Over ten years promoting Celtic-Punk as a unofficial Celtic supporters club for drunx, punx 'n' vagabonds!
Another release from one of the most productive and popular bands in Celtic-Punk. The Clan from Italy balance high tempo folk and country alongside Celtic-Punk to make one of the best records of the year so far.
It has been a funny week in the world of Celtic-Punk! Fresh from catching the superb Dropkick Murphys live in London last Friday two EP’s land on our doorstep on the same morning from very well respected Italian Celtic-Punk bands. The first was from this band, The Clan. One of the first bands heard and a band that has featured several times on these pages with previous album reviews. The second was a relatively new band The Rumpled who arrived on the scene properly in 2014 but it was with last years highly rated Ashes & Wishes album featuring guest vocals from The Rumjacks Frankie McLaughlin.
But more on The Rumpled later in the week for now we have The Clan. Probably the better known of the Italian bands in the scene. Along with bands like The Clan and The Rumpled, Modena City Ramblers, Kitchen Implosion, Dirty Artichokes and Uncle Bard And The Dirty Bastards all the Italian bands share a deep love for Ireland and it’s culture and musical traditions. If Celtic-Punk was about taking the folk tradition and the punk tradition , moulding them together but still staying true to those traditions then it is the Italians who do the job best. There is a sort of generic Celtic music that incorporates music from all the Celtic nations and though instantly recognisable as Celtic-Punk it doesn’t belong to one place in particular. The Italian bands are different and has produced a truly unique style of Irish music. The Clan hail from the small town of Muggiò in Lombardy which is in the north of Italy and have been together since 2013. With a bunch of fine albums behind them, three in five years, The Clan in 2014, All In The Name Of Folk in 2016 and last years Here To Stay, here on their new EP they have carried on their progression and taken a new direction to forsake English and decided to record the EP’s four songs in their native language. It’s understandable that bands think they need to sing in English, with the vast majority of Celtic-Punks fanbase in English speaking countries, but we have long been supporters of native languages so sing on Bhoys. We’ll still get it you know.
The title of the EP is Quattro Giorni Fuori Porta which translated into English means Four Days Out Of Door and though it only has four songs they are sung and played with the same passion that The Clan are renowned for. To this par of big Irish ears the words, sung by guitarist/mandolin player Angelo, sound great. Italian is famous for being a beautiful language and it fits the music here perfectly. The music itself flits from Celtic to upbeat Country and Folk and sounds jolly and fun though the subjects contained in the songs are not always! The EP begins with ‘Il Giorno Più Freddo Dell’anno’ (The Coldest Day Of The Year’) which is a song about animal-rights, a subject The Clan have visited before and a cause close to their hearts. The longest song here at over four minutes its sound leans heavily on Francesco’s fiddle and is against hunting as it tells of a day spent with a mother and her puppies out in the wild. The sound sits fairly perfectly between Country and Celtic but as with The Clan they don’t make music to stand still to! They follow this up with ‘Il Giorno Con Te’ (‘The Day With You’) and the bands sound is perfect with Francisco’s fiddle again leading but venturing from manic to melancholy and while it is annoying not to know what the words are about this is only because The Clan have nailed it on their lyrics in the past and I have always enjoyed reading them. Still it’s a small price to pay to hear the songs sung as they should be. ‘Il Giorno Prima Di Morire’ (‘The Day Before Dying’) keeps the tempo right up and is a hymn to freedom. The time we have here on earth is fleeting and we must each make the most of all we have. Catchy, fast and passionate it’s another corker and leads us nicely onto the final track ‘Il Giorno Migliore’ (‘The Best Day’) which, for me, is the standout track here with its upbeat sound that would move even the shyest mans feet!
The Clan have announced their may well be an English version of this EP but for now this is to show their appreciation to their Italian fan base and why not? The balance they have between genres is quite the feat and yet they still remain at heart a Celtic-Punk band more in the acoustic tradition say of Flogging Molly but with a sound all of their own making. The Clan have carved out quite the movement behind them thanks to intelligent lyrics, well made videos, respect for folk tradition and the love of a bloody good time! In common with those previous releases it’s been excellently produced and the whole band shine through. This is a great EP and though part of me is looking forward to hearing the English versions another part wants to leave it like this.
There’s an interview with The Clan here at Traks magazine where you can play the whole EP. I couldn’t work out how to embed the EP from Spotify! Remember to translate from Italian though!!
Here To Stay the third studio album from the Milan based Irish rockers The Clan. Celtic rock band formed 2013 from a group of musicians coming from diverse musical directions but with the same deep love for Ireland and its unique sound.
Back in 2016 The Clan were one of the first bands on the site that had been reviewed a second album. Time marches on and here we are now reviewing third third album and if we ranted and raved about the previous two then prepare yourselves for some more of the same as this album rates up there with both of them! The Clan hail from the small town of Muggiò in the province of Lombardy in the north of Italy and have been playing music together since 2013. The relationship between Italy and Ireland has in my own experience been a happy one. At my Catholic school here in England the two communities got on well while in the States, as far as I know, there has always been a high degree of inter-marriage. Plenty of Italians have passed through Ireland over the decades and more than a few have passed the other way with pretty much all of my Irish relations having chosen Rome for their honeymoon destination! We are both sitting out the World Cup too!! The Celtic-Punk scene in Italy is also quite unique as the scene is so bound up with the music of Ireland. There is a sort of generic Celtic music that incorporates music from all the Celtic nations and though instantly recognisable as Celtic-Punk it doesn’t belong to one place in particular. The Italian bands are different. The music from bands like The Clan, Modena City Ramblers, Uncle Bard And The Dirty Bastards, Kitchen Implosion, The Rumpled and Dirty Artichokes (coming to London in August!) all have the same deep love for Ireland, it’s culture and musical traditions. That love dominates their music throughout and has produced a truly unique style of Irish music.
As we have said many a time it’s no good expecting the best Celtic-Punk bands out there to have Celtic blood in them as you will be sorely disappointed! The Clan come from a beautiful place and play beautiful music that fills your heart with cheer and will surely plant a smile right across your face. Here To Stay begins with a kick-arse tune from the very off with ‘Pocket Money Heroes’ and it may start as if it’s heading down the hard’n’heavy route but before you know it’s completely changed track and your listening to a high energy poppy punk song with reggae interludes and great bagpipes and fiddle that change the direction of the song on arrival. A massive gang chorus of ‘whoah’ the opener covers everything and shows their songwriting abilities from the first beat. The Clan to more trad territory next with ‘Glory Waits’ and one of the standout tracks here for me.Mandolin and tin-whistle and one hell of a folk rocker with a dead nice country feel to it. Catchy as hell and just what we came here looking for. The next song up is ‘Jail Times’ and I have to say it’s not my cup of Barry’s. It’s well played and will especially appeal to fans of bands like Rancid with even a organ interlude! We are back on more solid ground next with ‘Rebel Town’ and finally the Irish influence comes spilling out. Now this is Irish-punk music with a brilliant singalong chorus and a foot stomping beat that will fill the dance floor. That a band can take two such diverse genres like punk and trad folk and then mix them into something so infectious it would get even the most miserable onto their feet is always something that never ceases to amaze me. The bagpipes open for ‘Johnny’ along with the drums giving its a Scots feel before the ‘whoahs’ start again and it’s a catchy punk number with Angel’s voice given full range and his gravelly strained tones portray a passion for what he’s doing. ‘Rat Race’ again takes the standard Celtic-Punk weapons of tin-whistle and mandolin and teams them with punk and comes out with a real beauty of a track. This is followed by the album’s title tune and ‘Here to Stay’ is a lively upbeat reggae infused number that’s duel vocals give it a Black Water County feel. There’s more of a punk rock influence here then before but it still sits within the Rancid description I think. The pipes are back again for ‘Prodigal Son’ and Chiara’s playing is immaculate as The Clan throw out yet more ‘whoahs’ making for a great audience song where arms are flung aloft and lungs are loosened and beer is no doubt spilt. Catchy as hell as is the whole album The Clan have an ear for a good tune. ‘Seize the Day’ is the album’s nearest tune to a ballad with Angel accompanied for most of the song only by a frantically strummed acoustic guitar though later Frisco joins in with some exquisite fiddle playing. Finally we reach my favourite song of the album, the western influenced, in style and content, ‘Wayfaring Stranger’ and if I was to make a Top Ten Celtic-Punk videos then The Clan would feature heavily so don’t pass by without watching the great video below. The music like the video is heavily influenced by both western and country but with that unmistakable Clan Irish-punk feel to it.
We are nearing the end and ‘Vesuvius’ is up and the album’s only instrumental and takes Irish music to another level. You may hear stuff like this every now and then but rarely, i repeat rarely, do you hear it so well played and executed like this. It takes all the best elements of The Clan and exploits them to good use especially Chiara this time on the tin-whistle. Brilliant Irish folk music played by Bhoys from Milan. One to get up the noses of the folk snobs! Absolutely fantastic. The album goes out though on ‘Easy Roller’ and The Clan love a heavy metal song and here they sound like the band they love, AC/DC, thrashing it out with the bagpipes. There were a couple of bonus tracks on my download and the earlier track ‘Johnny’ is re-recorded in Italian as ‘Johnny Non Parla’ and finally Here To Stay comes to an end with another Italian version of the album’s opening track this time called ‘Rievoluzione’ and the band are accompanied by Cippa and Paletta of the Italian punk band Punkreas.
Fourteen original songs that rocks in at just under fifty minutes Here To Stay was released last St. Patrick’s Day eve on the 16th March 2018 on Black Dingo records. It’s a fantastic album and, as others around the world’s Celtic-Punk media have written, a definite contender for those end of year Best Of polls. The Clan have been one of the best bands within the scene for a few years now coming to the fore on the strength of a handful of excellently produced videos but have managed to keep up the quality and prove they are no novelty outfit. While the posh wankers can whinge and groan about so-called cultural appropriation bands like The Clan take Irish music and play it with a love and respect for the past while keeping an eye to to the future.
(Here’s that video. Yes that one!)
Buy Here To Stay
Contact The Band
Black Dingo Productions Facebook
For more on Italian Celtic-Punk then join the IRISH/FOLK/CELTIC PUNK ITALIA! Facebook group here
Dance, scream, jump, sweat, clap hands and wear out your feet. Italian celtic-rockers The Rumpled come wrapped up with heaps of enthusiasm and energy and on hearing this they will soon have you trapped in their spell!
If you ever think that celtic-punk music is confined only to the Celtic nations and the Celtic diaspora then you couldn’t be more wrong! Those days are long ago, if indeed they ever really existed at all, and these days celtic-punk music is spread literally all over the globe. Today’s review is of Italian band The Rumpled’s debut album Ashes & Wishes and if celtic-punk was designed as a vehicle to take elements of traditional Irish folk and punk rock and blend them together while staying true to both genres roots then The Rumpled have nailed it.
The band was born in 2011 in the northern Italian city of Trento and began with the name Seven Deadly Folk but as is often the way with celtic-punk bands with the coming and going of new and old members the band decided in 2014 to change their name to The Rumpled. This led to the release of a 4-track demo in June 2015 and the change of name did them no harm and in the summer of last year they won the prestigious European Celtic Contest organized during the Montelago Celtic Festival. Having already performed over a hundred concerts at pubs, festivals, on the street and many more unlikely places and with this award under their belt and the release of their album last month they set off later this month on their biggest ever tour of Italy.
(the first demo release from The Rumpled)
The celtic-punk scene in Italy leans very heavily towards the Irish side of things and in bands like The Clan and Uncle Bard And The Dirty Bastards Irish traditional folk music is referenced heavily. Another band I have started to notice being referenced quite often, and for good reason, is Aussie celt’s The Rumjacks. Kicking off with ‘Rumpled Time’ and its catchy, riff laden, accordion led celtic-punk heaven! Its more the folky side of things but still with plenty of bite to it and, in common with the above Italian bands, Marco, the vocalist, has a strong voice and when singing in English is perfectly understandable. Following this is ‘Just Say No!’ and the Irish influence is strong on a song that bounces along with tin whistle leading this time. So far the emphasis has been on good time music but the Bhoys ramp it up for ‘Jig Of Death’ and was the second single released from the album the week after St. Patrick’s Day. According to the video the ‘vocal supervisor’ was one Francis D. McLaughlin so we could have half expected them to singing in broad Scots!
Another thing they have in common with The Clan is their elaborate and well made videos. Take a few minutes to check them out as they are well worth your time. The album carries on with ‘I Wanna Know’ and by know I’m getting the vibe off them that they are very much a live band. Music like this belongs in the public house but they have made a very decent job of transferring it onto disc so well done lads. The Rumjacks connection continues with ‘The Ugly Side’ featuring the Rumjacks themselves. Don’t these guys ever intend returning to Australia?? One of the punkier songs on Ashes And Wishes but without losing any of its catchiness. The bagpipes are loud and proud for next song ‘Don’t Follow Me’ the video of which features the local Celtic interest group Il Clan della Fossa. This was the lead single released last November and sparked up a lot of interest in the band around Europe.
As I already mentioned Italian celtic-punk bands have really embraced the sound of trad Ireland and on ‘County Clare’ The Rumpled take that music and inject it with a healthy dose of punkiness and an energy oft times missing. The song is again led by the accordion and Marco’s voice combine for the album standout for me. The album continues with ‘Bang!’ and a catchy ska beat knocks shoulders with a country folk base and nice wee track with very well played fiddle from Patrizia. We are nearing the end and still no covers just some excellent original celtic/Irish influenced folk punk. ‘Dead Man Runnin’ continues the punkier side of things before ‘Ramblin’On’ brings us back to their more folky side. Again its catchy as hell and finally the album comes to an end with ‘Letter To You’ and if the only thing missing from Ashes And Wishes was a lovely wee ballad then they almost pull it off with this wonderful song that they can’t quite help sticking a jig in the middle of it. The sort of song Springsteen would do if he ever records an Irish themed album.
Ashes And Wishes is a real fun album the sort of music that would see you certain of a good night out among friends and comrades. With the spirit of great Irish bands like The Dubliners, The Pogues, Dropkick Murphys and Flogging Molly infused here celtic-punk is not a genre built entirely on originality in fact it skates by on a massive dose of nostalgia as much as anything else. In which case it’s sometimes hard to judge bands and with the best place to hear this kind of music being the pub its the feelings it evokes that tell us whether the music is good or bad or in between. What you have here is just plain good old time party music. There is no hidden meaning to it just the wish from The Rumpled for us, the listener, to enjoy ourselves and to forget our troubles.
Which is exactly what I did for thirty-four minutes!!
Buy Ashes & Wishes iTunes
Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…
6. BLACK WATER COUNTY (England)- ‘Taking Chances’ here
7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’ here
8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here
9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’ here
10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’ here
11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’ here
12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’ here
13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’ here
14. THE SILK ROAD (England)- ‘S/T’ here
15. FLOGGING MOLLY (USA)- ‘Life Is Good’ here
16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’ here
17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’ here
18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here
19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’ here
20. CRAIC (USA)- ‘Sounds Of Vandemark’ here
21. THE MOORINGS (France)- ‘Unbowed’ here
22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here
23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here
24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here
25. CELKILT (France)- ‘Stand’ here
26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’ here
27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’ here
28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’ here
29. THE BABES (London)- ‘Greetings From London’ here
30. CHEERS! (Czech Republic)- ‘Daily Bread’ here
Just bubbling under:
THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)
No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.
BLACK WATER COUNTY- ‘Taking Chances’
This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!
1. BLACK ANEMONE (Sweden)- ‘In It For Life’ here
2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’ here
3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’ here
4. THE BOTTLERS (Australia)- ‘The Bottlers’ (here)
5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’ here
6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’ here
7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’ here
8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’ here
9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’ here
10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’ here
Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.
1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’ (here)
2. ShamROCKS- ‘Ye Ould Chariot’ EP (here)
3. CRIKWATER- ‘Crikwater’ (here)
4. BEOGA- ‘Before We Change Our Mind’
5. FOLLOW THE CROWS- ‘West is East’ EP (here)
6. PLASTIC PADDY- ‘Lucky Enough’ (here)
7. DAMIEN DEMPSEY- ‘Soulson’
8. GALLEY BEGGAR- ‘Heathen Hymns’ (here)
9. I DRAW SLOW- ‘Turn Your Face To The Sun’
10. ANTO MORRA- ‘From The Vaults’
Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!
MERSEY CELT PUNKS
This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.
So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.
Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.
We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.
His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!
He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.
We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.
Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say
“I try to be serious but the humour always takes over”
He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.
Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.
Ladies and Gentlemen, on drums.. Mr Carlton Hunt
This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.
We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.
remember any views or comments we would love to hear them…
Sláinte, The London Celtic Punks Crew- January, 2018
The Moorings. As recommended by The Dubliners!
An ultra-energetic French quintet delivering a fantastic mix somewhere in the middle between celtic folk and alternative rock.
So I was always told my auld fella that you should judge a man by the company he keeps. He used to say this to try and get me to stop hanging about with some rather unsavoury characters in my home town. If you can apply the same to bands then The Moorings are a band that any parent would be happy to see you associating with. They are basically the first port of call for any of the celtic-punk scenes major bands when they arrive in France and are looking for supports. They have played with just about every decent sized band going and as says above recommended by The Dubliners. They have toured with just about all the greats of Irish punk from The Pogues to the Murphys to The Dubliners. Their last EP even had guest vocals from Frankie of The Rumjacks.
Formed in 2011 in the small town of Sélestat in the north-west of France on the border with Germany The Moorings assent has been spectacularly quick and without even having released an album. Their debut EP ‘Pints And Pins’ from July 2011 introduced them to the wider celtic-punk world and received praise from all and sundry. Five mostly self penned tracks including the brilliant ‘Working Class’ which gave up plenty but promised so much more as well.
This was followed up with a live album La Cigale Unplugged. Again mainly self penned its eight tracks that show how good The Moorings are as both a band and as individual musicians as well. The superb production helps and on hearing the album it’s easy to see why they chose to release it. Their third and final release was another EP. This time ‘Nicky’s Detox’ EP from December 2014 really showed what they could do. Five tracks all written by the band that again received glowing tributes from all the regular celtic-punk press including ourselves here. The song that really raised interest in the band, ‘Shandon Bells’ features Frankie McLaughlin of The Rumjacks on guest vocals and made it onto just every celtic-punk podcast in existance.
So Unbowed is the band’s first proper studio album but will it live up to all the hype? The answer is of course most certainly. Twelve tracks that last over forty minutes and show The Moorings haven’t rested on their laurels and continue to make utterly brilliant music. The album kicks off with the hilarious ‘Another Drinking Wound’ and anyone whose ever had a, what we Irish call, a “very good night” can attest to waking up the next morning with unspecified bruising and a lack of memory of how you got them.
“Where does the pain in my butt come from?”
The song starts with some great rock’n’roll guitar and a brilliant catchy start. D.Phil.Jelly sounds just like our Shane even including his cockney sneer! It’s fast and not particularly folky but ‘Captain Watson’s Gang’ introduces the first of that quieter numbers. Be moaning the turn of the world to the worship of money. I say quiet but not really. Great drumming here that keeps the song flowing along. They enter a world unbeknown to me next with ‘Amsterdam’. Originally recorded by the Belgian singer, songwriter, actor and director Jacques Brel. The song is in French and has that ‘Parisian’ feel to it due to the style of accordion playing. A lovely song and picked wisely as it would please both their audience at home and abroad who are jaded at hearing the same old covers over and over again. Delivered with The Moorings stamp it’s a great song and builds to a crescendo before the banjo slows it all down and takes us into a instrumental, ‘The Dancy Cargo Hold’s Dance/ Mermaid’s Jig’. As was showed with that live album the y can certainly turn their hand to a traditional folk song and I’m sure live this is a guarantee to get the audience on their feet. Both part’s are fiddle led with subdued quiet backing except for military style drumming. Great stuff! The Moorings like the name suggests like a sea bound song and here’s the first one, The Mariner I Used To Be’ begins with tin whistle and it’s a slow’ish’ ballad telling of a sailor whose had enough of the hardships of the sea and decides to settle down with his new love. Another song in French follows with ‘Les Bras Piqués’. Can’t tell you what it’s about but it’s a fair corker of a song moving at a fair old pace once it gets going. ‘Drink Up Fast’ was the first release from Unbowed and came accompanied by the brilliant video below.
It’s no wonder that celtic-punk gigs are so beloved and greedily anticipated by landlords with this amount of drinking going on! Shouty vocals and fiddle led folk-punk that’s a real thigh slapper.
“The road to destiny is just as emptyAs the days passing by sloggin’ in a fact’ryTurning around mostly going nowhereLeaving the dreams for someone else to haveSo as boredom sets in and wears me outI cannot help but stand my groundBy filling up my glass to the very topAnd drawn the little bastard in one single shot”
“Some people need to fight to let their anger outSome might need to bribe to find an easy way outSome people might get thrilled with anything crazyWhen all it really takes is a ice cold jar of whiskey”
and then we are finally at the end and Unbowed comes to end with the album’s longest track ‘Invictus’, starring Marikala on guest vocals. A great song with positive life affirming lyrics that begins with tin whistle this time supplied by Lolc from fellow French celtic-punkers Celkilt. Mainly accordion led but as has been the way throughout D.Phil’s voice stands out in particular. Another album highlight here and a simply fantastic way to bring down the curtain on Unbowed. If this album has one lighter/ pint in the air moment then this it is.
Singer/guitarist D.Phil Jelly has done a great job on this album overseeing just about everything here and the sound is crisp and never once over produced. The biggest danger in celtic-punk is that the folk instruments are completely submerged or else turned up so high to compensate that all you can hear is the tin whistle. No danger of that here as the balance is perfect between the punk and the folk. the songs are never straight forward celtic-punk and there is plenty influence of their home countries indigenous music also. The Moorings have always been one of the more interesting bands in celtic-punk with their appeal overlapping several genre’s I am sure. This is a great album and one that will further cement there place as one of the best, and more innovative, bands in the scene.
(you can have a free listen to Unbowed by pressing play on the Bandcamp player below. Before you buy it of course!)
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Italian celtic-punk band Uncle Bard And The Dirty Bastards play fantastic celtic-punk but spice it up it with pure traditional Irish music. With uilleann pipes, tenor banjo and Irish flute no other band in the celtic punk scene can compete with these Bastards in their knowledge of Irish trad music…
as well as that they are a great bunch of lads!
It’s a long time now and in this modern age we are taught to have short memories but back before the now deceased ‘celtic tiger’ roared it’s last breath Ireland was a land of plenty. High wages, plenty of work and regular masses promised opportunities for all good Catholics that washed up on it’s shores. Plenty of Italians flocked to the dear auld sod and among those emigrants were members and friends of the band Uncle Bard And The Dirty Bastards. These Bhoys weren’t tourists they were there to work and their love of Ireland was inspired from living, working, and visiting there. So in 2007 the celtic tiger having croaked and the work dried up many of those Italians returned home but a part of their hearts remained in Ireland.
Day by day we found there what we were searching for in our entire life, something that would change us forever. That’s how we fell in love with Irish music and how we learned it”
The boys got together and with a few songs learnt in the pubs and streets they began to practise what has gone on to become a real tour-de-force within the celtic-punk scene. From dingy wee backrooms in pubs to massive rock festivals to small mountain huts Uncle Bard And The Dirty Bastards have gone down an absolute storm wherever they have set foot.
(video filmed by our good mucker Rory over at This Drinking Life web-zine here which also included an extensive interview with the Bastards so click and go there.)
They released their debut album, Drinking Not Thinking, in 2011 and soon after set out on a busking tour of Ireland, Wales and England where they fine tuned their sound and began to write some of their own material. On their return home they were joined by Irish traditional folk musician Luca Crespi who added uilleann pipes, tin whistle and the Irish flute to the bands repertoire. ‘Up The Bastards’ EP followed before 2014’s absolute stunning Get The Folk Out! took us all by surprise. Not knowing them I opened up their e-mail and my first reaction was “not another band with Bastard in the name”. I sat down to listen and my bloody jaw hit the floor with amazement. Get The Folk Out! is a masterpiece. Straddling both the Irish trad sound and celtic-punk it easily fits into both genre’s. The addition of uilleann pipes moved the bands sound into something quite incredible. You can read our review of Get The Folk Out here. The album went on to walk away with the London Celtic Punks #1 Album of 2014 here, something unheard of for a ‘unknown’ band to do.
So with such high praise and expectation it was with wonder i sat down to listen to their new album Handmade. Could they live up to what we now expected of them? Well within one listen I realised they were onto another surefire hit! Released a fortnight ago on February 9th, 2017 they have managed to squeeze more than a hour onto the CD and have done it without a single weak moment. Uncle Bard And The Bastards start the ball rolling with the album’s title song ‘Handmade’. A short refrain starring Guido and his perfectly raspy and hoarse vocals and that’s it. The words explain the bands philosophy to what they do. A beautiful song and the perfect start.
“For a labour of love, Makes a work built to last”
They swiftly turn to their more raucous sound next with ‘Gipsey Geezers’ and them uilleann pipes fill the speakers but don’t be thinking that they rely solely on them. The whole band is extremely talented but you still need the songs and these Bastards do have them. As catchy a song as any on Get The Folk Out! it’s been a couple of years and I realise how much I have missed them. Not that only that but they finish the song with a jig called ‘The Arses Of The Lasses’ written by Lorenzo the like of which you will NEVER hear a fellow celtic-punk band play.
‘Too Old To Stop Now’ explains being in a band these days is more a labour of love than anything. Fortunes are to be made but only if you do as you are told and sell your soul for success. Things the Bastards have never and will never do. Again the celtic-punk of the main tune contrasts nicely with a polka tacked seamlessly onto the end. ‘Stay Untamed!’ again shows the songwriting talents of this band. Shared between them all it amazes how people who have English as only their second language can write such brilliant words. Never be afraid to take chances is the thing here and wrapped around a real foot-tapper. The tin whistle and punky guitar leads on a right celtic-punk classic that slows and speeds up with the fastest banjo I have heard in ages. ‘The Man Who Spoke To The Earth’ speaks of the the rich man in his castle and the poor man and again the song is interspersed with some absolutely amazing Irish folk tunes.
“I am just a poor man, On his own. But they will never know, What I’ve known”
The Bogman again written by the talented Lorenzo starts the section that concludes with Séamus Egan of Solas ‘The Czar of Munster’ and the trad ‘Coleraine’s Jig’. All played as expertly as you will hear. They leave the celtic-punk behind next and present further evidence that this band can whip up a traditional celtic folk storm as good as anyone. ‘The Donegal Lass/Butler of Glen Avenue/Tell Me About You’ has the fiddle and pipes giving it all. Never afraid to dip their toes in another genre we get the first taste on Handmade with ‘The Ferryman’. Bluegrass and ‘proper’ country spice up a song written by the legendary Irish songwriter Pete St John. ‘The Ferryman’ tells of the closure of the Liffey Ferry service in 1984, the loss of jobs and the end of a 320 years-old tradition that perfectly pictures how Dublin was changing during the 70’s and 80’s. The pipes are out in force for ‘Anger’ while the short and gentle banjo and flute piece ‘The Clarenbridge Fair’ is dedicated to Fintan and Tom Cussen where Lorenzo spent time in their Galway workshop.
“I dedicate this banjo composition to both of them, with a sense of gratitude for the great instruments they build and for their unequalled kindness”
‘The Streets Of Dublin’ is Lorenzo’s ode to the city that forever captured his heart. It’s not the saccharine sweet version of Dublin presented for the tourists but the warts an’all kind. Having watched Dublin change during the years and get through the economic crisis with more homelessness and teenage drug problems than ever there is hope. The Home Sweet Home movement is occupying offices in the centre of Dublin, to give shelter to homeless people for the winter and raise awareness of the problem. The music is again superb the mix of old and new never better while the lyrics speak of the same.
“Dublin me darlin’, What’s left for those who will come?”
Lorenzo again excels as a singer-songwriter on ‘Lads From The Countryside’ where he tells of the benefits of being born in the country. That they can follow a serious song such as ‘the Streets Of Dublin’ with this speaks volumes of their talent. Their is a phrase much loved by the foreign born Irish, like myself, “More Irish than the Irish themselves” and on ‘The Luck Of The Irish’ Uncle Bard And The Dirty Bastards prove they are indeed.
“So tell me, oh dear Where’s our pot of gold? I stumbled ‘till West Clare, To find there was none. At the top of me lungs, Leaned out over the cliffs I shouted ye oversea “Lucky me arse!”
the title reminded me of the John Lennon song which had much the same theme but without any of the Bastards humour. With British occupation, war, genocide, immigration heaped upon the Irish race where is this f’ing luck I keep hearing about? Now obviously I am drawn to the next song like a moth to a flame. The phrase ‘Plastic Paddy’ is well known to us outside Ireland. We can never be Irish enough for some people, mostly those who never suffered the necessity of emigration to survive rather than as some kind of student gap year.
It was released as a single last year but has been re-recorded and tweaked for inclusion on Handmade to make it a whole lot better!
“I went back to Temple Bar in great haste and fear
since I wanted to preserve the teeth I had in me mouth
I paid my seven euro for an iced pint of stout
but as everyone knows Guinness here is not the same
thanks goodness I found a few americans there
so we went out singing aloud along Merchant’s Quay
First “Whiskey in the Jar” and then a Garth Brooks’ song
Could it be a better way to celebrate today?”
Told again with great humour and is the longest song here. Have a good read of the lyrics over at the YouTube video. The music as ever is catchy as hell and the Bhoys admit they’ll be contributing to the whole mess themselves on St Patrick’s/Paddy’s/Patty’s day! My favourite song on Handmade is up next. ‘Rust’ is a beautiful song that is more celtic-rock than punk but Guido’s great voice and his lyrics raise the song high. Superb banjo playing and the song has epic written all over it. Nearly at the end and ‘The Flat Above My Pub’ is Silvano’s turn at telling a tale. He reaches into his dark past and shares them with us in a happy-go-lucky song because
“when life hands me a lemon I just go to the pub and I ask for a pint or two. I don’t like lemonade too much”
Fast and furious and still catchy the song is possibly the best example of Uncle Bard And The Bastards on Handmade. Everything that makes them truly unique within the celtic-punk scene is here within this brilliant song. The album ends with the modern Irish folk classic ‘The Town I Love So Well’. Not much to say here except its a faithful version Phil Coulter’s classic personal lament about the war in the north of Ireland, specifically in Derry city, a republican stronghold. Written about his childhood the song begins by telling of the simple life he grew up with till he emigrated and then returned finding how his hometown become plagued with violence. Dennis Jelly, of the brilliant French celtic-punk band The Moorings, takes over on vocals and sends this album off triumphantly.
So there you go. It may not be up to Get The Folk Out! standards but fecking hell there’s only a small handful of celtic-punk albums EVER made they do. Handmade is absolutely brilliant in every way. Buy this and give it to any Irish folk/trad music fan and they will see celtic-punk in a completely different light. They don’t have producers, record labels, arrangers, lyricist’s or anyone backing them. Piece by piece Handmade was truly a labour of love. Every aspect of this album has been produced by this group of friends themselves not just from the lyrics and music arrangements and the recording but also the excellent ,and massive, CD booklet containing photos, lyrics and song explanations. This album is truly handmade and made with a genuine passion missing from most modern music. At a time when the most popular bands in celtic-punk are releasing album’s you should definitely not miss out on this album I have an inkling it will again be troubling them at the top of the Best Of charts again at the end of the year.
Drinking Not Thinking – 2011, Up the Bastards! EP – 2013, Get The Folk Out! – 2014
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from a Bunch Of Bastards from The Hague, Rotterdam and Dordrecht!
I’m not sure quite what it is about the word Bastard in celtic-punk but their are a whole host of bloody brilliant bands about with it in their name. Think Mr Irish Bastard from Germany, Bastards On Parade (now shortened to just Bastards) from Galicia, Uncle Bard And The Dirty Bastards from Italy, Middle Class Bastards from Russia and Bastard Bearded Irishman from Pittsburgh in the United States. It’s just a shame we don’t have a decent band here in the UK to add! Well to this bunch of Bastards we can now add another Bunch Of Bastards from the Netherlands.
Coming together in mid-2013 the main inspiration for the band was accordionist Andries (better known in the celtic punk scene as Mr Dutch Irish Bastard) who has graced the stage with many of the top European celtic punk bands like Circle J, Mr.Irish Bastard (and even The Mahones) and recorded with the likes of Bastards On Parade, Sir Reg, Greenland Whalefishers and Firkin. Fed up of being a guest he decided it was time to form his own band and vision and this is what he did, over what seemed like a loooong time to those of us watching on Facebook!
(Listen to one of the tracks from the album here but it was recorded at their 5th gig sometime ago so they have moved on and got much tighter as a band since then. Just to give you an idea!)
And so the trials and tribulations sorted The Bunch Of Bastards began to play live and picked up some nice support slots along the way before they released My Drinkin’ Ain’ Done their debut long player to an eager and awaiting public. Now Holland has some amazing bands like Circle J and LQR both of whom we have featured recently and the Dutch celtic-punk scene is famous for not solely sticking to celtic music allowing other genres and influences to seep in. Bunch Of Bastards keep it mainly celtic and punk though and is no poorer for it.
We get fourteen songs lasting exactly fifty minutes and like all the aforementioned bands its all brilliant stuff alright. From the first bars of opening song ‘Lucky Break’ the mandolin kicks it all off before the whole band join in and its great joyous sounding music even though the story is about one of life’s losers. ‘Back In The Day’ follows and ‘Middle of Nowhere’ and the pattern is forming. The music is fast and definitley on the folky side without being any less punk. Shouty vocals that fit in perfectly with gang choruses (that I especially loved) and the production is amazing. All the instruments are clear as crystal with Cor’s vocals over the top they have got everything just right here. We all here in England never cease to be amazed how well the Dutch speak English and here they sing in it as well as one or two English bands I could mention! The lyrics are all pretty damn cool as well. Mostly dealing with the downside of life but the music is never less than uplifting even if the tales sometimes aren’t! The first signs of that famous Dutch style is, unsurprisingly, next on ‘Katuska Kalashnikova’ where Andries lets his accordion do the talking and some great Russian/eastern European music seeps in. ‘Hey Barkeeper’. next and from the off its as catchy as hell, accordion and vocal led. The mix is great with the balance just right and fitting the Bunch Of Bastards sound perfectly. This is followed by ‘Sky Over Rotterdam’ which tells the moving and emotional story of the bombardment of Rotterdam by German planes during World War 2. Desperate to destroy the city and its manufacturing base hundreds of people per week starved to death or were killed in the bombing.
“The sky over Rotterdam is so peaceful now
But my old man, he still remembers how
That war made that sky such a restless place
And airplanes were never hard to trace
First them planes brought war, then they raised hopes high
And in the end, they dropped food from the sky
The sky, the sky, the sky, over Rotterdam”
The song celebrates the ending of the blockade and the allied food drops into the city that saved countless lives. The song is Andries Dad’s war time memories as a kid in Rotterdam. He wrote them down and Andries made them into first a booklet and later into this song so when I said it was moving and emotional you can bet it is. ‘Sing With Us Bastards’ sounds like a celtic-punk Toy Dolls and the humour is self evident. Not much of a story to this one but
“we are part time punks but full time folkies”
its a happy pint in the air moment before ‘Michael Malloy’ tells the true story of a homeless Irish man in New York who is famous for surviving a number of murder attempts on his life by five friends, who were attempting to commit life insurance fraud. Iron Mike (or Durable Mike) was originally from Donegal and was a fire fighter till he fell on hard times. After several attempts he was finally finished off but his murderers were caught and all bar one went to the electric chair.
“not easy to kill Michael Malloy, this tough Irish bloke was hard to destroy”
‘Run’n’Drink’ is another ode to the pint and the Bunch punk it up for this but you still get plenty of accordion for your ear holes. Not remembered much these days but Holland was very much a colonial power back in the day and like most of the European countries that dabbled in imperialism they have lots to be ashamed of. Don’t get me wrong though pretty much every country in the world has something that they are embarrassed to teach in schools. ‘The Dutch’ tells of their role in slavery in times past and smuggling in modern times. AS usual the Ruling Classes have a lot to answer for. They slow it right down for ‘Live Again’ and a beautiful song about a loved one slipping away. ‘Let’s Call It A Day’ again has a strong and positive message like a lot of the lyrics on My Drinkin’ Ain’t Done. We have all got pissed, nicked, left, beaten up etc., haven’t we but the pain soon goes and what better advice than
“head’s up tomorrow and you will be okay”
Catchy is not the word for ‘Many a Good Reason’ as again the Bunch give us a brilliant drinking song. The Dutch know plenty about the pleasures of alcohol and its celebrated here in song and ‘Many a Good Reason’ is as good as they get. Definitly one of the album highlights!
So fourteen songs and fifty minutes worth of quality celtic-punk comes to an end with the only cover and it’s a good one in both choice and execution. Traced back to the 17th century and made most famous by The Dubliners and later Thin Lizzy ‘Whiskey In The Jar’ is a classic Irish folk song and well deserving of its place too. Bunch Of Bastards give it plenty of oompf and bring the curtain down on the album very nicely indeed.
Well what to say except we are not even half way through 2016 and already we have a tonne of fantastic album’s challenging for that coveted Album Of The Year award. Here is fifty minutes of some of the best celtic-punk you are going to hear this year I promise you. Now for the good (and bad) news. Bunch Of Bastards are heading over to England in early May but the bad news is they are sadly not coming to London. You can still catch them playing three gigs around Hampshire and Shropshire. They play 5th May at The Vaults in Bishops Castle, 6th May at Percys in Whitchurch and 7th May at The Bear in Bridgnorth. The support for all gigs will be Paul Henshaw and friends so if you fancy a few days away in a lovely part of the country then there’s your chance. I just might join you!
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FromTheBand (merchandise page) or e-mail firstname.lastname@example.org
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(great and very interesting interview with Andries and Peter from the band here)
The Clan. As influenced by AC/DC , punk rock and traditional Irish folk music!
We have now been at this for so long that we have recently been doing album reviews of bands that we have already featured before and The Clan are one of those bands. Back in December 2014 we reviewed (here) their superb self-titled debut album and boy did we rave on and on about how good it was! Well this is the follow up to that and we can confirm that it is indeed equally good, if not better!
The Clan hail from the small town of Muggiò in the province of Lombardy in the north of Italy and have only been together since 2013. Maybe its a Catholic thing but their has always been a good relationship between the Irish and the Italians. I can’t speak for America (maybe one of our US readers can fill us in but I did hear their was a lot inter-marriage between us) but here in England we got on fine. A couple of my best mates at Catholic school were Italians and they were big Celtic fans too. Their has always been a lot of traffic between Ireland and Italy and so I suppose it’s only natural that some Italians will find solace in Irish music. It’s also clear that Italy’s top celtic bands like The Clan, Kitchen Implosion, Dirty Artichokes and Uncle Bard And The Dirty Bastards all have that same deep love for Ireland and it’s culture and musical traditions.
All In The Name Of Folk hit the streets the day after this years St Patrick’s Day on the 18 March which as many of you I’m sure will know it’s the a day not particularly well known to many Irish people! It came out on OnAirish Records and lasts nearly fifty minutes and where as their debut album was a straight up 50/50 mix of traditional folk covers and originals I am especially glad to report that apart from one brilliantly amazing cover these are all The Clan’s own songs.
The album begins with the sound of an ocean in ‘Overture’ which features the first of their many guests, the self taught bagpiper and whistle player, Iain Alexander Marr of The Sidh. A highly original and innovative Italian band whose combination of contemporary and electronic celtic music has led to plaudits galore. It’s a slow dirge with military style drumming that soon explodes into The Clan’s signature tune ‘Folk ‘N’ Roll’ where Iain again guests on the pipes and it’s pure 110% celtic-punk-rock!!! Utterly brilliant with a tonne and a half of energy that bursts out the speakers at you. They follow this up with ‘Second Chances’ and we are joined by fiddle and banjo and with no let up at all with Angel Rock’s vocals shining through. ‘Let Me Go’ features good mate of the band and TV and radio personality and rock star Andrea Rock and again it comes off brilliantly. ‘Jenny Porter’ was the first song they released to the world off the album via the superb video below. An absolute blinder and it has to be said that The Clan do make bloody good videos. Get yourself a beer and a pack of biscuits and be sure to check out their YouTube channel below and treat yourselves.
I don’t have a clue who Jenny Porter (bar that she’s the “queen of the pub”) is but she must be well chuffed to have such a kick-ass song written about her. The album continues with the instrumental ‘Whole Lotta Jig’ featuring one of Italy’s foremost flutists and expert Irish flute player Tommaso Tornielli. The song is yer proper authentic Irish folk jig that if I hadn’t just told you you’d have never have guessed it was played by Italians. ‘Irish Sky’ has a Poguesy feel to it led as it is by the tin whistle while ‘Angel of the Sea’ is one of those swirling around on the dance floor moments with yer arms wrapped around friends and foe alike while yer beer spills down someone’s back and grand it is too. It features Francesco Moneti fiddle player of the amazing Modena City Ramblers and has a seriously good Waterboys sound to it. ‘Horns up and Fight’ turns the volume up again kicking off with the pipes and the fastest/punkiest song on the album is heading yer way. ‘Ulysses and the Siren’ keeps the speed up but is much more traditional based while ‘Reel O’Fire’ is another class instrumental featuring both Stefano Iascone and Jacopo Ventura and comes up trumps again with a trad number that is simply outstanding with the great addition of trumpet making it stand out loud and proud. It’s possibly the best song here and shows The Clan at what they do best. ‘Home of My Heart’ slows the pace down a little but still sounds perfect Clan! They save maybe not the best for last but certainly the two songs that will stand out among the majority of celtic-punk fans. ‘True Story’ featuring the #1 geezer in celtic-punk Francis McLaughlin of Aussie band The Rumjacks who need no introduction and Frankie’s dulcet tones dominate the song as per usual everything this Bhoy turns his hand is simply magnificent and finally the album comes to an end with another Aussie connection. You may heard ‘It’s a Long Way to the Top’ before especially as just recently its been all over Facebook as performed by the brilliant AC/DC on the back of a van driving down some street in Australia (check it out here). Their are bagpipes in the original and I guess we could definitely consider it celtic-rock (even celtic-punk) these days but The Clan add to it some fiddles and mandolin among the pipes and crank the rock up too making this the perfect ending to a great album. If you can please excuse my language for a moment IT FUCKING ROCKS!!!
A fantastic album and, as others have written, a definite contender for those end of year Best Of polls. This is perhaps not ‘celtic-punk’ in as much as it is Irish-punk as their love of Irish music seeps through every pore of All In The Name Of Folk. Not a single bad track here in fact the absolute opposite. This is how celtic-punk should be played with love and respect for the past and a eye to to the future and all the time keeping it relevant for everyone from yer old folkie with a finger jammed in his ear to the young skate punker sitting in his bedroom annoying the hell out of his parents with his music. Get this album it’s far too good to miss out on!
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As influenced by AC/DC , punk rock and Irish folk music!
From the small town of Muggiò in the province of Lombardy in the north of Italy comes another great Italian celtic-punk band The Clan. Formed only last year their recently released self titled album has gone down an absolute storm across Europe with its punk energy and Irish spirit. Coming along at roughly the same time as another Italian bands latest album The Clan have a lot of similarities with Uncle Bard And The Dirty Bastards (album review here) so maybe there’s something of an Italian thing going on . For sure theres always been a lot of traffic between Ireland and Italy and so only natural some will find solace in Irish music.
It’s clear that Italy’s top celtic bands The Clan, Kitchen Implosion, Dirty Artichokes and Uncle Bard all have the same deep love for Ireland and it’s musical traditions. What we have is twelve tracks of which half are covers. Their choice of covers is pretty basic with plenty of celtic-punk’s standard songs- ‘The Wild Rover’, ‘Fields Of Athenry’, ‘I’ll Tell Me Ma’ etc.,- but all are done with appropriate gusto and superb musicianship. Still would have been nice to hear some less covered covers but I can understand their choice as the album is for the Italian market primarily and these songs won’t be so well known. These are all great songs which is why they get covered so much. Hopefully on their next album they can change it up a wee bit.
The band have all your usual instruments plus fiddle , tin whistle and bagpipes and as is usual the playing is absolutely superb. The band do not miss a note and the production is spotless with the band guiding each other perfectly with nothing too high or too low and nothing over dominating. A haunting pipes and drums intro leads into ‘We Are The Clan’ a DKMish shoutalong introducing themselves to us with a loud punk rock song accompanied by just as loud fiddle and tin whistle! The first of the covers ‘I’ll Tell Me Ma’ comes next and even though it has been played pretty much to death it still sounds pretty damn fresh here and The Clan get away with it by giving it enough of their own stamp to carry it along. ‘Irish Rock Jigs’ follows and really does show The Clan’s influences stretch a lot further than AC/DC! With the reels spilling out you can close your eyes and imagine you’re in Ireland listening to the ‘real deal’. The addition of uilleann pipes really sets it aside and images of The Bothy Band and Moving Hearts come to mind.
‘Whiskey In The Jar’ we’ve all heard before but the bagpipes and punky guitars drive it along nicely. ‘Paddys Day’ is the first of The Clans originals and is a fine ole song. Tin whistle is to the fore in a song celebrating that best of days! ‘Throat Of Devil’ has Lorenzo Marchesi of folk-metal legends Folkstone guesting on medieval pipes. Certainly the fastest of the albums songs and the standout track for me. The bands quality shines through and is as catchy a song as you will find on any celtic-punk album of 2014. ‘The Irish Rover’ is punked right up and led by the fiddle. Angelo’s vocals are crystal clear and completely suits the music with just enough anguish and shoutyness. ‘Joseph, Mary And Son’ has a sort of bluegrass feel to it due mainly to Laura’s excellent fiddle. The story of the immaculate conception put together with great gusto and backing. ‘Fields Of Athenry’ begins quietly and as impossible as I would think it would be to give it any sense of originality The Clan give it a go and come as close as any to manage it. As amazing as it is this song was only written in 1970’s by Pete St.John and contrary to popular believe is not 150 years old. I once went to Ireland as a kid for the summer holidays and Paddy Reilly was #1 in the charts with it. I went home and came back the following summer and he was still #1! ‘More Than A Lie’ shows the band can do and write some downright brilliant celtic-punk material of their own. The bagpipes rule loudest on ‘The Wild Rover’ bringing a great shouty end to the album.
Twelve tracks at just under forty minutes and not a single duff one among them. I will never cease to be amazed at the quality of the writing, the vocals and the musicianship of the bands within celtic-punk. The CD comes in a nice wee digipak with an illustration of the band by The Rumjacks lead singer Frankie. Altogether a fantastic first album from The Clan though I look forward to hearing their second album with more original material though do not think this is purely an album of covers. Their own material is great and the covers they do do have The Clans stamp all over them and believe me well thats good enough for anyone.
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you can read another review of The Clan’s album at Celtic Folk Punk & More here
Italian celtic folk n’ roll from Büsti Grandi (Craggy Island)
Long, long, long before hordes of Polish workers settled in Ireland it was the turn of the Italians who flocked to the dear auld sod. High wages, plenty of regular masses and the, now long deceased, ‘celtic tiger’ promised good opportunities for all that came. Among those Italians were members and friends of the band Uncle Bard And The Dirty Bastards. With good mates in Ireland they saved the money and began to visit them regularly. Here’s how they put it
“Anyway, during those years we started collecting money and traveling once a month to Ireland, to meet old friends living there and spending the weekends rambling around and enjoying Irish music, culture and people.
Day by day we found there what we were searching for in our entire life, something that would change us forever. That’s how we fell in love with Irish music and how we learned it”
So in 2007 the boys got together and with just a handful of songs set out on the path that would lead them all over Europe playing with not just the celtic-punk scene’s best bands but also some of the traditional scene’s as well. From dingy wee pub backrooms to rock festivals to mountain huts the bands brand of Italian celtic-punk has gone down an absolute storm everywhere they have set foot.
Back in 2012 after the release of their first album ‘Drinking Not Thinking’ they set out on a busking tour of Ireland, Wales and England joining local musicians singing old-time stories on street corners. Returning home they were joined by world renowned Irish folk musician Luca Crespi who added uilleann pipes, tin whistle and the Irish flute to the bands repertoire. ‘Up The Bastards’ EP followed last year which brings us nicely up to date with the recently released album ‘Get The Folk Out!’.
The band members are Guido Domingo- vocals, acoustic guitar, bodhrán Lorenzo Testa- tenor banjo, mandolin, vocals, spoons Luca Crespi- tin whistle, uilleann pipes, Irish flute Silvano Ancellotti- electric and acoustic guitar, coarse vocals Uncle Bard- bass guitar, lamenting vocals and Francesco Fabris on drums. Lorenzo is the band’s main songwriter but most of the group have also written a song or two and all contributed to the songwriting process.
The album is in fact a masterpiece. It straddles nicely both Irish trad and celtic-punk and easily fits into both genre’s. The addition of uilleann pipes moves the bands sound into something quite incredible. From the very start of the album as soon as ‘The Road’ kicks in with tin whistle and vocals soon joined by a whole host of Irish instruments showing that Uncle Bard And The Dirty Bastards surely know their onions. The following ‘Black Sheep’ is a bit more celtic-punk and more reminiscent of the Molly’s or The Tossers.
Normally we would try to give you a real feel for the album by going through all the tracks and giving you a wee description of each one but there’s not much point with this as it would just say “absolutely fecking brilliant” after each track title. As hard as it is to pick a few standout tracks on this amazing album ‘Green Shamrock Shore’, is one of them, about the death of the celtic tiger and the beginning of the end of Ireland’s boom years and sadly the end of Rob’s time in Ireland. A track laced with sadness but sung in that pint in the air way that fills both yer heart and yer ears. Even more incredible than the high standard of the music is that its mostly their own work too. Only two tracks are covers ‘The Raggle Taggle Gypsy’ and the Man In Black’s ‘Ring Of Fire’, both of which are suitably twisted and turned by the band into something new and fresh and as far away from bog standard covers as could be possible without changing both the words AND the tune! Influences abound from Planxty to The Chieftains to the aforementioned Tossers and Flogging Molly but Uncle Bard And The Dirty Bastards are pretty well unique in the Euro celtic-punk scene and deserve to be fecking huge worldwide. Hopefully this album will achieve that. ‘Blue Velvet Glove’ showcases Luca and his haunting expertly played pipes. The songs last only two or three minutes each but there’s so much going on its hard for this reviewer to keep up. ‘The Rambling Bhoys’ is typical of the album with a lovely tune, clear and well sung vocals with lyrics you can easily understand.
‘Skedaddle’ is another great example, fast- slow- fast- slow the perfect song for having a breather and catching your breathe on the dance floor in between going nuts, spilling yer pint and bashing into people. ‘I Only Got One Pint’ is another Uncle Bards classic as is the following ‘Off In The Jacks’. The album ends with ‘Be’ the longest track on the album and begins with just vocals and mandolin before the band kick in and fill the air with the swirling sound of brilliantly played slow tempo Irish folk.
With fifteen songs that come in at just under a hour, the CD also comes in a very nice digipak with a whopping 16 page booklet including the song lyrics, pictures of every band member and some excellent liner notes containing introductions to all the songs. Do yourself a favour and fork out the bit extra hard earned for the CD copy of the album, you’ll not be disappointed.
Been playing this on repeat and from that very first moment it stills sounds as fresh as it did on that very first play. From the first few bars I realised I had come across something special. This is already my celtic-punk album of the year and I doubt they’ll be one better along anytime soon. The boys have an extraordinary feel for playing Irish music and I can honestly say I have never heard a non-Irish band sound so authentically Irish. I will be playing this for a long time yet and i simply cannot recommend enough that you get yer mitts on this album. If you don’t think it is “absolutely fecking brilliant” as well then you really have no place coming here!
So there they are, seven years and counting… still roving, still playing. And surely we can be grateful… too old to stop now!
Drinking Not Thinking – 2011, Up the Bastards! EP – 2013, Get The Folk Out! – 2014
Contact The Band
Buy The Album
the ever always excellent Spanish blog ‘Celtic Folk Punk And More’ also wrote a review of the album here.