Tag Archives: Pirate Copy

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

2018 REVIEW ROUND-UP’S. PART ONE: THE CELTIC NATIONS- CRAIC’n’ROLL, DAMIEN DEMPSEY, PIRATE COPY, FALPERRYS

Every year we are completely shocked by the sheer number of Celtic-Punk releases we receive here at 30492- LONDON CELTIC PUNKS. As happy as this makes us it unfortunately means that we cannot keep up with everything out there. Sometimes we will receive music that we simply don’t have time to give a review to and others just simply get lost in the ether so every year we have a week at the end of the year to catch up with the ones we missed first time round. We prefer to do detailed reviews so apologies to the band’s concerned that we had to squeeze them in this way. Each and every band featured here are worthy of your time so please be sure to check them out. To start with in Part One we will be concentrating on releases from the Celtic nations. In a few days time we will head to Europe and then we will focus on the America’s so please be sure to check back.

CRAIC’n’ROLL- ‘The Early House’ (BUY)

The older I get the more and more I get back into Rockabilly I have to tell you. Having grown up listening to Elvis and The Dubliners at my Mammy’s knee this hasn’t been too much of a shock to anyone in my family as they are all rock’n’rollers. My Mammy would definitly approve of Craic’n’Roll. Basically a duo of fantastic Irish singer Donna Dunne and London based psychobilly legend Phil Doyle once of legendary Dublin psychos the Klingonz. The Early House is ten songs of mostly gentle rockin’ acoustic rock’n’roll with the odd flash of something a bit harder. Donna’s voice is utterly fantastic and although she is probably sick and tired of being compared to Imelda May its a very favourable comparison I think. The album is a lovely mix of a few well chosen covers and their own compositions of which the Guinness tinged title track about a pub called The Early House, the 50’s style ‘Treat Me Nice’ and the bonus track ‘Arizona Sky’ with full band backing are the highlights.

Donna released one of my favourite albums of last year called Voodoo that I heartily recommend and still play all the time. She’s got one hell of a voice and it gets a good workout here. Donna seems to be always busy juggling several different projects at once and hopefully Craic’n’Roll won’t be put on a back burner and will be back again soon.

Contact Craic’n’Roll- WebSite Bandcamp Facebook YouTube

DAMIEN DEMPSEY- ‘Union’ (BUY)

Having already milked the Greatest Hits market a couple of Christmasses ago Damien Dempsey has released this unashamed Christmas cash-in album but unlike the sweet and sickly Christmas album’s that we’re use to this does have some redeeming features. Damo hails from the north of Dublin and is, I suppose, as famous for his affected vocals as any song he has written. A renowned singer-songwriter his last couple of albums have left me fairly cold bar one or two songs and here on his latest their are no new compositions just a selection of fourteen of his better known songs or ones he has performed and given a bit of spit’n’polish and recorded with some of the bigger names in the Irish and folk scenes. So we have Damo collaborating with the likes of John Grant on ‘Soulsun’, Kate Tempest on ‘A Child is An Open Book’, Imelda May on ‘Big Big Love’, and even rapper Maverick Sabre on ‘You’re Like the Water’. It’s all strong stuff and each collaboration is worthy of further experimentation as Damo continues his quest to wrap Irish folk around every kind of music possible though we still waiting on that Celtic-Punk number mate! The highlights for me are ‘Singing Bird’ with the legend that is Finbar Furey and as amazing a version of the rebel ballad ‘Kevin Barry’ with Damo accompanied by an understated Seamus Begley.

Back in the early days of his career the Dublin intelligensee scoffed at Damo and his mainly working class audience who not only got what he was singing about but also liked the idea of someone with their accent singing it. He’s become part of the furniture in Ireland now, reluctantly I would guess, but he’s still with the ability to turn a head and if you can release an album like this and have no one question your integrity then that definitly means something.

Damien Dempsey- WebSite Facebook YouTube Twitter

PIRATE COPY- ‘Swashbuckle And Swagger’ (BUY)

Proper authentic Celtic Celtic-Punk from the ancient kingdom of Kernow and the small fishing village of Portreath. Pirate Copy were formed in December, 2011 and have featured on these pages a couple of time before with a couple of EP previous releases but now is time for their debut album. Swashbuckle And Swagger is released on the appropriatly named Black Sail Records and is twelve songs of over forty minutes of high octane shouty punk rock about pirates. They may have no Celtic instruments in the band and Pirate Copy are most certainly a punk band but they make use of Celtic/Pirate tunes and arrangements and as it’s as catchy as anything you’ll hear with a mandolin I think its fair enough to grab them for our wee scene!

Pirate Copy: The Admiral – Bass * Ashtiki The Caveman – Drums * Johnny ‘Danger’ Danger – Guitar, Vocals and being crushed underfoot The Captain – Vocals.

Several highlights here including the first single release from the album ‘Reckless Alice’ based on a true story about a drunken lass called Alice who after a night on the lash in Torquay, nicked a ferry, declared herself a pirate then crashed the ferry, trashing everything in sight, and got arrested. Hilarious! The rest of the album veers from songs based on stories from the rich history of the south-west coast of England steeped in smuggling, rebellion and general buccaneering to more modern day tracks like ‘Somalian Pirates Suck’ and ‘Kicked Out The Pub’ all done with tongue firmly in cheek and with bottles of Rum on standby. Vocalist Cap’n Kernow has a strong growl that fits the music superbly and the rest of the band chugg away to their hearts content and while some of the songs may go on a tad too long this is the kind of punk rock that come’s into it’s own live on stage which is where they shine. Feel good punk rock with a wide appeal and hopefully 2019 promises to be a special year for Pirate Copy which will see them come busting out of Kernow over the English border and with appearances at many a festival coming up be sure to keep an eye out for them on the circuit. A dirty dozen ditties that clocks in at forty-two minutes all marinated in rum and ready to pillage your eardrums!

Contact Pirate Copy- Facebook Bandcamp YouTube

FALPERRYS- ‘Nova Abordagem’ (BUY)

More traditional Celtic-Punk from a somewhat lesser known Celtic nation with the Falperrys second album Nova Abordagem. The Falperrys were formed in 2010 and hail from Vigo in seventh Celtic nation of Galicia. Released in June we only got a copy when one of the band sent us one just like the others here fully deserved a more detailed review but with time was against us. The albums title in English is New Approach but they sound just the old brilliant Falperrys to me! A seven piece fast as feck accordion led Celtic-Punk band. In fact it is the dual sound of Manolo’s accordion and Don Xosé’s thrashy guitar that gives Falperrys their sound. Thirteen tracks here packed with energy and all expertly played. Mostly Falpeerrys own composiotions but with a handful of covers like ‘Nove Crozes’ which is a cover of Irish folk legends ‘Go On Home British Soldiers’ while The Pogues Streams of Whiskey’ and ‘The Irish Rover get a Galician make-over along with the famous instrumental ‘John Ryan’s Polka’. Well known musicians Rubén de Donramiro, Suso Soak, Sime Keltoi!, María de Gaioso, Kg o Boticario and María de Gaioso from the Galician folk and rock scene guest on this brilliant album.

Falperrys know their way round a cover but as is usual it is with their own material they are the strongest with opening track ‘O Meu Alento’, ‘Aboiado’ and ‘Taberneiro’ standing out but my absolute fave here is the album closer ‘Arousa’ which is just pure traditional folk heaven. The lads show they can play their instruments here and knock out one hell of a tune. We nearly brought them over to play in LOndon a few years ago with a friend of ours who was living in London but he returned home to Vigo and the plan never came to fruitition. It is said that Galicia and Ireland in particular have much in common with the weather and music being just two things and their is no mistaking the Galician love of Celtic music and culture. Located Occupied in the green and lush north-west corner of Spain and faces out towards the Atlantic ocean it is also known as ‘the land of the 1000 rivers’. They have their own language which we are proud to say that the Falperrys are one of a small group of Celtic Celtic-Punk bands to use regularly. Celtic customs are embedded in Galician culture with the bagpipesthe national symbol of the country. Gaitas, as the pipes are called locally, rule Galician music and the city of Ourense alone has over 5,000 registered bagpipers. A fantastic album and I am sure they are a belting band to see live too. The album is available as a Pay Whatever You Want download which means the band would like you to have it for free if you don’t have much money but please leave enough for a Guinness or two if you do.

Contact Falperrys- Facebook YouTube Bandcamp

So ends the first part of our 2018 Round-Up’s and apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have probably still missed some fantastic music so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. And finally if you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

EP REVIEW: PIRATE COPY ‘Goin Down A Storm’ (2015)

high-octane, rum-fueled celtic punk rock from Cornwall, the home of piracy!

PIRATE COPY ‘Goin Down A Storm’ (2015)

Pirate Copy have graced our pages once before. almost exactly a year ago to the day, for the release of their debut EP ‘The Shape Of Piracy To Come’ (check it out here and even get a free download of it too!). Formed on December 1, 2011 in Portreath, a fishing port on the north coast of Cornwall, which is the spiritual home of smuggling and piracy and all that malarkey! As is our way we sometimes like to elbow in a bit of celtic history when talking about one of the celtic nations and it would be impossible to talk about Kernow and its tradtions and culture and language without first mentioning that history of piracy along the south-western coast. Cornish mythology is often derived from tales of seafaring pirates and smugglers who thrived from the early modern period through to the 19th century. Cornish pirates exploited both their knowledge of the coast as well as its sheltered creeks and hidden anchorages. For many fishing villages, loot and contraband provided by pirates supported a strong and secretive underground economy in Cornwall. Coupled with this rebelliousness was the fact that the Cornish, quite rightly, saw themselves as seperate nation to the one they were suppose to pay taxes and duties to. The Cornish are linked very strongly to both their ‘Brythonic cousins’ Brittany and Wales and all three share very similar traditions and languages. Over the years the Cornish have suffered from the closure of its mining industry, emigration and deglect on behalf of the Westminster juggernaut which seems determined to stamp out any signs of the celtic Cornish nation and turn it simply into southwest England.

left to right it's: - The Admiral (bass) - Johnny 'Danger' Danger (guitar) - Ashtiki The Caveman (drums) - Scarlett Van Dyke (ukulele) - The Captain (vocals)

Pirate Copy from left to right:
– The Admiral (bass)  – Johnny ‘Danger’ Danger (guitar)  – Ashtiki The Caveman (drums)  – Scarlett Van Dyke (ukulele)  – The Captain (vocals)

With all that in mind we eventually get to what we are here for and that is to tell you about Pirate Copy’s new EP. Released last month its three tracks of catchy punk rock with celtic influences and more shouts of “yarr” than I thought possible to fit on a nine minute EP. The right description for this would be ‘Pirate Punk’ and the band certainly play up to it but as they have that shit in their veins how can their be anything wrong with it. ‘Goin Down A Storm’ opens the EP and growling vocals atop heavy guitar riffs and shouty choruses carry on where they left off in the first EP.

“Indie kids at the bar, they sneer because we’re not cool
But this is our party and this shit fucking rules
Pretension and aggression they’ve got no place in here
If you’ve come to throw fists then you’re no buccaneer
We’re all about dancing and we love circle pits
Just watch out for the chicks and don’t act like a dick
We all know the score, we’re lookin’ out for each other
If you’re hangin’ with the pirates then we’ve got your back covered”

Its all great infectious fun and as I said before I bet they are something else to catch live. Its to their credit that they manage to transfer that live sound onto their studio material without losing anything in quality. Hats off to Doc Collins who achieved this at the Plymouth Music Collective studios in Plymouth.

Following this is ‘Whirlpool’ with more catchy as hell chugging guitars and great gang vocals combining to make a proper celtic-punk classic even though it storms past you in under two minutes.

‘make the most of every fucking day’

‘Lure Of The Sea’ brings the EP to a close and its a beauty. The most celtic-punk I have heard them and got to admit its pretty damn good. All the elements that make Pirate Copy what they are are there and all are turned up to eleven! A rowdy and riotess good time is guaranteed with this band who have proved they can successfully transfer their live sound onto record so don’t delay and get your measly £2 off to deepest Kernow immediatlely!

(you can listen to the whole EP by pressing play on the Bandcamp box directly below)

Contact The Band

Facebook  WebSite  Twitter  YouTube  Bandcamp  Soundcloud

Buy The EP

FromTheBand  iTunes

EP REVIEW: PIRATE COPY- ‘The Shape Of Piracy To Come’ (2014)

AND FREE DOWNLOAD
rum, wenches, grog, rum, treasure, pillage, rum, gold, rum, sailin’, cannons, fightin’, rum, rum and rum.
the missing link between The Ramones and Captain Blood

Pirate Copy

Some proper authentic celtic-punk like from the ancient celtic nation of Kernow! Formed in Portreath, a fishing port on the north coast of Cornwall, which is the spiritual home of smuggling and piracy and all that malarkey! Coming with that sort of heritage its no suprise that Pirate Copy play stripped down punk rock with a folk twist. The folk instrumentation is just the ukelele and its melodic punk rock that rules here but the whole thing does have a celtic-punk feel to it.Pirate Copy
These are sea shanties you’d not want your Nanna to hear! Singalonga choruses give it that celtic touch and while lyrics about the sea and piracy are themes hardly unknown to the celtic-punk scene coming from a band with that history in their blood makes Pirate Copy something special.
The five track EP starts with ‘The Crew’ and with a slow mouth organ bit before erupting into great old style punk rock
“you don’t fuck with pirates from the Kernow shore”

 

Growling vocals over slowish mid paced punk rock hits the spot squarely in the jaw. ‘Sail For Adventure’ follows much the same route with more talk of rum and treasure and wenches over a chugging punk rock tune and a chorus reminiscent of The Ramones at one point. ‘#bringtherum’ is another as catchy as anything number, and i’m sorry if again i end up using the word catchy far too much in this review. The band sound like their having great craic playing this and its fantastic feel good music thats simply impossible not to have your toes atappin’ and your head abobbin’ within the first few seconds. ‘Yarrr!’ is, you guessed it, catchy as well and is a very well and clearly recorded live track. More pirate talk and even a wee guitar solo playing away for you.
Pirate Copy
The last track brings the uke out a bit more and ‘Walk The Plank’ is Pirate Copy at their acoustic best. Great way to end the EP and leaves you simply gagging for them to record an album as soon as possible. Sure it would have been nice to have heard an accordion in there but that’s hardly a complaint when Pirate Copy have got it nailed and play such uplifting fun punk rock music.
There’s a whole host of really great celtic/folk punk bands, The Jack Ratts and Black water County to name just two, down there on the English south coast…AND Cornwall! They unfortunately don’t seem to get away much, must be something to do with that sea air!, but Pirate Copy are crossing the border into England next Friday on June 13th and are heading to London to play a gig at The Enterprise in Camden town. Facebook event details here
so be sure to get yerself down chug back a rum and be prepared for a great night out…
Contact The Band
Get The EP
This is Pirate Copy debut EP ‘The Shape Of Piracy To Come’ –  and even though the boys and gal have made it available for free, if you can afford to chuck em a wee bit of change for it then I’m certain that it’d be greatly appreciated. But as the band say getting it out there is much more important to them, so go right ahead if you’re a bit skint! All you need to do is enter £0.00 when you choose how much to pay!
piratecopy.bandcamp.com/
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