Tag Archives: Drunken Dolly

ALBUM REVIEW: DRUNKEN DOLLY- ‘Alcoholic Rhapsody’ (2017)

Happy rocking celtic folk punk party music from Rotterdam!

Drunken Dolly LP

Coming from the Dutch port town of Rotterdam and formed way way back in 2004 Drunken Dolly are one of the best bands around but you can be forgiven for perhaps not knowing them as in all that time they have only got round to two releases! Inspired by Irish and celtic music and their love of punk rock they briefly split up back in the day but missed the drunkenness and debauchery involved in being in a celtic-punk band so got back together in 2014 and decided to take things a wee bit more seriously.

DD Band

Their debut release, the 4-track EP, ‘Drunken Dolly And The Drunken Man’s Curse’ came out in May, 2015. Now that was a full eleven years after they first got together so it had better have been good and we are glad to report it bloody was too. You can read our review of it here but rest assured it may not have been very long at only just over ten minutes long but was as good any EP released that year. Four songs of fantastic celtic-punk that we placed firmly within the Dropkicks camp but with equal appeal to fans of the Mollys too.

So a couple of years on and it’s time for their debut album to hit the streets. Alcoholic Rhapsody came out early last month and is 3/4’s of an hour of solid and superb catchy celtic-pop-punk which has elements of punk bands such as NOFX and Green Day and celtic bands like the the Dropkick’s and the Molly’s but also with harmonies straight off a Beach Boys greatest hits album! Kicking off with ‘Endless Party’ and while we are more use to the punkier elements of celtic-punk to be a bit more hard edged Drunken Dolly serve up something a bit more poppy. What pushed punk through to the mainstream a few years back was a new wave of bands who played their punk with a very distinct 60’s feel to it. Bands like Blink 182 and Rancid as well as the ones already mentioned were massive and opened the door to people wanting to check out the roots of punk. Its all very catchy and some would say somewhat throwaway but one thing is undeniable and that is that it is pure good time party music! The banjo is more prevalent in the next song, ‘No Regrets’ and is the albums first celtic-punk number and what a number. A real high octane celtic-rocker.

“The night at it’s end, as the sun hits the sky.
No money for the rent but no regrets for tonight”

The well worn tale of a night out and bugger the consequences! A great song and proof that they have only got stronger in the years since that EP’s release.

Relationship woes rear their heads in the mandolin and banjo driven ‘Time To Leave’ and the lengthy, over five minutes, ‘Whatsherface’ and while you may struggle to find any Gaelic tune up to now it is most definitely what we would refer to as modern day celtic-punk. ‘Dear Friend’ begins with a Tossers sort of intro before Gydo and his amazing banjo playing leads us in a spirited number about what we need the most in life.

“So if you have a friend like him
Raise your glass and we honour them together
It’s a fact that we all need
A dear friend, so lets honour them together”

By now we getting use to the Drunken Dolly way of doing things. Gang vocals with plenty of “Oh-Oh’s and some super catchy choruses to singalong with and ‘Hold On’ is a perfect example though not as fast as some of the fare here. For a sailor’s town it’s inevitable that we eventually must be due a sailor’s song and ‘Sailor’s Song’ is it. They ramp up the speed after a slowish celtic start and a nice catchy gang chorus ends it on a high before ‘Beware of the Fisherking’ and it instantly sounds more traditional celtic-punk fare with a nice Irish tune flowing through the more restrained punk sound but with plenty banjo and mandolin driving it along. ‘Drunken Man’s Curse’ is the first of the three songs from their previous EP that have been re-recorded for Alcoholic Rhapsody. Not a huge amount of difference I have to say except a crisper sound and much more rounder production. This is followed by the other two songs ‘Humongous Tattooed Arms’ and ‘That Kiss’ which was the first single released from Alcoholic Rhapsody and needless to say is one of the album’s highlights.

An absolute stormer of a classic rock number and with some real profound and meaningful lyrics. As someone whose Grandad was his hero they really struck a chord with me. The sound here reminded me of Mick O’Toole and their heavy banjo/mando sound.

“It’s your friends, your mates, your comrades
But mostly your wife you’ll miss
Now i sit here, thinking of them
How they all came to pass
It’s the nights we would drink,
The nights of fun
But mostly I miss that kiss
I miss that kiss”

We are steaming towards the end at breakneck speed and ‘Stop’ drops us by the beach in Southern California again and catchy is the word as we stroll into ‘Beat Up Good Johnny’. It’s another old song from an early Demo that has benefited from a re-fit and a better production. So we reach the end and it’s time for the album’s theme song ‘Alcoholic Rhapsody’ and for the Bhoys to go out on a high. It’s fast paced tale of alcoholic woes and tribulations is the main theme throughout the album and brings the curtain down on this fine album.

The celtic-punk scene in the Netherlands is both a lively and active one with several bands all working closely together rather than competing with each other. The great thing is that they all manage to come from different directions of the scene and none are more different than Drunken Dolly. Their pop-punk sound is pretty original and that fast and furious celtic-punk is super catchy and the perfect accompaniment for a beer or two. Or alcoholic rhapsody if you will!

(you can listen to ‘Alcoholic Rhapsody’ for *FREE* before you buy it by pressing play on the Bandcamp player below)

Buy Alcoholic Rhapsody

FromTheBand

Contact Drunken Dolly

Facebook  Bandcamp  YouTube  LastFM  Twitter  Google+

The Drunken Dolly Team

Michael Stoel – Mandolin/Vocals
Kevin Snoey – Bass/Vocals
Gydo Stalenberg – Banjo/Vocals
Scott Merts – Drums/Vocals
Randy van Soest – Electric-Guitar/Vocals

Advertisements

ALBUM REVIEW: McSCALLYWAG- ‘Dirty Water’ (2017)

Celebrate the good life with Dutch celtic-punkers McScallywags. Influenced by traditional Irish folk music, sea-shanties and good ol’ drinking songs McScallywag are on a mission to put a smile on everyone’s face!

Got this album in the post from Waldo over at Celtic Folk Punk And More web-site (always worth checking out here) but with such a backlog of reviews its taken me till now to have a listen and I’m kicking myself for waiting so long!

McScallywag describe their sound as “Dropkick Murphys meets The Pogues” and while live they they provide a healthy mix of classic traditional Irish folk songs and McScallywag originals here on Dirty Water they gone for the originals approach with every song one they have penned themselves. The band are based in the Dutch city of Groningen, an area of the Netherlands renowned for its music and arts. Formed in 2013 when local hardcore punk band De Klootviolen parted ways with their vocalist and the rest of the band decided to continue but in a completely different direction. Armed with new instruments they continue to blaze their way through life celebrating their love for that life through alcohol and folk music. The Dutch scene is particularly strong at the moment with such great bands as Circle J and Bunch Of Bastards , who have both featured on these pages extensively as well as touring these shores, as well as the likes of LQR, Drunken Dolly and The Royal Spuds who we are hoping to catch up with at LQR’s ’10 Pinter’ festival next January.

McScallywag left to right: Tom Kootstra– Guitar, Vocals * Frodo Bosma– Accordion *  Ruud Platje– Drums, Vocals *  Arian Sikkens– Banjo, Mandolin, Vocals * Peter Janssen – Bass Guitar * Talitha Barelds– Cello, Vocals * Ashley Buitenwerf– Guitar, Vocals. Not in picture Sebastiaan Hidding– Violin

So what do we get here. As I say its nine original songs so that is already a plus in my eyes and the whole album comes in just shy of half an hour. the album starts with ‘Billy’s Curse’ and you not sure which way the album’s going with acoustic guitar and accordion swirling round while Arian’s voice sings out both tunefully and strong. The song doesn’t get much faster but does get louder and you can hear the cello here and it sounds great. Not yer typical celtic-punk instrument but all the better for that. Needless to say of course that Billy’s curse was in fact alcohol! ‘Days of Travel’ is up next and the band start to show what they can do here. Fast and furious acoustic celtic-punk party music. Stop and start fast music that owes much to hardcore punk in many ways.

The video gives you a great example of what McScallywag do. That they are acoustic, except for bass guitar, is incredible and reminds me of what was said about The Pogues that they were louder than any punk band! next up is ‘The Road’ and a real Poguesy feel to this. A slow ballad that speeds up near the end with gang vocals and is a real catchy foot-tapper. Some great positive lyrics here too that had me belting out the words in me living room.

So get up while you can, stand up and be a man.
Cuz there’s no such a thing as getting old,
you’ve got to live it up while you can.
So even when this world is at its darkest,
And your just clinging and holding on to that light.
You’ll find again and again that when your drinking with friends,
you’re gonna make it through the night,
shining bright”

Definitely one of the album highlights without a doubt. ‘Letter to Megan’ is about a subject that crops up quite often in celtic-punk. Hopefully as a warning to others? Screwing up your life and hurting the ones you love. The song starts off slow before bursting into life and ending in typical celtic-punk fashion and while the video below shows the song done to perfection it is annoying hearing people talking throughout BUT…

this is music for the live setting and McScallywag come into their own live from what I can see. That’s not to say that they haven’t managed to transfer that sound onto disc as they have done a brilliant job here and the production is perfect. ‘St. Paddy’s Anthem’ is up now and McScallywag’s tribute to that day where indeed

“It’s Saint Paddy’s anthem keep singing along,
as loud as you can, cuz tonight, everybody is an Irishman!”

Great vocals here and as loud a song as any on Dirty Water. Close your eyes and you can forget your not still listening to De Klootviolen and a band containing banjo, accordion, cello and mandolin.

“And the pubs around the corner there,
said: open all night.
There was Dropkick Murphys on the jukebox,
shouting, drinking what a sight.
They passed me down a bottle, and I bought a round of beer.
We raised our glass to the drinking class,
and we all sang and cheered”

This is hardcore punk-folk! Then  we have ‘Eye of the Storm’ and a dramatic shift in style with cello-player Talitha taking over vocal duties for a slow ballad about losing your love at sea. The mandolin accompanies her beautiful voice in a very under stated song where you can smell the salt air. ‘Ashes to Ashes’ is another stand out track for me. As I often say man cannot live on punk rock alone and he needs to slow down occasionally. It’s good for the soul. Vocals are shared again by Talitha and Arian and this is the moment on the album where you must raise your pint to the air. Every half decent celtic-punk album must have one and this is it. Love this song. We nearing the end of Dirty Water and ‘Whiskey I Love You’ is a singalong/clappalong folky number with gang vocals and a catchy chorus. Think Dropkicks ‘Boys On The Docks’ and you’ve got it. The album wraps up with ‘Johnny Went Away’ and it’s more of that stop and start hardcore folk that I love. The mandolin is in overdrive and the band all join in on vocals and bring the curtain down leaving me out of breath!

Having always been a fan of punk music it’s really refreshing to hear a folk band play as though they were a punk band. Its mostly very fast but incredibly tuneful and still folky despite the speed it’s played. They don’t sound like any of the scene’s favoured bands which is something I have said before about Dutch celtic-punk groups and that is something special. A great debut album and a band to watch out for. All the lyrics are on the bands web site (here) and are well worth a look while you listen to the album.

(have a free listen to Dirty Water below)

Buy Dirty Water

iTunes

Contact McScallywag

WebSite  Facebook  Soundcloud  Instagram  YouTube

(not quite a full length concert but great video with good sound)

EP REVIEW: DRUNKEN DOLLY- ‘Drunken Dolly And The Drunken Mans Curse’ (2015)

Happy rocking celtic folk punk party music from Rotterdam

Drunken Dolly

Funny how things go and only a few days after reviewing the new album from Dutch band Pyrolysis another new release from a Dutch band lands on the London Celtic Punks doorstep. Although relatively new to us Drunken Dolly have been together for six years but ‘Drunken Dolly And The Dead Mans Curse’ is their very first release and we can safely add about bloody time too.

The EP begins with the title track ‘Drunken Man’s Curse’ and from the very start what grabs you is that Drunken Dolly have both mandolin and banjo players and superbly played they are too. It is becoming more common these days and the sound it produces makes for some excellent music. Along with the thrashing guitar and frantic drumming they kick up a right auld celtic punk storm with this tale of a drunken night on the lash.

“You’re drunk and you fell in love
But it’s probably the drunken man’s curse
your front-door key is not your friend you see
When you’re under the drunken man’s curse”

Next up is ‘Humongous Tattooed Arms’ and more of the same with the mando and banjo dualing away but what really grabbed me is the rather sweet and tender lyrics of the song. Telling of a sons love for his father I have to say I am rather jealous of songwriters who can capture life in such a powerful and meaningful way. Well done DD!

“A sleeve full of memories, each picture a story
I’m so proud to be a part of that arm.
Anchors, bottles, ships and a picture of me
as his lucky charm”

Drunken Dolly pay tribute to the biggest day in the celtic-punk diary next with ‘St. Patrick’s Day’. A perfect combination of the best bits of The Pogues and The Clash combining for a real proper catchy tune.

 ‘That Kiss’ brings the EP to an end and again there is no let up with the music coming at you fast and furious. Banjo kick starts it and before long you’re swept away with the highlight of the EP that would easily grace any of the celtic-punk scenes biggest hitters.

DrunkenDoll

Drunken Dolly left to right: Scott: drums * Randy: electric guitar * Michael: mandolin * Kevin: bass guitar * Gydo: banjo * Lead vocals: Michael and Kevin * Backing vocals: everyone

It may not be very long at just over ten minutes but this is as good a EP as has been released this year. Four songs of fantastic celtic-punk that is firmly within the Dropkicks camp but will equally appeal to fans of the Mollys too. I may be new to them but will be following what they do very closely from now on and I suggest you do too.

(to listen to ‘Drunken Dolly And The Dead Mans Curse’ press play on the Bandcamp player below)

Buy The Album

FromTheBand

Contact The Band

Facebook  Bandcamp  YouTube  LastFM  Twitter  Google+

here’s a full concert from the Bhoys 

%d bloggers like this: