ALBUM REVIEW: JOHNNY CAMPBELL- ‘Hook, Line And Sinker’ (2015)

Fast, ruthless and uncompromising traditional folk music and frantic bluegrass style picking with self penned songs of protest and debauchery!

Johnny Campbell is a name that will be familiar to regular viewers of the London Celtic Punks blog-zine as we have been long time fans of pretty much everything Johnny has come up with over the years. We first crossed paths with Johnny when he played in the excellent Yorkshire celtic-punk band Three Sheets T’Wind but since those days Johnny has spreads his wings and has become a quite successful and well travelled solo artist. After numerous tours and gigs and a EP we now arrive at the release of Hook, Line And Sinker back at the arse end of last year.  We did a very interesting interview with Johnny in September just gone (here) so drop over there to have a read and find out lots more about Johnny and his various gig antics across Europe including how ISIS nearly screwed up his tour!

Hook, Line And Sinker is eight songs of stand out traditional folk music lasting just shy of half an hour with Johnny ably supported by Rosie Eade on backing vocals and an old bandmate of Shane MacGowan, Kieran O’Malley on the violin. A story of a journey from York to Middlesbrough begins the album with ‘Hills Of Cleveland’ and name checks places of outstanding beauty along the way. A sort of North Yorkshire national anthem that I am sure sounds mental to anyone who doesn’t know or appreciate ‘Gods own country’.

“Sneck Yate over Hambleton it’s where we made good time
The smog caresses Middlesbrough you could see it to the Tyne”

This is followed by ‘Johnny McGhee’ a  comedy song that came about after a night out on the lash and with a gut full of ale and arriving home and after listening to the great Irish balladeers like John McCormack and The Clancy Brothers Johnny decided to write a traditional old school folk song with the emphasis on the lyrics and using different volumes of the voice when singing. Play the song below and you’ll understand instantly  what I mean.

“Rambling and roving and smoking and courting
And drinking black Porter as fast as you feel
In all your days roving you’ll find none more jovial
As the wondrous wanderer Johnny McGhee”

‘Blue Mountains’ is a fast paced instrumental with great fiddle work from Kieran and as close as this album comes to the sound of Three Sheets T’Wind. Personally I think the album would have benefited from a few faster paced numbers but that is not Johnny’s shtick here. Waking up hungover on a boat to Denmark with no money, no phone, no bank card and no wallet was the inspiration for ‘Copenhagen’ and having to busk for three days for food and money just to get to the airport providing the background for the story. ‘Complaint’ was written in mind about those affected by the Bedroom Tax and forced out onto the street and put to a very old traditional Irish tune. The romanticism of tramping the high roads belies exactly how difficult and traumatic it can really me. Like anything it’s simple with a safety net but there’s not many of us who will ever find ourselves with no other option. There are too many songs in the folk genre romanticising the idea of living a homeless life and glamorising the idea of being a wanderer without commitment or troubles. The ‘roving minstrel’ image portrayed in folk song about travellers and gypsies having a carefree life just isn’t true when weighed up against all the daily shit and blatant discrimination traveller families have to put up. Next up is ‘The Death Of The Public House (skit)’ and that witch Maggot Thatcher snarls out at you from the speakers. Many of you will have no idea or will have forgotten what she was like so remind yourself with her spouting the miserable anti-human claptrap she was famous for. Hook, Line And Sinker’ was wrote with Woody Guthrie in mind and the legendary American folk pioneer will be smiling down from above on hearing this. The song steers clear of preaching and has a real catchy foot tapping way about it. References to the optimism of the radical movements in the US and UK that haven’t come to full fruition as well as religion and the two party political system.

‘Jock Stewart’ is the famous song made famous I suppose by The Pogues as sung by Cait O’Riordan. Originally an Irish ballad it was shortened and adapted to an Aberdeenshire drinking song. And what a song it is!

“So be easy and free,
When you’re drinkin’ wi’ me,
I’m a man you don’t meet every day”

If you’re a fan of traditional folk music and folk singer’s like Christy Moore and Paul Brady then you will love this record. Passionate and straight from the heart Johnny takes his music very seriously and his commitment is amazing. A record that is evocative of the past but is rooted very firmly in the here and now. Fans of celtic-punk music deserve to give artists like Johnny a go. The music he plays is where the music we all love comes from and is living proof that the soul of celtic-punk belongs firmly in the past.

(you can have a free listen to the whole of ‘Hook, Line And Sinker’ before buying by pressing Play on the Bandcamp player below)

Buy The Album

FromJohnny

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LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)

2. THE MAHONES- ‘The Hunger And The Fight Part 2’

3. 1916- ‘Last Call For The Heroes’ (here)

4. FEROCIOUS DOG- ‘From Without’

5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)

6. MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)

7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)

8. THE GO SET- ‘Rolling Sound’  (here)

9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)

10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)

 11. JASPER COAL- ‘Just The One…’  (here)

12. THE CUNDEEZ- Sehturday Night Weaver  (here)

13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)

14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)

15. JOLLY JACKERS- ‘Sobriety’  (here)

16. MALASANERS- Spanish Eyes’  (here)

17. SKONTRA- ‘Foguera’  (here)

18. THE WAXIES’ ‘Down With The Ship’  (here)

19. KITCHEN IMPLOSION- ‘Selfish’

20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.

1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)

2. DIRTY GLASS- ‘Drunken Summer Night’  (here)

3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)

4. ZUNAME- ‘Pipes Not Dead’  (here)

5. THE HYDROPATHS- ‘Wailing Away’  (here)

6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)

7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)

8. LOCH NESZ- ‘Leave The Captain Behind’  (here)

9. CIRCLE J- ‘Year Of The Goat’  (here)

10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)

11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.

1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)

2. BARRULE- Mannannans Cloak’  (here)

3. LE VENT DU NORD- ‘Têtu’  (here)

4. BRYAN McPHERSON- ‘Wedgewood’  (here)

5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)

6. ANTO MORRA- ‘Boudicca’s Country’

7. JACK OF ALL- ‘Bindle Punk’  (here)

8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)

9. FFR CELTIC FIESTA- ‘Fresh Blood’

10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)

11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Again Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

INTERVIEW WITH JOHNNY CAMPBELL

A fast, ruthless, uncompromising sound with influences from far and wide. Material that embraces traditional music and sometimes frantic Bluegrass style picking with self penned songs of protest and debauchery.

We are extremely happy that Johnny took time out from megabussing it around the country from gig to gig to do a little interview for us.

The obvious one to get us started so can you tell us how long you’ve been playing music and what bands you have been in before?

Johnny- I’ve been performing live for a decade now, and for the last couple of years as a solo performer. Before those ten years I was playing a battered classical guitar to Bad Religion live albums pretending I was in Bad Religion.

You have played in a celtic-punk band before with Three Sheets T’Wind so how do you see the celtic-punk scene here and abroad?

Johnny- I haven’t performed in other bands to any full-on level of commitment, apart from numerous and humorous side projects and filling in space for musicians who couldn’t make shows…and once trialing for The Popes as a fiddle player but that was a long time ago… I personally feel the scene in the UK is much broader, encompassing Anti-Folk, Alt-Folk and other offshoots. Though across the underground in The Netherlands for example, there are a number of fantastic ‘Folk-Punk’ bands using Banjos, Mandolins, Accordions that you couldn’t label as ‘Celtic-Punk’. It is great to see people’s horizons to ‘Punk’ don’t just start and end with an Electric Guitar.

I would like to think so but does it follow that celtic-punk fans also listen to folk from the past or present?

Johnny- For me yes. Right back to Planxty, Hank Williams or even contemporary folk like Julie Fowlis. The ‘Celtic-Punk’ fans I’ve come across like their fair share of Tom Waits and other artists that are hard to define by genre. I think if you’re into niche music, as in ‘Celtic-Punk’, you’re probably going to be listening to some other interesting styles!

Which figures or bands do you think have been the important links between the past and the present and folk/celtic/traditional music and punk/rock music?

Johnny- Obviously The Pogues…but I think we all know that. The Tossers are in my opinion, the logical progression from The Pogues taking influence from Behan and Joyce and managing to create it in their own American sound. Silly Wizard (possibly Scotland’s Planxty) manage to create an equally ‘rocky’ feel to their sound which leads neatly onto artists like The Horslips, Thin Lizzy and Moving Hearts.

Bit of an odd question this but how would you describe what you do on stage?

Johnny- I describe myself in my write up as an ‘Alt-folk’ musician. This is about as broad as I could make it. It isn’t a musical ‘style’ it is simply a way of saying ‘It is folk music…but a bit different.’ Some have said that shows can differentiate from stand-up comedy to thoughtful political song. I’ll do traditional Irish Anti-war songs like Arthur McBride to A Cappella songs about getting blind drunk and catching STDs from ladies of the night.

It has been said (and I am in agreement) that being a solo artist is the hardest thing to do. Just yourself on the stage and nowhere to hide. What does it take to be a solo performer. I would say big nuts and a big ego but obviously that’s not right for everyone!

Johnny- There’s a certain amount of balls/ego in there to get up and ask people to listen to what you’ve got to say for an hour, definitely. If you manage to fuck up the set, then it really is your own fault. That’s something that is pretty daunting but a challenge to relish I suppose, as the credit (if there is any to give out) is all yours.

At the moment there is a big ‘folk-punk’ thing happening in the UK that seems to have a lot in common with celtic-punk like the politics and aspirations but without major celtic influences. Have you noticed this at all?

Johnny- Because the genres are getting broader and ‘Folk-Punk’ is the easiest umbrella to put yourself under if you perform anti-authoritarian/alternative Folk music… I think that is how it is coming about. Celtic/Irish music has transported well as there is a mythology built up around the Irish. But also the way we can consume music nowadays, we can search for Mongolian Political Folk Punk on Youtube and get an instant response. Which is broadening our intake very quickly. I speak for myself here when I say 10 years ago, when I was 18, the only Folk-Punk you could really find was Dropkick Murphys, The Pogues, and anything else on a major label as you had to go to the local (if you had one) independent record shop. Now we are blessed with so much choice, which is generally free which brings its own negative impacts like de-valuing a product and other factors.

It would seem sometimes, and there is certainly a history of it in England (the band that must never be mentioned!), that bands who play Irish/celtic tunes won’t label the tunes as Irish/celtic and would instead categorise it as English folk (so as to not be seen as Irish I suppose) but do you see this as cultural appropriation or not? it sometimes reminds me of Prince Charles roaming round his billion acre estate in Kernow/ Cornwall wearing a kilt!

Johnny- Hmm, it is an interesting one. I don’t think anyone would get offended if you said a tune was English when it was an Irish tune if you believed it was initially. I think it is important to try and research a song or a tune and find out its origins and to recognise it. I can also see some cultural appropriation in there as it is a small way of denying heritage by simply taking is as your ‘own’. I think we must be more concerned with things like the far-right using traditional folk music and making a patriotic gesture with the songs.

You have a new album due out soon I hear. What’s the latest on that? Is it purely yourself or will you be aided and abetted?

Johnny- It’s been a long process, I haven’t released something with new material for about three years. I’ve had writer’s block for a while and since I’ve been on the road the last couple of years I’ve picked up new influences which has come out on the record. I am aided by Kieran O’Malley, a violin player from Leeds who performs with Spirit of John and many other acts..he’s also performed on a Shane MacGowan’s release ‘Rockier Road To Poland’ and backing vocals from Exeter singer/songwriter Rosie Eade. http://www.rosieeade.co.uk/ It will be released early October.

You seem to be on a non-stop tour of anywhere and everywhere so where does the future take you and do you think you will be able to keep it up more importantly?

Johnny- I’m sure I’ll be able to carry on for a few more years as long as my legs still carry me. I only use public transport and we managed to get from Istanbul from Yorkshire in 28 days on public transport on the Summer European tour with James Bar Bowen and Cosmo. We hit squats and social centres through eight countries and the final show in Istanbul got cancelled as the promoter had left to go and fight against fascist ISIS and didn’t tell us! We had about five days to waste in Istanbul because of the cancellation. This was during Ramadan which is an amazing spectacle. We decided to imbibe the culture by visiting mosques, walking the streets and eating kebabs. As long as the gigs keep being interesting, I still have some life left!

Thanks Johnny for taking time out of your busy touring schedule (where are you as you write this?) so all that’s left is for you to plug plug plug and is there anything else you want to add or anyone you want to thank?

Johnny- I’m currently in the South West for a week between shows and getting ready for the release of my album ‘Hook, Line & Sinker’ which will be released on my website and Bandcamp in early October! I will be doing a UK and USA East Coast tour in March 2016 with Tim Holehouse www.timholehouse.com (UK tour) and James Bar Bowen https://jamesbarbowen2014.wordpress.com/ (USA tour) but in the meantime I have shows across the UK and The Netherlands with Rob Galloway http://www.theyallayallas.com/rob-galloway which can all be found on my website! Cheers and beers! x

(you can listen to Johnny Campbell’s debut solo EP below)

Contact Johnny

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• keep your eyes peeled for a review in the next couple of weeks of ‘Hook, Line & Sinker’. I’m lucky to have had a sneak preview and can guarantee its an excellent debut record!

EP REVIEW: JOHNNY CAMPBELL- ‘Robbie Burns Volume1’ (2014)‏

The first in a series of EP’s from Johnny Campbell, the lead singer of Yorkshire celtic-punk band Three Sheets T’Wind. With the band currently dormant for now Johnny has gone back to his Scot’s roots and recorded this five track EP which consists of four songs in which Johnny has put music to the words of famous Scottish poet Robbie Burns plus one original song, The Hills Of Cleveland, written by Johnny.  Since Three Sheets Johnny has began a solo path performing new, old and traditional material from a wide repertoire, mostly original. Including Scottish, Irish, Norwegian traditional folk music, mixing it with a punk edge and punk spirit.

Encompassing influences as wide ranging as Bob Dylan to Bobby Sands and Charles Bukowski to Ewan MacColl it instantly reminded me of the amazing Scottish legendary folk singer Hamish Imlach. A fast, ruthless, uncompromising sound you can have a listen to via Bandcamp below.

Contact Johnny Campbell

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check out Three Sheets T’Wind here.