Tag Archives: Alestorm

2020 ROUND-UP’S. THE MAHONES, RUNA, ALESTORM, MAGGIES FLOCK, BARBAR O’RHUM

2020 was by and large a shitty year for music. Sure their were a few bright spots… off the top of my head the many Live Streams but it was never going to replace live gigs for the Celtic-Punk scene where live gigs are everything. Even in a year with much fewer releases we still couldn’t keep up with everything! At London Celtic Punks we pride ourselves on giving detailed and extensive reviews but sometimes this isn’t quite possible so here’s the ‘Round-Up’s’ of some of the records we missed first time round.

THE MAHONES –  ’30 Years And This Is All We’ve Got To Show For It’

Just a couple of weeks ago we reviewed the 30th anniversary album of German band Fiddlers Green and around the same time was released another album by a Celtic-Punk giant on the other side of the planet celebrating thirty years in the game this time from The Mahones. Yes 30 years. THIRTY. Hard to believe isn’t it? Popular throughout the world they have recorded eleven studio albums, two live albums, an acoustic album and a compilation marking their 25 year anniversary and have covered more miles than British Airways! Here they have carefully chosen nineteen tracks of their best from across the 30 years of their career. The album is available as a ten track vinyl release (on green!) and also on CD and download with nine bonus tracks from True North Records. As for the songs they are everything you would expect. We may have heard them all before but their really is something for everyone here as The Mahones flit from raucous Irish Punk rockers to maudlin and sad ballads. The mix of songs is perfect and the balance between the harder songs and the ballads is as well. For a band that tours as much as The Mahones do 2020 must have been a particularly difficult year for The Mahones but already with dates released for 2021 (see you in London in February!) they are well prepared to take their 31st year by the throat when it arrives.

Contact The Mahones  FacebookPage  FacebookGroup YouTube  Instagram

RUNA – ‘The Tide of Winter’

American Irish ‘supergroup’ Runa are one of the best Irish Folk/Trad bands around. This is due in no small part to the beautiful voice of lead singer Shannon Lambert-Ryan (who also plays quite a mean harp!) and that they also have the ability to weave other influences into their signature sound without you even noticing. Several LP’s in Runa have become famous on both sides of the Atlantic now and continue their path with The Tide Of Winter. Now by rights this ought to have been done pre-Christmas but it slipped the net and we ran out of time. A beautiful, at times haunting and at others spirit lifting, collection of thirteen Christmas themed songs and carols. All the favourites are here (‘In The Bleak Midwinter’, ‘God Rest Ye Merry Gentlemen’, ‘Silent Night’) as well as a few new ones including a stunning version of ‘The Wexford Carol’ (also known as ‘Enniscorthy Carol’) recorded in its native Irish Gaelic.

It was in May 2019 that Runa got together for a weekend to get into the Christmas spirit and started working on arrangements for the album. Highlights beyond those already mentioned include the track ‘Instrumental’ which features the songs ‘Hark the Herald / Dixie Hoedown / Red Prairie Dawn / O Come Emmanuel / Road to Cashel’ seamlessly joined together with some amazing musical work from Fionán, Chery, Caleb and Jake. One for next Christmas I suppose but hopefully by then Runa’s joyous album really will be something to celebrate.

Buy The Tide of Winter  CD- FromTheBand  Download- Here

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ALESTORM – ‘Curse Of the Crystal Coconut’

From traditional Christmas folk music now to Heavy Metal! Founded in 2004 in Perth, Scotland by Christopher Bowes Alestorm are one of the pioneers and certainly the leading light of Pirate Metal! Basically the combination of Heavy Rock/Metal and Pirate music. Now Pirate music is often confused with Celtic music and for good reason too. The similarities are obvious to anyone with a pair of ears with plenty of the same melodies (and even some of the same songs) criss-crossing the genres. Alestorm have been together for fourteen years and they may have toned down the Metal side of their music a little but their popularity seems set to continue with this their sixth album. Now I don’t claim to know much about this genre but it does seem to be growing and their have been a few high profile gigs in London over the last couple of the years with Alestorm headlining some of the towns biggest venues. Released in May on Napalm Records and recorded in Thailand this is as good a place as any to start if this genre interests you. Songs like ‘Treasure Chest Party Quest’, ‘Fannybaws’ and ‘Pirate’s Scorn’ give you an idea but it is the epic eight minute ‘Wooden Leg Pt. 2 (The Woodening)’ that really stood out for me showing there’s more to Alstorm than gimmick.

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MAGGIE’S FLOCK – Party At The Cemetery

The debut release from Dutch Celtic-Folk-Rockers Maggie’s Flock. The six-piece band from Nijmegen / Arnhem that play a style of music that veers from Celtic-Rock to traditional Folk with more than a little Celtic twist. The band had the novel idea to release a video/song a month on You Tube from January 2020 through to December and then compile the songs into an album and release it. We have tracked these videos over the last year and it really is worth checking them (the Party At The Cemetery YouTube play-list) out yourselves as the work the band put into them deserves it. So quite a novel idea in quite the ‘novel’ year! The Netherlands has quite the cool Celtic scene and one of our gigs last year that Covid killed off was a Dutch Celtic-Punk double-header with Pyrolysis and The Royal Spuds. Musically Maggies Flock come across to me as a ‘mature’ Dropkick Murphys. I mean the Dropkicks sound of recent rather than their punky years. Catchy, tuneful songs with chugging guitars and superb whistles and accordion. ‘The album opener ‘The Poguey Club’ is one of the many highlights here and you can tell this album has not been rushed into. The idea of releasing a song a month has worked perfectly here as the balance of songs is great and the music is not solely Celtic veering into more Folk-Rock/Punk at times. Personally I love me Tipp songs so I especially loved ‘Travelling Laddie’ but the fast ‘Bored Beyond Death’ is sure to get the toes tapping.

A lot of effort then and not just in the music with the vinyl version coming in a luxurious fold-out cover with all the lyrics while the CD has an extensive 24 page illustrated booklet.

Buy Party At The Cemetary – Vinyl/CD FromTheBand

Contact Maggie’s Flock  WebSite  Facebook  YouTube  Instagram

BARBAR’O’RHUM – Journal de B’O’R

Drawing in inspiration from sea-shanties, traditional music, Celtic-Rock and Celtic-Punk, Irish-Punk and Folk-Metal, Barbar’O’Rhum inhabit an area that sits somewhere between Alestorm and The Mahones. Founded in 2014 in the South-West Of France the band offer up their own style of music they call ‘Rock ‘n’ Rhum’. The musical style here owes much to theatrics making them more a band you would want to witness live but they have captured the sound of the band here rather well and also the atmosphere too which I would think is a lot harder. From beginning to end it’s an accessibly joyful Punk Rock stomp from album opener ‘Pirate des Champs’ which brings in some offbeat but delightful influences to eight minute epic ‘Freres de Bitte’ which brings down the curtain on the album and manages to capture all the various parts of Barbar’O’Rhum in one bombastic theatrical campy triumph. Yet in a album that lasts over an hour and the majority of the songs are around the five minute mark it’s that opening track that stand outs head and shoulders and one listen to that will tell you all you need to know about whether you would like this album or not. Me I fecking loved it!

Contact Barbar O’Rhum  WebSite  Facebook  YouTube  Instagram

So their you go our ‘last’ post of 2020. Apologies to all the bands that we weren’t able to give each album the full London Celtic Punks treatment but was just not possible this time. Remember if you are in a band then we cant do a review if we haven’t heard your release!

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ALBUM REVIEW: BARBAR’O’RHUM- ‘Toutes les Routes Mènent au Rhum’ (2016)

Celtic dancing music with the rhythm of whistles and pipes, the power of electric guitar, bass guitar and drums… and never without a bottle of rum!
Barbar o rhum
Every time (and i mean EVERY single cotton-picking time) I see the town Toulouse mentioned I instantly start singing the Johnny Thunders penned punk rock classic ‘Born To Lose’ in my head. So its been quite hard to stay focused during this review of the debut album from the Toulouse born pirate / celtic-punkers Barbar’O’Rhum.
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The idea for the band started in 2008 with Mathieu who began writing songs he hoped one day to get a band together to perform but it wasnt until 2013 that things began to move and within a short while the first incarnation of Barbar’O’Rhum was born. A couple of line-up changes later and with a strong and dedicated line-up they have managed to find time between playing every festival in France to record Toutes les Routes Mènent au Rhum (All Roads Lead To Rum) their debut album which was released on July 1st this year.
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Barbar’O’Rhum from left to right: Corentin (aka Roman Ranger)- electric guitar, backing vocals * Richard (aka Rick O’Shay)- drums, backing vocals * Mathieu (aka Capitaine Barbedrut)- lead vocals, tin whistle, Irish bouzouki, gaita * Colin (aka Ange Oliver) : keyboards, backing vocals. -Jérémy (aka Edward Kidd) : bass guitar, backing vocals

Toutes les Routes Mènent au Rhum begins with ‘Bienvenue à B’O’R’ and the sound of waves crashing into rocks and slow military style drumming drum up an evocative scene in your head while accordion and bagpipes join in and soon as you get use to that ‘Coeur de l’Océan’ blasts out and is much more your typical celtic ‘punk’ fare.

I say that as it has some massive metal overtones too but without being particularly metal sounding. Like a laid back and more tuneful Alestorm. All the songs here are sung in French and Mathieu has a wonderfully strong voice that is an absolute perfect fit for this music. It doesn’t bother us one bit and if anything prefer a band to sing in their native tongue. After all what would be the point in promoting the celtic languages and then expect everyone else to sing in English! Next up is ‘La République Pirate’ and for me the album highlight. Not one of Barbar’O’Rhum’s fastest songs but the word catchy does not do it justice one bit.

The song tells the interesting tale of the Pirate Republic established at Nassau in the Bahama from 1703 to 1718. With no governor installed the sparsely settled Bahamas become a pirate haven. It was claimed there were over 1,000 pirates in Nassau and that they easily outnumbered inhabitants of the town. The pirates proclaimed Nassau a pirate republic, establishing themselves as ‘governors’. Maany famous pirates used Nassau as their base such as Charles Vane, Thomas Barrow, Benjamin Hornigold, Calico Jack Rackham, Anne Bonny, Mary Read, and the infamous Edward Teach, known as ‘Blackbeard’. The republic was smashed by 1720 and the pirates returned to plunder the sea. ‘Notre Terre’ is another standout track that again begins with waves and the lonesome sound of a tin whistle that soon enough explodes with rapid and excellent drumming into some kind of celtic-folk-metal masterpiece. This must surely be the one that gets the audience out of their chairs at live gigs I would say. Steel drum kicks off ‘Fille de Joie, Gourgandine’ and the list of instruments here just grows and grows. Keyboards, Fiddle, Electric, Bass, Tin whistle, Irish Bouzouki, Galician Bagpipe and finally drums. Don’t think I have missed anything. ‘Le Trésor Maudit de Barbe-Noire’ and ‘La Danse du Gibet continue in much the same vein with the pirate theme to the fore and the acoustic instruments put to the back and the rockier sound coming out. Next up is ‘La Véritable Histoire du Capitaine Crochet’ and one thing about Barbar’O’Rhum I can tell from listening to them is the amount of lyrics in each song. Obviously these Bhoys have a story to tell that unfortunately I cannot understand. I can hazard a guess that its tales of the sea and of pirates and death and debauchery all presented with crystal clear vocals and bloomin’ brilliant music.

We are nearing the end of our voyage with Barbar’O’Rhum and amazingly the last three songs of the album clock in at over just under twenty minutes but the energy doesn’t let up for a minute. ‘Le Hollandais Volant’ and ‘Dernière Bataille’ steer clear of any prog-rock pretensions while the album’s biggest epic song is saved to close Toutes les Routes Mènent au Rhum and ‘La Gigue du Pêcheur Pendu’ is well worthy of the word epic. Eleven songs all penned by the band themselves that comes in at a very healthy fifty-nine minutes which gives the songs plenty of time to develop and they also manage that without them becoming overblown like plenty of folk-metal bands seem to do all too easily. Barbar’O’Rhum draw their inspiration from the ocean and their songs are peppered with the sounds of ancient, and not so ancient, sea shanties and the traditional folk music of the Celtic nations. A quick look at the videos may mark them down as just a happy-go-lucky band dressing up as pirates and though I am sure they are enjoying themselves its also clear, even to myself who cannot iunderstand a word of what they are saying, that they are telling a story of days gone by while wrapping it all up in a modern style they themselves have labelled ‘Rock and Rhum!’ Long may they sail and i hope one day they set sail for London too.

(Listen to the whole of the album below on the Soundcloud player)

Barbar1Buy The Album
For a CD contact the band at
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CELTIC-METAL’S TOP FIVE BANDS

Having touched on Celtic-Hip-Hop last week I’ve since been looking into the genre of Celtic-Metal which basically combines Celtic Folk music with Heavy Metal of course. With Scandinavian metal bands having a long history of delving back into the history of their respective countries and adding various elements and influences to their music it was only a matter of time before bands from the Celtic nations started to do the same.

Celtic Metal

These are my top five celtic metal bands as well as what are considered to be their best albums and where they come from with a wee bit of info added. It’s all my opinion of course and I’d be the first to admit that my knowledge of metal and celtic metal is pretty limited so if you know any others please feel free to leave a comment.

1. Primordial (Redemption at the Puritan’s Hand) Dublin, Ireland

Formed back in 1987 they originally started as a standard metal band but slowly their sound began to become more epic and the use of celtic instruments pushed them into a new sound.

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2. Waylander (Kindred Spirits) Armagh, Ireland

Formed in 1993 and dogged by the coming and going of band members over the years and various record label problems but still going strong…

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3. Cruachan (Pagan) Dublin, Ireland

Formed in 1992 and originally a band influenced by Vikings and Tolkien they soon evolved into one of the original celtic-metal bands. More information and discography and videos here.

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Folklore, Cruachan’s third album was  recorded by and features vocals by the legendary Shane McGowan of the Pogues and the single ‘Ride On’ reached number 40 in the Irish charts.

4. Alestorm (Black Sails at Midnight) Perth, Scotland

Formed in 2006 and describing their sound as ‘true Scottish pirate metal’. Two Scots and two Irishmen make up this band of buccaneers so that puts them firmly in the celtic-metal camp! Like all these bands absolutely huge on the continent and getting more and more popular here all the time as well.

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5. Mägo de Oz (Gaia) Madrid, Spain

Formed in  1989 they’re well known for the strong celtic feel to their music strengthened through their constant usage of a violinist and flute. The name means ‘Wizard of Oz’ in Spanish!

Web-Site   Facebook  where they have over 2million likes!

  • For our article on celtic hip-hop go here for ‘Celtic Hip-Hop’s Top Seven Bands And Artists.

UPDATE- Cheers for D for the extra information. rather than just cut and paste from it if you’re inclined then head over to Rate Your Music here and for some music here.

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