Category Archives: Japan

ALBUM REVIEW: ANGRY McFINN AND THE OLD YANK- ‘Songs of Whiskey, Women & War’ (2019)

Two Finns, A Yank and three Japanese making Irish flavoured tunes in the craziest city in the world.

A group of drunken musician from all over the world who met up in Tokyo to play aggressive Celtic-Folk-Rock telling tales of drinking, relationships and war.

Angry McFinn And The Old Yank were formed in the Japanese capital of Tokyo in May 2014 by Irish-American Dean Lewis. Dean had grown up listening to a sweet mixture of Appalachian country music and The Beatles. From the age of five he was writing poems and songs so fast forward to the adult Dean and he could be found in the famous bars and clubs of the Sunset Strip in Los Angeles. Then after a visit to Tokyo and falling in love with the city he turned his back on his old life and packed his bags and set off for a new life. Settling into his new life playing the occasional solo gig he had continued to write songs and so it meant to sense to start thinking of playing them so one night in 2014 near the famous Nihonbashi Bridge, Dean was chatting to an auld friend, a Finn named Petja Marttinen. Now despite knowing Petja for years he had never mentioned before that he was a classically trained musician who had even spent time in Ireland playing jigs and reels in local Irish bands. So as they chatted over a few pints of Guinness Dean asked Petja if he knew anyone interested in playing traditional Irish and American folk music with an attitude? Petja quietly said, “I know someone” and so Angry McFinn The The Old Yank was born that very night. Over the next few years the band grew quickly and with the the band now consisting of a stable and regular line up of Dean Lewis on acoustic guitar and lead vocals, Petja Martinnen on mandolin and fiddle, Yosuke Iwanaga on fiddle, fellow Finn, Petteri Pussinen on electric guitar, Nobu Kimura on bass guitar and Giant Sakimura on drums and bodhran. Regular gigs around the city saw their reputation flourish and so it was time for them to get some recording done and the result has been their debut album Songs of Whiskey, Women And War.

(Opening their set at their spiritual home the What the Dickens pub in Tokyo. May 2018)

The album begins with ‘Seamus’ and from the very off you know what’s coming over the next three quarters of an hour. Gaelic fiddle over fast paced Irish tinged folk music that builds and builds and gives plenty of scope for some audience participation too. I bet this goes down well at live gigs. The song tells of Seamus T. O’Malley a brave son of Ireland from Boston who took his fight to the Germans in WW2 and kicked everyone’s arse but still ended up answering to a French girl in France. Another sad one next with ‘Bitter’ but wrapped again in a joyous romp of a song and told with a bit of black humour of a relationship breakdown. The fiddle is more reserved here leaving the mandolin to take the lead alongside Dean’s great vocals. His love of Appalachian country shines through and here on ‘Bitter’ where the music is clearly influenced by Country music it works absolutely perfectly which is not to say he can’t belt out a Celtic-Punker with the best of them!

The pace returns with ‘Making Whiskey’ and the tale of making the “water of life” again its influenced by Country but the Gaelic is never too far away. It’s catchy stuff and reminds me of fellow Japanese bands The Cherry Coke$ and Royal Shamrock and even though the style of music is different they all play with a wild abandon that is a joy to listen to. That said on ‘Burn’ they slow it right down and as we know no Celtic-Punk album is complete without a couple of sad ballads! Adding in some heavy guitar licks and some fantastic fiddle alongside Deans mournful voice keeps the toes tapping (or thigh slapping in my case) while the songs builds towards the end and ends loud and proud. One of the highlights of the album without a doubt. ‘Never Was Your Friend’ starts off slow but soon kicks into another Celtic knees-up with more bitter tale of life and the shite you have to put up with just to get by. The album’s only cover is up next and is a good choice in the wonderful anti-war song ‘Mrs. McGrath’ with its fantastic chorus. Recently made famous by The Boss himself (here on You Tube) on his 2006 roots album We Shall Overcome. Brought to the USA during an Gorta Mór (the great hunger) in the mid-19th century the song is soon adapted as a marching song by Irish soldiers fighting in the American Civil War.

The version here sails closely to both the Bruce Springsteen version and the more traditional folk standard. An excellent song that portrays the horror of war and its effects with Dean’s voice on the album never better than here. ‘1017’ is next and we are back into the Celtic/Country fusion that has worked so well for Angry McFinn And The Old Yank so far. The mystery of the opposite sex is explored while Dean plays in a bar wondering where all the years have gone. Again its a sad song wrapped up in a real stomper of a tune. One of the outstanding things about this album has been the songwriting and it’s clear that Dean’s experiences across continents has paid dividends. On ‘Sally’ while the song has more than a tinge of Flogging Molly about it to my ear it’s the lyrics that really got me so no excuses for re-printing them all here so you can sing along to the video.

(The video for ‘Sally’ is a early versions of the track on the album. The song here represents the band before fiddle and electric guitar added to the mix)

“Sally, my lovely one, where have you gone? Fair thee well my chosen son, now here’s your gun. We marched all through the winter time. Summer has now come. But Sally, my lovely one is gone. Sally, my chosen one, you’ll not reckon’ me. I’d like to think when we were young that you’d have married me. But a hussar’s blade took away my smile and a dragoon my left eye. Sally, my lovely one, goodbye. Take me away, to the rolling hills of old. Take me away, to where the winter is never cold. Take me away, to the sunlight in her hair. Take me away, take me away from here. Sally, my broken one, I ask one thing of thee. If you’ll do me this one kindness, my soul will be set free. Tell my kin, tell all of them, to drink to me in Hell. Sally, my lovely one farewell. Take me away, to the cherry blossom spring. Take me away, to where my love, she wears my ring. Take me away, to where the guns they ring no more.. Take me away, to where she waits behind my bedroom door. The things I used to do with you, the summer rains, the morning dew. The long walks in the fields of green the way you used to dance and sing. They took away your soft caress, replaced it with a gun and death. They took away my light of day, now only pain and sin remain. So not the part I longed to play, a false flag led me far astray. They took my heart, took my name, and took away every damn thing that day. They took you away.”

We are sailing up to shore and the penultimate song ‘Whiskey & Blood’ is the album’s second ‘ballad’. A it of epic as at just over six minutes it’s the longest song on Whiskey, Women And War but the vast majority of songs here all hover around the four and half minute mark giving them plenty of scope to develop. A slow song that belies it’s length and seems over far too quickly leaving us with just ‘Pirate’s Life For Me’ to wrap the album up. Another one that’s a bit of a epic at five and a half minutes and winds proceedings up nicely with a lively and jolly sea bound number.

Angry McFinn And The Old Yank left to right: Yo Iwanaga – Fiddle * Petja Marttinen – Mandolin *  Dean Lewis – Vocals/Acoustic Guitar * G’ian Sakimura – Drums * Nobu Kimura – Bass * Hubert Benke – Electric Guitar * (electric guitar on album was – Petteri Pussinen)

Loud and brash but often quiet and reflective Angry McFinn And The Old Yank have produced an outstanding debut album and though it makes for an emotional ride it’s also played for fun with I am sure audiences cheerfully singing along and relating to the songs. Watch out for these Bhoys they are going places!

Buy Songs of Whiskey, Women And War  CDbaby

Contact Angry McFinn And The Old Yank  WebSite  Facebook  YouTube

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

2018 REVIEW ROUND-UP’S. PART THREE: USA AND JAPAN- THE CHERRY COKE$, THE GODDAMN GALLOWS, RAILROAD EARTH

Here is Part 3 and the final part of our 2018 Round Up’s where we catch up with the releases that we couldn’t give a decent review to first time round. I would make it a new year resolution to do better in 2019 but feel I can’t as the amount of excellent releases we receive far exceeds our ability to review them in time, but we are getting better! We don’t want to dilute our reviews or hurry them so hopefully you will understand the thought and work that goes into our reviews and forgive us. Today we go to the north America and also fit in one of the best Celtic-Punk bands in the world from Asia. Each and every one are worthy of your time so go ahead and check them out and apologies to the band’s concerned that we had to squeeze them in like this. Part 1 was releases from the Celtic nations (here) and Part 2 was Europe (here) so today dive in!

THE CHERRY COKE$- ‘The Answer’  (Buy)

One of the most established bands in the Celtic-Punk scene and yet still widely unknown outside their home The Cherry Coke$ release their eighth studio album, The Answer. Now veterans of the scene since their humble beginnings back in 1999 they have gone onto become huge at home mixing traditional Irish folk music with fast and furious punk rock in the same way as Flogging Molly. They rose to prominence after the release of their debut album Beer my Friends which earned them nationwide attention and appearances on Japanese TV and their video being shown regularly on MTV. Twelve songs here lasting just under forty-five minutes and what you get is an eclectic mix of Irish, Punk, Rockabilly, Folk and more all blended together into The Cherry Coke$ very own style. Imagine a harder edged Mollys but with a bit more bite and dual male/female vocals and you’re on the right track and just to show these guys can play they knock out a couple of traditional Paddy’s Day cover songs in ‘The Irish Rover’ and a blazing traditional version of ‘John Ryan’s Polka’ but it’s their own compositions that really shine.

The single ‘Dong Chang Swag’, the Poguesy ‘A-Yo’ and the seven minute song ‘Lilac’, taking in the pomposity of Queen amongst everything else they pack in!, that are my standout track’s here. Another outstanding album and no surprise there!

Contact The Cherry Coke$-  Facebook  LastFM  YouTube

THE GODDAMN GALLOWS- The Trail  (Buy)

The sixth album from a band that is new to me but one I will be definitely checking out. The band formed in Portland, Oregon in 2004 later moving to Los Angeles, living, so they say, in squats and abandoned buildings before spending four solid years on the road dragging their asses from town to town defining their sound. They certainly are a novel band with hardly two songs on The Trail sounding the same. The band mix up a chaotic blend of rockabilly, psychobilly, punk rock, bluegrass, folk and metal to make what some have labelled as ‘hobo-core’. Kicking off with ‘Grassmuncher’ a mental instrumental which begins with the folk elements of the band coming together before the band unleash and metal guitar soon takes it far far away from the finger-in-the-ear folkies. The vocals and music here is gritty and hard and not for those of a gentle disposition. That is not to say that The Goddamn Gallows can’t knock out a quality tune and this album is full of them. Cut from the same cloth as one of my favourite bands Phantom Of The Black Hills (who we did a feature on recently here well worth checking out). Loads of great songs like ‘It’s Gonna Be Ok (no, It’s Not)’ a doom laden slow dirge of a song that also has its speedy bits and a wicked sense of humour, the title track with its folk-punk-metal xylophone (!), the Demented Are Go-esque psychobilly-country-metal of ‘Honeyhole’ and the epic closing track ‘Down With The Ship at over six minutes with dual vocalists and the catchiest song you’ll find here. The little I have heard of Goddamn Gallows gives me the impression that this album is a mixture of the old sound of the band and the new heavier direction they seem to be travelling in. They are on tour throughout Europe later this year, sharing shows with Gallows Bound and Koffin Kats, so I guess we’ll find out then won’t we?

(you can hear the whole of The Trail over on You Tube below)

Contact The Goddamn Gallows-  WebSite  Facebook  YouTube  Spotify

RAILROAD EARTH- Captain Nowhere EP  (Buy)

With some similarities to The Goddamn Gallows this is another release that is certainly not Celtic-Punk but interested me enough to give it a far few plays this year. This is The Goddamn Gallows with all their rough edges gone and a shave! That’s not to say it is in any way weak or wimpy just that its coming from a different angle. Beautifully played Americana with some of the best banjo of the year from a band that has been together for eighteen years! With six albums behind them Captain Nowhere was my first experience of Railroad Earth but carries on in the same tradition as that first album, The Black Bear Sessions, back in 2001. The EP kicks off with the marvelous banjo and mandolin laden ‘Blazin’ A Trail’ accompanied by the glorious sound of an upright bass its utterly fantastic and a surefire foot-tapper if not thigh-slapper!! The kind of song that is guaranteed to get you off your backside and jigging about.

Only six songs here on a record that lasts thirty-five minutes but eleven of those belong to the epic closing title track, ‘Captain Nowhere’. A slow countryfied ballad that ebbs and flows beautifully along that belies it’s length. ‘Only By The Light’ and ‘The Berkeley Flash’ also stand out for me on a release that is kind of hard to pigeonhole but fiddle player Tim says “We’re a Country & Eastern band!” and that may indeed be right.

(The band live in concert at Red Rocks Festival)

Contact Railroad Earth-  WebSite  Facebook  YouTube  Soundcloud

So ends the third and final part of our 2018 Round-Up’s. We are guaranteed to have still missed some fantastic music so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. If you don’t want to miss any of our posts then you can follow us by filling in your e-mail address in the box that is either below or to the left depending on how you are viewing.

DON’T MISS THE HIGHLIGHT OF OUR YEAR ON MONDAY WHEN WE UNVEIL THE LONDON CELTIC PUNKS BEST ALBUM OF 2018!!

2015 REVIEWS ROUND UP PART THREE- THE CHERRY COKE$, SMZB, THE GO SET, LEXINGTON FIELD, MICKEY RICKSHAW

2015 has been another exciting year for celtic-punk releases but sadly we haven’t had a chance to review everything we received or heard so here’s the last of our ‘Round-Up’s’ catching up with some of of the more obscure records we missed first time round as well as a couple of the scene’s major celtic-punk hitters. These releases prove that celtic-punk has gone global!

THE CHERRY COKE$- ‘Self Titled’

Cherry Coke$Now The Cherry Coke$ won’t win any awards for Best Name but when it comes to celtic-punk then that is more than possible. Formed in 1999 in Tokyo in Japan they play extremely tight and fast traditional Irish music. Absolutely huge at home, they regularly appear on TV, and this is their ninth release since forming. I have only heard two of their previous records but I can tell you that this self titled album is at least as good as what I have heard before. As mentioned they are tight and powerful and as clear an example of what James Stephens said back in the 1840’s that “it is not blood that makes you Irish but a willingness to be part of the Irish nation”. Easily as good as anything in celtic-punk this is proper party music and a perfect example of what the album has in store is the opening track ‘Rise Again’ for which they and Japan MTV produced this great video.

Ten songs coming in just shy of forty-five minutes so the songs gets plenty of time to develop and like all the best bands in celtic-punk they know how to play a ballad or a traditional folk number as well as punk it up to the high hills! The quality of the playing is amazing, especially the folk instruments. To be put in the same bracket as Flogging Molly but having grown up in different continents its hard to say who is following who here. Absolutely brilliant and well worth checking them out. Couldn’t find a link for you to buy the album but have a look round and see if you can.

Facebook  WebSite  YouTube

SMZB- ‘A Letter From China’  (BUY)

SMZBNow for something well out of ours (and yours too no doubt) comfort zone. Its one thing to review a Japanese band in The Cherry Coke$ but they been around for years and most celtic-punk ‘knowitalls’ would have heard of them but SMZB are the real underground celtic-punk band… from China. Yes China and they have been playing punk rock since 1996. Their lyrics and music are not appreciated much by the Chinese authorities so three of their albums have been banned. They toured Europe in 2005 and around this time took the decision to move away from their original raw sound of early British punk, ska and ’80s hardcore and add bagpipes, flutes and fiddles to their sound. How or why they decided this is unknown as the internet don’t have an awful lot on them. They have though received plaudits galore from the various celtic-punk sites and sounding like a combination of The Pogues, the Murphy’s and Rancid they have gone on to be absolutely huge in their native country. Previous releases include a split LP with celtic-punk legends The Greenland Whalefishers. A Letter From China makes the bands intentions clear. The cover features a red tank with the caption ‘1989-2014 25th Anniversary’ as well as their rather interesting band logo (have another look!!) Its basically well played melodic punk sung partly in English but with bagpipes chucked into the mix. Its all very very catchy and opener ‘A Song for Chen Huaimen’ seems to be about the singers grandfather where he compares himself to a Chinese fighter pilot who fought against the Japanese. Fourteen songs in just under a hour and some real beauties especially in ‘Smash His Statue’ SMZB hit the real celtic-punk highlights and its songs like this that get them into trouble and long may they rebel! There’s an oldish interview with Wu Wei from SMZB here from The Guardian in England

LastFM    DeadlambRecords  MySpace  GenjingRecords

THE GO SET- ‘Rolling Sound’  (BUY)

The Go SetIf there was an award for most hard working on the other hand then I think it is The Go Set who would deserve it. Yeah I know The Mahones never stop touring but for an independent DIY band to be able to finance themselves to be able to tour quite as much as The Go Set do is quite an amazing achievement. This year not only did they play a pretty long tour of the USA but they also made in over here to Europe including Blighty to play a few gigs around the big Rebellion punk festival. Formed in 2003 in Melbourne in Australia we have long been big fans of the Aussie celtic-punk scene and The Go Set are one of the biggest and best bands among them. With a bunch of first rate and critically acclaimed albums The Go Set released seventh album Rolling Sound to a helluva lot of expectation and it didn’t disappoint at all. The album begins with a bagpipe dirge that grows in sound before exploding into ‘Bones’

which has all the trademarks of The Go Set’s fantastic sound. Justin’s clear and distinctive Aussie accented vocals atop of catchy tuneful punk rock accompanied by great bagpiping and mandolin from Lachlan and Ben. Politics is never too far away and the lyrics deal with the social and political plights of the working classes, speaking out both for them and with them. The music doesn’t stand still for a second but the boys spread their wings beyond celtic-punk and as is the way for a typical Go Set album it’s their slower stuff I actually prefer more than their full on punk. Stand out punky tracks include the title song, ‘Bones’, ‘The Struggle And The Fight’ but its the working class celtic ballad ‘In The Streets’ that gets me. Yet another blinder from The Go Set and further cements their place as one of the best bands in the celtic-punk scene.

WebSite  Facebook  Twitter  YouTube  ReverbNation

LEXINGTON FIELD- ‘Greenwood’  (BUY)

Lexington Field

Lexington Field formed in 2009 in San Diego, CA and Greenwood is the bands fourth album so they have been pretty prolific in their short existence. They describe themselves as ‘Fiddle Rock’ and while it is true that the fiddle does loom large in Lexington Fields sound it by no means dominates and when its quite hard to pigeonhole a band then it makes sense to invent your own genre! Having followed the band since their early days I am again happy to say that Greenwood has hit the spot nicely. Thirteen tracks and forty minutes gives the songs plenty of time to develop and Beau’s great vocals and lyrics stand out as usual giving Lexington Field that extra bit more. Their has been a fair amount of personnel change in the last couple of years but finally the band are settled down and Greenwood is the result. The more celtic-punk days are behind them and Lexington Field are another band who have spread beyond the genre while at the same time keeping one foot firmly in place. The album starts with the furious ‘Ghostwriter’ and the rest of Greenwood keeps up the place with ‘The Hitchhiker’s Guide Out of Suburbia’ following.

The catchy, fist in the air music coupled with the dark lyrics is sometimes at odds with the almost jolly sometimes music. The fiddle and the banjo keep them in folk-punk land and they are signed to folk-punk friendly East Grand Records who have no end of great bands on their roster, including more than a couple excellent celtic-punk bands. From the pounding and metalesque ‘Target Rich Environment’ to the slow punk rock ballad ‘Calarity Jane’ this is a fantastic album and Beau further shows his talents as one of the best lyricist’s in celtic-punk.

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East Grand Records

MICKEY RICKSHAW- ‘No Heaven For Heroes’  (BUY)

Well well well we all know The Dropkick Murphys can’t go on for ever and with Boston’s place secured in celtic-punk folklore who then will take on their mantle when they have gone? Well fellow Bostonians Mickey Rickshaw are up for the job. A team of young fired up blue collar Irish Americans in touch with both their working class American lives and their roots back in the auld country. With Boston’s massive Irish population as well as its place in the history of punk then traditional celtic folk and punk rock aggression equals the 100% perfect sound for the Boston Irish and if the Murphys invented celtic punk post Pogues then its bands like Mickey Rickshaw that will carry for the flame for the next generation. The EP ’16 Down and Back Again’ came out in 2013 but it has been No Heaven For Heroes that has seen their name explode onto the celtic-punk scene with universal great reviews and plaudits heaped upon them from all corners of the globe. The first of the album’s twelve tracks starts with an eastern European flavour before ‘Sapphire Hills’ hits you in the jaw. The album flows mercilessly at at breakneck speed with no let up and the few times you think a ballad is on its way you are resoundly proved wrong!

‘Sapphire Hills’ is an early standout as is ‘I’m Sorry Mrs Mahoney’ but after a few listens you begin to realise that the whole album is one big standout. The album takes in some nice touches of ska as well as hardcore and will leave you out of breath and ready to swop all your Dropkick t-shirts for Mickey Rickshaw ones. Unbelievably the album is available to download for just a single dollar so get on there as quick as you can and make haste to get it into your earholes! LONG LIVE BOSTON CELTIC-PUNK!!!!

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So ends Part 3 and again apologies to all the bands that we weren’t able to give each album the full London Celtic Punks treatment but was just not possible with time on our backs. If you missed Parts One and Two check them out (Part One here and Part Two here)but if you don’t want to miss any of our posts in future then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

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