Tag Archives: In For A Penny

EP REVIEW : IN FOR A PENNY ‘Sometimes It’s Better To Not’ (2018)

We called In For A Penny the hottest new Celtic-punk band of 2017 and with their new EP that came out for St. Patrick’s week they only cement that view in our eyes!

One of the highlights of 2017 amongst all the album releases from the ‘superstars’ of celtic-punk was the discovery of a new band out of Savannah in Georgia in the USA. In For A Penny hadn’t been going very long and both their releases of 2017 both featured high in the upper echelons of our Best Of Albums and EP’s of the year.

So it was then could they keep it up? Well on the evidence of their EP which hit the streets of Georgia last week then the answer is a resounding yes. With their previous release they have trodden a similar path with sometimes an equal amount of Irish standards and self -penned songs. Needless to say I much prefer their own songs. While they do play the standards in their indomitable way I much prefer to hear bands play and record their own material. A perfect example is their last album One More Last Hurrah! which has the perfect mix of covers and originals. You can still download the album for free or as the lads put it

“Don’t wanna pay nuthin? Cool, download it and enjoy. Think you wanna toss us a couple of bucks to help support our Irish punk habit, great. Want to give us one million dollars… well, you get the idea”.

A fantastic album recorded in just 7 (seven!) hours in in the back room of The Sand Bar on Tybee Island, GA. Not that you’d notice mind as the sound is fantastic and if you need to know anything just think that in a year of album release from the Murphys, Mollys, Flatfoot, Tossers, McKenzies and many more established and well known bands we placed it as #8 in the years album releases.

Here on Sometimes It’s Better To Not the band do not disappoint and all the songs are written by the band themselves. Irish-American Sean McNally is both songwriter and lyricist for In For A Penny and in him they have found someone who has his finger right on the nations Irish-American community. Hard to believe he first picked up a mandolin in anger in 2014 but after only a few open mic performances Sean soon realised that the response he was getting to stripped down cover’s of The Dubliners and The Dropkick Murphys on just mandolin and vocals was so great then the next step must be to form a band. Roping in old friends in Henny ‘da butcha’ on drums and Jeremy Riddle on guitar and Sean’s son Bryce on bass In For A Penny took their home state by storm and judging by the wider celtic-punk media they have taken everywhere else by storm too.

This EP, Sometimes It’s Better To Not, is only four tracks long but sails in at nearly twenty minutes long. In For A Penny while they don’t go in for short songs they also know when to bring the curtain down so the EP never drags on. Sean’s gravelly yet distinctive voice again shines through and it’s incredible to think that the whole thing started off as just a jam but within a few days the band had taken Sean’s melodies and turned them into what we have here. The EP begins with ‘Before The Devil’ and it’s unmistakable In For A Penny. For a band with such a short time span they have really nailed their sound. With Bryce, bassist and Sean’s son, having moved to Colorado Matthew Price has been filling in and opens the EP off nicely before the band join in and it’s a fast, danceable number catchy as hell and as pretty the template for celtic-punk to these big ears. A story of redemption and trying to steer clear of you know.

(the bands submission for last years The Salty Dog Cruise)

On ‘Broken’ Bryce returns for a song with him recording his bass bits at home and then sending it on to Sean to mix. Bryce played their recent St. Patrick’s shows so maybe they could go all Ned’S Atomic Dustbin and have two bassists! With a opening that sounds like a Irish rebel song it soon changes to into a track telling the tale of ‘every man’. The homeless, lost and broken in society. A brilliant track that ends on a positive note of hope. Great words and music. The EP’s epic is ‘Dancing With The Stars’ at not far off six minutes! A slower song than usual but with an intensity that makes it seem faster. The song builds and builds and amazing to think theirs only four fella’s playing here. A real foot-tapper and at times could veer off in metal but they keep it subdued and in my opinion just right.

The EP ends with the standout track next ‘Your Claddagh Heart’. Johnny Piper of London Celtic Punks faves Alternative Ulster guests on bagpipes on this one and really makes the song shine. Sending his pipe track over to Sean from New York like Bryce did making this EP certainly wasn’t a easy process.  Dedicated to Sean’s Mrs it’s a lovely song and though it’s sentimental as feck it’s not gushing and I reckon the kind of song we’d all secretly like to write for our loved ones.

“when I said I love you, I meant forever”.

Johnny’s pipes are perfect and again it’s a fairly lengthy (for celtic-punk anyway) song at just a few seconds under five minutes but still the only thing i got left to say is the EP ends all to quickly. So there you go, yet another contender for our Best Of charts from these extremely talented Bhoys from Georgia. Sadly Sean is working away from home for a few months after St Patrick’s is over so this will be the last we hear of them for a while but plenty of plans are afoot on their return so don’t let this great band slip from your thoughts. They will be back!

(you can listen to the whole of Sometimes It’s Better To Not before you buy on the Bandcamp player player before you buy. G’wan it’s only 5 bucks!)

Buy Sometimes It’s Better To Not

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The Bhoys over at Mersey Celt Punks beat everyone to the first review of Sometimes It’s Better To Not and is well worth looking at for another opinion. It’s a great site and well worth subscribing to so check it out here

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2017!

Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…

1. FLATFOOT 56 (Chicago)- ‘Odd Boat’  here

2. THE TOSSERS (Chicago)- ‘Smash The Windows’  here

3. THE BIBLECODE SUNDAYS (London) – ‘Walk Like Kings’  here
4. THE PEELERS (Canada)- ‘Palace Of The Fiend’ here
5. FEROCIOUS DOG (England)- ‘Red’  here

6. BLACK WATER COUNTY (England)- ‘Taking Chances’  here

7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’  here

8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here

9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’  here

10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’  here

11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’  here

12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’  here

13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’  here

14. THE SILK ROAD (England)- ‘S/T’ here 

15. FLOGGING MOLLY (USA)- ‘Life Is Good’  here

16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’  here

17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’  here

18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here

19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’  here

20. CRAIC (USA)- ‘Sounds Of Vandemark’  here

21. THE MOORINGS (France)- ‘Unbowed’ here

22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here

23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here

24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here

25. CELKILT (France)- ‘Stand’ here

26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’  here

27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’  here

28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’  here

29. THE BABES (London)- ‘Greetings From London’  here

30. CHEERS! (Czech Republic)- ‘Daily Bread’ here

Just bubbling under:

THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)

No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.

BLACK WATER COUNTY- ‘Taking Chances’

This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!

1. BLACK ANEMONE (Sweden)- ‘In It For Life’  here

2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’  here

3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’  here

4. THE BOTTLERS (Australia)- ‘The Bottlers’  (here)

5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’  here

6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’  here

7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’  here

8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’  here

9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’  here

10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’  here

Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.

1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’  (here)

2. ShamROCKS- ‘Ye Ould Chariot’ EP  (here)

3. CRIKWATER- ‘Crikwater’  (here)

4. BEOGA- ‘Before We Change Our Mind’

5. FOLLOW THE CROWS- ‘West is East’ EP  (here)

6. PLASTIC PADDY- ‘Lucky Enough’  (here)

7. DAMIEN DEMPSEY- ‘Soulson’

8. GALLEY BEGGAR- ‘Heathen Hymns’  (here)

9. I DRAW SLOW- ‘Turn Your Face To The Sun’

10. ANTO MORRA- ‘From The Vaults’

Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!

MERSEY CELT PUNKS

This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.

CARLTON HUNT

Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.

We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.

His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!

He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.

We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.

Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say

“I try to be serious but the humour always takes over”

He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.

Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.

Ladies and Gentlemen, on drums.. Mr Carlton Hunt

This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

SHITE’n’ONIONS

MacSLONS IRISH RADIO

CELTICPUNK.PL

remember any views or comments we would love to hear them…

 Sláinte, The London Celtic Punks Crew- January, 2018

ALBUM REVIEW: IN FOR A PENNY- ‘One More Last Hurrah’ (2017)

The new album from the hottest band in celtic-punk at the moment. All the way from Georgia, USA and recorded live in the back room at The Sand Bar on Tybee Island, GA in about seven hours including lunch break!

The last few months have seen the American band In For A Penny making waves right across the celtic-punk/Irish folk music scene and deservedly so. We have featured them a couple of times recently reviewing this year’s EP (here) and the lead single from One More Last Hurrah! (here). Plenty about them clicked with me and the plaudits have rolled in since with praise from the various celtic punk media and a support slot with The Rumjacks on their recent US tour.

(This year’s EP release ‘Every Day Should be Saint Paddy’s Day’)

This is In For A Penny’s second album after 2016’s The Guardian Angel Sessions and all the releases have trod pretty much the same path since. A smattering of Irish standards butting up against self -penned songs. Needless to say I much prefer their own songs. Now there is nothing quite like a song like ‘The Foggy Dew’ to get the blood pumping and the ales flowing but it’s in their own songs that In For A Penny’s talents shine through. It’s been an age old problem for Irish/Celtic-punk bands since the first time someone pulled out a fiddle in a pub and got given a beer for it . Many bands are quite happy to keep singing the standards and let the bookings roll in keeping everyone happy but every musician must have the urge to get some of their own material out there and when it’s as good as In For A Penny’s then I’m afraid it is a necessity!

Sean McNally is the visionary behind In For A Penny. An Irish-American with both the words, the voice and the abilities to take this band far. Amazingly he only began playing the mandolin in 2014 but after only a few open mic performances Sean realised something. The response he was getting to stripped down cover’s of The Dubliners and The Dropkick Murphys on just mando and vocals was so great it seemed the only logical next step was to form a band. Roping in old friends in Henny ‘da butcha’ on drums and Jeremy Riddle on guitar and Sean’s son Bryce on bass In For A Penny have certainly taken their home state by storm and are now making waves everywhere.

Here on One Last Hurrah! its again the same pattern with nine tracks that include both bold covers as well as a couple of standards that they have stamped the In For A Penny brand onto. The album clocks in at an impressive thirty-two minutes. The album begins with ‘On The Dole’ and their great sense of humour shines through. Straight away Sean’s raspy Irish-American accent is what hits you square in the jaw. Fast paced and punky with mandolin that could have been perhaps turned up a wee bit louder. Blue collar Irish working class rock’n’roll from the very off. A tale of getting your cards as we call it here or made redundant and not letting it get you down. We all been there! ‘Tattletale’ follows and begins all folky before the drums kick in and we’re off. It’s rough and ready and feels like a live gig and no surprise as the Bhoys simply recorded themselves playing in the back room of a local bar. There’s no audience so not sure if you could call this a live gig or a practise but anyway the sound is easily passable and the passion and feeling is through the roof so don’t start whining about the sound quality ok! Here a tattletale is an informer whether at school or to the fuzz. Made me remember our wee gang’s mantra at school

“The kid that tells on another kid is a dead kid”

here it seems to just mean some bar-room loudmouth who won’t shut up. ‘Here We Go’ is an album highlight. Again it’s superb with a real catchy tune and like with all the best celtic bands it’s a song you can imagine yourself leaping round to like a right fecking eejit spilling your pint doing that strange can-can dance to that is so popular at celtic-punk gigs! Of course drink features heavily and so f**king what. I don’t hold with all that bollocks about drinking and stereotyping the Irish. It’s part of our culture and if you don’t get it then fair enough. I have plenty of relatives who never touched a drop and many more who touched too much but the pub made the Irish of my generation and listening to this I think Sean’s too. And anyway if you listen to the lyrics of 90% of these songs its clear that us drinkers are in the main losers and these are warnings to others to not become like us! ‘Derry’ is next and if you like what came before then this cover proves what I been saying about them has been right. Written as a poem by the legendary Irish revolutionary Bobby Sands while in prison it has since been covered by such illuminaries as Christy Moore, Neck and Damien Dempsey and others but i don’t think I ever heard it played better than this.

“In the rusty iron chains we sighed for our wains
As our good wives we left in sorrow.
As the mainsails unfurled our curses we hurled
On the English and thoughts of tomorrow”

As moving and passionate version of this song as you will ever hear I tells you and proof that these lads wear their hearts firmly on their sleeves.

(not the album version but still well worth a listen)

Bobby was a member of the IRA jailed for possession of a handgun and jailed in the infamous H-Blocks where he would die on hunger strike in 1981. A terrorist for some but for others worldwide and for ever more an iconic rebel and inspiration. While imprisoned he wrote many articles, poems, letters and songs. One of these was ‘Back Home in Derry’ telling of the forced deportation of Irish people to Australia by the British between 1791 and 1853, when the sentence of penal transportation was commuted to a prison sentence in Ireland.

“A beautiful ballad shouts a vivid and modern sentiment of sorrow for losing freedom and fierce rebellion at the same time: a rebellion not bent by imprisonment or raw conditions which will continue after the death of many” – Marco Principia

You may recognise the tune to ‘Jimmy’n’Jenny’ but all the best bands(and not so great) in Irish music have been recycling the melodies of each others songs for decades. Half the time listening to a Dubliners album you never knew what song it was till the vocals started! Time for some Irish standards next and blimey they couldn’t have picked any better if that was what you are after. It’s a 10 (yes ten!) minute mash up of the two most widely covered songs in celtic-punk  with ‘I’ll Tell Me Ma’ and ‘Black Velvet Band’ but with a extra bonus bit tacked onto the end I won’t tell you much about except it again is fecking brilliant. Catchy as hell but they save the best for last with ‘Easter Mourn’. A simply superb song that deserves to lift In For A Penny to superstar status. Released as the lead single for the album just a few weeks ago it so impressed us here that we even did a feature on it. About the Easter Rising in Dublin in 1916 when a band of Irish volunteers fought the might of the Empire beginning the road that led to full on war with the British. A beautiful song that evokes the spirit of rebellion and the band never sound better.

One Last Hurrah! is an utterly fantastic album and the spirit of Ireland flows right through it. When people mock us foreign born Irish in the future I’m going to give them a copy of this album as proof of the passion and commitment the foreign born Irish have to our ‘home’. So good is it. The Bhoys have made the album available as a Pay What You Want download meaning that it is free for all and sundry but if you got a few quid don’t be a mean bastard and send them a couple of bucks/quid/Euro so they can continue their good work or even just to have a beer on you.

(you can have a listen to One Last Hurrah! by pressing play on the Bandcamp player below before downloading!)

Download One Last Hurrah!

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IN FOR A PENNY RELEASE NEW SONG ‘EASTER MOURN’ AND VIDEO

A new song and video from Irish-American celtic-punk band In For A Penny from Tybee Island, Georgia in the southeastern United States. We don’t often feature videos. In fact I can only remember us doing it a handful of times but as soon as I heard ‘Easter Mourn’ I knew it was worthy and on what better day than the Bobby Sands anniversary. It’s a taster from their upcoming album ‘One More Last Hurrah!’ to be released soon.

 EASTER MOURN

05-05-2017

“Easter mourn in the early light of Spring April 1916
Did a proclamation ring o’er Dublin town
From the GPO came the charge to go
Right proudly flew the flag of war o’er Dublin town
There’ll be no resurrection on this Easter mourn
The poets and the teachers, soldiers and the speaker
Pledged their lives to free her,
Oh Dublin town in the rubble fought the rabble,
Bravely to the battle while the long range guns did pound and rattle,
O’er Dublin town
Locked up by the foreigner in Kilmainham gaol”
Singer/ bouzouki player and songwriter Sean McNally was kind enough to write a few words about the track so without further ado over to him.
“The song was inspired by a story I read about Canon O’Neill who wrote the modern lyrics to Foggy Dew. Came up with my own arrangement for the upcoming release and read about how he wrote it after he attended the first sitting of the new Irish Parliament, known as the Dail. The names of the elected members were called out, but many were absent. Their names were answered by the reply “faoi ghlas ag na Gaill” which means “locked up by the foreigner”. the line just hit me and it call came from there… it’s an homage to Foggy Dew basically”

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In For A Penny left to right: Jeremy Riddle- Guitar * Special Guest Appearance Ricardo Ochoa- violin * Sean McNally- Vocals and Bouzouki * Henny ‘Da Butcha’- Drums * Bryce McNally- Bass

you can support this great band by getting their latest EP ‘Every Day Should Be Saint Paddy’s Day’ for only $5 from here on CD or here on download. Read our review here.

Bobby Sands died in prison following a 66 day hunger strike on this day back in 1981. Bobby Sands would be the first of ten men to die in an effort to gain political status in a very public battle with British Prime Minister Margaret Thatcher.

Born in 1954, Bobby Sands grew up in Belfast under the cloud of nationalist and loyalist divisions. He joined the Republican Movement when he was 18 and was soon arrested and imprisoned for possessing a firearm. A second arrest in 1976 led to a 14-year-sentence. In prison, Sands embarked on a 66 day hunger strike that led to his death. During the strike he was elected a Member of Parliament.

A hero among Irish nationalists, Robert Gerard ‘Bobby’ Sands was born in Belfast, 9 March 1954. Bobby was the oldest of four children born to John and Rosaleen Sands, and the couple’s first son. At an early age, Sands’s life was affected by the sharp divisions that shaped Northern Ireland. At the age of 10, he was forced to move with his family out of their neighborhood due to repeated intimidation by loyalists.

“I was only a working-class boy from a Nationalist ghetto, but it is repression that creates the revolutionary spirit of freedom.”

Loyalist intimidation proved to be a theme in Sands’s life. At the age of 18, he was forced out of his job as an apprentice car builder by a group of British supporters. Not long after, he and his family had to move again. Thatcher’s view of the prisoners and the IRA was that they were murderous thugs. Nationalist Ireland’s view the complete opposite.

The IRA played a very astute international campaign during the hunger strikes gaining widespread support and attention for their cause. The deaths of Sands and his colleagues boosted IRA recruitment. The support for the strike was evidenced by Sands winning the vacant House of Commons seat for MP for Fermanagh and South Tyrone in a by-election necessitated by the death of sitting MP Frank Maguire. In a hugely emotional campaign, Sands defeated Unionist candidate Harry West.

The demands of the prisoners included:

1. The right not to wear a prison uniform;

2. The right not to do prison work;

3. The right of free association with other prisoners, and to organise educational and recreational pursuits;

4. The right to one visit, one letter and one parcel per week;

5. Full restoration of remission lost through the protest.

Britain never formally acceded to the strikers’ demands but three days after the hunger strikes finally came to an end on 3 October, Ulster Secretary James Prior announced a number of concessions including the right to wear civilian clothes and the restoration of partial remission for those who obeyed prison rules for three months.

EP REVIEW: IN FOR A PENNY- ‘Every Day Should be Saint Paddy’s Day’ (2016)

Rowdy Irish folk punk from Tybee Island, Georgia in the southeastern United States
everyday-cover
The first Irish may have rowed ashore in Savannah (Georgia’s largest city) way way back in 1734 but it has taken over 280 years for an Irish band to pop up. Fortunately the wait was worth it. There’s a rich and deeply held Irish-American heritage in the Savannah with the area holding one of the oldest, and second largest in the world!, St Patrick’s Day celebrations but until 2014 it was nigh on impossible to find some local rowdy live Irish music… that was until In For A Penny came around. 

savannah-irishThe original Irish that arrived in Georgia were descendants of the Calvinist Scots who had been planted in Ulster in the 1600’s. These Irish made their living trading, trapping and soldiering. They included Sergeant William Jasper who was mortally wounded leading the charge to retake Savannah from the British in 1779 but the main chapter in local Irish history began in the 1830’s like it did with so many other Irish towns across America. With the arrival of the railway the owners needed a plentiful supply of workers willing to do the back breaking hard labour required, and that is where the Irish came in. According to ‘Irish History in Savannah, Georgia’ here

“The story goes that Irish were employed on the railroad because, unlike slaves, their bodies had no commercial value and could be worked to exhaustion with impunity. A second wave of Irish immigration followed two decades later when the ‘potato famine’ in the old country forced many to seek new shores.”

savannah-irish-festThese Irish on arrival suffered prejudice and discrimination but it was that willingness to do the dirty, dangerous and low-paid work that made them important to Savannah’s economy. As in other parts of America the Irish soon realised the best way to raise their collective lot was with political clout and they soon became, and remain still, major players in Savannah society.

Sean McNally only began playing the mandolin in 2014 after taking a few years away from the music scene but a few open mic performances and a regular solo spot which was dubbed ‘Monday Mandolin Mayhem’ and after responding to an audience request to play the Dropkick Murphys Sean realised something. If he can get such a great audience reaction to a stripped down cover song on just mando and vocals the next step was to form a band. Gathering around him old friends in Henny ‘da butcha’ on drums and Jeremy Riddle on guitar and like a celtic-punk Van Halen the last member of the band is Sean’s son Bryce on bass.

in-for-a-penny
This is In For A Penny’s second release after last years debut album, The Guardian Angel Sessions. We missed that but the good folk at Celtic Folk Punk And More never miss anything so you can read their review of that here. This EP follows pretty much the same route as the album with a handful of Irish standards butting up against a handful of self -penned songs. Needless to say I much prefer their own songs though there is nothing like a song like ‘The Rare Auld Mountain Dew’ to get the blood pumping and the ales flowing. In For A Penny have that age old problem for Irish/Celtic-punk bands. They could quite easily just keep singing the standards and the bookings would still roll in and they would keep everyone happy but every musician must have the urge to get some of their own material out and when it’s as good as In For A Penny’s then I’m afraid it is a necessity!

in-for-a-penny-skullOn Every Day Should Be Saint Paddy’s Day you get five tracks, two covers and three originals that clock in at a very healthy sixteen minutes. Its basically a collection of drinking songs with a shed load of energy all done with enough of their own approach to stand it out. The EP begins with ‘The Rare Auld Mountain Dew’ which was around for years before The Pogues and The Dubliners collaborated back in 1987 for a Top Ten hit in Britain and re-introduced it to future generations. Dating from 1882 it has become fairly popular but you’ll not hear a pumped up version like this one too often. Sean has a real strong voice that suits the style of the band completely and errs more towards to the Drew/MacGowan style of singing than the O’Donnells! Another original Whiskey in Heaven’ is up next and Sean introduces the song to his Dad and Bryce’s Grandad who sadly passed away last year. He must be well proud sitting up there with a Jameson’s in hand looking down.

“I’m not ready to go / I’m having too much fun, I’m having too much fun / When it’s my time to go /I hope there’s whiskey in heaven”
The last time he saw the band play they played ‘Whiskey In Heaven’ so seems apt to dedicate this to him. Great songwriting and  I recently heard the phrase (from a non-Irish person) about drinking songs and “racial stereotyping”. Well I can think of no better words to reply than what a load of fecking bollocks. The Irish drink. Obviously not all but it is part of our culture and if you don’t get it then keep your opinions to yourself rather than try and score points off the celtic-punk scene.
(here’s a live version with the sound quite low so get it turned up!)

Another original up next which was the first release from the EP. ‘Stumblin’ Home’ is the standout for me here with a seriously great singalong chorus and the addition of some great fiddle from one of the bands mates. You need to get this fella signed up Sean. It’s the slowest of the songs so far, or so it seems, but Sean’s vocals keep the energy right up there.

The band released the class video for ‘Stumblin’ Home’ above, which was filmed over the course of two days at various pubs, Sean’s flat and on their home streets of Tybee Island, Georgia. Have a watch and tell me you not been there too… Love the tricolour and The Rumjacks t-shirt by the way Sean!
in-for-a-pennyNext up is the bhoys St Patrick’s Day anthem ‘Every Day Should Be Saint Paddy’s Day’ and you can breathe a sigh of relief as these guys know full on well it’s not St Patty’s! Now can you just tell the rest of America for us. A bit of tin whistle comes in here and adds to the sound and as anthems go its a good ‘un. We’d all love it to be true but our livers would disagree but whens the last time we gave them a word edgeways. A great riproaring trek through Irish-America’s good and bad bits about our patron Saints feast day in which they reveal the major reason they think ‘Every Day Should Be Saint Paddy’s Day’ is that they would never be short of a place to play! The EP comes to an end with the other standout for me. ‘The Parting Glass’ was made famous by The Clancy Brothers and is the perfect way to end any record. Sean plays mandolin and sings along and I don’t know why but I find it absolutely brilliant. We all have our own reasons to like this song and usually it’s to do with someone close to us and I’m no different. Sean’s reigns in the energy and instead lets emotion come out and his hoarse raspy vocals do indeed do the song perfect justice.
If I was local to these boys then I just know we would be great mates and no doubt great drinking buddies too. In For A Penny are not pretending to be anything they’re not it’s just good old fashioned Irish music with an injection of punk rock spirit that will keep the flames alive for the next generation of Irish down Savannah way.
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