Tag Archives: Jamie Clarke’s Perfect

ALBUM REVIEW: JAMIE CLARKE’S PERFECT – ‘Monkey See, Monkey Do’ (2022)

Only a mere thirteen folk can ever say they were once members of The Pogues and one of those is Jamie Clarke. Since then with his band Jamie Clarke’s Perfect he has carved out a career making, playing and recording a glorious mix of Irish Folk, Garage, Rockabilly and Punk Rock!

We are lucky to have Paul Evans from the #1 Pogues tribute band The Pogue Traders to review the new Jamie Clarke’s Perfect album hot off the press.

Jamie Clarke’s Perfect are a German based folky / rockabilly-ish outfit with nine albums to their name. Perfect were formed after The Pogues disbanded in the late 1990s. Until then, Clarke was a guitarist for late-period Pogues (he took over when Phil Chevron retired from the band in 1994) and featured on the final ‘Pogue Mahone’ LP, co-writing The Sun and the Moon with Spider Stacey.

Their latest offering, Monkey See, Monkey Do arrived in January is packed with tight, punchy hoarse tunes written for a ‘rambunctious live band’ market. It’s a play-loud set, and if you’re looking for an introspective concept album, or lounge-bar background music, this isn’t it.

It’s a wide-ranging collection. Tracks like How the Mighty and Morgane Morgenstein would fit in very nicely on those post-MacGowan Pogues LPs. Greetsiel Reel and Monkey Done gets us closer to the celtic-punk feel of The Men They Couldn’t Hang, Green Cadillac brings a welcome rockabilly-pop dimension while Time is Ticking and the excellent Madness-ish Raise Your Voice tips into ska-punk territory.

I’ll predict the standout track Lady Luck will end up at the end of their live set whenever they want to be brought back on for an encore.

Money See, Monkey Do, does a difficult job well – it’s a new album from a band who have written something to punch-up their live set. Buy the CD, or stream it, but whatever you do, catch Jamie Clarke’s Perfect next time they’re in your town because this album will sound even better live than it does in your living room.

Buy Monkey See, Monkey Do – DackletonRecords (CD/Vinyl)

Contact Jamie Clarke’s Perfect WebSite Facebook YouTube Instagram

Paul Evans is the tin-whistle player in The Pogue Traders – a London-based Pogues tribute band formed in 2007 that even comes with a personal recommendation from one of the original band members.

“The best Pogues tribute band I’ve seen” – Andrew Ranken

It’s coming up to the busiest time of year for Irish music. A time when for many years a Pogues or Shane MacGowan concert was a must so in their prolonged absence it’s only right that a band should fill that void and The Pogue Traders fill it seamlessly. A mini tour around the country sees them take in well know Irish diaspora hot spots so be sure to check them out and if you are wondering what to do in London on St. Patrick’s Day then why not join us for a South London pub crawl ending at The Half Moon Putney for a poguetastic night celebrating the worlds greatest ever band.

THE POGUE TRADERS 2022 ST. PATRICK’S TOUR

https://www.facebook.com/events/1005352306732195/

Leeds – Brudenell Social Club Friday March 11th

Holmfirth – Picturedrome Saturday March 12th

London – Half Moon Putney, Thursday 17th March

Glasgow, – McChuills Saturday, March 19th

And finally, the Nottingham Greyfriars gig from November 2021 was postponed due to illness and is now happening on April 30th 2022 – details to follow.

The Pogue Traders  Facebook WebSite

ALBUM REVIEW: JAMIE CLARKE’S PERFECT- ‘Hell Hath No Fury’ (2017)

New album from German based ex-member of The Pogues Jamie Clarke’s Perfect.

Pioneers and purveyors of Folkabilly Rock- rockabilly and punk mixed with a dash of Irish folk and a belly full of beer!

The name Jamie Clarke will be known to many of you due to his membership of a certain band in the 1990’s. Yes he was only a member of the bloody Pogues!!! Londoner Jamie grew up in London and happened to be in the right place at the right time being a teenager at the time of the original punk rock explosion in the capital sparking off a lifetime interest and involvement in music. Passing through many bands until he became Philip Chevron’s guitar technician while The Pogues were literally touring and conquering the world. In 1994 ill health forced Phil to leave the band and in the spirit of The Pogues they chose Jamie to replace him. Sadly this was also the time of Shane’s most wild excess and he soon left the band as well. Jamie played on the final Pogues album Pogue Mahone and wrote, what was always for me, the best song on the album ‘The Sun And The Moon’. On the break up of the band Jamie moved to Germany and formed Jamie Clarke’s Perfect, the band he’s been playing and recording with ever since.

Jamie Clarke’s Perfect left to right: Johnny Rebel- Bass * Pierre Lavendel- Banjo/ Mandolin * Jamie Clarke- Vocals/ Guitar * El Diablo- Drums. Accordion on the album- Andy Schnapps (not pictured)

With a slew of album releases behind them I have to make the confession that this is the first LP I have ever heard and I have been suitably impressed to want to check out the back catalogue as well. The last couple of years I have got bored with the seriousness of punk and started to listen to more and more rockabilly/psychobilly so I was more than pleasantly surprised to find Hell Hath No Fury laced with more than a little rockabilly alongside the folk, or as the band themselves call it- ‘folkabillie rock’.

The album begins with ‘Back From Hell’ and straight away one band popped into my head. With a very distinctive banjo and accordion sound it was early Blood Or Whiskey that leapt out the speakers at me. Even Jamie’s vocals reminded me of the original BOW vocalist Barney. Needless to say this ain’t a band that’s copying them as their sound is still incredibly original. Incredibly catchy opener and it don’t change throughout. This band got some real good tunes and considering how long they been going/how many releases they have that is some achievement. ‘Monster’ and the album’s first single ‘Change The World’ keep up the foot stamping and again excellent accordion/banjo stand out as well as Jamie himself.

The first sign of that Folkabilly Rock start to appear next in ‘On Your Feet’. I literally could not keep me feet still listening to this. Catchy (there’s that word again…) as hell with a great chorus and some great rock’n’roll banjo from ex-Frantic Flintstones guitarist Pierre. Several songs here also take in The Pogues and ‘Waking Down The Road’ is one of them while title track ‘Hell Hath No Fury’ nails their sound completely. One of the album highlights and a word here for Jamie and his vocals. As I already said he may sound like he has a sore throat and I do wonder how many fags a day he’s on! He sings with a real passion that while not overstating does in fact stand right out without you really noticing. In the old Irish traditional the voice as an instrument. His lyrics help of course as they tend to take up most of the length of the song. I Would have liked to have seen the lyrics as even though they are clear it is hard to keep up. ‘Eve Champagne’leads us up to the first cover and ‘La Bamba’ the old Mexican folk song made famous first by Ritchie Valens in 1958 and Los Lobos in the summer of 1987. Another solid number ‘Gun In My Hand’ leads us into a great Irish trad/rockabilly instrumental ‘Un Hoyo Es Un Hoyo’. We coming up to the end of the LP and the final three songs fly past in a flash of brilliance starting with the frantic ‘Rollercoaster’ while ‘Rockabilly’, not surprisingly, takes that rock’n’roll sound and plays it right up before Hell Hath No Fury ends with another album high point, ‘Protest Song’.

Thirteen great songs. Unlucky for some but not for us! The album clocks in at a very healthy forty minutes and shows enough individuality and originality to make sure it never drags or sounds jaded. Germany has a real love of alternative music and has produced many many great celtic-punk band psychobilly bands so it should come as no surprise that they have embraced a mixture of the two. After all it was only a few weeks ago we reviewed the new album from another German  band, Pitmen (here) who mix both genre’s to great acclaim. So with over twenty years behind them and thousand’s of gigs well done to them for putting out such a consistently great album that may veer off from celtic-punk in several directions but always keeps at it’s core the sound of celtic folk. Punk, rockabilly, psychobilly, celtic-punk and country all raise their heads here on an album I was completely taken aback from and I can’t understand why more isn’t known about this great band even within the celtic-punk scene.

Discography

Perfect Liar (1997) * Perfect Live (1998) * Sickly Men Of Thirty Or So (1999) * Live Too (2000) * Nobody’s Perfect (2002) * Live Free (20004) * Psychic TV- Single (2006) * You Drove Me To It (2007) * Fucking Folkabillie Rock (2010) * Beatboys (2011)

Buy 

FromTheBand/WolverineRecords  Amazon

Contact Jamie Clarke’s Perfect

WebSite  Facebook  ReverbNation

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