Tag Archives: Moving Hearts

INTERVIEW WITH JOHNNY CAMPBELL

A fast, ruthless, uncompromising sound with influences from far and wide. Material that embraces traditional music and sometimes frantic Bluegrass style picking with self penned songs of protest and debauchery.

Johnny2We are extremely happy that Johnny took time out from megabussing it around the country from gig to gig to do a little interview for us.

The obvious one to get us started so can you tell us how long you’ve been playing music and what bands you have been in before?

Johnny- I’ve been performing live for a decade now, and for the last couple of years as a solo performer. Before those ten years I was playing a battered classical guitar to Bad Religion live albums pretending I was in Bad Religion.

You have played in a celtic-punk band before with Three Sheets T’Wind so how do you see the celtic-punk scene here and abroad?

Johnny- I haven’t performed in other bands to any full-on level of commitment, apart from numerous and humorous side projects and filling in space for musicians who couldn’t make shows…and once trialing for The Popes as a fiddle player but that was a long time ago… I personally feel the scene in the UK is much broader, encompassing Anti-Folk, Alt-Folk and other offshoots. Though across the underground in The Netherlands for example, there are a number of fantastic ‘Folk-Punk’ bands using Banjos, Mandolins, Accordions that you couldn’t label as ‘Celtic-Punk’. It is great to see people’s horizons to ‘Punk’ don’t just start and end with an Electric Guitar.

I would like to think so but does it follow that celtic-punk fans also listen to folk from the past or present?

Johnny- For me yes. Right back to Planxty, Hank Williams or even contemporary folk like Julie Fowlis. The ‘Celtic-Punk’ fans I’ve come across like their fair share of Tom Waits and other artists that are hard to define by genre. I think if you’re into niche music, as in ‘Celtic-Punk’, you’re probably going to be listening to some other interesting styles!

Which figures or bands do you think have been the important links between the past and the present and folk/celtic/traditional music and punk/rock music?

Johnny- Obviously The Pogues…but I think we all know that. The Tossers are in my opinion, the logical progression from The Pogues taking influence from Behan and Joyce and managing to create it in their own American sound. Silly Wizard (possibly Scotland’s Planxty) manage to create an equally ‘rocky’ feel to their sound which leads neatly onto artists like The Horslips, Thin Lizzy and Moving Hearts.

Bit of an odd question this but how would you describe what you do on stage?

Johnny- I describe myself in my write up as an ‘Alt-folk’ musician. This is about as broad as I could make it. It isn’t a musical ‘style’ it is simply a way of saying ‘It is folk music…but a bit different.’ Some have said that shows can differentiate from stand-up comedy to thoughtful political song. I’ll do traditional Irish Anti-war songs like Arthur McBride to A Cappella songs about getting blind drunk and catching STDs from ladies of the night.

It has been said (and I am in agreement) that being a solo artist is the hardest thing to do. Just yourself on the stage and nowhere to hide. What does it take to be a solo performer. I would say big nuts and a big ego but obviously that’s not right for everyone!

Johnny- There’s a certain amount of balls/ego in there to get up and ask people to listen to what you’ve got to say for an hour, definitely. If you manage to fuck up the set, then it really is your own fault. That’s something that is pretty daunting but a challenge to relish I suppose, as the credit (if there is any to give out) is all yours.

At the moment there is a big ‘folk-punk’ thing happening in the UK that seems to have a lot in common with celtic-punk like the politics and aspirations but without major celtic influences. Have you noticed this at all?

Johnny- Because the genres are getting broader and ‘Folk-Punk’ is the easiest umbrella to put yourself under if you perform anti-authoritarian/alternative Folk music… I think that is how it is coming about. Celtic/Irish music has transported well as there is a mythology built up around the Irish. But also the way we can consume music nowadays, we can search for Mongolian Political Folk Punk on Youtube and get an instant response. Which is broadening our intake very quickly. I speak for myself here when I say 10 years ago, when I was 18, the only Folk-Punk you could really find was Dropkick Murphys, The Pogues, and anything else on a major label as you had to go to the local (if you had one) independent record shop. Now we are blessed with so much choice, which is generally free which brings its own negative impacts like de-valuing a product and other factors.

It would seem sometimes, and there is certainly a history of it in England (the band that must never be mentioned!), that bands who play Irish/celtic tunes won’t label the tunes as Irish/celtic and would instead categorise it as English folk (so as to not be seen as Irish I suppose) but do you see this as cultural appropriation or not? it sometimes reminds me of Prince Charles roaming round his billion acre estate in Kernow/ Cornwall wearing a kilt!

Johnny- Hmm, it is an interesting one. I don’t think anyone would get offended if you said a tune was English when it was an Irish tune if you believed it was initially. I think it is important to try and research a song or a tune and find out its origins and to recognise it. I can also see some cultural appropriation in there as it is a small way of denying heritage by simply taking is as your ‘own’. I think we must be more concerned with things like the far-right using traditional folk music and making a patriotic gesture with the songs.

Johnny CampbellYou have a new album due out soon I hear. What’s the latest on that? Is it purely yourself or will you be aided and abetted?

Johnny- It’s been a long process, I haven’t released something with new material for about three years. I’ve had writer’s block for a while and since I’ve been on the road the last couple of years I’ve picked up new influences which has come out on the record. I am aided by Kieran O’Malley, a violin player from Leeds who performs with Spirit of John and many other acts..he’s also performed on a Shane MacGowan’s release ‘Rockier Road To Poland’ and backing vocals from Exeter singer/songwriter Rosie Eade. http://www.rosieeade.co.uk/ It will be released early October.

You seem to be on a non-stop tour of anywhere and everywhere so where does the future take you and do you think you will be able to keep it up more importantly?

Johnny- I’m sure I’ll be able to carry on for a few more years as long as my legs still carry me. I only use public transport and we managed to get from Istanbul from Yorkshire in 28 days on public transport on the Summer European tour with James Bar Bowen and Cosmo. We hit squats and social centres through eight countries and the final show in Istanbul got cancelled as the promoter had left to go and fight against fascist ISIS and didn’t tell us! We had about five days to waste in Istanbul because of the cancellation. This was during Ramadan which is an amazing spectacle. We decided to imbibe the culture by visiting mosques, walking the streets and eating kebabs. As long as the gigs keep being interesting, I still have some life left!

Thanks Johnny for taking time out of your busy touring schedule (where are you as you write this?) so all that’s left is for you to plug plug plug and is there anything else you want to add or anyone you want to thank?

Johnny- I’m currently in the South West for a week between shows and getting ready for the release of my album ‘Hook, Line & Sinker’ which will be released on my website and Bandcamp in early October! I will be doing a UK and USA East Coast tour in March 2016 with Tim Holehouse www.timholehouse.com (UK tour) and James Bar Bowen https://jamesbarbowen2014.wordpress.com/ (USA tour) but in the meantime I have shows across the UK and The Netherlands with Rob Galloway http://www.theyallayallas.com/rob-galloway which can all be found on my website! Cheers and beers! x

(you can listen to Johnny Campbell’s debut solo EP below)

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  • keep your eyes peeled for a review in the next couple of weeks of ‘Hook, Line & Sinker’. I’m lucky to have had a sneak preview and can guarantee its an excellent debut record!
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ALBUM REVIEW: THE CLAN- ‘The Clan’ (2014)

as influenced by AC/DC , punk rock and Irish folk music!

The Clan- 'The Clan' (2014)

From the small town of Muggiò in the province of Lombardy in the north of Italy comes another great Italian celtic-punk band The Clan. Formed only last year their recently released self titled album has gone down an absolute storm across Europe with its punk energy and Irish spirit. Coming along at roughly the same time as another Italian bands latest album The Clan have a lot of similarities with Uncle Bard And The Dirty Bastards (album review here) so maybe there’s something of an Italian thing going on . For sure theres always been a lot of traffic between Ireland and Italy and so only natural some will find solace in Irish music.

The Clan

It’s clear that Italy’s top celtic bands The Clan, Kitchen Implosion, Dirty Artichokes and Uncle Bard all have the same deep love for Ireland and it’s musical traditions. What we have is twelve tracks of which half are covers. Their choice of covers is pretty basic with plenty of celtic-punk’s standard songs- ‘The Wild Rover’, ‘Fields Of Athenry’, ‘I’ll Tell Me Ma’ etc.,- but all are done with appropriate gusto and superb musicianship. Still would have been nice to hear some less covered covers but I can understand their choice as the album is for the Italian market primarily and these songs won’t be so well known. These are all great songs which is why they get covered so much. Hopefully on their next album they can change it up a wee bit.

The Clan

Left To Right: Stefano ‘Cione’ Becce- Bass, Backing Vocals  Laura Brancorsini- Irish Fiddle  Angelo Roccato- Guitar, Lead Vocals  Chiara De Sio- Tin Whistle, Bagpipes, Backing Vocals  Pietro Della Sala- Drums, Percussion, Backing Vocals

The band have all your usual instruments plus fiddle , tin whistle and bagpipes and as is usual the playing is absolutely superb. The band do not miss a note and the production is spotless with the band guiding each other perfectly with nothing too high or too low and nothing over dominating. A haunting pipes and drums intro leads into ‘We Are The Clan’ a DKMish shoutalong introducing themselves to us with a loud punk rock song accompanied by just as loud fiddle and tin whistle! The first of the covers ‘I’ll Tell Me Ma’ comes next and even though it has been played pretty much to death it still sounds pretty damn fresh here and The Clan get away with it by giving it enough of their own stamp to carry it along. ‘Irish Rock Jigs’ follows and really does show The Clan’s influences stretch a lot further than AC/DC! With the reels spilling out you can close your eyes and imagine you’re in Ireland listening to the ‘real deal’. The addition of uilleann pipes really sets it aside and images of The Bothy Band and Moving Hearts come to mind.

‘Whiskey In The Jar’ we’ve all heard before but the bagpipes and punky guitars drive it along nicely. ‘Paddys Day’ is the first of The Clans originals and is a fine ole song. Tin whistle is to the fore in a song celebrating that best of days! ‘Throat Of Devil’ has Lorenzo Marchesi of folk-metal legends Folkstone guesting on medieval pipes. Certainly the fastest of the albums songs and the standout track for me. The bands quality shines through and is as catchy a song as you will find on any celtic-punk album of 2014. ‘The Irish Rover’ is punked right up and led by the fiddle. Angelo’s vocals are crystal clear and completely suits the music with just enough anguish and shoutyness. ‘Joseph, Mary And Son’ has a sort of bluegrass feel to it due mainly to Laura’s excellent fiddle. The story of the immaculate conception put together with great gusto and backing.  ‘Fields Of Athenry’ begins quietly and as impossible as I would think it would be to give it any sense of originality The Clan give it a go and come as close as any to manage it. As amazing as it is this song was only written in 1970’s by Pete St.John and contrary to popular believe is not 150 years old. I once went to Ireland as a kid for the summer holidays and Paddy Reilly was #1 in the charts  with it. I went home and came back the following summer and he was still #1! ‘More Than A Lie’ shows the band can do and write some downright brilliant celtic-punk material of their own. The bagpipes rule loudest on ‘The Wild Rover’ bringing a great shouty end to the album.

Twelve tracks at just under forty minutes and not a single duff one among them. I will never cease to be amazed at the quality of the writing, the vocals and the musicianship of the bands within celtic-punk. The CD comes in a nice wee digipak with an illustration of the band by The Rumjacks lead singer Frankie. Altogether a fantastic first album from The Clan though I look forward to hearing their second album with more original material though do not think this is purely an album of covers. Their own material is great and the covers they do do have The Clans stamp all over them and believe me well thats good enough for anyone.

The ClanContact The Band

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you can read another review of The Clan’s album at Celtic Folk Punk & More here

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