Category Archives: Live Gigs

ALBUM REVIEW: CHRISTY MOORE- ‘On The Road’ (2017)

Christy Moore is one of a handful of people who brought Irish folk music out of the backroom sessions in pubs and homes and out in to the mainstream. With influences from rock, pop, and jazz music he is one of the architects of modern Irish folk music.

Released this very day is On The Road the new album from Irish music icon Christy Moore, a two-disc, 24-song set of classic tracks Christy has made his own in an incredible fifty years of touring and recording. The tracks have been recorded in seventeen live venues from London to Westport, Glasgow to Galway, over the past three years and is the first time Christy’s biggest tunes have been made available on one album. Of course with a career as long and successful as his not everyone will be happy and personally I would have liked to have seen some of the songs that gained him notoriety in the 1980’s when he was the bain of the Irish establishment recording tracks such as ‘They Never Came Home’ about 1981’s Stardust fire where 48 people died at a Dublin nightclub. Christy was hauled before the courts and fined and had his album withdrawn for suggesting, quite correctly, that the fire exits being chained was the reason for the disaster. ‘The Time Has Come’ described the last meeting of a hunger striker and his mother receiving regular plays on Irish Radio until it was revealed exactly what the song was about and it was subsequently banned. One song included here though banned at the time was ‘Mcllhatton’, which along with ‘Back Home in Derry’ was banned after it was discovered they were written by Bobby Sands whilst in prison. So there is no ’90 Miles From Dublin’ but what were we to expect. Much of the material here is of the leftfield kind and while ‘Viva La Quinte Brigada’ may have been the embodiment of everything the Irish government hated upon it’s release the years have been kind to this roll call of the brave Irishmen and women who left Ireland to fight Franco and the fascists in 1936 Spain. With his political output having ground to a halt, hopefully temporarily, it is Christy’s renowned sense of humour that takes centre stage. It is on songs such as ‘Joxer Goes To Stuttgart’ about Irish fans travelling to Euro 1988, in West Germany and, utilizing the same tune, ‘Delirium Tremens’ telling of his alcoholic demons, an idea later stolen by indie rock band Carter USM for ‘Anytime, Anyplace, Anywhere’, that Christy’s music comes alive with the audience enthusiastically singing and clapping along.

“Goodbye to the Port and Brandy, to the Vodka and the Stag,
To the Schmiddick and the Harpic, the bottled draught and keg.
As I sat lookin’ up the Guinness ad I could never figure out
How your man stayed up on the surfboard after 14 pints of stout”

As much as I love the more raucous and lively tracks there is no denying the beauty of the slower songs here. Well known standards such as ‘Nancy Spain’ and ‘Cliffs Of Dooneen’ are putty in his hands extolling emotion that not many can squeeze out of a song heard countless times. One of the highlights of the album is his take on The Pogues ‘Fairytale Of New York’ and his half whispered voice and relaxed guitar adds another dimension to this amazing song. It ends with Christy whispering of a night on the lash with Shane in Tipp and it is breath-takingly beautiful. There is a new song in the shape of ‘Lingo Politico’ dedicated to politicians everywhere! The quality of these recordings is simply outstanding and they have been edited together superbly to make an album that flows and ebbs beautifully. Accompanied by a booklet that tells you every single thing you need to know about these recordings. Christy’s voice is strong and powerful when needed and gentle and kind at other times. Their can’t be many who need an introduction to his recordings but to those who love him and those looking for an introduction to his best work this can be recommended mainly because of that excellent production..

AN ORDINARY MAN By Scott Feemster

Christopher Moore was born in Kildare, Ireland in May, 1945. His father owned a grocery shop while his mother was a keen music fan and was often caught singing around the house to Clancy Brothers records. Christy and two of his five siblings, Ailish and Barry, all went on to be notable singers, Barry adopting the stage name Luka Bloom later in life. When Christy was young, he became aware of the deep well of Irish folk songs, though, at the time, he was more impressed with rock’n’roll than folk tunes. Regardless of influence, he took up the guitar and bodhran and played briefly in a band with who would become his long-time collaborator, Donal Lunny. When he was out of school, Christy took a job as a bank clerk in Dublin and became fascinated by the local folk scene. Though he played a few gigs he couldn’t work his way into the Dublin scene as much as he wanted, and when a labour strike struck in the mid 60’s he decided to pack it in and move to England to find work. Christy spent the next few years gaining quite a reputation in England with his mix of traditional Irish and British songs and towards the end of the 60’s he decided to take the next logical step. Managing to get noted songwriter (and brother of Brendan) Dominic Behan to produce an album of traditional folk and political songs called Paddy On The Road (1969) and it has become something of a rarity in later years since only 500 copies were pressed. Though thrilled that he finally had an album to show for his efforts, he was disappointed that the English musicians backing him didn’t have the proper feel for the Irish material he was presenting. Christy moved back to Ireland and set upon finding some musicians who could play the fiery brand of politically-charged folk music he wanted to produce. Moore teamed up with his old friend guitarist/bouzouki player Donal Lunny, uillean piper and whistle player Liam O’Flynn, mandolinist Andy Irvine and bodhran player Kevin Conneff to produce Prosperous (1972), an album that marked a turning point in Irish folk music. Suddenly, younger Irish musicians were taking up traditional instruments and songs and injecting new urgency and fire into them. This combination worked so well together that they decided to carry on as a group, calling themselves Planxty. Touring relentlessly and recording the landmark Planxty (1973) and The Well Below The Valley (1973).

Moore set to work on a solo album that would show all of his strengths, and decided to split Whatever Tickles Your Fancy (1975) between an acoustic side and an electric side. The acoustic side featured Moore’s voice, guitar and bodhran playing, while the electric side was similar to the folk-rock style Fairport Convention were popularizing around the same time. Moore followed it up with his self-titled Christy Moore (1976), this time concentrating on acoustic-based narrative folk songs that were his strength. Moore took on a heavy schedule of touring and playing gigs but kept his connection with his former Planxty bandmates, and by late 1978 the original four members were keen to try the band again adding fifth member flutist Matt Molloy to the band and recording three further album’s between 1979 and 1983. Wanting to branch out from the traditional sound put forth by Planxty, Moore joined with Lunny in 1981 and formed Moving Hearts, who combined traditional Irish music with contemporary elements from rock and jazz. Other members of Moving Hearts included guitarist Declan Sinnott, saxophonist Keith Donald, bassist Eoghan O’Neill, drummer Brian Calnan and uillean piper Davy Spillane. Protests against internment, the ‘H Blocks’ and in support of the hunger strikers led to several bans and Christy’s outspoken opinions left him no friends in the establishment. Two politically-charged albums resulted, Moving Hearts (1981) and Dark End Of The Street (1982), before again Christy left to concentrate on his solo career.

To say that the 1980’s was a busy period would be an understatement, as Christy managed to be a member of Planxty, Moving Hearts and a solo artist all at the same time. He released a whole series of solo albums throughout the 80’s, including The Time Has Come (1983), the critically acclaimed Ride On (1984),  Ordinary Man (1985), Spirit Of Freedom (1985) Unfinished Revolution (1987) and Voyage (1989), with guests including Sinead O’Connor and Elvis Costello. If Christy wasn’t enough of an Irish national treasure with his work in the 70’s, his output during the 80’s combined with populist political commentary in his lyrics cemented his stature in Irish music as Ireland’s equivalent of America’s Woody Guthrie.

Moore entered the 90’s still touring and releasing albums, though slowing down a bit to near human levels. Releasing the over-produced Smoke & Strong Whiskey (1991) before a more traditional, stripped-down sound with King Puck (1993). The rousing Live At The Point(1994) followed but in 1997, Christy’s decades of constant touring, combined with his attraction to copious amounts of alcohol finally caught up with him. Told if he continued performing at the level he had been his heart would kill him he retired to take care of his health, but soon returned to the studio to make Traveller (1999), a giant left turn for Moore. The album was techno-pop utilizing synthesizers, drum machines and heavily effected electric guitar, along with the usual traditional Irish instrumentation. The album was greeted by surprise by Christy’s fans, but was generally well reviewed. He planned a return to performing live again in 1999, but his health still wasn’t up to it using the down time to his advantage writing his autobiography, One Voice (2000).

Though it looked like his days of heavy touring were over, he was not done recording getting together with Donal Lunny and Declan Sinnot for This Is The Day (2001), which, sound-wise, split the difference between his earlier stripped-down acoustic records and the sound captured on Traveller. Moore followed with a series of low-key appearances in Dublin, and after being profiled on an Irish TV special, renewed interest was shown towards Planxty, and Moore joined with Lunny, Irvine and O’Flynn for some reunion shows. Planxty kept their reunion open-ended, and did not rule out working together in the future but Christy returned to his solo career with the critically-acclaimed Burning Times (2006), which featured his own compositions mixed in with covers by such songwriters as Phil Ochs, Bob Dylan and Morrissey. Again, Moore took to playing some shows, although in a much more low-key manner, and put out the double album Live In Dublin (2006). Recent years have seen no let up but with his releases now tending to be of the tribute/live/greatest hits variety he is still a regular visitor to this side of the Irish sea and although recently the admission fee’s have been somewhat expensive he still remains one of Ireland’s most treasured performers and, dare I say it, now part of the establishment.

Buy On The Road- All links here

Christy Moore- WebSite  Facebook  YouTube  ChristyMooreForum  Twitter

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LIVE REVIEW: FEROCIOUS DOG AND NECK AT THE GARAGE, NORTH LONDON LAST NIGHT!

We don’t hang about here and hot off the press here’s a review of last nights shenanigans. It all happened in the heart of Arsenal territory in North London but thankfully they weren’t at home and we had the Wetherspoons to ourselves pre-gig. Two of the greatest celtic-punk bands around combined for the perfect night and gave their London Hellhound following a night to remember.

Review by Chris Brown

Tonight’s gig was Ferocious Dog and Neck at The Garage in Highbury.

The Garage

An easy trip from Pimlico to Highbury and Islington on the Victoria line and the venue was opposite the tube station.

Ferocious Dog and Neck have been talking about doing this gig at The Garage for a year or two now and finally it’s happened.

I was there to do Neck’s merch and covered a couple of Leanne’s breaks too. Also had a Sea Shepherd stand next to us so I was able to talk to them about having a stall at my event raising funds for Hunt Sabs and Sea Shepherd in Derby on May 6th. 13 bands in 12 hours and free entry.

pre-gig

Neck’s set was superb. Playing favourite tracks like ‘Every Day Is Saint Patrick’s Day’, ‘Always Upsetting Somebody’, ‘McAlpine’s Fusiliers’, ‘Star Of The County Down’, ‘Everyone’s Welcome To The Hooley’ and ‘The Psycho-Ceilidh Mayhem Set’. A wonderful set of London-Irish Psycho-Ceilidh performed with the added bonus of Ruts DC’s Leigh Heggarty as guest guitarist.

And then, Ferocious Dog tore the fucking roof off. This is the first time I’ve seen Ferocious Dog with their new line-up after the departure of Scott Walters and Ellis Waring earlier this year.

Their more than capable replacements in the form of Hung Like Hanratty’s ex-drummer Alex Smith and multi-instrumentalist John Leonard of Seven Little Sisters have fitted in nicely and added their own thing to the mix that is Ferocious Dog.

From the atmospheric intro written and recorded by Hell Hound John James JJ Kirk to the opening notes of ‘Gallows Justice’ through to ‘Mairi’s Wedding Pt II’ and the encore of ‘Paddy On The Railway’ and ‘Slow Motion Suicide’ via ‘Poor, Angry and Young’, ‘Verse For Lee/The Glass/Lee’s Tune’, ‘Ruby Bridges’, ‘Crime and Punishment’, ‘I Stand’, ‘Unconditional’, ‘Raggle Taggle Gypsy’, ‘Freeborn John’, ‘Hell Hounds’, ‘Criminal Justice’, Blind Leading The Blind’ and ‘Freethinker’ (not in order and a few missing but yeah) the set was non-stop foot-stomping, hand-clapping, Ferocious moshing, heel-to-heeling and toe-to-toeing punk folk at it’s best.

I love the fact that Blind Leading The Blind is reappearing in the set now and that the loss of two very accomplished band members hasn’t meant Ferocious Dog calling it a day. They survived three members leaving before so it was hardly a surprise but I am genuinely delighted that the new line-up sounds so feckin’ good.

There’s life in the old Dog yet.

Ferocious DogWebSite  FacebookPage  FacebookGroup  YouTube  Twitter

NeckWebSite  Facebook  YouTube  Twitter

thanks to Chris for the review, Amy O’D for the photos.

LQR’s ’10 PINTER’ FESTIVAL 2017

10 PINTER FESTIVAL- Bladen, Netherlands

Saturday 14th January 2017

10_pinter_affiche_lqr-jpg

Last Saturday, Dutch folk punk band LQR (Liquor) celebrated their 10th anniversary with their own ’10 PINTER’ festival at Grand Café De Baron. At the entrance to the gig was a festival banner and a sign that says

“Tonight only: 10 PINTER (10%) – Limited Edition”

That’s right! LQR has their own beer. A blond Triple Grand Cru, and of course it’s named after their last CD ’10 Pinter’. They have their own LQR-coins specially made for the festival. No detail is spared, everywhere you look you see LQR on shirts, coasters, beer bottles etc. There’s even a bowl with pink M&M’s (with LQR on it) backstage.

lqr-bierlogo-jpg

10 Pinter Beer Logo

The evening kicked off with the band Daisy Chain. Four ladies on guitar, banjo, bass and violin who play bluegrass in English, French and Dutch. Great opener! At the end of their set LQR jump on stage and join in and together they play a nice version of Dropkick Murphy’s ‘Rose Tattoo’. Meanwhile the place is absolutely packed and LQR start their set with ‘Muffins and Coffins’, normally the last song of a LQR gig. The set includes mostly up-tempo songs out of the 10 years of LQR. Halfway the set, accordion player Arjan calls on the audience to grab their phone’s and to film their next song, ‘Mis Amigos’, and send it to LQR’s e-mail address. The same trick they did in 2015 for the video of ‘Leprechauns’ which can be found at the end of this review.  The crowd goes mad when they play Gogol Bordello’s  ‘Start Wearing Purple’, which is always a personal favourite of the band. After over an hour they finish their performance with two Flogging Molly covers, ‘Black Friday Rule’ and ‘Salty Dog’. The crowd loves it! Next one up are the Hillbilly Moonshiners. A cover band who play pop and rock songs in bluegrass style. Hilarious is their version of Beyonce’s ‘Single Ladies’. An energetic set from the lads is driving people insane and there is a LOT of dancing going on. It is possible that some of it is influenced by 10 Pinter beer I’m sure! The last band of the night is LQR’s fellow Dutch celtic-punkers The Royal Spuds. They surely know how to party! The band keeps the energy level high with some great songs from their 2015 album It’s a Feckin’ Freakshow along with some older material and a few covers. At the end of the night LQR members Mark and Arjan join the Spuds for their last two songs, ‘Drunken Lullabies’ and ‘What’s Left of the Flag’, both Flogging Molly covers.

A great first edition and a roaring success that will certainly will have a sequel in 2018.

groepsfoto

Contact LQR

Facebook  WebSite  Bandcamp  Soundcloud  YouTube  Twitter  Google+

  • You can read our reviews of LQR’s great 2015 EP A Touch Of Liquor here and their even better 2016 album 10 Pinter here.

LIVE REVIEW: THE CUNDEEZ IN SOUTH LONDON SEPTEMBER 2016

KEEPIN’ IT OARY DOWN AMONG THE SASSENACHS DAY TWO

by Vincent Mahon

CundeezVegBarColour (2)

Fresh from their triumphant London debut at the Gunners in Finsbury Park on Friday, Saturday finds the Cundeez saarf ov ver rivver at the Veg Bar in sunny Brixton as guests of the London Celtic Punks.
The Veg Bar is a vegan restaurant on Tulse Hill, just up from Brixton station. It’s a quiet, unassuming place and certainly not the sort of establishment generally considered home to the kind of mayhem and shenanigans associated with punk rock. However, there is a cellar bar. And that’s where the chaos ensues…

Dissent

Dissent

There’s other bands tonight, all of whom are good at what they do and some more to my taste than others. The stand outs for me were Comrade X, who always delivers the goods, and Black Water County, whose punk-infused folk may invite some obvious comparisons, but they play with enough talent and conviction to mark themselves out as contenders in their own right. I’d definitely be up for seeing them again.
By the time the Cundeez fire up, it’s hot in that little cellar bar. Damn hot. And there’s a pissed-up bunch of good natured yobbos and n’er do wells more than ready for them. The choice of London Calling as an opener is superb. It’s The Cundeez saying hello to their southern friends, and it’s an acknowledgement that wherever we’re from, we share similar tastes, backgrounds and experiences. And that’s what matters.

BWC

Black Water County

A Cundeez gig is a thing of great joy. Like a cross between a benevolent riot and the greatest party you’ve ever been invited to. Every song they play represents what’s great about punk rock when it’s done properly: energy, excitement, anger and humour are all present, wrapped up in killer tunes that hit you full-on and take no prisoners. What marks the Cundeez out from so many of their peers is that even when they are angry (“Austerity,” “Mr Politician” or the magnificently vitriolic “Yer Talkin’ Shite”), there is a sense of positivity and energy that’s sadly missing in so many other bands who generally seem content to just moan and wallow in it. There’s no room for negativity or despondency when the Cundeez are playing because you’re too busy having a bloody good time. Just watch them performing “Roota” and I defy you not to end up grinning from ear to ear and at the very least, tapping your foot.
Cun10Tonight’s crowd need no second bidding to get stuck in and show their appreciation by leaping around like a bunch of loons. The sweltering heat means “taps aaf” is pretty much obligatory. New single, “Rebellion” sounds incredible, and is a definite highlight in a flawless set. The Buzzcocks’ classic “Ever Fallen in Love…” is given a grand shake up, and by the time they hit “Night Boat to Cairo” everybody in the crowd is going ballistic. The energy and excitement this friendly bunch of Dundonians generate in one gig would be enough to power a small town.
Cun11And so the Cundeez came to London and it would be no exaggeration to say that they absolutely smashed it on both nights. For me personally, it meant I got to support a band I’ve been raving about for the last year, and see them twice in one weekend. That’s pretty good going as far as I’m concerned. Not only are they an amazing live band, but they’re also some of the nicest, most decent folk I’ve met on the punk scene. Gary, Stevie, Trotsky and Tez, you’re welcome back anytime. London loves the Cundeez. Keep it Oary!

Contact The Bands

The Cundeez  Facebook  ReverbNation  Soundcloud  Twitter  YouTube

Black Water County  WebSite  Facebook  Twitter  Bandcamp  YouTube  Google+

Kilburn Bomb Squad  Facebook

Comrade X  Facebook  YouTube  Twitter  ReverbNation

Dissent  Facebook

Cheers and beers to Dissent, Kilburn Bomb Squad, Comrade X, Black Water County and The Cundeez. Absolutely spot on and all were just brilliant. Ta to The Sweat Box… sorry Veg Bar. I didn’t eat myself but was told the grub was fantastic, to the bar man didn’t catch yer name but you was a star and Assad thanks for the brilliant sound everyone was really happy with it. Hope to catch you at The Go Set on the 30th I hope. To Patrick and Peter who did the door. God bless you both.

Again thanks to you all we love and respect youse all. xx

Thanks to Vincent for the great review. He plays in another great London band worth checking out Morgellions so in the absence of any vid’s from the gig here’s one of them playing the night previous.

Their is a Facebook file with photos from the gig over at the London Celtic Punks page here.

CELTIC CELTIC-PUNK. BLACK FRIDAY LIVE IN CORNWALL FEBRUARY 13th 2016

Traditional celtic punk for a real shanty knees up!

Straight out of Kernow and heading our way to London real soon here’s a review of a recent Black Friday gig to wet your whistles for the real thing. A high energy Celtic folk band from St Germans in Cornwall. They play a fine mix of original songs, traditional Irish jigs, reels and ballads and a few cover’s thrown in by bands such as the Pogues, Flogging Molly and the Mahones. 

They have toured all over England and Europe including a variety of venues and festivals such as The Maker Festival, The Port Eliot Lit Fest, The Electric Picnic in Ireland, The Plymouth Folk Festival, Calstock Biker Festival, Burnham-on-Sea Folk Festival and Wimbourne Folk Festival as well as a tour of Austria, which including playing at the worlds largest festival, the Donauinsel Fest. After playing at the reknowned Gaz’s Rockin’ Blues Club in London they were spotted by top Radio DJ, Marc Lamarr, who invited them to record a 6 song session at the famous Maida Vale studio in London for his show. Whilst they were there, they played for and met their hero and Pogues singer, Shane MacGowan. In 2015 the band got into the Guinness Book of Records for performing the most gigs in one day, 30 gigs in 12 hours!

Live at The Inn On The Shore, Downderry, Cornwall

OK, full disclosure here, I was really in attendance at this gig to help a good friend celebrate a significant birthday in my local but, by happy accident, this coincided with the chance to see one of the most highly respected bands currently working the circuit in Cornwall. Black Friday ply their trade in the realms of celtic folk but there is so, so much more to them than that. With all seven members squeezed in to one corner of the pub, the group set about winding up the atmosphere slowly, raising the temperature and creating an atmosphere. Original compositions mixed in amongst classics like ‘Dirty Old Town’ and ‘Whiskey In The Jar’ without missing a beat, showing the quality of the band’s rendition of these classic songs.

Black friday1

It is, however, in the live arena that this collective excels and, even in a tiny space, they can’t help but perform like the natural entertainers they are. From the lowest slung Banjo I’ve ever seen to some seriously fierce Mandolin work, Black Friday an absolute joy to watch if you can manage to take it all in.

KernowThe folk ethos is up front for everyone to see but then you’ve got elements of Blues, Country, Rock’n’Roll and, when that wah-wah pedal kicks in, things get a little funky as well. I’ll admit that alcohol and socialising deflected my full attention but I’ll definitely be checking these guys out again. On first impressions, if you want a band to turn up, play fiercely uplifting music that will get the place jumping and have any audience eating out of the palm of their hands then Black Friday are the guys and girls for you, make no mistake.

Review by LISTEN WITH MONGER

check out their blog here

BLack Friday

Black Friday make a rare foray into enemy territory and play a gig in good old London town soon in the run up to St Patrick’s Day. Performing at the infamous ‘Gaz’s Rockin Blues’ club at the St. Moritz, 159 Wardour Street, Soho, London W1 (nearest tube Tottenham Court Road). An amazing club run by Gaz Mayall from the legendary celtic-ska band The Trojans who has been running this night every Thursday for the past 30 years. So as you can see it’s not to be missed and you can check out what’s happening at the Facebook event page here. One thing though the gig doesn’t start till 10pm so might be worth throwing a sickie and enjoying a long weekend!

Contact Black Friday

WebSite  Facebook  Twitter  Soundcloud

for an excellent resource on Cornwall go check out ‘An Omsav- The Cornish Republican’ here

“It’s not that Cornwall became part of England, it’s just that the English forgot Cornwall was not part of their country”

LIVE REVIEW: THE POGUE TRADERS at The Water Rats 13th December 20015

Reviewed by Heather Hoy

It was on the 4th October 1982 that The Pogues played their first ever gig at The Pindar of Wakefield on London’s Gray’s Inn Road.

The Water Rats

Back then, they could never have imagined the impact their music would have on the world around them or how people’s lives would be changed as they introduced the audience to a slightly different style of Irish Music, Celtic Punk.

 Over thirty years later, on Sunday 13th December 2015, The Pindar of Wakefield, which is now called The Water Rats, recreated that historic day and welcomed The Pogue Trader’s. The band are described as ‘the UK’s number one Pogues tribute act’ by Pogues drummer Andrew Ranken and were playing their first gig at the venue that night.

Comrade X

Comrade X

There were two support acts on the bill, Comrade X and Anto Morra, both guitarist singers who played sets of just over half an hour each.  Both were entertaining and energetic and treated anyone who turned up early to a lively versions of a range of folk and punk songs.

 

 As 9.30pm approached, the room filled up and the atmosphere was electric as The Pogue Trader’s took to the stage. They started the show with ‘Streams of Whiskey’, from The Pogues first album, Red Roses For Me, which The Pogues have usually started their own sets with since they reunited in 2001.

The Pogue Traders

The Pogue Traders

This was followed by a wide range of Pogues classics, ‘If I Should Fall From Grace With God’, ‘Sally MacLennane’, ‘Dirty Old Town’, ‘Fiesta’, ‘Transmetropolitan’, ‘Poor Paddy on The Railway’, ‘The Irish Rover’, ‘Waxie’s Dargle’ and the classic ‘Fairytale of New York’ were amongst the many highlights and they even did an excellent rendition of ‘Johnny Come Lately’, a Steve Earle number for which The Pogues provided the backing.  The show was about an hour and a half long and The Pogue Trader’s, sounding every bit like the real Pogues, gave it their all even though there was not much room on stage for dancing. From start to finish, the crowd sang along and danced just the same as they would had they have if they had been watching the originals. By the end of the night, the bar was almost drunk dry and there were a lot of people who left The Water Rats in high spirits happy to have been part of this momentous occasion.

The Pogue Traders3The Pogue Traders are without doubt, one of the finest Pogues tribute bands around and their sound is so close to the original band that sometimes it is hard to differentiate between them, which is what a tribute band should be about.

Unlike some of the other tribute bands around, they seem to have the ability to balance correct style, choice of instruments and musicians which is a formula that works well.

  • thanks to Heather for the review. She does an excellent blog on The Pogues here called Pogues Fan 4 Eva so go and check it out.

The Pogue Traders

are available for the proverbial weddings, christenings and bar mitzvah’s so give them a knock if you want them to come play for you.

Facebook  WebSite  Soundcloud

and here for Comrade X and here for Anto Morra

for me though there is no bigger or better band in celtic-punk than The Pogues so here’s this here

The Best Pogues Related Sites

In The Wake Of The Medusa Paddy Rolling Stone * The Parting Glass * Pogues Facebook Page

For me though the best place on the internet for The Pogues is this unofficial group on Facebook (here) all the diverse views you would expect from a bunch of people who follow The Pogues. Be sure and join up won’t you?

photos by Nessa and Comrade X

PREPARE YOUR LIVERS FOR THE WORSE LONDON! COMING SOON…

Sorry if you don’t live in London but if you do you lucky souls are in for a cracking weekend from December 11th to the 13th!

2nights

FRIDAY 11th DECEMBER 2015

NECKHennesseysIRISH MUSIC FOR PALESTINE
BENEFIT CONCERT FOR ‘VOICE OF GAZA’
We are proud to announce a benefit gig in aid of the Palestinian charity ‘Voices For Gaza’
We have lined up some of the best Irish acts around for you with the marvellous BIBLE CODE SUNDAYS set to headline. They are simply the best band in the Irish scene in London.Best described as “The Clash on Irish steroids”. NECK are the original celtic-punk band. Taking The Pogues and The Clash and The Dubliners as a starting point they invented their own genre ‘Psycho-Ceilidh’ and have toured the world spreading the London Irish message to the masses and ANTO MORRA a singer-songwriter of great standing. Anto (real name Anthony Morrissey) was raised in London by Irish parents, and this background provides a theme that runs throughout his fantastic music. Three fantastic acts representing the London Irish community and Neck and The Bible Codes haven’t taken the stage together since the days of The Galtymore so you’rein for a rare treat.
Tickets are £10 in advance with no extra fees. All money going to ‘Voices For Gaza’. Get your ticket from here. Official Facebook event here.

The gig is being held at Hennesseys Bar, 399 Northolt Road, South Harrow, HA2 8JE. Nearest tube is South Harrow on the Picadilly line so come out of the train station and turn left and walk approx 500 metres.
Buses galore but 140, 487, 258 stop directly outside the bar. Live music is from 7-30pm till 11-15pm and last tube is around 11-45pm so people can get back to central London.
…but for those that stay our special guest DJ MR GREENFORD BHOY will be spinning the best in Irish rebel folk rock and more till the early hours.

Voice Of Gaza (VOG) project, is helping young Gazan female students to overcome trauma through writing about their experiences. They will participate in a 2 year programme learning all aspects of English, so their voices can reach out into the world. VOG has no tuition fees, to enable any student access to the project. Abedalrahman Elderawi has established an Educational Non-Profit Center in Gaza. This programme will give these young people:
The tools they need to become more effective writers and speakers
The platform to help their expressions reach the larger world
Build their character as future leaders able to speak eloquently for the Palestinian people
Enhancing their spiritual side through music and arts, while also helping them cope with the trauma of war and occupation.
Voice Of Gaza Facebook page here.
If you can’t make the gig feel free to still buy a ticket to support the great work ‘Voice Of Gaza’ are doing or go to the Go Fund Me page here and leave a donation.

SUNDAY 13TH DECEMBER 2015

POGUETHE LONDON CELTIC PUNKS /URBANKELT CHRISTMAS PISSUP BASH

On October 4th back in 1982 something happened that would forever change peoples lives and perceptions. A band called THE POGUES took the stage in an iconic old venue in Kings Cross and the rest as they say is history!
with THE POGUES run of yearly Christmas shows seemingly ended we know you all miss a good auld Pogues yuletide pissup so hows about the UK’s Number One Pogues tribute band THE POGUE TRADERS live at the very venue that The Pogues actually had their first ever gig!
And its not just a marketing ploy to describe them as the UK’s best Pogues tribute band – that’s what The Pogues own drummer Andrew Ranken said about THE POGUE TRADERS ably supported by COMRADE X one man whirlwind of numerous influences and traditions best described as “Woody Guthrie meets Oi!”. One geezer, one guitar, three chords and the truth. ANTO MORRA is back again. A singer-songwriter of great standing. Anto (real name Anthony Morrissey) was raised in London by Irish parents, and this background provides a theme that runs throughout his music. In the best tradition Luke Kelly, Brendan Behan and Shane himself.
and all at the historic music venue The Water Rats at 328 Grays Inn Road, London WC1X 8BZ. Situated just a couple of minutes walk from Kings Cross station so perfect for loads of rail and tube links and with the music set to finish around 11-30pm you will be able to get back to anywhere in London or further afield.
The bar will stay open a little longer and we will have MR GREENFORD BHOY dj’ing all your favourite celtic-punk, Irish, Punk and rebel tunes until we are shown the door.
Admission is only a fiver so you’ll already be saving £30 on the real band! Tickets are available from here. Official Facebook event here.

So prepare your livers… and your wallets and see you there!

P.S we will have the new London Celtic Punks t-shirts (and Badges) available so bring plenty of cash wont you. They will make great Christmas presents.

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