Author Archives: shaneoneill1888

ALBUM REVIEW: THE RUMJACKS- ‘Saints Preserve Us’

The new album from the undisputed Kings Of Celtic-Punk hits the decks right across every corner of the globe. I never thought they’d ever come close to their out of this world debut album but as Shane O’Neill shows they have not only made an album to compete with Gangs Of New Holland but possibly even surpassed it!!!

To say we’ve been excited and eagerly awaiting the release of The Rumjacks new album is a major understatement. It’s no secret that we’re big Rumjacks fans (if not a little obsessed) over here at London Celtic Punks. True to form, The Rumjacks didn’t disappoint. This is another absolute crackin’ album – 42 minutes of pure brilliance. I haven’t been able to turn it off since I got my hands on it. Totally addictive! The album, Saints Preserve Us, is released on the tenth anniversary year of the band and what a way to mark the occasion. Originally formed in Sydney in 2008, the band recently set up camp in Europe and have been touring rigorously over the past few years. They have just kicked off their tenth anniversary tour which will be ripping through Europe and Asia over the next few months. The crowds and venues are getting bigger which is down to their hard work and of course the exceptional tunes they continue to churn out. This is their fourth studio album and the third to be released in the last three years. Over the past few weeks the band have been drip feeding with a few tracks to wet our appetite. First up was the title track and video, ‘Saints Preserve Us’.

This track is full of the energy we’ve become used to from the band. There’s also a hint of ska-punk on the track. This was followed up with ‘Bus Floor Bottles’, ‘The Foreman O’Rourke’ and ‘Cold London Rain’. All of this within a week!!! ‘The Foreman O’Rourke’ is a cover of Matt McGinn’s folk tune. It features Paul McKenzie and Troy Zak from Canadian punks The Real McKenzies. And bhoy have they transformed this song…It’s been given a boost a speed with bagpipes thrown in for good measure.

The album features a host of guest appearances from the Celtic-Punk world with Mike Reeves of Mickey Rickshaw popping up again, after a recent spot on German band Kings & Boozers debut album, doing a spot of vocals on the second track ‘Billy McKinley’. The combination of vocals between Mike and Frankie on this track works wonders making this one hell of a tune. Other guests include Maurizio Cardullo (Folkstone – Whistle & bagpipes), Robert Collins (Blood Or Whiskey – Trumpet & accordion), Angelo Roccato (The Clan – Guitar), Francesco Moneti (Modena City Ramblers – Fiddle), Denis Dowling (Clan of Celts – Guitar and backing vocals) and last, but definitely not least, our very own Shelby Colt (London Celtic Punks – backing vocals). Beat that!! The fourth track on the album is a rendition of ‘An poc ar Buile’ (The Mad Puck Goat). I’ve heard some of the traditional versions of this tune before but nothing anything quite like this. The song is almost entirely in Gaelic and played at a high tempo with bagpipes, which works well. I had trouble getting it out of my head a few nights.

It’s difficult to pick the best songs on this album. They’re all feckin’ brilliant. If I was pushed I’d have to say ‘A Smugglers Song’, ‘Bus Floor Bottles’, ‘Billy McKinley’ and ‘Cupcake’ would be the favourites. ‘A Smugglers Song’ is a revisit to The Rumjack’s roots and you’d be forgiven for thinking it had been plucked from one of their early days EP’s. We’ve listened to quite a few Celtic-Punk bands here at London Celtic Punks and The Rumjacks are a tough act to follow. Everything they’ve released to date has been highly acclaimed throughout the Celtic-Punk world and they’re going from strength to strength. It’s widely accepted that their debut album Gangs of New Holland is probably the best Celtic Punk album to have even been released. I never thought another album would get anywhere close to it, however I have to say, Saints Preserve Us is most definitely a contender to knock it off the top spot. So there you go… Drop whatever you are doing and get your hands on a copy of Saints Preserve Us now.

Rumjacks band

The Rumjacks left to right: Top: Gabriel Whitbourne- Guitars, Vocals * Adam Kenny- Mandolin, Banjo, Bouzouki, Bodhran, Acoustic Guitar, Vocals. Bottom: Johnny McKelvey- Bass, Vocals * Frankie McLaughlin- Vocals, Tin-Whistle, Guitar * Pietro Della Sala- Drums, Vocals.

Also make sure you try to catch The Rumjacks in a town near you. Buy Saints Preserve Us

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Contact The Rumjacks

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For more on The Rumjacks check out the following articles Album Review: ‘Sleepin’ Rough’ (2016)  here

Album Review: ‘Sober And Godless’ (2015)  here

Single Review: ‘Blows And Unkind Words’ here 30492-London Celtic Punks Top Twenty Celtic-Punk Albums Of All Time here The Rumjacks And Irish Pubs here

ALBUM REVIEW: SIR REG- The Underdogs’ (2018)

Traditional Irish folk music, unforgettable melodies, propelled by an driving, energetic punk rock backing.

Sir Reg are an energetic six piece from Sweden fronted by Irishman Brendan Sheehy who left Dublin to fulfil his dream of putting together the most amazing band possible. With songs about everything from the issues of modern day society to finding the right bar on a Saturday night, combined with strong melodies and explosive live shows. 

September 18 saw the release of the fifth album from the Swedish Celtic punk heavyweights Sir Reg. The new album The Underdogs comes two years after the last album Modern Day Disgrace and is released on Despotz Records. It was recorded between Sweden and Ireland and most definitely packs a punch from the first note right through to the last.

The first of the eleven tracks on the album is the title track ‘The Underdogs’. It sets the scene for the rest of the album with a high tempo beat. The song is about the ongoing working class struggle for equality in the modern world. This is followed up with a tribute to Conor McGregor. Unfortunately for Conor, the lyrics didn’t come through in his recent battle

“Conor Mc Gregor the lord of the fight, he’ll destroy anyone in his way, smacking the shite out of fools with delight…”.

Oh well, let’s move swiftly on…..

The album is packed full of good humored drinking tunes which is common place on a Sir Reg album. ‘Stereotypical Drunken Feckin’ Irish Song’ is a funny wee song which needs little explanation. When I heard the beginning first I thought it sounded like early year Wolfe Tones or The Dubliners. ‘FOOL (Fight Of Our Lives)’ is the first single to be released of the album and is excellent.

Other notable tracks from the album are ‘Cairbre’, which is a traditional instrumental and ‘The Stopover’. The album closes on a slower note with ‘Sinner Of The Century’ which is also very good.

Sir Reg is Brendan Sheehy – Vocals * Karin Ullvin – Fiddle * Chris Inoue – Electric guitar * Filip Burgman – Mandolin * Mattias Söderlund – Bass * Mattias Liss – Drums

Personally I think this is Sir Reg’s best album by far. This is a band which are continually improving and I have no doubt there’s lots more to come. They have just finished a successful tour of England and Scotland, earlier in the year they played in the USA and they are currently embarking on a European tour to promote The Underdogs so get out and support them if you get the chance. If, like me, you won’t get the chance to catch them live on this tour, be sure to do yourself a favour and pick up a copy of The Underdogs album. You won’t regret it.

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On 22nd August Sir Reg jetted in to play a special invite only gig at Waxy O’Connors in central London. The set contained songs old and new played acoustically by three of the band’s members. Here’s the entire set minus the encore. 

ALBUM REVIEW: CLAN OF CELTS- ‘Beggars, Celts And Madmen’ (2018)

A new(ish!) London band fusing together all their musical experiences and influences ranging from Rock, Metal, Country, Punk and of course traditional Irish. They have created a unique style of original Celtic-Rock and an unmistakable sound that is brought to you with Celtic pride, passion, commitment and respect for our traditional roots.

Clan Of Celts are no strangers to the London music scene with roots dating back over the past 20+ years to many various other bands throughout England and Ireland. March is generally a pretty busy and drunken period in the Celtic punk world but the Clan Of Celts are busy preparing for the launch of their debut album Beggars, Celts And Madmen. All going well it is expected to be launched on Paddy’s Day so if by chance you intend to have a pint then this album is the perfect partner. Stick this CD on in any bar and it will definitely put you in the mood for a decent session. 2016 saw the release of the first song and video from the album ‘Please Don’t Send Me Home’. The video release was a great introduction of the band and is written about the Irish emigrants in London and the craic in the bars and clubs around London.

“They’ll fight about the horses, they’ll fight about the cards
Hold back the fists although they’re pissed, to make out that they’re hard
They may drop a tear for Ireland, and sing their mothers song
You’ll be sure of the craic, when you drink with the pack so
Please don’t send me home”
If you’ve ever lived in London you’ll easily relate to this tune.

‘Please Don’t Send Me Home’ was followed up in 2017 with another video release of the album title song ‘Beggars, Celts And Madmen’. The video features Frankie from The Rumjacks on the whistle. The song is written about the forced emigration of many Irish in 1864 following An Gorta Mór and the hardship they faced upon arrival on foreign shores. Despite everything they worked and toiled to save themselves from starvation and build a better life for their family and friends. A dark period in Irish history which unfortunately is repeated in many parts of the world today.

“This song is dedicated to the memory of those brave Men, Women and Children that made those journey’s, who worked, fought and died to make a better life for themselves and their kin. To Celts all around the world, your hearts are with us.”

The third video release from the Clan of Celts came in January 2018 with the release of ‘Dream Catcher’. This is a more melodic song about the passing of Denis’s (vocalist and guitar) father in 2016. It paints the picture of his dads soul leaving England and returning to his native home in The Curragh, Co Kildare.

An excellent song with an introduction of pipes to set the scene. The video was filmed and edited by Mr. McLaughlin Of The Rumjacks who also features in the video. (Be careful guys I think he’s stalking you!!!)

“I see her reaching far and wide
Beyond my fading eyes
Rainwater resting on the sod
From all the tears I cried
I leave behind my love mankind
And end these months of pain
Cross gripped in hand
Depart this mortal land
And join the souls that glide the Curragh Plains”

Other notable tune on the album are ‘Stacy Lawlor’ which is an extremely catchy tune about the dangers of online dating. I’m lead to believe that this is based on a true experience by one of the Clan (who will remain nameless) so before you go online give this a listen. You have been warned. The album kicks off with ‘Clan Of Celts’ which is a great into to the album and sets the scene. This is quickly followed up by ‘The Boots Are On’ which is another upbeat tune about a night out down the Holloway Road (or County Holloway as it’s known round here!). There’s a good story behind this one but best to ask Denis about that. Not sure I could put it in print!! This is an excellent debut from Clan Of Celts and they are already hard at work on the follow up album. They are also keen to take do an tour with the debut album so jump over to the website and buy the CD to help them hit the road and come to your town. I expect we will be hearing a lot more about these guys in the coming years. Great to see the London Celtic punk scene making progress with excellent bands emerging. Keep up the good work.

Clan Of Celts left to right: Denis Dowling- Vocals, Lead Guitar, Acoustic Guitar, Banjo, Strings *  Jim Filgate- Banjo, Accordion *  Grant Wildy Drums, Pots * Billy MacAllister- Vocals, Acoustic Guitar *  Alistair McCaig Bass * Padraig O’Reilly- Fiddle, Whistle

Buy Beggars, Celts And Madmen

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COMING VERY SOON

Watch this space in the next week or so for a big and beefy interview with Denis from the Clan Of Celts about all things Celtic as well as life in general. To subscribe to London Celtic Punks simply fill out the form either on the right or below depending how you are viewing this page.

ALBUM REVIEW: THE PEELERS- ‘Palace Of The Fiend’ (2017)

Formed way back in 1999 in a small farmhouse kitchen in North Glengarry County in Eastern Ontario and now based in Montreal The Peelers have long become one of the more famous and popular celtic-punk bands in Canada. Glengarry holds a special place in Canadian Irish history being separated from New York State by the St. Lawrence river it was originally settled by Irish immigrants who chose the name Glengarry in memory of their home. It was the place that the coffin ships during Án Gorta Mór, otherwise known as the Irish ‘famine’, sailed when turned away from America. The major quarantine station for immigrant ships was on the St. Lawrence river and it is thought up to 15,000 Irish people are buried on the small island of Grosse Île where a huge Celtic cross now stands as a memorial to their souls. We recently covered this subject on our review Of Declan O’Rourke’s new album Chronicles of the Great Irish Famine here.

The Peelers have, over their long existence, played at just about everywhere you can think of right across North America. From your small town dive to snowboarding championships,  cocktail lounges, festivals and just about every other kind of place a bunch of guys can fit a drum kit. Their debut album, Boots And Suits, hit the streets in 2002 before second album Liquordale a couple of years later. That release was named as Album Of The Year by the Boston based Shite n’ Onions web-site.

They started recording the new album in 2013 but like they say ‘good things come to those who wait’. For me this album is one of the best releases of 2017 and there has been some cracking albums released this year. It has thirteen songs and features guest performances by Finny McConnell (The Mahones) on the third track ‘Going Down Swingin’. Palace Of The Fiend was recorded in five different studios, located in Montreal, Toronto and Casablanca, Morocco and was one of the first releases of 2017, coming out on January 3rd so apologies to the band for taking so long to get the review done.

(The first video released from Palace of the Fiend)

This is a great upbeat tune to put you in the mood for a pint or two. The album opens with ‘New York’ which sets the scene nicely for the fifty+ minutes that follow. Stand out tune for me are ‘Five Roses’, ‘A1a Fla’, ‘Stand Down Clearly’ and ‘The Black Eye Blonde’. The curtain comes down with an amazing version of ‘Cúnla’ and illustrates the link to the past that The Peelers are so proud of. A ‘sean-nós’ (style of unaccompanied traditional Irish singing) children’s song believed written in the 14th century. The album is definitely more in The Flogging Molly school of celtic punk than Dropkick Murphys. I’d highly recommend Palace of the fiend to anyone who likes their Irish music with a twist of punk. – Shane

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ALBUM REVIEW: THE TOSSERS- ‘Smash The Windows’ (2017)

From the predominantly Irish neighborhoods of Southside Chicago The Tossers have been expanding the boundaries of contemporary Irish music since before much better known bands had even begun and have become one of the most popular and successful bands in the worldwide celtic-punk scene.

By Shane O’Neill

tossers

Only a few weeks into 2017 and we have already seen a whole host of fantastic album’s being released onto the scene. The Tossers are celtic-punk heavyweights and they hail from Chicago, Illinois. To be exact they hail from the South of Chicago. This is the part of Chicago that has housed the cities Irish Catholic community ever since they first started arriving from the ‘auld country’. The immigrant history of Chicago is rooted among untold amount of countries and people whose struggles and adversities have led them to the Midwest and to Chicago. From the cities founding in the 1830’s, Chicago has been the final destination for people journeying from all over the world looking for the famed land of opportunity that is the US of A.  It may surprise people to know that in a city known as ‘Chicago Polonia’, and also ‘Poletown’, that it is the Irish that constitute the city’s biggest ethnic community. While most Irish-American families in Chicago are three or four generations deep, plenty of Chicago’s Irish have landed fairly recently. Ireland’s economy in the 1980’s and 1990’s prompted many of its young people to go where many others had gone before them and Chicago with it’s strong Irish links was if not top of the list then very close to it.

tossers-erin

It’s hard to believe that the self-proclaimed ‘World’s Loudest Folk Band’ have been around for twenty-four years now, forming as they did in July, 1993. The six piece from south Chicago have been unleashing their brand of Celtic folk punk even before Dropkick Murphy’s (1996) and Flogging Molly (1997) hit the scene. Steeped in Irish tradition, The Tossers take their place as one of the finest Celtic punk bands on the planet. Like most bands of this genre you can clearly hear the influences of The Pogues and Tony Duggins style of delivering the vocals is frighteningly close to Shane McGowan. That said, The Tossers are not a tribute act – far from it. They have a very unique way of delivering a fine but hooligan like take on folk music. The band’s name though for us here in Britland is an unusual one and would I think effect their t-shirt sales here. Saying that one of the blog editor’s wears his Tossers t-shirt with pride and I must say it suits him fine! Rest assured though it’s not the rude meaning you lot think it is as it actually dates back to Shakespeare, and depending who you ask it also means commode, drunk, to agitate, disturb, or disquiet but the band chose their name for its meaning to “throw away”.

tossers-band

Smash The Windows is due for release early March 2017 and comes four years after their last album hit the streets, the astounding The Emerald City back in March 2013. You can read our review of The Emerald City here and I suggest you do as it is a fantastic album that i still play regularly. Smash The Windows is certainly value for money with a total of seventeen songs that clock in at just under one hour in length. That is definitely a well packed album and there’s something in there for everyone. The album pays tribute to the bands Irish roots and what it meant to be an Irish American.

The album begins with ‘Erin Ga Bragh’ which is of course Irish for Ireland For Ever and The Tossers nail their colours to the mast from the very off. Fast and furious Irish punk rock played on mainly acoustic instruments that would equally please the most devout punk or folky! ‘Smash The Windows’ and ‘The Horses’ are both full of energy and I can imagine them being a real hit live. There is a cracking cover of ‘The Foggy Dew’ which is always a crowd pleaser. I have never really been a fan of the song ‘Danny Boy’ (not sure why) but I must say I really like The Tossers version. Of course, it wouldn’t be a Celtic Punk without a tribute to our beloved alcohol. ‘Drinking All The Day’, ‘Whiskey’ and ‘Lots Of Drops Of Brandy’ ticks this box on the new album. ‘1969’ brings us back to a darker time in Ireland’s history during the Civil Rights campaign and serves as a reminder that we should never forget what the brave people of the time fought for on our behalf. In today’s world, we take too much for granted and forget that without the sacrifices of many back in the 60’s and 70’s things could have been very different today. There are too many good tunes on this album to pick a favourite. Not one of them have disappointed. The album is being released by Victory Records and will be a big hit.

The Tossers Logo

Again on this album one of the things that amazes me is the way that The Tossers can change tempo and go from a raucous Irish punk rock number to a solemn reflective Irish ballad or a full on trad folk piece without you even noticing. The Tossers are more than just a band to their fans. They inspire and promote a love in your roots that is sadly missing for most people. They tell the tale of both Chicago and America’s Irish communities. Serious and piss-taking and joyful and sad and upbeat and maudlin The Tossers do it all and yes we Irish are all of these things… and The Tossers celebrate it all.

Discography

The Pint of No Return (1994) * We’ll Never Be Sober Again (1996) * The Tossers/The Arrivals- split (1998) * Long Dim Road (2000) * Citizen Fish/The Tossers- split (2001) * The First League Out From Land-EP (2001) * Communication & Conviction: Last Seven Years (2001) * Purgatory (2003) * Live At The Metro ’04 (2004) * The Valley of the Shadow of Death (2005) * Agony (2007) Gloatin’ and Showboatin’: Live on St. Patrick’s Day (2008) On a Fine Spring Evening (2008) The Emerald City (2013)

Buy The Album

Here directs to several sites where the pre-order is available or VictoryRecords

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ALBUM REVIEW: SIR REG- ‘Modern Day Disgrace’ (2016)

Back in 2009 an Irishman left Dublin and set off to Stockholm where he met up with five other musicians to become Sir Reg. Only one of the most popular and critically acclaimed celtic-punk bands in the entire world! 

sir-reg-album

Sir Reg are an energetic six piece from Sweden playing some of the best celtic punk around. And when I say around I mean in the entire fecking universe! On vocals is Brendan from Dublin who moved to Sweden to fulfill his dream of putting together the most amazing band possible. Karin, the violinist, is a tiny and fiery redhead from Sweden who leaves jaws ajar with her fiddle skills and Mattias L on drums, Mattias S on bass, Filip on mandolin and Chris on electric guitar. All have well diverse musical backgrounds and together as Sir Reg have scaled heights most celtic-punk bands can only dream of. Their are many kinds of success and one of the best has to be critical success. This Sir Reg have received again and again. Their previous albums have all been awarded Album Of The Year at the various celtic-punk sites with Celtic Folk Punk And More awarding Sir Reg with top spot for every album they have released.

sir-reg-live

Born out of the ashes of The Barcrawlers who were one of the earliest pioneers of celtic-punk in Scandinavia. For over a decade they toured across Scandinavia playing their energetic barand of Irish and celtic folk-punk to the masses. Deciding they had gone as far as they could they re-grouped and came together as Sir Reg (to be pronounced  as ‘Sir. Redge’) in early 2009. With a bunch of self penned original material they began to gig relentlessly  including in 2010 a three week tour supporting US horror-punks The Misfits which did brilliantly increasing the Sir Reg fan base. 2010 also the release of their debut album the self-titled Sir Reg. Opening up with the blistering ‘Feck The Celtic Tiger’ it set the benchmark for the year and no other album came anywhere near it. They followed this up with A Sign Of The Times in 2011 and 21st Century Loser in 2013 both of each reached beyond the celtic-punk scene into the mainstream Swedish media.

Putting celtic punk on the map!!

Well this has been a long time coming!!! I’m talking of course about the review not the album. I have to take the blame for the delay in finishing the review. This is no reflection on the album just me getting my arse in gear to finalise it.

sir-reg-toon

The album has eleven fine tunes spanning 35 minutes and the second tune is a tribute to our comrades ‘The Boys Of St Pauli’. This is followed up with ‘Drinking Like a Dane’ a high tempo song about a day on the lash which is a common theme throughout the whole album. My favourite tune is ‘The Wrong Bar’ which is about the day after a tough session and going for the cure and ending up in a church!!! Could easily happen! This could easily be mistaken for a song by The Dubliners. The band have released a superb video for ‘The Wrong Bar’, directed, edited and filmed by René U Valdes, which required viewing.

Aside from alcohol Sir Reg address the state of the modern world in 2016.

“……the world fucked up, it’s gone insane…….”

‘End of the Line’ deals with the recent wars and the impact on the innocent victims. ‘Fake Hero’ and ‘Breaking Down All Borders’ deals with the consequences of these wars and the mass migration which follows.
Overall this is an excellent offering from the Swedish Celtic punk six piece. Get your hands on a copy and give it a listen to. You won’t regret it.

sir-reg

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ALBUM REVIEW: THE RUMJACKS-‘Sleepin’Rough’ (2016)

Bloody ‘ell! Close the Best Of 2016 poll we have a winner already! The Bhoys have only pulled it off again. 

By Shane O’Neill

Rumjacks

Wow!!! These guys never fail to impress. 2016 should be renamed The Year of The Rumjacks. Firstly, they hit us with a mammoth 5-month European tour and then they release the 12 song masterpiece that is “Sleepin’ Rough” in early August. If that’s not enough they have also just announced that they will be ending the year with a 4-month tour of Australia once they return from Europe. Impressive or what?? Nobody can question them on their hard work this year. This band is going from strength to strength.

LCP Frankie

Frankie with Andy Mac of The Lagan

When I first heard The Rumjacks I never dreamed I would ever see them live, however they toured Europe in 2015 and again in 2016. I have to say they do not disappoint live either. I was lucky enough to share a few beers with The Rumjacks during their current tour. I have to say they are a really down to earth and humble bunch of really talented punks. None of the Bono type rock star bulls@#t from these guys. They are happy to mingle with the crowd and share stories about their music and tour. It is evident that these guys love what they are doing and we love it too so keep it coming….

Now where do I start with ‘Sleepin’ Rough’? One of the guys said to me it gets better every time you listen to it and I agree. I was a bit dubious when I heard the album was being released so soon after Sober & Godless (2015). Releasing back to back albums so soon after each other doesn’t always work but this is The Rumjacks – of course it works and has exceeded all expectations. ‘Patron Saint O’ Thieves’ is a crackin’ album intro to get you warmed up for what’s to follow.

“…..burn it bhoys…..”

The album has some fine tin whistle solos. This really brings out the best in tunes like ‘Murder Shanty’ and ‘Eight Beers McGee’. Personally my 3 favourite tunes are (in no particular order) ‘The Pot And Kettle’, ‘Fact’ry Jack’ and ‘A Fistful O’ Roses’.

‘Fistful O’ Roses’ was released as a single a few months back to give us a taste of the album. It a mighty fine offering about the dying pub / club scene in Sydney. As Frankie relates

“An agenda of sweeping law reforms and increasingly heavy tactics by our state government have crushed the city’s nightlife, the livelihood, and in many cases even the lives of many of its inhabitants. Iconic pubs, bars & restaurants are forced to close their doors, elderly residents are driven from their homes and Sydney is growing more desperate & hostile with every passing day.
This is a city under siege by those who rule her, set to become a playground for the elite, while the people who made it the treasure it was are squeezed out to wherever they hell they may venture.
We performed the video for the song as a macabre ‘dry wake’, set among the decay, in a derelict pub, one of many to fall victim to the states new order. Historic footage flits across the screen like memories of a life flashing before one’s eyes. ‘A Fistful O’ Roses’ is one last great send-off for the old girl, but make no mistake…”

This is an unfortunate theme which applies to most major cities and towns where we see traditional pubs, clubs and live music venues being closed down by developers. It really is such a shame to see the heart of cities and towns being ripped out not to mention the impact it has on the live music scene and new up & coming acts.

“Oh, this boozer is a wreck, all up & down the deck,
Like a tired old sinner off her game,
Wi’ her blood red lips, and her youth about her hips,
Still the regulars all love her just the same,
Where the mud-spat boots cut their way among the suits,
And the Sally’s come to rattle the can for Jesus,
‘Til they chain up all the doors & toss out all the whores,
Wi’ a fistful o’ half dead roses”

Be warned, before you press play on ‘Dead to me’ make sure you’re firmly strapped in. This tune will pick you up, spin you around and drop you flat on you’re a#$e before you know it – hard hitting or what? Throughout the album you can pick up many different influences from traditional Irish, Scottish and Aussie to sea shanty to hardcore punk. All this blended together give us the unique blend of Celtic punk that is The Rumjacks which others aspire to. Lyrically the album gets 10 out of 10 and no better man to pelt them out than Frankie with a mixture of Aussie / Glaswegian dialect. For me The Rumjacks are by far the best Celtic punk band on the scene at the moment and ‘Sleepin’ Rough’ is a fine example of what they are capable of. Not much more I can say other than go get yourself a copy of ‘Sleepin’ Rough’ and if you get half a chance go and see them live. I would personally donate body parts for a chance to see them again.

(left to right) Anthony- drums Adam: banjo/mandolin Frankie: vocals/tin whistle/ Gabriel: guitars Johnny: bass

(The Rumjacks left to right) Anthony- drums Adam: banjo/mandolin Frankie: vocals/tin whistle Gabriel: guitars Johnny: bass

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for more on The Rumjacks check out the following articles

Album Review: ‘Sober And Godless’ (2015)  here

Single Review: ‘Blows And Unkind Words’ here

30492-London Celtic Punks Top Twenty Celtic-Punk Albums Of All Time here

The Rumjacks And Irish Pubs here

ALBUM REVIEW: Oi POLLOi- ‘Saorsa’ (2016)

Rocking hard berating the system while shouting “Oi! Oi! Oi!” in Scottish!
by Shane O’Neill
OiPolloi

‘Saorsa’ means ‘Freedom’ in Scots Gaelic and is the sixth studio album of long running Scottish anarcho punk outfit Oi Polloi and the first since 2012. The album is hard hitting anti fascist, anti establishment, anti racism, anti homophobia, anti sexism ( did I miss any anti…..) Oi! punk with strong Gaelic flavour wrapped up in no less than 15 tunes.

Again they don’t shy away from addressing politically relevant topics accompanied by a healthy mix of crusty, punky, singalong Oi! Oi Polloi must be commended for the use of their music to promote the Gaelic culture in particular the use of the Gaelic language in their lyrics.

” …this is class war we’re fighting back…”

“…..progressive Oi! is kicking back…..”

The fourth song on the album ‘No’ is a demonstrated best by the picture below. As they say sometimes a picture paints a thousand words.

Oi Polloi No

The album also contains a track titled ‘Yes’ to voice the bands support of the recent Scottish independence referendum. This one may be getting more air time sooner than we think!!

‘Dirty Protest’ tells of the protest in Ireland’s British prisons about the criminalisation of republican prisoners. Prisoners held in the north of Ireland were regarded, quite rightly, as political prisoners but that status was being eroded and finely was abolished in 1976. Among other things, this meant that they would now be required to wear prison uniforms like ordinary convicts. The prisoners in the infamous Maze, also known as Long Kesh, refused to accept that they were ordinary criminals, and refused to wear prison uniform and instead dressed only in prison issued blankets. The fight led later to the hunger strikes that resulted in ten deaths. For an excellent documentary on The Blanketmen check here)

‘GCHQFU’ is a fine ode dedicated to our friends in the secret service who spend their time ensuring we all tow the line.

“They’re watching me, they’re watching you…GCHQ fuck you”

One thing you can’t accuse them of is not having a sense of humour though as evident on ‘Our Winged Sisters’. Check out the brilliant video!

“This one’s for our sisters who we owe so much, so very much
Neonicotinoids are leaving them fucked, dead in the dust
We must all become pesticides resisters, rezizzterzzz!
Don’t you think we owe it to our winged sisters, our sizzterzzz?

Our winged sisters! Our winged sisters! Our winged sisters!
Sizzzterzz! Sizzterzzz! ZZZZZZZ! Sizzzterzz! Sizzterzzz! ZZZZZZZ!

Fight for the bees will give you a buzz, give you a buzz
Just like listening to our mighty streetcruzzt, mighty streetcruzzzzt!

Our winged sisters! Our winged sisters! Our winged sisters!
Sizzzterzz! Sizzterzzz! ZZZZZZZ! Sizzzterzz! Sizzterzzz! ZZZZZZZ!

Agro-chemical companies – we must resizzzt them, rezizzzzt them!
We muzzt oppose their apicidal syzztem, zyzzztem!”

Other notable tracks include the opener ‘Let’s Go’, ‘The Face’ and ‘Spelling It Out’. The CD comes in a digipack with fold out poster including lyrics and infos with the album due out on vinyl any day soon. Check with the record companies listed below. The artwork was once again provided by the talented hands of SONIA L. who also was responsible for the stunning celtic knotwork based art of Oi Polloi’s classic 90’s album ‘Fuaim Catha’. This is definitely an album you need in your collection. You won’t regret it.

Tracklist
1. Let’s Go!
2. Soil Yourself
3. The Face
4. NO!
5. Dirty Protest
6. Contra El Sistema
7. GCHQFU
8. Da Mhionaid
9. Destroi Phallocentricity
10. Metal Detector
11. Our Winged Sisters
12. YES!
13. Vos Vilen Di Anarkhisten?
14. Sing A Song Of System
15. Spelling It Out

Get The Album
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the full live set from last years 0161 Festival at the Miners Community Arts and Music Centre in Moston, Manchester.

Oi POLLOi ON WHY THEY SING IN THE GAELIC LANGUAGE

There are estimated to be somewhere in the region of 6,000 different languages currently spoken on planet earth. In the face of rampant globalisation, however, 90% of them are expected to be extinct by the end of this century. Here in Scotland our indigenous Celtic language, Gaelic, is one of those threatened. For hundreds of years Gaelic speakers here have been subject to oppression and persecution from central government and its attempts to wipe out the language. Up until the 1970s children in the Scottish highlands could be beaten for speaking Gaelic in school and even today Gaelic speakers still lack the same basic linguistic human rights as those of English speakers. Today the number of those speaking the language is down to somewhere around 55,000 people or just over 1% of the population but a growing number of Gaelic language activists are now fighting back to demand their rights and preserve their ancient tongue. These songs here are part of that struggle to defend our indigenous language – not, we hasten to add, out of some kind of narrow-minded xenophobic patriotism (which as anarchists we totally oppose) – but out of a belief in the value of diversity and respect for different cultures. We believe that ALL minority languages and the linguistic human rights of their speakers should be respected. Whether it is Saami in Finland, Sorbisch in Germany or Gaelic in Scotland we believe it is a tragedy for ANY threatened minority language to disappear. The Gaelic songs on this album then are part of our contribution to the fight for multicultural societies where all indigenous languages like Manx, Welsh and Gaelic are able to thrive and where children have the opportunity, if they so choose, to be able to grow up with a bi-lingual education, having both the benefits of the indigenous language of the area where they reside as well as English or whatever as a lingua franca. Those interested in more information about the links between indigenous cultures and bio-diversity and linguistic diversity should visit www.terralingua.org or read some of the great books on the subject out there like David Crystal’s excellent ‘Language Death’, Mark Abley’s ‘Spoken Here – Travels Among Threatened Languages’ or the highly recommended ‘Linguistic Genocide in Education – Or Worldwide Diversity and Human Rights?’ by Dr Tove Skutnabb-Kangas. For more information about the Gaelic language itself visit www.smo.uhi.ac.uk/gaidhlig/english.html or just come and ask us at our gigs.

ALBUM REVIEW: ALTERNATIVE ULSTER- ‘Rebellion!’ (2016)

1916 meets 1977!

Alternative Ulster- 'Rebellion'

Alternative Ulster are a new group from New York state.

Whether you call it Paddyrock, celtic-punk, Irish punk or kilt rock, makes no odds.

I was really looking forward to receiving this album after hearing some snippets of Alternative Ulster on the internet. Have to say I was a little surprised to get a call from my local pub to say the CD had been delivered there instead of my house. Still a bit baffled about how it ended up there but luckily my sister works in the pub so it ended up in safe hands.

Alternative Ulster are a newly formed 4 piece Celtic punk band from Ulster county, New York. Their recently released debut album Rebellion! is a celebration of the 100th anniversary of the 1916 Easter Rising. With a total of 16 tunes (including 6 covers) this is a pretty impressive debut from the guys. The cover songs include ‘Blitzkrieg Bop’ (The Ramones), ‘Supernaut’ (Black Sabbath) and ‘Seventeen’ (The Sex Pistols) which have been blended with bagpipes to give them a new and exciting celtic punk edge.

The album contains a number of songs which have been written about the bands local city, Kingston. ‘The British are Burning Kingston’ is a recollection of the events of 1777 when the British troops (who then occupied NY city) set fire to the city of Kingston after the battle of Saratoga. ‘Ulster County Jailbreak’ and ‘Ten Guns of Kingston’ have also been penned with local and historical influences while ‘Bannerman Island Ghost Wench’ tells the story of a haunted island in the Hudson River that is home to a crumbling castle best seen from Newburgh, NY.

Overall this is an excellent first attempt by Alternative Ulster. With almost fifty minutes of raw bagpipe punk you won’t be disappointed. I have no doubt that we will be hearing much more from these guys in the future.

By Shane O’Neill

(you can listen to the whole of ‘Rebellion’ for free before buying bu pressing play on the Bandcamp player below)

Alternative UlsterBuy The Album

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the artwork for Rebellion! and all Alternative Ulster releases was made by the singer Michael X.Rose and yopu can check more of his artwork here at his Facebook page.

ALBUM REVIEW: MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’ (2015)

13 tracks that read like 13 commandments, packed full of Irish wit, tall tales and the kind of wisdom that can only come from God’s Green Isle!

Mr Irish Bastard-The World, The Flesh & The Devil

Formed in 2006 Mr Irish Bastard consist of Mr. Irish Bastard (guitar, vocals), Lady Lily (tin whistle), Gran E. Smith (banjo), Boeuf Strongenuff (bass) and Ivo K’Nivo (drums). They have toured literally all over the world and with two full length albums, a mini-LP and a covers album under their belt this German band certainly play in the top division of European celtic-punk!

By Shane O’Neill

It takes real balls to cover a the Sex Pistols platinum selling ‘Never Mind The Bollocks’ album in its entirety but that’s exactly what Mr. Irish Bastard did in 2011 with ‘Never Mind The Bastards – Heres Mr. Irish Bollocks’. It has to be said they did a mighty job of it adding a Celtic / folk twist to some of the worlds best selling punk tunes. Now this poses the problem….how do you top that?

 

Well the latest offering from Mr. Irish Bastard ‘The World, The Flesh & The Devil’ definitely doesn’t disappoint. 2015 has been quite a year so far for celtic-punk album releases but I think it’s safe to say that Mr Irish Bastard will be appearing in the top 10 celtic-punk albums for 2015 at the end of the year. If I’m wrong I can’t wait to hear what is coming from the competition in the next 8 months. The album is packed with 13 tunes with 3 bonus tunes if you feel flush and want to splash out on the deluxe version.

It’s one of those albums you’ll love from the first time you press play and luckily so as I had limited time to pull this review together.

‘I Hope They Sell Beer In Hell’ is one of those songs that gets stuck in your head (but in a good way).

“I’m stranded here on a empty rock
while the ships just pass me by,
and the sun has burned a hole in me
that the moon fills every night.
I watch the stars explode 
right above my head
and one day son you’ll find your place
that’s what the old man said”

The title could easily be adopted by the London Celtic Punk crew for their anthem!! ‘Don’t You Walk Away’, ‘Captain O Captain’ and ‘That Bitch Drank My Whiskey’ are well worth a listen and would be sure to get the crowd going at a live gig ( hint, hint ….come to London!!!!). ‘Drink Another Day’ is Mr Irish Bastard’s call to prayer, an ode to perseverance and determination with a chorus that sticks in your head like a three-day hangover.

“with a raised glass and a raised fist – I‘ll fight my way out of this – and we‘ll live to drink another day!”

I would definitely recommend you pick up a copy of this album and get listening to the Munster based Mr Irish Bastard.

Mr Irish Bastard 2

‘The World, The Flesh & The Devil’ was recorded with producer Jörg Umbreit. It’s set to be released on 8 May 2015 on CD, vinyl and as a digital download on Reedo Records, distributed through Rough Trade. Keep an eye out for the special limited deluxe edition featuring a CD, a bonus vinyl-look CD, a MR. IRISH BASTARD flag and engraved hip flask as well as two beermats and a membership card for the School of Drinking.

Mr Irish BastardContact The Band

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ALBUM REVIEW: THE RUMJACKS- ‘Sober And Godless’ (2015)

Regular readers should already know our opinion on the Sydney band The Rumjacks, so rather than me ranting and raving about what a great band they are and how brilliant Australian celtic-punk is we got a guest reviewer in but unfortunatly he turned out to be just as massive a fan of The Rumjacks as I am!

By Shane O’Neill

The Rumjacks- 'Sober And Godless' (2015)

It’s been almost five (long) years since the Sydney celtic-punk outfit released their highly acclaimed album ‘Gangs Of New Holland’ album. When I bought it first the album almost drove me mad…not because it was a bad album, quite the opposite. I couldn’t stop listening to it and the songs wouldn’t leave my head. I’ve lost count with the night sleep I have lost as a result of ‘Uncle Tommy’, ‘McLaughlins Rant’, ‘The Black Matilda’ etc etc constantly playing through my head on repeat. Eventually I had to stop listening to The Rumjacks just to get a nights sleep!!

“Well I’m livin’ with the mistakes I’ve made,
– ‘plenty more where I’m from’,
I’m robbin’ peter so Paul gets paid,
– ‘plenty more where I’m from.’
I’ve strayed so far from the open road,
I’ve been places my shadow refused to go”

“I’ll shift my share but I won’t shift the blame,
– ‘plenty more where I’m from’,
I respect my neighbour and expect the same,
– ‘plenty more where I’m from’,
I’ve strayed so far from the open road,
I’ve been places my shadow refused to go”

Now here we are once again with the release of ‘Sober And Godless’. It’s always difficult to follow up a brilliant album with another but all credit to The Rumjacks as they have delivered. From the intro of ‘Home Rule’ to the last note of ‘400 Miles Away’ this is a brilliant album. The album packs plenty of punch with Frankie’s unique vocals rolling out some well thought out and classic lyrics. It’s difficult to pick out the best tunes on this album but ‘No Pockets In A Shroud’, ‘Sober And Godless’ and the lively ‘The Reaper And Tam McCorty’ definitely stand out. I’ve been trying to listen to this album in moderation but I can find myself slipping back into the same trap as before. Looks like many sleepless nights ahead!!

(left to right) Anthony-    drums  Adam: banjo/mandolin Frankie: vocals/tin whistle/ Gabriel: guitars  Johnny: bass

(left to right) Anthony- Drums  Adam- Banjo and Mandolin  Frankie- Vocals and Tin Whistle  Gabriel- Guitars  Johnny- Bass

If you haven’t already done so get your hands on this album. It’s a must for anyone who likes their music with a celtic- punk twist!! Hopefully we will be lucky enough to see The Rumjacks on these shores later this year. These guys are definitely going places but please don’t leave us waiting another five years for the next masterpiece.

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for more of our writings on The Rumjacks check out the following articles

Single Review: ‘Blows And Unkind Words’ here

30492-London Celtic Punks Top Twenty Celtic-Punk Albums Of All Time here

The Rumjacks And Irish Pubs here

The Rumjacks Discography

Hung Drawn And Ported (EP) 2009 * Sound As A Pound (EP) 2009 * Gangs Of New Holland (Album) 2010 * Crosses For Eyes (Single) 2012 * Blows And Unkind Words (Single) 2014 * Plenty (Single) 2014 * Sober And Godless (Album) 2015

The Rumjacks

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