Tag Archives: Plastic Paddy

ALBUM REVIEW: MARYS LANE- ‘Wild Unknown’ (2018)

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Marys Lanes hail from Cleveland, Ohio and their new album is a diverse collection covering themes of love, life and death, trials and tribulations, religion and of course drinking. Never straying too far from their Irish roots it adds Celtic instincts into an mix of sounds that crash-land somewhere in between rock, pop, bluegrass, Americana and honky-tonk.

Marys Lane.jpg

America is, maybe unsurprisingly, and always has been a hotbed of innovative and original Irish music. Away from the native land Irish musicians in the USA have soaked up influences galore from other cultures and mixed them up with the music of their ancestors to come up with something that is always impressive. Marys Lane are no different and the six-piece band take their inspiration from their Irish and Celtic backgrounds and their musical histories have all been way of the various pubs, clubs, pipe bands around Cleveland. The band met at the Cleveland Irish Cultural Festival but it wasn’t until a year later, they met again, and realized waiting was no longer an option. they needed to start a band.
Last Summer they pulled off a ten date tour of Ireland which saw them play many of Ireland’s famous folk venues including Matt Molloy of The Chieftains at his venue in Westport. With a rake of releases behind them their most successful to date was their collaboration with Martin Furey of the High Kings having met at an Irish Festival in the States. After hearing Marys Lane perform a song called ‘Sleep When I’m Dead’ and after being introduced through a friend of a friend the plan was made to hit the studio and record it the next day and so the Furey Sessions EP was born.

Cleveland St Patrick’s Parade 1935

The story of the Irish in Cleveland has parallels with many other major Irish-American areas. A small number arriving around 1818 they began to arrive in large numbers during the 1820’s during the building of the Ohio Canal starting in 1825.  It was mainly Irish labour that built both the Ohio and Erie Canal. They made their homes on what became known as Whiskey Island. Considered outcasts by fellow immigrants the Irish began to build shanties and saloons and churches there. The Irish population of Cleveland remained around 1,000 until the years of the ‘famine’ and the Irish flocked to many cities across America. Many of these immigrants came from Mayo in the west of Ireland. They did not farm in the Cleveland area, instead becoming labourers who unloaded ships or worked in the steel mills. At the end of the 1800’s, the Irish had a terrible time with Shantytown an open sewer of industrial and human waste.  The area was home to cholera, diphtheria, and scarlet fever and because of continuing Irish immigration, there was simply not enough homes for everyone. The Irish population grew to over 10% of Cleveland’s total population and as the city grew, Irish families moved from the slums into the suburbs and began to build lives for themselves and their descendants.

Danny Greene

The Irish throughout America are famous for fighting their way out of the slums through the clever use of politics although in Cleveland they never quite attained the control they wielded in other places they still managed to have much bigger representation then other larger immigrant groups. The diverse ethnic composition of the city was reflected on the city council, and while certain districts elected Irish representatives, city council never had an unusually large proportion of Irish. Nowadays they say the Irish have assimilated into society but one in six Clevelanders claim Irish ancestry, more than 9%, and Cleveland has one of the longest running and largest St. Patrick’s Day parades in America regularly attracting more than 500,000 people. The Cleveland Irish were catapulted into fame in recent years thanks to the release of Rick Porrello’s book To Kill The Irishman. In the 1970’s proud Irish-American and local folk-hero Danny Greene became one of the most powerful crime figures in Cleveland. Literally a living legend all the stories about Danny you ever heard are all true. He looked after those in his neighborhood who were in most need. A church going, God fearing Irish gangster whose goal in life was to look after his own. The book led to several documentaries and a feature film about him and the many failed attempts on his life. Needless to say it was inevitable Marys Lane would write a song about this most famous of their fellow city men and what a song it is! Danny still has family in the city and ‘Robin Hood Of Collinwood’ has become an anthem for the cities Irish community to rally behind.

So with a decent back catalogue behind them it’s time for their latest release to hit the streets and a couple of weeks back Wild Unknown popped through the letterbox at London Celtic Punks towers. Eleven songs that take in pretty much every variation of modern day Irish music in their own indomitable way. The album starts with a great folk/Irish/country mashup ‘Dead Man Walking’ and its lively, jaunty fast paced acoustic music with a real catchy feel to it. At once the sound of a wee Irish pub and at the same time a massive festival fill yer ears. Vocals on the album are shared between Patrick Mulloy and Michael Crawley and here Patrick shines with a voice perfectly suited to the sound.

‘Rain On My Parade’ slows it down a little and reminds me of a couple of other Irish-American bands I came across at the arse (or should that be ass?) end of last year, Crikwater and Plastic Paddy. Next up is ‘Petronilla’ and again it’s a slowish song but don’t mistake that for dull or boring with an interesting bass line line and drums. While so far the album has shown the multitude of influences that Marys Lane have soaked up on ‘Last Gift’ they give us their first full blown Irish track and blew me away. That word ‘catchy’ pops up again and its a real foot-tapper that you could imagine the dance floor filling up at your local Irish hostelry. We stay firmly on our native shore with ‘Road Less Traveled / Harvest Home’ which brings back the country feel to it with some exquisite fiddle work dominating proceedings. ‘Smoke’ has a feel of another Irish-American band The Young Dubliners and I’m starting to hear a common sound amongst a whole host of bands from across the broad Atlantic. On the blurb that accompanied the album Marys Lane compare their sound to that of the Irish kitchen session.

“Cleveland rock roots but knee deep in the ghosts of Ireland – not maudlin mind you, but in the typical Kitchen Party made so famous by the Irish – everyone comes, everyone joins in, one way or another, and everyone leaves wishing the night would never end”

It’s a great description and better than anything I could say about them.

Not that it will stop me trying! More than halfway through and its time for one them good auld Irish drinking songs and its a belter. We Irish, mostly!, love a drink and ‘Another Round’ can be added to the long list of loving tributes. ‘Box Of Roses’ is their most country song here and yet still has the Irish feel to it and I don’t mean the dreaded Country’n’Irish thing that scared many a young 2nd and 3rd generation Irish kid off music when they were young. If you could imagine a (more) Irish Bruce Springsteen then this is the kind of music he’d serve up, especially in these days when he’s rediscovering his roots. ‘Whiskeytown’ is an ode to their home town and is a beautiful tribute to a city that may have seen better days but like most working-class cities it has heart and a will that will see it return to its days as an American powerhouse. So far the only thing missing has been a jig or two and for the penultimate song we get them both served up in ‘Gypsys Dance / The Kesh Jig’. Now I don’t have much of an ear for remembering trad jigs but ‘The Kesh’ Jig may be an old Bothy Band song and if so the band certainly do justice to it. Wild Unknown comes to an end with the album’s best song I think. The epic sounding  ‘Between The Darkness And The Light’. We are back in ‘Irish Bruce’ territory here and it may again be on the slower side of things but that does not diminish its power and it’s a swirling, twirling monster of a song and a fantastic way to bring down the curtain.

Wild Unknown is that exceedingly rare thing on these pages. An album of all original songs written by the band themselves. Their are four songwriters within the band and all band members contribute to everything they produce. A real team effort. The album was recorded with multi platinum award winning producer Michael Seifert and it certainly shows as the sound is absolute perfection and clear as the proverbial bell without being over produced or ‘fiddle’ with too much. A great album all round and this Irish-American sound is well worth checking out especially if you like your celtic-punk a bit more on the gentler side.

Celtic rock- hard to define, hard to resist, much like Marys Lane.

(you can listen to the whole of Wild Unknown before you download by pressing play on the Bandcamp player below)

Buy Wild Unknown

FromTheBand (support Marys Lane by buying the CD)  FreeDownload (Has an option to Buy Now or Name Your Price which includes the free option)

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Find out more about the legend that was Danny Greene, an impoverished but charismatic young Irish-American who rises to power as president of the longshoreman’s local union and is charged with corruption but evades serious jail time by becoming an FBI informant. With fearless nerve he joins forces with a Mafia gangster to rise to power in Cleveland’s underworld, gaining the reputation of a Robin Hood-like figure with nine lives as he escapes countless assassination attempts.

Danny Greene: The Rise and Fall of the Irishman

USA | 2011 | 60 min.

Genre: Documentary Director: Tommy Reid

Photographs that have never been seen before and exclusive interviews with the family members of Danny Greene, officials from the Federal government, associates of the Mafia and representatives of Cleveland Police Enforcement make up this documentary examining the life of the legendary infamous Irish-American gangster Danny Greene.

Clint O’Connor of The Plain Dealer writes

“Feeding America’s appetite for mob stories with a grisly slice of Cleveland’s criminal past, spotlights the gangster whose life was famously extinguished by a car bomb in a Lyndhurst parking lot. A fearless hood who grabbed headlines for years in the 1970s, Greene was a colorful character. He dressed in green, drove green cars, and embraced Irish history and Celtic lore. Alternately a union troubleshooter, embezzler, and enforcer, Greene dabbled in racketeering, gambling, and loan-sharking. He excelled at beating the rap, which may have been attributed to his other occupation: FBI informant. Police have long assumed that Greene conspired to take out Shondor Birns, a rival in Cleveland’s numbers racket, and later mafia underboss Leo ‘Lips’ Moceri, whose body was never found”

Kill The Irishman

USA | 2011 | 1hr 42mins

Genre: Action | Biography | Thriller Director: Jonathan Hensleigh

Starring: Ray Stevenson, Christopher Walken, Vincent D’Onofrio

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2017!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

1. FLATFOOT 56 (Chicago)- ‘Odd Boat’  here

2. THE TOSSERS (Chicago)- ‘Smash The Windows’  here

3. THE BIBLECODE SUNDAYS (London) – ‘Walk Like Kings’  here
4. THE PEELERS (Canada)- ‘Palace Of The Fiend’ here
5. FEROCIOUS DOG (England)- ‘Red’  here

6. BLACK WATER COUNTY (England)- ‘Taking Chances’  here

7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’  here

8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here

9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’  here

10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’  here

11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’  here

12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’  here

13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’  here

14. THE SILK ROAD (England)- ‘S/T’ here 

15. FLOGGING MOLLY (USA)- ‘Life Is Good’  here

16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’  here

17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’  here

18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here

19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’  here

20. CRAIC (USA)- ‘Sounds Of Vandemark’  here

21. THE MOORINGS (France)- ‘Unbowed’ here

22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here

23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here

24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here

25. CELKILT (France)- ‘Stand’ here

26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’  here

27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’  here

28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’  here

29. THE BABES (London)- ‘Greetings From London’  here

30. CHEERS! (Czech Republic)- ‘Daily Bread’ here

Just bubbling under:

THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)

No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.

BLACK WATER COUNTY- ‘Taking Chances’

This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!

1. BLACK ANEMONE (Sweden)- ‘In It For Life’  here

2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’  here

3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’  here

4. THE BOTTLERS (Australia)- ‘The Bottlers’  (here)

5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’  here

6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’  here

7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’  here

8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’  here

9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’  here

10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’  here

Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.

1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’  (here)

2. ShamROCKS- ‘Ye Ould Chariot’ EP  (here)

3. CRIKWATER- ‘Crikwater’  (here)

4. BEOGA- ‘Before We Change Our Mind’

5. FOLLOW THE CROWS- ‘West is East’ EP  (here)

6. PLASTIC PADDY- ‘Lucky Enough’  (here)

7. DAMIEN DEMPSEY- ‘Soulson’

8. GALLEY BEGGAR- ‘Heathen Hymns’  (here)

9. I DRAW SLOW- ‘Turn Your Face To The Sun’

10. ANTO MORRA- ‘From The Vaults’

Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!

MERSEY CELT PUNKS

This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.

CARLTON HUNT

Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.

We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.

His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!

He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.

We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.

Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say

“I try to be serious but the humour always takes over”

He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.

Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.

Ladies and Gentlemen, on drums.. Mr Carlton Hunt

This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

SHITE’n’ONIONS

MacSLONS IRISH RADIO

CELTICPUNK.PL

remember any views or comments we would love to hear them…

 Sláinte, The London Celtic Punks Crew- January, 2018

2017 REVIEWS ROUND-UP’S PART ONE: THE AMERICA’S- THE DREADNOUGHTS, CRIKWATER, PLASTIC PADDY, THE WILD IRISH ROSES, LA FIESTA DEL DIABLO, COCKSWAIN

Every single year that we have been doing this has got better and better for celtic-punk releases. As happy as we are that this is so it also means that we just simply cannot keep up with everything that get’s released. We haven’t had the chance to review everything we received or heard so here is Part 1 of our 2017 Round Up where we catch up with some of the releases that we missed first time round. Here at 30492- LONDON CELTIC PUNKS blog we much prefer to do really detailed reviews but it has been impossible to keep up so here’s a few quick ones just to catch up and get 2017 out of the way. Each and every one are worthy of your time so go ahead and check them out and apologies to the band’s concerned that we had to squeeze them in. This week we visit not just North America as originally planned but further afield as well. Read on and find out where and shortly we’ll head to Europe so join us in a few days.

THE DREADNOUGHTS- ‘Foreign Skies’  (Buy)

This year gave us the ambitious ‘concept’ album, Foreign Skies, from Canada’s own Dreadnoughts. It was released to mark the 100th anniversary of the first world war (yeah, I know, the Great War ran from 1914-1918, so that includes 1917!), and features 12 original tracks all based on events, people and places that were part of that war. There are a few standout tracks, notably; ‘Daughters of the Sun’, ‘Anna Maria’, ‘Jericho’ and ‘Black Letters’. The rest is all good with the usual fantastic musicianship we’ve come to expect from the Dreadnoughts. The subject matter does make it a rather sombre listening experience, and while the feeling/belief behind the album is admirable, there is no getting away from the subject matter. An interesting work, but it won’t get too many airings at parties over the festive season.

WebSite  Facebook  Bandcamp

CRIKWATER- ‘Crikwater’  (Buy)

Now on first listen to this album from Crikwater you may wonder why they are appearing on a celtic-punk site and you may be right. They are here for the sole reason I love them! Formed in 2010 round the rust-belt in the Irish-American neighbourhood of South Buffalo, NY in 2010, Crikwater play beautiful but rowdy, country tinged Irish American traditional folk. No hint of an electric guitar on this their second album instead the band offer up 74 minutes and fourteen songs of classic Irish ballads that we all know and love like ‘Dicey Riley’ and ‘Long Black Veil’ and a few lesser known as well as some lively as hell polka’s, jigs and reels accompanied by some fantastic red-hot fiddle from Charlie Coughlin. The highlight for me was ‘Bruach Na Carraige Baine’ and words can’t explain the beauty of hearing the Irish language sung by someone born outside Ireland. Outstanding and you hear it below on the Soundcloud player. Recorded live in the studio in Orchard Park, NY. their long awaited follow up to 2012’s Don’t Stop ‘Til The Ship Goes Down showcases the bands amazing musicianship and their sound which encapsulates the modern Irish American experience laden with Americana, folk and country influences while all the time being steered by their Irish roots. Having grown from a humble quartet to a versatile sextet their mix of elegant ballads and rowdy pub songs is certainly among the best I have heard in recent years and they are almost certainly ready to give the big hitters of the Irish folk scene in America a run for their money. This is music for the pub to be heard with the drink flowing and the good times occurring and a tear in your eye for the auld place you left behind.

WebSite  Facebook  ReverbNation

PLASTIC PADDY- ‘Lucky Enough’  (Buy)

“A person who retains a strong sense of Irish identity despite not been born in Ireland or being of only partial Irish descent; used in reference to Irish-English or Irish-Americans. Perceived as irritating by Irish nationals”

Arriving in the same week as Crikwater this is as similar a album as you could find though separated by 1000’s of miles away from NY on the east coast of the US in sunny California. Though all born many miles away from Ireland this bunch of Irish-Americans have taken a similar, though much less trad, route as Crikwater distilling their own version of Irish music through country, Americana and folk and yet it still lives and breathes the atmosphere of yer old fashioned Irish boozer. Formed out of Pladdohg who disbanded in 2014 the music here again we would be hard pressed to describe as celtic-punk but I like it, a lot, so here it is! Their debut album Lucky Enough is 12 songs and 42 minutes long and consists of mostly original Plastic Paddy songs but with a small smattering of well loved standard Irish tunes including ‘Whisky You’re The Devil’ and ‘Dicey Riley’ popping up again. Highlights include an amazing version of Greg Trooper’s ‘Ireland’, a song with truly amazing words and I was saddened to read that Greg Trooper passed away in January this year just after his 61st birthday. R.I.P.

“With your mandolins, fill up the hall
not a dry eye left, you killed them all
Its just like you
just like you, Ireland”

Drawing on influences of Californian rock and country with Erin Bloom’s wonderful voice it also evokes late 60’s and 70’s British folk-rock and not many album’s featured here have slide guitar that much is true. Still it’s a polished album without being over produced album that captures their catchy sound and while they are home in the local pub I get the feeling that they could slide into the arena side of things as well with their music having appeal to anyone interested in Irish music.

WebSite  Facebook  ReverbNation

THE WILD IRISH ROSES- ‘Fill Yer Boots, Man!’  (Buy)

Now The Wild Irish Roses are your absolute true family band with Mom, Dad and all eight kids involved it doesn’t get more family than this! Again in common with the two previous bands Irish blood courses through the music and The Wild Irish Roses have a bright future ahead of them. Josie (15) sings and plays banjo, mandolin, penny whistle, viola while sisters Hanna (17) plays bodhran, Evelyn (13) plays concertina and viola, Penelope (10) sings and plays tambourine while the two youngest of the clan brothers Aengus (8) plays drums and Lazarus (5) plays harmonica. Father and guitarist of The Wild Irish Roses is Michael X. who also stars in recent London Celtic Punks featured band TheTemplars Of Doom while the Mammy Kristi plays bass. They cut their teeth in Brooklyn post-punk band The Astro-Zombies in the 90’s while during the 2000’s they were in The Brian Wilson Shock Treatment who released 8 albums up to 2010. Fill Yer Boots, Man! is an incredible 21 songs lasting 42 minutes and their is no let up throughout with the songs over as swiftly as they arrive. Kicking off with ‘Margaret Thatcher’s Death Song’ one of many self-penned numbers from the band including Evelyn’s ballads ‘Dancing Widowed Fool’ and ‘Blind Marianne’ and Josie’s contribution ‘Haunting Highland Laddie’, a tale of a piper who drunkenly fell from a castle tower and will haunt you to your grave- unless you pay him in pints of beer! Their is though a London connection here and that is from ex-Neck piping maestro Stephen Gara. Now happily settled in the States he made a special four foot bodhran called a Bodhran Mohr (Great Drum)which led to the song of the same title. It can be heard booming out throughout the album. The album closes with what for me was the absolute album highlight ‘Christmas in Kingston’, a sordid tale of lost love and redemption set in the former state capital of NY. Its rousing chorus of

“It’s Christmas in Kingston You Basterds, Every Junkie and Whore will be saved”

is up there with “You scumbag, you maggot, You cheap lousy faggot” and is sure to make it a surefire holiday favorite. It’s a bit of a mish-mash of an album but there is NO denying it’s originality and it’s an album that you’ll find yourself singing along to after a couple of plays. An incredible feat and a perfect example of ‘The family that plays together stays together’.

Facebook  Bandcamp

LA FIESTA DEL DIABLO- ‘Mis Colegas, La Barra y Satán’ (Buy)

Proof that we are now a truly international scene comes in the shape of La Fiesta del Diablo. They are the very first band from Chile to appear on these pages and though celtic-punk is alive and kicking in Brazil we had never heard of it existing elsewhere. This is the bands second album having formed in November, 2015 in the capital of Chile, Santiago. They play what they call what they call themselves ‘multicultural noise’. On this album they take us on a journey through folk music with Celtic, Irish, gypsy, klezmer, tangos, rancheras and Russian, among others although with its roots firmly in punk rock. Whatever it is, one thing I feel that it’s got in common with celtic-punk is that La Fiesta del Diablo would be fantastic in a live setting.

(Video filmed in Bar Badalu in Santiago’s Italia neighborhood)

Twelve songs of which all but a small handful are written by the band. Kicking off with the brilliant energetic ‘Manifesto’ and its bouncy Russian trad folk sure to make your feet dance and get your head nodding away. Fast paced throughout and here the accordion is king with it’s sound dominating and nowt wrong with that. The songs are in Spanish and the vocals are nice’n’easy on the ear. A real mixed bag of an album and quite an eye opener as maybe it’s not celtic-punk but so much in common it deserves its spot here. Available for only $4 so take a punt and put it on on New Years Eve to get the party flowing. Brilliant.

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COCKSWAIN- ‘For the Whiskey’  (Buy)

Was only going to do five album’s per Round-Up but just had to give this one a quick mention. From Phoenix, Arizona this bunch of Irish-American’s must suffer in that local heat maybe that’s why they spend so much time in the pub! Rounded up in 2012 this is the bands second album after ‘Seamus’ in 2015. For The Whiskey is a fantastic release that I loved from the very first play. Their are hints of many of the scene’s big hitters from Blood Or Whiskey to DKM’s or the Molly’s but all played with plenty of individualism too. Ten songs that veer from full on Irish folk punk, ‘For The Whiskey’ (free song download here), to sober maudlin ballad ‘When I Die’ and all in between. All played with a fiery temperament and a real love of trad Irish folk music.

If you think you’ve heard just about everything a band can do it with ‘Dirty Old Town’ then Cockswain have a shock for you. An very interesting and surprising version. ‘Johnny Be Fair’ mixes in some female vocals and the curtain comes down with ‘Whiskey, Love and War’ utterly brilliant and a fine example of the celtic-punk genre. this came out around St.Patrick’s day and I can’t believe it took us so long to catch up with it.

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…and so ends Part 1 of our Round-Up’s and apologies to all the bands as each and every release deserved that full epic London Celtic Punks review treatment. We have still probably missed some fantastic music so all the more reason to send in your stuff to us to review. For details how use the Contact Us section. We are always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. If you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

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