Tag Archives: T.C. Costello

ALBUM REVIEW: TIM HOLEHOUSE- ‘Come’ (2019)

Come is the eleventh studio album from nomadic troubadour Tim Holehouse and sees him drift away from his normal mutant delta blues to more Folk territory than on any of his previous records.
Recorded with a full band including lush strings and vocal harmonies this may not be typical London Celtic Punks fare but all the better for it!

Back in May we were set to put on a double header gig starring London Celtic Punk regular TC Costello and a friend of his by the name of Tim Holehouse. Well it barely needs repeating what happened to the gig (rest assured though the date has only been postponed not cancelled!) but it fell to the great gig massacre of 2020. Pompey born Tim is not a artist I was familiar with before this and when I looked him up and saw he was in album release double figures I felt shivers go down my back. Now the last thing you want to be doing as a music reviewer is have the eleventh album release of an artist land on your doorstep. That’s just his studio albums as well he has a host of live and split recordings under his belt as well. It’s fifteen years since Tim began on the path that would change his life. Fifteen years on the road touring pretty much every country in Europe, Iceland, Japan, Australia, USA and Canada playing anywhere between 250-300 gigs a year continuing to seek new adventures and build upon the hard work he’s already put in.

On the very first listen it struck me that it reminded me of someone but I couldn’t for the life of me think who. It was probably on the 20th listen seconds after I had shared that dilemma with TC Costello that I remembered who. Everlast. Yes he of Gaelic Hip-Hop legends House Of Pain. You may scoff but I’m sure anyone familiar with his solo work, especially the Countryfied ‘Whitey Ford’ material will get it straight away. How it is a man from the South coast of England can nail that American drawl is another thing but then if your thing is ‘mutant delta blues’ then it’s really not that difficult! As I said I’m not familiar with his previous work bar an afternoon spent whiling away watching his You Tube channel so Come is a new start for me. The album may be a nominally solo effort but here he is backed by a full band including a string trio and pedal steel guitar at Silent City Studio by Robert Hobson. Hobson is perhaps better known for producing hard rock albums, including those of A Forest Of Stars of which two members appear on this record.

Written over five years it has been a real labour of love to get this album as perfect as possible and patience has paid off. After several listens I am forced to place Tim somewhere between the aforementioned Everlast, Bonnie Prince Billy (who the song Prince of the Palace is a tribute to) and off-kilter bands like Low or the sadly missed Noah And The Whale.  Come begins with ‘Numbers Game’ the American drawl taking us on the first of nine journeys. Gentle acoustic guitar and double bass gives way to a cello and Tim steps it up while still narrating his story to us. This may not be our usual fare but we are lovers of catchy music and this is as good as any I heard this year. I always compare it to how my Grandad gave it away he loved something musical. His foot would be tapping away or is standing he’d gently tap the side of his leg with his hand. This is that kind of music I think. It’s music to really listen too and take in. Maybe with headphones so you won’t miss the swirling melodies and numerous instruments going on.

‘Next up is ‘Averio’ and again its a cacophony (big word!) of instruments slotted together perfectly. Tim has only three rules 1) I will not appear in my own music videos! 2) I will not have my name or face on a shirt! 3) I will not sell my soul! so don’t expect to see him featured in any of the vids I have posted here from You Tube.

‘The albums two shortest songs follow ‘One Day’ and ‘Sleep’ both hovering around two minutes and consist mainly of heartfelt thoughts on life. ‘Prince Of The Palace’ as I already said is about the legendary Bonnie Prince Charlie. My mate Simon got me into him a few years ago but as he’s about the most prolific recording artist I have ever known I decided there and then that I couldn’t afford to be too much of a fan! Labelled a ‘Appalachian post-punk solipsist’ whatever that is I recommend his music to anyone likes who what they hear here and someone who performs

“a fragile sort-of warble frittering around haunted melodies in the American folk or country tradition”.

To be honest I thought he had died but no he’s still knocking them out and is well past his 30th album! Tim’s song is a glowing tribute and I can well imagine the Bonnie Prince giving it a go. ’24 Hours’ is my favourite song of the album with Tim’s drawl and the full band coming in given a bit of bite by drums. The story unfolds and the music changes direction several times but always in fitting with the original tune as it progresses through what seems a lot longer is only just over three minutes.

‘(I’m Not) Icarus’ rolls in next and continues with the lush melodies and singer/songwriter story telling style. The story of Icarus comes from Greek mythology who attempted to escape from Crete by means of wings that his father constructed from feathers and wax but flew too close to the sun causing his wings to melt and him to crash into the sea. Icarus’ story has come to symbolise recklessness and the defiance of limitations. Another fabulous song among many.

(solo version of ‘ (I’m Not) Icarus’ recorded as part of Adventskalender Session 2019)

Steering up towards the end with two standout tracks the rocky ‘Placid Lake’ and ‘London’, Come’s longest song, where Tim takes us through the dirt and grime and anonymous streets where you can hide away. A grand song to see us out and the end of an album I can honestly say I never imagined I would get quite so into.

The album is out on Aahh!!! Real Records based in Cambridge a fiercely independent label proud to not specialise in any particularly style of music, but in good people with good ethics. Come comes in a gatefold CD and a rather beautiful special limited edition orange sunrise vinyl with alternate artwork. Tim plays his own music with his own lyrics and thoughts and is like the best music inspired by all good music. Punk, Hardcore, Blues, Jazz, Country, Metal and even electronic music it’s all the mix somewhere. 

“I’m not very keen to be boxed in as a song writer of a certain style. Each album has a different take on myself and the music is very much written from the heart about subjects I either am interested in or personal experiences.”

Good music is good music right? A rather excellent album that will be on my playlist for a long time after this review has passed into the ether and an artist I look forward to seeing a lot more of too. I’ll end this review with Tim’s catchphrase borrowed from one of his favourite films, Bill and Ted’s excellent adventure…

“Be excellent to each other!” 

(You can listen to Come on the Bandcamp player below)

Buy Come  Download  CD/Vinyl

Contact Tim Holehouse  WebSite  Facebook  YouTube  Bandcamp

Discography  Where? (2019) * Kill (2017) * Hail (2017) * Past (2016) * Just (2016) * Odd/Even (2016) * Down (2014) * Bar (2014) * Antidote (2014) * Fighter (2013) * Grit (2011) * From The Dawn Chorus (2007) * Found Dead On The Shoreline (2005)

Tim will performing live over on the London Celtic Punks Facebook page on Thursday 20th August from 8pm for a hour of Mutant music for people who are excellent to everybody! Expect anything from Hardcore-Punk to Jazz to Trip-Hop anything can happen. He hasn’t told us what he has planned!!

Facebook Event- https://www.facebook.com/events/3121307697990090/

ALBUM REVIEW: THE MUCKERS- ‘Irish Goodbye’ (2020)

The Muckers are a five-piece Celtic-Folk-Punk band from Atlanta. With a strong emphasis on Irish music, the band also blends influences of Gypsy music, sea shanties, Country, Rockabilly, and anything else they can get their hands on. According to TC Costello their name doesn’t mean what you think it means.

A year ago I found myself at DragonCon, one of the largest sci fi and fantasy conventions in the galaxy. 85,000 fans descended upon the city of Atlanta in sweltering heat to celebrate their fandom with costumes, medieval fighting demonstrations, and panels featuring famous actors (not a bad a place busking, either) but when not playing the ‘Game Of Thrones’ intro or the underwater theme from ‘Super Mario Brothers’ on accordion, I was fortunate enough to catch The Muckers, an Atlanta Celtic-Punk band I had heard of for the last year or so, but had never seen live, and what a live show it was! Aside from the twirling of light sabers, passing around of warm beers, and Star-Trek-uniformed mosh pits, The Muckers proved to be one of the most fun Celtic bands I’ve ever seen. The entire audience had huge smiles on their faces, and when they kicked out a rendition of “Drunken Lullabies,” no one in the crowd could keep still.

Frontman Jeff Shaw switched between fiddle and mandolin while providing plenty of banter, and Dave Long played some very Pogues-influenced accordion, while Randall English, Brady Trulove and Steve Lingo provided a nonstop folk-rock rhythm section with electric bass, acoustic guitar, and drums. Their set even featured a rendition of “Seven Drunken Nights” where the pipe “was made of glass instead of wood and had a little hole in the side,” and it became apparent that Long was the one cuckolding his bandmate Shaw. Never trust an accordion player. The enjoyment was so pervasive that I felt like I had no choice but to see them three more times during the convention. I was a bit skeptical that they could recreate such an atmosphere with a recorded album, but they do that and more with their latest effort, “Irish Goodbye” while sneaking in some truly heartbreaking material as well. Before the bleakness though, the craic is 90 with the ska-influenced Celtic-riffing opener, “Queen of the Pit,” an ode to the band’s friend Meg, who proved herself adept at moshing during Flogging Molly’s Salty Dog Cruise. Shaw sings in the chorus:

“Throwing her elbows, swinging her hair
Don’t start a fight ‘cause she don’t fight fair
Running in circles, you know she won’t quit
Get out of the way! She’s the queen of the pit”

They follow with “Rock on Rockall,” an Irish Protest song regarding Rockall Island, which The Irish Government claims as Irish and the UK government says is part of Scotland. Given that The Wolfe Tones made the song famous, it shouldn’t be hard to guess which side The Muckers take.

The Muckers from left to right, Steve Lingo- Drums * Randall English- Bass * Brady Trulove-  Guitar * Jeff Shaw- Fiddle/Mandolin * Dave Long- Accordion

A melancholy fiddle intro leads into the “Buzzard’s Bay” a tribute to Shaw’s friend Johnny Pike. Lyrically sparse, the song reflects on Pike’s tragic drowning in Buzzards Bay Massachusetts:

“A Boston boy named Johnny Pike
Disappeared on a summer night
Cold New England water took his life
Now he’ll never walk on land

23 is far too young to die
Unfinished life pulled out on the tide

John is gone we lost him to the sea
Left behind just washed out memories
Got in too deep, there’s nothing left to say
They found him floating out on Buzzards Bay”

Accordionist Dave Long takes the lead vocals next, with another protest song, “Building up and Tearing England Down.” With a vocal delivery somewhere between Shane McGowan and NOFX’s Fat Mike, this tale of fatalities in the English construction industry may be the perfect protest song to get people out of the pub and up to the barricades. In addition to accounts of falling off a hydro dam, death by concrete mixer, and one particularly gruesome incident with a high tension wire, this song features a blistering accordion solo that is just fantastic– and reminds me I should practice more.

They lighten the mood during a quartet of songs that seems to reclaim copyrighted material as folk songs. The songs present them as something to be changed and reinterpreted. The first is “Whale of a Tale,” a narration of nautical naughtiness that I only recently learned is from Disney’s “20,000 Leagues Under the Sea.” Bassist Randall English takes the lead on this one, telling us of maritime romances that include:

“Typhoon Tessie
Met her on the coast of Java
When we kissed I,
Bubbled up like molten lava
Then she gave me, the scare of my young life
Blow me down and pick me up
She was the captain’s wife!”

Lead vocals on this track are a joint effort, as Jeff Shaw sneaks a version of “Rare Ould Mountain Dew” that’s not about whisky, but rather that “Keefy Stuff from California”: “If the police come, try to stop our fun and lock us all away/ Away we’ll go and smoke a bowl of the good green Mary Jane.” After that high note of bridge the band blazes through one final verse about Harpoon Hannah.

Next, drummer Steve Lingo takes over lead vocals on a faithful cover of the Rumjack’s reflection on other possible life stories, “My Time Again.” Guitarist Brady Trulove next sings The Pogues; wartime waltz “A Pair of Brown Eyes.” Then the band puts The Ramones classic, “Sheena is a punk Rocker,” through a Celtic-Punk filter. While the Ramones’ “Sheena” leaves the beach party life for New York city’s part scene, The Muckers’ “Saorise” and friends dress in Scallies (another word for a flat cap) kilts and go to Ri Ra– Irish pubs in Atlanta.

Following the band is all revved up and ready to go with the Rockabilly-inspired drinking song, “Out on My Ass.” Shaw says,

“While you could easily mistake that for one of our silly drinking songs, I consider that a tragic song. A man is throwing his life away for alcohol.” Indeed, during this song’s drunken hijinks, the narrator loses his marriage, his life’s savings, his home, and is possibly bound for eternal damnation.”

Next is a cover of George Gershwin’s bluesy classic “Summertime.” It starts pretty traditionally, with some jazzy accordion licks the mandolin emulating some high-on-the-neck jazz guitar. Little did i know Trulove, Lingo and English were biding their time before launching into a high-octane, almost hardcore punk second verse. When I first heard it live, I wasn’t totally enamored with the idea, but the Muckers won me over, and by the end of it, I was moshing alongside Trekkies. Closing the album is the country-tinged title track. While mysterious in its origins, the term “Irish Goodbye” means leaving without announcing your departure. Shaw uses this as a metaphor for his divorce: “While we were still together we had a fight, and when I woke up she was gone. That wasn’t the real end of the relationship, but that feeling of waking up and finding your partner has left is what I based the song on.”

“The halls echo empty, there’s a ghost that sleeps in my bed
My heartbeat has flatlined, the stoplights all turned green to red
I know deep inside must’ve been something I could’ve said
To keep her by my side instead of an Irish goodbye”

Buy Irish Goodbye  FromTheBand-CD

Contact The Muckers  WebSite  Facebook  YouTube  Instagram

(The Muckers full band Live Stream set from the PaddyRock Festival last month)

ODDS’N’SODS. CELTIC-PUNK ROUND UP JUNE 2020

We want to move away from just being ‘ReviewReviewReviewReview’ so we have started this monthly feature that comes out on the last day of each month. All news items that we otherwise miss will get a mention but I need YOU to be the eyes and ears if it’s going to work so send over to us any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., to us at londoncelticpunks@hotmail.co.uk or through the Contact Us page and it will go in here!

Celtic-Punk major leaguers THE REAL MCKENZIES are back with their eleventh full-length album, Beer And Loathing, set for release on July 3rd on Stomp Records. More epic tales of alcohol soaked debauchery, historic sagas and hard-fought personal battles are promised and it will be coming out we are promised on Seafarer’s green and Beer Piss yellow vinyl and is available for pre-order from several different sites.

With the new album from THE O’REILLYS AND THE PADDYHATS, Dogs On The Leash, just released here’s their first single. Easily one of the most prolific bands in Celtic-Punk it never ceases to amaze me the high quality of their output. As an aside my Mammy is from Mitchelstown and she’s proud as punch to see a song named after her home town.

We’re still plodding our way through reviews from St. Patrick’s week releases but the Celtic-Punk/Folk-Punk world continues to turn and here are all of the most recent ones we aware of

BLACK ANEMONE – Chasing The Sun

KELTIKON – The Black Boar

THE O’REILLYS AND THE PADDYHATS – Dogs On The Leash

FIDDLER’S GREEN – Acoustic Pub Crawl II (Live In Hamburg)

NORTH ALONE – Quarantine Coverage (EP)

DAYS N DAZEShow Me The Blueprints

THE GO SET – Of Bright Futures

THE GO SET – …And Broken Pasts

VARIOUS ARTISTS – Raise Yer Pints Volume 5 Compilation

(remember if you want a review of your release we have to hear it first!)

Manchester based Derry born Gaelic Hip-Hop maestro DANNY DIATRIBE released At War With The Morning on May Day. A five track EP of modern day Irish immigrant Rap’n’Roll for a fiver!

For those of you who may have missed it the GREENLAND WHALEFISHERS premiered via live stream the professionally recorded live concert Barely Alive On The Inside filmed live at Inside Rock Cafe in their home town of Bergen in Norway on February the 15th 2020. It’s now available to watch on You Tube and is incredibly good!

The fourth album in ten years from JOHNNY KOWALSKI AND THE SEXY WEIRDOS and the first with new fiddle player Katherine McWilliam. Seven original tracks with weird instrumentals rubbing up against references to anti-fascism and conversations with the undead!

We gave it a small mention last month but full details are now available for THE PLACKS upcoming 7″ vinyl single. Limited to only 300 copies and on red vinyl it’s available for pre-order and features the songs ‘Rebellious Son’ and ‘The Bomb, The Bullet And The Gun’. Get it now as the pre-sale has gone fast.

South Yorkshire band SHANGHAI TREASON can do no wrong and their latest video is another masterpiece. Sooooo looking forward to seeing these Bhoys soon as the clampdowns over. The North Shall Rise Again’ is dedicated to the music venues of the North of England and hopefully they’ll be some left to watch them in at the end of all this! Their debut release comes out in the next few days so keep a eye on these pages.

Aussies MEDUSA’S WAKE have some new material out soon and I can tell you now it’s very good and we are very excited to hear more. We will be interviewing their singer and writer the Premier county born Eddie on all things Aussie Irish very shortly.

With no festivals or concerts PADDY ROCK has put together an Online Celtic Fest on 13th June 13th. No tickets, no commitments just eight hours of awesome Celtic music staring among others Bill-1916, Mike- Mickey Rickshaw, Sean- The Lucky Pistols and many more.

Scots born/Catalan based LOUIS RIVE has a excellent new single out called ‘Whitewashing‘ and we will be announcing a London Celtic Punks Live Stream with Louis soon! Just working on a date.

Our man in South Carolina T.C. COSTELLO has had a busy month. Two features on these pages for a single, ‘The Pandemic, and his forthcoming album The Bluebird and he released a new video for new song ‘Lord Randall’ as well. On top of that he played a very entertaining Live Stream for London Celtic Punks last week which is still available to view over on the London Celtic Punks Facebook page.

BRYAN McPHERSON spends his life on the road so holed up with his Mam and Dad in his hometown of Boston must be particularly tough on him. I’ve been loving his regular live streams and here’s one of the best ones. You can support Bryan by getting one his special limited edition Quarantine Time t-shirts and he also put out some Ramones themed tee’s too and on top of all that he also has a  new single out, a cover of an old school Rancid song called ‘Olympia WA‘.

London Celtic Punks fave ANTO MORRA has no record to flog (but if you do like what you hear check out his last album Twenty) but he did put out this the other day and I loved it so here it is.

London Irish Punk Folker ANTO is keeping busy though and on Wednesday June 3rd is performing live on Facebook in the third in a short series of Live Streams of artists that we bloody love. Think Christy Moore meets Billy Bragg but more fun and a better singer! Join the FB event for up to date info and on the day see you at the London Celtic Punks FB page at 8pm for an hour of surprises!

This July CLOVER’S REVENGE were set to wing their way over from sunny Florida to play London and we were looking forward to sharing a few beers with them but well you know… Anyway to make up for it they are also performing a full band Live Stream on Tuesday 25th June which will be on the London Celtic Punks Facebook page. Check the FB events page for any further information.

The new album from French band CelKILT, The Next One Down, came out yesterday and will be reviewed here any day soon but in the meantime enjoy this excellent track from the album.

The Irish music scene in Serbia is extremely popular with the biggest being the amazing Irish Stew Of Sindidun and SCORDISCI are the latest to throw their hat into the ring. Celtic-Punk from Belgrade, Serbia formed early in 2014 they have just released a new single – ‘In a Year Or Two’.

Ambitious plans from Holland’s MAGGIE’S FLOCK. A single released on the 23rd of every month during 2020 and then at the end of the year all twelve songs will become the album Party At The Cemetery. Aprils’s song is ‘Drunken Train’ and earlier this year the singles ‘Battle Song‘, ‘Bored Beyond Death‘ and ‘Maggie Of The Moor‘ were also released. Since I wrote this they have already released another song so to to be kept in the loop like them on Facebook.

New ‘clampdown’ video from THE RUMPLED one of the best bands in what seems to be the hottest Celtic-Punk scene around at the moment over there in Italy. They also put out a video with Silvano from UNCLE BARD AND THE DIRTY BASTARDS last week too.

The clamor for a decent DROPKICK MURPHYS group on Facebook has been getting increasingly louder and its finally arrived so hightail it to the DROPKICK MURPHYS FAN PAGE and join up for all the best news, views and reminiscences on the DKM’s. If you missed their live stream on May 29th then it’s now uploaded to YouTube and is worth multiple views. The Springsteen songs are right at the end.

… and finally it doesn’t seem like it but it’s ten years since THE LAGAN set out on the rocky road. A pity they couldn’t celebrate it in style down at the sweatbox that is The Fighting Cocks but Brendan and Andy got together on Saturday 10th May and rattled off a handful of original Lagan songs and a few covers and it was terrific. If it’s still up get the beers in, settle down and UP THE FUCKING LAGAN!

So you get the idea so all we need to do now is fill it with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

ALBUM REVIEW: T.C. COSTELLO- ‘The Bluebird’ (2020)

With the imminent release of his seventh album next week London Irish Folk Punker Anto Morra gives his view on T.C. Costello’s The Bluebird.

The Bluebird will be launched live on Facebook on Thursday where T.C. will be debuting some new songs and a few auld favourites too no doubt.

The last time I graced a stage in London I had the pleasure of performing a song with T.C Costello so if you’re expecting an unbiased review you’re gonna be outta luck as when I took the second wave Punk oath back in 1978, I’ve been cursed into a life of artistic honesty.

T.C’s voice is a very acquired taste but what it lacks in melodic beauty, it more than makes up for in passion, expression and wild abandonment in a similar way to MacGowan and Strummer. As a musician he is quite remarkable and completely fearless, with strange instruments dropping in and out all over the place. Imaging the first Roxy Music album lead by an accordion with Ferry on a mixture of absinth and amphetamine, Eno tripping his bollocks off in a room full of chimes bells and whistles, and Manzanera’s strat replaced by a bunch of strange acoustic stringed instruments from the four corners of the earth, and you may have some idea of what you’re gonna get on his latest offering.

‘The Bluebird’ is quite a leap sonically from his previous ‘100 Years Ago’ album but has not lost any of the energy or joy. I am quite ashamed to admit I struggle with any singing that’s not in English (Even the French bit in The Beatles ‘Michelle’ gets on my nerves) and so the opening song ‘Saeya, Saeya Parang Saeya’ was quite a shock and most certainly a challenge for me, but when I applied the right head space and put aside my narrow little Englander prejudiced approach, I started to love it in a similar way I love these early Thompson Twins song’s ‘Vendredi Saint’ or ‘Animal Laugh’.

The term ‘World Music’ is always one I’ve hated (simply because all music is world music unless it’s been made in space) making it mean nothing along with ‘Fusion’ a fuckin’ bass and drum is a fuckin’ fusion!!! However Folk Punk, Celtic Punk does not seem to fully pigeonhole TC Costello’s music adequately so I’m gonna describe it as ‘World Punk’ as the influences here are from everywhere. The psychedelic 60’s india is pulled into Eastern European Klezmer moments and wrapped around the odd traditional and Irish songs and delivered in that authentic, warm, Greenville South Carolina USA accent. Traditional Irish standard ‘To The Begging I Will Go’ follows and is a song I easily relate too and this is a remarkable arrangement of it that seamlessly slides into Italian protest classic ‘Bella Ciao/Pizzicarella Mia’ the latter part sounding like a beautiful Italian love song delivered on Red Bull and Vodka.

The next two songs are very familiar on the Folk scene since the 60’s revival. ‘The Old Churchyard’ popularised by The Watersons and ‘Lord Randall’ a tale of a fool poisoned by the Fairies.

‘Malena’ is another I have to plead ignorance about but it’s full of emotion, passion and musical dexterity. This takes us into the exceptionally familiar ‘Matty Groves’ sticking lyrically close to the Fairport Convention version but musically much more adventurous. ‘Tramp Tramp Tramp’ is a great song about prejudice and discrimination that I think may have taken the melody from ‘God Save Ireland.’  ‘They’re Red Hot’ is a fantastic break neck folk Rag and before you know it, TC is informing us with great joy “who we can and canae throw off the bus”. I’ve heard more versions of ‘Haul Away Joe’ than you can shake a stick at, but the arrangement and performance is one of the best. It’s how I imagine someone like Nick Cave would approach it, very dark, very tortured passionate and authentic. ‘The Willow Garden’ closes this record appropriately, as it is a traditional murder ballad.

This is not a record for those who want a traditional song played the way they always have been, but for people that want possibilities stretched. It’s one of them you’ll listen to again and again and always hear something else going on, a complete acoustic psychedelic head fuck with all the discordant beauty of the world smashed together and made coherent by the passionately spewed lyrics and vocal delivery.
If you want to be taken from anxiety verging on a panic attack, to manic joy and laughter, then be dropped off at the nearest watering hole to cry in your beer? You better buy this album.

(The Bluebird is available for download from Bandcamp. Only $10 the album is set for release on June 1st and all Proceeds go to International Medical Corps, who provide medical and related services to 30 countries around the world)

Pre-Order The Bluebird From TC

Contact T.C. Costello  Facebook  Bandcamp  YouTube

I’d like to leave you with this little clip from a couple of years ago, when I last played in my beloved home town and it really is the only way to put a band together; it features the great man himself as well as Brendan O’Prey of brilliant Celtic Punk outfit “The Lagan.”

ALBUM LAUNCH LIVE STREAM ANNOUNCEMENT

Par for the course and ages after everyone else has had a go we are doing a series of LiveStreams. We begin with the album launch for The Bluebird. We sadly had to cancel the TC Costello/Tim Holehouse gig but TC still wants to play for his UK based fans so he will be streaming live from South Carolina while hopefully Tim will fit in a show for us soon afterwards.

https://www.facebook.com/events/1150555188477972/

The 20th May was all set for his 5th triumphant return to The Lamb but fear not his UK and European fans T.C. will go live at 8pm (9pm- Europe) direct into our phones and computers via his page https://www.facebook.com/tccostello2/ and will play till his hands go sore… so that’s about a hour. Tune in there and then and we’ll see you in the comments section.

For more details on our exclusive Live Streams check out here

SINGLE REVIEW: ANTI DEPRESANTS- ‘Yer The One’ (2020)

Anti Depressants are a four piece Ska, Punk’n’Roll band from the hills of County Armagh. Going since 2008 they already have four albums behind them but the last one was in 2013. Now with a settled line up our man in South Carolina TC Costello ran the rule over their new single ‘Yer The One’.

 

Two years ago I went on my first tour through Ireland. The Brandy Thieves were booked as the headline act at the Summer Solstice Festival, a DIY festival at a remote house in County Armagh, and the organizers were nice enough to book me as the opening act, too. So with my less-than-trusty accordion in a state of disrepair, I took the stage at 2pm, bottle of Buckfast by my side, and got ready for a long day of craic that would end with a Brandy Thieves encore of ‘Zombie’ that I have no recollection of participating in – though video evidence says otherwise.

Of what I remember, though, one of the highlights of the festival was local Armagh punk band Anti Depresants.  With their diverse sound embracing heavy rock, reggae, male and female vocals and blistering guitar work, they’d be a standout at this or any other festival.  Their song ‘Legalize’, an angry anthem of marijuana legalization, may have been my favourite song of the 2018, and its video was shot at the same house as the festival, where bassist Lemmy lives, has band practice and can work away at building motorbikes without bothering anyone.

With the their upcoming single ‘Yer The One’, the lineup has changed, and this particular song is less angry, but the spirit, craic and eclectic influences are still pervasive. It starts with a heavy three-chord guitar riff then jolts the listener with some Specials-esque reggae for the verse.  Back-and forth vocals between guitarists Becca McCaffrey and Ringo tell the story of a happy couple’s journey through the week:

“Monday Might be raining, it don’t matter to us

Tuesday Might be the same, we don’t give a f-ck

Wednesday is coming and no matter what

Thursday is for learning but only if you want.”

And the pre-chorus:

“Oh, my love, don’t you know yer the one?”

For the chorus of simply, “yer the one,” the heavy distortion is back with an ascending guitar riff. The rest of the week consists of a drunken weekend, a Sunday hangover and the Mandatory Monday, where they can do it “again, and again and again,” which is anything but boring and repetitive for these two. Is the festival still happening this year?  McCaffrey says the band is unsure due to Covid-19. 

‘Yer The One’ is released today May 14th and is available for streaming or download from Bandcamp or the link below for just a lousy Pound. They also have their entire back catalogue available on Bandcamp, going right back to 2008, for ‘Name Your Price’ download.

Buy Yer The One  Here

Contact Anti Depresants  Facebook  YouTube  Bandcamp

NEW SINGLE FROM TC COSTELLO ‘THE PANDEMIC’ AND LIVE STREAM ANNOUNCEMENT

Irish-American multi-instrumentalist TC Costello is back with a new album in the Summer but to keep us happy he’s released a 2-track single available as a ‘Pay What You Like’ download.

TC Costello is no stranger to these shores (in fact he’s spent more time in my spare room than me!) and was due over here in a months time for a series of dates across England before returning back to South Carolina. So then coronavirus and blah blah blah and everything is off until further notice. Luckily the Celtic-Punk scene has been well served with a bunch of shows live streamed over Facebook. The pick of the bunch so far have to have been the Dropkick Murphys, 1916 and the Brick Top Blaggers shows (all still available to view on their FB pages) so today is a double hitter for TC with the release of ‘The Pandemic’ and a Live Stream announcement for his UK and Euro fans but more on that later.

Now I’m not a big fan of The Misfits. Not that I don’t like them I just never heard much by them so the opening title track is a cover of them with TC doing his best Punky vocals. Its a fast thrashy number which TC wrote with his brother Daniel and is followed by a much more typical TC song a cover of Dexys ‘Come On Eileen’ with the lyrics suitably adapted for a song called ‘Covid19’. Armed with his trusty accordion it’s a spirited version and with TC having lost both his jobs as a musician and driver you are invited to donate to his ‘Broke Musician’ fund. This song is available as a ‘Pay What You Like’ download which as TC himself says also includes nothing.

So look after each other and wash your hands and we are all in the same boat but if you can afford it send a beer or two TC’s way.

LIVE STREAM ANNOUNCEMENT

Par for the course and ages after everyone else has had a go we are doing a LiveStream. We sadly had to cancel the TC Costello/Tim Holehouse gig next month but TC still wants to play for his UK based fans so he will be streaming from South Carolina while hopefully Tim will fit in a show for us soon afterwards.

https://www.facebook.com/events/1150555188477972/

So the 20th May was all set for his 5th triumphant return to The Lamb but fear not his UK and European fans London Celtic Punks and The Lamb Surbiton will be presenting TC playing live from South Carolina direct into our phones and computers.
He will go live at 8pm on his page https://www.facebook.com/tccostello2/ and will play till his hands go sore… so that’s about a hour. Tune in there and then and we’ll see you in the comments section.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2019!

Well here we go again. It only seems like five minutes since I was compiling all the votes into last years Best Of that saw The Rumjacks romping home with Album Of The Year. This year has been a bit quieter on the Celtic-Punk front but as last year was so busy that is perhaps not surprising. That’s not to say their weren’t some fantastic releases as their were plenty and it was still really difficult to come up with the various lists below. Not so many big bands this year so it was left to the lesser known bands to shine but remember this is only our opinion and these releases are only the tip of the iceberg of what came out last year. Feel free to comment, slag off or dissect our lists. As a bonus we are adding the Readers Poll again this year so you can even vote on your favourite release of 2019 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

(click on the green link to go where you will find more information on the release)

1. THE WALKER ROADERS – Self Titled

2. MICKEY RICKSHAW – Home In Song

3. FEROCIOUS DOG – Fake News And Propaganda

4. GREENLAND WHALEFISHERS – Based On A True Story

5. BARLEYJUICE – The Old Speakeasy

6. THE NARROWBACKS – By Hook Or By Crook

7. McDERMOTTS TWO HOURS – Besieged

8. PIPES AND PINTS – The Second Chapter

9. THE RUMJACKS – Live In Athens

10. SELFISH MURPHY – After Crying

11. TORTILLA FLAT – Live At The Old Capitol

12. FIDDLERS GREEN – Heyday

13. THE RUMJACKS – Live In London Acoustic Sessions

14. THE WHIPJACKS – This Wicked World

15. 13 KRAUSS – Redención

16. ALTERNATIVE ULSTER – Craic Agus Ceol

17. AIRES BASTARDOS – Self Titled

18. THE TEMPLARS OF DOOM – Hovels Of The Holy

19. THE FIGHTING JAMESONS – A Moment In California

20. ANGRY McFINN AND THE OLD YANK – Songs of Whiskey, Women & War

21. THE SHILLELAGHS – Ripples In The Rye

22. HELLRAISERS AND BEERDRINKERS – Pub Crawl

23. BODH’AKTAN – De Temps Et De Vents

24. HEATHEN APOSTLES – Dust To Dust

25. SONS OF CLOGGER – Return To The Stones’

26. THE CHERRY COKE$ – Old Fox

27. THE FILTHY SPECTACULA – The Howl Of The Underclasses

28. THE POTATO PIRATES – Hymns For The Wayward

29. TC COSTELLO– Horizon Songs

30. THE TENBAGS – ‘Bags o’ Craic’

How to compete with last year? Every single top band in the genre released an album so things were always going to be a bit quieter for 2019. Top spot this year unsurprisingly goes to The Walker Roaders Celtic-Punk super group! With Pogues, Mollys and Dropkicks making up the team how could they possibly go wrong! Everyone’s ‘next big thing’ Mickey Rickshaw came in a well deserved second and Ferocious Dog took third after releasing their best album, for me, since From Without. Greenland Whalefishers celebrated 25 years on the road with their best album for quite a while and what Best Of would be right without some bloody brilliant Irish-American bands challenging at the top too. Pipes And Pints new album with a new singer received acclaim from across the Punk media and The Rumjacks couldn’t follow up last years unanimous victory despite having two album releases (both sort of live) in the top thirteen. Fiddlers Green continue to make consistently great albums and go into 2020 celebrating thirty years together! Good to see homegrown bands The Whipjacks, The Tenbags, The Filthy Spectacula and Sons Of Clogger making it too. The top thirty was made up of thirteen countries from USA, England, Norway, Czech Republic, Australia, Switzerland, Germany, Argentina, Japan, Quebec, Hungary, Spain and Japan.

1. THE LUCKY TROLLS – Self Titled

2. DRUNKEN DOLLY – The Party

3. LORETTA PROBLEM – The Waltz Of My Drunken Dream

4. THE CLOVERHEARTS – Sick

5. KRAKIN’ KELLYS – Irish Tribute

6. THE PLACKS – Rebellious Sons

7. GYPSY VANNER – Five Distilled Celtic Punks

8. THE RUMPLED – Grace O’ Malley

9. FOX’N’FIRKIN – Hey Ho! We’re Fox n Firkin

10. SHANGHAI TREASON – Devil’s Basement

The Lucky Trolls took #1 spot with their brilliant self-titled EP following on from fellow countrymen the Krakin’ Kellys multi award winning 2018. Trust me it would have taken an exceptionally good release to keep The Party by Drunken Dolly off the top spot but that is what happened. Dolly’s excursions over to these shores this year j=has seen them grown in stature and you can’t go to a Ferocious Dog gig without spotting at least a dozen of their shirts. Loretta Problem wowed us with their single ‘Waltz Of My Drunken Dream’ which took us right back back to The Pogues glory days and what about that accompanying video too!! If we had a award for best video then that would have walked it. The Kellys had a quiet year with comparison to ’18 but still managed a respectable #5 and great debut releases from The Placks our sole representative from a Celtic nation (big things are going to happen to this band in 2020 mark my words), Italian/Aussies The Cloverhearts and, from just down the road from my Mammy, Shanghai Treason from Sheffield who only put out one song… but what a song! Eight countries represented from Belgium, Netherlands, Finland, Italy, Scotland, Argentina, Australia and Yorkshire!

AIRES BASTARDOS– ‘Self-Titled’

Argentina is becoming a bit of a hot-spot for Celtic-Punk with not only some well established bands but also some new ones starting up too and with this release Aires Bastardos announced their arrival on the international scene too. Not afraid to dive straight into a folk number after a Cock Sparrer cover they veer from standard Celtic-Punk to Folk and back to fast as hell Punk but in that really accessible way that only Celtic-Punk (and maybe Ska-Punk) bands can do.

1. THE DREADNOUGHTS – Into The North

2. CROCK OF BONES – Celtic Crossbones

3. 6’10 – Where We Are

4. BRYAN McPHERSON – Kings Corner

5. CALLUM HOUSTON – Gravities

6. PYROLYSIS – Daylight Is Fading

7. SEAMUS EGAN – Early Bright

8. LE VENT DU NORD – Territoires

9. DONNY ZUZULA – Chemicals

10. DERVISH – Great Irish Songbook

The Dreadnoughts don’t really think of themselves as Celtic-Punk so I reckon they’d be happier to win this than Celtic-Punk Album Of The Year. A superb collection of sea shanties that is a pleasure to listen to that was always going to be #1. Crock Of Bones representing the London Irish in 2nd with an album of trad folk with punk rock attitude and it’s especially good to hear some originals done in the style of the ‘auld ways’. 6’10 challenged for the top spot as they always do with everything they release and Bryan MacPherson and Callum Houston both produced great releases of singer-songwriter acoustic folk with Irish roots.

Sadly the Celtic-Punk world has shrunk a little regarding Web-Sites. Winners of the last two years the Mersey Celt Punks have been slacking (sort it out lads!) and enjoying their gigs too much to tell us while Shite’n’Onions have been too busy transferring everything onto a different platform and preparing for a bit of a re-launch I expect. Sadly celtic-rock.de have shut up shop after twelve years so it just makes it all the more clear how much we all miss Waldo and his fantastic Celtic-Folk-Punk And More site. As regular as clockwork and all the news that was ever fit (or not!) to print. Closing down the site in its 10th year in March must have been a tough decision to make and so this year we award best Website to Waldo and let it be known that no Celtic-Punk site will ever come close to replacing you. We would certainly not exist without his kind help and inspiration. All the best comrade enjoy your retirement! One welcome addition is Michu and his Celtic-Punk Encyclopedia site from Poland. Worth checking out especially if you are in a band.

We are not alone in doing these Best Of 2019 lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

FOLK’N’ROCK

MERSEY CELT PUNKS

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other Celtic-Punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 8th year of making these Best Of lists so if you would like to check out out who was where in our previous ones then just click on the link below the relevant year.

Last year we introduced a new feature THE READERS PICK. We had no idea if it would work or not but it was a raging success so we going to do it all again this year. With well over 500 votes cast you lot chose the debut album from the Krakin’ Kellys as a worthy winner. Only the Top Ten albums are listed but there is an option to write in your favourite release or just to send us love… or abuse!

You are allowed to vote twice but not for the same artist.

The Poll will close at midnight on Friday 31st January with the result announced soon after.

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2020

ALBUM REVIEW: SETH MARTIN AND THE MENDERS- ‘Live At No Country: An Introduction To Seth Mountain’ (2019)

Our close friend TC Costello has toured all over the world and spent quite some time in Korea so he was the perfect person to put pen to paper on the new album from Seth Martin that fuses Americana and American Folk with traditional Korean music. 

Singer, songwriter and folklorist based Seth Martin has been honing a rare sound for the last decade, travelling back and forth between between his native US and adoptive home of South Korea, absorbing Korean traditional music into his already rootsy American sound.  For some time, he’s been hosting shows throughout Korea where he’s strummed his banjo and guitar alongside musicians playing traditional Korean instruments, all while leading bi-lingual singalongs. He works for Seong Mun-Bakk Mountain school, a Korean traditional music school in the mountains nearby Seoul.   He’s even taken his primary school-aged students on a tour of America’s Pacific Northwest.
One of the most memorable nights of music I had in Korea was a concert he organised with his students and some local, mostly American, folk musicians in Seoul.  His students performed, Pansori, Korean drum-and-vocals storytelling music and and samul nori, Korean drum music, which sounds a bit like 100 bodhrans caught in a thunderstorm! We foreign folkies played songs from our backgrounds.  I did some American tunes, an Irish immigration ballad, and tried a Gypsy-Punk reworking of a Korean indie hit.  These shows he organised brought together people of different ages and backgrounds who would otherwise never meet, let alone end up performing alongside one another.  At these occasions, Martin created a melting pot of folk music that was unlike anything else in the massive capital city.

the great Pete Seeger

On the third of May this year, on what would have been Pete Seeger’s 100th birthday, Martin  released a live album, Live at No Country: An Introduction to Seth Martin, and I could imagine no better introduction to Martin nor a more fitting tribute to Mr. Seeger.
The album starts with the Korean folk song ‘Bird, Bird, Blue Bird,’ a lament on the death of Jeon Bung-Jun, a farmer who became a rebel leader in 1894 during  time of growing Japanese influence – though 16 years before Korean became a proper colony – It’s a complicated political situation that I don’t care to get into now. ‘Bird, Bird, Blue Bird’ is a song I’ve known for a few years, but had no idea it was about Mr. Jeon. That’s because much of Korean folk music is heavy in nature metaphors.  Martin fully embraces nature metaphors in his English songwriting on this album, too. The gentle lament features Martin on Banjo and Kim Jungeun on Janggu, an hourglass-shaped traditional Korean drum, as well as a chorus of vocalists. Contrasting with the mellow opening track is Martin’s jaunty rendition of ‘Motion of Love’, set to the tune of the American folk song, ‘Shady Grove’. It is mediation on wanting all the narrators actions to be fore the good of all mankind, a motion of love.  It’s originally by Bill Jolliff and is inspired by John Woolman, a 19th century Quaker, anti-consumer and abolitionist (someone who wanted to end slavery in America as soon as possible). For me, the highlight of the song is a nearly two-minute breakdown during which Martin only bashes out only one chord on banjo with with whooping and hollering that would put Shane MacGowan to shame.  The instrumentation features Kim Jungeun again on Janggu and Zoë Youngmi Blank on violin.

Next, Seth performs a medley of two introspective love songs: ‘I Still Love You’ and ‘Pushmipullyou’. After that, he grabs a another song from Korea’s tragic history with a rendition of ‘Mother, Sister (Let’s live by the River)’ – I added the brackets.  The song was by Kim Sowol, a famous – and famously hard-to-translate – Korean poet and journalist who worked during the Japanese occupation, and he seems to have taken his own life at the age 32. He follows Kim’s poem with the original anti-war song, ‘Feeling so Cold’, telling of a soldier returning home after seeing, and indeed committing, unspeakable wartime atrocities. While it seems to fit the narrative of an American soldier returning after the Korean War or a Japanese solider’s return after the occupation, Martin says it’s not specifically about Korea, though “it fits certainly in that narrative.” After the heavy subject matter, Martin follows with a an another song about returning home, though not without darkness. ‘Winding Down’, is a reflection upon return home and seeing familiar roads, mountains and rivers.

True to Mr. Seeger on his birthday, Martin provokes a full audience sing-a-long, both with ‘da da da’, and the simple refrain of

“I am winding down my old road again. I am winding down.”

True to the theme of nature metaphors, he speaks of the old river:

“And old river, old river, can you still make things new?

And old river, do you remember all the things i said I’d do?”

Next, on ‘Children of Sod’, Martin sings what he describes as “A love Song to the Tancheon River” in Korea.  He asks at the beginning and end of the song:

“Don’t we all feel better when

The smell of dirt clings to our skin

Pervades us, loves us

And waits for us to ask it to come in?”

‘The Ballad of Eric Gardner’ channels the likes of Woody Guthrie, Phil Ochs, and of course Pete Seeger with a song about Eric Garner, famously choked to death by a New York City police officer after he was allegedly selling cigarettes illegally.  In a hard-to-listen-to but powerful song, Martin sings:

“After Garner stopped resisting, well the cops just stood there watching

they picked his pockets and they rolled him on his side

Several minutes slowly passed

EMTs they came at last

No CPR, they said he still was breathing then

An hour later Garner’d never breathe again”

With ‘Looking for the Leatherwinged Bat’, in a shocking reversal of nature metaphors, Martin takes an old English Folk song about different species of birds’ courtship rituals, and takes most of the birds out of the song.  Instead it becomes a less-than-flattering walk through an America consumed by corruption poverty and pollution, replacing the birds with such characters a bigoted billionaire,  a police officer harassing kids and “the dog at the top of the pile.”

Martin follows this with ‘If I Had my Way’, by Blind Wille Johnson:

“If I had my way

If I had my way

If I had my way, oh lodry, lordy.

If I had my way, I’d tear the whole thing down.”

The closing number of the live show is medley of ‘Arirang’ and ‘Rooster’. ‘Arirang’ is by far the most popular folk song in Korea.  There are countless variations of the song, and Martin uses a version known as ‘Lonely Arirang’, which he describes as

“a celebration of the relationship between the Korean people and the Korean landscapes that have sustained them for millennia.”  But for a more global appeal, Martin calls the song “a challenge to all listeners to not forget this unity that comes from an ancient relationship to the land.”

‘Rooster’ is an original instrumental and, without getting too much into music theory,  has a melody that fits remarkably well with Korean traditional music. The jaunty banjo and “Yap-da badabum” singalong are hard to not smile to.

Following his live album are some songs recorded around Korea, and highlights include Utah Phillips’ ‘Trooper’s Lament’, based on Phillip’s time in the Korea, and ‘God Bless The Grass’, originally by Malvinia Reynolds, which keeps to the nature metaphors:

“God bless the grass that grows through cement.

It’s green and it’s tender and it’s easily bent.

But after a while it lifts up its head,

For the grass is living and the stone is dead,

And God bless the grass.”

Live At No Country: An Introduction To Seth Martin will easily be one of the most unique albums you’ll hear this year.  Many foreign musicians in Korea learn some Korean music while over there, myself included. But with me, It’d be a Korean folk song or a Korean punk cover in the middle of my more-Western set, and I’d describe as nothing more than a Westerner’s version of a Korean song. With Live At No Country, Martin fuses his command of American folk with his love of Korean folk to create something new. This album, while inspired by the old and traditional music, is truly a new and original experience.

(you can stream Live at No Country: An Introduction to Seth Mountain on the Bandcamp player below)

Buy Live at No Country  Bandcamp

Contact Seth Martin  Facebook  LastFM  Bandcamp  YouTube

You can catch TC Costello live at the moment over here in the UK as he is doing a bunch of dates with his friends The Brandy Thieves as well as a load of solo dates including a special London Celtic Punks show at The Lamb in Surbiton in SW London. TC will be supported on the night by Suckin’ Diesel a new traditional Irish folk band featuring current and auld members of The Lagan and headed by Lagan front man the mega talented Brendan O’Prey. All happening on Monday 17th June live at the best boozer in the area The Lamb just a couple of minutes walk from Surbiton station which is only 20 minutes from Waterloo. Live music begins at 8pm and ends at 11pm. Entrance is **FREE** you lucky devil’s so you can spend more on the lovely beer on sale at The Lamb.

More details available over at the official Facebook event here.

For TC’s other dates then go check on his Facebook page here.

ALBUM REVIEW: T.C. COSTELLO- ‘Horizon Songs’ (2019)

Most American artists we only get to know from their record releases but it seems T.C. Costello drops over this side of the broad Atlantic often enough for him to develop quite the following for his anarchic accordion Folk-Punk!

Horizon Songs is the sixth studio album from long time auld mucker of London Celtic Punks T.C. Costello. Though based in his adopted home town of Greenville, South Carolina he’s also a part time member of Leicester based folk-rockers The Brandy Thieves and is often found crossing the pond to join them here on stage in the summer months during festival season. During this time he also ventures across Europe and has always also found time to do a couple of shows for the London Celtic Punks, as well as spending the afternoon entertaining the auld folk residents at the Nursing home I work at! A visual tour de force its not many who can pull off a gig supporting punk bands or playing for the oldies but T.C. manages both with ease. The official release date for Horizon Songs was 28th December, 2018 but I am ignoring that and putting it down as a 2019 release. I actually did have a copy in my hand at TC’s successful gig at The Lamb in Surbiton at the end of last Summer but TC sold so many CD’s I had to give him my copy back so he’d have some for the later gigs on his tour!

T.C.’s roots, like many Irish-Americans, are lost in the midst of time and the chaotic nature of their ancestors arrival in America but cherished they are and though not entirely responsible for T.C.’s output they do play a large part. Among the ‘murder ballads’ and sea-shanties here are gems from Ireland’s musical history (except for ‘The Wild Rover’. He fecking hates ‘The Wild Rover’!) and his identity as descended from immigrants fleeing famine and oppression has played a large part in the songs he plays and writes.

“The tour I did this year took me to Italy, England, Scotland and Ireland,” Costello says. “And their traditional songs have a lot of influence on my songwriting, anyway. I just draw off the traditional sources, both musically and lyrically, and if you write in that style, you’re probably going to write about immigration or murder.”

T.C. Costello’s latest release, Horizon Songs is pretty much a one man Celtic-Folk-Punk album as T.C. is one of those talented bastards who can play a multitude of instruments from tin-whistle to accordion to the hulusi (sort of a Chinese bagpipe). The album opens with the darkly humorous ‘The Muse Of Mary Malloy’, a perfect example of a ‘Murder Ballad’ in which poor Mary gleefully goes about murdering any poor man who falls for her charms until she finally finds the man of her dreams and after accidentally bumping him off is sentenced to death. Originally penned by and for T.C’s English band mates in The Brandy Thieves T.C. plays a memorable version here.

Next on an album that is heavy on traditional immigration themes is the old trad Irish folk classic ‘The Leaving Of Liverpool’. Played with gusto and for good reason this is a popular song among the punkier bands in the Celtic-Punk scene as it can be played at 110mph as T.C. shows here! It’s bittersweet tale of a Irish man saying goodbye to his beloved,

“so fare thee well my own true love; when I return united we shall be”

, to leave to mine for Gold in 1800’s America, The jocularity of the tune is tempered by our realisation that this journey ended in tragedy for most of these young men. T.C. gave his comments on this great ballad in his recent review on these pages of the new album from The Templars Of Doom, here, last week. With two toe-tappers so far it’s time for a slow one and ‘Dear Bonnie’ and T.C gives full vent on the accordion and his vocal range is impressive as well. Now no one would accuse him of ‘crooning’ his way through things but his is a voice that portrays emotions and feelings and fits snugly within his songs. No Celtic-Punk album is complete without a drink song and ‘The Ballad Of Being Born In A Bar’ does the job ably, complete with cautionary tale that absolutely none of us take any notice of! ‘Run Like Hell / See The World’ is not two songs but one I think he couldn’t decide to name. Played fast again with a gang chorus of friends its a ode to sailing across the oceans leading into ‘It Starts With A Funeral’ ,a short but sweet song lasting just eighty seconds that finishes with a heavily Irish influenced flourish at the end that I would have liked to have seen extended. Next up is one of the album highlights and the wonderful ‘May The Horizon Be Your Home’ sees T.C. accompany some utterly fantastic accordion here with equally good tin whistle, 12-string guitar, ukulele and clawhammer banjo. The words here are aimed at those that would deny sanctuary to those in desperate need.

One of the jobs that immigrants, especially the Irish as their farming skills were all but useless in the new country, found work in was the mining industry and not many jobs were more dangerous and badly paid than down the pit and ‘Murder In The Diamond Mine’ tells of the desperation of one poor soul to get out of the mine which he eventually succeeds in doing but at a great price to his soul. Another tragic traditional Irish song follows with ‘Botany Bay’, sung by many Irish bands including The Pogues and the Wolfe Tones it tells of an an Irish labourer dreaming of immigrating to Australia to make his fortune.

“Farewell to your bricks and mortar,
Farewell to your dirty lies.
Farewell to your gangways and your gang planks,
And to hell with your overtime.”

We coming towards the end and ‘Horizon Songs’ ends with three excellent songs, the first of which ‘Highlands of Afghanistan’ is a modern re-working of the traditional folk song ‘Lowlands of Holland’ while ‘Grine Kuzine’ (in English ‘My Green Cousin’) sees T.C. test out his Yiddish language skills. One of a group of songs known as ‘disillusionment songs’ as they deal with the disappointment felt by many Jewish-Americans that the streets in the USA were not ‘paved with gold’ and instead they carried the poverty and hard times across the ocean with them from Europe. Horizon Songs ends with the amazing ‘Over The Skies’ and a angry, but told beautifully, ballad again with excellent accordion. Thinking that was the end it came as a shock to find an, admittedly not too surprisingly, eccentric extra track hidden away at the end so be sure not to miss that…

Jens- Matilda’s Scoundrels, Johnny- gun for hire! and T.C. at The Lamb in Surbiton 2018.

Recorded in 2018 while T.C. was touring Ireland, Italy and England and in between gigs reflecting on his immigrant heritage while passing from country to country with ease. The news was filled with stories from home with hardly a day going by without the headlines being about border walls or people attempting to enter the US. For this reason the album he wrote leans heavily upon new and old stories of immigration alongside ones about drinking, murder, sailing and death. All online sales of Horizon Songs will be donated to the non-profit organisation familiesbelongtogether.org, helping families at the US-Mexico border. Admittedly like many in the Celtic-Punk scene T.C. is best captured live on stage but he always manage to capture the energy of his live shows admirably on his records and I defy you to find many more in the scene who are as entertaining.

(have a listen to Horizon Songs on the Bandcamp player below)

Buy Horizon Songs  FromTC

Contact TC Costello  Facebook  Bandcamp  Tumbler  ReverbNation  Twitter  YouTube

(T.C. entertaining the crowd at The Gunners for the London Celtic Punks masses last Summer at the start of his European tour. Thanks to Anto Morra for filming.)

ALBUM REVIEW: THE TEMPLARS OF DOOM- ‘Hovels Of The Holy’ (2019)

What to do when a mate releases a new album? To stave off any allegations of nepotism ye rope in a guest reviewer to do it instead! With Ulster county Celtic-Punks The Templars Of Doom second album out our favourite South Carolinan Folk-Punk accordion playing multi-instrumentalist TC Costello rode into town with some pen and paper and he got the job! 

Hanging out with a fellow multi-instrumentalist friend once, we came to the conclusion that we both played one or two instruments well, and were sloppy on about ten instruments.  ‘Good enough to be in a (expletive deleted) punk band’, I believe he summarized.  But how would sloppy mandolin and tin whistle fit into such a punk band?  Most Celtic-Punk bands are full of ace musicians. Ulster, New York’s Templars of Doom have that precise answer, though the band is far from (expletive deleted.)

(hear the first Templars Of Doom album Bring Me The Head Of John The Baptist on the Bandcamp player below. Available to download at a knockdown price!)

The five-piece band features bagpipes, electric guitar, acoustic guitar, bouzouki, banjo, mandolin, tin- whistle, bass and drums, often with members doubling up on instruments.  None of them show great virtuosity on their instruments, but therein lies the point, and with their powers combined, they form one of the most punkiest acts in all of Celtic punk.

The Templars Of Doom : Rory Quinn * Marty Shane * Josie Rose * Michael X. Rose * Eric Pomarico *

On ‘Hovels of the Holy’, the Templars approach Celtic-Punk in an non-obvious way, owing more to the sloppiness of The Clash and The Sex Pistols than the wall-of-sound distorted guitars of Flogging Molly or Dropkick Murphys.  

The opening instrumental, ‘Templars Rise From the Crypt’, works as a sort of overture and evokes background music in a pulpy adventure movie.   Indiana Jones, Perhaps?  Opening with a picked bass line that fits comfortably between Celtic and old-school punk, the song builds up with mandolin, bouzouki, tin whistle, electric guitar and, best-of-all, hellish screams.  It’s reminiscent of some of The Pogues’ early instrumental numbers like ‘Metropolis’ or ‘Wild Cats Of Kilkenny’.

The next track, ‘H-Block Escape’, sounds like the rebel song that The Clash never wrote, starting with the shout-along staccato chorus.  

’38 in ’83! H-block escapee! 38 IRA Free’!

and features some bagpipe work that’s oddly like of some the Clash’s unassuming lead guitar lines, backing up and strengthening the vocals. ‘H-Block Escape’ sets the tone for the album overall, establishing that the album is packed with strong choruses, brazen about its punk influences, and is full of lyrics that will send you to the history books. 

 Next comes ‘Black Friday On My Mind’, proudly continuing the the funny-but-sad aspect of Celtic-Folk, telling the story of a truly destitute individual looking forward to the US’s celebration of commercial decadence known as Black Friday, the day following Thanksgiving.  It opens with the line:

Black Friday’s on my mind, waiting on the breadline

The rent money’s all been spent, and the children have no clothes.

In addition to sing-along Pogues-like chorus and bluesy lyrics, it has a jaunty 3-chord instrumental breakdown that I found hard not to mosh to.

The Templars’ rendition of ‘Leaving of Liverpool’, with it’s driving 4/4 rhythm and sloppy mandolin part is a good reminder that playing as fast as humanly possible isn’t the only way to make a traditional song punk, a reminder I myself probably need.  The Templars also include the rebel songs: ‘God Save Ireland’, ‘Wrap the Green Flag’, and the send-you-to-the-history-books ballad ‘Roddy McCorley’.  All three of these rebel songs involve the characters dying at the end.  

‘Beggar on the Road’, is one of the spookier songs on the album.  Starting with a tin-whistle and banjo intro, it tells the story of a drunk helping an impoverished and badly injured beggar.  The narrator gives him bread, clothes and whiskey (they are a Celtic-Punk band after all.)  ‘Jesus Christ!  what happened to you’? the shocked narrator asks the beggar.  The beggar responds, ‘How did you know my name’?  ‘You’re a bastard and a scoundrel, but this day you saved your soul’, concludes the final verse.

Also on the album a cover of Slade’s glam rock classic, ‘Mama Weer All Crazee Now’, which works surprisingly well as an all-acoustic drinking song, and the bawdy-but-frightening ‘Tattoo Covered Hag’, whose three-chord, and three-word, chorus is one of the strongest on the album.  

The album finishes with a bagpipe-and-lead-guitar-heavy rendition of the Ramones’ ‘Chinese Rocks’, a song about addiction ruining a life, but also, in classic Ramones style, a joy to listen to.  It proves a fitting way to conclude the album that deals with some dark themes, is a pleasure to hear and a celebration of the band’s old-school punk influences. 

(you can hear the new Templars Of Doom album Hovels Of The Holy for free -before you buy it!- on the Bandcamp player below)

Buy Hovels Of the Holy

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Contact The Templars Of Doom

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Tune in again in just a few days time when its TC Costello’s turn under the London Celtic Punks microscope. In a perfect world we ought to have got one of The Templars Of Doom to review TC’s new album but there you go. TC has just released his sixth album of his career and the self released Horizon Songs is certainly one of his best and judging by the crowd that night down The Lamb in Surbiton were selling like hot cakes! So come join us again for that….

EP REVIEW AND EP RELEASE SHOW! THE BRANDY THIEVES- ‘The Devil’s Wine’ (2018)

Combining Gypsy rhythms and punk energy, ska grooves and folk storytelling, The Brandy Thieves have created a sound that is uniquely their own, a sound that has stolen the hearts of all of whom that have seen them perform. Stephen Francis Bourke was at the release party at the Soundhouse Leicester for London Celtic Punks.

Already renowned as one of the Midland’s best live acts, The Brandy Thieves gypsy rhythms and punk energy, ska grooves and folk storytelling create a sound that is uniquely their own. ‘Raucous’ ‘Infectious’ ‘Enthralling’ ‘Captivating’ and ‘Sweaty’ are just a few of the words that have been used to describe the alcohol stealing gypsy punks. Now they have taken a new direction, embracing grass roots Americana in the form of new EP ‘The Devil’s Wine’.

Chatting to the punters ahead of the EP, ‘The Devil’s Wine’ launch at the Soundhouse in Leicester it became clear that I was in for “a hellava good show!”. The Brandy Thieves have a varied local fan base from punks that are old enough to remember seeing The Clash at Granby Halls, now a car park for The Tigers Rugby ground, to ska fans who had been encapsulated by the Two Tone launch just up the M69, through to ex-ravers disillusioned by the commercialisation of the scene, bearded lovers of country folk and exuberant students.


In a week when the City had come together in grief following the tragic loss of the football club’s beloved chairman Vichai Srivaddhanaprabha they needed something to celebrate, felt when Demarai Gray’s strike put the winner in for the club on Saturday, felt on this Friday night. In short, there was a lot of love in the room.
This was more than a gig. We had a magician compère, fortune telling, belly dancers and free shots of brandy. Having already appeared on Monday at a London Celtic Punks show TC Costello, self proclaimed punk folk accordion player and part time Brandy Thief entertained the crowd with his highly entertaining solo slot, The Splitters supported with their tight, edgy rock/ska sound with added sound effects, like the embodiment of Mick Jones’ mind somewhere between the Sandinista album and Big Audio Dynamite. They played their way right through a blown amp!

Then we had the main event.

The Brandy Thieves are a live band, first and foremost. They told me that when they write the songs Andrea and Cain bring the lyrics to the rehearsal and the arrangement is done by the whole group. The first album ‘Old Tattoos’ has that live feel, ‘ The Devil’s Wine’ demonstrates just how in tune with one another’s mood the Brandy Thieves must be.

Photos by Philip Vernon

So how does the collection of new songs fit in? – Well the lyrical themes of earlier songs continue. A folk lore devil is ever present, right down to the title of the EP. He’s a curse to the protagonists of the ballads and an ever present feeling that the ‘old one’ may well have the best tunes. ‘Down the River’ is a personal lament of battling demons inside. The track was an early taste of the forthcoming EP and works well as a bridge from the old ska/punk folk beats of the first album ‘Old Tattoos’ towards the new cooler sharper sound of ‘Devils Wine’ by providing a gospel blues feel with the more familiar reggae beats.

For the new EP marks the Brandy Thieves anew. Like they took the Chattanooga choo choo, picking the grapes and grain of Americana music on the way and distilling a spirit of their own into ‘The Devil’s Wine’.
Andrea’s vocals are just as powerful but smokier and melodic throughout. Listen to her scat on jazz blues inspired ‘Midnight Circus’ and all of their voices come through the intro of the EP, an untitled drinking song in the form of a spiritual for the 21st Century, reminding us, in Brandy Thieves style, of our own mortality.
Joe’s trumpet and Sebastion’s banjo have been let off the leash of the rhythm section to offer encapsulating melodies and freestyle solos. Hear the horn sing with TC Costello’s accordion on ‘Midnight Circus’and the hauntingly restrained banjo, echoing southern gothic on ‘ This Mountain’, while Chris’ tight drum beats and Cain’s waking bass riffs have taken up their rightful role as the heartbeat of the band, saying “keep cool, we’ve got this”. the aforementioned ‘Midnight Circus’ is as rhythmically rolling as a Stray Cat Strut.
Gone on ‘The Devil’s Wine’ are the runaway mixed tempos of ‘Old Tattoos’ although they still went down well during the show, taking the crowd from swaying folksy singalongs and then distinctively upping the tempo in a ‘1,2,3,4!’ punk/ska rhythm to get them jigging and pogoing with abandonment. Whether that was ‘Didikai Lee’; The hurdy-gurdiness of ‘Broken Record’ or title track of the first album itself; ‘Old Tattoos’ this was the case tonight. The exceptions are ‘Molly Malone’ a swaying murder ballad reminiscent of the classic traditional song ‘Rose Connelly’ and on the night an acoustic version of ‘Blackbird’ that had loyal fans singing along, both these tunes will, I imagine, be mainstays of the band whatever direction they take.
The Brandy Thieves have evolved away from ska. This was acknowledged midway through the gig when they covered Toots and the Maytals’ ’54-46 Was My Number’ saying that this would, probably, be the last time their Leicester faithful would hear it, and then playing it with the gusto of saying goodbye to an old friend.  Now we have a sound that is just as comfortable for the listener at home or played in the car as it is live. ‘Girl from the Black County’ with a clear acoustic guitar, plucking banjo and singing accordion wouldn’t sound out of place blasted on the eight track of a classic 1970’s Chevy pick up as it kicks up dust from the road on the way to see Billy Jo Spears at the Whiskey River.

(listen to the EP below on the Bandcamp player)

Buy The Devil’s Wine

FromTheBand

Contact The Brandy Thieves

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The Brandy Thieves are bringing their sweaty, dancing, skanking frenzy to London on Saturday 17th November at the Hootananny in Brixton. Plenty of bands on so check the Facebook event here for details. Its free to get in before 10pm and gig ends at 3am. Hootananny Brixton, 95 Effra Road, Brixton, London SW2 1DF.

LIVE REVIEW: TC COSTELLO/ ANTO MORRA/ BRENDAN O’PREY AT THE GUNNERS 17th MAY 2018

A very nice review by the talented Anto Morra of the recent London Celtic Punks gig held in north London that saw the start of TC Costello’s European tour. Accompanied by Anto and Brendan O’Prey (literally at times!) the night saw Irish artists from three different countries perform and they will all, I am sure, go on to play much better attended gigs than this one! 

A GREAT NIGHT WITH THE LONDON CELTIC PUNKS

by Anto Morra

THE GUNNERS  LONDON N5 – TC Costello, Anto Morra, Brendan O’Prey  Despite a poor audience turn out for the gig it was quality not quantity that made the evening so great.   London visits are much more gruelling  for me as I get older and to avoid traffic congestion, parking tickets (or any of the other unjustifyable things they can charge you £60 for 3 days after the event) I have to travel in on public transport from my safe parking base in Woolwich, ironically the gig was in Arsenal / Finsbury Park quite a trek on public transport with instruments, leads & Merch.  I was as usual unfashionably early, the first there but was able to sound check my Bodhran and fill the sound man Andy in on the evenings proceedings.

As the small posse gathered I was reminded how lucky I am to know this motley crew,  a nicer bunch of people you couldn’t wish to meet and it was great to catch up with them again.  Established in 2009 The London Celtic Punks webzine has been putting on gigs, promoting bands and reviewing albums that fit the ever growing Celtic Punk genre.

Since The Pogues in the early 1980’s, Celtic Punk has grown beyond anyones expectations with the top names today being the likes of The Dropkick Murphys, Flogging Molly, The Mahones and The Rumjacks.  The term Celtic is used very loosely I think as a replacement for the ‘Folk’ terminology to distinguish it from those finger in the ear, woolly jumper wearing acts I love so much as there is very little that is Celtic about The Levellers or Ferocious Dog but their names will always crop up when the genre is being analysed.  Three of the best Celtic Punk bands on the London circuit I’ve come across are the Bible Code Sundays, Neck and The Lagan.  Recently The Lagan front man Brendan O’Prey has started to venture out as a solo performer and he was the opening turn this evening and a very fine one it was too, packed with Christy Moore classics but unlike Christy these days performed with personality and passion.

After a bit of insistence he finally gave Me and the Bhoys the classic Lagan song we wanted.

Next up was myself I thought I’d start with my new revised ‘Ballad Of Margaret Thatcher’ and I nearly got through it without fault but still not quite!   As I never write a set list and try to work of the audience TC Costello had told me he had been listening to Gypsy Smile and London Irish a lot, so I thought I’d play that for him until I thought this might be better with a band.

I rattled through a few more including requests from the Merch King Chris Brown and Mr LCP himself- Mark, but slung this bit of Irish Trad in towards the end of my set, sticking to my only performance rule that is to start and finish with my own songs.

My Complete Set List:   Guardian Of The West (Ballad Of Margaret Thatcher). Gypsy Smile. London Irish, Wasted Life (Stiff Little Fingers Cover).  Down In The Tube Station At Midnight (The Jam Cover). Finnegans Wake (Trad). Rocky Road To Dublin (Trad).  Ballad Of Anto Morra.

Finally the star turn all the way from South Carolina and jet lagged from a gig in Brooklyn New York the night before (but you’d never know) a one man Celtic Punk machine….. TC Costello.

(Performing Waxies Dargle, Rose Connolly, Blow The Man Down, Mafia Punk)

To conclude: Brendan O’Prey’s pure Irish passion comes across in a genuine way.  As a solo performer myself I love to hear things stripped bare and hearing him without the band was a real joy.  His vocal style reminded me a little of Jake Burns from Stiff Little Fingers also from the North of Ireland and also with a rasp to die for.

I’m never happier than when I’m in performance mode and so had a thoroughly fun time and to be joined by Brendan and TC was a privilege.  I’ve no more plans to play in London so this may have been my last gig there and if so I’m happy it was a memorable one.

TC Costello is remarkable.  Pure Energy, Pure Punk, Pure Entertainment.  If he comes to a town near you don’t miss him- his warmth and charm is infectious and when he hits those high notes there is a vibrato reminiscent of John Lydon himself.  Let’s never forget John Lydon was the very first London Irish Punk.

You can catch Brendan O’Prey and TC Costello along with Matilda’s Scoundrels at another London Celtic Punks show on Thursday 5th of July at The Lamb in Surrey KT6 5NF. It is TC’s last gig before he heads back to the States so lets send him off with a rousing goodbye. The Lamb is just a couple of minutes walk from Surbiton station which is only 20 odd minutes from London by train and walking distance from Kingston and promises to be a fantastic night. Entry is **FREE** and the evening will start around 7-30pm but check the FB event here for set times and running order nearer the date.

The Lamb 18

Check out these great artists and buy all their records and merchandise!

Brendan O’Prey Twitter The Lagan- WebSite  Facebook  Twitter

Anto Morra  Facebook  Reverbnation  Twitter  YouTube  Bandcamp

TC Costello  Facebook  Bandcamp  Tumbler  ReverbNation  Twitter  YouTube

TC is probably pogoing around the Europe, as we speak, at a tremendous rate, so be sure to see if he is popping up in your town. It’s more than possible!

ALBUM REVIEW: T.C.COSTELLO- ‘100 YEARS AGO’ (2015)

Some have called it folk-punk with an archaic edge…

T.C. Costello- '100 Years Ago' (2015)

If T.C.Costello was a drink he’d be equal parts punk rock and folk music, a bit like a Whiskey Mac perhaps! Originally from South Carolina in the United States this is his fourth record release and for certain its his most ambitious. Throughout the album runs the theme of, the only song not written by T.C, the old sea chanty ‘100 Years Ago’.

T.C.Costello

whiskey is his spirit animal…

T.C.Costello is you see one of them really annoying people who can play a multitude of instruments and can seemingly turn his hand to just about anything. For those of us with feet for hands we really hate that! The album features everything from your normal celtic-punk gear such as acoustic guitar, Irish Bouzouki, tin-whistles and accordion but doesn’t just end there as there’s also the sounds of horn pipes, a Chinese instrument called a Hulusi that sounds like bagpipes and even a khaen, an ancient bamboo instrument from Laos. The music itself has the vibe of celtic-punk, no suprise what with T.C Irish-American roots, but is more reminiscent of pirate punk due to the subject matter. These genre’s are basically the same anyway and even if you don’t agree with that they definitly overlap. The songs are all told with humour and and in a story-telling style. The music is the background to the words and with the clear and crisp vocals you can make out every word T.C tells. As for comparisons the only ones I can think of are a maybe piratey Tom Waits / Nick Cave perhaps but with a twisted Irish/ Balkan thing going on. He also reminds me a lot of a London band called Folk Grinder who are well worth checking out. All the songs on ‘100 Years Ago’ are self-penned except for the title track and with eighteen tracks it flies by, with no dragging or filler, super quick at just over thirty five minutes. A lovely wee album and I have already checked out his other albums. This is not an album to jump around to but any lovers of celtic-punk should be well use to moments like these. Sometimes the point of the music is the words in the song. As the left-wing band Easterhouse once said “music is not enough…”

As already mentioned it’s virtually all original songs of classic Irish-American folk music but with punk intensity and with a cheeky side. Often humorous and sometimes political but always fun and in T.C’s own words the songs “without exception go well with beer…”

(To play the whole album through click play below)

Contact T.C.Costello

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Buy The Album

From T.C.

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