Tag Archives: The Groggy Dogs

ALBUM REVIEW: THE GROGGY DOGS – ‘Still Groggin’ (2022)

Spanish pirates The Groggy Dogs are back with their second album of trad Irish melodies and sea shanties with a spicy touch of Punk, Ska and Metal.

These guys more quickly and no sooner than Grog O’Clock land on our doorstep their second album arrives too. That debut album, Grog O’Clock was a front-runner for the London Celtic Punks debut album of the year, narrowly losing out to The Outcast Crew but it did make the Top Twenty of the best Celtic-Punk album’s and was well received across the internet. It’s available for only a single Euro and it really is a great album with some great covers and a couple of absolutely killer instrumentals.

Album #2 carries on it was will become I am sure the signature Groggy Dogs way. Covers, originals and instrumentals all paying homage to songs of the sea and the poor sailors that sailed them and sang those songs many years ago.

April sees only the bands second anniversary and if Covid can be thanked for one thing then it is the forming of The Groggy Dogs and since the ending of the lock down they have sprung out of the traps playing live at every single opportunity. Mauro, already a veteran of several Seville based Celtic projects wanted to play Celtic music with a bit more forceful sound and soon joined by the rest of the band and, no doubt the ‘Sea-Shanty’craze from a couple of years back on Tic-Tok, they settled on the idea of Prate-Celtic-Folk-Punk! AS we have said before their is no more than a fag paper between Celtic-Punk and Pirate-Punk with it overlapping constantly so it was no wonder that they soon came to our attention.

Still Groggin’ begins with ‘To Sea Once More’ and the familiar sound of the ocean and tolling bell. A fiddle led lament slowly drifts along before it erupts into a cover of the seafaring classic ‘Old Maui’. The song has become a bit of a staple among the Celtic-Punk community with it often sung acapello. Traced back to the mid-19th century it tells the story of a whaling ship returning to Maui in Hawaii after a long season of whaling.

“once more we sail with a northerly gale through the ice and wind and rain”

Canadian legend Stan Rogers released the best version I have ever heard but the song was made famous in our circles by The Dreadnoughts on their early album Legends Never Die. The Groggy Dogs stick closely to the Dreadnoughts version but add a fun video where the pirate quintet bring us a funny story about a robbery attempt adds to the song’s legacy. Their are so many sea-shanties ready for The Groggy Dogs to mine I was hoping to hear some more obscure covers and ‘Leave Her Johnny’ fits that bill perfectly. In sailor folklore ‘Leave Her Johnny’ was always saved for the very last duty of voyage. It dates back well before it first appeared in print in 1917 and exists in several forms but none quite as different as this one! Knowing you would soon be home would put the crew in great cheer so I’m sure their souls would well approve of the half-Ska/ half-Punk cheerful, bouncy tune given it here.

On their debut album I was especially impressed by the couple of instrumentals and am again here, starting with ‘Grog Party’. A true measure of a decent Celtic-Punk band is the ability to turn their hand to a trad song and here you would think them a Ceili band except for the thrashy guitar and Ska breakdown. Excellent stuff that would be welcome in any Irish public house in the world! The two pre-release singles for the album were ‘Old Maui’ and ‘The Dreadnought’. Another unusual sea-shanty classic and not one I had heard before. Telling of the true story of the ship of the same name, a clipper, built in 1853 in Massachusetts that was the fastest of her time until she sank while in Cape Horn in 1869. The band sing it kinda slow and sound incredibly like the band of the same name here.

Time for another of The Groggy Dogs ace instrumentals and ‘Grog’s Reel’ is another great mash up of trad Irish/ Celtic and more modern sounds without losing any of its old charm. We almost near the end and time for a more familiar song with ‘Katie Bar The Door’. The exact origin of the phrase, meaning ‘watch out, trouble is on its way’ is unknown but it originated in the southern United States and one possible explanation is it was taken from a Scottish ballad called Get Up and Bar the Door published in 1776. The lads be big fans of The Dreadnoughts album Legends Never Die as this another from it that sadly doesn’t differentiate too much from their version. The album’s curtain comes down with their third instrumental ‘The First Grog’ and again it is bloody marvellous. Mashing up the trad Folk melody with Punk, Metal, Ska, Reggae and still leaving it sounding like the song is from the 19th century!

The Groggy Dogs left to right: The Deadman (Lucas Hidalgo) – Drums * The Voodoo Witch (Fátima Caballero) – Violin * The Cap’n (Mauro Blanco) – Vocals, Guitar * The Cook (Carlos Ghirlanda) – Bass * The Buccaneer (Seba Santa Cruz) – Accordion *

A truly talented group and another great album from them. If I did have one slight criticism it is that they need to stamp themselves much firmer on the more popular covers but even these are excellent versions that more than give the band I have mentioned a run for their money. The production for the album is top class and the many Folk and Rock instruments merge together perfectly. The Groggy Dogs are definitely one to watch especially for those who prefer the ‘folkier’ side of Celtic-Punk but still with plenty of oompf to go along with.

Download Still Groggin’

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ALBUM REVIEW: THE GROGGY DOGS – ‘Grog O’Clock’ (2021)

Grog-fuelled, rum-thievin’ Punk Metal Pirate Band with a drop o’ Celtic on top!

Our last review of the year, we’ll see you soon, sees the debut album from Seville based Groggy Dogs. They be a pirate band that fuses Punk, Metal ‘n Ska wit’ sea shanties ‘n traditional Celtic melodies, achievin’ a forceful ‘n fun sound that invites ye t’ dance ‘n party wit’ a few grog jugs.

The end of 2021 saw a flurry of ‘Pirate-Punk’ releases to which we can now add The Groggy Dogs and their debut 8-track album Grog O’Clock. Based in Seville in southern Spain. The city itself is not that far from the sea which may explain why the guys set up a Piratey band. As we have said before there is no more than a fag paper between Celtic-Punk and Pirate music sharing many of the same tunes and songs and sea-shanties galore, as evident on Grog O’Clock.

The Groggy Dogs left to right: The Deadman (Lucas Hidalgo) – Drums * The Voodoo Witch (Fátima Caballero) – Violin * The Cap’n (Mauro Blanco) – Vocals, Guitar * The Cook (Carlos Ghirlanda) – Bass * The Buccaneer (Seba Santa Cruz) – Accordion *

We can thank the Covid lockdown for The Groggy Dogs as they were formed only in April, 2020 only a month after the worldwide lockdown began, with Mauro, already a veteran of several Celtic projects wanting to give the music a more forceful sound. Soon joined by several other musicians and being huge fans of traditional sea songs, the decision was to form a Pirate-Folk-Punk band.
“An unknown plague was sweepin’ the whole world when The Cap’n, marooned, realizin’ that his supplies were diminishin’, decided t’ embark on a new adventure in search o’ ports t’ plunder. He knew that his guitar ‘n his grog-worn voice wouldna be enough t’ navigate through the roarin’ seas ‘n winds so he united the crew”
This album has been out a while being released last April and just goes to show if you want a review then you have to send it us. We don’t need a CD just a download and away we’ll go. The album was recorded in mid-2020 and contains the perfect combination for drinking and having a great time with it’s mix of popular covers and original compositions. Starting off with the great instrumental ‘The Roaring Seas’ and maybe somewhat predictably but still very effective the sound of the shore is soon joined by accordion and then fiddle. Needless to say guitars start thrashing, drums pounding and bass throbbing before the song goes off in a unexpected tangent  of Ska and Metal. I love a bit of trad to kick things off and we next get the first of the covers and a thrashy energetic 18th century Irish sea-shanty ‘Ten Thousand Miles Away’.

Ska is never too far away and the song bounces along in that way that only Ska can do but the fiddle and accordion are pumped up loud (but perfect) in the mix and the song changes tempo several times but always remains tuneful. ‘All For Me Grog’ is another well known sea-shanty that tells of a sailor who sells everything he owns, as well as his wife, to pay for his distractions! The Dubliners had a top 10 hit with the song in 1967 which still remains the most popular version. This is followed by a companion song ‘The Wise Grog’ and another top notch accordion led Metally-Ska instrumental.

Next another well known standard of the genre ‘Drunken Sailor’ and again dating from the 18th century and from Ireland. This song could have been written to be turned into Punk so natural is it. Played fast and with plenty of chorus for the audience to join in on it’s no wonder it has become so popular. ‘The Ghost Of High Barbery’ dates even further back to the early 17th century and tells of a English ship being attacked by African pirates and having to defend themselves.

“For quarter, for quarter those pirates then did plea
But the answer that we gave them, was to sink them in their sea.”

(Directed and animated by Carlos Ghirlanda. Art by Martín Neironi and Agustín Capiglioni)

Not a song I’ve heard before but I love The Groggy Dogs version with it’s gruff vocals and speedy tuneful tune. ‘Botany Bay’ is also known as ‘South Australia’, under which title is was recorded by The Pogues, and is still a favourite of mainly Irish bands. The album ends with another brilliant instrumental and ‘Last Night’s Grog’ sees the album out with probably the best song and never do they sound more Gaelic! A fast, catchy, tuneful, uplifting instrumental to send us off.

Grog O’Clock was expertly recorded, mixed and mastered by The Groggy Dogs Cap’n and founder Mauro at Estudios Tomahawk. The sound is absolutely perfect and with all the instruments as clear as the proverbial bell! The whole album blends traditional Irish Folk and sea-shanties (sometimes the same thing) with more modern influences to make for something very good. The touches of Punk, Ska and Metal in The Groggy Dogs hands make for a brilliant sound. A forceful ‘n fun sound that invites ye t’ dance ‘n party wit’ a few jugs o’ grog (that’s enough of that- editor).

(You can stream / download the whole of Grog O’Clock on the Bandcamp player below)

Buy Grog O’Clock  CD-FromTheBand  Download-Bandcamp

Contact The Groggy Dogs  WebSite  Facebook  YouTube  Instagram

So that’s your lot for 2021. Our final post. Thanks for sailing with us and thanks for everybody involved in the site and everyone that has supported us over the last year. Happy to say that 2022 is shaping up to be a great year something for us all to celebrate. 

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