Tag Archives: Templars Of Doom

ALBUM REVIEW: ALTERNATIVE ULSTER- ‘Boobies, Bagpipes, Banjos & Beer’ (2018)

Back again with their third album it’s New York’s Alternative Ulster with another, lucky for us, thirteen songs of punk rock driven energetic Celtic pride, humor and downright defiance.

Almost six months to the day that previous album, Pog Mo Thoin, hit the streets New York’s Alternative Ulster are back again with another album of rough’n’ready Irish-American Celtic-Punk to stir the spirits and drink them too! Boobies, Bagpipes, Banjos & Beer follows on from that album with more of the same humour, politics and fun that made Pog Mo Thoin such a hit.

Alternative Ulster left to right- Jay Andersen (Guitar, Bass, Backing Vocals) * Todd Henry (Vocals, Drums) * John McGovern (Bagpipes, Bass, Banjo, Tin-Whistle, Backing Vocals)

Alternative Ulster sprung into action in March 2015 in New York State’s Catskill’s region releasing their debut album, Rebellion, in February 2016. That album received unanimous praise from across the worlds Celtic-Punk media but sadly soon after the band split into two factions with one continuing as Alternative Ulster and the other becoming the excellent Templars Of Doom. Both bands can be best described in the words of band bagpiper John as ‘1916 meets 1977’ and tread similar paths in the Celtic-Punk scene.

So have Alternative Ulster changed at all in the six months since their last album? Well the answer is a resounding NO! Why change a winning formula and while it may still be a tad too punky for some traditional Celtic-Punk fans it still sits nicely within the scene. Todd is again bashing bloody hell out of the drums while barking the lyrics over Jay’s fantastic guitar work and the superb bagpipes of scene celebrity John McGovern drones loud and proud. The album kicks off with the punk rebel song ‘No Queen, No Crown’ and is in defence of the kilt and its history.

“Don’t call it a dress,
or you’ll be a mess.

You call it a kilt,
to honor blood spilt”.

These Bhoys take their Celticness very seriously!

Yeah its more of the same and ‘Boobies, Bagpipes, Banjos & Beer’ kicks off with a ‘Duelling Banjos’ style intro between bagpipes and banjo before breaking off into a song celebrating the things that real men love! If anything the music has gotten even more punk rock than previously. Its the sound of UK punk from around 1977. Think Sex Pistols rather than The Clash. On ‘The Sheep Pretend’ John also weighs in with a thundering bass that gives the song a post-punk feel while Todd still shouts the words in a eighty cigarettes a day rasp. Next up is the song that inspired their name all that time ago. On St. Paddy’s Day 2015, original guitarist Jerry came up with the idea inspired by The Stiff Little Finger’s classic song. Their version of ‘Alternative Ulster’ is straight up two fingers in the air punk rock. Played at breakneck speed and with bagpipes its a class song.

‘Sail Home British Soldiers’ is up next and is a American civil war rebel song. The first time the British Empire ever had its arse kicked was by the Americans and feelings still run high even though Alternative Ulsters ancestors were still living in Ireland at the time. The song has a real bite that makes The Wolfe Tones sound like Foster And Allen and a thumping beat that’s a sure fire mosh pit filler.

“Neither collar nor crown,
shall this patriot wear.
You can’t have my musket,
You’ll die if you dare.
So fuck off you fucking fucks,
and fuck you as well.
Before I bow once,
I’ll see you in hell”.

In part inspired by Ted Nugent’s ‘Homebound’ and if you like that then you’ll recognise the beginning of ‘Bonnie Little Scott’ up next. The song is a tribute to Bon Scott of every punk rockers favourite Heavy Metal band AC/CD and borrows heavily from their hit ‘Thunderstruck’. The story of Bon’s short life is told in song by Jay and with Alternative Ulsters usual humour. More of that next in ‘Dudelsack’ and while I don’t know what a dudelsack is I resisted the urge to look it up and can only assume it is part of a Bagpipe. Next is my album highlight and you’d have to be a right misery not to find ‘Spilt Upon Me Kilt’ absolutely hilarious. Set on St. Patrrick’s Day or actually the aftermath of St. Paddy’s Day and where the stains on their kilts tell the story of debauchery, alcohol and many bad decisions. All set to the traditional Christmas Carol tune ‘Twelve Days of Christmas’. Catchy and a song to really involve the crowd it made me spit my tea out when I first heard it.

‘Chuck It In The Fuck-It Bucket’ and ‘Counting Other’s Sins’ show Alternative Ulster at two different angles with the straight punk morphing into a punky-reggae tune while both songs are still dominated by the pipes of John. Another album standout is up next with the autobiographical ‘McGoverns Bar And Grill’ telling of John’s Mam and Dad and the working class Irish pub they ran in Tolentine Hill. Opened by John’s Grandad when he arrived in the States from America the pub was by the Tolentine cathedral at the heart of the big Irish parish in the Bronx.

“While on the bar sat a can for NorAid,
not to buy books, but guns and grenade.
My pint of black stuff was really just Coke,
all the old men laughed, it was a fine joke”.

The McGovern Clan with John in the red.

The song gives just a sense of what it means to be Irish-American and for this album at least is as close to a ballad as they come. A tremendous song full of passion and if  ‘McGoverns Bar And Grill’ showed the trio have got more in them than just rowdy punk rock then the album’s second version of ‘Alternative Ulster’ proves it. With John joining in with Todd’s shouty growl with banjo, shuttle pipes and tin-whistle while mate of the band Scott Benson rocks up with the bodhran. The album comes to an end with ‘Crawl Back In Your Shithole’ and the boot is suck firmly into President Trump and his ilk. Seemingly over in a flash its a great way to end the album and bring things to an end.

Boobies, Bagpipes, Banjos & Beer came out last week and was recorded, mixed and mastered by band maestro Jay Andersen at Operation-Audio/ Bohemosphere in Saugerties, NY. The amazing album cover art was by the talented Gail Benson. Now it would be absolutely pointless telling you that this album will appeal to everyone as it quite obviously won’t. My Mammy may love most forms of music but I guarantee that she’d think this is one Unholy mess!! Still I don’t think that will matter much to the Alternative Ulster bhoys. The music keeps flowing out of them as they take their rightful place on the punkier side of Celtic-Punk. Alternative Ulster are happy to keep it lit and as they say somewhere on here

“When the day is done, we just want to have fun,
And we will for year after year”.

Buy Boobies, Bagpipes, Banjos & Beer

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EP REVIEW: THE GRINNING BARRETTS- ‘The St. Padraig’s’ (2018)

 Beer and Whisky fuelled bagpipe Celtic punk rock from Vancouver Island 5 piece The Grinning Barretts who deliver a range of originals from floor stompin’, table poundin’ trad Irish folk, to catchy, ‘waketheFup’ Irish punk anthems!

The Grinning Barretts hail from the town of Ladysmith on the east coast of Vancouver Island, British Columbia, Canada. The area was renowned for coal mining in the early decades of the twentieth century. As would seem to be the way with industrial workers it is coal-miners who have been traditionally the most militant and the area was famed for it’s militancy with many strikes and unrest as the areas miners battled the mine owners in an area at the time thought to be the most dangerous in the entire world. As around the world the bosses realised it is cheaper to import coal dug by children and modern day slaves and so the mines eventually closed but the ides that were forged miles underground by those miners still live on in the closely knit town where Pamela Anderson was born! The band formed in 2015 and after going through several line up changes have finally settled upon a steady line up. The St. Padraigs EP saw the light of day on St. Patrick’s Day just passed and the Bhoys already have a follow up release planned any day soon and a third release for later in the year. Out of the ashes of local ska bands The Kiltlifters and Street Prophets Union, Scot and Pat decided after a decade away from playing live music that the time was ripe and the area was in need of a kick-arse Celtic-Punk band so after roping in recruits from the local Pacific Gael Pipes and Drums corp. as well as from the local rock scene The Grinning Barretts hit the stages around Ladysmith and the rest is history!

The Grinning Barrettts left to right: Jeremy Fiddy- Drums * Bern Kinnear- Bass * Aaron Bergen- Bagpipes/Whistles * Dylan Wickham- Guitar/Banjo/Vocals * Pat Westmacott- Guitar/Mandolin/Vocals * Kevin Dougan- Bagpipes/Whistles

The EP begins with the pounding blue-collar working class anthem ‘Plutocrass’ and it’s hard and fast bagpipe punk from the get go. The sound is in the same vein as Yank bands Templars Of Doom and Alternative Ulster. Yer basic standard catchy as hell punk rock played with superb bagpipes as an integral part of the music rather than just tacked on as an afterthought. The band call it “A shot at the rich bastards who own news outlets, and pay them to lie so they can get richer.”  

“Billionaires paying millionaires to tell the middle class to blame the poor
To keep them from our guillotines, torches and pitchforks
Billionaires paying millionaires to lie right thru their teeth
Filling empty heads with ignorance to justify their greed”

I likes it a lot! ‘W&B’ carries on in the same vein with a story of friendship but told in The Grinning Barretts own indeterminable way

“When the pot is getting hotter or you’re only treading water
I’ll be a life boat and ferry you home
Fuck your fair-weather friends I’ll be there till the end
Drinking whisky and pissing on their bones”

It’s great stuff and again catchy as hell and with a real foot slappin’ beat to it. There are no namby-pamby lyrics or feelings here just words as normal working folk would speak them. This is NOT a safe space!! Pat’s growl fits the bill and the chugging guitar accompanies the pipes perfectly here. Next is ‘Kudatah’ and there’s the slightest ever tinge of a ska beat going on. Obviously these guys can’t leave it all behind. It works as well as it so often does in Celtic-Punk.

The only Celtic instrument on display are the pipes but these Grinning Barretts are definitely an Celtic-Punk band. The use of the pipes is so entwined with the music how could they be anything else. Check out their full concert video at the end of the review for further proof. Another great example is their first cover with ‘The Wild Mountain Thyme’ as it’s never been played before. Something about this traditional Scots folk ballad just lends itself to Celtic-Punk and quite a few bands have covered it but The Grinning Barretts give it the full on punk rock treatment. They follow this up with a visit to Ireland and another, perhaps overdone, Celtic-punk standard with ‘Black Velvet Band’. The Bhoys adapt it to their own home and give it plenty of oompf and you may suspect a ballad is coming till the cobwebs are well and truly blown away and the song almost veers into metal but its the unmistakable tune of the original that shines through. We coming up to the final bend and its time for my favourite song and its an anthem dedicated to workers everywhere. A union song that would give The Dropkick Murphys a run for their money! ‘UFS’ is not just a union song though its a Join Your Union song. I come from a long line of militant trade unionists myself so love the sentiments here. If only we as workers understood our power is when we are together and that being in a union is a necessity these days. When you buy home insurance you don’t think your house is going to burn down and the same with joining the union you may think the bosses will always treat you fairly but history says your wrong. Do as The Grinning Beggars say and join a trade union today. Beers and cheers go from the band to Brooks Jamison for the superb guitar solo who delivered the goods in only three takes and asked only for beers for the pleasure. Finally The St Padraig’s EP ends with ‘To Your Name’. It’s the longest song here due mainly in part to Aaron Bergen’s fantastic bagpipe solo at the end of a classy punk rock number about always remembering you lost friends and comrades. 

“To your name, we raise a glass
To the miles that we walked together”

As I stated these are words from the heart and from the street not the coddled university’s where the pampered offspring of the middle classes turn their fury away from the real enemies and onto the working class who have never profited from anything but have always lost everything.

All together we have seven songs with five originals and some novel takes on a couple of standards that you will never have heard played like that! Not a band for the faint hearted folkie but if you love your Celtic-Punk played with passion and pride in their class and their music then this EP is for you. The Grinning Barretts will drink your beer, and you will like it.

(listen to the whole of The St. Padraigs EP below on the Bandcamp link)

Buy The St. Padraig’s

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(full concert from last year at Logans in Victoria B.C. and as they say “Apologies for poor sound and dark lightning but it is a punk bar”)

HAPPY ST. PATRICK’S DAY TO ALL. CELEBRATE WITH A FREE TEMPLARS OF DOOM DOWNLOAD!

It’s here again. The day when everyone is just a little bit Irish, except for the gays and the Italians obviously (©Simpsons!). St. Patrick’s Day a day of wearing the green and celebrating the land of your birth or of your ancestors in whichever way you see fit. For some it’s a religious holiday that may make you want to attend Mass while for others it’s a time to have a few drinks and party. After all today all Lenten restrictions are eased and so I will be personally celebrating with the biggest bar of chocolate known to man!

When we were young ‘uns we knew St. Patrick’s Day wasn’t far off when bunches of pre-paid postcards from relatives in Ireland would appear on the doorstep and then as the day got closer a strange bulky package containing strange green leaves would arrive.  Some would pinned to your coat and you’d be sent off to Catholic school which would be a sea of green for the day. The one day of the year we were allowed to be Irish in a country that if not hostile just ignored us. You see I’ve always thought of St Patrick’s Day as a day for the Irish overseas. It’s our day. A day to remember our roots and while we may have been airbrushed out of history and school curriculum’s and our contributions ignored it was a day to assert ourselves and say We Are Irish! We are still here and still fighting as the sticker goes. It was in the United States that Saint Patrick became the symbol of Irish heritage and culture that he is today. As more Irish came across the Atlantic, the Feast Day celebration slowly grew in popularity. In fact the first ever St. Patrick’s Day parade was in Boston in 1737. Celebrated around the world wherever an Irish person has ever set foot or settled it is celebrated on the anniversary of Patrick’s death, which was believed to be March 17, 461 AD.

So you won’t find anyone sneering at you condescendingly from the London Celtic Punks for whichever way you choose to celebrate. Get to mass or the pub (or like me both!). Dust off the auld Eire/GAA/Celtic top or even your leprechaun outfit and whatever you choose to do be proud of your roots if you got ’em. In amongst all the fun why not spare a moment to remember those who passed that pride onto us and are not here anymore so raise a glass to the sky for them.

Sláinte.

As our gift to you on this grand day we are happy to offer you a **FREE DOWNLOAD** of the new Templars Of Doom track ‘Saint Patrick Saved Ireland’, written especially for St. Patrick’s Day 2018. Templars Of Doom are a Irish-American band out of New York that have not long released their debut album which you can read all about here. Thanks to Michael X. Rose, Rory Quinn, Eric Pomarico, Marty Shane and Josie Rose for sharing.

Saint Patrick saved Ireland
Ireland saved the World
He drove out the snakes, (He) drove out the Druids,
the Pagans and Satan

The Vikings captured Patrick
Christ saved Patrick
Patrick saved Ireland
Ireland saved the World

Voices of the Irish cried out
We beg you holy youth,
come home and walk once more among us
Patrick answered the call

The Druid priests mocked Patrick
And were thrown in the air and died
On Easter’s eve Patrick lit the Fire
The Druid priests did not survive

Released last week the single is available free to all London Celtic Punks for the month of March so click here and follow the link to your free download! Simply click on ‘Buy Now’ button and put in 0.00 to get it for free or leave a donation if you wish.

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Today’s a good time of year to remember those we love who are no longer around. This year we want to dedicate our St. Patrick’s Day post to Joseph Patrick Michael Mullally the Grandfather of Michael of the Templars Of Doom and whose birthday it would have been today. Like many who crossed the broad Atlantic he never knew what he would find but through hard work and endeavour he made a success of his life and never forgot his roots in the auld country.

The Mullally family with Joseph in the gold shirt and tie and Michael the little boy who’s ear he’s twisting!

Born in Born in Kilross, Tipperary on March 17th, 1913. His mother had returned home from Boston to have the baby in a convent, which was standard back then. His Dad stayed working as a butler in Boston and didn’t see my Grandfather til the War ended, when he was 5 years old. He entered the United States at the age of 5 with his Aunt. Their names are on the wall at Ellis Island. He became a Doctor of Philosophy, (Thomas) via Columbia University, one of the youngest in the US. He taught at Notre Dame and then was the chairman of the Philosophy Dept. at Queens College NY, CUNY, for about 40 years. Loved and respected by all.

Raise a glass to him and yours today.

NEW MOVIE- THE BLOODLUST OF THE DRUID OVERLORDS

Here’s the new short film from singer/vocalist of Irish-American celtic-punk band the Templars Of Doom, Michael X. Rose. Thanks to Michael for sharing. Heaven knows how he keeps up the level of activity he does. I’m jealous! So sit back put your feet on the coffee table pour yourself a drink and break out the hob-knobs for a classic Hammer Horror style movie featuring ritual virgin sacrifices,visions of the Virgin Mary, a giant burning Wicker man, bloodthirsty Druids and a swashbuckling St. Patrick!

THE BLOODLUST OF THE DRUID OVERLORDS

Written, Produced, and Directed by Michael X. Rose.

Assistant Producer James Pogo Lo Rubbio | Edited by Dr. Jeff Burns | 30 Minutes 

Music by the Brian Wilson Shock Treatment

Starring Mary Urban | Michael X. Rose | Suzanne Schubert | Steve Scibelli | James Pogo LoRubbio | Gala Scibelli

Ireland. 428 A.D. Bloodthirsty Druids overrun the land seeking Virginal Maidens to Sacrifice to their Dark, Insatiable gods. They emerge from dark caves carrying torches, wearing white robes and hideous animal masks. Soon Saint Patrick arrives from Britain sent by a dream. He is rowed by two fellow monks to the wooded shores of Ancient Ireland. While praying in his hut, the Virgin Mary appears to St. Patrick, telling him to “go and save my maidens.” Meanwhile the young girls are brought by land and water to the unspeakable place of sacrifice by the Druid Overlords. Victim after victim is slaughtered in bloody worship to Belinus. Half-naked nymphs drink human blood and eat the human flesh that they crave. Can St. Patrick find the Druid orgy in time? As the most pure virgin is prepared to be burnt alive in a forty-foot tall wicker man, see him battle the Druids to save the last virgin in a life or death climax in this thrilling blood-soaked tale.

You can contact Michael via the Templars Of Doom Facebook page here or his Web Site here

ALBUM REVIEW: ALTERNATIVE ULSTER- ‘Pog Mo Thoin’ (2018)

The second full length album from New York’s Alternative Ulster is thirteen songs of Celtic pride, humor and defiance. Powerful and raw and driven by Great Highland Pipes!

The roots of Alternative Ulster begin in March 2015 in NY State’s Catskill’s region. Their debut album, Rebellion, came out in February 2016 and our review ended with

an excellent first attempt by Alternative Ulster. With almost fifty minutes of raw bagpipe punk you won’t be disappointed. I have no doubt that we will be hearing much more from these guys in the future”.

After the release of Rebellion the band sadly split with the excellent Templars Of Doom forming on one side and a new version of Alternative Ulster emerging on the other. The sound of both bands is not too different and can be best described in the words of band bagpiper John McGovern when he said “1916 meets 1977” a reference to both the Irish Uprising and the year Punk Rock exploded onto the streets of London. While it is sad to see bands split at least we now have two excellent celtic-punk bands now instead of one.

Alternative Ulster left to right- Jay Andersen (Guitar, Bass, Backing Vocals) * Todd Henry (Vocals, Drums) * John McGovern (Bagpipes, Bass, Backing Vocals)

Pog Mo Thoin begins with the title track and for many of us that only know the wee snippet of our native language I’d like to bet that this phrase is one of them. Originally chosen by Shane MacGowan as the name for The Pogues he was forced to change it when it became known it was the Irish for Kiss My Arse! The song begins with rousing (what other word could apply?) bagpipes filling the air while Todd spits out a angry and defiant ‘Pog Mo Thoin’ to the Vikings, the Brits, the Yanks and anyone else who crossed the Irish over the years. A thundering bass line kicks in for ‘Drunk As Fuck’ a ramshackle punk rocker with Alternative Ulster paying homage to their mates in the celtic-punk scene with The Go-Set, The Mahones and several others encountered on a pub crawl around their home town. ‘This We Will Defend’ is straight up punk rock with bagpipes and the album is starting to take shape. So far all the songs have come in under two minutes and while the songs aren’t particularly fast they certainly have a punk rock edge to them. The first of the album’s two covers is up next and it happens to be one of my favourites. ‘Paddy’s Green Shamrock Shore’ tells the common story of a Irishman forced to leave Ireland and seek a better life in Amerikay. The origin’s of the song are unclear but it’s popularity struck a chord  amongst the Irish diaspora. Here it is played slow and Todd’s haunting slightly off-key vocals giving it the Alternative Ulster stamp. Now over here I doubt many had heard of the Krampus until the recent movie but in the States, thanks to Eastern European immigration, he’s much more wildly known.

A horned, half-goat, half-demon who, during the Christmas season, punishes children who have misbehaved. Here in ‘Krampus’ Alternative Ulster take us back to their childhood

“If you’ve been a little prick,
you’ll get no gifts from Old St. Nick.
If all you do is bitch and fuss,
best beware of old Krampus”

We back in more trad territory next with ‘Ghetto Piper’. Beginning with the pipes belting out the Irish football tune ‘Olé, Olé, Olé’ while Todd sings

“I am the ghetto piper
I’m loud, I’m proud, I’m drunk
my mighty drones will rock your bones
when I play Irish punk”

in a tribute to the man who taught John the bagpipes who made no bones about his style of piping. Anyone who has ever been to an Irish funeral will recognise the events in ‘Irish Wake’. It is of course the send off that all Irish people would want and while globalisation wipes out many of our customs some will defiantly survive, the ‘wake’ being one. Funerals in Ireland and in Irish communities abroad tend to be huge social events and it’s not unusual for people to joke and laugh and hug and slap backs. Life goes on. We have wept. We have prayed. We have laid our friend and loved one in the ground. Now we eat. We keep up our strength. We go on. In essence, that is the Irish wake.

The drone of the pipes starts ‘Free Beer Tomorrow’ and the title will be familiar to any barflys out there and celebrates the times we seized upon something too good to be true, and it was. We’re steering towards the end and time for a Scots tune in ‘Haggis’ celebrating that most wondrous of their grub and their resistance to English tyranny. In a album often interspersed with near the knuckle humour it don’t get any nearer than on ‘Self Appointed Kilt Inspector’ on which Jay and Todd tell of the trials and tribulations of wearing a kilt and that the lassie most likely to check if you’re regimental is actually the last one you’d want checking if you’re regimental. ‘Stairway To Reason’ is a Irish punk rock bagpipe racket inspired by the Led Zeppelin song ‘Stairway to Heaven’ and the references in it to The Piper. Almost at the end and ‘Ladies From Hell’ is a rousing memorial to the Highland regiments of World War One. The German soldiers were so terrified of kilted soldiers that they christened them ‘ladies from Hell’ or ‘devils in skirts’. The song begins with a pipe and drum tune over the sound of mortars. Pog Mo Thoin comes to an end with the album’s second cover, ‘Sgt. McKenzie’ and is sung in honour of all first responders and defenders of freedom that will bring a chill to the bone. Joseph MacKenzie wrote the haunting lament in memory of his great-grandfather, Charles Stuart MacKenzie who along with hundreds more from the Elgin-Rothes area went to fight in World War I. Sergeant MacKenzie was bayoneted to death at age 33, while defending one of his badly injured fellow soldiers during hand-to-hand trench warfare.

So we have an album of thirteen tracks that clocks in at just over half an hour and it has to be said this ain’t yer average celtic-punk release. It’s heart is firmly within the Irish/Celtic community of the USA but whether it will appeal to many of them is debatable. While it’s heart may be green its body is firmly punk rock and their unique punk sound is the result of Jay running his guitars through effects pedals of his own design and manufacture. At its core I think this is music designed for the pub and for those looking for a good night out to raise the rafters and their voices. Its raw and ready and maybe a bit rough round the edges but it’s overflowing with a passion I wish a few more celtic-punk bands could reproduce.

Slainte and Pog Mo Thoin!

(treat yourselves to a free listen to Pog Mo Thoin by simply pressing play on the Alternative Ulster Bandcamp player below)

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ALBUM REVIEW: THE TEMPLARS OF DOOM- ‘Bring Me The Head Of John The Baptist’ (2017)

Drinking Guinness from the Holy Grail!

These lads are as Irish as they fecking come so check out the new album of mighty celtic-punk rock from The Templars of Doom coming out of Ulster county, New York.

The Templars of Doom hail from the aptly named Ulster County in upstate New York and play punked-up Irish music inspired more by the Sex Pistols and the Ramones than by The Dubliners. Originally formed as Alternative Ulster they released an album, Rebellion,  in 2016. A raucous celebration of the 100th anniversary of the 1916 Easter Rising with a total of sixteen tunes, including six covers of the like of ‘Blitzkrieg Bop’ (The Ramones), ‘Supernaut’ (Black Sabbath) and ‘Seventeen’ (The Sex Pistols) all of which have been blended with bagpipes to give them a new and exciting celtic punk edge. Sadly the band met with some trouble and a year later they emerged with pretty much the same line up and a new name- The Templars Of Doom. While they may sound like a death metal band rest assured it’s still very much “1977-meets-1916″ with traditional Irish ballads and themes played at punk speed with bagpipes and kilts.

Michael (Bass/Vocals ) Josie (Pipes)

The album begins pretty much where Alternative Ulster left off with ‘The Oliver Cromwell Twist’ and as the band say themselves

“hits the English overlord and executioner of the Irish with a Chubby Checker-esque slam dance”

Marty Shane (Mandolin)

Rory Quinn (Guitarist, Co-Lead Vocals)

and indeed they give it to the murderous scourge of the Irish with both barrels. The Last four words, Drogheda, Wexford, Waterford, Kilkenny are the four cities in order Cromwell sacked and gave no quarter to the Irish Catholic inhabitants. At Drogheda and Wexford at least 4,000 were massacred mainly women and children. The music may be standard 70’s punk rock with bagpipes but to say it is catchy and infectious at the same time would be a massive understatement. Within a few seconds of playing my mind had gone to wild punk rock nights in New York with Irish-Americans bashing each other up on the while sliding about on a beer drenched dance floor. There though lies the rub with a band like The Templars Of Doom. They are very much a live act and though they have done a great job at capturing that here on disc they are still very much a band to be experienced live. A look down the album song titles reveals these lads are very much an Irish band and when people say that Irish-Americans aren’t Irish then get this album and shove it down their throat. At the moment, as there has always been but perhaps not as great, their is a tendency to deny ‘Irishness’ to those children of Ireland if they were born in America.  More often its from people who never left Ireland except for expensive holidays and gap years and find Irish traditions of music, dance, family and faith embarrassing and wish for Ireland a sort of globalisation where these thing are left in the past. Thank God for Irish communities around the globe who keep Irish culture alive.

The album continues with ‘Saint Patrick Saved Ireland’ and follows in much the same vein and aye you could be listening to a live track here with it’s wild abandon! The bagpipes start before the band kicks in with gang vocals and a tune, and vocals, straight out of late 70’s London. Classic rough and ready tuneful and tuneless at the same time celtic-PUNK to shake the cob-webs away with chants, reels and a punk rock mosh in the middle. 

Left to right: Rory Quinn (guitar, vocals), Eric Pomarico (drums), Michael X. Rose (Bass,Vocals), Josie Rose (Pipes), Brendan Merrit in hat(sitting in on gang vocals, pub style) at Snug Harbor, New Paltz, NY

Next up we have a song that is another embarrassment to those millennials who seem to care more about what happens on a distant shore 1000’s of miles away than just ninety miles from their parents swanky homes in Dublin. ‘A Nation Once Again’ is one of the most famous Irish rebel songs and even went so far as winning a 2002 BBC World Service poll of listeners to be crowned the world’s most popular song of all time, as performed by the kings of Irish rebel music the wonderful Wolfe Tones. Written in 1844 by the great Thomas Davis who proclaimed

“Music is the first faculty of the Irish… we will endeavour to teach the people to sing the songs of their country that they may keep alive in their minds the love of the fatherland”

So there you have it straight from Thomas mouth and I doubt very much whether or not he would care much that a band of Irish-Americans would adapt the tune and speed it up into a Irish punk rock jig  just as long as it was being played and past down to the younger generations. I swear I think trapped between the ‘West Brit’ millennials and the trad Irish folk snobs I think both would rather songs like this not be played rather than have a band of Irish descended punk rockers have a go on them! The song dreams of a time when Ireland will be a free land, and exhorts Irishmen and women to stand up and fight for their land.

“And righteous men must make our land a nation once again”

The Templars Of Doom’s version starts with bagpipe and sneering punky vocals and while its much slower than previous songs its still very much in the punk vein. It reminds me of drunken nights in Mannions in Tottenham belting out this classic with a bunch of 2nd generation Irish losers and boozers before annoying the neighbours on the way home! The album takes an unusual turn next with ‘Eyes’ and it’s a bit of country’n’western tinged Irish folk that peaks our interest. The beautiful sound of uilleann pipes as played by Scott Benson takes this song to another level and shows these Bhoys can play their instruments and belt out as good a song as anyone on the Irish circuit. ‘The Minstrel Boy’ is the shortest song here, just tipping over two minutes, and as you would expect it’s played at breakneck speed and has more in common with The Ramones than Planxty. Turn it up to 11 and get your Doc’s on, it don’t get wilder than this! The album’s title song follows and ‘Bring Me The Head Of John The Baptist’ doesn’t disappoint with more of the ramshackle UK 70’s punk rock sound that has served them well so far.

‘The Templars Erupt’ has the feel of The Pogues all over it with the setting of a bar and barroom chatter in the background while bodhrán and tin whistle fill the air. To me it sounds like it escaped from Hell’s Ditch and rightly deserved it’s place as the longest track here. We are nearing the end and they not going out gracefully and ‘Suicide Bomb’ is one of my favourites here harking back to London bands like Alternative TV and Menace while the album draws the curtains with ‘Michael Collins Ghost’ and just a couple of weeks after his birthday The Big Fellow must be looking down with pride that he still evokes such passion among the Irish and their friends. Sung and co-written by Mike O’Leary, along with Rory Quinn, the song is the highlight of the album and we will indeed

“Raise a glass to Michael Collins ghost”

The band come together perfectly here and it may have veered away slightly from celtic-punk into celtic-rock territory but who cares about that wee thing. The song is a masterpiece and great words and performance ends the album on the highest note possible.

The band have release Bring Me The Head Of St John The Baptist on their own label Poe Records which has also released CD’s from the side project of bassist and band artist Michael X. Rose, The Wild Irish Roses, which is Michael his Mrs and their 8 (eight!!) kids. Yep a true family band and also well worth checking out. This album may not get them on the bill at Get Shamrocked or even the local Celtic or Irish festival as it may induce heart attacks and fainting spells on some of the more lily livered members of our community. The Bhoys could have called it a day after Alternative Ulster but they have persevered and kept at it so if you want fast, punky, tuneful/tuneless Irish music that you can mosh pit down to with songs about the Templars, Ireland, the Holy Grail, saints and ghosts then The Templars Of Doom are your band and also the band for legions of green, spiky haired, young Paddys and Biddies across the United States!

( have a free listen to Bring Me The Head Of John The Baptist on Bandcamp before you buy on the player below)

Buy Bring Me The Head Of John The Baptist

FromTheBand   CDbaby

(For a week from now. Yes for the following seven days you can download the album for *FREE* as a special gift for all London Celtic Punks readers. Just follow this link here and download away but be quick. Where it says ‘Name Your Price’ simply put 0.00 or if you feeling generous send them a few bucks for Guinness. It will end soon but feel free to tell your mates!)

Contact The Templars Of Doom

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(Vocalist and guitarist Michael made a movie about St. Patrick versus the Druid overlords. It’s called Bloodlust of the Druid Overlords and here for your delight is the trailer. Watch this space for the full movie coming soon!

please support this film by pledging to the Kickstarter fundraising here)

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