Category Archives: Holland

LQR’s ’10 PINTER’ FESTIVAL 2017

10 PINTER FESTIVAL- Bladen, Netherlands

Saturday 14th January 2017

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Last Saturday, Dutch folk punk band LQR (Liquor) celebrated their 10th anniversary with their own ’10 PINTER’ festival at Grand Café De Baron. At the entrance to the gig was a festival banner and a sign that says

“Tonight only: 10 PINTER (10%) – Limited Edition”

That’s right! LQR has their own beer. A blond Triple Grand Cru, and of course it’s named after their last CD ’10 Pinter’. They have their own LQR-coins specially made for the festival. No detail is spared, everywhere you look you see LQR on shirts, coasters, beer bottles etc. There’s even a bowl with pink M&M’s (with LQR on it) backstage.

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10 Pinter Beer Logo

The evening kicked off with the band Daisy Chain. Four ladies on guitar, banjo, bass and violin who play bluegrass in English, French and Dutch. Great opener! At the end of their set LQR jump on stage and join in and together they play a nice version of Dropkick Murphy’s ‘Rose Tattoo’. Meanwhile the place is absolutely packed and LQR start their set with ‘Muffins and Coffins’, normally the last song of a LQR gig. The set includes mostly up-tempo songs out of the 10 years of LQR. Halfway the set, accordion player Arjan calls on the audience to grab their phone’s and to film their next song, ‘Mis Amigos’, and send it to LQR’s e-mail address. The same trick they did in 2015 for the video of ‘Leprechauns’ which can be found at the end of this review.  The crowd goes mad when they play Gogol Bordello’s  ‘Start Wearing Purple’, which is always a personal favourite of the band. After over an hour they finish their performance with two Flogging Molly covers, ‘Black Friday Rule’ and ‘Salty Dog’. The crowd loves it! Next one up are the Hillbilly Moonshiners. A cover band who play pop and rock songs in bluegrass style. Hilarious is their version of Beyonce’s ‘Single Ladies’. An energetic set from the lads is driving people insane and there is a LOT of dancing going on. It is possible that some of it is influenced by 10 Pinter beer I’m sure! The last band of the night is LQR’s fellow Dutch celtic-punkers The Royal Spuds. They surely know how to party! The band keeps the energy level high with some great songs from their 2015 album It’s a Feckin’ Freakshow along with some older material and a few covers. At the end of the night LQR members Mark and Arjan join the Spuds for their last two songs, ‘Drunken Lullabies’ and ‘What’s Left of the Flag’, both Flogging Molly covers.

A great first edition and a roaring success that will certainly will have a sequel in 2018.

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Contact LQR

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  • You can read our reviews of LQR’s great 2015 EP A Touch Of Liquor here and their even better 2016 album 10 Pinter here.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2016!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

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TOP 25 CELTIC PUNK ALBUMS

1. THE RUMJACKS (Australia)-‘Sleepin’Rough’  Review

2. THE NARROWBACKS (New York)- ‘Arrogance & Ignorance’  Review

3. THE CLOVES AND THE TOBACCO (Indonesia)- ‘Across The Horizon’  Review

4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’  Review

5. THE WAKES (Glasgow)- ‘Venceremos!’  Review 

Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.

6. THE CLAN (Italy)- ‘All In The Name Of Folk’  Review

7. HOIST THE COLORS (USA)- ‘Mourners’  Review

8. SIR REG (Sweden)- ‘Modern Day Disgrace’  Review

9. FOX n FIRKIN (Australia)- ‘No Vacancy’  Review

10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’  Review

11. LUGH (Brazil)- ‘Histórias Do Mar’  Review

12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’  Review

13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’  Review

14. SIGELPA (Catalonia)- ‘Rabant Original’  Review

15. TENHOLES (Indonesia)- ‘Loyalty’  Review

16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’  Review

17. 13KRAUSS (Spain)- TheEnd Is Nigh’  Review

18. DRINK HUNTERS (Catalonia)- ‘Shameless’  Review

19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’  Review

20. THE MUCKERS (USA)- ‘The Muckers’  Review

21. LQR (Netherlands)- ’10 Pinter’  Review

22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’  Review

23. Всё CRAZY (Belarus)- ‘По Морям’  Review

24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’  Review

25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’  Review

A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!

TOP TEN CELTIC PUNK EP’S

1. MICK O’TOOLE (England)- ‘A Working Class Battalion’  Review

2. THE RAMSHACKLE ARMY (Australia)- ‘Whitewashed Graves’  Review

3. DRUNKEN FAIRY TALES (Russia) – ‘Пьяные Сказки’  Review

With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.

4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’  Review

5. MICK O’TOOLE (England)- ‘False Flag Collapse’  Review

6. BAY STREET BASTARDS (Canada)- ‘Small Batch’  Review

7. LEXINGTON FIELD (USA)- ‘Redwood’  Review

8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’  Review

9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’  Review

10.  BALSALL HEATHENS (England)- ‘Life’s Too Short’  Review

TOP TEN FOLK/TRADITIONAL RELEASES

1. ANTO MORRA (London)-’16’  Review

2. THE LOGUES (Ireland)- ‘Comin’ Of Age’  Review

3. MICKEY RICKSHAW (Boston)- ‘Wild Atlantic’  Review

Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.

4. ShamRocks (Ukraine)- ‘Captain’s Log’  Review

5. LARKIN (USA)- ‘A Toast To St. Jude’  Review

6. FOLK THE SYSTEM (England)- Unrest In The Wolds’  Review

7. SHAMBOLICS (Australia)- ‘Riot On Race Day’  Review

8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’  Review

9. SOLAS (USA)- ‘All These Years’  Review

10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’  Review

TOP CELTIC PUNK WEB-SITE

Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.

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Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.

We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

PADDYROCK

MacSLONS IRISH RADIO

CELTIC-ROCK.DE

remember any views or comments we would love to hear them…

Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.

“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”

Read our obituary for Erik here and raise a glass the next time you get the chance to.

 Rest In Peace comrade.

 Sláinte, The London Celtic Punks Crew- January, 2017

ALBUM REVIEW: BUNCH OF BASTARDS- ‘My Drinkin’ Ain’t Done’ (2016)

‘FULL FORCE FOLK’

from a Bunch Of Bastards from The Hague, Rotterdam and Dordrecht!

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I’m not sure quite what it is about the word Bastard in celtic-punk but their are a whole host of bloody brilliant bands about with it in their name. Think Mr Irish Bastard from Germany, Bastards On Parade (now shortened to just Bastards) from Galicia, Uncle Bard And The Dirty Bastards from Italy, Middle Class Bastards from Russia and Bastard Bearded Irishman from Pittsburgh in the United States. It’s just a shame we don’t have a decent band here in the UK to add! Well to this bunch of Bastards we can now add another Bunch Of Bastards from the Netherlands.

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Bunch Of Bastards left to tight: Cor- vocals * Huib- electric guitar and mandolin * Dex- bass * Andries- accordion * John- drums * Peter- electric/acoustic guitar and banjo

Coming together in mid-2013 the main inspiration for the band was accordionist Andries (better known in the celtic punk scene as Mr Dutch Irish Bastard) who has graced the stage with many of the top European celtic punk bands like Circle J, Mr.Irish Bastard (and even The Mahones)  and recorded with the likes of Bastards On Parade, Sir Reg, Greenland Whalefishers and Firkin. Fed up of being a guest he decided it was time to form his own band and vision and this is what he did, over what seemed like a loooong time to those of us watching on Facebook!

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perfect timing too as Feyenoord won the Dutch Cup yesterday beating Utrecht in the Final. well done from all your friends at Celtic.

(Listen to one of the tracks from the album here but it was recorded at their 5th gig sometime ago so they have moved on and got much tighter as a band since then. Just to give you an idea!)

And so the trials and tribulations sorted The Bunch Of Bastards began to play live and picked up some nice support slots along the way before they released My Drinkin’ Ain’ Done their debut long player to an eager and awaiting public. Now Holland has some amazing bands like Circle J and LQR both of whom we have featured recently and the Dutch celtic-punk scene is famous for not solely sticking to celtic music allowing other genres and influences to seep in. Bunch Of Bastards keep it mainly celtic and punk though and is no poorer for it.

BOB3We get fourteen songs lasting exactly fifty minutes and like all the aforementioned bands its all brilliant stuff alright. From the first bars of opening song ‘Lucky Break’ the mandolin kicks it all off before the whole band join in and its great joyous sounding music even though the story is about one of life’s losers. ‘Back In The Day’ follows and ‘Middle of Nowhere’ and the pattern is forming. The music is fast and definitley on the folky side without being any less punk. Shouty vocals that fit in perfectly with gang choruses (that I especially loved) and the production is amazing. All the instruments are clear as crystal with Cor’s vocals over the top they have got everything just right here. We all here in England never cease to be amazed how well the Dutch speak English and here they sing in it as well as one or two English bands I could mention! The lyrics are all pretty damn cool as well. Mostly dealing with the downside of life but the music is never less than uplifting even if the tales sometimes aren’t! The first signs of that famous Dutch style is, unsurprisingly, next on ‘Katuska Kalashnikova’ where Andries lets his accordion do the talking and some great Russian/eastern European music seeps in. ‘Hey Barkeeper’. next and from the off its as catchy as hell, accordion and vocal led. The mix is great with the balance just right and fitting the Bunch Of Bastards sound perfectly. This is followed by ‘Sky Over Rotterdam’ which tells the moving and emotional story of the bombardment of Rotterdam by German planes during World War 2. Desperate to destroy the city and its manufacturing base hundreds of people per week starved to death or were killed in the bombing.

“The sky over Rotterdam is so peaceful now
But my old man, he still remembers how
That war made that sky such a restless place
And airplanes were never hard to trace
First them planes brought war, then they raised hopes high
And in the end, they dropped food from the sky
The sky, the sky, the sky, over Rotterdam”

The song celebrates the ending of the blockade and the allied food drops into the city that saved countless lives. The song is Andries Dad’s war time memories as a kid in Rotterdam. He wrote them down and Andries made them into first a booklet and later into this song so when I said it was moving and emotional you can bet it is. ‘Sing With Us Bastards’ sounds like a celtic-punk Toy Dolls and the humour is self evident. Not much of a story to this one but

“we are part time punks but full time folkies”

its a happy pint in the air moment before ‘Michael Malloy’ tells the true story of a homeless Irish man in New York who is famous for surviving a number of murder attempts on his life by five friends, who were attempting to commit life insurance fraud. Iron Mike (or Durable Mike) was originally from Donegal and was a fire fighter till he fell on hard times. After several attempts he was finally finished off but his murderers were caught and all bar one went to the electric chair.

“not easy to kill Michael Malloy, this tough Irish bloke was hard to destroy”

‘Run’n’Drink’ is another ode to the pint and the Bunch punk it up for this but you still get plenty of accordion for your ear holes. Not remembered much these days but Holland was very much a colonial power back in the day and like most of the European countries that dabbled in imperialism they have lots to be ashamed of. Don’t get me wrong though pretty much every country in the world has something that they are embarrassed to teach in schools. ‘The Dutch’ tells of their role in slavery in times past and smuggling in modern times. AS usual the Ruling Classes have a lot to answer for. They slow it right down for ‘Live Again’ and a beautiful song about a loved one slipping away. ‘Let’s Call It A Day’ again has a strong and positive message like a lot of the lyrics on My Drinkin’ Ain’t Done. We have all got pissed, nicked, left, beaten up etc., haven’t we but the pain soon goes and what better advice than

“head’s up tomorrow and you will be okay”

Catchy is not the word for ‘Many a Good Reason’ as again the Bunch give us a brilliant drinking song. The Dutch know plenty about the pleasures of alcohol and its celebrated here in song and ‘Many a Good Reason’ is as good as they get. Definitly one of the album highlights!

So fourteen songs and fifty minutes worth of quality celtic-punk comes to an end with the only cover and it’s a good one in both choice and execution. Traced back to the 17th century and made most famous by The Dubliners and later Thin Lizzy ‘Whiskey In The Jar’ is a classic Irish folk song and well deserving of its place too. Bunch Of Bastards give it plenty of oompf and bring the curtain down on the album very nicely indeed.

BOB UK TourWell what to say except we are not even half way through 2016 and already we have a tonne of fantastic album’s challenging for that coveted Album Of The Year award. Here is fifty minutes of some of the best celtic-punk you are going to hear this year I promise you. Now for the good (and bad) news. Bunch Of Bastards are heading over to England in early May but the bad news is they are sadly not coming to London. You can still catch them playing three gigs around Hampshire and Shropshire. They play 5th May at The Vaults in Bishops Castle, 6th May at Percys in Whitchurch and 7th May at The Bear in Bridgnorth. The support for all gigs will be Paul Henshaw and friends so if you fancy a few days away in a lovely part of the country then there’s your chance. I just might join you! 

Buy The Album

FromTheBand (merchandise page) or e-mail info@bunchofbastards.nl

Contact The Band

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(great and very interesting interview with Andries and Peter from the band here)

ALBUM REVIEW: LQR- ’10 Pinter’ (2016)

Six southern Dutch guys with a passion for Irish folk, steaming Americana, solid rock and Irish whiskey.

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Back in 2014 we reviewed an early EP, ‘A Taste Of Liquor’, from these Dutch guys from the town of Bladel and we really loved it. Equal parts Irish folk and punk rock but it rocked a brand of celtic-punk that’s also tinged with country and bluegrass as well. A mish-mash of influences with ska and country mingling with celtic-punk but with the spotlight on the accordion and mandolin even though the rock’n’roll was pumped up to ten. With ’10 Pinter’ LQR follow much the same path and we are glad of it as they have delivered an extremely solid of album of ten songs that deserve to be heard.

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from left to right: Wim van Doren: solo guitar, Mark Kremers: lead vocals, Martijn Cuypers: drums and backing vocals, Arjan Bogaerts: accordion, Paul van den Boomen: bass and backing vocals, Tim Maas: acoustic guitar and mandolin

Again its the accordion that dominates proceedings and straight from album opener ‘The Application’ you can hear those influences flowing in and out of the absolutely amazing accordion playing. A tale of arguing with the Grim Reaper and its not yer usual celtic-punk lyrics about fighting and drinking. You’ll have to wait to see if they come along! I’m a massive fan of the American band Calexico and following song ‘Mis Amigos’ has a touch of them but with an added touch of ska. Great lyrics about being in a band and the camaraderie of spending all that time together and the shared adventures.  The Bhoys head next to Ireland for a silly wee song dedicated to them mythical creatures out of mythology. Or are they? My Grandad swore blind they existed as did many of his generation.

‘Leprechauns’ take their place among vampires and zombies and the hilarious lyrics and country tinged country tune rattle this along very nicely indeed.
“He’s a riddle man, pranks and jokes,
Four leaf clover, pot of gold,
Crafty shoemaker, fairy or faun,
Hard to get, bastard leprechaun”
you may be surprised that a band that is called LQR that embraces the imagery of alcohol so much can actually have something meaningful to say and if your’re waiting for those songs about fighting and drinking let me save you the bother they never come. There is much more to LQR and like celtic-punk itself, there is no harm in those songs but it cannot be all about that. ‘Bully The Bullies’ stands up for those that society or at least the wankers in society deem different and its uplifting and hopeful words drift along with the song. Next up is ‘Gravy Train’, an album  standout and tales of band life. Great electric guitar work here and a catchy as hell tune combining. Love it! ‘Na Zdrowie’ is Polish/eastern European tinged folk punk but still with that unmistakeable LQR sound. Na Zdrowie meaning “Cheers” in Polish so I guess you can call this the drinking song!

A great foot tapping instrumental that starts off slower before going downright mental and more superb accordion and mandolin, though also backed superbly by the rest of the band, they kick up a right old storm. ‘The Flying Dutchman’ is begins as a Springsteen-ish ballad before launching into more LQR fast paced tune. The Flying Dutchman seems to pop up a lot in celtic-punk with several bands using the tale of the legendary ghost ship. A ship that can never make port and is doomed to sail the oceans forever. For sailors the sight of this phantom ship is a portent of doom.
“His last words echoed in the storm
Rain or shine, we’re sailing on
If we have to sail for eternity
we’ll leave today, onwards to sea”
LQR‘Misery Loves Company’ is the most celtic-punk tune and though not quite full throttle it steams ahead at a grand old pace and touches of cèilidh in there along with a stack of other influences. As with the rest of the album the lyrics are crystal clear and these lads can certainly write a good tune but not just that their lyrics are interesting and worth paying attention to as well. Some great bits of humour but also they are not afraid to touch on some sombre topics as well. ‘Silent Witnesses’ is the albums slowest track and its swirling accordion led dark tune fits the equally dark subject matter perfectly.
“Settle the score, An eye for an eye
There’s always someone
who pays the highest price”
10 Pinter comes to an end with ‘The Race’ dedicated to the joys of speedway. I had no idea how popular speedway was in Europe till a Polish mate told me it was bigger than football in some places in Poland. Fittingly the song carries a extremely catchy tune guaranteed to get that foot going at the very least and ends with some manic accordion. Taking us out just as we came in.
“Ride to live, Live to ride”
So ten great songs that last just over forty minutes and keeps up a relentless pace throughout. Some celtic-punk bands feel like they need to throw in a ballad or two just to prove they can play their instruments but LQR don’t feel they need to and bloody right too. A full on party band that I am sure would give you no time to rest your feet live. coming across sometimes as the most mental cèilidh band you’ll ever hear and other times as the most mental country band you’ll ever hear LQR certainly know their folk tunes and history. All wrapped up in a really really nice digipak with loads of band photos and lyrics and looking as nice as any CD I have ever seen. We don’t mind bands sending us downloads for review. I always figure their better off selling that copy rather than sending it me but LQR have produced sometimes really really special so you can forgive them for wanting everyone to know about it!
(you can listen to the album for free on the Soundcloud player below)
Buy The Album
CD Baby (for $0.99 aye you read that right that is the correct price!!)
Contact The Band

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2015!

Best Of 2015 (2)
One of the best things about doing this here blog-zine is the end of year ‘Best Of’s’. This is our chance to reward, for what it’s worth, and recommend those releases that tickled our collective fancies over the last twelve months. Where as in 2013 the Best Of’s were dominated by local bands and releases and in 2014 it was international bands that stole the show this years is more of a mix of the two. No shocks at the top I’m afraid. It was always going to be a slug out between the big hitters of celtic-punk with The Rumjacks just shading it from the The Mahones by the slightest of margins. One of the team commented that the only difference was that ‘The Hunger And The Fight Part 1’ was slightly better than Part 2. In third place came 1916 out of New York who only just sneaked in with the December release of ‘Last Call For Heroes’. The album came out so late we didn’t even get a chance to mention it let alone review it nevertheless it blew us all away with their brilliant combination of rockabilly and celtic-punk. Another one to file in the ‘shamrockabilly’ category. Overall no major surprises and all four admins lists pretty much tallied up with each other but it’s especially great to see some non-English speaking bands in there as well as some bands that were new to us in the last twelve months. I was particularly happy to see Skontra and The Cundeez make the grade representing celtic-punk as played in the celtic nations. As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review. If your album is not here do not be downhearted. These twenty album’s are the tip of the iceberg of what was released last year in what was an outstanding year for celtic-punk. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

TOP 20 CELTIC PUNK ALBUMS

1. THE RUMJACKS- ‘Sober And Godless’  (here)
2. THE MAHONES- ‘The Hunger And The Fight Part 2’
3. 1916- ‘Last Call For The Heroes’ (here)
4. FEROCIOUS DOG- ‘From Without’
5. THE GREENLAND WHALEFISHERS- ‘The Thirsty Mile’  (here)
6MR.IRISH BASTARD- ‘The World, The Flesh & The Devil’  (here)
7.  THE DEAD MAGGIES- ‘Well Hanged’  (here)
8THE GO SET- ‘Rolling Sound’  (here)
9. MICKEY RICKSHAW- ‘No Heaven For Heroes’  (here)
10. HAPPY Ol’ McWEASEL- ‘Heard Ya Say’  (here)
 11. JASPER COAL- ‘Just The One…’  (here)
12. THE CUNDEEZ- Sehturday Night Weaver  (here)
13. THE FATTY FARMERS- ‘Escape From The Dirty Pigs’  (here)
14. THE SHILLELAGHS- ‘Bury Me At Sea’  (here)
15. JOLLY JACKERS- ‘Sobriety’  (here)
16. MALASANERS- Spanish Eyes’  (here)
17. SKONTRA- ‘Foguera’  (here)
18. THE WAXIES’ ‘Down With The Ship’  (here)
19. KITCHEN IMPLOSION- ‘Selfish’
20. THE TOSSPINTS- The Privateer  (here)

TOP TEN CELTIC PUNK EP’S

Now onto the EP’s. These are classed as shorter usually four to six songs long and around anything right up to 15-20 minutes long. No shock here at number one as a unanimous vote saw this years new band of the year Mick O’Toole walk away with the title. They have been a solid fixture during the year building up quite a reputation and following. At number two it’s long been a well known secret that Indonesia is a hotbed of celtic-punk and Dirty Glass are one of the best bands in their flourishing scene and ‘Drunken Summer Nights’ ran O’Toole very close while another English band came in third. Matilda’s Scoundrels really hit the heights in 2015 and just like Mick O’Toole bigger and better things await them in 2016. The rest of the list is made up from bands from across the globe with Slovenia, South Africa, Hungary, Catalonia, Russia, Holland, France and Yorkshire all making the list.
1. MICK O’TOOLE- ‘1665 Pitchfork Rebellion’  (here)
2. DIRTY GLASS- ‘Drunken Summer Night’  (here)
3. MATILDA’S SCOUNDRELS- ‘Split w/ The Barracks’  (here)
4. ZUNAME- ‘Pipes Not Dead’  (here)
5. THE HYDROPATHS- ‘Wailing Away’  (here)
6. SOUTH SHORE RAMBLERS- ‘Open Room Sessions’  (here)
7. O’HAMSTERS- ‘Kiss My Irish Ass’  (here)
8. LOCH NESZ- ‘Leave The Captain Behind’  (here)
9. CIRCLE J- ‘Year Of The Goat’  (here)
10. SIGELPA- ‘Ens Van Diagnosticar Un Transtorn’  (here)
11. THE MOORINGS- ‘Nicky’s Detox’  (here)

TOP TEN FOLK/TRADITIONAL RELEASES

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved each of them all to bits. If you like celtic-punk then you should not be afraid to give traditional folk a listen. Most of it is more punk than punk these days you know. It’s a direct link to the music that inspired celtic punk music and their are some amazing bands and performers out there. Hard to decide which order they should go in especially as O’Hanlons Horsebox could have just as easily won this years Best Celtic Punk Album as well! This is how the Top Ten ended up.
1. O’HANLONS HORSEBOX- ‘Songs And Stories From The Border’  (here)
2. BARRULE- Mannannans Cloak’  (here)
3. LE VENT DU NORD- ‘Têtu’  (here)
4. BRYAN McPHERSON- ‘Wedgewood’  (here)
5. THE RATHMINES- ‘Ramblin With The Rats. Stolen Songs of Struggle’  (here)
6. ANTO MORRA- ‘Boudicca’s Country’
7. JACK OF ALL- ‘Bindle Punk’  (here)
8. JOHNNY CAMPBELL- ‘Hook, Line And Sinker’  (here)
9. FFR CELTIC FIESTA- ‘Fresh Blood’
10. THE PROCLAIMERS- ‘Let’s Hear It For The Dogs’  (here)
11. SKWARDYA- ‘Domhwelyans/ Revolution’

TOP CELTIC PUNK WEB-SITE

Celtic Folk Punk And More BlogAgain Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.

* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.

 Sláinte, The London Celtic Punks Crew- 2015

all the major players in celtic-punk do Best Of lists so click below to check out what they thought

CELTIC FOLK PUNK AND MORE

CELTIC-ROCK

PADDYROCK

MacSLONS IRISH RADIO

remember any views or comments we would love to hear them…

EP REVIEW: DRUNKEN DOLLY- ‘Drunken Dolly And The Drunken Mans Curse’ (2015)

Happy rocking celtic folk punk party music from Rotterdam

Drunken Dolly

Funny how things go and only a few days after reviewing the new album from Dutch band Pyrolysis another new release from a Dutch band lands on the London Celtic Punks doorstep. Although relatively new to us Drunken Dolly have been together for six years but ‘Drunken Dolly And The Dead Mans Curse’ is their very first release and we can safely add about bloody time too.

The EP begins with the title track ‘Drunken Man’s Curse’ and from the very start what grabs you is that Drunken Dolly have both mandolin and banjo players and superbly played they are too. It is becoming more common these days and the sound it produces makes for some excellent music. Along with the thrashing guitar and frantic drumming they kick up a right auld celtic punk storm with this tale of a drunken night on the lash.

“You’re drunk and you fell in love
But it’s probably the drunken man’s curse
your front-door key is not your friend you see
When you’re under the drunken man’s curse”

Next up is ‘Humongous Tattooed Arms’ and more of the same with the mando and banjo dualing away but what really grabbed me is the rather sweet and tender lyrics of the song. Telling of a sons love for his father I have to say I am rather jealous of songwriters who can capture life in such a powerful and meaningful way. Well done DD!

“A sleeve full of memories, each picture a story
I’m so proud to be a part of that arm.
Anchors, bottles, ships and a picture of me
as his lucky charm”

Drunken Dolly pay tribute to the biggest day in the celtic-punk diary next with ‘St. Patrick’s Day’. A perfect combination of the best bits of The Pogues and The Clash combining for a real proper catchy tune.

 ‘That Kiss’ brings the EP to an end and again there is no let up with the music coming at you fast and furious. Banjo kick starts it and before long you’re swept away with the highlight of the EP that would easily grace any of the celtic-punk scenes biggest hitters.

DrunkenDoll

Drunken Dolly left to right: Scott: drums * Randy: electric guitar * Michael: mandolin * Kevin: bass guitar * Gydo: banjo * Lead vocals: Michael and Kevin * Backing vocals: everyone

It may not be very long at just over ten minutes but this is as good a EP as has been released this year. Four songs of fantastic celtic-punk that is firmly within the Dropkicks camp but will equally appeal to fans of the Mollys too. I may be new to them but will be following what they do very closely from now on and I suggest you do too.

(to listen to ‘Drunken Dolly And The Dead Mans Curse’ press play on the Bandcamp player below)

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here’s a full concert from the Bhoys 

ALBUM REVIEW: PYROLYSIS- ‘On Mountains High I Stand’ (2015)

Five crazy Bruchem people. Let them explode. Get a joyful mix of celtic, punk, rock, and folk.

That’s Pyrolysis!

PYROLYSIS- ‘On Mountains High I Stand’ (2015)

On first listen this seems a rather odd album here from Dutch folkies Pyrolysis that sits very nicely on the folkier side of celtic-punk. Repeated listening to ‘On Mountains High I Stand’ reveals a really nice traditional folk sound that isn’t afraid to go heads down into celtic-punk territory sometimes. The band I am most reminded of here is The Whisky Priests who flamed very brightly cross Europe in the 90’s with their unique brand of Geordie (Newcastle) English folk-punk music. The album begins with a pirate-punk song called ‘Yarr’ and from the off you can tell this is not going to be an album you will be able to pigeonhole easily. A quest for adventure and treasure while plundering and drinking! The accordion reigns here and in pretty much every song is the dominant instrument.

The band sing of their love for whiskey in ‘Black Grouse Noise’ which adds in electric guitar for the first time and Pyrolysis show their punkier side. ‘Face’ starts and within the first few bars you’re not quite sure whether its heading in a punk, ska or folk direction and in the end it ends up as a heads down rock number with distorted guitar and gang vocals but its the addition of Hammond organ that brings the song out of the ordinary. On ‘Morrison’s Jig’ the band go all out traditional and fiddle and bodhran are to the fore and they pull it off admirably. A real barnstormer this. One of the absolute album stand out tracks is ‘Battle Cry’ and to fully appreciate the song watch it with the video below.

The electric guitars are a wee bit subdued and the accordion and vocals shine right out at you.

“The grace of God from far above
Is nowhere to be found
The helmet are the sight
And the horns they are the sound”

A very definite Scottish folk sound here with the occasional nod over to the Emerald Isle and ‘A Song Called Cheese’ shows a lighter side to Pyrolysis and their sense of humour. The flute pops up with a thundering bass in the back ground and a real foot tapper begins. Sounding rather like celtic-indie they may have started their own genre but ‘Wake’ returns them to their folk roots.They pull off a fantastic version of ‘Wind That Shakes The Barley’ next and breathe new life into this classic song. Beginning with piano and then closely followed by fiddle this is an extremely well played and catchy instrumental tune. The song ends and instantly cracks into ‘Loch Lomond’ and the switch from Ireland to Scotland is at its most blatant with this superb acapella version of this classic traditional song first published back in 1841. Its origins are unsure but the most popular theory is that it is connected to the failed Jacobite Uprising of 1745 and that the lyrics describe a lover of a captured Jacobite rebel set to be executed in London. The heads of the executed rebels were then set upon pikes and exhibited in all of the towns between London and Edinburgh in a procession along the ‘high road’, the most important road, while the relatives of the rebels walked back along the ‘low road’, the ordinary road travelled by peasants and commoners.

“O ye’ll take the high road, and I’ll take the low road,
And I’ll be in Scotland afore ye,
Where me and my true love will never meet again,
On the bonnie, bonnie banks of Loch Lomond”

The version performed by Pyrolysis is best remembered by the legendary English 60’s folk group The King’s Singers with the second and third verses originally  by a bass and tenor (listen here) but Pyrolysis have added female vocals and it sounds great. In its native Scotland the song is often the final piece of music played after an evening of partying though here though it signals just over half way point of the album. ‘Salvation’takes them in another direction and reminds me a lot of The Men They Couldn’t Hang before it gets going and goes off in a pop-punk direction. ‘Standing Tall (Above It All) takes a harder musical approach with you thinking its really going to take off before it slows down again before the chugging guitars come in. Possibly the most celtic-punk sounding of the albums tracks I would say with the electric guitars sounding terrific. ‘Life At Morrisons’ is another stand out and again i think the guitars could have done with being turned up a tad but a great song that rattles along with distorted guitar and harmonica pushing it along. A great drunken video clip is worth a watch. Great fun and filmed in Morrisons Irish Pub in their home town of Rossum in the Netherlands.

The album is coming to an end and ‘Lets Do It Now’ is a short punky number that shows that Pyrolysis can turn their hand to traditional punk as well as traditional folk music! ‘Rofuss’ is the final track and is the albums most epic and ambitious song. A long rambling track of flute and bodhran and fiddle and voice and all manner of instruments that perfectly shows Pyrolysis talents.

left to right: Tim Elfring (Bass & Backing Vocals) Laurens Krah (Keys & Accordeon) Rikke Linssen (Violin & Backing Vocals) Stan Eimers (Lead Vocals & Drum) Sven Schipper (Guitar)

Pyrolysis from left to right:
Tim Elfring (Bass and Backing Vocals) * Laurens Krah (Keys and Accordion) * Rikke Linssen (Violin and Backing Vocals) * Stan Eimers (Lead Vocals and Drum) * Sven Schipper (Guitar)

Formed only five years ago this album is a follow up to the 2012 mini-album/EP ‘Remedy For The Night’ and is ever so slightly a wee bit unpolished but so what. Since when has music been about perfect production. Celtic music is music to be enjoyed live and this album has a real good live feel to it and that is what makes it such a fun listen. Fourteen songs that take just over forty minutes to play so the songs rattle along at a fair old speed and there’s no pause for breath. I can easily recommend this album for you. I have been playing it here at London Celtic Punks headquarters and have seriously enjoyed this infectious romp through celtic-folk-punk.

(to hear the whole of ‘On Mountains High I Stand’ press play on the Bandcamp player directly below. Click on the link below the player to buy the album.)

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and finally just in case you were wondering (I had to look it up myself!)

pyrolysis (paɪˈrɒlɪsɪs)

noun

  1. the application of heat to chemical compounds in order to cause decomposition
  2. chemical decomposition of compounds caused by high temperatures

ALBUM REVIEW: CIRCLE J- ‘Year Of The Goat’ (2015)

Hard hitting celtic punk from the Lowlands

Circle J

Grab your pint, put your fist in the air and scream along!

The first ever gig we ever put on under the banner of London Celtic Punks was way back in August,2009 and starred these fantastic celtic-punkers from Holland. Since then they have popped up on the internet loads and despite releasing a cracking album, ‘Weekend Warriors’, in 2010 and an even better EP, ‘Diggers’, in 2012 they have not really been recognised much on this here web-zine. This we will rectify today with a review of their new mini-album. Too big for a EP and not big enough to describe as an full album ‘Year Of The Goat’ is seven songs and over twenty minutes of celtic-punk delight!

Circle J Live

left to right: Ed, Jasper, Tomba, Remi and Marianne

Formed back in 2002 every release by Circle J has been received extremely well by both fans and critics alike and with ‘Year Of The Goat’ you get pretty much more of the same but hey that’s no bad thing when that same is as good as Circle J’s. Their reputation has spread well beyond their native Netherlands too as shown by their recent announcement on their Facebook page

“Circle J finally tops the charts! More than 6000 illegal downloads from a certain kind of torrent-site in 3 days. It won’t pay our bills, but it’s kinda funny and punk”

so no one can accuse them of being devoid of a sense of humour!

The album begins with ‘The Ones We Left Behind’ and the bagpipes and banjo and electric guitar throw up an almighty clash and we get off to an almighty start. Over before we know it and ‘Fields of Pretend’ comes  right up at ye! Again the electric guitar drives it along and keeps proceedings firmly in celtic-punk territory. Jasper’s furious banjo picking comes out nice and clear and if you like that sound then Circle J are one of the best bands in the scene. Two songs in and the energy level is busting through the roof!

The whole band is giving it their all but even Circle J cant keep it up for ever and they slow it down a wee bit for ‘Warrior Monkey Princess’ with tin-whistle shining through and Tomba sounding like an American pop-punker . The song may be slow but still has a heavy sound and the electric guitar is still present and they cant resist speeding it up near the end anyway! ‘Lost And Found’ could easily be any number of recent English bands we have reviewed here like Jack Of All and Under A Banner. Beginning with acoustic guitar the song gets well under way before the rest of the band join in. An under stated song but one of the stand outs for me. ‘Jenny’s Song’ returns Circle J to what they do best a rocking celtic-punk number with the band playing very strongly together and the chorus of ‘sha la la’ ringing in our ears as well as a few Oi! Oi! Oi!’s as well.

Sadly ‘Year Of The Goat’ is coming to and end and ‘Beyond the Edge’ continues with the drums, metal guitar, mandolin kicking of a hell of a racket before Tomba’s voice comes in and the track sails off with him crooning away. The whole thing ends with ‘Knockapoulka’ a grand old Irish traditional stylee instrumental with… watch the video below and you’ll get the gist. Getting faster and faster you can bet this song has seen plenty of beer spilt in its time. Not a favourite of the person who has to clean up after the gig I would imagine. Short and sweet, a lot like the whole thing to be honest.

Circle J are certainly one of the European celtic-punk scenes more famous and popular bands and deservedly so. They tour like mad and their record releases are without doubt regularly among the best when end of year polls and Top Tens are done. We are ever hopeful they will return to these shores again soon and we’d just like to add that in those six years we have got a lot better at organising things as well!! Watch out for Circle J washing up in your town or at nearby festivals and get on your toes to catch them. You will not regret it!

Year Of The GoatBuy The Album

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*there’s a great review of ‘Year Of The Goat already posted in the excellent  ‘Celtic Folk Punk And More’ web-zine site here be sure to check it out.

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