Kicking off with chunky loud guitars and bagpipes the music has the same sort of Pop-Punk air to it as Dutch Celtic-Punk band Drunken Dolly or more famous bands like NOFX or Blink 182. Catchy as hell with great lyrics smothered in black humour and Sam has a great voice too for this. I was also a big fan of Chiara and her piping while with The Clan and here again it is absolutely note perfect. This leads us onto ‘Drinking Songs’ and with its tin-whistle opener it is more yer typical standard Celtic-Punk song. Played fast and with passion this is a sure fire dance floor filler leading us onto ‘Fuck Trenitalia’, a story about Italy’s national rail way service. Funny enough I first heard this while waiting for a train that was running late whilst in deepest Surrey so can sympathise 100% with the sentiments expressed. I’m guessing a lot of people in Italy would as well as within ten days the video had amassed a staggering 170,000+ views on You Tube!
(Warning- “this video may be unsuitable for some”)

Loads of ‘effing and blinding’ throughout this exceedingly catchy number. Again played at full throttle and plenty of The Cloverhearts usual humour. No time for any ballads on The Sick and ‘Junky’ keeps the pace going. About a junky friend of the band and we should remember that inside everyone cursed with this terrible addiction is a real person who needs support to rid themselves of it. Anyone immersed in the punk scene will know a person who has lost everything to addiction and the sentiments in ‘Junky’ are beautiful. Not a bad song either and the catchiness keeps coming at you with the EP’s final track and a return to some Ska with ‘No Time For False Friends’. No lecture from me this time as the whole EP (including the Ska-ish) tracks have grown on me and it’s an excellent song to bring the curtain down. Veering from Ska to Punk and back to Ska again the whole band sound magnificent. The bagpiping sounds fantastic and though the bagpipes don’t appear on every track you can hear that the songs have been written with the pipes in mind and they haven’t just been tacked onto any old song. 

The Cloverhearts opening up for them Rumjacks recently in Bergamo

So there you go the debut EP from a band that has only been together for a blink of an eye and already one of my favourite releases of the year. We always delight in the arrival of another new band on the scene and its unusual for a band to come straight out the blocks and find their niche straight away but The Cloverhearts have done just that. They may be influenced by others in the scene (who isn’t?) but they have come out with an EP that has their individual sound stamped all over it. Highly recommended!

Buy The Sick EP  FromTheBand  AppleMusic
Contact The Cloverhearts  Facebook  YouTube  Twitter
Black Dingo Records  WebSite  Facebook

ALBUM REVIEW: THE RUMJACKS- ‘Live In Athens’ (2019)

The glorious Rumjacks are back with their second release of 2019 an excellent live recording of their November 2018 gig at the Piraeus 177 Academy in Athens, Greece! 

After their critically acclaimed stripped back acoustic album Live In London Acoustic Sessions The Rumjacks release another compilation to celebrate their tenth anniversary. 2018 saw The Rumjacks become somewhat of a European hit. A tour lasting almost the entire year saw them perform in pretty much every European country from East to West and North to South. Their album of that year Saints Preserve Us was also hailed as their best since their incredible debut album Gangs Of New Holland. The album would go on to receive the #1 album of the year voted unanimously by all the London Celtic Punks admins. Crowds on the tour saw them selling out venues regularly and performing at some of the biggest festivals around. The band continue to go from strength to strength helped no doubt by their down to earth attitude and consistently good songs and live performances.

The Rumjacks left to right: Top: Gabriel Whitbourne- Guitars, Vocals * Adam Kenny- Mandolin, Banjo, Bouzouki, Bodhran, Acoustic Guitar, Vocals. Bottom: Johnny McKelvey- Bass, Vocals * Frankie McLaughlin- Vocals, Tin-Whistle, Guitar * Pietro Della Sala- Drums, Vocals.

So it was that The Rumjacks rolled into Piraeus 177 Academy in Athens on November 3rd 2018 to play one one of their biggest ever headline shows to date. The atmosphere in the venue that night was electric and the band went on to play one of their best sets of the entire tour in front of an appreciative crowd that seemed to know the words to every song. Thankfully the entire show was captured and has been released as The Rumjacks first ever live album release. Featuring twenty-one songs split fairly evenly between their very earliest days and their latest album. Four songs come from their first two EP’s while five tracks each from Gangs Of New Holland and Sober And Godless with four from Sleepin’ Rough making up the bulk of the songs.

Kicking off with ‘Plenty’ the first thing to strike you is the absolute authenticity of the recording. Having seen The Rumjacks a stack of times I can confirm that the sound is as perfect as you could hope for and is definitely the next best thing to actually being there. Its all here from Frankie’s somewhat strained tin-whistle on ‘Kirkintilloch’ to Johnny’s in between song banter consisting of shouting at the audience! All the best songs from their current and back catalogue there is no filler whatsoever. As hard as it is to pick the best tracks here some of the ones that stood out for me included the catchy as feck ‘Cold London Rain’.

“If you wait for me here, I’ll return with a joy for your sorrows,

A cure for your heart & a wee drop to soften the pain,

And no matter the mark that we make on each others tomorrows,

I will sing to the glory of you and your cold London rain.”

Soon after the ska tinged ‘Kathleen’ and ‘Spit in The Street’ tumble after one another and hidden away right in the middle of the album is the song that broke them to the world ‘An Irish Pub Song’, now sailing up to 60,000,000 (that’s sixty million) views on You Tube! I remember sitting in Bootsy Brogan’s in Fulham with Guy from Neck the day the Ireland football team were playing someone or other (go easy I’m 50!) up the road at Craven Cottage and this came on in the middle of a random selection of Irish classics. That was the moment i realised The Rumjacks were going places. The Greek crowd go mad as soon as  they realise as Frankie starts the intro on acoustic guitar.

(fan video of ‘The Reaper And Tam McCorty’, ‘The Bold Rumjacker’, ‘Uncle Tommy’, ‘Jolly Executioner’ and ‘Saints Preserve Us’)

Another great song that here sounds utterly fantastic is ‘The Bold Rumjacker’ the highlight of their debut release Hung, Drawn And Portered. The song always give them a chance to muck around and they don’t disappoint here turning the ska and calypso tinged song into something special. A couple of their fastest songs next with ‘Uncle Tommy’ and ‘Jolly Executioner’ before the Celtic-Ska ‘Saints Preserve Us’ keeps the atmosphere at its highest possible point. The only disappointment on the album is that it does strip away all the friendly banter from Frankie mainly but also Johnny too confining them to just the occasional shouts of encouragement or the introducing of, at the time, new drummer, Pietro Della Sala, to the masses. They play an awesome version of ‘The Black Matilda’ and wrap things up with a string of Rumjacks best and most popular songs before ending with the classic Irish folk song ‘I’ll Tell Me Ma’ which saw them end with another song taken from their debut release.

(another great fan video of ‘I’ll Tell Me Ma’ as filmed on the night)

So while not a massive fan of live albums this gets a double thumbs up from me solely because it captures the gig so completely. Its a warts an all performance of a band that really knows how to put on a great show. With such a fantastic back catalogue it will always be hard to please everyone but this is as a comprehensive compilation of their best songs as you could wish for. With their touring schedule second only to none (perhaps Ferocious Dog maybe?) they are sure, as long as you live in Europe that is!, to rock up near to you sooner or later so get this album to whet your appetite for when the day arrives!

Buy Live In Athens  iTunes  Google

Contact The Rumjacks  WebSite  Facebook  Twitter  Instagram  YouTube  Soundcloud

Discography Hung, Drawn & Portered EP (2009) * Sound As A Pound EP (2009) * Gangs Of New Holland LP (2010) * Crosses For Eyes 7″ (2012) * Blows & Unkind Words 7″ (2014) * Sober & Godless  LP (2015) * Sleepin’ Rough LP (2016) * Saints Preserve Us LP (2018) * Live In London Acoustic Sessions LP (2019) * Live In Athens LP (2019) *

EP REVIEW: FOX N FIRKIN- ‘Hey Ho! We’re Fox n Firkin’ (2019)

Australian Celtic-Punk band Fox n Firkin have a new EP out on Folk Til Ya Punk Records which i n their own words “fuses traditional Irish instrumentation and melodies into blistering catchy punk rock”

It seems like absolutely bloody ages since we had a release in our greasy mitts all the way from Australia but patience is a great virtue and eventually you know one will roll in… and be well worth the wait to boot! I’m delighted to see Brisbane’s beloved Celtic-Punk rockers Fox n Firkin are back with their first release since their critically acclaimed album No Vacancy from, and it’s hard to believe it was so long ago, in 2016.

‘Hey Ho! We’re Fox n Firkin’ is the bands fourth release since forming in 2012 and as drummer Robbie says of the EP

“The new EP is kind of a tribute to ourselves, giving ourselves a pat on the back for making it this far and not killing each other.”

We rant and rave about the Aussie Celtic-Punk scene and though it seems quiet at the moment you just know that any minute a band is gonna burst out with something that nails the ethos of Celtic-Punk in a way that only the Aussies can do. They have a really original sound that comes I think from having only four members and while Adrian is responsible for most of the ‘Celtic’ sound playing mandolin and banjo fellow band mates Andrew, Leigh and Robbie keep the Punk melodies flowing but with an added unmistakable Gaelic base. Fiercely independent they self released their first couple of EP’s but have recently joined up, and have found the perfect label to support them in, Folk Till Ya Punk Records. The record label run by The Dead Maggies out of Tasmania has become the focal point for Celtic/Folk-Punk in Australia and the list of bands on their rota is impressive by anyone’s standards. 

Fox n Firkin left to right: Andrew Boyle – Guitar/Vocals * Robbie Fraser – Drums/Vocals * Adrian Kay – Mandolin/Vocals * Leigh Mitchell – Bass/Vocals

Here on the new EP their may be only four tracks but what a four tracks they are. Kicking off with ‘Falling’ and its a feel good skanktastic start to proceedings as Adrian’s mando gets an early work out to a ska based track that chugs along quite nicely with guitarist Andrew taking on the vocals and I may be the only Celtic-Punk fan around who isn’t a Ska fan but the Aussies do have a good take on it. Think of The Rumjacks various forays.

This is followed by ‘Sail Away’ and to be honest this is what I am here for! Top rank catchy as fecking hell Celtic-Punk played at speed and with good humour. Adrian sings this time and it’s a happy go lucky drinking song designed to get you off your bar stool and on your feet. Music at home in both the pub and the arena. Music to stir the spirits literally!!!

The boys have a much harder edge than the opener would suggest and give it good reign here. The #1 song here though is up next and is Fox n Firkin‘s amazing tribute cover of The Cranberries classic song ‘Zombie’. They love an unusual cover and here they do perfect justice to the well known and much loved song. Released back in 1994 and was written by Dolores O’Riordan in response to the tragic IRA bombing in Warrington in northern England that killed two young children, Johnathan Ball and Tim Parry.

“Another mother’s breakin’
Heart is takin’ over
When the violence causes silence
We must be mistaken”

The song was undoubtedly powerful and though criticised by some for it’s partial attitude to the war in Ireland at the time the song has gone down in history as without doubt one of music’s most outstanding protest songs. Dolores O’Riordan sadly passed away in January 2018 aged only 46. A tragic loss to the world of music. Here it takes a few moments before you realise what you’re hearing and its the mandolin that gives it away. Andrews sings vocals again and they are again perfect as the Bhoys punk it up but not in an inaccessible way and keep the tune of the original. Utterly brilliant.

Without doubt the EP’s standout song drummer Robbie says of the track

“We just can’t stop ourselves! We end up wasting half of our rehearsals blasting out ridiculous covers that don’t make sense and then before you know it, we are in the studio recording them! This is the 3rd Fox n Firkin record with a cover on it. Zombie is a great song but I’m sure we can all agree it has been butchered many times over. I’m so happy to finally have the opportunity to butcher it ourselves!”

The EP comes to a close with the gloriously uplifting ‘Hey Ho! We’re Fox n Firkin’ and the story of being in a “fooking punk rock rock band” is told in a tuneful catchy mosh pit filling tune that again will have you diving for the dance floor. Thirteen minutes of guaranteed class Celtic-Punk from a band that are not content to sit on their laurels. Let’s just hope they keep turning out the tunes and we’ll forgive them the gap inbetween!!!

Discography To Hell and Back EP (2013) * Roppongi EP (2014) * No Vacancy LP (2016)
Buy Hey Ho! We’re Fox n Firkin  Here
Contact Fox n Firkin  Facebook  Bandcamp  Soundcloud  YouTube

ALBUM REVIEW: THE WHIPJACKS- ‘This Wicked World’ (2019)

“We’re The Whipjacks and we’re just having fun”

This Wicked world is the brilliant debut album from a relatively new band to the Celtic-Punk scene. Based in Worcester in the English Midlands and heavily influenced by the major scene greats they are more though than just following others as here they deliver an album of quality high tempo Celtic Folk’n’Punk. 

Pounding drums, driving bass, screeching guitar, melodic mandolin and partial nudity. These are the things that energetic Midlands based five-piece The Whipjacks intend to bring to venues around England and based on their debut album they should be entertaining crowds for quite some time. If they aren’t near you right now, you can be damn sure they are coming… soon!

Their debut release was Scoundrels And Rogues, a 4-track EP, including a radio edit of the title song, which came out in early 2017. Original compositions of high tempo Celtic-Punk with catchy tunes that belies that The Whipjacks are basically a punk band but with a  mandolin player but in the right hands and with the right tunes a folk instrument can transform any band into something much greater. Here Arran’s playing makes that difference.

So just over a year later saw the release of This Wicked World and a catalogue of mishaps here at London Celtic Punks that saw it filed in our spam folder for ages and then lost, along with 100’s of hours of music when my laptop went bonkers. Finally though we are ready to deliver our verdict and I’m guessing that most will have already decided which way I have gone from the over enthusiastic opening paragraph!! Well yes it’s true I absolutely love it and I’m not ashamed to announce it from the rooftops!

Again, as on Scoundrels And Rogues all the tracks here are original compositions. No room for ‘The Wild Rover’ here I am glad to say. The shadow of the ‘Big Bands’ does loom over them somewhat and partly it’s because of their name and similar style to one band in particular but The Whipjacks plough their own furrow and it helps I suppose to be tucked away in a quiet backwater like Worcester to develop their own style and sound. The album opens with ‘Forever Free’ and from the off it grabs you with Tim wielding his guitar in a similar style to how The Skids once did while Dean’s strong vocals are both tuneful and punk rock. It’s a well chosen start to the album with a catchy beat and a song that leads directly into one of the albums highlights with Arran getting his first chance to shine on the mandolin and  ‘Sundown Devil’ has tinges of good auld fashioned country’n’western mixed into proceedings and a great chorus and a nice sense of cheeky humour too.

“She’s a devil when the sun goes down, my friend, I love it when she goes down,

Innocent and sweet when you pass her on the street but a devil when the sun goes down”

‘Push On’ is a short piratey number that still embraces The Whipjacks sound coming across like a punk sea shanty before the album’s title song ‘This Wicked World’ and a real Celtic-Punk epic. Lasting over five minutes the song dives and lifts and swirls throughout and while not quite a ballad it certainly slows the pace nicely. So far it’s been a sort of generic ‘Celtic’ sound The Whipjacks have employed but finally on ‘Hero’ we can nail down a ‘Gaelige’ influence and what a song. Nowhere on This Wicked World does Dean’s voice sound so good as on here and its a mark of the band that my favourite tracks from the album are so diverse but then the Bhoys go for it and finish the song with a real CeltPunk flourish. The next song is the one they chose to release as the album’s single and is without a doubt the #1 song here. I may love a ballad or a trad folk reel or two but give me a foot-stomping fist in the air dance floor filler any day of the week and I’m in heaven. ‘All My Pains (Are Self Inflicted)’ is that song! Catchy as hell and a guaranteed audience favourite I am sure.

With ‘The Ballad Of Jack Cade’ we are set for a bit of a history lesson and I must say how impressed I am with the current trend of bands singing sings like this that don’t just entertain but also tell a tale too. English history is full of such stories and while many of the ‘middle-class left’ would have us self-flagellating ourselves over slavery or some such event from the past they are more than happy to ignore the history of the ordinary people of this island of rebellion and struggle. Jack Cade was the Irish born leader of the 1450 rebellion against King Henry VI. Although put down ruthlessly it led to the War Of The Roses which in turn led to the breakdown of Royal authority. Having been accused of murder and fled to France he returned in 1450 emerging as the leader of a Kentish rebellion. His forces defeated the royal army at Sevenoaks in June and two weeks later he entered London, where he executed the hated Lord Treasurer. Eventually run from the city the government persuaded most of the rebels to disperse by offering them a pardon, but Cade continued his resistance. Wounded and captured near Lewes on July 12, 1450 he died while being transported to London. The song itself is a catchy folk led number that The Levellers would be proud of. One thing the Celtic-Punk scene can’t get enough of is more rap style numbers and on ‘L.S.D’ The Whipjacks deliver. It’s not quite the House Of Pain but again their sense of humour shines through before ‘Song For A Swine’ and a quick barroom ballad played out to the sound of a pub piano with Dean and gang crooning along before the album’s curtain comes down with the energetic  ‘Farewell To The Ladies’ and a song that again raises both a smile and a fist!

So having made themselves a firm fixture on their local music scene and with a ever growing list of gigs further afield it’s now time for them to come to the attention of the wide Celtic-Punk community. With a scene as partisan as the Celtic-Punk scene it’s hard to get people in this country to look beyond the likes of the Murphys and the Mollys but all the time their are bands like The Whipjacks flying the flag for Celtic infused Folk-Punk with shedloads of both attitude and really good songs. This Wicked World is thirty-five minutes of infectious sea bound anthems. Music to forget your vows and bring a smile to your face and joy to your heart as well as pain to the soles of your feet!

Buy This Wicked World  cdBaby  iTunes

Contact The Whipjacks  WebSite  Facebook  YouTube  Bandcamp  Soundcloud

Join the crew of local favourite Roderick the Rambunctious as he looks back on his wrestling career to date.

THE RUMJACKS LIVE IN LONDON- ACOUSTIC SESSIONS

In February 2019, The Rumjacks arrived in London town at the You Tube Space Studio in Kings Cross, and recorded a set of stripped back acoustic versions from their back catalogue. Where once the band would have been at home among the dirt and grime of Kings Cross station where untold amount of Scots disembarked over the years with little more than the clothes on their back it’s now a shiny gleaming soulless example of the new London. The songs were drip fed to us one at a time over the course of the next ten Fridays and here we present them all together. The recordings are now available for download across the usual platforms, links at the bottom.

The Black Matilda

Plenty

A Fistful O’Roses

Bar The Door Casey

My Time Again

Cold London Rain

Kathleen

The Leaky Tub

The Bold Rumjacker

Barred For Life

Director / Producer – Phil MacDonald * Director of Photography – Archie Guinchard * Sound Engineer – Paddy Fitzgerald * Editor – Phil Macdonald

Buy Live In London  Spotify  Amazon  iTunes

Contact The Rumjacks WebSite  Facebook  Twitter  Instagram  YouTube  Soundcloud

EP REVIEW: THE RUMPLED- ‘Grace O’Malley’ (2019)

Italian Celtic/Irish Rockers The Rumpled follow up last years debut album with a digital only 5-track EP. Five different stories about love.

After last weeks review of The Clan’s new 4-track EP, Quattro Giorni Fuori Porta, it’s time for another Italian Celtic-Punk to be featured and another EP as well. The Rumpled haven’t been around as long as The Clan and are in fact one of the newest of the bunch of bands that we consider make up the Italian Celtic-punk scene.

The band were formed in 2011 in the northern Italian city of Trento and began with the name Seven Deadly Folk but as is often the way with bands with so many members it’s hard to keep everyone together and with the coming and going of new and old members the band decided in 2014 to change their name to The Rumpled. Last year saw the release of their debut album Ashes & Wishes for which they also took on a mammoth tour of home that saw them play every corner of Italy. The album was a surefire hit among the Celtic-Punk community and saw the band placed in all the various Best Of’s the scenes media had to offer. In the London Celtic Punks Top Thirty of 2018 they managed a very respectable #14. Not bad at all for a debut album.

In common with bands like The Clan and Uncle Bard And The Dirty Bastards The Rumpled embrace a certain kind of Celtic-Punk sound. It’s neither the Dropkicks or the Murphys but a Celtic-Punk that is very much focused on Irish traditional music. That may sound strange as you may think that is what all Celtic-Punk is but it is in fact quite rare. Irish folk music and Irish traditional music are different things and when Punk is added to it it can sound very different.

Is love an ideal? Is it love we feel for some friends? Can love be also sad or even frightening? Can love become an addiction, a source of pain or even violence? All is answered on this EP titled as a tribute to the legendary Grace O’Malley but more on her in a moment as the disc kicks off with the raging ‘Song Of Ill Repute’, A swift accordion and fiddle led whirling dervish of a song that you can imagine couples swirling each other round a dance floor. The Irish sound is paramount here but with both feet still in Celtic-Punk. It’s kind of untraditional traditional music if you will! This is swiftly followed by a extended version of the title track ‘Grace O’Malley’. Now Grace has become quite famous in the last few years. She was born in Ireland in around 1530 and was a fearless leader over land and by sea, politician and tactician, a rebel, pirate and matriarch, and the ’most notorious woman in all the coasts of Ireland’. Although she was always famous as The Pirate Queen in Ireland and among Irish communities, notorious for their long memories ( I remember being told bed-time stories about her taking on the British Empire’s fleets as a small child) and glee at being able to rely a story in which the Irish didn’t lose to the English for a change! Her life is far too complicated to take up in a review of a single song so take the time to read up on her fascinating and inspiring story. Anyhow back to The Rumpled and the song ‘Grace O’Malley’. The song has racked up an incredible raked more than 50,000 streams in less than a month on Spotify and has been chosen for two of the most important playlists curated by the platform (New Punk Tracks & Celtic Punk).

Great lyrics, with thanks for assistance from Stephen Trollip, and Marco’s raspy tuneful voice telling the tale in English , not that that matters on first listen you’d never be able to tell his first language wasn’t English. Next up is another song that has set the internet alight and on ‘Fearless And Brave’ you may recognise the voice that is accompanying Marco and yes its the fearless Paddy O’Reilly from awesome Celtic-Punk band Paddy And The Rats. A utterly fantastic song with Paddy and Marco sharing vocals to great effect while the Celtic-Punk crosses into Ska but by hell it certainly doesn’t get much more catchy that this I tell you. The story is again dedicated to Grace O’Malley and steams along at a healthy pace that would be totally accessible to both Folk and Punk fans. On ‘Feelin’ Fine’ the song keeps up the same pace and has a ‘piratey’ feel to it with the heavy sound of the accordion while the final track ‘The Maiden’ brings down the curtain on 15-minutes of proper brilliant Celtic-Punk that will only go to further The Rumpled’s reputation.

(the full 5-track ‘Grace O’Malley’ EP by The Rumpled)

The album has been produced by Gianluca Amendolara of Black Dingo Productions (who look after any Celtic-Punk band who hits Italy through being a independent record label, booking gigs and general management) who started his many appearances on these pages as drummer with The Clan before setting sail to join Aussie bhoys The Rumjacks. He has done an incredible job here and a special mention also for our Frankie out of The Rumjacks who has taken The Rumpled under his wing and assisted them throughout their career, who appears here as ‘vocal coaching and supervisor’ which must be a first for a Glaswegian! To celebrate the release of the EP The Rumpled have set sail on another massive tour that will take in Italy, Switzerland and France and will I am sure gain them legions of new fans.

Buy Grace O’Malley  Here  Contact The Rumpled  WebSite  Facebook  Instagram  YouTube

Black Dingo Productions  WebSite  Facebook

(have a listen to their brilliant debut album below on the Soundcloud player)

KRAKIN’ KELLYS WIN 2018 LONDON CELTIC PUNKS BEST ALBUM READERS PICK

We always knew that the London Celtic Punks readership had exquisite taste but it sure is nice to have it confirmed! We have the winner of the first ever London Celtic Punks Readers Pick and they are well deserving of the award. Having already walked away with Best Debut Album and fourth overall in the Top Thirty Albums of 2018 the Krakin’ Kellys polled 32.38% out of an incredible 522 votes, almost seventy votes clear of runners-up Tir Na Og from Germany with London’s very own Clan Of Celts coming in in bronze medal position clear of The Rumjacks. And as if by magic on the morning we announce this The Krakin’ Kellys only go and release a new video too so scroll down and enjoy another in a long line of bloody great music videos from the utterly fantastic Krakin’ Kellys- Celtic skate punk, beer and bar fight !

We were blown away at how many of our readership took part and 522 votes far exceeded what we were expecting and so congratulations to the Kelly’s. I’m sure 2019 will bring them the recognition they deserve. You can check out the official London Celtic Punks Best Of list here which includes all the relevant links to find out more about these releases.

NUMBER ONE

Contact Krakin’ Kellys- Facebook  WebSite  Bandcamp  YouTube  Twitter  Instagram

NUMBER TWO

Contact Tir Nan Og- WebSite  Facebook  Instagram  YouTube  LastFM

NUMBER THREE

Contact Clan Of Celts- WebSite  Facebook  YouTube  Twitter  ReverbNation  Soundcloud

So there ends the final link to 2018. Now time to look forward to 2019 and we have already had a bunch of releases land on the doormat so stay tuned for the best in Celtic, Folk, Punk and much more.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

THE CELTIC PUNKCAST. BONUS EPISODE- TOP 10 ALBUMS OF 2018

December is usually the time when all the various Celtic-Punk media begin to compile and release their Best Of charts. There’s already been a couple and we are no different with ours traditionally released in the first couple of weeks of January. Our stablemates over at The Celtic Punkcast have just put out a special episode featuring the best song from the ten best Celtic-Punk albums of 2018 and I can tell you it’s a good one. 

Hi everyone, I thought I’d drop a little something extra this year for December in addition to the Christmas Special, it’s my top 10 albums of 2018 as judged by me and my old kelpie Banji. Some fantastic music came out this year and I swapped a lot of these artists albums positions around many a time before settling on the final rankings. Rankings are always suggestive so if you disagree with my list then feel free to let me know yours. Here’s the rankings/playlist:

10: ALTERNATIVE ULSTER – ‘No Queen, No Crown’  from BOOBIES BANJOS BEER AND BAGPIPES

9: THE LANGERS BALL – ‘No Irish Need Apply’ from HARD TIMES IN THE COUNTRY

8: THE O’RIELLYS AND THE PADDYHATS – ‘Green Blood’  from GREEN BLOOD

7: BASTARD BEARDED IRISHMEN – ‘Pirates Of Three Rivers’ from DRINKIN’ TO THE DEAD

6: MR. IRISH BASTARD – ‘Oliver Cromwells Head’  from THE DESIRE FOR REVENGE

5: KRAKIN’ KELLYS – ‘Anarchy In The Double K’  from PROMISED LAND

4: SIR REG – ‘Don’t Let Go’  from THE UNDERDOGS

3: MEDUSAS WAKE – ‘Hobart Sailor’  from RASCALS AND ROGUES

2: THE RUMJACKS – ‘The Foreman O’Rourke’  from SAINTS PRESERVE US

1: THE MUCKERS – ‘Black Irish’  from ONE MORE STOUT

CLICK HERE

So there it is. Any thoughts send them to me on Twitter, Facebook or via email and I look forward to more great music in the new year.

Muer ras, Gareth & Banji

Contact The Celtic Punkcast  Facebook  WebSite  Twitter  E-Mail

  • The London Celtic Punks Best Of 2018 lists will appear in the next few weeks covering the best albums, EP’s, Folk/Trad releases, Celtic-Punk media and more so if you don’t want to miss it then be sure to subscribe to our E-Mail alert list. The box is on the right or below depending on how you are viewing this page.

ALBUM REVIEW: THE RUMJACKS- ‘Saints Preserve Us’

The new album from the undisputed Kings Of Celtic-Punk hits the decks right across every corner of the globe. I never thought they’d ever come close to their out of this world debut album but as Shane O’Neill shows they have not only made an album to compete with Gangs Of New Holland but possibly even surpassed it!!!

To say we’ve been excited and eagerly awaiting the release of The Rumjacks new album is a major understatement. It’s no secret that we’re big Rumjacks fans (if not a little obsessed) over here at London Celtic Punks. True to form, The Rumjacks didn’t disappoint. This is another absolute crackin’ album – 42 minutes of pure brilliance. I haven’t been able to turn it off since I got my hands on it. Totally addictive! The album, Saints Preserve Us, is released on the tenth anniversary year of the band and what a way to mark the occasion. Originally formed in Sydney in 2008, the band recently set up camp in Europe and have been touring rigorously over the past few years. They have just kicked off their tenth anniversary tour which will be ripping through Europe and Asia over the next few months. The crowds and venues are getting bigger which is down to their hard work and of course the exceptional tunes they continue to churn out. This is their fourth studio album and the third to be released in the last three years. Over the past few weeks the band have been drip feeding with a few tracks to wet our appetite. First up was the title track and video, ‘Saints Preserve Us’.

This track is full of the energy we’ve become used to from the band. There’s also a hint of ska-punk on the track. This was followed up with ‘Bus Floor Bottles’, ‘The Foreman O’Rourke’ and ‘Cold London Rain’. All of this within a week!!! ‘The Foreman O’Rourke’ is a cover of Matt McGinn’s folk tune. It features Paul McKenzie and Troy Zak from Canadian punks The Real McKenzies. And bhoy have they transformed this song…It’s been given a boost a speed with bagpipes thrown in for good measure.

The album features a host of guest appearances from the Celtic-Punk world with Mike Reeves of Mickey Rickshaw popping up again, after a recent spot on German band Kings & Boozers debut album, doing a spot of vocals on the second track ‘Billy McKinley’. The combination of vocals between Mike and Frankie on this track works wonders making this one hell of a tune. Other guests include Maurizio Cardullo (Folkstone – Whistle & bagpipes), Robert Collins (Blood Or Whiskey – Trumpet & accordion), Angelo Roccato (The Clan – Guitar), Francesco Moneti (Modena City Ramblers – Fiddle), Denis Dowling (Clan of Celts – Guitar and backing vocals) and last, but definitely not least, our very own Shelby Colt (London Celtic Punks – backing vocals). Beat that!! The fourth track on the album is a rendition of ‘An poc ar Buile’ (The Mad Puck Goat). I’ve heard some of the traditional versions of this tune before but nothing anything quite like this. The song is almost entirely in Gaelic and played at a high tempo with bagpipes, which works well. I had trouble getting it out of my head a few nights.

It’s difficult to pick the best songs on this album. They’re all feckin’ brilliant. If I was pushed I’d have to say ‘A Smugglers Song’, ‘Bus Floor Bottles’, ‘Billy McKinley’ and ‘Cupcake’ would be the favourites. ‘A Smugglers Song’ is a revisit to The Rumjack’s roots and you’d be forgiven for thinking it had been plucked from one of their early days EP’s. We’ve listened to quite a few Celtic-Punk bands here at London Celtic Punks and The Rumjacks are a tough act to follow. Everything they’ve released to date has been highly acclaimed throughout the Celtic-Punk world and they’re going from strength to strength. It’s widely accepted that their debut album Gangs of New Holland is probably the best Celtic Punk album to have even been released. I never thought another album would get anywhere close to it, however I have to say, Saints Preserve Us is most definitely a contender to knock it off the top spot. So there you go… Drop whatever you are doing and get your hands on a copy of Saints Preserve Us now.

Rumjacks band

The Rumjacks left to right: Top: Gabriel Whitbourne- Guitars, Vocals * Adam Kenny- Mandolin, Banjo, Bouzouki, Bodhran, Acoustic Guitar, Vocals. Bottom: Johnny McKelvey- Bass, Vocals * Frankie McLaughlin- Vocals, Tin-Whistle, Guitar * Pietro Della Sala- Drums, Vocals.

Also make sure you try to catch The Rumjacks in a town near you.

Buy Saints Preserve Us  FromTheBand  Here  (iTunes, Google, Apple etc.,)

Contact The Rumjacks  WebSite  Facebook  Twitter  Instagram  YouTube  Soundcloud

For more on The Rumjacks check out the following articles Album Review: ‘Sleepin’ Rough’ (2016)  here

Album Review: ‘Sober And Godless’ (2015)  here

Single Review: ‘Blows And Unkind Words’ here 30492-London Celtic Punks Top Twenty Celtic-Punk Albums Of All Time here The Rumjacks And Irish Pubs here

ALBUM REVIEW: MEDUSA’S WAKE- ‘Rascals & Rogues’ (2018)

The eagerly awaited debut album from youngish Aussies Medusa’s Wake, founded in 2015 in Sydney! Playing a mixture of Celtic and Australian folk in the spirit of The Pogues and Roaring Jack, using accordion, mandolin, banjo and tin-whistle! 

If there was a world cup to determine the best country for Celtic Punk music, then Australia would win it hands down every time. Not sure what they put in the water down there, but this place continues to churn out the best Celtic Punk bands over and over again. The calibre of music is so good that we have actually kidnapped The Rumjacks and are currently holding them captive at a secret location in Europe. When we received the new album from Medusa’s Wake a few week ago we were expecting a good album. The debut offering from the Sydney 6 piece, Rascals & Rogues, didn’t disappoint. Formed in late 2015, Medusa’s Wake released a 7 song EP in 2016. They then hit the studio in 2017 to record the current album which was released in June 18. Two of the song from the 2016 EP ‘No Nay Never’ and ‘Gates Of Hell’ have been re-recorded and feature on the debut album.

(here’s their debut EP from January last year. it’s available as a Pay Whatever You Want download. Meaning nowt if you like but enough for a couple of pints if you can!

Medusa’s wake left to right: John Coote- Electric Guitar, Banjo * Ben Pattison- Accordion * Ron Clark- Drums * Ed Lawlor- Vocals, Mandolin, Bazouki * Frank Sallie- Vocals, Acoustic Guitar, Harmonica * Zane McRae- Bass *

The album kicks off with ‘Seldom Sober’ which is also the first track and video released off the album which is full of energy and a great introduction to the band.

“I’m a Rover Seldom Sober
Whiskey I have only eyes for you,
I’m a Rover Seldom Sober,
Darling I think this time we are through.”

This is followed up by ‘Hobart Sailor’ which has a very familiar sound which is unique to the Australian Celtic Punk scene. ‘Convicts Tale’, ‘Irish Sky’ and ‘Branxton’ (traditional instrumental) stand out as favourites on the album however I must say there isn’t a bad song on the album. 11 excellent songs for the band to be very proud of. The mandolin and vocals really make this album one of the top releases we’ve heard so far this year. That says quite a lot as it’s been a good year for Celtic Punk album releases so far.

(The first single from the album recorded at Norton’s Irish Bar, Sydney, Australia)

We have no doubt that this is a band who we will hear a lot more about in the coming years and no doubt will feature on here again. Hopefully some day we will have the pleasure of seeing them live however a word of warning to the band, if you come to visit us you might like it over here and stay!!

(have a listen to Rascals & Rogues before you buy on the Bandcamp player below)

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ALBUM REVIEW: MUIRSHEEN DURKIN AND FRIENDS- ’11 Pints & 3 Shots’ (2018)

And we all thought Muirsheen Durkin had gone off to mine gold in California but would seem he got lost on the way to Amerikay and ended up in Arnsberg and started playing some proper kick-arse Irish-Celtic-Folk-Punk-Rock!

I have a feeling we’ll still be reviewing Celtic-Punk releases from March well into the Summer at this rate! Here’s another that arrived in time for St. Patrick’s Day and has hardly been out of my ears since. The quality of what we received here at London Celtic Punks Towers has been amazing and when I said I thought Krakin’ Kellys new CD was already the album of the year I hadn’t heard 11 Pints & 3 Shots by this awesome German collective of musicians.

Having known each other for some thirty years it was only a few years back in 2009 that the idea to start something new came up. Wanting a band with its feet based firmly in traditional Irish music and with an emphasis on emigration songs Muirsheen Durkin & Friends was born. Their name comes from the auld song about a happy go lucky Irishman heading off to mine for gold in America during the  California Gold Rush of 1849. The song is unusual in that its a happy song and Muirsheen (a reference to the phonetic pronunciation of ‘Máirtín’ (in English Martin) in the West of Ireland.The feet may be in trad with mandolin, banjo, tin whistle, accordion and two pipers but with the addition of classic rock music instruments the band joined an ever growing scene

” set about re-voicing Irish traditional’s with pulsing bass runs, pumping beats and the use of relatively rare instruments, making it hard to recognize the contemplative shanty or seafaring vocation , Pure enjoyment and a little punk rock is still…”

Modern day celtic music and celtic-punk music has moved away from the areas well known for Irish/Celtic emigration and is now played throughout the world inspired by hundreds of bands throughout the globe. They no longer come from Ireland or London or New York but from Indonesia, Russia, Japan and even China. This is the proud legacy that the Pogues leaves to the world.

11 Pints & 3 Shots is the third release from Muirsheen Durkin with their debut album, Last Orders, hitting the streets back in 2012 and their follow up to that, Drink With The Irish, a four track EP, arriving in 2014 which features ‘The Pogues and Whiskey’ a stunningly great homage to Kings Cross finest. Each release came with mighty press from around the celtic-punk world with everyone from Celtic Folk Punk & More to Shite’n’Onions raving to the high heavens about how good they are.  Formed in the central German town of Arnsberg the band were first revealed to me when they played at the Celtic-St. Pauli football and music festival and loads of fellow Celtic supporters arrived back over here raving about a band they had seen. That was a couple of years ago and with 11 Pints & 3 Shots I finally had the chance to hear them for the first time.

What we have here is fourteen tracks that clock in at three quarters of an hour which includes three instrumentals and and a bunch of songs that you may have probably heard before but done in a style i’m sure not many are accustomed to outside these pages! Mix in some re-workings (updating?) of a couple of songs and a smattering of original compositions and you got yourself one hell of a an album!

So onto the actual review and the fun begins on 11 Pints & 3 Shots from the very off with a great album opener ‘Another Drunken Night’. Self penned by the band this was the song that announced the new release to the waiting public and needless to say it is a corker! Banjo and accordion led with nice drumming it has a definite Rumjacks feel to it but these Bhoys and Ghirls have been around long enough, and on another continent!, to come up with it themselves. A grand song and what a way to start.

The subject matter well have a gander at the video above and you’ll easily work it out. We stay in the pub next for ‘One Whiskey’, another band penned number. The song really evokes an Irish sound to me. This is the Gaelic music music that we grew up here but with plenty more bite to it. Its still folk music but played at a breakneck speed and with a real passion. Vocalist MacRünker was a member of the first Irish folk punk band in the area, Lady Godiva, who released four albums and his voice fits in superbly. Hoarse and raspy but never too much and totally in tune with the music. The bagpipes are out for ‘Itchy Fingers’ and it puts the mental into instrumental. It’s the same tune as The Kilmaine Saints signature tune which I am sure is well known but beyond my feeble memory. A killer of a song and you’d expect it to be from a band with two pipers and where half the rest of the band can pipe as well!

The first totally recognisable cover is the Scots classic ‘Donald Where Your Troosers’. Written by the great Andy Stewart in 1960 while sat on the toilet in a recording studio. The song tells the hilarious story of a kilted Scotsman travelling round London shocking the well heeled residents of London.

“I went down to London town
To have a little fun in the underground
All the Ladies turned their heads around, saying,
“Donald, where’s your troosers?”

This is followed up with another classic Scottish song in ‘Wild Mountain Thyme’ and make no mistake I tells you this is the best bloody version of it I have ever heard in all my days! Folk music is put aside somewhat for a moment as the band punk it up with a thundering bass and MacRünker and acoustic guitarist Sonja and accordionist Mine kick up a real storm on vocals that captures Muirsheen Durkin perfectly. Talk about catchy this album sounds like there’s about twenty people playing and if i never thought I’d hear a better version than you-know-who’s then i was wrong. Another classic cover up next and its one perhaps made famous by The Dreadnoughts, ‘Old Maui’. The song can be traced to records going back to the mid 19th century and tells the story of a whaling ship returning to Maui in Hawaii after a long season of whaling.

“It’s a damn tough life full of toil and strife
We whalermen undergo”

The song is strong as any on the album but doesn’t add much to the Dreadnoughts version for me and for a band that really can stamp their brand onto any song maybe it might have been better to cast their net for a less known song. After a smattering of covers the next couple of songs are self-penned by the band and ‘Peggy The Waitress’takes us back to the auld sod of Ireland and a tin-whistle led instrumental that takes in a variety of tunes some sounding familiar and others not before the banjo takes over and leads us until the accordion takes over and then all kick in before we get ‘Land Of 1000 Mountains’ and its a country/Irish folk crossover and again MacRünker’s voice is exactly what is needed here. The song steams along at a steady pace and you know its gonna take off and when it does it lifts the roof. Another album standout here proving they are not just a brilliant covers band but a brilliant band in their own right. Next up we get another cover and Sonja and Mine again take up the vocals on ‘Botany Bay’ and again it’s a great version but perhaps a bit overdone. For a band so in touch with ‘Irishness’ this would be my only wee complaint here. ‘MacRunkers Junk’ is another belting Irish folk punk instrumental with what could easily pass for a ska interlude if they wanted. The tunes fly at you and once again some familiar and some not but they make for one hell of a song when they all put together. On ‘Drink With The Irish’ Muirsheen Durkin pay tribute to one of Ireland’s best ever bands and one that at times could have got you arrested for just listening to! The Wolfe Tones classic rebeler ‘Erin Go Bragh’ is chopped and changed and adapted with love and respect into a celtic-punk number.

“I’ll sing you a song of a row in the town,
When the green flag went up and the Crown flag came down,
‘Twas the neatest and sweetest thing ever you saw,
And they played that great game they called Erin Go Bragh”

Written and arranged by banjo/mandolin player Thomas ‘Lanze’ Landsknecht I bet the tones would whole heartily approve. With the King Of Celtic-Punk’s recent 60th birthday Muirsheen Durkin then pay tribute with ‘Last Of McGee’ written by Shane himself.

“Rope of hemp, around his neck
To hang from an old gum tree
And as he hung
The branch came down, and finished the last of McGee”

You may not have heard it as the song was unreleased and was recorded in 1990 during the recording sessions for the Hell’s Ditch album and produced by Joe Strummer. The song stays fairly true to the MacGowan version and is a timely reminder of the great mans talent. Fast and furious and how could it be anything other than absolutely fecking brilliant!! We are steering up towards the end and the quality hasn’t waned and in ‘When The Pipers Play’ we have what for me is the albums standout track. Originally played by the amazing Black Tartan Clan from Belguim the lyrics are by Muirsheen Durkin and leans heavily on songs as varied as ‘The Water Is Wide’, ‘Danny Boy’ and ‘Auld Lang Syne’. If you like bagpipes in yer celtic-punk then this is the song for you. Absolutely stunning pipes from Andre and Simon and arranged into a completely new song.

11 Pints & 3 Shots comes to a glorious end with the hilarious ‘Botany Bay Reggae’ and aye you guessed it is a reggae infused version of everyone’s favourite emigration song. Now I hate reggae but I love this so there! What a way to wrap up the album and the perfect way!

Overall the album has a fantastic sound. Quite a feat with the amount of musicians at work here and thanks are due to Sebastian Levermann of German progressive metal band Orden Ogan who along with the band members has managed to capture the band perfectly. The CD also comes with a very elaborate twenty page booklet with everything you need to know about the album and with some amazing cartoons of the band drawn by Sebastian Kempke. Last year was the year all the giants of celtic-punk released albums and this year may seem quieter because of that but so far we have a handful of albums that must have the giants quaking in their shoes and up at the top of that list is this one!

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INTERVIEW WITH GARETH OLVER FROM THE AUSTRALIAN RADIO SHOW ‘THE CELTIC PUNKCAST’

We never shut the feck up about how brilliant Australian celtic-punk is so we are pleased as punch to present to you this interview with Gareth from the Celtic Punkcast radio show. He gives the lowdown on who the movers and shakers are over there, what its like living in the bush and a whole lot more.

“The best Celtic punk, Celtic rock & folk punk from around the world on this podcast”

Right we have always said that the Australian celtic-punk scene is the best in the world and that the bands in it are as well. When any idea how the celtic-punk scene started in Oz? Who were the first bands, the first concerts or festivals. Who from overseas made the biggest impact?  It’s a pretty good scene over here that’s for sure. We definitely have some world class acts here in Australia. When it comes to Celtic Punk I guess it’d be artists like Roaring Jack who got the scene going here, they were contemporaries of bands like The Pogues and The Men They Couldn’t Hang. There’s always been a strong folk and celtic scene here, bands such as Claymore who wouldn’t necessarily slot into that Celtic punk pigeonhole have been playing trad influenced music at places like the Port Fairy Folk Festival for years and they help introduce Celtic music to larger audiences. As for overseas bands that have made big impacts, obviously The Pogues were and still are really well known and popular and bands like the Dropkick Murphys are massive worldwide. The Murphys have had a couple of tunes used by the Australian Football League as well. Most people know Flogging Molly as well. In terms of influence, I’d say The Dubliners had just as bigger influence as anyone though, especially when it came to people staying in touch with their roots via music.

(We asked Gareth to pick the three best videos to represent Aussie celtic-punk and his first choice was ‘Riot On Race Day by Shambolics)

Who are the main players in the scene at the moment? Are you all missing The Rumjacks?  Oh yeah, we definitely are missing them! Honestly I didn’t realise how big The Rumjacks are outside of Australia. Probably after them would be The Go Set, The Ramshackle Army and even artists like The Dead Maggies do a great job holding down their part of the world. It’s been great to see some Oz bands get over to the states in recent years as well as over here too. In fact we see more of you then we do American bands!

The massive distances between cities in Australia must cause lots of problems for touring and networking but does this also mean that you have developed a certain sound or way for each area independent of each other?  Interesting question and one I probably don’t have the knowledge to answer. I think that social media and the internet in general makes networking so much easier. Anyone can find bands in any part of the world which is very cool. As for touring, I don’t really know, might have to ask Benny Mayhem about that one, he’s a Perth lad! Funny enough it was Benny himself who told me that when he was over in the summer!

You run a Celtic-punk radio show? Whats the deal behind that? How does it work? Give us an idiot proof way to listen to it.  Well the easiest way to listen is to subscribe to the podcast on iTunes or follow on Podbean. Most podcast catchers have it on there though. Podcasts are great because of the convenience of them, you can listen whenever and wherever you want. The other way to catch the show is the weekly show on Blues & Roots Radio, which is a fairly large online radio network. Putting together a one hour podcast/weekly radio show usually takes me a couple of hours, between getting music sorted, the actual recording, editing and post production. Once I’ve done all that the podcast gets uploaded which can take about 30 minutes to an hour depending on whether Podbean is being cooperative or not. The weekly radio show when it’s done gets sent to Stevie Conner, who’s the head of BRR in Toronto and he slots it into the schedule. My show is meant to merely be a showcase for the bands who make such great music and there was a bit of an opening for another Celtic punk podcast. There was already some awesome shows like Paddy Rock, Irish Power Hour and the Shite’n’Onions podcast, so if I could complement them I’d be stoked. 

How did you get into celtic-punk? Do you have Celtic ancestors. A hell of a lot of Aussies do so do they make up the bulk of your audience?  Like most people my age it was probably the Dropkick Murphys who were my gateway band to the genre. First song I heard was The Warriors Code on a compilation CD and it just pumped me right up. From there I discovered bands like Flogging Molly, Flatfoot 56, Blood Or Whiskey and The Tossers who are probably my favourite band. I do have Celtic ancestry, my family came to Australia from Kernow (Cornwall) and I also have Welsh in there too. My wife’s heritage is Irish and Scottish so my kids almost have the Celtic crescent covered! As for the audience, it’s really a mixed bag, some from Australia, a lot in North America and some from the UK & Europe. Anyone who wants to listen is more than welcome wherever they’re from.

You’re based in Victoria but is there much of an Irish community there? People say that the Irish diaspora is smaller but has there been a noticeable decline, especially with emigration from Ireland still at peak levels? It does seem to me that here in London the new arrivals are not interested in Irish music. They seem to be wealthier and emigrating for ‘fun’ and in their gaps year rather than to escape poverty like in the past.  I am a Victorian, I live on a property about 200km west of Melbourne, in the Grampians. Spectacular part of the world. Where I live has a population of between 350-500 people, so only a wee place. Some parts of the state like the south west you really notice the Irish influence, especially in towns like Koroit, Casterton and Killarney. Koroit and Killarney both have yearly Irish festivals. We still see a lot of Irish people come to Australia, but mainly backpackers or students. The Irish mates I have for the most part are fans of Celtic punk, and they all still have that appreciation for the trad stuff too which is cool. It’s when it comes to shite like Ed Sheeran I call them out!

Gareth’s back garden!

I would like to think so but does it follow that celtic-punk fans also listen to folk from the past or present?  Honestly, I reckon it depends on the individual. If they come from families that played that sort of music when they were growing up then they probably do, but perhaps people who were punk fans first may not necessarily listen to folk or trad. But if they don’t then I’d encourage them to give it a go, there’s some great bands out there playing folk and trad.

Which figures or bands do you think have been the important links between the past and the present and folk/celtic/traditional music and punk/rock music?  I think the standard answer would be The Pogues, who no doubt have been extremely influential on a number of bands, but I’d say you’d be looking at bands like The Dubliners, The Wolfe Tones etc who were the ones that bands like The Pogues were listening to. Even bands like The Clash that embraced different styles of music and had success with it. There’s probably plenty of unsung heroes as well, like the venues that gave some of the bands that become legends in the Celtic Punk scene starts when they were just beginning.

(Gareth’s second Aussie celt-punk BIG hitter is a new song from The Bottlers)

There’s always been a big debate about celtic-punk and whether or not it is cultural appropriation and politically correct for non-Irish bands singing about the Irish getting pissed and fighting and pubs and what have you. Personally I love it. The idea of the likes of Indonesian or Brazilian bands getting into The Dubliners and The Wolfe Tones after listening to the Dropkick Murphys. I mean its not like The Dubliners ever wrote a song about getting pissed is it? I think its just a case of snobbery but do you think it’s ok?  It doesn’t bother me too much at all, especially if it teaches people a bit about the history of the Celtic nations and Celtic people. It also helps keep the culture alive, if people from South America or Eastern Europe for example are inspired to take up the pipes or tin whistle after listening to the Murphys or Flogging Molly then that’s great. I get some people’s issues if all they see is the drink and fight stereotypes getting perpetuated or if it comes off like that faux Celtic Irish pub stuff that The Rumjacks described so perfectly but for me if people are respectful of the music and culture and they learn a thing or two then great. Honestly I’d love more people to know the Celtic history of my Cornish heritage, so if people dive in further and expand their knowledge how could that be a bad thing? Totally agree. The ideas behind ‘cultural appropriation is bad’ can be dangerous. That people cannot share cultures or even haircuts is absurd or maybe it’s just that we Celts have thicker skins?

Gareth with Jimmy from Shambolics

As we said many times we really love the Aussie take on celtic-punk. What do you think sets it apart from the celtic-punk of say the North America or Britain? It seems to have a very strong working class ethos and a Aussie slant that I can’t quite put my finger on but involves having fun and being serious at the same time, being full of mischief and after all any country that calls mates cunts and cunts mates is not half bad!  Interestingly enough I spoke a bit about this with Jimmy from the Shambolics not too long ago, he’s an Irishman who has lived in Australia for a long time and played in bush bands when he was living in rural areas. Australia has a long Celtic history, we the Celts were the ones brought out here after English colonisation and built the framework of what became Australia. They didn’t have the musical instruments from home, so they had to make do and create instruments like the bottle cap stick. They created a fusion of traditional style music with instruments created from necessity which became the bush bands that still survive in a small way today. The Australian way was we were a people who always kind of thumbed our nose at authority, enjoyed a laugh but would stand up for our mates and believed in the fair go. That spirit lives on in in the Celtic and folk punk music that comes out of this country. We as Australian people have had different experiences to people in North America and Europe and it shows in the music. When my wife was in Australia in her teens she said that she saw parliament on the TV and the MP’s were swearing at each other. That tells you what kind of place it is. My kind of place!

Celtic-punk nowadays. It seems to us that the scene over there is massive. There does seem to be more bands than before. Is this right is the scene bigger? If it is bigger has that made it more commercial/mainstream?  No I don’t think it has. Outside a couple of bands like the Dropkick Murphys and The Pogues you get blank responses to other bands. Outside the Celtic Punk scene in Australia a band like The Rumjacks are pretty well unheard of by the mainstream. Although I did hear a Go Set song on an ad the other night during the cricket so who knows?

the friendly neighbourhood wallaby

Who do you think are the best Australian bands and their best records? The ‘essential’ place to start in Aussie celtic-punk?  Well for me, I really like The Rumjacks, The Go Set, Shambolics, The Currency, The Bottlers, The Ramshackle Army, The Dead Maggies and Benny Mayhem. If people were looking for some Australian Celtic Punk albums I’d start with the Rumjacks debut ‘Gangs Of New Holland’, man that is a fecking fantastic album. Also, ‘Rising’ by The Go Set, ‘Riot On Raceday’ by The Shambolics and the new album from The Bottlers. My three year old daughter also told me to mention the Pogue Mahone album by the Shambos too, she has a meltdown if that CD gets changed in the car!

Any Aussie links you would recommend?  Honestly the best thing to do would be to check out the websites, twitter feeds and Facebook pages of some of the bands. The Triple J Unearthed site also has some good unsigned artists, just search for Celtic Punk on there and discover something new.

(Gareth’s third video this time from The Go Set who have darkened these shores many a time and each time with a growing fan base)

We are just about to publish our Best Of list for 2017 so what were your favourite releases of the year? Any you looking forward to in the coming months?  Man last year was a great year for albums in these genres, any year you have new albums from most of the big guns like the Dropkick Murphys, Flogging Molly, The Tossers, The Real Mackenzies, Flatfoot 56 etc is a bloody good year, but my  favourite release for 2017 was ‘In It For Life’ by Black Anemone. That was a kick arse album. Loved the new Tossers album as well as the ones released by The Kilmaine Saints, The Peelers, Matilda’s Scoundrels, Craic, Dreadnoughts and The Bottlers. The new Real McKenzies album was great too. For 2018 I’m looking forward to the new album from 1916 and the new stuff The Mahones are releasing. Four new albums this year apparently! Yeah plenty of bands there that feature in our Best Of 2017. Stay tuned!

Thanks for taking time out of your schedule so all that’s left is for you to plug plug plug the Radio show and is there anything else you want to add or anyone you want to thank? Been my pleasure chatting to you guys, thanks for your support of the show, I really appreciate it. So subscribe to the podcast on iTunes and leave a review or hit me up on Twitter, Facebook or email me. Check out the schedule on Blues And Roots Radio as well to see the weekly shows schedule. I’d love to thank anyone who’s listened, chatted, shared the show and supported it, especially the bands who’ve supported the show as well as Stevie, Annie and Neil from BRR for giving the show a bigger audience and of course London Celtic Punks, Waldo from the Celtic & Folk Punk blog, the Mersey Celtic Punks, shout out to big fans Peter, Erin and Jennie and to anyone I’ve forgotten sorry. Oh and of course my wife and two girls. Can’t forget them.

You can listen to the latest January edition of the Celtic Punkcast at the link below. Simply cli for just over an hour of the best Celtic-Punk of the past and the present.

To find previous editions visit the web-site click the link

CELTIC PUNKCAST

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If you as interested as I am in Australian celtic-punk then two sites worth checking out on Facebook are Aussie Celtic Punks and Australian Folk Punk Scene.

ALBUM REVIEW: IN FOR A PENNY- ‘One More Last Hurrah’ (2017)

The new album from the hottest band in celtic-punk at the moment. All the way from Georgia, USA and recorded live in the back room at The Sand Bar on Tybee Island, GA in about seven hours including lunch break!

The last few months have seen the American band In For A Penny making waves right across the celtic-punk/Irish folk music scene and deservedly so. We have featured them a couple of times recently reviewing this year’s EP (here) and the lead single from One More Last Hurrah! (here). Plenty about them clicked with me and the plaudits have rolled in since with praise from the various celtic punk media and a support slot with The Rumjacks on their recent US tour.

(This year’s EP release ‘Every Day Should be Saint Paddy’s Day’)

This is In For A Penny’s second album after 2016’s The Guardian Angel Sessions and all the releases have trod pretty much the same path since. A smattering of Irish standards butting up against self -penned songs. Needless to say I much prefer their own songs. Now there is nothing quite like a song like ‘The Foggy Dew’ to get the blood pumping and the ales flowing but it’s in their own songs that In For A Penny’s talents shine through. It’s been an age old problem for Irish/Celtic-punk bands since the first time someone pulled out a fiddle in a pub and got given a beer for it . Many bands are quite happy to keep singing the standards and let the bookings roll in keeping everyone happy but every musician must have the urge to get some of their own material out there and when it’s as good as In For A Penny’s then I’m afraid it is a necessity!

Sean McNally is the visionary behind In For A Penny. An Irish-American with both the words, the voice and the abilities to take this band far. Amazingly he only began playing the mandolin in 2014 but after only a few open mic performances Sean realised something. The response he was getting to stripped down cover’s of The Dubliners and The Dropkick Murphys on just mando and vocals was so great it seemed the only logical next step was to form a band. Roping in old friends in Henny ‘da butcha’ on drums and Jeremy Riddle on guitar and Sean’s son Bryce on bass In For A Penny have certainly taken their home state by storm and are now making waves everywhere.

Here on One Last Hurrah! its again the same pattern with nine tracks that include both bold covers as well as a couple of standards that they have stamped the In For A Penny brand onto. The album clocks in at an impressive thirty-two minutes. The album begins with ‘On The Dole’ and their great sense of humour shines through. Straight away Sean’s raspy Irish-American accent is what hits you square in the jaw. Fast paced and punky with mandolin that could have been perhaps turned up a wee bit louder. Blue collar Irish working class rock’n’roll from the very off. A tale of getting your cards as we call it here or made redundant and not letting it get you down. We all been there! ‘Tattletale’ follows and begins all folky before the drums kick in and we’re off. It’s rough and ready and feels like a live gig and no surprise as the Bhoys simply recorded themselves playing in the back room of a local bar. There’s no audience so not sure if you could call this a live gig or a practise but anyway the sound is easily passable and the passion and feeling is through the roof so don’t start whining about the sound quality ok! Here a tattletale is an informer whether at school or to the fuzz. Made me remember our wee gang’s mantra at school

“The kid that tells on another kid is a dead kid”

here it seems to just mean some bar-room loudmouth who won’t shut up. ‘Here We Go’ is an album highlight. Again it’s superb with a real catchy tune and like with all the best celtic bands it’s a song you can imagine yourself leaping round to like a right fecking eejit spilling your pint doing that strange can-can dance to that is so popular at celtic-punk gigs! Of course drink features heavily and so f**king what. I don’t hold with all that bollocks about drinking and stereotyping the Irish. It’s part of our culture and if you don’t get it then fair enough. I have plenty of relatives who never touched a drop and many more who touched too much but the pub made the Irish of my generation and listening to this I think Sean’s too. And anyway if you listen to the lyrics of 90% of these songs its clear that us drinkers are in the main losers and these are warnings to others to not become like us! ‘Derry’ is next and if you like what came before then this cover proves what I been saying about them has been right. Written as a poem by the legendary Irish revolutionary Bobby Sands while in prison it has since been covered by such illuminaries as Christy Moore, Neck and Damien Dempsey and others but i don’t think I ever heard it played better than this.

“In the rusty iron chains we sighed for our wains
As our good wives we left in sorrow.
As the mainsails unfurled our curses we hurled
On the English and thoughts of tomorrow”

As moving and passionate version of this song as you will ever hear I tells you and proof that these lads wear their hearts firmly on their sleeves.

(not the album version but still well worth a listen)

Bobby was a member of the IRA jailed for possession of a handgun and jailed in the infamous H-Blocks where he would die on hunger strike in 1981. A terrorist for some but for others worldwide and for ever more an iconic rebel and inspiration. While imprisoned he wrote many articles, poems, letters and songs. One of these was ‘Back Home in Derry’ telling of the forced deportation of Irish people to Australia by the British between 1791 and 1853, when the sentence of penal transportation was commuted to a prison sentence in Ireland.

“A beautiful ballad shouts a vivid and modern sentiment of sorrow for losing freedom and fierce rebellion at the same time: a rebellion not bent by imprisonment or raw conditions which will continue after the death of many” – Marco Principia

You may recognise the tune to ‘Jimmy’n’Jenny’ but all the best bands(and not so great) in Irish music have been recycling the melodies of each others songs for decades. Half the time listening to a Dubliners album you never knew what song it was till the vocals started! Time for some Irish standards next and blimey they couldn’t have picked any better if that was what you are after. It’s a 10 (yes ten!) minute mash up of the two most widely covered songs in celtic-punk  with ‘I’ll Tell Me Ma’ and ‘Black Velvet Band’ but with a extra bonus bit tacked onto the end I won’t tell you much about except it again is fecking brilliant. Catchy as hell but they save the best for last with ‘Easter Mourn’. A simply superb song that deserves to lift In For A Penny to superstar status. Released as the lead single for the album just a few weeks ago it so impressed us here that we even did a feature on it. About the Easter Rising in Dublin in 1916 when a band of Irish volunteers fought the might of the Empire beginning the road that led to full on war with the British. A beautiful song that evokes the spirit of rebellion and the band never sound better.

One Last Hurrah! is an utterly fantastic album and the spirit of Ireland flows right through it. When people mock us foreign born Irish in the future I’m going to give them a copy of this album as proof of the passion and commitment the foreign born Irish have to our ‘home’. So good is it. The Bhoys have made the album available as a Pay What You Want download meaning that it is free for all and sundry but if you got a few quid don’t be a mean bastard and send them a couple of bucks/quid/Euro so they can continue their good work or even just to have a beer on you.

(you can have a listen to One Last Hurrah! by pressing play on the Bandcamp player below before downloading!)

Download One Last Hurrah!

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REVIEW: THE MOORINGS- ‘Unbowed’ (2017)

The Moorings. As recommended by The Dubliners!

An ultra-energetic French quintet delivering a fantastic mix somewhere in the middle between celtic folk and alternative rock.

So I was always told my auld fella that you should judge a man by the company he keeps. He used to say this to try and get me to stop hanging about with some rather unsavoury characters in my home town. If you can apply the same to bands then The Moorings are a band that any parent would be happy to see you associating with. They are basically the first port of call for any of the celtic-punk scenes major bands when they arrive in France and  are looking for supports. They have played with just about every decent sized band going and as says above recommended by The Dubliners. They have toured with just about all the greats of Irish punk from The Pogues to the Murphys to The Dubliners. Their last EP even had guest vocals from Frankie of The Rumjacks.

The Moorings (from left to right) : Anne Darrieumerlou- Violin/Vocal * Renaudet Matthieu- Bass/Vocal * D. Phil Jelly- Lead Vocal/Guitar * Didier Strub- (Ex-Drummer) * Nicky Sickboy- Banjo / Guitar / Vocal

Formed in 2011 in the small town of Sélestat in the north-west of France on the border with Germany The Moorings assent has been spectacularly quick and without even having released an album. Their debut EP ‘Pints And Pins’ from July 2011 introduced them to the wider celtic-punk world and received praise from all and sundry. Five mostly self penned tracks including the brilliant ‘Working Class’ which gave up plenty but promised so much more as well.

This was followed up with a live album La Cigale Unplugged. Again mainly self penned its eight tracks that show how good The Moorings are as both a band and as individual musicians as well. The superb production helps and on hearing the album it’s easy to see why they chose to release it. Their third and final release was another EP. This time ‘Nicky’s Detox’ EP from December 2014 really showed what they could do. Five tracks all written by the band that again received glowing tributes from all the regular celtic-punk press including ourselves here. The song that really raised interest in the band, ‘Shandon Bells’ features Frankie McLaughlin of The Rumjacks on guest vocals and made it onto just every celtic-punk podcast in existance.

So Unbowed is the band’s first proper studio album but will it live up to all the hype? The answer is of course most certainly. Twelve tracks that last over forty minutes and show The Moorings haven’t rested on their laurels and continue to make utterly brilliant music. The album kicks off with the hilarious ‘Another Drinking Wound’ and anyone whose ever had a, what we Irish call, a “very good night” can attest to waking up the next morning with unspecified bruising and a lack of memory of how you got them.

“Where does the pain in my butt come from?”

The song starts with some great rock’n’roll guitar and a brilliant catchy start. D.Phil.Jelly sounds just like our Shane even including his cockney sneer! It’s fast and not particularly folky but ‘Captain Watson’s Gang’ introduces the first of that quieter numbers. Be moaning the turn of the world to the worship of money. I say quiet but not really. Great drumming here that keeps the song flowing along. They enter a world unbeknown to me next with ‘Amsterdam’. Originally recorded by the Belgian singer, songwriter, actor and director Jacques Brel. The song is in French and has that ‘Parisian’ feel to it due to the style of accordion playing. A lovely song and picked wisely as it would please both their audience at home and abroad who are jaded at hearing the same old covers over and over again. Delivered with The Moorings stamp it’s a great song and builds to a crescendo before the banjo slows it all down and takes us into a instrumental, ‘The Dancy Cargo Hold’s Dance/ Mermaid’s Jig’. As was showed with that live album the y can certainly turn their hand to a traditional folk song and I’m sure live this is a guarantee to get the audience on their feet. Both part’s are fiddle led with subdued quiet backing except for military style drumming. Great stuff! The Moorings like the name suggests like a sea bound song and here’s the first one, The Mariner I Used To Be’ begins with tin whistle and it’s a slow’ish’ ballad telling of a sailor whose had enough of the hardships of the sea and decides to settle down with his new love. Another song in French follows with ‘Les Bras Piqués’. Can’t tell you what it’s about but it’s a fair corker of a song moving at a fair old pace once it gets going. ‘Drink Up Fast’ was the first release from Unbowed and came accompanied by the brilliant video below.

It’s no wonder that celtic-punk gigs are so beloved and greedily anticipated by landlords with this amount of drinking going on! Shouty vocals and fiddle led folk-punk that’s a real thigh slapper.

“The road to destiny is just as empty
As the days passing by sloggin’ in a fact’ry
Turning around mostly going nowhere
Leaving the dreams for someone else to have
So as boredom sets in and wears me out
I cannot help but stand my ground
By filling up my glass to the very top
And drawn the little bastard in one single shot”
Most of the words here are written by banjo/guitarist Nicky Sickboy and they are clever, thoughtful and often hilarious and often within the same song so it’s good that the CD comes with lyrics included though the singing is very clear and easy to understand. ‘Brandy Bell’ is the highlight of the album for me. Not quite sure what the song is about. Honest. Sung half in English , half in French it’s a real catchy banjo number with the fiddle in the background exactly right. We are slowed right down again for ‘Posy Of Lily’ which is basically just D.Phil and acoustic guitar with fiddle. A lovely interlude between the punkier stuff and the words of a man desperate to make things right with his true love only add to the beauty of the song. Luca from the ever amazing Italian celtic-punk band Uncle Bard And The Dirty Bastards takes up whistle duties next in ‘Mutins’ and it’s another French song and I have to say it never bothers me that bands play in their native language I think more should do it. What an amazing musician this man is and even greater to see two band helping each out this way. The chugging guitar is back and accompanied by lovely fiddle too and of course Luca’s top whistling! The pace is back up for ‘Ice Cold Jar Of Whiskey’
“Some people need to fight to let their anger out
Some might need to bribe to find an easy way out
Some people might get thrilled with anything crazy
When all it really takes is a ice cold jar of whiskey”

and then we are finally at the end and Unbowed comes to end with the album’s longest track ‘Invictus’, starring Marikala on guest vocals. A great song with positive life affirming lyrics that begins with tin whistle this time supplied by Lolc from fellow French celtic-punkers Celkilt. Mainly accordion led but as has been the way throughout D.Phil’s voice stands out in particular. Another album highlight here and a simply fantastic way to bring down the curtain on Unbowed. If this album has one lighter/ pint in the air moment then this it is.

Singer/guitarist D.Phil Jelly has done a great job on this album overseeing just about everything here and the sound is crisp and never once over produced. The biggest danger in celtic-punk is that the folk instruments are completely submerged or else turned up so high to compensate that all you can hear is the tin whistle. No danger of that here as the balance is perfect between the punk and the folk. the songs are never straight forward celtic-punk and there is plenty influence of their home countries indigenous music also. The Moorings have always been one of the more interesting bands in celtic-punk with their appeal overlapping several genre’s I am sure. This is a great album and one that will further cement there place as one of the best, and more innovative, bands in the scene.

(you can have a free listen to Unbowed by pressing play on the Bandcamp player below. Before you buy it of course!)

Buy The EP

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EP REVIEW: THE DEAD MAGGIES- ‘Wild Dogs And Flannies’ (2017)

The Dead Maggies are a folkpunk band from Tasmania. 

Hear tragic tales set to a lively toe-tapping hoedown of music that will make you dance, yell and folk till you punk.

Now here’s another chance for me to wax lyrical about the quality of of music coming down to us from the heights of the Australian celtic/folk-punk scene. Regular readers know my views but it doesn’t hurt to reiterate them again every now and then so here we go. The best music in the world comes from the Australian celtic-punk scene of that there is no doubt. We have been fortunate enough in London to have hosted The Dead Maggies before and fellow Aussies The Rumjacks and The Go-Set have blazed their paths through London several times each leaving behind a ever growing army of fans each time they play.

They formed in Hobart on the day of Margaret Thatcher’s death when a bunch of punk and folk musicians were celebrating and started jamming songs accompanied by plenty of home brew. It wasn’t long after that they were up on stage playing with some of the biggest names in Australian celtic-punk. This EP is the third release from The Maggies and follows in the footsteps of their amazing debut mini-album The Dead Maggies Sing About Dead People.

Released in April, 2014 it’s a fantastic way to begin with seven original songs/stories that tell the tale of Tasmania in a way that not many bands could do. Tragic tales set to a toe-tapping lively folk punk hoedown. The above is a link to the re-issue that is the same except with added fiddle. After this release they toured Europe including a week long tour here that took them as far north as Scotland and as south as London where they fair set the TChances stage alight with a set that had the sweat dripping off the walls! They followed this up with their debut full  length album Well Hanged in November, 2015. We ranted and raved about this LP and it even mad #7 in the 2015 London Celtic Punks Album Of The Year (here). We ended that review with these words that are worth repeating

“Twelve tracks that explore the lives, battles, deaths and loves of ordinary people. The people whose history is being written out of the books. The history children don’t learn at school. History that is an embarrassment to the people who rule us and who are scared stiff of the inspiration it could once again provide to the ancestors of the original folk these stories are written about. Music to dance to, love to, cry to and rejoice. The Dead Maggies provide all this in spades and by telling of the dark and oppressive past of Tasmania that history will never leave us. Bands like this should be an inspiration to us all in the celtic-punk scene. Story telling is at the very core of our music. We have a glorious past and if indeed our music has any connection to the past we are forced to retell it in song. Thanks to The Dead Maggies for doing that and doing it so well”

So then what they got to offer in 2017? Well the year started with discussions about a Dead Maggies follow up tour of England which is now definitely happening people (but more on that later!). So with the band busier than ever and looking forward to the rain they released Wild Dogs And Flannies last week on Tassie record label Folk ‘Til Ya Punk Records.

It would seem on Wild Dogs And Flannies they have taken a break from tales of convicts and bushrangers and given us five tracks that deal in the here and now. The EP begins with ‘When I Die’ and its heavy stuff but put to a great ‘cow-punk’ back beat. Starting off slowly before the band kick in and give it us in spades. The subject of assisted suicide is not yer typical celtic-punk fare but that’s exactly why the Aussie scene is so well loved by us all. Never afraid to take on serious subjects or open their hearts. They follow this up with another serious subject dealing with domestic violence on ‘She’. Released last November with all proceeds from the song going to Tassie group SHE (Support, Help, Empowerment).

“One day will come liberty
But for my children, I would die to be free”

I love The Dead Maggies for their raucousness and unabashed celebration of dark things and here they show they can still put out a tune that makes you think. Show your support for SHE by downloading this song here for just one Aussie dollar.

They keep up the serious theme of the EP with ‘Goodbye Gondwanaland’ a slow acoustic number telling of the dangers of the coming (or has it already arrived?) environmental disaster. A beautiful song again designed to make you think and given that GTMongrel has one of the most distinctive voices you will hear in any genre its an emotional song given that added depth by his wonderful vocals. Gondwanaland was one of the two ancient super continents from about 200 million years ago. ‘Wild Dogs And Foxes’ is classic Maggies beginning with acoustic guitar and fiddle before the tempo shifts and we are back in  the celtic-hoe down territory that we love. The curtain comes down and they finish with a flourish and a light hearted fast paced track ‘All My Flannies Are Broken’ with the whole band having a go at vocals. A flannie is a Aussie term for them tartan button up long sleeve flannelette shirts. A lovely ditto about getting them ripped in the moshpit. A superb end to proceedings.

So there you have it. Another masterpiece from The Dead Maggies. Five songs that stretch what they do in every direction possible. This is a band that can really make you think and while that is not always what you want (lets face it music is an escape from the trials and tribulations of life) you could always instead switch off your brain and just enjoy the excellent music!

The Dead Maggies deserve to be massive and while they are half way there in Australia you will get a chance to check them out on these shores this summer. The dates of the tour are yet to be finalised but they are booked to play at Outcider festival on Sunday 6th August and Boomtown on Saturday the 12th. The inbetween bits are being sorted now and in there will be dates in London and Kingston (provisional dates are Thursday 10th and Friday 11th) so if you want to be kept up to date check out the London Celtic Punks Facebook page and subscribe to our Events here and we will see you at the bar!

Get Wild Dogs And Flannies

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Since we last reviewed The Dead Maggies there has been an explosion in Aussie sites concentrating on Celtic/folk-punk. Well two anyway. So if you absolutely obsessed with the Australian scene like me do yourself a favour and head over there now.

Aussie Celtic Punk’s and Australian Folk Punk Scene

You can find a host of other amazing Australian bands on the ‘Folk ’Til Ya Punk Records’ web site which has some of the best Australian folk punk, folk, punk, folk rock, celtic punk, gypsy and bluegrass artists around on its roster so well worth supporting.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2016!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

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TOP 25 CELTIC PUNK ALBUMS

1. THE RUMJACKS (Australia)-‘Sleepin’Rough’  Review

2. THE NARROWBACKS (New York)- ‘Arrogance & Ignorance’  Review

3. THE CLOVES AND THE TOBACCO (Indonesia)- ‘Across The Horizon’  Review

4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’  Review

5. THE WAKES (Glasgow)- ‘Venceremos!’  Review 

Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.

6. THE CLAN (Italy)- ‘All In The Name Of Folk’  Review

7. HOIST THE COLORS (USA)- ‘Mourners’  Review

8. SIR REG (Sweden)- ‘Modern Day Disgrace’  Review

9. FOX n FIRKIN (Australia)- ‘No Vacancy’  Review

10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’  Review

11. LUGH (Brazil)- ‘Histórias Do Mar’  Review

12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’  Review

13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’  Review

14. SIGELPA (Catalonia)- ‘Rabant Original’  Review

15. TENHOLES (Indonesia)- ‘Loyalty’  Review

16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’  Review

17. 13KRAUSS (Spain)- TheEnd Is Nigh’  Review

18. DRINK HUNTERS (Catalonia)- ‘Shameless’  Review

19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’  Review

20. THE MUCKERS (USA)- ‘The Muckers’  Review

21. LQR (Netherlands)- ’10 Pinter’  Review

22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’  Review

23. Всё CRAZY (Belarus)- ‘По Морям’  Review

24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’  Review

25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’  Review

A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!

TOP TEN CELTIC PUNK EP’S

1. MICK O’TOOLE (England)- ‘A Working Class Battalion’  Review

2. THE RAMSHACKLE ARMY (Australia)- ‘Whitewashed Graves’  Review

3. DRUNKEN FAIRY TALES (Russia) – ‘Пьяные Сказки’  Review

With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.

4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’  Review

5. MICK O’TOOLE (England)- ‘False Flag Collapse’  Review

6. BAY STREET BASTARDS (Canada)- ‘Small Batch’  Review

7. LEXINGTON FIELD (USA)- ‘Redwood’  Review

8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’  Review

9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’  Review

10.  BALSALL HEATHENS (England)- ‘Life’s Too Short’  Review

TOP TEN FOLK/TRADITIONAL RELEASES

1. ANTO MORRA (London)-’16’  Review

2. THE LOGUES (Ireland)- ‘Comin’ Of Age’  Review

3. MICKEY RICKSHAW (Boston)- ‘Wild Atlantic’  Review

Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.

4. ShamRocks (Ukraine)- ‘Captain’s Log’  Review

5. LARKIN (USA)- ‘A Toast To St. Jude’  Review

6. FOLK THE SYSTEM (England)- Unrest In The Wolds’  Review

7. SHAMBOLICS (Australia)- ‘Riot On Race Day’  Review

8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’  Review

9. SOLAS (USA)- ‘All These Years’  Review

10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’  Review

TOP CELTIC PUNK WEB-SITE

Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.

mersey-celt-punks

Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.

We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

PADDYROCK

MacSLONS IRISH RADIO

CELTIC-ROCK.DE

remember any views or comments we would love to hear them…

Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.

“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”

Read our obituary for Erik here and raise a glass the next time you get the chance to.

 Rest In Peace comrade.

 Sláinte, The London Celtic Punks Crew- January, 2017

ALBUM REVIEW: DROPKICK MURPHYS- ’11 Short Stories of Pain & Glory’ (2017)

as reviewed by special guest writer

Frankie MacLaughlin from The Rumjacks

11-short-stories-of-pain-glory

When I was tasked with reviewing the new offering from Dropkick Murphys ’11 Short Stories of Pain & Glory’, I thought ‘shit!.. I wonder if I shouldn’t be half steamin’ in a pub with couple o’ pals in tow, instead of cooking dinner in preparation for a quiet night in, pet sitting for friends. Perhaps then I’d better appreciate the raucous, sudsy, barrage that has long been standard fare, down among its natural habitat.

I admit I was less than enthused by their early offerings, the singles ‘Blood’, ‘You’ll Never Walk Alone’ and ‘Paying My Way’. I don’t think I’m all that alone in saying I’d been disappointed in the past, so I decided I’d need to listen with fresh ears and not hold their finest moments against them as a yardstick.

It might surprise some to learn that I dont habitually listen to a great deal of Celt-Punk, whatever music finds its way in and out of my day does so of its own accord and on its own merits. This helped make listening to ’11 Short Stories’ as impartially as I could, a hell of a lot easier, and I’ll tell you now… I like it.
dkm1
I think its safe by now to say that the Murphy’s weren’t about to come kicking in doors and changing the world, but that’s fine, they already did that, arguably several times over. After first steaming in with some proper street punk clout, they went on to spearhead the modern age of Celtic punk rock. While many of us were still busy trying to be The Pogues, these guys gave us a whole new benchmark to work to.

While the album lacks some of the punch that we’ve been treated to previously, it still has its decent share of moments. Tunes like the lead single ‘Blood’ and ‘Paying My Way’ are unashamedly crafted to get everyone in on a singalong, big rolling chants with easy to latch onto lyrics sees them at their most accessible. So too with the albums opener ‘The Lonesome Boatman’, first recorded by The Fureys in ’69, its huge atmosphere & ‘whoa-oh-whoa’ vocals would make a great set opener in the big arena.

‘Rebels with a Cause’ is just a good, solid, punk rock tune that could sit just as easily with Al Barrs efforts as part of The Bruisers, for all its rapid fire delivery. ‘Kicked to the Curb’ strikes me as a ‘fun as f#%k classic rock & roll tune, that you could take the piss & do the twist to… without feeling like you’re taking the piss.

‘Sandlot’ is as nostalgic as it gets, its acoustic guitars and almost Motown beat are refreshing. I’m sure that no matter who we are we could relate pretty easily to the sentiments on show here, particularly…

“we were rich but no one told us, we didn’t know..”
‘4.15.13’ really stands out to me as a seriously honest moment from the band. Minus all the usual bells and flashing lights that normally draw us to a Murphys tune, its a humble and very human song, which I cant help think would’ve been right at home in a Joe Strummer & The Mescaleros set.

‘You’ll Never Walk Alone’ similarly rocks a little of that Motown rhythm, and I like it a lot more than when I first heard it released. Though when you’ve been to Celtic Park a bunch of times to hear 70 odd thousand heads singing the classic tune, it was always going to be a tough comparison for me… it chugs away admirably enough nonetheless. ‘First Class Loser’ is folkie singalong Murphys at their best, while ‘I Had a Hat’ is a wild old calamitous affair. Here the tune written by James Mooney and made famous by the likes of Ray Perkins and The Andrews Sisters, sounds like the fight scene in a dodgy western,.. the kind where the barman expertly ducks a flying chair and carries on polishing the glassware.

All in all what I’m hearing on this record is a band enjoying what they do, making the music they feel like making right now. I wouldn’t go so far as to suggest it was an exercise in ‘karaoke’ or ‘Dad-Rock’, although if they were to lean a little more that way, who’s going to hold it against ’em? It goes with the territory, these guys aren’t hungry young punks anymore, they’re family men, who work tirelessly and humbly in their community, a community they clearly love. I think they can be forgiven for being a little more nostalgic, or wanting to do their bit to lessen the impact of serious drugs, violence and hatred on that community. Something they’ve been particularly vocal about, especially of late, and very especially on this album.
When they finish the record with ‘Until Next Time’, singing
“We all had a good time and we’re sad to see it end…”
its nothing if not entirely believable. I think the Dropkick Murphys had a lot of fun making this record, they were as true to us all as they could be, and more importantly they were true to themselves. I for one wouldn’t be too offended if they stuck around and kept making music with that approach…
But that’s just my opinion. 
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frankieMajor thanks for Frankie to taking the time out to write this review and for those of you been living under a rock then that can be the only possible excuse to not know that Frankie is the singer/songwriter for Sydney celtic-punk legends THE RUMJACKS. Later this year they will be heading to the USA for a series of shows and they are intending to get back to Europe too so do yourselves a favour celtic-punk fans and get on board with The Rumjacks. It’s been one hell of a ride so far and there is no sign of it slowing down for a good while yet!

Read up on what we have had to say about The Rumjacks here. Our panel of pissheads experts even awarded them Best Celtic-Punk Album Of All Time here! Hunt them down at these- WebSite  Facebook  Twitter  Instagram  YouTube  Soundcloud

EP REVIEW: HANDSOME YOUNG STRANGERS- ‘Battle Of Broken Hill’ (2016)

From backyard barbie to the biggest stages in Australia, Handsome Young Strangers play 100% colonial bush folk-punk !

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It’s an absolute pleasure to pretty much see out 2016 at pretty much where we came in, raving about Australian celtic-punk bands! It’s been another outstanding year for the Aussies with both The Rumjacks and The Go-Set continuing to tour like crazy all over the world leaving nothing but good wishes and lot’s of new fans in their wake. Well hopefully we can soon add Handsome Young Strangers to that list as it would be criminal plain wrong to not tour this, especially in London! Now Handsome Young Strangers are not a new band they actually formed way back in 2004 as a sort of loose collective and it wasn’t until 2007 they recorded for the first time, the Shane Warne EP in honour of the hard drinking and hard living Aussie cricketer. This was followed by another EP, Melbourne Town, in 2009 and in 2011 their debut album Here’s The Thunder Lads! hit the streets and the following year another EP, Thunderbolt, was their last release till now. They could quite rightly consider themselves some sort of super group given the amount of talent in their ranks including past and present members of, among others: Sydney City Trash, The Rumjacks, Roaring Jack and The Bottlers.

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Handsome Young Strangers L-R:  Drizabone D: Vocals, Mandola * Adam Young: Vocals, Guitars * Looch: Drums * Browny: Acoustic Guitar * Jim Mongrel: Bass * Mark ‘Na-Na’ Hyland: Vocals, Guitars Adam Kenny (currently on tour with the Rumjacks): Bazouki

The EP begins with the raging self-penned number ‘The Battle Of Broken Hill’ and it tells a very strange story indeed. As with most Aussie bands they dig deep into their countries rich and tragic history and come up with a real belter of a song that shows that the modern scourge of religion based terror attacks are not a new thing. Over 100 years ago at Broken Hill in New South Wales two Muslim men supposedly working for the Ottaman Empire opened fire on a train full of tourists. In the ensuing gun battle and subsequent siege four people were murdered and the killers themselves were shot down in a final dramatic shoot out. The Go-Set’s Lachlan McSwain guests on bagpipes and the song sounds not unlike the Rumjacks most folkier songs. A real thigh slapper and more than a touch of country’n’western all over this great opener.

I couldn’t figure how to group the songs together so though this would be the best way so read about the song and then play the song. Simple. Next up is ‘Mrs Jones’ a song written by one time Handsome Young Stranger Andrew ‘Fredo’ Donkin who sings vocals on the song. More of a rocky number with the folk instruments pushed to the back but still there. A nice bit of Hammond organ too, ably played by Michael Carpenter, who mastered the EP. A real catchy chorus here.


Now it don’t take a genius to suss out what ‘Poor Ned’ is about. I was brought up on folk stories about the great Ned Kelly. Being the son of Tipperary this Aussie outlaw featured quite high in my bedtime stories of him taking on the British army while helping the poor and needy and fighting back against anti-Catholic and anti-Irish discrimination rampant in the colony. If ever their was a symbol of Australian celtic-punk than itn is Ned Kelly.

“You know they took Ned Kelly
And they hung him in the Melbourne gaol
He fought so very bravely
Dressed in iron mail
And no man single-handed
Can hope to break the bars
It’s a thousand like Ned Kelly
Who’ll hoist the flag of stars”

Written by Trevor Lucas it was first recorded by Fothringay and released as a single and was used as title track of the Tony Richardson film Ned Kelly starring Mick Jagger. Also performed by Fairport Convention (here) and Adelaide 1970’s folk-punk band Red Gum (here) Handsome Young Strangers give it a real blast through. A really good version with the Strangers stamp all the way through.


The longest song on the EP follows with ‘I, Argonaut’ clocking in at over six minutes. Another self -penned number written by DrizoBone D it’s the slowest song on the EP though that doesn’t matter much in the world of celtic-punk.


‘Maxine’ follows and is a unusual cover of the New Zealand born singer-songwriter Sharon O’Neill (here) smash hit in Australia and NZ from 1983. The song tells the sad story of a prostitute in Kings Cross, the red light area of Sydney.

“Maxine, you’re not the only one
To take the whole world on
But no one’s ever won
Maxine, Case 1352
A red and green tattoo
Eyes cold steel blue”

Well done to the Bhoys for choosing such an unusual song and certainly not one I ever heard before. It’s played as a straight up rock number and fits in perfectly with the EP.

The EP ends with ‘Fisherman’s Blues’ and what exactly can you say about one of the most popular and recogniseable celtic songs ever written. The Waterboys track became a ‘classic’ a long long time ago and I’m sure has kept Mike Scott plenty warm in clover over the years. Here the Strangers keep pretty much to the blueprint but again add just enough to make it their own. Superb fiddle here which adds a touch of country to the celtic.

The Battle Of Broken Hill is the fourth release from the simply amazing Tasmanian record label ‘Folk ‘Til Ya Punk’ and is available in physical and digital formats as well as iTunes but before you give your hard earned to those tax dodging bastards please check out the record label’s store. They are wholly independent and I daresay run on a shoestring, but nobody is doing more at the moment to promote new music within the celtic-folk punk scene.  A real labour of love!. Folk ‘Til Ya Punk will be going on to release their new album in early 2017 and I truly cannot wait to hear it.

Australiana (I love that word!) bushpunk stalwarts Handsome Young Strangers are an institution in the Sydney folk-punk scene and deservedly so too. Here they have delivered a quality EP of almost half an hour of great Aussie music. Seriously I’ve been reviwing LP’s all year with smaller running times than that! Six songs, three of their own and three well chosen and polished covers. It won’t surprise anyone to hear I loved this and that I’m sure anyone with the smallest appreciation for any of the bands mentioned will as well.

Buy The EP  FolkTil’YaPunk  iTunes

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Folk Til ‘Ya Punk Records: Our roster contains what we some amazing and upcoming Australian folk-punk, folk, punk, folk-rock, celtic punk, gypsy and bluegrass artists. WebSite  Facebook

ALBUM REVIEW: MICKEY RICKSHAW- ‘Behind The Eight Ball’ (2016)

BOSTON CELTIC-PUNK RULES OK!

mickeyrickshaw

Well well well we all know that The Dropkick Murphys can’t go on for ever and with Boston’s place secured in celtic-punk folklore then who then will take on their mantle when they have retired to the great celtic-punk guest house in the sky? Well I know a band that is more than capable and are ready and waiting in the wings to take over. That band are fellow Bostonians Mickey Rickshaw. A team of young fired up, blue collar, Irish Americans in touch with both their working class American lives and their roots back in the auld country. With Boston’s revered place in the history of punk, especially of the hardcore variety, and its massive, and vocal, Irish population its only natural that celtic-punk should have caught on so well among the Boston Irish community like nowhere else. Traditional celtic folk and punk rock aggression equals the 100% perfect sound for the Boston Irish and if the Murphys invented celtic-punk post Pogues then they have done their job well to hand the baton on to bands like Mickey Rickshaw that will take the sound on for the next generation.

(follow the link to listen to their debut album and download as ‘Pay What You Want’)

With an Demo EP behind them from 2013, 16 Down and Back Again, it was their critically successful album, No Heaven For Heroes, from last year that saw Mickey Rickshaw’s name explode onto the celtic-punk scene with universal great reviews and plaudits heaped upon them from all corners of the globe. Reaching the top echelons of all the major celtic-punk Best Of lists, including #9 in the London Celtic Punks Top Twenty Of 2015 here.

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Behind The Eight Ball was released just the other week on October 13, 2016 and was recorded and mixed and all that other malarkey in their home state of Massachusetts. Now the first thing to say about Behind The Eight Ball is that it seems to be over in a flash. Whizzing past at you at just under half an hour it’s a frenetic sprint to the finish and bar a couple of moments is fast as hell celtic punk rock to be mentioned in the same breath as the Dropkick Murphys so good is this album. Celtic Folk Punk And More web site seem to have already crowned it album of the year here!

mickey-rickshaw-band-5

Mickey Rickshaw left to right: Kyle Goyette- Mandolin * Jay Tea Marchant- Bass * Shane Welch- Whistle * Jake Sullivan- Fiddle * Mike Rivkees- Guitar/Vocals * Chris Campbell- Drums * Jimmy Donovan- Guitar * Tom Donnely- Guitar

The first song out of the bag is ‘Rats in Allston’ and is a ode to Allston a neighborhood in western Boston. To say the album starts with a bang would be to put it mildly with a multitude of instruments all bursting out the speakers at you. With shades of the Murphys and also The Rumjacks this is celtic-PUNK and not for the faint hearted.

“When the sun goes down on the west in a cold cold world that we’re lost in,
You’ll be sleeping in the gutter, face down with the rats in Allston”

Great lyrics and top vocals from singer Mike Rivkees and an absolutely superb production that manages to get all the folky instruments and all the punky instruments and manages to mix them up and yet get everything crystal clear even when they are all at it at the same time.

‘Robbed in Mariscal’ begins as a ska song before mutating into hardcore punk and then flamenco and then gypsy before ending with a flourish while all the time not straying too far from the celtic-punk Mickey Rickshaw blueprint. All the songs here are self penned except for two, the first of which is modern day Scottish rebel song ‘Destitution Road’. Written by the sadly missed Alistair Hulett of Australian celtic-punk legends Roaring Jack it’s a grand version that does the song and Alistair justice. You can check out the Roaring Jack version here. Comparing the two songs it’s pretty obvious that celtic-punk has evolved in the eighteen years since the song was written. Mickey Rickshaw steam through the song in just two and a half minutes barely pausing for breathe.

“The land was cleared and the deal was made
Now an English Lord in a tartan plaid
Struts and stares as the memories fade
Of the Gaels of Caledonia
And he hunts the deer in the lonely glen
That once was home to a thousand men
And the wind on the moor sings a sad refrain
For the Gaels of Caledonia”

The band must have some clever mates as one thing they are becoming famous for is their videos. All done with great lashings of humour and self depreciation and ‘Grey Water’ is no different. A cracking video that makes you want to be right there in the crowd spilling your drink and having someone spill their drink on you. A definite standout track so get listening.

‘Monday Warning’ is another sure fire hit and although I keep mentioning the Murphys the Bhoys have developed their own sound and even though they play tribute to the Murphys here they manage to do it without aping them. ‘Ivy’ is a fast punk number but with accordion blaring out as loud as the electric guitar. The quickest song on here is ’18 Minutes Down’ about the sinking of the Lusitania during the 1st World War and is ran through in just 1:52 minutes and again they punk it up and leave you breathless just listening to it. ‘Non-Profit Warfare’ slows it down just slightly and if anything is a great example of standard celtic-punk while ‘One Life’ ramps up the speed again and is another album highlight.

“Some fall too early, some fall too hard.
Some fall together, and some fall apart.
Some fall from the top, and some fall for heart.
Some have it unfair and fall from the start”

‘Albatross’ begins ala Dreadnoughts before slowly building into a hardcore finish that belies its short length! Behind The Eight Ball comes to an end with the second of the album’s cover versions with ‘The Gael’. Written by ex-Silly Wizard member and Scottish singer-songwriter Dougie MacLean, the original by Dougie can be viewed here. You may recognise this from the movie The Last Of The Mohicans and Mickey Rickshaw give it the celtic-punk treatment with pipes, crashing drums and thrashing guitars a simply brilliant way to end the album and the perfect reverential nod back to the past. 

LONG LIVE BOSTON CELTIC-PUNK!!!!

mickey-rickshaw-band1

(listen to Behind The Eight Ball for free on the Bandcamp player below)

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  • Mickey Rickshaw will be in London from 7-9th January and we are booking the dates as we type so keep in touch with all the details as they are released by joining the Facebook event here.

SINGLE REVIEW: THE RAMSHACKLE ARMY- ‘Foreign Soil’ (2106)

The new release from The Ramshackle Army proves again the high quality of Aussie celtic-punk. Influenced by the punk they grew up with, the Celtic traditions of their families history and the colonial heritage of Australia the band come up trumps again.

ramshackle

With The Rumjacks just landing back home in Australia after a God alone knows how many months European tour which saw them ship up in London twice and The Go-Set set to follow them into town a week today Australian celtic-punk is spreading across the globe like cane-toads (remember The Simpsons versus Australia?). Anyhow last Wednesday saw the first new release from The Ramshackle Army since their early 2014 album Letters From The Road Less Travelled hit the shops to great applause and its another belter.

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The Ramshackle Army began plying their trade in the pubs and bars of their home town Melbourne before making the leap to a wider Australian punk and celtic-punk audience and then they were handpicked by The Dropkick Murphys themselves to support them on their 2011 Australian tour. After this the Murphys asked the Army to join them for their 2012 St Patricks Tour of the USA. So in March they embarked on their first tour of the US playing a handful of warm up shows with some of the best American celtic-punk bands going before joining the Murphys for a run of shows which ended with the massive 6,000 Tsongas Arena on St Patrick’s Day. Their adventures in America ended with the Ramshackle Army headlining the Guinness stage at the Shamrock Fest in Washington before 15,000 eager celtic-punk fans.

ramshackle2In 2014 the band joined the prestigious independent record company East Grand and released Life Lessons And Drunken Sessions following it up with their first full length release Letters From The Road Less Travelled. In 2015 and with the band on the verge of world domination they were hampered by line up changes but ended the year in the USA again in September and October of 2015, playing California’s Get Shamrocked festival and going on to join scene legends The Tossers for their Halfway To St Patricks Day tour. This year has seen them playing across Australia and seen their welcome return to the studio with the new EP Whitewashed Grave set for release later in the year.

ramshackle-1As with all their previous recordings Foreign Soil is heavily influenced by the story-telling style in the old folk tradition but comes wrapped up with a boatload of high energy punk rock that does the sometimes impossible act of transferring the live energy of an Ramshackle Army live gig onto disc. So after just six years and countless shows across two continents The Ramshackle Army are back and for just a lousy American dollar (that’s only about 75p or 89c!) you can own their new single and give the bhoys and ghirl a hand up in taking over the world!

In search of solace land of hopes and dreams was sought.
In waters treacherous and in storms that we were caught,
A 9 to 5 with pride and life for sons and daughters.Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.Whoah oh oh whoah oh oh, When will you heed my plea.
Whoah oh oh whoah oh oh, Will someone rescue me
Whoah oh oh whoah oh oh, I’ll never ask for more than peace on foreign shore.Imprisoned by our plight and desperate acts faith,
They enter battles in our name and battle cry our pain,
Just keep me sane and welcome my escape.Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.

Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh
Whoah oh oh whoah oh oh

Though through tales of hope and what awaits on foreign shore,
No those broken dreams can’t mend when greeted by closed doors.

Whoah oh oh whoah oh oh, When will you heed my plea.
Whoah oh oh whoah oh oh, Will someone rescue me
Whoah oh oh whoah oh oh, I’ll never ask for more than peace on foreign shore.

When will you heed my plea
Will someone rescue me
I’ll never ask for more than peace on foreign…

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go-set

If you fancy a spot of live Australian celtic-punk then you are in luck! Fellow Melbourne celtic-punkers The Go-Set sail into London town a week today Friday 30th September at The Veg Bar in South London. Playing alongside London Irish favourites The Lagan and Hastings folk-punkers Matilda’s Scoundrels, fresh from supporting The Levellers last week. Kicking off the night is internet sensation (look up ‘I’ll Dance On Your Grave Mrs. Thatcher’) John McCullagh who may, or may not, be joined on the night by some extra special guests from South London’s favourite band Alabama 3. It’s an expensive business touring from Oz so tickets are £8 and available from WeGotTickets. You can keep up with the gig at the Facebook event here. The rest of the tour takes in Brighton 29th September, Derby 1st October and Leicester 2nd. Details from their Facebook page here.

ALBUM REVIEW: THE RUMJACKS-‘Sleepin’Rough’ (2016)

Bloody ‘ell! Close the Best Of 2016 poll we have a winner already! The Bhoys have only pulled it off again. 

By Shane O’Neill

Rumjacks

Wow!!! These guys never fail to impress. 2016 should be renamed The Year of The Rumjacks. Firstly, they hit us with a mammoth 5-month European tour and then they release the 12 song masterpiece that is “Sleepin’ Rough” in early August. If that’s not enough they have also just announced that they will be ending the year with a 4-month tour of Australia once they return from Europe. Impressive or what?? Nobody can question them on their hard work this year. This band is going from strength to strength.

LCP Frankie

Frankie with Andy Mac of The Lagan

When I first heard The Rumjacks I never dreamed I would ever see them live, however they toured Europe in 2015 and again in 2016. I have to say they do not disappoint live either. I was lucky enough to share a few beers with The Rumjacks during their current tour. I have to say they are a really down to earth and humble bunch of really talented punks. None of the Bono type rock star bulls@#t from these guys. They are happy to mingle with the crowd and share stories about their music and tour. It is evident that these guys love what they are doing and we love it too so keep it coming….

Now where do I start with ‘Sleepin’ Rough’? One of the guys said to me it gets better every time you listen to it and I agree. I was a bit dubious when I heard the album was being released so soon after Sober & Godless (2015). Releasing back to back albums so soon after each other doesn’t always work but this is The Rumjacks – of course it works and has exceeded all expectations. ‘Patron Saint O’ Thieves’ is a crackin’ album intro to get you warmed up for what’s to follow.

“…..burn it bhoys…..”

The album has some fine tin whistle solos. This really brings out the best in tunes like ‘Murder Shanty’ and ‘Eight Beers McGee’. Personally my 3 favourite tunes are (in no particular order) ‘The Pot And Kettle’, ‘Fact’ry Jack’ and ‘A Fistful O’ Roses’.

‘Fistful O’ Roses’ was released as a single a few months back to give us a taste of the album. It a mighty fine offering about the dying pub / club scene in Sydney. As Frankie relates

“An agenda of sweeping law reforms and increasingly heavy tactics by our state government have crushed the city’s nightlife, the livelihood, and in many cases even the lives of many of its inhabitants. Iconic pubs, bars & restaurants are forced to close their doors, elderly residents are driven from their homes and Sydney is growing more desperate & hostile with every passing day.
This is a city under siege by those who rule her, set to become a playground for the elite, while the people who made it the treasure it was are squeezed out to wherever they hell they may venture.
We performed the video for the song as a macabre ‘dry wake’, set among the decay, in a derelict pub, one of many to fall victim to the states new order. Historic footage flits across the screen like memories of a life flashing before one’s eyes. ‘A Fistful O’ Roses’ is one last great send-off for the old girl, but make no mistake…”

This is an unfortunate theme which applies to most major cities and towns where we see traditional pubs, clubs and live music venues being closed down by developers. It really is such a shame to see the heart of cities and towns being ripped out not to mention the impact it has on the live music scene and new up & coming acts.

“Oh, this boozer is a wreck, all up & down the deck,
Like a tired old sinner off her game,
Wi’ her blood red lips, and her youth about her hips,
Still the regulars all love her just the same,
Where the mud-spat boots cut their way among the suits,
And the Sally’s come to rattle the can for Jesus,
‘Til they chain up all the doors & toss out all the whores,
Wi’ a fistful o’ half dead roses”

Be warned, before you press play on ‘Dead to me’ make sure you’re firmly strapped in. This tune will pick you up, spin you around and drop you flat on you’re a#$e before you know it – hard hitting or what? Throughout the album you can pick up many different influences from traditional Irish, Scottish and Aussie to sea shanty to hardcore punk. All this blended together give us the unique blend of Celtic punk that is The Rumjacks which others aspire to. Lyrically the album gets 10 out of 10 and no better man to pelt them out than Frankie with a mixture of Aussie / Glaswegian dialect. For me The Rumjacks are by far the best Celtic punk band on the scene at the moment and ‘Sleepin’ Rough’ is a fine example of what they are capable of. Not much more I can say other than go get yourself a copy of ‘Sleepin’ Rough’ and if you get half a chance go and see them live. I would personally donate body parts for a chance to see them again.

(left to right) Anthony- drums Adam: banjo/mandolin Frankie: vocals/tin whistle/ Gabriel: guitars Johnny: bass

(The Rumjacks left to right) Anthony- drums Adam: banjo/mandolin Frankie: vocals/tin whistle Gabriel: guitars Johnny: bass

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for more on The Rumjacks check out the following articles

Album Review: ‘Sober And Godless’ (2015)  here

Single Review: ‘Blows And Unkind Words’ here

30492-London Celtic Punks Top Twenty Celtic-Punk Albums Of All Time here

The Rumjacks And Irish Pubs here

BLACK WATER COUNTY NEW SINGLE AND FREE DOWNLOAD

Stout quaffing, banjo breaking, tin whistle mangling original music so get ready to folk sh*t up, and get really angry… at the floor!

BWC- One More Beer

People may think that London is some hot bed of celtic-punk activity but truth be told the real powerhouse is down on the south coast of England that’s where the real power in English celtic-punk lives! Several fantastic bands all playing in each others backyards and all supporting each other with a friendly rivalry that most music scene’s could only dream of. One of these bands is the fantastic Black Water County. Don’t be fooled by those fresh faces though they been gigging relentlessly ever since they formed on St Paddy’s day back in 2013 and barely a weekend goes by without my inbox informing me of a new bunch of Black Water County gig’s that I sadly can’t go to!

Based in Dorset around Bournemouth they are a highly original and innovative part of the scene and have played in London a good few times, though not nearly enough for our liking, and gone down an absolute storm each and every time. Who could forgot the time at TChances in Tottenham where half the audience from the Polish punk gig next door ended up in our tiny room bouncing around and jigging like maniacs when they heard the sound of Black Water County coming on!

The bhoys and ghirl have just released a new single ‘One More Beer Won’t Hurt’ and an accompanying video too. It’s made up of exactly the stuff that we love them for. High octane full on Irish punked up folk music to (using their own famous slogan) “beat up the floor to”. Released only yesterday on a Pay What You Want deal you can follow the link below and download for whatever you like, though we’d like to hope you can chuck them a quid or two but if not they won’t hold it against you. Keep an eye on these as they are most definitely one of the up and coming bands of the scene and that will only be cemented I am positive when they release their debut album sometime late in the year. We cannot wait!!!

In the meantime you can catch them supporting top Aussie celtic-punkers The Rumjacks this Sunday coming on the 22nd live Upstairs At The Garage on Holloway Road (nearest tube/train: Highbury And Islington) in North London. Fellow south coaster celtic folk-punk band Matilda’s Scoundrels are also playing so be sure to be on time. Ticket link here.

But if that’s a bit short notice then Black water County will be playing a special London Celtic Punks show dahn Sarf London this time on Saturday 3rd September with The Cundeez down from Dundee and Kilburn Bomb Squad sort of across and down a bit from… well Kilburn. The event page for that is here.

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BWC

ALBUM REVIEW: FOX n FIRKIN- ‘No Vacancy’ (2016)

Mandolin, Banjo, Electric Guitar, Bass and Drums

Brisbane Australia Celtic-Punk

Fox n Firkin - No Vacancy Cover Art

We are very lucky at the moment for the band that I consider to be the best celtic-punk band in the entire fecking world has embarked on a epic European tour that will eventually take in Ireland, England, Scotland and Wales. Yes The Rumjacks have already flown the coop and left Australia and at the moment are probably wandering round some city in mainland Europe taking selfies and boozing it up with the local celtic-punk brigade. Now if I have said it once here on the London Celtic Punks blog then I have said it twenty or thirty times that the best celtic-punk band in the world is The Rumjacks and the best celtic-punk bands in the world are Australian. Maybe its the history of Australia and the way the country was founded or the massive migrations (some forced some not!) of celtic people that made it that way but their bands tend to have something really authentic about them and especially lyric wise they definitely dominate. Well just the other week I received the new album from Fox n Firkin a band I had heard of before but knew very little about except that they shared a record label with the awesome Tasmanian celtic-folk-punkers The Dead Maggies so with that in mind I thought I would rather like them and rather like them I surely did!

Fox n Firkin

(from left to right) Leigh Mitchell- Bass, Adrian Kay- Mandolin/ Banjo/ Vocals, Andrew Boyle- Guitar/ Vocals, Robbie Fraser- Drums/ Vocals

Formed in early 2012 in the capital city of Brisbane in Queensland in eastern Australia Fox n Firkin have taken the harder edged route into celtic-punk and though they would probably be nearer to the Dropkick Murphys than Flogging Molly but they don’t sound much like the Murphys either. One of the things about the Aussie celtic-punk scene is how they manage to find new approaches in what you would think is quite a narrow genre and make it really original. Fox n Firkin are no different to their peers and have a fresh original sound that fuses those celtic and folk instruments like mandolin and banjo to quality punk rock melodies. Fiercely independent they released a couple of DIY EP’s but have recently joined up, and have found the perfect label to support them in, Folk Till Ya Punk Records. They produced their first independently released EP To Hell And Back in May, 2013 and was produced By Fox n Firkin and Greg Arnott and is available as a ‘name your price’ download on Bandcamp below.

They followed this up with another brilliant 4-track EP ‘Roppongi’ release on December 1st, 2013 which if you buy the CD contains the best version of ‘Waltzing Matilda’ you will ever hear I fecking promise you.

Released on April Fools Day this year this debut album from Fox n Firkin is ten quality punky celtic-punk tracks with that unmistakeable Aussie sound that we go absolute ape shit for here at London Celtic Punks. Ten songs that clock in at just over half an hour and includes nine original F n F compositions and only one cover. No Vacancy kicks off with ‘Drink The Lot’ and from the first few bars of mandolin you know you are in for a treat. Catchy and tuneful punk rock with a load of folk influences chucked in as well. Bit of an anthem this I would suspect and good for getting the crowd joining in the simple but effective chorus. ‘My Country’s Shame’ follows and tells the story of the birth of Australia under Britain’s glorious control and the genocide and oppression they heaped upon the indigenous people. Faster and again the mando to the fore and a Rancid/Bad Religion feel to it. ‘No Vacancy’ was the lead single from the album back in March preparing the world for the album that was to come. The song has a bouncy ska feel to it and unlike the rest of the album has no swearing! I realise its almost a criminal offence to say you’re not a big ska fan but there you go. I much prefer the rest of the album myself but, don’t worry, I know I am in the minority here! The song is about the reaction in Australia to asylum seekers, refugees and economic migrants.

No Vacancy continues with ‘Long Road From Hell’ one of the (slightly) slower tracks and also one of the most celtic-punk tunes here. Banjo appears and the fits the song superbly and again as catchy as fecking hell. On hearing ‘El Condor Pasa (If I Could)’ you may think it familiar and you’d be right. Written by Peruvian song writer Daniel Alomía Robles in 1913 and made famous by 60’s folk pioneers and legends Simon and Garfunkel.

“I’d rather be a hammer than a nail
Yes I would”

A brilliant song and hats off to them for choosing such an unusual cover to record. Makes a change from ‘I’ll Tell Me Ma’ at any rate.

‘Days Long Gone’ and ‘The Violent Majority’ follow and the sound is shifting about thanks to the use of banjo and mandolin in different songs but still following that trademark Fox’n’Firkin sound. ‘Bastard Brigade’ is another drinking song and the celtic is turned right up on this. Another one for the crowd to sing along to and punch the air. Nearly at the end and the fastest song here ‘Too Hip 4ZZZ’ puts the boot into shite music and music radio that only play trendy crap. Have to say that F n F never sound more Aussie that on this song! No Vacancy comes to an end with ‘Burn The Rich’ and no explanation of the lyrics is needed I am hoping? Another great track that doesn’t sound like the rest of the album but is far from a novelty song I tells you.

So after their first two EP’s I have got to say that Fox’n’Firkin have really hit the jackpot here with No Vacancy. A quality debut album that from beginning to end is just catchy as hell celtic-punk rock with great vocals and lyrics. On the punkier side of things but refreshing to these ears that they are doing their own thing and not aping any band I have heard recently.

“fusing traditional Irish instrumentation and melodies into blistering catchy punk rock”

is how they describe themselves and you know what? I couldn’t put it better myself!

(you can have a sneaky free listen to ‘No Vacancy’ by pressing play on the Bandcamp player below before buying!)

Buy The Album

FromTheBand  Folk’TilYaPunkRecords  

Contact The Band

Facebook  Bandcamp  Soundcloud  YouTube

  • read the review posted by our mates at Celtic Folk Punk And More here won’t ya?

THE RUMJACKS TOUR IRELAND, SCOTLAND, WALES AND ENGLAND

no Cornwall though…what happened there lads?

RumjackTour

Woohoo I am in clover and guess why? Yes the best celtic-punk band in the entire world THE RUMJACKS are bringing their raucous and spellbinding celtic-punk road show back to these shores for their biggest tour here yet. Taking in twelve cites across Ireland, Scotland, Wales and England and including two shows in London at the beginning and end of the tour. We are surely blessed!

(the first single off The Rumjacks 3rd full length album due later this year)

For those who are unaware of The Rumjacks I pity you but here is your chance to make amends and catch up with the rest of the celtic-punk scene. We are firm believers here that the best celtic-punk bands anywhere in the world are in Australia. Can’t put my finger on exactly why. It could be the brutal birth of the country under Britain’s glorious rule or the large celtic populations that left for there (some forced, some of their own accord) but Australia has always had a sort of outlaw rep to it and the celtic-punk they play is steeped in the bloody history of their land. Needless to say at the forefront of these bands are The Rumjacks from Sydney in New South Wales.

Born of a desire to make music in general and celtic-flavoured punk in particular, The Rumjacks are an entity rather askew, cast adrift of the mainstream and the industry as a whole, these five musical misfits from the cobbled streets of old Sydney town, a group unto themselves and the music they’ve made their own.

“Of the current line up, it’s only myself and Johnny (McKelvey, bass) who were there at the start,” muses frontman Frankie McLaughlin on the origins of the group. “He and I met and quickly realised we were after the very same thing”

This was towards the end of 2008, and the ‘same thing’ of which McLaughlin speaks was so strong, that the group’s debut release, the Hung, Drawn & Ported EP, was released not three months later. After some early line up changes, the group quickly settled to how we see them now: McLaughlin, McKelvey, drummer Anthony Matters, guitarist Gabriel Whitbourne and banjo / mandolin / bouzouki player Adam Kenny; as ragtag a group of virtuosi players as you’ll find in this day and age, milling about sticky-carpeted pubs across the land.

(17,000,000 (aye seventeen million) views and still counting!!!!!!!!)

Since the group’s inception, they’ve come to embrace the oddball world they’ve found themselves in, becoming part of the gnarled, handmade furniture you might say, drawing from a solid base and pushing, stretching, bullying it to their every whim, creating something of their own. You may make comparison to The Pogues, Billy Bragg, The Dropkick Murphys et al, and you’d be right to, but you’d be well advised to acknowledge the twist these five have put to their music themselves, making it something unique.

“Well it’s absolutely vital,” concurs McLaughlin on putting their own stamp on this music, something that has led to the band cultivating a marvellous versatility which sees them comfortable on any number of stages, in any number of situations. “And it means we can jump in on any line up in front of any crowd, and we’ve proven that. I think there are elements of what we do that appeal to everyone”

Indeed there are – from their heavy celtic roots to the driving punk rock rhythms, the cheeky lyrics and rampant, greased up bonhomie that drips from the stage whenever these five step up, this is what The Rumjacks bring. It’s been this versatility, not to mention the flat-out talent and drive they exude, that’s seen the band share stages with artists diverse artists from folk to 77 punk. It’s seen all their releases stand up as solid works, finding places amongst the collections of fans of rock, punk, folk, reggae, Irish and God knows what else.

“We could run mad with it, musically speaking” McLaughlin confides on what’s next – a new Rumjacks record, being pieced together as we speak for release later this year. “We draw on so many influences, but its important for us to force the bounds of what we already do, play good solid Punk rock with a fat smear of Celtic folk right through it, Hopefully contributing something substantial & new before the genre dies out as a novelty. There’s so much more energy this time around”

It almost seems impossible to suggest there’ll be more energy, for this isn’t something The Rumjacks have ever lacked before, either on stage or in the music itself. But these are five who have nothing to hide, they have no limit and there’s nothing to it but to make this music and make it loud, make it proud, add the extra energy and to hell with the consequences, for The Rumjacks and their slavering hordes will not be denied. They politely, but firmly, suggest you get on board.

(from second album Sober & Godless)

After last year when they managed to bring the house down at the Boomtown festival and even managed to take our minds off the £5 pints of water and early 9-30pm finish at the Garage I can heartily say to you all DO NOT MISS THEM ON THIS TOUR! Aye move heaven and earth to get to one of the gigs it will NOT disappoint I promises you. To find out more about the tour go to The Rumjacks web site here or the official Facebook event here or feel free to contact us at London Celtic Punks. 

(left to right) Anthony- drums Adam: banjo/mandolin Frankie: vocals/tin whistle/ Gabriel: guitars Johnny: bass

(left to right) Anthony- drums * Adam: banjo/mandolin * Frankie: vocals/tin whistle/guitar * Gabriel: guitars * Johnny: bass

Contact The Band

WebSite  Facebook  Twitter  Instagram  YouTube  Bandcamp  Soundcloud

Discography

Hung Drawn And Ported (EP) 2009 * Sound As A Pound (EP) 2009 * Gangs Of New Holland (Album) 2010 * Crosses For Eyes (Single) 2012 * Blows & Unkind Words (Single) 2014 * Plenty (Single) 2014 * Sober & Godless (Album) 2015

* the boys are not just coming here they are spreading their wings around Europe and will also be touring around most of Europe in Germany, Italy, France, Switzerland, Slovenia, Spain, Serbia, Austria, Czech Republic and the Netherlands so get over to their web site here to find a show near you!

Rumjacks Gig At The Garage 2015

PS- Watch out for some awesome support bands playing on this tour, the cream of our scene. The Cundeez, The Lagan, Matilda’s Scoundrels, Black Water County, East Town Pirates, Mick O’Toole. Many more to come as well!

 

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…