Tag Archives: Ciaran Murphy

ALBUM REVIEW: CIARAN MURPHY- ‘Once Upon A Time In Ireland’ (2009) *AVAILABLE AS A DIGITAL DOWNLOAD FOR THE FIRST TIME*

 Ciarán Murphy, ex-political prisoner, singer-songwriter and one man acoustic hand grenade from West Belfast. A protest singer in the finest Irish tradition and politically as sharp as a syringe needle hanging on razor wire. On this his debut album, available as a digital download for the very first time, he points out the often ugly truths of Irish life, asks difficult questions and never once pulls his punches. ciaran-once-upon
Ciarán Murphy seemed to come out of nowhere for us. One day on MySpace (remember that?!?!?) a long, long time ago I came across a few songs of his and its fair to say he fair done blew my mind. Having got a wee bit bored of hearing the same songs over and over again here was passionate, modern day, Irish rebel music with punk swagger and attitude that did all the things that good music is suppose to do. To educate, to inspire, to encourage, to dream. What was not to love? Later that year he went on to play the very first London Celtic Punks organised gig and it’s fair to say he stole the show and on top of that he was, as we say in London, a diamond geezer.

In these days of relative calm in the north-eastern section of Ireland the Police Service of Northern Ireland proudly claims to be ‘Making Northern Ireland Safer’. They’ll have you believe that they’ve moved on from the notorious days of the B-Specials and Royal Ulster Constabulary. The residents and Ciarán Murphy know differently and Once Upon A Time In Ireland opens with a angry blistering attack on Northern Ireland’s police force that is more punk rock than any punk song I ever heard.
“And they’re still a rich man’s police force,
they serve a rich man’s state.
They’ll baton charge the workers on the orders of the great,
they’ll use their fathers’ weapons to move against the free.
They’ll always be the RUC to me”
Armed only with an acoustic guitar, Ciarán comes across sometimes as a one-man punk army. His songs cover a multitude of topics relating to life in modern day Ireland (and to that north-eastern bit in particular). ‘A Word to the New Irish Racist’ damns those Irish people who suffered racist attitudes from British imperialists for decades, and who themselves now target new arrivals into Ireland:
“And every one of us were immigrants in our own time
And every patriot knows Irish is a state of mind
But you’re blind”
Ciarán understands because he comes from the same class as those left with no other option to survive than to leave Ireland in search of work over the years. Brilliant sentiments that could just as easily apply to any nation on the planet as to the Irish. Ciarán Murphy plays with such fury and ferocity that it’s no surprise he needs a box of plasters at the ready for when he leaves the stage. But folkies relax it’s not all full-on acoustic thrash, though. Some of the more impressive moments happen when the guitar assault slows down a little. Check out the gorgeous multi-tracked guitars on ‘Rebel Song’, while Ciarán spins a tale about a would-be revolutionary/terrorist having second thoughts while on the way to an attack. An amazing song that reminds us of the very real price that these soldiers paid for the cause.
(Ciarán playing live for London Celtic Punks in North London)

On ‘Che Guevara T-Shirts’ Ciarán takes aim at modern day politics and its clear here he foresaw the rise of the poison of identity politics. Divide and rule was once the tactic the state used to keep the left divided. Now its the ‘left’ that use it. He never leaves you unsure of where he stands. After all you get splinters in yer arse from sitting on the fence! The guitar picking on ‘You Cried for Ten Men Dead’ is simply outstanding. This track never fails to leave me in tears, as Ciaran sings to his father about the impact of Ireland’s struggle on the old man. From fighting for Great Britain in World War II, to joining a revolutionary army in Ireland, to crying for the ten hunger strikers who died in the Maze prison in 1981. The old man fell under the spell of whiskey and was unable to keep it together. Simply breathtaking. Played from the heart it’s followed by ‘State Of The Nation’ my favourite here where again modern day Irish politics is chastised.
“Kieran Doherty died as Irish TD (MP)
and not a word of condolence was passed
but for Lady Diana they lowered the flag to half mast.
Yeah they lowered our flag to half mast
so who’s taking us back to the past?”
The Irish government, so desperate to suck up to both the UK and the USA, are even willing to destroy national monuments to accommodate foreign interests and to degrade the ideals of the men whose acts they use to push an agenda these men fought (and many died) against. They have betrayed the people of Ireland but as a great man once said “our revenge will be the laughter of our children”.

‘Michael McIlveen’ is the tragic tale of a young 15-year old Catholic boy beaten to death on the streets of the north-eastern Irish town of Ballymena in 2006 by a Protestant gang. The teenager, known as ‘Mickeybo’ to his friends, was beaten with a baseball bat and kicked around 60 times in an alley after simply visiting a pizza shop. Ciarán reaches out to the Protestant community to remind them that some of the most revered and respected Irish revolutionary heroes have come from the Protestant faith.

Mickeybo 1991-2006 qui tacet consentire vidétur

‘Nine hours’ is again an incredible song where Ciaran, in jail for Republican activities, is given nine hours compassionate leave to attend the funeral of his father.  During the song Ciarán recalls childhood fishing trips with his Da and the history he taught him of the places they visited while he follows his Dads coffin in utter personal agony, regretting years of non contact. Nine hours later that day a steel door slams shut and that’s fucking it.
“I never thought that things would end like this,
not in my wildest dreams.
But life is cruel and sometimes twisted,
like their judges and it seems.
that nothing here is sacred and I know what that means.”
A song that will take your breathe away the beauty and sadness of it. On ‘Catholic Guilt’ Ciarán ponders his youth and faith and what the future will bring. The album is drawing to a close and ‘I Feel The Eyes Of British Spies’ is all about the very real technological war Britain declared on Republican communities but told with a sly humour and twinkling eye. The title track closes the album, with its multi-tracked guitar and one of Ciarán Murphy’s strongest vocal efforts. The song tells of Murphy’s quest for that elusive ‘once upon a time in Ireland’, of trying to come to terms with Ireland’s real and mythological past, and sifting through it all to find lessons that apply to Ireland today.

FOR DOWNLOAD CLICK HERE

AVAILABLE TILL THE END OF THE MONTH FOR JUST £5

While Ciarán Murphy’s 2008 debut release, The Verbal Hand Grenade EP, was a solid release, this one showed Ciarán had made infinite progress. Each song features just acoustic guitar and voice, but Ciarán creates so many different textures that no two songs sound alike. The beauty of the folk tradition – and it applies equally in punk rock – is that anybody can pick up an instrument and play the songs that strike a chord in them. We are almost a decade later yet Ciarán Murphy’s songs still need to be heard, and they need to be sung. In my opinion they are right up there with the songs of MacGowan, Kelly, Drew, Moore. You may think that’s an exaggeration, but hear this album and I’m sure you’ll agree. Sadly Ciarán has retired from the music scene and no amount of cajoling it seems (and we have tried, oh have we tried and tried!!!) will bring him back to the stage. That is a great shame as Ireland is in desperate need of its poets. There was a very good reason the British use to execute them you know.
Bandcamp
Previously only available on CD, this, Once Upon A Time In Ireland is now available via the London Celtic Punks Bandcamp page for digital download. A huge thanks to Ciarán for allowing us to  organise this. It was our pleasure Pip! Coming soon for first time as a digital download Ciarán’s debut release, Verbal Hand Grenade. Watch this space.

(you can hear the album for free here on the Bandcamp player)

JUSTICE FOR THE CRAIGAVON 2

Justice for the Craigavon TwoEvery single penny raised from this album goes directly to the Justice For The Craigavon 2 campaign. For Brendan McConville and John Paul Wootton, who were unjustly convicted of the murder of PSNI constable Stephen Carroll and sentenced to life imprisonment. The London Celtic Punks believe the case was corrupt and the ‘evidence’ inconclusive, contradictory and discredited. Both these poor guys find themselves victims of a system that sought to find suitable scapegoats in the wake of the political and media backlash following the killing. Over on our Bandcamp page you will find a bunch of downloads available mostly for donation. All the money goes to the Campaign and helps pay legal fees and to aid Brendan and John Paul’s families. You can make a real difference. Please send all donations to  justice4thetwo@gmail.com

Justice For The Craigavon 2
WebSite  Facebook  Twitter

thanks to Andy in NSW for help

WHO DARES TO SPEAK OF EASTER WEEK?

RADIO REBEL GAEL PRESENTS :
Who Dares To Speak of Easter Week?
Radio Rebel Gael’s Tribute
to the heroes of Easter week and all Irish freedom fighters throughout history…
In Dublin 98 years ago, a tiny band of Irish rebels and patriots took possession of the main post office. There, on Easter Monday, they proclaimed the birth of an Irish Republic and the end of England’s imperial rule. At the time the rising was unrealistic, had little support and was swiftly put down. Yet with vengeful ferocity, the British ordered the execution, one by one, of 15 rebel leaders, including a trade unionist, James Connolly, suffering from gangrened wounds, who had to be propped up in a chair to be shot.

When the grisly business was done, William Butler Yeats wrote, Ireland had

“changed, changed utterly: a terrible beauty is born.”

The victims themselves sensed that theirs was a blood sacrifice that foresaw rebirth and renewal, that their deaths might some day be seen as the secular incarnation of a sacred season. But the Easter Rising also proved to be a dress rehearsal as an empire fell and ordinary people entered and seized history.

His Name Was Connolly

featuring the best in Irish rebel folk and celtic-punk from Ireland and ‘across the broad Atlantic’

1.) The Foggy Dew- ATHENRYE (Dublin)

2.) Erin Go Bragh- THE WOLFE TONES (Dublin)

3.) Bright Star- Bobby Sands- as read by STEPHEN RAE

4.) Comrades In The Dark- THE PRODIGALS (New York)

5.) Freedom’s Sons- SHARKY DOYLES (Chicago)

6.) Connolly Was There- POL Mac ADAIM (Belfast)

7. Easter Time/Freedom’s Sons- BARLEYCORN (Belfast)

8.)Meet Me At The Pillar- DUBLIN CITY RAMBLERS

9.) Culture- THE REBEL HEARTS (Tipperary)

10.) The Dying Rebel- KATHLEEN LARGEY (Belfast)

11.) Citizen’s Army- RAY COLLINS (New York)

12.)Who Dares To Speak Of Easter Week?- BRENDAN BEHAN (Dublin)

13.) Met A Proud Man- GERRY T.MORAN (Norfolk/Dundalk)

14. Who Dares To Say- THE BATTERING RAM (Dublin)

15.) The Starry Plough- THE DRUIDS (Kildare)

16.When Will We See- THE DRUIDS (Kildare)

17.) The Rifles Of The I.R.A- ATHENRYE (Dublin)

18.) Provos Lullabye- THE WOLFHOUND (Belfast)

19.) Woods Of Drumboe- THE WOLFHOUND (Belfast)

20.) Guest Of The Queen- BRIAN UA BAOILL

21.) Bobby Sands- CLAYMORE (Glasgow)

22.) McVerry’s Men- BANJO BURKE (Kilkenny)

23.) Eamon Wright- ADELANTE (Coatbridge)

24.) 1916 Proclamation- CU CHULAINN

25.) Banna Strand- FLYING COLUMN (Belfast)

26.) The Rebel by Padraic Pearse- THE DUBLINERS

27.) Padraic Pearse- THE WOLFE TONES (Dublin)

28.) Follow Me Up To Carlow- BLOOD OR WHISKEY (Kildare)

29.) The Peeler And The Goat- NIAMH NI CHARRA (Killarney)

30.) Oro Se Do Bheath Abhaile- THE DUBLINERS

31.) Sean Larkin- THE IRISH BRIGADE (Tyrone)

32.) The Rhythm Of Time- BOBBY SANDS

33.) H Block Song- THE PLAYERS BRIGADE (Dublin)

34.) Ninety Miles from Dublin- POL Mac ADAIM

35.) Mise Eire- POL Mac ADAIM

36.) The Wind That Shakes The Barley- THE BATTERING RAM

37.) Boys Of The Old Brigade- EIRE OG (Glasgow)

38.) The Boys From Tamlaghtduff- CHRISTY MOORE (Kildare)

39.) The Rising- BRICK TOP BLAGGERS (California)

40.) Henry Joy (Faithful To The Last)- CIARAN MURPHY (Armagh)

41.) Who Fears To Speak Of Easter Week- DOMINIC BEHAN (Dublin)

http://radiorebelgael.podomatic.com/

“Had the Gaelic race never produced a scrap of literature, had our treasures of history and romance never had a being, had our Cormac’s, Keating’s and our O’Clery’s and Donnachadh Rua’s never written a line, these folk songs of ours would have been sufficient to prove for all time the glorious capabilities of our race.”

– Padraig Pearse

to find out more about the 1916 Easter Uprising you could try Wikipedia or the excellent site at Easter Rising 1916.

The 1916 Societies are committed to fostering and promoting Irish unity as set out in the 1916 Proclamation and their website is here.

Radio Rebel GaelContact Rory at Radio Rebel Gael at Facebook here

CIARAN MURPHY

Here’s the superb CIARAN MURPHY playing an Antifa gig we organised back in July 2010. The gig was the first night of the Emirates Cup at Arsenal in north London and the Bhoys were playing Lyon. So we booked the famous Mannions in Tottenham for a benefit gig. A great turnout meant we managed to raise some much needed money for Antifa mates of ours who had recently had their collars felt!

CIARAN MURHY

Ciaran played for London Celtic Punks a few times and was always a ‘pleasure to do business with’! Musically he was just yer simple folk singer with an acoustic guitar but it was his amazing songwriting that won him his legion of fans. How many times have we heard people sing of revolution knowing full well that that was the last thing on that persons mind? That it was all talk and no action?  Well Ciaran had done it. He put his life on the line for his beliefs and ended up doing time for them. On his return to civilian life he continued to help the cause as best as he could by travelling the length and breadth of Ireland to raise funds for other prisoners. We were saddened at his recent announcement that he was retiring from music. It  is a great shame and will be felt across Ireland but also here where he had built up quite a following. He had a glorious future ahead of him but this gives him more time to continue his political work towards a united Ireland and to concentrate more on his young family.

So there you have it. A man of great conviction and political belief but what about his music. Within a single song you will get anger and cynicism and republicanism and socialism but slow down there it ain’t all negative. There is plenty enough warmth and love and passion here as well to keep you toasty. Nothing he sings about is halfhearted and those that remember him leaving the stage at Mannions with blood pouring from his fingers will know how much of himself he put into his music. When I first put Ciaran on I described him as a “more pissed off version of Damien Dempsey” and I still think that description fits him just about right!

The original Celtic-Punk web-site Shite’n’Onions had this to say about him

“A protest singer in the finest tradition and politically sharp as a syringe needle hanging on razor wire. He points out the often ugly truths of Irish life, asks difficult questions and never pulls his punches. Akin to Damien Dempsey with pin pulled out”

God alone only knows if we will ever be able to tempt Ciaran out of retirement to see him strutting his stuff again but if you want a bit more after viewing these videos then his 3 releases are available here.

STOP-PRESS 16/12/2016

Sad to say we have tried and failed on numerous occasions to get Ciaran back on the road again but to no avail. He’s a very humble man and appreciates the support he has had from fans of his music but there aint no more. Also the link to get his albums above has gone walkabout so we found this one where you can get both Ciaran Murphy albums and the EP for £19-99 here.

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