Tag Archives: Paddy And The Rats

ALBUM REVIEW: PADDY AND THE RATS – ‘From Wasteland to Wonderland’ (2022)

Hot on the heels of gaining a double over hapless England, Hungary has even more to shout about like the 6th full length studio album from Paddy And The Rats. A pirate party fuelled by heavy doses of Punk, Polka and Irish Folk and a worthy tribute to accordion player Bernie who passed away not long before the release of this album.  

It’s hard to begin this review without mentioning the sad loss the band suffered at the beginning of this year when their friend and fellow band mate Bernie Bellamy (Bernát Babicsek) sadly passed away.

“Speaking about the new song, the band says, “this album became very important to us because this is the last thing that Bernie recorded in his life. We’d like to dedicate the first single of the album to Bernie and to express all our emotions through the song we release first. That’s why we’ve chosen After The Rain. It’s a sad song but it also has a fully positive vibe. Sadness and desperation are there through the whole song, but meanwhile, you can feel something powerful when the pipe and the accordion come in at the drop. It conveys the feeling that you have to be strong and you have to move on. The last line in the chorus says: ‘After the rain, sunshine will never be the same’. I think this is the essence of the song. The absence of Bernie will be more endurable with time, but nothing will ever be the same without him.”

An awful thing to happen and we send our love to Bernie’s family and friends.

Bernie’s sad death dominates the album in more ways than one. Beside the tracks written especially for him the themes visited here can also be attributed like the sudden death of a friend,the loss of faith, misery but their are also uplifting songs with more irreverent themes like the obligatory drinking and pirate ones. Their recent albums have seen them a slight shift away from the Celtic-Punk that made them one of the biggest live acts in their home country but on From Wasteland To Wonderland they return fully to form but still manage to squeeze in several unexpected influences and flourishes.

Only a few weeks after bemoaning how long it had been since the Hungarian Celtic-Punk scene reared it’s head both The Scarlet and now Paddy And The Rats land on the pages of London Celtic Punks. Now one of the things that made the scene their so great was the diverse nature of the bands with none of them sounding even remotely alike and all and any variation of Celtic-Punk covered. Formed in Miskolc in the industrial northeast of Hungary in 2008 they have become popular outside Hungary and have toured all over Europe.

For the new album, the band teamed up once again with long time producer Zoli Baker who has done an outstanding job. From Wasteland To Wonderland is exactly that with the opening track titled ‘Wasteland’ right up to the final track ‘Wonderland’. Thirteen  songs and forty-five minutes later! The opener was one of the first tracks written for the albium and is classic Rats with Celtic-Punk flavoured with a little Eastern promise alongside hard riffs, playful fiddle solo and catchy melodies. The next couple of songs see them flip into pirate mode with ‘Ship Will Sail’

To the end of the world I’ll ride
For you, no place to hide
Till’ I hunt you down
Our ship will sail”

and then ‘Party Like A Pirate’. Two swashbuckling knees up that would have Captain Sparrow jigging like a right one. Seeing how recently vindicated Johnny Depp is a big Celtic-Punk fan this may be no surprise!
“Dressed up for the party
A one-eyed gent of elegance
My wooden leg is stuck in the lower deck
My freshly polished eye rolled down my neck”

Released as a single with an exciting accompanying video. The band said of the video –

“We shot the video in Tenerife in famous places like the Volcano Teide and the classic pirate village in Maska. The story starts on a pirate ship where a bunch of pirates have a party and bully a witch who curses the pirates to wake up in the present. They try to understand the modern world which leads to very funny situations. The song is a typical Paddy And The Rats party song – causing the urge to dance in everyone who listens to the catchy melody.”

The first single from the album was ‘After The Rain’. It’s a song we featured on release as it was a moving tribute to their friend and comrade Bernie. ‘Northern Lights’ takes in some thrashy Metal along the way adding some Scandinavian touches too by way of the lyrics, like Northern Lights or the girl with the shiny green hair.. Never afraid to try something different ‘Matadora’ sees some Mariachi-style trumpets while the haunting ‘Standing In The Storm’ slows things down. While we expect the unexpected from Paddy And The Rats ‘Everybody Get Up’ was still a bit of a shock with it’s fiddle intro and then straight into some Hip Hop ala Beastie Boys or Run DMC but still with the irreverent lyrics we do expect!

We wanted to visualise it, so we are wearing absolute different style clothing in the clip, summoning the New York hip hop and hardcore bands outfit of the 80’s. We made a very cool and funny mood video that can’t be taken serious, at all. So many bad things happened to us recently that we needed some happiness, at last. So we took our teenage ourselves out again and were just fooling around.”

‘Hometown Kid’ sees the lads channelling Green Day while lamenting the auld days as better. Which they were obviously. ‘Heartbreaker’ is pretty straight forward Hard Rock but with fiddle while ‘Rumble Outta Here’ plays like old old Paddy And The Rats. The lyrics tell of a long relationship, where you’ve been humiliated and leave and realise what you really need is your friends and a good drink in your favourite pub. They save the best for last and I bloody loved ‘The Last Hunt’. A great fast tune with the whole band giving it plenty in the chorus. The album ends, of course, with ‘Wonderland’ and appropriately enough a ballad. 2022 has not been a great year for them but hopefully they can put the first half of the year to bed now.

Comparisons to Alestorm are inevitable I suppose (the artwork designed by Jill Colbert, who also works with Alestorm, doesn’t help!) but these guys were at this a long time before Alestorm. They show enough here to prove they could blow Alestorm away in front of their own audience but still keep both feet in the Celtic-Punk camp. All of a sudden it feels like the Hungarian scene is back with a bang and the worldwide Celtic-Punk scene is all the better for it.
(Listen to selected tracks and download the album via the Bandcamp player)

Buy From Wasteland to Wonderland  CD / Vinyl   EverywhereElse

Contact Paddy And The Rats  Facebook  YouTube  Instagram  Spotify

Discography  Rats on Board (2009) * Hymns for Bastards (2011) * Tales from the Docks (2012) * Lonely Hearts’ Boulevard (2015) * Riot City Outlaws (2017) * From Wasteland to Wonderland (2022)

ODDS’N’SODS. A CELTIC-PUNK ROUND UP MAY 2022

As we transition from wet and cold winter to wet and cold summer it’ll soon be time to reveal your ‘covid’ body in all its glory to the watching world so to help take your mind of that here’s another Odds’n’Sods. A whole load of Celtic-Punk entertainment from all the scene’s bands big and small, established or just starting out.

Italian band UNCLE BARD AND THE DIRTY BASTARDS deserve to be bigger than the Dropkicks and the Mollys in my opinion. With some cracking albums behind them their back with a new video for a song taken from their 2020 album The Men Beyond the Glass.

PADDY AND THE RATS have a new album out this month, From Wasteland To Wonderland, out on the 29th via Napalm Records. The first single, ‘After The Rain’, is now out and is dedicated to the bands accordion player Bernát Babicsek, who went by the stage name Bernie Bellamy, who sadly passed away earlier this year. The song celebrates Bernát ensuring that he will sail forever in the Rats and their fans hearts. The album is available for pre-order from Napalm.

We’d like to dedicate the first single of the album to Bernie and to express all our emotions through the song we release first. That’s why we’ve chosen ‘After The Rain’. It’s a sad song but it also has a fully positive vibe. Sadness and desperation are there through the whole song, but meanwhile, you can feel something powerful when the pipe and the accordion come in at the drop. It conveys the feeling that you have to be strong and you have to move on. The last line in the chorus says: ‘After the rain, sunshine will never be the same’.

‘Luton Irish Folk-Rockers MISSING THE FERRY have a new single out, ‘Castlebar’ which will be the last release before their debut album coming later this year! The song is about the emigrants’ yearning to return home to Ireland. For many, they only made it in a casket. Despite such a serious subject matter, ‘Castlebar’ is an  upbeat celebration of life, of music and of London-Irish culture. The song begins with a poem inspired by Beatrice Mugan and read by three of the bands Mammy, Roseanna, both Roscommon girls who arrived in London and St Albans in the 1960’s and became nurses.

We recently reviewed the debut album from Boston band SLAINTE and the album featured ANNIE CHIVERS on a couple of tracks who has just released a new single ‘Big Kid’ from her upcoming EP.

THE RUMJACKS have a new 6-track split EP out in a few days with FLATFOOT 56. Last month we had Flatfoots song so look that up and we will have the low down on it soon so be sure to check that out but here’s their first single from it. It’s available for pre-order from https://snd.click/SplitEP.

I finally at last got to see the amazing Yorkshire banjo Punks SHANGHAI TREASON and they were every bit as good as I had imagined over the three years I’ve been waiting to see them! Blowing some much more famous bands off the stage. They just released a B-Sides EP featuring songs that never made their debut album, which in my book is the #1 Celtic-Punk album of the year. https://open.spotify.com/album/66aL6qH2yRUStU8PbfQ3W6

THE MOORINGS are back with a class new album and first single ‘Nothing Is Going My Way’ is a great opener. Looking forward to hearing this as I’ve always really enjoyed their previous releases.

THE ALT are a Irish-American supergroup consisting of the trio of Nuala Kennedy, John Doyle and Eamon O’Leary, all of who have become very much stars of Irish Folk music through their solo works and collaborations over the years. The songs here come from traditional music archives, poetry and original compositions including three songs in Gaelic. Outstanding album!

“Our ancestors rarely met, seldom mingled. Would the yearnings for one lost world speak to those who’d lost another?” AMID THE MIRK AND OVER THE IRK is an amazing and fascinating collaboration between Irish and Klezmer Folk music traditions and the children of Irish and Jewish immigrants to Manchester.

Five piece English band ONE EYED GOD just released a new album, A Land Fit For Heroes, featuring some rather nice bouncy fun Folky-Punkyness. The album includes lots of elements of Celtic Folk, Reggae, Ska, Dub and Klezmer and you will no doubt come across them this Summer playing out doors in the sun somewhere in southern England during festival season.

Conceived in the bowels of Belfast THE SCUNTZ have a new single just out. An unholy trinity of Punk, Folk and Cider. It’s the first release from their new album Fall Apart Gang. For the first time in a few years theirs a few home grown bands playing Celtic-Punk’ish type music so as usual support them.

THE REAL McKENZIES – Float Me Boat (review coming!)

IN FOR A PENNY – In Memory Of

THE ROYAL SPUDS – Roots Of Life (review coming!)

THE DREADNOUGHTS – Roll And Go

PADDY AND THE RATS – From Wasteland To Wonderland

THEIGNS AND THEALLS – Theigns And Thralls

THE MOORINGS – March On ?

Remember we can’t review it if we don’t hear it

Blast from The Past is dedicated to bands, many of whom are no more, who put out great music but were never featured on these pages at the time. Usually they come with a free download link. This months band is 7-piece Irish Punk’s ST. BUSHMILLS CHOIR from Seattle. They originally came from a group of friends from other bands and before releasing this classic of American Celtic-Punk. Produced by Jack Endino of Nirvana fame the album captures the energy of a live show. “Unrelenting, Punked-out Irish jigs and expert musicianship recalls The Pogues, Stiff Little Fingers, and dare we say it, The Clash” it really is an excellent album and featured in our Best Celtic-Punk Albums Of All Time list from 2014. Available as a ‘name your price’ download so free if you like or if you’re a politician £1000!

Cancelled in the original Covid lock down we were really looking forward to the long awaited re-arranged MR. IRISH BASTARD English tour later this month. One of Europe’s ‘Premier League’ Celtic-Punk bands it was bound to be a treat but sadly the tour is kaput … off! Hopefullly to be re-arranged soon. The good news though is that London Celtic-Punk fans have a gig just up the road on May 21st with a utterly fantastic gig the same night in Guildford with some right proper stars of the English Celtic-Punk scene with EAST TOWN PIRATES, MICK O’TOOLESINFUL MAGGIE and Emergency Bitter. Check the Facebook event for more details. Gothic Americana band HEATHEN APOSTLES have their most extensive tour of Europe from the end of May till the end of June through mainly Germany. We are pleased to announce the first London Celtic Punks gig in a couple of years with Italian band DIRTY ARTICHOKES – the tidiest Celtic-Punk band in the Celtic-Punk scene – returning to town at the beginning of August and will be playing with THE LAGAN and ANTO MORRA, two artists popular on the London Irish music scene that sadly haven’t been able to play much of late. The gig will be at the Bird’s Nest in Deptford and all details are on the Facebook event.

PAIRC FESTIVAL is probably the biggest celebration of Irish culture on this island this Summer. Taking place in Birmingham over August Bank Holiday Weekend. The 26th – 28th sees a bunch of the best and brightest acts playing – FINBAR FUREY, DAMIEN DEMPSEY, HOTHOUSE FLOWERS, BEOGA, SHARON SHANNON and many more. Shame they couldn’t have found room for some 2nd /3rd generation bands but still an outstanding line up. http://paircfestival.com/

Really cool interview with Michael O’Grady from THE MAHONES from Canadian Breakfast TV. He talks about what it means to him and his favourite part’s of the day and what NOT to do at the pub. Michael came us pretty well occupied with his brilliant live streams during lockdown so look forward to seeing him up on stage again soon.

Not many of us really believed that THE MAHONES retirement from touring would last long and they recently announced new dates in Ireland plus the imminent release of new album, Jameson Street, coming soon.

If you like what we do then you can support us by checking out our online store. The Harp’n’Bones design is back in all sizes and on black or white shirts. Also we have new polo shirts, in all sizes, and some nifty wooly hats as well as the Green’n’White ‘Skully Cap’ ringer shirts. Click the link below for the full range of all our other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan could ever need! Help keep Punk Celtic!  https://the30492shop.fwscart.com/

Facebook is shit. Proper shit. That the world’s most ‘popular’ social media site has only 2/5 in the play app store says it all! It’s stranglehold on all forms of expression is not good and it’s great to see people leaving in droves. Don’t despair though if you are one of them as you can keep up with London Celtic Punks posts via our wee group on the phone app Telegram. Similar in style (but better and easier to use) to What’s App but completely free from outside interference. Join us on Telegram, don’t miss a single post and even receive the odd exclusive and special offer! https://t.me/londoncelticpunks/  

Even though we hate it Facebook does supply the (very) occasional ray of sunshine so a shout out to some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans just like you and me. Like and join in the fun!

No better way to welcome in the new season than THE UNDERTONES and a piece of classic Irish Pop-Punk. Best wishes to founding member Billy Doherty on his recent illness too. Hope all is better there. Till next time Folk-Punk folks! The lads have a new compilation out called Dig What You Need out now and available all over the place.

A reminder too that we need your news so anything you would like to share with the rest of the Celtic-Punk scene send it onto us.

If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

ODDS’N’SODS. A CELTIC-PUNK ROUND UP APRIL 2022

March is over and I hope we all made up for two years of frustration by having a bloody good time but now it’s another Odds’n’Sods. A place for all the news on Celtic-Punk scene’s bands big and small, established or just starting out.

A reminder too that we need your news so anything you would like to share with the rest of the Celtic-Punk scene send it onto us.

In case you missed it Ukrainian ‘Stout Rock’ band ShamRocks from Kyiv have just put out a new single based on an auld Irish rebel song some of you may recognise! We support all countries right to self-determination, free from aggression. ShamRocks have featured here several times in the past so check out their last album, FCP Live, from 2020 and maybe chuck the lads a quid or two if you can manage it. You can show support via https://www.defendukraine.org/donate

The Nebraska based Celtic-Punk band THE KILLIGANS seem to be calling themselves a Ska-Punk band these days but they are still one helluva band and they are back after a wee hiatus with a new 4-track EP, Dread Naught, including their new single about a sausage or something!

THE SCRATTERS are fine country folk made up of various members of The Skimmity Hitchers, The Dreadnoughts, The Surfin Turnips and The Mighty Shinkickers. Expect multiple Folk-Punk-Folk songs about Scrumpy and Western Cider.

THE FEELGOOD McLOUDS had a new single out last month. ‘Head Up’ was originally planned as an encouraging anthem during the pandemic but present events have unfortunately made the track even more appropriate.

Celtic / Folk metal is not a scene we know a great deal about. It’s more a case if we like it and hear it but the new track from THEIGNS & THRALLS is utterly brilliant. The brainchild of Skyclad singer-songwriter Kevin Ridley the video features guests from across the Folk-Metal and wider scene. Their self-titled debut album is out in April on Rockshot Records and we will definitly be listening out for it. 

CALIFORNIA CELTS sound really interesting with their new single a sorta Ska-Folk-Sea Shanty hybrid it comes with a really outstanding video which if their to be believed was done by someone who has won two Emmys !!

We could start including a whole section here for THE CLOVERHEARTS each month such is their prolific output. Just in the last month they have put out two fantastic tracks. Kicking off with a brilliant cover of the Johnny Cash penned ‘Ring Of Fire’ and ‘You’ve Got A Friend’. Both available for $1 from the bands Bandcamp page.

Hungarian band PADDY AND THE RATS are certainly one of Europe’s best Celtic-Punk bands and they just announced the release of their album From Wasteland To Wonderland at the end of April. The band have released one song so far and the album is available to order below.

A new band I just found are Celtic-Rockers BOG IRON from California and I’ve had their recently released live album, recorded at the Midsummer’s Fairytale Celtic Ren Faire playing non stop at London Celtic Punks towers over the last month. Very nice recording too. A notch above most live albums I have heard. If you click on the link be sure to take a listen to the brilliant ‘The Night Pat Murphy Died’ brilliant!!!!

Scottish-born Texas-based singer/songwriter HUGH MORRISON from Murder The Stout has another solo album out this month. Lift Your Head is 14 fresh new songs with the help of New Orleans legend Beth Patterson and percussion guru Pete Sosa. The album comes out on April 8 and is available for pre-release.

BRIGADE 77 – Rebellion (review on its way)

THE GARLIC KINGS – Громко, Крепко, Честно

GREGOR BARNETT – Don’t Go Throwing Roses In My Grave

THE BRIDGE CITY SINNERS – Unholy Hymns

MOONSHINE WAGON – Self-Destruction

THE KILLIGANS – Dread Naught EP (review also on its way!)

SIR REG – Kings Of Sweet Feck All (reviewed yesterday!!)

Remember we can’t review it if we don’t hear it

Blast from The Past is dedicated to bands, many of whom are no more, who put out great music but were never featured on these pages at the time. Usually they come with a free download link. This months band is still alive and kicking up a storm in the Manchester area. PARCEL O’ROGUES doing their best to keep Irish music relevant blending the traditional sounds of the Dubliners with the band’s many influences. They released Hope The Rain Keeps Up back in 2012 and the CD has long sold out but can be downloaded as a ‘Name Your Price’ download. They did some absolutely craic-ing live streams during the pandemic and have shown what a great live band they are.

THE TAN AND SOBER GENTLEMEN are one of the more inventive Celtic-Punk bands out there. From the Piedmont of North Carolina traditional music is in their blood.

All of us grew up playing the traditional music of our beloved state. “Our kind of music,” as the old-timers call it, is descended in part from the music brought over by the settlers from Scotland and Ireland. Irish music and North Carolinian music are long-lost relatives, and we aim to bring them back together. Furthermore, we believe in playing this music the way it used to be played. Not as performance art, or to put the musicians on a pedestal, but as a way to bring folks together in joy, merriment and community. Not to mention having as much fun as we possibly can.

One of the beautiful things in the scene is that many bands attempt to release records themselves far away from corporate control. To this the ‘sober gentlemen’ need your help so they’ve begun a Kickstarter appeal. if you want to hear our kind of music exist in recorded form, and to keep the Bhoys and Ghirls on the road, then this is is how to do it.

We love Aussie Celtic-Punk and we love the debut single ‘Mutiny!’ from CAPTAIN O’BRIEN’S CRAIC from Launceston, Tasmania. Catchy as feck and great fiddle! A 7 piece Pop/Punk band drawing influence from traditional Irish and Celtic sounds. Try and support all new bands as best you can. All their links available through Linktree.

Can’t wait for the MR. IRISH BASTARD tour. We’ll be supporting it throughout and hopefully making a trip outside London too. Seems THE SAW DOCTORS are back on the road with a tour announced for the end of the year. News on the London Celtic Punks front is we are pleased to announce our first gig in a couple of years with Italian band DIRTY ARTICHOKES – the tidiest Celtic-Punk band in the Celtic-Punk scene – returning to London at the beginning of August and will be playing with THE LAGAN and ANTO MORRA, two artists popular on the London Irish music scene that sadly haven’t been able to play much of late. The gig will be at the Bird’s Nest in Deptford and all details are on the Facebook event.

DROPKICK MURPHYS announced their only 2022 dates for the UK. They will play the Slam Dunk festival, headlining the Dickies stage, taking part in Leeds and Hatfield over the weekend of June 3/4. Tickets are almost £100 (nearly a tenner booking fee) so good luck with that folks!

What about this for a bloody good video !! MR. IRISH BASTARD St. Patrick’s Day single dedicated to auld Marmite man Conor McGregor. Utterly superb but bejaysus Conor could do with a dacent PR man.

THE GROGGY BOYS first single from upcoming second album Still Groggin’ is another great slab of Pirate themed Celtic-Punk’n’Ska. The album out on Vampire Productions is like their debut album eight tracks loaded with Punk, Metal, Ska, Traditional Celtic Melodies and Ancient Sea Songs.

Facebook is shit. Proper shit. It’s telling that it only has 2/5 in the play app store! It’s stranglehold on all forms of expression is not good and people are leaving in droves. Don’t despair though you can still keep up with London Celtic Punks posts via our group on the new phone app Telegram. Very similar in style (but better and easier to use) than What’s App but the best thing of all is that it is completely free from outside interference. Join us on Telegram, don’t miss a single post and even receive the odd exclusive and special offer! https://t.me/londoncelticpunks/  

Even though we hate it Facebook does supply the occasional ray of sunshine so a shout out to some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans just like you and me. Like and join in the fun!

If you like what we do then you can support us by checking out the London Celtic Punks online store. The Harp’n’Bones design is back in all sizes and on either black or white shirts. We have recently in polo shirts, in all sizes, and some nifty woolly hats as well as the last few remaining Green’n’White ‘Skully Cap’ ringer shirts. Click the link below for the full range of all our other tatt. Shirts, badges, stickers, flags, CD’s and fridge magnets all the discerning Celtic-Punk fan could ever need! Help keep Punk Celtic!  https://the30492shop.fwscart.com/

We’re far more use to giving out these sort of thing than receiving them but it really did make our day to receive this from the original and best Celtic-Punk web site out there – SHITE ‘n’ ONIONS. ‘Best Celtic-Punk Zine’ for 2021. For this and also the very kind words means a lot as we would certainly not be here if not for the inspiration and support from other Celtic-Punk media. #OneBigCelticPunkFamily. They finally got around to putting out their Best Of 2021 list and unsurprisingly, like on ours, The Peelers ran away with the #1 spot. You can check out their list here.

And finally here’s another great *FREE DOWNLOAD* for you this month. Now we’re neither hippies nor are we warmongers but realists. War is sometimes a necessary evil but only after all avenues have been explored and always we must beware of politicians ready to send young men and women from our class not theirs off to fight and die. With that in mind here’s the 3-track single from CHUMBAWAMBA (remember them?) ‘Jacob’s Ladder (Not in My Name)’ that was first released in response to the illegal Iraqi war.  https://www.mediafire.com/file/xjkiayngyiwc4sa/jacladde.rar/file

If you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Bands, promoters, record labels, venues send in any news to londoncelticpunks@hotmail.co.uk or via the Contact Us page.

ALBUM REVIEW: THE CRAZY ROGUES – ‘Advanced Roguery’ (2021)

The new album from Hungary’s The Crazy Rogues again stretches what we think of as Celtic-Punk while still keeping both feet firmly in the Celtic-Punk scene.

So it is that just a couple of weeks after we featured the release of their lead single we now have the pleasure of reviewing Advanced Roguery from The Crazy Rogues. This is the first full length album from the band after several EP’s, all of which have been received favourably by the Celtic/Folk- Punk press, and while the Hungarian Celtic-Punk scene has been a bit quiet of late it never too long before a high quality release hits the shops. Formed in Veszprém in mid-Hungary in 2014 they are among the earliest of the second wave of Hungarian Celtic-Punk bands after the likes of Paddy And The Rats and Firkin. It’s been a long four years since the Rebels’ Shanties EP and what a four years it has been!

The Crazy Rogues: Teo Biermann – Flute, Vocals * László Verrasztó – Lead Vocals * Dávid Csillag – Violin, Vocals * Krisztián Fellegi – Banjo, Mandolin, Vocals * Gábor Fazekas – Guitars, Vocals * Péter Németh – Bass * Ákos Nagy – Drums *

The album kicks off with ‘Bull’s Eye’ and one thing The Crazy Rogues have never been afraid of and that is to experiment and escape the basic standard Celtic-Punk formula. Eastern Europe meets Far-West Europe as the influences bounce off each other with gang shouts and mandolin and fiddle embracing László’s great vocals. Catchy as hell and some great lyrics too in a story about stealing from a gangster. Even their songs subject matter makes a nice change! Advanced Roguery includes three tracks released for St. Patrick’s Day 2019 but all re-recorded and re-mastered. The first of which is the Punky ‘Fight You’ another great story this time of a man betrayed and now out for revenge. The Crazy Rogues can’t quite escape their PaddyPunk roots and they do a utterly fantastic cover of one of the most famous and popular Irish rebel songs. ‘Black ’n’ Tans’ has become a bit of a standard now among Celtic-Punk bands with it’s rousing chorus and violent call to arms against the British army.

“Come out and fight me like a man”

As we often say the test of a truly great Celtic-Punk band is their ability to turn to a ballad or quieter moments and on ‘Brother’ they achieve it with some very moving lyrics and the tune that takes an upbeat turn half way through. ‘Man Cave’ is the second of the re-mastered tracks and one thing that the pandemic proved was that men have been pushed out of the house under the illusion of having their own space. Several friends now have these spaces in their back gardens where they can keep their football memorabilia or music without being nagged at!

“Our sacred base, A hideout for the days, When man can be what he’s meant to be”

Now for the album’s standout track and no surprise that the band chose ‘Empire Of Sand’ as the albums lead single. Blending their trademark Celtic-Punk sound with Arabic tunes making a perfect example of what they call ‘Rogue’n’Roll’ that was released back in June 2021 in a live studio session.

The video above is a slightly different from that on the album, for that you’ll have to listen to it on the  Bandcamp player below. ‘Lady With A Lily Crown’ and ‘Better Than Home’ both give a wee nod to a famous (non) Irish Folk song and rattle along at a fair pace before we are in for a real Celtic-Punk rattler with ‘King Of The Alehouse’ with some clever wordplay about unrequited love in Kilkenny. We nearing the end and ‘Too Far Away’ is a nice ballad style track before the last of the re-done songs, Stranger’s Tale’ and having not heard the 2019 versions I can’t comment on how different they are except that they are all among the best songs on Advance Roguery.

One of the things that Hungarian bands have especially embraced is the flute and while I wasn’t much of a fan It was while watching fellow Hungarians Firkin that I fell in love with its use. The curtain comes down on Advance Roguery with ‘Walk The Line’ and takes as it’s base traditional Irish and Moldovan Folk tunes with some great guitar and drum work and and a uplifting accompanying Punky tune.

Expertly recorded, mixed and mastered by Botlik Mátyás at Grenma Studios in the Hungarian capital of Budapest. Botlik has captured the sound of the band perfectly. Their are twelve songs here of which eight are compositions written by the band and together they represent well the journey The Crazy Rogues have taken over the years. Advanced Roguery blends the old with the new though their sound is still underpinned by Celtic-Punk you will find a variety of styles here that all sound terrific together and they lift the band to a whole new level of roguery!

(You can stream and download Advanced Roguery on the Bandcamp player below)

Buy Advanced Roguery  Bandcamp 

Contact The Crazy Rogues  Facebook  SoundCloud  YouTube  Instagram

ALBUM REVIEW: THE RUMPLED – ‘The Perfect Match’ (2021)

Another release from prolific Italian Celtic-Punkers The Rumpled. With a sound influenced by traditional Irish Folk they are already one of the best bands in the scene and a band to expect big things from in the near future.

The last few years have been quite a time for fans of Celtic-Punk in Italy. While the genre has always been popular due in no small part to to the friendly relations between Italy and the Celtic nations never before has Italy had quite so many great bands, among them some of the best in Europe. I won’t go into the names as I’m afraid to miss one of them but a simple search among the posts here will give you the opportunity to give your ears a real treat. The Rumpled are one such band and in their relatively short existence they have been as prolific as any band in Celtic-Punk. Formed in Trento in the north in 2013 it was five years before they got some songs down on record and the result was Ashes & Wishes, recorded and produced by Gianluca of Black Dingo Productions, who have supported The Rumpled ever since. A sixty date tour of Switzerland, France and Italy in 2119 promoting the Grace O’Malley EP was followed by another EP, Toss The Coin, and tour the following year. Of course Covid soon arrived and any plans the band had were shelved while the world came to terms with what was going on.  Despite this the band ploughed on and did manage to release both Home Sessions, a EP of covers with the help of some pretty well known faces in Firkin and Uncle Bard And The Dirty Bastards, and an acoustic EP Rumplugged.

The Rumpled from left to right: Michele Mazzurana- Drums, Backing Vocals * Davide Butturini- Guitars * Patrizia Vaccari- Fiddle * Marco Andrea Micheli- Lead Vocals * Luca Tasin- Bassman, Backing Vocals * Tommaso Zamboni- Accordion *

The new album is called The Perfect Match and was released late last month again for Black Dingo and while new material is thin on the ground, with it being basically a re-recorded and re-vamped compilation of The Rumpled’s last two studio releases it is still an outstanding release and the perfect place to enter if you are new to the band. The Perfect Match kicks off with ‘Time To Go’, the album’s only new song and which was also the lead single for the album. The song is dedicated to Italian para-olympian athlete Giuliana Chiara Filippi and her story of fortitude and resilience, despite her many obstacles to overcome, and her dream to represent Italy in the Paralympics. Inspired they choose her to be featured as the main character in the video. A truly Perfect Match.

A great rocking start and a lovely tribute. We wish her well. Talking about the single The Rumpled said

“The song is an invitation to return to life with energy and enthusiasm and move into the future, throwing the difficult situation of last year behind us. After this long break, our desire to restart, to get back on stage and perform for a crowd is uncontainable, that’s why we all sing the in chorus: “hey ho, it’s time to go, we’re gonna raise hell tonight – So let’s go to another show and everything’s gonna be alright”!”

Musically The Rumpled play an energetic and lively style of Celtic-Punk. While The Rumjacks influence casts a shadow over much of the Italian Celtic-Punk scene The Rumpled have always done their own thing with a sound influenced by traditional Irish Folk music as much as anything. ‘Stand Up’ was the opening track on the Toss The Coin and sees the band accompanied by the Bold Rumjacker himself Frankie McLaughlin. Accordion led and with one hell of a catchy chorus it’s fist in the air time here as you swing your mates round and round. The energy is unrelenting and continues throughout the albums forty minutes with only a handful of pauses for breathe.

The following six songs also come from the Toss The Coin with ‘Take A Drop’ and ‘The Gipsy Dancer’, a lead single from Toss The Coin and you will see where the EP gets its title from in the excellent accompanying video. ‘The Road’ is less ‘traditional’ and more modern sounding Celtic-Punk combining elements of Ska with some great ‘Woah-Woah-Woahh’ gang vocals. ‘One Love’ is the first of two songs to feature guests from fellow Italian Celtic-Folk-Rockers Folkamiseria from western Piedmont. More Folk orientated but still with that harder edge while ‘Broken Romances’ has a more harder edge.

‘Patty’s Jig’ was the final song on the EP but here marks half way. Accompanied again by Folkamiseria on bouzouki The Rumpled show they can go full on traditional with a self penned Irish Folk tune that could have been written a hundred years ago!! Song #9 here is the song that began the Grace O’Malley EP ‘Song of Ill Repute’, a speedy accordion and fiddle led whirling dervish of a song which is followed by the EP’s title track, a extended version, ‘Grace O’Malley’. With over 1,000,000 plays on Spotify and a place in the Top Ten Celtic-Punk EP’s Of 2019 on this here web-zine. Grace O’Malley was known as ‘The Pirate Queen’ and until recently was largely known only to Irish communities around the world with tales of her exploits being told and re-told through the generations. A fearless leader over land and sea, a politician and tactician, rebel and pirate, and the ’most notorious woman in all the coasts of Ireland’.

‘Fearless And Brave’ sees the band accompanied by Paddy O’Reilly from the awesome Celtic-Punk band Paddy And The Rats. Utterly brilliant the dual vocals work to great effect while the Celtic-Punk crosses into Ska and back. ‘Feelin’ Fine’ keeps up the pace going and finally ‘The Maiden’ brings down the curtain.

So while it’s a shame for us long time fans of the band not to have an album of brand new music its perfectly understandable that The Rumpled want to get their music out to as wider audience as possible and this is a great opportunity for them to do so. So if you’re a fan pass this on to someone who isn’t (yet!) and make their day. The album is available on both download and physical release and also why not read up on Grace O’Malley it really is a fascinating story.

Buy The Perfect Match  Here  Contact The Rumpled  WebSite  Facebook  Instagram  YouTube

Black Dingo Productions  WebSite  Facebook

EP REVIEW: THE RUMPLED- ‘Grace O’Malley’ (2019)

Italian Celtic/Irish Rockers The Rumpled follow up last years debut album with a digital only 5-track EP. Five different stories about love.

After last weeks review of The Clan’s new 4-track EP, Quattro Giorni Fuori Porta, it’s time for another Italian Celtic-Punk to be featured and another EP as well. The Rumpled haven’t been around as long as The Clan and are in fact one of the newest of the bunch of bands that we consider make up the Italian Celtic-punk scene.

The band were formed in 2011 in the northern Italian city of Trento and began with the name Seven Deadly Folk but as is often the way with bands with so many members it’s hard to keep everyone together and with the coming and going of new and old members the band decided in 2014 to change their name to The Rumpled. Last year saw the release of their debut album Ashes & Wishes for which they also took on a mammoth tour of home that saw them play every corner of Italy. The album was a surefire hit among the Celtic-Punk community and saw the band placed in all the various Best Of’s the scenes media had to offer. In the London Celtic Punks Top Thirty of 2018 they managed a very respectable #14. Not bad at all for a debut album.

In common with bands like The Clan and Uncle Bard And The Dirty Bastards The Rumpled embrace a certain kind of Celtic-Punk sound. It’s neither the Dropkicks or the Murphys but a Celtic-Punk that is very much focused on Irish traditional music. That may sound strange as you may think that is what all Celtic-Punk is but it is in fact quite rare. Irish folk music and Irish traditional music are different things and when Punk is added to it it can sound very different.

Is love an ideal? Is it love we feel for some friends? Can love be also sad or even frightening? Can love become an addiction, a source of pain or even violence? All is answered on this EP titled as a tribute to the legendary Grace O’Malley but more on her in a moment as the disc kicks off with the raging ‘Song Of Ill Repute’, A swift accordion and fiddle led whirling dervish of a song that you can imagine couples swirling each other round a dance floor. The Irish sound is paramount here but with both feet still in Celtic-Punk. It’s kind of untraditional traditional music if you will! This is swiftly followed by a extended version of the title track ‘Grace O’Malley’. Now Grace has become quite famous in the last few years. She was born in Ireland in around 1530 and was a fearless leader over land and by sea, politician and tactician, a rebel, pirate and matriarch, and the ’most notorious woman in all the coasts of Ireland’. Although she was always famous as The Pirate Queen in Ireland and among Irish communities, notorious for their long memories ( I remember being told bed-time stories about her taking on the British Empire’s fleets as a small child) and glee at being able to rely a story in which the Irish didn’t lose to the English for a change! Her life is far too complicated to take up in a review of a single song so take the time to read up on her fascinating and inspiring story. Anyhow back to The Rumpled and the song ‘Grace O’Malley’. The song has racked up an incredible raked more than 50,000 streams in less than a month on Spotify and has been chosen for two of the most important playlists curated by the platform (New Punk Tracks & Celtic Punk).

Great lyrics, with thanks for assistance from Stephen Trollip, and Marco’s raspy tuneful voice telling the tale in English , not that that matters on first listen you’d never be able to tell his first language wasn’t English. Next up is another song that has set the internet alight and on ‘Fearless And Brave’ you may recognise the voice that is accompanying Marco and yes its the fearless Paddy O’Reilly from awesome Celtic-Punk band Paddy And The Rats. A utterly fantastic song with Paddy and Marco sharing vocals to great effect while the Celtic-Punk crosses into Ska but by hell it certainly doesn’t get much more catchy that this I tell you. The story is again dedicated to Grace O’Malley and steams along at a healthy pace that would be totally accessible to both Folk and Punk fans. On ‘Feelin’ Fine’ the song keeps up the same pace and has a ‘piratey’ feel to it with the heavy sound of the accordion while the final track ‘The Maiden’ brings down the curtain on 15-minutes of proper brilliant Celtic-Punk that will only go to further The Rumpled’s reputation.

(the full 5-track ‘Grace O’Malley’ EP by The Rumpled)

The album has been produced by Gianluca Amendolara of Black Dingo Productions (who look after any Celtic-Punk band who hits Italy through being a independent record label, booking gigs and general management) who started his many appearances on these pages as drummer with The Clan before setting sail to join Aussie bhoys The Rumjacks. He has done an incredible job here and a special mention also for our Frankie out of The Rumjacks who has taken The Rumpled under his wing and assisted them throughout their career, who appears here as ‘vocal coaching and supervisor’ which must be a first for a Glaswegian! To celebrate the release of the EP The Rumpled have set sail on another massive tour that will take in Italy, Switzerland and France and will I am sure gain them legions of new fans.

Buy Grace O’Malley  Here  Contact The Rumpled  WebSite  Facebook  Instagram  YouTube

Black Dingo Productions  WebSite  Facebook

(have a listen to their brilliant debut album below on the Soundcloud player)

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

HUNGARIAN CELTIC-PUNK WEEK PART 4. THE WHO’S WHO TOP TEN!

So hopefully by now you will have equipped yourselves with at least three bands from the Hungarian Celtic Punk scene over the last few days so what better excuse than to give you a Top Ten of the best bands in that wonderful scene. They range from traditional Irish to folk-rock to full on punk but each band contributes to the scene without copying another and that is what makes the Celtic-Punk scene in Hungary so great. Some of the bands have overlap of members and it’s even possible by now that some have disbanded but these are the bands that have given Hungary such a great reputation among the worlds Celtic-Punks! Feast your ears on these lot!

PADDY AND THE RATS

Formed 2008 * From Miskolc * Buy Rat’s On Board

Facebook  Twitter  YouTube  LastFM  MySpace  Spotify  Google+

FIRKIN

Formed 2008 * From Budapest * Buy Finger In The Pie

WebSite  Facebook  Twitter  YouTube  Soundcloud

JOLLY JACKERS

Formed 2013 * From from Dunaújváros * Buy

Facebook Bandcamp YouTube Deezer Spotify

THE SCARLET

Formed 2012 * From Budapest * Buy Midnight Avenue (here)

Facebook  WebSite  YouTube  Twitter  Soundcloud

THE CRAZY ROGUES

Formed 2012 * From Veszprém * Buy Rebels’ Shanties (here)

Facebook  Bandcamp  Soundcloud  Instagram  YouTube

THE O’NEILLS

Formed 2013 * From Budapest * Buy Chapter One (here)

Facebook  YouTube

LOCH NESZ

Formed 2010 * From Budapest * Buy Leave The Captain Behind (here)

WebSite  Facebook  YouTube  Soundcloud

MAD MAN’S CREW

Formed 2015 * From Veszprém * Buy Riot Without Weapons (here)

YouTube Facebook

COLLEEN

Formed 2014 * From Budapest * Last I heard they had changed their name to Kolorful

Facebook  YouTube

PUNK WHISKEY

Formed 2011 * From Budapest * Buy Delirious (here)

WebSite  Facebook  YouTube  Soundcloud

If you are interested in finding out more about the great celtic-punk scene in Hungary (and you better be) the best place to visit is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

STOP-PRESS in the following weeks after we published this article yet another Hungarian Celtic-Punk band appeared on the horizon so we thought we would add them in at the end here. So here’s one more. The more’s the merrier!

HIGHLAND BASTARDS

Formed 2016 * From Ózd * Buy Lost At Sea (here)

Facebook  YouTube

HUNGARIAN CELTIC-PUNK WEEK. ALBUM REVIEW #2: PADDY AND THE RATS- ‘Riot City Outlaws’ (2018)

Hungarian Celtic-Punk week continues with another huge band from the scene. Paddy And The Rats serve up a pirate party with a heavy dose of polka, punk and folk bringing the Irish pub straight into your merry home! 

So we move onto Album #2 of our Hungarian Celtic-Punk Week (be sure to check out #1 here) and it’s another band who are massive both and home and abroad. Paddy And The Rats are possibly the best known of all the Hungarian celtic-punk bands and deservedly so. Hard work and constant touring have paid dividends for the band and these days they are known throughout Europe for their superb records and great live shows. Riot City Outlaws is their fifth studio album following ‘Rats On Board’, ‘Hymns For Bastards’, ‘Tales From The Docks’ and ‘Lonely Hearts Boulevard’. Formed in 2008 with a love of Irish music, pirates and punk rock they have been going strong and getting stronger ever since. The original celtic-punk sound from their first four albums saw them change track somewhat on their last album but we did note that

“No harm in that. Its called progression and I’d rather they did that than just stick to playing ‘The Wild Rover’ for evermore.”

and it couldn’t be more true. A band can stand still and play the same album year in year out but that is not what Paddy And The Rats are about and thank the Heavens. As they say themselves

“Well, it`s one thing to dream about being Irish”

but this Miskolc-based six piece decided to throw a hefty dose of pirate-isms, polka and gypsy punk onto the Celtic mix!

Riot City Outlaws launches with ‘Aerolites’ and one of the albums stand out tracks straight away. Beginning with piano, acoustic guitar and Paddy’s great rock vocals it soon picks up pace and becomes a catchy feelgood Celtic rocker that’s guaranteed to get you on your feet.

The Bhoys follow this up with another classic song the accordion led ‘Join the Riot’. Like the opening track it switches melody from calm and collected to wild and manic whilst still keeping the feelgood factor. Accompanied by one of their famously excellent videos Paddy And The Rats nail their colours to the mast both figuratively and literally. Another song bound to get the audience beating up the floor at live gigs.

The Rats have always added a healthy dose of pirate to their Celtic-Punk and it’s always worked well for them, especially as pirate-punk/metal has always been seen as more a joke or parody thing. Obviously their roots as a folk-punk band must help and on ‘Black Sails’ those roots shine through with an accordion led track that also hits the heights that is both hard and heavy and ‘pop-punky’ at times. Paddy’s vocals shine throughout the entire album and are both crystal clear and very easy to understand. Having signed to Napalm Records in the summer the powerful production by Grammy award winning producer Cameron Webb, famous for his work with the likes of Motörhead, Megadeth and Social Distortion, lends itself well to Paddy And The Rats with their loud massive choruses and bombastic big tunes. ‘The Way We Wanna Go’ is one such tune with banjo, mandolin, fiddle all fighting each other in a mighty tune. If there is one song here that maybe ventures into parody its ‘Sail Away’ with its drunken bar scene opening and then a rollicking folk-punk tune taking over before ending with a fantastic punk rock/fiddle jig. These are the kind of songs that would go down equally as well in a small hovel of a pub or a stadium full  of adoring fans and Paddy And The Rats are use to both. ‘Blow’ is accordion led along with tin-whistle and chugging guitars it takes a different approach with a really (and a mean really) cool pop-punk sound in the vein of Green Day or Pennywise. they follow this with what passes for a ballad on this album and ‘Castaway’ may be slow (ish) but it’s certainly not dull and is as loud and as brash as the fastest song here. Accompanied by another great video it would be well worth your time to put the kettle on, grab a packet of biscuits, take a hour of your life and clicking on their You Tube channel. A lot of thought and attention has gone into them.

The ocean is the theme of the next couple of songs and both ‘One Last Ale’ and ‘Where Red Paints The Ocean’ are brilliant Celtic/Pirate rockers. Tuneful, catchy anthemic songs that again manage to be both hard and gentle with Paddy showing his vocal range from both hard and gentle as well.

We are steering towards shore and time for another ballad in ‘Another Life’. They know their way round a good song and are equally at home playing anything from Pirate metal to folksy ballads like this with everything rock based inbetween. A great way to slow things down and ‘Bound by Blood’ begins sounding like another ballad before kicking off into the stratosphere and thrashy guitars and another song in the vein of the earlier ‘Blow’. Coming across like the bastard Irish born offspring of The Offspring and The Beach Boys it’s as catchy as it gets. The familiar story of the morning after is taken up next with ‘I Won’t Drink Again’ with acoustic guitar and tin whistle leading the way before turning into a song the Dropkick Murphys haven’t written in years sadly. A happy-go-lucky tune that’s a real foot tapper. The end of the official album comes with ‘Children of the Night’ and needless to say (but say it I will!) it’s an absolute stormer of a song.

The video above may not be exactly the greatest you will ever watch but it again perfectly shows the relationship between Paddy And The Rats and their fans. Paddy before the song starts speaking from the heart but in Hungarian so thanks to Ábel for translating and giving us an insight into the song we wouldn’t otherwise have had.

“My son was born 1,5 years ago and that moment changed my life forever. I was started to think differently and that I wrote that song mostly because he came to the world. I believe there is a very important thing to pay attention to every children. These tiny ‘creatures’ are our future for sure, but in many cases the politicians don’t notice that and they sacrifice them or they parents for the sake of the power, so they remain alone. We think that is so horrible to grow up in this world without parents, who are driving you on your way, and even worse to let them alone. That’s why we wrote that song.”

On an album of high points again Paddy And The Rats do it with a song that contains every element that makes Paddy And The Rats so enjoyable. The bagpipes and fiddle are loud and proud on my favourite song form the album. A real Celtic-Punk classic. So there we have the end of the official album but there are two bonus tracks added that deserve a mention the Irishy ‘Raging Bull’ and celtic pop-punk ‘Summer Girls’. Both great songs that I’m puzzled are tacked on at the end not that I’m not glad they are.

Riot City Outlaws is a real return to form from Paddy And The Rats and when you hear music like this it fills you with its infectious energy and simple happiness. Dark tales make perfect subject matter for Celtic-Punk and theirs loads here wrapped up with them catchy choruses and dynamic up-tempo songs. paddy And The Rats may have returned to their roots here but they are standing still and on hearing this neither will you!

(hear selected songs from Riot City Outlaws on the Bandcamp player below)

Buy Riot City Outlaws

FromTheBand  EverywhereElse!

Contact Paddy And The Rats

Facebook  Twitter  YouTube  LastFM  MySpace  Spotify  Google+

Don’t forget to check back in a couple of days for Part 3 and the final part of Hungarian Celtic-Punk Week. Part 1 here

If you are interested in finding out more about the great celtic-punk scene in Hungary (and you better be) the best place to visit is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

ALBUM REVIEW: THE SCARLET- ‘Hardfolk Shanties’ (2017)

It’s been five minutes so must be time for another amazing Hungarian celtic-punk release from another amazing Hungarian celtic-punk band!

2015 was the year of the Hungarian celtic-punk band with a seemingly never ending succession of celtic-punk releases throughout the year that filled the end of year Best Of polls for not just ourselves but for all the other celtic-punk media. Well last year was a bit on the quiet side but the Hungarians are back in 2017 with a bang and already this year we have had Hungarian Celtic-Punk week when we reviewed three releases by bands old and new to the scene in Firkin, Crazy Rogues and The O’Neills plus as well as finding space for the excellent Jolly Jackers album and a new Paddy And The Rats release due any day soon its shaping up to be a repeat of two years back. The Scarlet’s singer/songwriter Dániel also plays in The O’Neills and while they are a much more traditional Irish folk band it seems he has chosen The Scarlet to take out his aggression on and their music has a much harder edge to it than previously. Which brings us to this release which came out in March (when else!) and is the debut long player from Budapest based band The Scarlet. They have previously released a Demo (available for free download from here) in late 2012 and in January, 2015 they released their first official record in Midnight Avenue. That was six tracks and twenty minutes of, mostly Dropkick Murphys style, quality celtic-punk that introduced them both to the celtic-punk scene and the world (here). A combination of pirate ‘Yo-Ho’s’ and metal guitar riffs accompanying the celtic instruments it left us itching to hear more and we were jumping for joy on the news that an album was coming out.

Now as is the case with music genre’s many overlap and while to the casual listener it may all sound the same but to those that like to label things this is probably more towards the pirate punk end of celtic-punk and maybe even celtic-metal as well.

The album kicks off with ‘Heroes of Our Future’ and even though it’s the shortest song on the album it’s still one of the high points. The Hungarians love the flute and The Scarlet are no different with Júlia’s flute competing with fiddle and metally punk electric guitar riffs. Dániel’s vocals as on that earlier EP are clear and even with his slight accent the English lyrics are easy to understand though sung in a more rock style than before.

The music has a urgent feel to it and ‘The Darker Shade of Red’ doesn’t let the pace slip while the sea theme continues with ‘We Plunder’. The heavy guitar and thundering bass, which sounds particularly good, give the song a hard feel but all the time the flute and fiddle keep it celtic. ‘Monday Morning’ is another album standout and one of the more ‘trad’ celtic-punk moments on the album. Gang vocals on the track are a nice touch and keep it interesting. We are halfway through Hardfolk Shanties and ‘Son of a Pirate’ keeps the pace up. I am a new convert to the use of flute in celtic-punk. I was never one for it but on seeing the mighty Firkin here in London on NYE 2015 I have to say I was totally won over. The Scarlet and Firkin share a lot of similarities except in sound and once again it’s pleasing that bands have managed to tread separate paths in a, sometimes, one dimensional scene.

Saying that if there was one song on the album that has a Firkin shadow looming over it then it is ‘Take the Wheel’. In a album of high points it’s not hard hard to pick out songs worthy of attention and ‘Heading to South’ is one. Great fiddle work and chugging guitar and a real catchy tune too. We coming up to the end of the album and ‘Battlefield Requiem’ keeps up the good work and another mention here for Dániel’s tortured vocals which fit perfectly with the sound the band are producing. ‘Runaway’ has a punk feel to it with that thundering bass back again and finally Hardfolk Shanties comes to an end with ‘Long Live the Dead’. The song begins folky acoustic style before moving into celtic-punk territory. Another class song and that The Scarlet can pack so much into their songs when the longest here is only just over three minutes long is remarkable.

So the album is over and you get ten songs all penned by the band themselves that comes in at literally just over half an hour long. If you like your celtic-punk a bit different then Hardfolk Shanties will be right up your street. More punk than most and with metal influences that keep it on the harder side side of things but thanks to the addictive flute and fiddle here it is firmly within the celtic-punk scene. Fiddler Dominika can be thanked for the superb pirate themed album artwork and the album was mixed by Zoltán Cs.Szabó, of the Hungarian garage rock band The Trousers, who has done a grand job and got the maximum out of The Scarlet. A great album and as already stated it sits proudly on the harder edged side of things but it is nevertheless still a fine concoction of both old time folk and more modern punk and metal. Heartily recommended ship mates!

(you can hear Hardfolk Shanties by pressing play on the Soundcloud player below)

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HUNGARIAN CELTIC PUNK WEEK! EP REVIEW: THE CRAZY ROGUES- ‘Rebels’ Shanties’ (2017)

ireland-hungaryAnyone remember 2015? That was the year of the Hungarian celtic-punk record. A whole host of bands coming together in a perfect storm and absolutely completely dominating the scene that year. Loch Nesz, The Jolly Jackers, The Crazy Rogues, The Scarlet, Firkin and Paddy And The Rats all featured in the London Celtic Punks end of year ‘Best Of 2015’ charts and all received glowing critical praise galore. What quite happened to them all last year is a mystery but the Hungarian celtic-punks are back with a fecking bang! So for one week we are running a Hungarian celtic-punk special. Three reviews in seven days from three amazing EP’s from three equally amazing bands who all have completely different styles of celtic-punk.

crazyroguesepThe Crazy Rogues are from Veszprém in mid-Hungary and were formed in 2014 making them among the earliest of the second wave of Hungarian celtic-punk bands.With two EP’s behind them, one of Demo versions and another called Chapter 1 which we reviewed back in 2015 here giving it a massive thumbs up. They have named their style as ‘Rogue ‘N’ Roll’ taking in elements of punk, country and bluegrass as well as Irish and Celtic. The EP begins with ‘And Then the Sky Fell’ and its fast fiddle led celtic-punk with good ole’ fashioned punk rock drumming and punk rock guitar playing in the background at times pushing the fiddle forward. ‘Fleet’ is up next and is a bit more traditional celtic-punk of the Flogging Molly kind. One of the things I liked on The Crazy Rogues previous releases is how they can switch from their folkier side to their more punky side with ease. They slow it down next with the sad tale of ‘The Sad Leprechaun’. A leprachaun is a mischievous mythical creature that roams the Irish countryside playing tricks on humans. Many though think they are real, including my Grandparents! Again the fiddle is the lead here and Verrasztó’s vocals are suitably angsty as he tells us of the life of these solitary creatures. The flute appears here and like a lot of Hungarian bands in particular it’s used to good measure.

They speed it up next with the fast paced punky song ‘Mutineers (must DIE)’ and though it does seem funny to call something a ‘traditional punk rock’ song this is it! Shouty gang choruses and fast guitar and then all of the sudden banjo pops up and we get a short blast of each band members individual talents before it ends. Short and sweet and snappy as hell and then we drift into ‘Silver Hair’ which reminds me of the sort of bluesy country folk that Shane MacGowan and The Popes were so f’ing brilliant. Superb mandolin here from Fellegi and I have to say that the mando and the banjo have been a bit low in the mix thus far so great to hear it dominate on this track. Well that is until right out the blue it suddenly switches to a ska song and the song ends with an absolute flourish with electric guitar helping it speed to a finish. The absolute standout track here for me. Can’t tell you how much I enjoyed this song! The EP ends with the song ‘Rebellion’ and is a tribute to the Easter Rising of 1916 when a small band of Irishmen and woman declared war on the British Empire. They took over several important buildings in Dublin and held them for a week against far superior British forces and many died during that week until the rebels were forced to surrender. The British executed the leaders of the rebellion and this led to a wave of sympathy which would eventually lead to full scale war across Ireland that would in the end see freedom for the 3/4’s of the country. Verrasztó’s voice is clear and loud and stamps out where The Crazy Rogues stand. A perfect celtic-punk tune with everything that makes celtic-punk great. Story based lyrics with a solid punk rock base embellished with Irish instruments especially the fiddle again. Songs to get you both thinking and dancing is what celtic-punk is all about!

crazy

So six Crazy Rogues composed songs that clock in at a very healthy twenty-five minutes and not a single sign of a cover version. All sang in English with a multitude of musical styles thrown into the celtic-punk mix and with very thoughtful lyrics about a multitude of subjects that are very easy to understand. Rebel’s Shanties is an excellent EP and The Crazy Rogues continue to forge ahead to make a name for themselves in celtic-punk circles. Like both their previous releases Rebel’s Shanties is available for ‘Name Your Price’ download which basically means pay nothing if you got nothing and a couple of pounds (or more) if you got a couple of pounds. This EP is certainly worthy of it.

(listen to the Rebel Shantie’s EP for free by pressing play on the player below)

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So all in all a very impressive start for our Hungarian celtic-punk week. Check back in a couple of days for part two of three. If you are interested in finding out more about the great celtic-punk scene in Hungary (and if you got any sense you better be) the best place to find it is the ‘Celtic Punk/ Irish Folk Hungary’ group on Facebook here

ALBUM REVIEW: PADDY AND THE RATS- ‘Lonely Hearts Boulevard’ (2015)

“Hungary’s most famous Irish folk punk band”

Paddy And The Rats- Lonely Hearts Boulevard

Looking back on 2015 it will be forever known as the year of the Hungarian celtic-punk band! Already this year we have reviewed releases by Loch Nesz, The Jolly Jackers, The Scarlet and The Crazy Rogues and we still haven’t got round to reviewing the new album by Firkin either!

PATR2Paddy And The Rats are probably the best known of all the Hungarian celtic-punk bands and deservedly so. Hard work and constant touring have paid dividends for the band and these days they are known throughout Europe for their superb records and great live shows. With three albums behind them- ‘Rats On Board’, ‘Hymns For Bastards’ and ‘Tales From The Docks’- I awaited this new album with bated breath and I am very glad to report I was not disappointed at all.

Formed in 2008 it was their love of Irish music, pirates and punk rock that inspired them to start a band up and they have been going strong and getting stronger ever since. The original celtic-punk sound is still evident on Lonely Hearts Boulevard but it is also clear that the band are moving slightly away from it too. No harm in that. Its called progression and I’d rather they did that than just stick to playing ‘The Wild Rover’ for evermore.

Lonely Hearts Boulevard begins with ‘Keep The Devil Down In The Hole’ but is not the famous Tom Waits/ The Wire song but classic celtic punk rock with great banjo playing and the closest you’ll get to a country and western fiddle being played in a punk rock band. Reminds me of Flogging Molly somewhat and that is never a bad thing. Following is the the title track and ‘Lonely Hearts Boulevard’ follows much the same formula and is my favourite album track. Catchy as hell and a real toe tapper. On first listen you would take this album to be a real uplifting experience. The songs certainly bounce along with tons of energy but lyrically it’s a dark journey through pain, loneliness and struggle.

“Coz there’s a lot of pain
While we’re marching
Down through the life
And there’s a lot of fear
As we walk through the dark
On the Lonely Hearts Boulevard”

Bagpipes come in towards the end and complete the celtic sound. ‘My Sharona’ has a Sparks feel to it and is the first track without any sort of ‘celticness’. Still it rocks my boat and I am not complaining. Paddy And The Rats enter proper anthem territory with ‘Rogue’, a song that will I am sure get the audience on their feet at gigs.

Their first trip across the sea with a number about trying to keep one ahead of the navy while a bounty is placed on your head.

“Hold again
For the last sea and the friends
Take away my heart from this dusty land
They call me the rogue
But I’ll keep on looting, my friend
Let’s haul the rope again”

‘That’s My Nature’ is also one of the album stand out tracks and comes with a cracking video too. There’s a slight metal edge to the guitars and even though the ‘celtic-ness’ is toned down a bit here it’s still a great song. As with all the great celtic-punk premier league groups, to become one of the scene’s truly treasured bands it’s not just 110 mph fast fast fast you have to be master of the ballad too. Or at least for a minute or two before cranking it back up to 110 mph again. ‘Sleeping With The Winter’ is the former and is a welcome change after the previous five tracks. Very American sounding and the sort of track you could imagine any of the scene’s greats playing. Slow acoustic and with great heartfelt lyrics. ‘Drunker Than You’ is the closest on this album to Paddy And The Rats and their first album. A shitload of swearing accompanied by frantic fiddle, accordion and banjo and all the while Paddy O’Reilly shouting tunefully over the top. Paddy is a great front man and his voice fits perfectly.  ‘Captain Of My Soul’ continues with the celtic feel and begins with piano before fiddle jumps in and so begins a cracking song. Exactly what celtic-punk should be. A real punked up Irish tune with great lyrics too.

“I follow my lush heart
There’s immortal, lamp flame
I slunk like a wise wolf
Between lust and shame
If I let myself tempted
By the killing snake eyes
I forget my greedy vice”

The country/celtic of ‘Blue Eyes’ is a welcome slow down and the banjo picking is superb and leads us into a tale of debauchery in ‘Rock This City’ that any pirate would be proud of. The city is Budapest and with Paddy And The Rats in town I’m sure it is rocked to the max. Bagpipes give the song a nice Dropkick Murphys sound and if you close your eyes you could be in Boston.

“I outshined the sun
And I stole the moon
I fucked with the stars
On sunday afternoon
All of your dreams are made
If you wanna believe
I’ll put a smile on you
Before I leave”

Frantic punk rock drumming and electric guitar on ‘Time Is In My Hands’ can’t hide the celtic tune it’s wrapped around while ‘Without You (I Don’t Wanna Dance)’ is one of the more radio friendly album tracks and comes accompanied by a video with the band frollicking at the beach with a host of young maidens. This summery song sure is catchy enough but give me celtic-punk any day!

‘Junkyard Girl’ is a straight up punk tune with daft lyrics and Lonely Hearts Boulevard’s fourteen tracks comes to an end with ‘What We Are’. Again outstanding lyrics and a slower song building up and up. The ‘fist in the air’ song of the album by a long way. The song ends abruptly with the whole band singing along in a song that I would imagine means a lot to them personally.

 “Sometimes it’s hard to have the courage
To start all over again
But never be afraid to fight for yourself, my friend
Time is the longest distance
Between now and your dreams
Let’s find for you
A different point of view”

So there you have it. Don’t come along to ‘Lonely Hearts Boulevard’ expecting the full on Irish/ celtic tunes of previous albums but instead expect a band not happy just to rest on their laurels, that continues to play celtic-punk but with more and more influences flooding in. That a lot of these songs were originally intended for a solo album explains a lot to me. Paddy And The Rats are going places and they won’t be confined to any genre just for the sake of it. Onwards and upwards but don’t worry just yet they are in no hurry to forget their celtic punk roots any time soon.

PATR1

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a couple more interesting sites are the ‘Paddy And The Rats Fan Group’ here and the ‘Celtic Punk/irish Folk Hungary’ Facebook group here is a great community of like minded people.

here

EP REVIEW: THE CRAZY ROGUES- ‘Chapter One’ (2015)

Irish-country folk-punk from Veszprém in Hungary

The Crazy Rogues- 'Chapter One' (2015)

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It has been a funny old year in the celtic-punk world I tells you. Last year the most outstanding records and bands seemed to come from faraway Indonesia. An amazing scene with equally amazing bands and releases. Young and vibrant and massive and pretty much everything the celtic-punk scene isn’t in good old London town (only kidding!!). Well this year it is the year of the Hungarian celtic-punk scene. I am beginning to lose count of the number of reviews I have done so far, just this year, of bands from Hungary. A quick check and so far we have already featured this Loch Nesz, The Jolly Jackers and The Scarlet  (and it’s only September!) on top of them there’s a whole host of other bands who haven’t released anything this year like Paddy And The Rats, Firkin and Colleen and Punk Whiskey. The thing that sticks out and I have mentioned it many a time is that even in a small scene, like the one in Hungary, the bands manage to sound quite different to one another with each offering up something fresh and appealing, even to a jaded auld sod like meself!

The Crazy Rogues

The Crazy Rogues Standing: Godár Máté (Electric Guitar, Vocals) * Fellegi Krisz (Banjo) * Biermann Teo (Flute) * Szelényi Dániel (Acoustic Guitar, Vocals) * Faragó Dániel (Violin) Front: Nagy Ákos (Drums) * Fazekas Gábor (Bass, Vocals)

The EP is four songs and comes in just slightly shy of fifteen minutes and The Crazy Rogues certainly know a good tune. ‘Chapter One’ begins with ‘Hello World’ and straight from the beginning the sound of banjo and fiddle and flute grabs you and you know this isn’t just a straight up punk band. They sing in English which doesn’t particularly bother me, as if anything I have always preferred bands to sing in their native language, but in a scene dominated by north American bands you would have to agree it’s sadly the easiest way to get known. The song changes in tempo all the way though and at first it seems unusual but you soon get used to them and before you know it you’re not even noticing them anymore.

“When you’re lost for words to tell
If you go to fight in hell
When you meet an Irish fellow
Doesn’t matter, just say hello”

‘Mighty Cowboys’ follows and is the highlight of the EP for me with great music and a superb tune that encompasses both folk and country and Irish traditional. Any second it could break into a ‘hoe-down’ that is kept at bay by the punk rock guitars and drumming. Great lyrics telling of the life of a cowboy.

“Taking all the gold of people
Spending it for beer and trouble
Such a cool life in the wild west
They said my life would be harmless”

It seems to be the way now that new bands must have a signature tune and The Crazy Rogues are no different with ‘The Crazy Rogues’ that kicks off with electric guitar and vocals that remind me of the legends that are The Greenland Whalefishers.

“Here we stand seven old friends folking down the road
That’s exactly how we like it we are the crazy rogues”

‘Rolling Barrels’ brings us the end and in the tradition of celtic-punk they give us a good auld pub song to quench our thirst.

“We can’t be heroes
Just employed slaves
Pieces of machine
That no-one saves
Eight hours of work
Eight hours of rest
Eight hours of fucking entertainment”

The Crazy Rogues

A EP that sounds like the band had a bloody good time recording it and you get the impression from ‘Chapter One’ that they are a band that is to be seen live to get the most from them. The Hungarian celtic-punk scene has a lot of very good, interesting and different bands and not only that but it seems to be a very friendly scene as well with the bands helping each other out rather than competing with each other. The majority of the bands make their recordings free to download (in fact check here and go download crazy) though you ought to leave a few pence for them. An all-dayer starring all these bands might even get me to blow the cobwebs off my passport and shift my lazy arse to Hungary. Thats how good they all are!

(you can listen to the whole of’ Chapter One’ below on the Bandcamp player…just press play and the download is free but also ‘Pay As Much As You Like’)

Crazy2Buy The EP

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you also can hear it on YouTube here

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  • their is even more Hungarian celtic-punk to come as I just found out that Paddy And The Rats are releasing a new album very soon to be called ‘Lonely Hearts Boulevard’. So keep watching this space!

EP REVIEW: LOCH NESZ- ‘Leave The Captain Behind’ (2015)

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LOCH NESZ- ‘Leave The Captain Behind’ (2015)

Right take a deep breath… Paddy And The Rats, The Scarlet, The Jolly Jackers, Firkin, Colleen, Punk Whiskey and now you can add to that list of superb Hungarian celtic-punks the name of Loch Nesz as well. Formed in the summer of 2010 the band have been quite prolific in their short time releasing a great album, ‘Dance The Jawbreaker Jig’, and a whole bunch of singles and songs to download. In the great spirit of Hungarian celtic-punk this EP is free to download so click the link at the bottom of the review to get some great celtic-punk music in yer ear holes.

Loch Nesz

from left to right: Gergely Sárosi – Guitar, Vocals Kristóf László – Lead Vocals István Murányi – Banjo, Great Highland Bagpipes Marcell Endrey – Accordion, Vocals Geri Sándor – Bass Ákos Szabolcs – Drums in the foreground: Gergely Kofrán – Violin, Vocals

Loch Nesz new EP ‘Leave The Captain Behind’  begins with ‘The Cape Of Good Hope’ and this wonderful song sets the pace for the EP. All three songs are self-penned and songwriting credits are shared amongst the band. You can read the EP’s lyrics at their web site here. Catchy as hell and played to perfection. Once again I am left marvelling at the quality of musicianship within the scene. Great celtic-punk music thats shows no allegiance to any of the celtic-punk greats and more importantly perhaps doesn’t sound like any of their fellow Hungarian bands either.

“When the lads get go down to the hold
and let the winds say where we sail
We sing of rattlebones and good ol’ Davy Jones
and by gallons drink the ale
But when midnight is around the floor starts to pound
and the skeletons come to dance
Fight the fuckers with all your might
Till only the last man stands!”

The video looks super fun and was filmed at several live Loch Nesz shows as well as the Caledona Pub, a Scottish/Celtic-themed pub in Budapest. The song itself tells the tale of a ship similar to the’Flying Dutchman’ and its crew, but is really about people who are having difficulty finding where they truly belong. As Greg from Loch Nesz say’s

“yes, we are close enough in age to our Linkin Park-filled youth to justifiably put some teenage melodrama in our lyrics”

Last year Loch Nesz released a longer version of ‘The Cape Of Good Hope’ but they hope this shorter and snappier version will catch them some airplay and why not. Starting off with accordion soon joined by fiddle and mandolin and then Kristóf’s singing starts up. His voice is perfectly suited to the music a sort of Tom Waits growl but still listenable and tuneful too. Following this is ‘When I’m Drunk’

“either sorrow or bliss, there’s nothing to miss
We’re all here for such a short time
Tomorrow we’re old, withered and bored
Until then, pretend we’re alive!
I ’m aware that I’m rare
so the world better spare me,
’cause I’m so cool
when I am drunk”

At first glance ‘When I’m Drunk’ appears to be a typical drinking song but is more of a parody of the stereotypical alpha male mentality so often found in the genre. Nothing wrong with drinking songs but far, far too many of them abound so absolutely brilliant to hear a band tackling the problem with a sense of humour. Unlike some who feel it’s better to lecture about things they know absolutely nothing about. The song speeds up and adds bagpipes to the already crowded mix and adds a (not too often heard in celtic-punk) guitar solo as well! The EP’s title track ‘Leave The Captain Behind’ brings the record to a close and so ends ten minutes of pure celtic-punk heaven.

“the ship is sinking, the captain’s drunk
lying shit-faced in his bunk
the ship is sinking, let’s save the booze
and let’s leave the captain behind”

Unlike the two other songs, it doesn’t even try to be more than it actually is – a few fictional sailors telling exaggerated stories of the sea in the catchiest way possible and bloody hell catchy is the word!

That this record is free is by the by as if it wasnt then I would be telling you all to pay for it anyway. All the above mentioned Hungarian bands are worthy of your time but begin with Loch Nesz, The Scarlet and The Jolly Jackers all bands who have released records in 2015 and given them to you for free. All amazing celtic-punk bands with amazing celtic-punk records and they all sound different with different styles too. Whatever is hapening over there in Hungary it certainly looks like 2015 is their year!

Loch NeszContact The Band

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to hear a selection of Loch Nesz songs from their various releases press play below

you can download The Scarlet’s EP here and The Jolly Jackers album here

and if you are on Facebook then go along to the ‘Celtic Punk/Irish Folk Hungary’ group page here where a warm welcome awaits you!

ALBUM REVIEW: JOLLY JACKERS- ‘Sobriety’ (2015)

 AND FREE DOWNLOAD!

Jolly Jackers- 'Sobriety'

Hot on the heels of our recent review of The Scarlet’s new EP arrives the new album from another Hungarian band the Jolly Jackers. Writing that review of the The Scarlet’s EP (here) I commented about how good the celtic-punk scene in Hungary is at the moment with bands like The Scarlet, Firkin, Loch Nesz, Paddy And The Rats, to name but a few, and lo and behold straight after another grand Hungarian celtic-punk album lands on my doorstep. The Jolly Jackers hail from Dunaújváros a working class city in central Hungary famed for its steelworks, which is the largest in the country. They have only been going for a little over a year but in ‘Sobriety’ they have produced an absolute belter of a record and, even better for you the punter, they have made it available for free download as well.

Jolly Jackers

(band from left to right) Bence Berta (Drums) István Farkas (Guitar, Acoustic guitar, Vocal) István Faragó “Sztivi” (Guitar, Acoustic guitar, Lead Vocal) Andrea Boncz (Flute, Tin Whistle, Vocal) Enikő Papp (Bass guitar, Vocal) Krisztina Ujházy (Violin, Vocal)

click on the cover above to re-direct to your free download

click on the cover above to re-direct to your free download

They already had a fantastic EP under their belts titled ‘Call The Captain’ that they released in March last year and is also available for free download. (Simply click on the EP record sleeve to be re-directed). ‘Sobriety’s’ nine tracks are all self penned with the exception of an excellently played cover so once again my hat goes off to the band for that. It’s often too easy to pad out your records with covers so its good to see more and more bands writing their own material. The only minor gripe I have, and to be honest it is only a gripe as I wanted to hear more, is that the record flies by so quickly. The Jolly Jackers keep up such an almighty pace all the way through you’ll be breathless as well by the end.

The first track begins with tin whistle before crashing guitars and fiddle take the title track ‘Sobriety’ off into territory far away from the Mollys or the Murphys and finds The Jolly Jackers finding their own sound.

“Sobriety, sobriety! My little punk!
Sobriety, sobriety! We are drunk!”

‘Sobriety’ is not a subject much heard in celtic-punk but don’t worry the bhoys and ghirls are not Pioneers and next track ‘Whiskey’ kicks off sounding like a ballad till the fiddle and some pretty amazing bluegrass style banjo underpinnning the tin whistle in a story of bar-flies. ‘The House’ takes us on a scary Halloween tale of a haunted house with whistle and chugging guitars.

“Hey! Hey! Blow the candles out!
Hey! Take the bottles and get out!
Hey! Hey! Get your girl and run!
Hey! For tonight there’s no more fun!
Run for your life! Run for your life!”

American country influences on ‘Hey Johnny’ and yet more punk rock banjo make this one of the album’s standout track for me. ‘The Train Never Stops’ is a sad song with mournful whistle and acoustic guitar about the death of a friend of the band through addiction.

“I still can hear Tommy’s laughs, now he’s on a train that never stops”

After that emotional ride ‘Get A Life’ grabs you by the throat and shows the Jolly Jackers can ramp it up and play a bit of good old-fashioned punk rock. Starting off like an classic punk song slowly the celtic instruments are introduced and this catchy as hell track would have pleased any of the celtic-punk scenes big hitters to have written. ‘Gold Rush’ is another catchy number with the bands elements coming together very nicely. The albums only cover is a well played version of ‘Star Of The County Down’  and even though it has been covered a fair few times its a great version and extremely well played. I think it would have been a nice touvh for the band to have sung ths in their native language personally. The album ends with the brilliant ‘Call The Captain’ a live acoustic version of the title track from that first EP. With influences from their native country on first listen it sounds a bit chucked together but listen again and you hear the intricacies involved.

All in all a very solid first album and different enough from their fellow Hungarian bands to plough their own furrow. Jolly Jackers certainly have the songs and musicianship to go beyond their own borders and I can definitly see them following Paddy And The Rats onto bigger things. Is this the year of the Hungarian band? Well two reviews into 2015 and they are both Hungarian so it would seem yes!

(press play below to hear the complete album)

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EP REVIEW: THE SCARLET- ‘Midnight Avenue’ (2015)

The Scarlet- 'Midnight Avenue'

Sailing into view is a new celtic-punk band called The Scarlet and yet again we find that we can only gush glowingly about them. The Scarlet hail from Budapest in Hungary not that you’d know it though as the great lyrics are sung in crystal clear English and the music is full on celtic-punk with well played banjo and fiddle leading the way.  Formed in late 2012 they released a demo (available for free download from here) last year but ‘Midnight Avenue’ is The Scarlet’s first official release and is six tracks of almost twenty minutes of, mostly Dropkick Murphys style, quality celtic-punk. The EP has been produced by Kristóf, the lead singer of European celtic-punk favourites and fellow Hungarians Paddy And The Rats.

left to right: András Tóth - electric guitar Dominika Mészáros - violin Dániel Fekete-Szűcs - vocals, acoustic guitar Gábor Ridly - drums Júlia Seres - flute Aurél Czövek - bass

left to right:
András Tóth – Electric Guitar  Dominika Mészáros – Violin  Dániel Fekete-Szűcs – Vocals, Acoustic Guitar  Gábor Ridly – Drums  Júlia Seres – Flute  Aurél Czövek – Bass

The EP kicks off with ‘Thief Of Dublin’ with a classic celtic-punk sound and a great chorus with shouty ‘Oi, Oi’s’ and a harrowing tale of someone whose fell through the cracks in society. Not all is well in the land of saints and scholars it has to be said though set in Dublin it could, unfortunatly, be about anywhere.

“Mommy, tell me how it is possible to leave this shallow grave
Anytime this crappy addiction comes I turn into my own slave
As a child I was very gifted like a prodigy from heaven
What am I now: a scumbag wannabe rascal
Heading in the wrong direction”

The next track is ‘The Jesters Way Home’ and for me the EP’s standout song. Great fiddle in here and Kristóf’s production sticks out clear and loud with electric guitar and tin whistle combining perfectly with the aforesaid fiddle without anything dominating too much. The drumming keeps beat brilliantly and drives it all along steering it away from folk and keeping the sound very much in celtic-punk territory.

“The jester in his solitude is still wide awake

Coz the booze keeps his dreams”

Next up and carrying on in much the same vein is ‘Jacky Wood’ the story of a self-destructive punk rocker.

With ‘Misfortune’ The Scarlet sound the most like the Dropkicks but the song is more like a ballad than a full on punk song. The whole band get a chance to shine on it and these skilled musicians really do shine. One of those ‘end of the night’ songs where strangers wrap their arms round each other and put their pints in the air. A lovely song and a great video to accompany it. The Scarlet are back on more familar territory next with ‘Drunken Scallywag’ the EP’s most punky song and touches of metal shine through as well.

“Whatever occurs,
it could have been worse
Kiss my demons”

The everyday story of an alcoholocaust! Wrapping up the EP is a bonus track ‘Phoenix’ and the pirate tale of life aboard the good ship Phoenix.

Plenty of ‘Yo-Ho’s’ and metal guitar riffs accompanying the celtic instruments and it brings the EP to a nice end. All six songs here are self penned so kudos to The Scarlet for that and an album cannot be far behind I guess and I am already looking forward to it. Great things happening in the Hungarian celtic-punk scene and The Scarlet are a very welcome addition to it.

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INTERVIEW WITH ‘IRISH MOUTARDE’

We were so blown away after reviewing their debut album last week we thought we’d ask the lads and lasses from Irish Moutarde a few questions so heres their replies!

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What’s the music backgrounds of IRISH MOUTARDE? – In the band, we all have specific music backgrounds, but I guess that it is safe to say that we all like punk and metal music in general. Christian and Dominic really dig celtic and traditional music, Sebastien and I love progressive music, Andréa-Anne really love the Beatles, Fred has a strong background in punk music and Jérôme has a strong background in metal music.
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Do any of the band come from celtic backgrounds? Where did the idea come from to start a celtic-punk band? –
Nope. Apart from Dominc and Christian being in a traditional celtic music band, we have no other celtic backgrounds. – Irish Moutarde was founded in July 2009. Before that, myself, Fred Vandal, Andrée-Anne McHalley, Jérôme Bélanger and Sébastien Malenfant were playing in a band called Eerie. I was also involved in the newly re-established St. Patrick’s Parade in Quebec City in March 2010, and I suggested to my fellow Eerie members to put together a tribute to Irish and Celtic rock. Everyone in the band responded enthusiastically to the idea. Four years later, we got an album that we are really proud of!

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As Quebecians (is that right?) where do you stand on Quebec being a independent nation/republic? Is there much support for independence? – I think that the right word in english in “Quebecers”, though I’m not 100% sure. As a band, we do not have any political stance (we strongly believe that our shows, our public pages and the band as an entity are not appropriate for statements regarding politics). That being said, I can say that we had a referendum in 1995 that got very close to separate the province of Quebec from the rest of Canada (50.58% “No” to 49.42% “Yes”). But it’s something of the past now, people have moved on and the majority of the people who live in Quebec want to stay united with Canada.
Is their much of a Breton population in Quebec do you know? As a celtic nation it would be nice to know that their traditions and culture are surviving in Canada, much like the Scot’s. – As far as I know, there is not much of a Breton Population in our province. Most of our Celtic traditions and culture comes from the Irish.

Montreal has the largest Irish population in Canada i read once. How have the Irish influenced Irish Moutarde and if so why? – Most of our inspiration comes from the Irish and Scottish folklore. We just like the old traditional songs, the history of both nations, as well as their modern folklore. 3 or 4 of us have recently been in Scotland and Ireland, and these two countries are just beautiful.
You have had some amazingly good press recently but has it led to anything that could see you break out of the ‘CP’ bubble! – We are of course very happy that our album got good reviews all around the world. Even though we are a celtic punk band, it does not prevent us from playing all kind of festivals that are not centred around celtic music or even punk music.

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The Canadian scene has thrown up some amazing celtic-punk bands over the years but who among the newish bands is worth looking out for? – All of these bands already have a few albums out, but I really like Sir Reg and Paddy and the Rats. I also recently discovered a fellow Canadian band called The Stanfields, which I find really amazing!
What’s the future got in store for the band? – We just released our album “Raise ‘Em All”, so the next year will be to directly support it. We will be playing 5 or 6 shows this fall across the province of Quebec, and 2014 will be a big year for us. We will have a lot of shows in March (for St-Patrick’s Day celebrations), and then the summer festivals will kick in in May. We will also be working on new songs already, we left some great ideas on the table, and we want to develop them for album 2 as soon as possible! Thanks!

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