Over ten years promoting Celtic-Punk as a unofficial Celtic supporters club for drunx, punx 'n' vagabonds!
“When we need to escape from reality, and it’s not possible to take a trip to the green land, have a couple of glasses of mead instead and fly inside the head to the land we love so much”
Rocky Road to Ireland is the second full length album from Italian band Patricks does much the same thing!
“Then the cock he crew in the morning, he crew both loud and shrill
I awoke in California, many miles from Spancil Hill”
“Some of them knew fortune
Some of them knew fame
More of them knew hardship
And died upon the plain
They spread throughout the nation
They rode the railroad cars
Brought their songs ant music to ease their lonely hearts”
Buy Rocky Road To Ireland FromTheBand
Well here we go again. It only seems like five minutes since I was compiling all the votes into last years Best Of that saw The Rumjacks romping home with Album Of The Year. This year has been a bit quieter on the Celtic-Punk front but as last year was so busy that is perhaps not surprising. That’s not to say their weren’t some fantastic releases as their were plenty and it was still really difficult to come up with the various lists below. Not so many big bands this year so it was left to the lesser known bands to shine but remember this is only our opinion and these releases are only the tip of the iceberg of what came out last year. Feel free to comment, slag off or dissect our lists. As a bonus we are adding the Readers Poll again this year so you can even vote on your favourite release of 2019 yourself. If it’s not listed then simply add your choice.
We don’t pretend to be the final word as that my friends is for you…
(click on the green link to go where you will find more information on the release)
4. GREENLAND WHALEFISHERS – Based On A True Story
5. BARLEYJUICE – The Old Speakeasy
6. THE NARROWBACKS – By Hook Or By Crook
7. McDERMOTTS TWO HOURS – Besieged
8. PIPES AND PINTS – The Second Chapter
9. THE RUMJACKS – Live In Athens
10. SELFISH MURPHY – After Crying
11. TORTILLA FLAT – Live At The Old Capitol
12. FIDDLERS GREEN – Heyday
13. THE RUMJACKS – Live In London Acoustic Sessions
14. THE WHIPJACKS – This Wicked World
15. 13 KRAUSS – Redención
16. ALTERNATIVE ULSTER – Craic Agus Ceol
17. AIRES BASTARDOS – Self Titled
18. THE TEMPLARS OF DOOM – Hovels Of The Holy
19. THE FIGHTING JAMESONS – A Moment In California
20. ANGRY McFINN AND THE OLD YANK – Songs of Whiskey, Women & War
21. THE SHILLELAGHS – Ripples In The Rye
22. HELLRAISERS AND BEERDRINKERS – Pub Crawl
23. BODH’AKTAN – De Temps Et De Vents
24. HEATHEN APOSTLES – Dust To Dust
25. SONS OF CLOGGER – Return To The Stones’
26. THE CHERRY COKE$ – Old Fox
27. THE FILTHY SPECTACULA – The Howl Of The Underclasses
28. THE POTATO PIRATES – Hymns For The Wayward
29. TC COSTELLO– Horizon Songs
30. THE TENBAGS – ‘Bags o’ Craic’
How to compete with last year? Every single top band in the genre released an album so things were always going to be a bit quieter for 2019. Top spot this year unsurprisingly goes to The Walker Roaders Celtic-Punk super group! With Pogues, Mollys and Dropkicks making up the team how could they possibly go wrong! Everyone’s ‘next big thing’ Mickey Rickshaw came in a well deserved second and Ferocious Dog took third after releasing their best album, for me, since From Without. Greenland Whalefishers celebrated 25 years on the road with their best album for quite a while and what Best Of would be right without some bloody brilliant Irish-American bands challenging at the top too. Pipes And Pints new album with a new singer received acclaim from across the Punk media and The Rumjacks couldn’t follow up last years unanimous victory despite having two album releases (both sort of live) in the top thirteen. Fiddlers Green continue to make consistently great albums and go into 2020 celebrating thirty years together! Good to see homegrown bands The Whipjacks, The Tenbags, The Filthy Spectacula and Sons Of Clogger making it too. The top thirty was made up of thirteen countries from USA, England, Norway, Czech Republic, Australia, Switzerland, Germany, Argentina, Japan, Quebec, Hungary, Spain and Japan.
4. THE CLOVERHEARTS – Sick
5. KRAKIN’ KELLYS – Irish Tribute
6. THE PLACKS – Rebellious Sons
7. GYPSY VANNER – Five Distilled Celtic Punks
8. THE RUMPLED – Grace O’ Malley
9. FOX’N’FIRKIN – Hey Ho! We’re Fox n Firkin
10. SHANGHAI TREASON – Devil’s Basement
The Lucky Trolls took #1 spot with their brilliant self-titled EP following on from fellow countrymen the Krakin’ Kellys multi award winning 2018. Trust me it would have taken an exceptionally good release to keep The Party by Drunken Dolly off the top spot but that is what happened. Dolly’s excursions over to these shores this year j=has seen them grown in stature and you can’t go to a Ferocious Dog gig without spotting at least a dozen of their shirts. Loretta Problem wowed us with their single ‘Waltz Of My Drunken Dream’ which took us right back back to The Pogues glory days and what about that accompanying video too!! If we had a award for best video then that would have walked it. The Kellys had a quiet year with comparison to ’18 but still managed a respectable #5 and great debut releases from The Placks our sole representative from a Celtic nation (big things are going to happen to this band in 2020 mark my words), Italian/Aussies The Cloverhearts and, from just down the road from my Mammy, Shanghai Treason from Sheffield who only put out one song… but what a song! Eight countries represented from Belgium, Netherlands, Finland, Italy, Scotland, Argentina, Australia and Yorkshire!
AIRES BASTARDOS– ‘Self-Titled’
Argentina is becoming a bit of a hot-spot for Celtic-Punk with not only some well established bands but also some new ones starting up too and with this release Aires Bastardos announced their arrival on the international scene too. Not afraid to dive straight into a folk number after a Cock Sparrer cover they veer from standard Celtic-Punk to Folk and back to fast as hell Punk but in that really accessible way that only Celtic-Punk (and maybe Ska-Punk) bands can do.
4. BRYAN McPHERSON – Kings Corner
5. CALLUM HOUSTON – Gravities
6. PYROLYSIS – Daylight Is Fading
7. SEAMUS EGAN – Early Bright
8. LE VENT DU NORD – Territoires
9. DONNY ZUZULA – Chemicals
10. DERVISH – Great Irish Songbook
The Dreadnoughts don’t really think of themselves as Celtic-Punk so I reckon they’d be happier to win this than Celtic-Punk Album Of The Year. A superb collection of sea shanties that is a pleasure to listen to that was always going to be #1. Crock Of Bones representing the London Irish in 2nd with an album of trad folk with punk rock attitude and it’s especially good to hear some originals done in the style of the ‘auld ways’. 6’10 challenged for the top spot as they always do with everything they release and Bryan MacPherson and Callum Houston both produced great releases of singer-songwriter acoustic folk with Irish roots.
Sadly the Celtic-Punk world has shrunk a little regarding Web-Sites. Winners of the last two years the Mersey Celt Punks have been slacking (sort it out lads!) and enjoying their gigs too much to tell us while Shite’n’Onions have been too busy transferring everything onto a different platform and preparing for a bit of a re-launch I expect. Sadly celtic-rock.de have shut up shop after twelve years so it just makes it all the more clear how much we all miss Waldo and his fantastic Celtic-Folk-Punk And More site. As regular as clockwork and all the news that was ever fit (or not!) to print. Closing down the site in its 10th year in March must have been a tough decision to make and so this year we award best Website to Waldo and let it be known that no Celtic-Punk site will ever come close to replacing you. We would certainly not exist without his kind help and inspiration. All the best comrade enjoy your retirement! One welcome addition is Michu and his Celtic-Punk Encyclopedia site from Poland. Worth checking out especially if you are in a band.
We are not alone in doing these Best Of 2019 lists in fact all the major players in celtic-punk do them so click below to check out what they thought.
So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other Celtic-Punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.
This is our 8th year of making these Best Of lists so if you would like to check out out who was where in our previous ones then just click on the link below the relevant year.
Last year we introduced a new feature THE READERS PICK. We had no idea if it would work or not but it was a raging success so we going to do it all again this year. With well over 500 votes cast you lot chose the debut album from the Krakin’ Kellys as a worthy winner. Only the Top Ten albums are listed but there is an option to write in your favourite release or just to send us love… or abuse!
You are allowed to vote twice but not for the same artist.
The Poll will close at midnight on Friday 31st January with the result announced soon after.
remember any views, comments or abuse or slander we would love to hear it…
Sláinte, The London Celtic Punks Crew- January, 2020
The Sick came out at the beginning of last month on the Italian record label, Black Dingo Records and has six new songs all written by Sam and the band themselves. The EP begins with ‘Always Monday’ which was the first single and shows how much those Europeans love their ska. I’m not such a big fan myself preferring sad tearful songs about hunger, famine and forced emigration to happy-go-lucky joyful bouncy Ska like this! I know this all makes me somewhat of a pariah. “How can anyone not like Ska” has been said to me many a time. Luckily this song has a tough edge to it and threatens to turn Punk at any moment meaning that I can just about tolerate it. Basically a song everyone else will love and enjoy so just ignore this miserable bastard.
So there you go the debut EP from a band that has only been together for a blink of an eye and already one of my favourite releases of the year. We always delight in the arrival of another new band on the scene and its unusual for a band to come straight out the blocks and find their niche straight away but The Cloverhearts have done just that. They may be influenced by others in the scene (who isn’t?) but they have come out with an EP that has their individual sound stamped all over it. Highly recommended!
Italian Celtic/Irish Rockers The Rumpled follow up last years debut album with a digital only 5-track EP. Five different stories about love.
After last weeks review of The Clan’s new 4-track EP, Quattro Giorni Fuori Porta, it’s time for another Italian Celtic-Punk to be featured and another EP as well. The Rumpled haven’t been around as long as The Clan and are in fact one of the newest of the bunch of bands that we consider make up the Italian Celtic-punk scene.
The band were formed in 2011 in the northern Italian city of Trento and began with the name Seven Deadly Folk but as is often the way with bands with so many members it’s hard to keep everyone together and with the coming and going of new and old members the band decided in 2014 to change their name to The Rumpled. Last year saw the release of their debut album Ashes & Wishes for which they also took on a mammoth tour of home that saw them play every corner of Italy. The album was a surefire hit among the Celtic-Punk community and saw the band placed in all the various Best Of’s the scenes media had to offer. In the London Celtic Punks Top Thirty of 2018 they managed a very respectable #14. Not bad at all for a debut album.
In common with bands like The Clan and Uncle Bard And The Dirty Bastards The Rumpled embrace a certain kind of Celtic-Punk sound. It’s neither the Dropkicks or the Murphys but a Celtic-Punk that is very much focused on Irish traditional music. That may sound strange as you may think that is what all Celtic-Punk is but it is in fact quite rare. Irish folk music and Irish traditional music are different things and when Punk is added to it it can sound very different.
Is love an ideal? Is it love we feel for some friends? Can love be also sad or even frightening? Can love become an addiction, a source of pain or even violence? All is answered on this EP titled as a tribute to the legendary Grace O’Malley but more on her in a moment as the disc kicks off with the raging ‘Song Of Ill Repute’, A swift accordion and fiddle led whirling dervish of a song that you can imagine couples swirling each other round a dance floor. The Irish sound is paramount here but with both feet still in Celtic-Punk. It’s kind of untraditional traditional music if you will! This is swiftly followed by a extended version of the title track ‘Grace O’Malley’. Now Grace has become quite famous in the last few years. She was born in Ireland in around 1530 and was a fearless leader over land and by sea, politician and tactician, a rebel, pirate and matriarch, and the ’most notorious woman in all the coasts of Ireland’. Although she was always famous as The Pirate Queen in Ireland and among Irish communities, notorious for their long memories ( I remember being told bed-time stories about her taking on the British Empire’s fleets as a small child) and glee at being able to rely a story in which the Irish didn’t lose to the English for a change! Her life is far too complicated to take up in a review of a single song so take the time to read up on her fascinating and inspiring story. Anyhow back to The Rumpled and the song ‘Grace O’Malley’. The song has racked up an incredible raked more than 50,000 streams in less than a month on Spotify and has been chosen for two of the most important playlists curated by the platform (New Punk Tracks & Celtic Punk).
Great lyrics, with thanks for assistance from Stephen Trollip, and Marco’s raspy tuneful voice telling the tale in English , not that that matters on first listen you’d never be able to tell his first language wasn’t English. Next up is another song that has set the internet alight and on ‘Fearless And Brave’ you may recognise the voice that is accompanying Marco and yes its the fearless Paddy O’Reilly from awesome Celtic-Punk band Paddy And The Rats. A utterly fantastic song with Paddy and Marco sharing vocals to great effect while the Celtic-Punk crosses into Ska but by hell it certainly doesn’t get much more catchy that this I tell you. The story is again dedicated to Grace O’Malley and steams along at a healthy pace that would be totally accessible to both Folk and Punk fans. On ‘Feelin’ Fine’ the song keeps up the same pace and has a ‘piratey’ feel to it with the heavy sound of the accordion while the final track ‘The Maiden’ brings down the curtain on 15-minutes of proper brilliant Celtic-Punk that will only go to further The Rumpled’s reputation.
(the full 5-track ‘Grace O’Malley’ EP by The Rumpled)
The album has been produced by Gianluca Amendolara of Black Dingo Productions (who look after any Celtic-Punk band who hits Italy through being a independent record label, booking gigs and general management) who started his many appearances on these pages as drummer with The Clan before setting sail to join Aussie bhoys The Rumjacks. He has done an incredible job here and a special mention also for our Frankie out of The Rumjacks who has taken The Rumpled under his wing and assisted them throughout their career, who appears here as ‘vocal coaching and supervisor’ which must be a first for a Glaswegian! To celebrate the release of the EP The Rumpled have set sail on another massive tour that will take in Italy, Switzerland and France and will I am sure gain them legions of new fans.
(have a listen to their brilliant debut album below on the Soundcloud player)
Another release from one of the most productive and popular bands in Celtic-Punk. The Clan from Italy balance high tempo folk and country alongside Celtic-Punk to make one of the best records of the year so far.
It has been a funny week in the world of Celtic-Punk! Fresh from catching the superb Dropkick Murphys live in London last Friday two EP’s land on our doorstep on the same morning from very well respected Italian Celtic-Punk bands. The first was from this band, The Clan. One of the first bands heard and a band that has featured several times on these pages with previous album reviews. The second was a relatively new band The Rumpled who arrived on the scene properly in 2014 but it was with last years highly rated Ashes & Wishes album featuring guest vocals from The Rumjacks Frankie McLaughlin.
But more on The Rumpled later in the week for now we have The Clan. Probably the better known of the Italian bands in the scene. Along with bands like The Clan and The Rumpled, Modena City Ramblers, Kitchen Implosion, Dirty Artichokes and Uncle Bard And The Dirty Bastards all the Italian bands share a deep love for Ireland and it’s culture and musical traditions. If Celtic-Punk was about taking the folk tradition and the punk tradition , moulding them together but still staying true to those traditions then it is the Italians who do the job best. There is a sort of generic Celtic music that incorporates music from all the Celtic nations and though instantly recognisable as Celtic-Punk it doesn’t belong to one place in particular. The Italian bands are different and has produced a truly unique style of Irish music. The Clan hail from the small town of Muggiò in Lombardy which is in the north of Italy and have been together since 2013. With a bunch of fine albums behind them, three in five years, The Clan in 2014, All In The Name Of Folk in 2016 and last years Here To Stay, here on their new EP they have carried on their progression and taken a new direction to forsake English and decided to record the EP’s four songs in their native language. It’s understandable that bands think they need to sing in English, with the vast majority of Celtic-Punks fanbase in English speaking countries, but we have long been supporters of native languages so sing on Bhoys. We’ll still get it you know.
The title of the EP is Quattro Giorni Fuori Porta which translated into English means Four Days Out Of Door and though it only has four songs they are sung and played with the same passion that The Clan are renowned for. To this par of big Irish ears the words, sung by guitarist/mandolin player Angelo, sound great. Italian is famous for being a beautiful language and it fits the music here perfectly. The music itself flits from Celtic to upbeat Country and Folk and sounds jolly and fun though the subjects contained in the songs are not always! The EP begins with ‘Il Giorno Più Freddo Dell’anno’ (The Coldest Day Of The Year’) which is a song about animal-rights, a subject The Clan have visited before and a cause close to their hearts. The longest song here at over four minutes its sound leans heavily on Francesco’s fiddle and is against hunting as it tells of a day spent with a mother and her puppies out in the wild. The sound sits fairly perfectly between Country and Celtic but as with The Clan they don’t make music to stand still to! They follow this up with ‘Il Giorno Con Te’ (‘The Day With You’) and the bands sound is perfect with Francisco’s fiddle again leading but venturing from manic to melancholy and while it is annoying not to know what the words are about this is only because The Clan have nailed it on their lyrics in the past and I have always enjoyed reading them. Still it’s a small price to pay to hear the songs sung as they should be. ‘Il Giorno Prima Di Morire’ (‘The Day Before Dying’) keeps the tempo right up and is a hymn to freedom. The time we have here on earth is fleeting and we must each make the most of all we have. Catchy, fast and passionate it’s another corker and leads us nicely onto the final track ‘Il Giorno Migliore’ (‘The Best Day’) which, for me, is the standout track here with its upbeat sound that would move even the shyest mans feet!
The Clan have announced their may well be an English version of this EP but for now this is to show their appreciation to their Italian fan base and why not? The balance they have between genres is quite the feat and yet they still remain at heart a Celtic-Punk band more in the acoustic tradition say of Flogging Molly but with a sound all of their own making. The Clan have carved out quite the movement behind them thanks to intelligent lyrics, well made videos, respect for folk tradition and the love of a bloody good time! In common with those previous releases it’s been excellently produced and the whole band shine through. This is a great EP and though part of me is looking forward to hearing the English versions another part wants to leave it like this.
There’s an interview with The Clan here at Traks magazine where you can play the whole EP. I couldn’t work out how to embed the EP from Spotify! Remember to translate from Italian though!!
Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.
We don’t pretend to be the final word as that my friends is for you…
4. KRAKIN’ KELLYS- Promised Land here
5. THE O’REILLYS AND THE PADDYHATS- Green Blood here
6. SIR REG- The Underdogs here
7. TIR NA OG- From The Gallows here
8. FIRKIN- We Are The Ones here
9. THE MAHONES- Love + Death + Redemption here
10. THE MUCKERS- One More Stout here
11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead here
12. HOLD FAST- Black Irish Sons here
13. LEXINGTON FIELD- Dreamers here
14. THE RUMPLED- Ashes & Wishes here
15. TAN AND SOBER GENTLEMEN- Veracity here
16.THE KILLIGANS- Dance On Your Grave here
17. ALTERNATIVE ULSTER- Pog Mo Thoin here
18. PADDY AND THE RATS- Riot City Outlaws here
19. IRISH MOUTARDE- Perdition here
20. BASTARDS ON PARADE- Cara a Liberdade here
21. MR. IRISH BASTARD- The Desire for Revenge here
22. PIRATE COPY- Swashbuckle & Swagger here
23. SINFUL MAGGIE- S/T
24. JOLLY JACKERS- Out Of The Blue here
25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots here
26. THE CHERRY COKE$- The Answer
27. THE CLAN- Here To Stay here
28. KINGS & BOOZERS- Still Got The Booze here
29. FALPERRYS- Nova Abordagem here
30. AIRS & GRACES- Voting At The Hall here
bubbling under: MALASANERS- Footprints here
So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.
I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!
4. THE DANGEROUS FOLK- One here
5. LEXINGTON FIELD- Modern Times here
6. SCOTCH- Last In The Bar here
7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar here
8. THE GRINNING BARRETTS- The St. Padraigs here
9. IN FOR A PENNY- Sometimes Its Better To Not here
10. THE ROYAL SPUDS- Unforgotten Lore here
At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!
4. LANKUM- Between Earth and Sky here
5. MAN THE LIFEBOATS- Man The Lifeboats here
6. SLIOTAR- Voyage
7. CLOVER’S REVENGE- Gotta Get O’Raggednized here
8. BLACKBEARDS TEA PARTY- Leviathan here
9. THE LED FARMERS- Irish Folk Out Straight
10. FINBAR FUREY- Don’t Stop This Now here
bubbling under: THE BRANDY THIEVES- The Devil’s Wine here
Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.
We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.
So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.
This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.
We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.
Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!
remember any views, comments or abuse or slander we would love to hear it…
Sláinte, The London Celtic Punks Crew- January, 2019
The untraditional Anti-Folk punk band.
Mosche Di Velluto Grigio are an Italian Celtic-punk band and while their name may not trip lightly off the tongue of anyone who cannot speak Italian it’s certainly more poetic and beautiful than the English translation, Gray Velvet Flies! The name appears to come from an old Italian horror film directed by Dario Argento. The band were founded in 2000 and hail from Canneto sull’Oglio in the northern Italian region of Lombardy, home of fellow Celtic rockers The Clan and Strawdaze. Celtic-Punk has always been popular in Italy and relations between their Irish and Italians have always in the main been friendly, except perhaps in the USA in the past where two poverty stricken immigrant communities lived side by side in ghettos.
Famous for their DIY ethos Mosche Di Velluto Grigio were first conceived in the late nineties when singer Andrea and his sister Laura were inspired by their love for NOFX and the 90s punk scene. Together they went on to recruit others and the first incarnation of the band was gathered around them. Collectively they have become one of the more successful Italian Folk-Punk bands and though influenced by the likes of The Pogues and Dubliners on one wing and Stiff Little Fingers on the other their is more than a ounce of the legend Johnny Cash in there as well. These days members of the band come from not just Lombardy but from all over Italy and even Mexico.
I first came across them on their 2016 album Old School. It never made the reviews here as it was a couple of years old by then but I was impressed and have kept up with them since waiting for a chance to make things right. That album was, as far as I am aware, all traditional folk songs from North America and back Ireland and home to Italy. Internationally renowned songs like ‘Amazing Grace’ and ‘Waltzing Matilda’ go up against classic Celtic songs like ‘The Foggy Dew’ and the ‘Fields Of Athenry’ and a rake of songs that I had never heard before. The new EP, Of Pain And Glory, carries on in the same vein except with one exception all the songs are penned by the band. Beginning with ‘A Whisper From My Cigarette’ and it’s classic Celtic-Punk. Loud and bombastic and massive. The song is not particularly fast but catchy and tuneful while Andrea sings out the lyrics, no doubt through a cloud of cigarette smoke! His voice is so raspy he makes Tom Waits sound like the singer in a boy-band. Accordion and tin-whistle grab you here until mid-way when the song suddenly shoots up in tempo. An excellent start that leads into ‘Glasgow Town’ and this is no ordinary Celtic-Punk band as witnessed by the sound of a saxophone wailing away in the background.
Again its catchy as hell and this time a much more straight forward punk rocker of a tune. They slow it down again next for ‘Seven Ships’ and even add in a bit of Country’n’Western twang. Balanced between country and folk it threatens to take off but stays a nice gentle folky foot-tapper with a couple of Celtic touches thrown in for good measure but… then it does go off for last few bars ensuring I’d say a messy dance floor when played live. ‘Pieces Of Glass’ begins as the most Celtic of the songs here with accordion at the forefront before the chugging guitars come in and lead the song on a right merry Celtic-Punk dance. The third single from the EP is ‘Laura’ and we couldn’t have timed this review any better as just three days ago they released the new video and its a great production as many of their videos seem to be.
The EP comes to an end with Mosche Di Velluto Grigio’s favourite song, ‘The Parting Glass’. I say favourite as it also featured on Old School and was released as a single inbetween that record and this. First heard in the late 1700’s the song has been recorded by far to many to mention here but the sad but defiant song has rarely sounded different here. Starting off as barroom ballad they soon up the ante and turn the song into a killer punk rock tribute. Love it.
Bands like Mosche Di Velluto Grigio don’t make covers in the traditional sense of the word. I would prefer to call them re-interpretations. They have taken some old traditional songs of their home, of the Celtic nations and further afield and have made them their own. Mosche Di Velluto Grigio are a utterly fantastic band and if you can get past the distinctive vocals then I’m sure they’ll gain a bit more recognition outside of Italy. While the music has crossover appeal Andrea’s vocals place it firmly in the Punk side of Celtic-Punk but also shows these lot will never be found watering it down.
Buy Of Pain And Glory
Contact Mosche Di Velluto Grigio
Here To Stay the third studio album from the Milan based Irish rockers The Clan. Celtic rock band formed 2013 from a group of musicians coming from diverse musical directions but with the same deep love for Ireland and its unique sound.
Back in 2016 The Clan were one of the first bands on the site that had been reviewed a second album. Time marches on and here we are now reviewing third third album and if we ranted and raved about the previous two then prepare yourselves for some more of the same as this album rates up there with both of them! The Clan hail from the small town of Muggiò in the province of Lombardy in the north of Italy and have been playing music together since 2013. The relationship between Italy and Ireland has in my own experience been a happy one. At my Catholic school here in England the two communities got on well while in the States, as far as I know, there has always been a high degree of inter-marriage. Plenty of Italians have passed through Ireland over the decades and more than a few have passed the other way with pretty much all of my Irish relations having chosen Rome for their honeymoon destination! We are both sitting out the World Cup too!! The Celtic-Punk scene in Italy is also quite unique as the scene is so bound up with the music of Ireland. There is a sort of generic Celtic music that incorporates music from all the Celtic nations and though instantly recognisable as Celtic-Punk it doesn’t belong to one place in particular. The Italian bands are different. The music from bands like The Clan, Modena City Ramblers, Uncle Bard And The Dirty Bastards, Kitchen Implosion, The Rumpled and Dirty Artichokes (coming to London in August!) all have the same deep love for Ireland, it’s culture and musical traditions. That love dominates their music throughout and has produced a truly unique style of Irish music.
As we have said many a time it’s no good expecting the best Celtic-Punk bands out there to have Celtic blood in them as you will be sorely disappointed! The Clan come from a beautiful place and play beautiful music that fills your heart with cheer and will surely plant a smile right across your face. Here To Stay begins with a kick-arse tune from the very off with ‘Pocket Money Heroes’ and it may start as if it’s heading down the hard’n’heavy route but before you know it’s completely changed track and your listening to a high energy poppy punk song with reggae interludes and great bagpipes and fiddle that change the direction of the song on arrival. A massive gang chorus of ‘whoah’ the opener covers everything and shows their songwriting abilities from the first beat. The Clan to more trad territory next with ‘Glory Waits’ and one of the standout tracks here for me.Mandolin and tin-whistle and one hell of a folk rocker with a dead nice country feel to it. Catchy as hell and just what we came here looking for. The next song up is ‘Jail Times’ and I have to say it’s not my cup of Barry’s. It’s well played and will especially appeal to fans of bands like Rancid with even a organ interlude! We are back on more solid ground next with ‘Rebel Town’ and finally the Irish influence comes spilling out. Now this is Irish-punk music with a brilliant singalong chorus and a foot stomping beat that will fill the dance floor. That a band can take two such diverse genres like punk and trad folk and then mix them into something so infectious it would get even the most miserable onto their feet is always something that never ceases to amaze me. The bagpipes open for ‘Johnny’ along with the drums giving its a Scots feel before the ‘whoahs’ start again and it’s a catchy punk number with Angel’s voice given full range and his gravelly strained tones portray a passion for what he’s doing. ‘Rat Race’ again takes the standard Celtic-Punk weapons of tin-whistle and mandolin and teams them with punk and comes out with a real beauty of a track. This is followed by the album’s title tune and ‘Here to Stay’ is a lively upbeat reggae infused number that’s duel vocals give it a Black Water County feel. There’s more of a punk rock influence here then before but it still sits within the Rancid description I think. The pipes are back again for ‘Prodigal Son’ and Chiara’s playing is immaculate as The Clan throw out yet more ‘whoahs’ making for a great audience song where arms are flung aloft and lungs are loosened and beer is no doubt spilt. Catchy as hell as is the whole album The Clan have an ear for a good tune. ‘Seize the Day’ is the album’s nearest tune to a ballad with Angel accompanied for most of the song only by a frantically strummed acoustic guitar though later Frisco joins in with some exquisite fiddle playing. Finally we reach my favourite song of the album, the western influenced, in style and content, ‘Wayfaring Stranger’ and if I was to make a Top Ten Celtic-Punk videos then The Clan would feature heavily so don’t pass by without watching the great video below. The music like the video is heavily influenced by both western and country but with that unmistakable Clan Irish-punk feel to it.
We are nearing the end and ‘Vesuvius’ is up and the album’s only instrumental and takes Irish music to another level. You may hear stuff like this every now and then but rarely, i repeat rarely, do you hear it so well played and executed like this. It takes all the best elements of The Clan and exploits them to good use especially Chiara this time on the tin-whistle. Brilliant Irish folk music played by Bhoys from Milan. One to get up the noses of the folk snobs! Absolutely fantastic. The album goes out though on ‘Easy Roller’ and The Clan love a heavy metal song and here they sound like the band they love, AC/DC, thrashing it out with the bagpipes. There were a couple of bonus tracks on my download and the earlier track ‘Johnny’ is re-recorded in Italian as ‘Johnny Non Parla’ and finally Here To Stay comes to an end with another Italian version of the album’s opening track this time called ‘Rievoluzione’ and the band are accompanied by Cippa and Paletta of the Italian punk band Punkreas.
Fourteen original songs that rocks in at just under fifty minutes Here To Stay was released last St. Patrick’s Day eve on the 16th March 2018 on Black Dingo records. It’s a fantastic album and, as others around the world’s Celtic-Punk media have written, a definite contender for those end of year Best Of polls. The Clan have been one of the best bands within the scene for a few years now coming to the fore on the strength of a handful of excellently produced videos but have managed to keep up the quality and prove they are no novelty outfit. While the posh wankers can whinge and groan about so-called cultural appropriation bands like The Clan take Irish music and play it with a love and respect for the past while keeping an eye to to the future.
(Here’s that video. Yes that one!)
Buy Here To Stay
Contact The Band
Black Dingo Productions Facebook
For more on Italian Celtic-Punk then join the IRISH/FOLK/CELTIC PUNK ITALIA! Facebook group here
Dance, scream, jump, sweat, clap hands and wear out your feet. Italian celtic-rockers The Rumpled come wrapped up with heaps of enthusiasm and energy and on hearing this they will soon have you trapped in their spell!
If you ever think that celtic-punk music is confined only to the Celtic nations and the Celtic diaspora then you couldn’t be more wrong! Those days are long ago, if indeed they ever really existed at all, and these days celtic-punk music is spread literally all over the globe. Today’s review is of Italian band The Rumpled’s debut album Ashes & Wishes and if celtic-punk was designed as a vehicle to take elements of traditional Irish folk and punk rock and blend them together while staying true to both genres roots then The Rumpled have nailed it.
The band was born in 2011 in the northern Italian city of Trento and began with the name Seven Deadly Folk but as is often the way with celtic-punk bands with the coming and going of new and old members the band decided in 2014 to change their name to The Rumpled. This led to the release of a 4-track demo in June 2015 and the change of name did them no harm and in the summer of last year they won the prestigious European Celtic Contest organized during the Montelago Celtic Festival. Having already performed over a hundred concerts at pubs, festivals, on the street and many more unlikely places and with this award under their belt and the release of their album last month they set off later this month on their biggest ever tour of Italy.
(the first demo release from The Rumpled)
The celtic-punk scene in Italy leans very heavily towards the Irish side of things and in bands like The Clan and Uncle Bard And The Dirty Bastards Irish traditional folk music is referenced heavily. Another band I have started to notice being referenced quite often, and for good reason, is Aussie celt’s The Rumjacks. Kicking off with ‘Rumpled Time’ and its catchy, riff laden, accordion led celtic-punk heaven! Its more the folky side of things but still with plenty of bite to it and, in common with the above Italian bands, Marco, the vocalist, has a strong voice and when singing in English is perfectly understandable. Following this is ‘Just Say No!’ and the Irish influence is strong on a song that bounces along with tin whistle leading this time. So far the emphasis has been on good time music but the Bhoys ramp it up for ‘Jig Of Death’ and was the second single released from the album the week after St. Patrick’s Day. According to the video the ‘vocal supervisor’ was one Francis D. McLaughlin so we could have half expected them to singing in broad Scots!
Another thing they have in common with The Clan is their elaborate and well made videos. Take a few minutes to check them out as they are well worth your time. The album carries on with ‘I Wanna Know’ and by know I’m getting the vibe off them that they are very much a live band. Music like this belongs in the public house but they have made a very decent job of transferring it onto disc so well done lads. The Rumjacks connection continues with ‘The Ugly Side’ featuring the Rumjacks themselves. Don’t these guys ever intend returning to Australia?? One of the punkier songs on Ashes And Wishes but without losing any of its catchiness. The bagpipes are loud and proud for next song ‘Don’t Follow Me’ the video of which features the local Celtic interest group Il Clan della Fossa. This was the lead single released last November and sparked up a lot of interest in the band around Europe.
As I already mentioned Italian celtic-punk bands have really embraced the sound of trad Ireland and on ‘County Clare’ The Rumpled take that music and inject it with a healthy dose of punkiness and an energy oft times missing. The song is again led by the accordion and Marco’s voice combine for the album standout for me. The album continues with ‘Bang!’ and a catchy ska beat knocks shoulders with a country folk base and nice wee track with very well played fiddle from Patrizia. We are nearing the end and still no covers just some excellent original celtic/Irish influenced folk punk. ‘Dead Man Runnin’ continues the punkier side of things before ‘Ramblin’On’ brings us back to their more folky side. Again its catchy as hell and finally the album comes to an end with ‘Letter To You’ and if the only thing missing from Ashes And Wishes was a lovely wee ballad then they almost pull it off with this wonderful song that they can’t quite help sticking a jig in the middle of it. The sort of song Springsteen would do if he ever records an Irish themed album.
Ashes And Wishes is a real fun album the sort of music that would see you certain of a good night out among friends and comrades. With the spirit of great Irish bands like The Dubliners, The Pogues, Dropkick Murphys and Flogging Molly infused here celtic-punk is not a genre built entirely on originality in fact it skates by on a massive dose of nostalgia as much as anything else. In which case it’s sometimes hard to judge bands and with the best place to hear this kind of music being the pub its the feelings it evokes that tell us whether the music is good or bad or in between. What you have here is just plain good old time party music. There is no hidden meaning to it just the wish from The Rumpled for us, the listener, to enjoy ourselves and to forget our troubles.
Which is exactly what I did for thirty-four minutes!!
Buy Ashes & Wishes iTunes
The most novel and interesting covers album you will ever hear! The debut album of The Clash re-imagined as The Man In Black. 1977 punk as boom-chuka-boom-chuka country’n’western with the roots of original rock’n’roll showing.
By some quirk of fate I came across The Johnny Clash Project and purely on the name I decided to check them out. Well to say I was impressed is an understatement. I was further intrigued to read that they would soon be touring the UK so I dropped the lads a message on Facebook to find out if they were playing London and sadly the answer was not. Well a couple more emails and a bit of jiggery pokery and we had landed them to play at the London Celtic Punks show later this month in Leytonstone on Friday 27th April. More on that later but you may now be wondering what was so special as to warrant all this interest well here you go.
Covers are not unknown in the celtic-punk scene and I dare say 95% of celtic-punk releases include a cover or two but The Johnny Clash Project’s debut album is all covers. Not only that they are of the same band, The Clash. It is in fact a song-by-song tribute to The Clash self-titled debut album from 1977. Now there’s two ways to record a cover (three if you include f*cking it up like Ed Sheeran did recently with ‘Fairytale Of New York’) you can either copy it closely or else breathe new life into it and try and record it in a new style. We are used to hearing both here and they both have value as long as they are recorded with love and respect. The Johnny Clash Project have taken the second route and recorded an album that is so God-damn memorable and catchy, its songs haven’t left my brain alone for over a week!!
What they have done is take the songs of The Clash and recorded them in the style of the great and legendary country outlaw Johnny Cash. Yes The Man In Black himself. There’s plenty of elements of blues, Americana, folk and rockabilly but essentially this is country of Johnny Cash of the Folsom Prison Blues era. Songwriter. Six-string strummer(!). Storyteller. Country boy. Rock star. Folk hero. Preacher. Poet. Drug addict. Rebel. Saint AND sinner. Victim. Survivor. Home wrecker. Husband. Father. Son. and more… Johnny Cash the ultimate music villain widely loved and respected by all passed away in 2003 and this is also a loving tribute to him as well.
The Johnny Clash Project formed in January 2013, in Bologna in northern Italy, and stars Lorenzo Mazzilli (voice and guitar), Paolo Cicconi (guitar and banjo) and Zimmy Martini (double bass). All three are active in other bands, The Giant Undertow, Lucky Strikes and Muddy Worries but here they are united in having only one purpose- to take the songs of the one band whose influence in punk has never waned and re-imagine them in the style of the ultimate Country singer-songwriter outlaw, Johnny Cash and to make them their own and this they have done. With several tours of home behind them and a two month tour last year that took in Switzerland, France, Belgium, Germany, Austria and England they have been causing waves and their live show has been receiving plaudits from all and sundry.
Taking the boom-chuka-boom-chuka of Marshall Grant’s double bass and piling on top a voice that is so close to Johnny’s that it will make you do a double take this album is an absolute must have. It all kicks off with ‘Janie Jones’ and it’s one of a handful of songs here that the original tune stays in tact. Most of the album is done in the style of ‘Remote Control’ and ‘I’m so Bored with the USA’ where the tune is completely different and it’s not until the chorus that you start to recognise things. There are several high points but to be perfectly honest from start to finish this album is an absolute belter. ‘White Riot’, ‘London’s Burning’. ‘Career Opportunities’ keep the energy of the originals and the fast tempo while ‘What’s My Name’ and ‘Cheat’ are played as an emotional ballads and the curtain comes down with ‘Garageland’ and accompanied by Marc Santò on the fiddle and the three female singers from fellow Bologna ska band Le Birrette, Anna, Carlotta and Giulia, it even manages to stand out even more. Fourteen songs and just over forty-five minutes of musical heaven. There is something about knowing the words to a song that brings you closer to the music and here you almost find yourself singing along before you know what the song is!
As said Johnny was the ultimate rock’n’roll outlaw. Had he been born twenty later perhaps he might have embraced punk himself even. Ever faithful to both the spirit of The Clash and the sound of Johnny Cash this is pure unabashed country-folk but would they have got away with it if Lorenzo didn’t sound so much like Johnny Cash? Probably not but so what. Backed by Paolo Cicconi on electric guitar and banjo and Zimmy Martini double bass, they are joined here on the drums by Matteo Dall’Aglio whose simple rhythms and changes of pace take you back to those halcyon days of the 1950’s. The album was released on St. Patrick’s Day eve this year and has been released on Milan label Rocketman Records. The sound is completely authentic sounding and the whole project reeks of care and attention to detail. Normally we come across albums we love with a sense of joy crossed with dejection. Joy at the discovery of music that will warm your soul but dejection at the realisation that you will never (probably) get to see the band in question perform. Well some of you those feelings will remain while for Londoners we can catch The Johnny Clash Project in the flesh in just a couple of weeks time. Don’t miss this great band and while I do have a tendency to wax lyrical about records I love the songs on this album are still swimming inside my head as I write this a week after I first heard it so that has to be the best recommendation hasn’t it?
(listen to the whole of The Johnny Clash Project at the link below)
Buy The Johnny Clash Project
Contact The Johnny Clash Project
The Johnny Clash Project will be joined on Friday 27th April by Dutch celtic-folk-punkers Drunken Dolly, also playing in London for the first time, and London’s #1 celtic-punkers The Lagan. Live at one of East London’s most popular Irish pubs The Plough & Harrow, 419 High Road Leytonstone, London E11 4JU. Halfway along Leytonstone High Road the nearest tube is an easy 8 min walk from Leyton tube. For up to date information join the Facebook event here. Full tour dates- Tuesday 24th April at The New Inn, Canterbury * Wednesday 25th April at The Liver Hotel, Liverpool * Thursday 26th April at the Craft Taproom, Liverpool * Friday 27th April at the Plough & Arrow, London and Saturday 28th at the Fez in Margate.
All the way from Argentina it’s the new EP from Raise My Kilt. Celtic-Punk that is 100% attitude and 100% fun!
Well what can we say except that its become common these days for bands in the celtic-punk scene to schedule their releases around St. Patrick’s day and 2018 has been no different and we have been overwhelmed here at London Celtic Punks with both the number and the quality of recent releases. One such band is relatively new to me. Raise My Kilt hail from Buenos Aires in Argentina and are one of a handful of bands ion that country playing celtic music. Last year they self-released their debut EP, Gaitas And Tanos, which received a great review over at Celtic Folk Punk And More which brought them to many people’s attention and thank Heavens they did. The title of the EP refers to Gaitas which is a local Argentinian word for people from the celtic nation of Galicia and also the word for Bagpipes while Tanos is the local word for Italian people and as the band are all of Italian and Spanish descent.
Their new EP, A New Tartan, consists of six songs and similar to that debut has a fine balance of traditional folk songs and original compositions. While some may roll their eyes at some of the bands choice of covers its important to remember that not everyone has grown up on these songs and while I may have first heard ‘Dirty Old Town’ in the womb I respect everyone who chooses to do their own version of it. As long they inject it with a bit of life and a bit of their own personality then Good Luck to them. Its also worth remembering that this is not for our market here it’s for their own country where many wont have heard them before.
Raise My Kilt have trodden a similar path to many of their contempories in the celtic-punk scene in that a bunch of friends in the Buenos Aires punk and hardcore scene had started to listen to some traditional folk music and before they knew it an idea to start a band had formed. To take the trad folk of Irish legends like The Dubliners and The Chieftains and to mix in the energetic and raucous sounds of Celtic-punk legends like the Murphys, McKenzies and Mollys. That was October 2013 and little more than a year later the band played their debut show. With over three years of shows behind them we would much rather be reviewing an album but I suppose a EP will have to do… for now!
The EP kicks off with the title track, ‘A New Tartan’, and if you like bagpipes then this is the band for you. Obvious comparisons to major league hitters like The Real McKenzies and Pipes Or Pints but these guys have their own take on things too. The drone of the pipes begins the song and its a sound that fills my heart. You can hear why the sassenach would often run from it in battle or why you would follow it into battle. The band chip in half way through and run it down as an instrumental trad punk number. Now I was expecting more of the pipes’n’punk but ‘New Arcadia’ takes me by surprise and is a much more trad folk-punk number with the banjo leading and some ace gang vocals. To top they close out the track with ‘John Ryan’s Polka’. This song may have been a better choice to close the EP but what the hell do I know. No pipes in that number but they are back for a healthy version of ‘Dirty Old Town’. Chugging guitars and them wonderful pipes give it the Raise My Kilt stamp and yeah it may be done to death here but fecking hell when it’s played this good you’ll forget you ever heard it before. After all Ewan MacColl who wrote the song hated The Pogues version so whose to say anything! Again they surprise you with ‘1982’ up next. Played as a a straightforward punk rock number with the pipes coming in and out its catchy as hell and a real foot tapper. A great song and shows the bands versatility in the different strands of celtic-punk on display. Nearing the end and we get a celtic cover of the Cock Sparrer favourite ‘We’re Coming Back’. The banjo and pipes accompany on a song that I’m sure will have any dance floor filling. The EP comes to an end with a fast and furious version of the Scottish anthem ‘Scotland the Brave’ that would have many a other band diving for cover.
With the recent retirement and somewhat resurrection of Black Tartan Clan and bands like Krakin’ Kellys and The Clan raising the pipes throughout Europe it would seem that Bagpipes in the celtic-punk scene have not gone away. Some would say that the sound may be an acquired taste but when you have band’s that really care about how they use the instrument in their songs it really makes a huge difference. These are not just punk bands with a piper attached playing along to the tune these are songs where the pipes are an integral part of the song every bit as much as say the drums or guitar are. Raise My Kilt are a solid addition to the worldwide celtic-punk scene and as one of only a handful of bands in the South American continent playing Celtic-Punk we ought to get behind them and show them our support. Here they have only whetted our appetite for a full length release and I for one cannot wait to hear it.
Buy A New Tartan Amazon
Italian Celtic-Punk from the swamp influenced by the Dropkick Murphy’s, Flogging Molly, The Tossers, beer and a certain brand of Irish whiskey!
Tullamore were founded in northern Italian city of Pavia in 2007 and this EP is released to celebrate their tenth anniversary together. The EP’s title translated to English means ‘Ten Years On The Streets, Ten Years At The Bar’ and is pretty apt for a band named after one of Ireland’s premier whiskeys! The original idea being to bring together the traditional folk of the Celtic nations with good old fashioned Italian punk rock. The first incarnation of the band were together three years and released their first demo in 2010. Four songs that included the first song the band ever wrote, ‘Sogno l’Irlanda’ (‘I Dream Of Ireland’), the first song that Tullamore ever wrote and which these days they end all their concerts. As is the way with most bands members come and go and with a few changes in personnel it was decided that the band should move towards a more powerful celtic-punk sound with Albe abandoning electric guitar in favour of the mandolin and Iora becoming the bands vocalist leaving the bass in the hands of Sandrone, and at the end of 2011 Perni joins the band on electric guitar. In January 2013 Tullamore released their first EP of seven songs that showed the band’s potential and hit the streets running. Fast celtic-punk sung in Italian that got a great reception on release and is now available as a Free Download/Pay What You Want on Tullamore’s Bandcamp page- link below.
More band members came and went and the band began to play and tour a bit more often and started to make a name for themselves outside their home area. In October 2016 the band released their debut album titled ‘Palude’ (-‘Swamp’) and again it received plaudits from across the celtic/folk-punk scene. Now with a fiddle player added to the mix and even the odd song in English the LP is a successful mix of fast but not too heavy punk rock and trad Irish tunes. With a strong anti-fascist sentiment throughout the album the band pay tribute to freedom fighters around the world and produced a very good album of celtic-punk with their own sound.
And so the Tullamore adventure continues and at the beginning of 2017 original member Misu leaves leaving Perni on guitar and Bert is recruited on accordion. Today’s Tullamore are raring to go and to celebrate ten years on the road they have recorded this EP of five songs with three unreleased collaborations with friends, a cover and a re-recording of that first ever song.
Déš An Pr’i Strà, Déš An Int ál Bar begins with that original song ‘Sogno l’Irlanda’ and accordion kicks us off before the band jump in and its fast and furious music made for the dance floor. The balance between celtic and punk is just right and they are quite right to be proud of their first ever song. They follow this with the first of their collaborations with Bebe of Livorno based streetpunkers Urban Vietcong taking over on vocals but with a fantastic gang chorus of
“30 years old, another victim here’s to you, fire of freedom”
with the whole band singing along. The song is about the life of Mairéad Farrell. She was a volunteer in the Irish Republican Army who was executed in Gibralter in 1988 during a British Army operation aimed at preventing the bombing of the ceremonial changing of the guard. A fitting tribute. A documentary well worth checking out is Fourteen Days which examines the events that began with the SAS operation in Gibraltar that left three members of the IRA unit dead, including Mairéad and the chain of events that followed leaving a further nine people dead and more than 50 injured. The film is on YouTube here but for how long is anyone’s guess. The series of events would go on to define the war in Ireland for generations to come.
Next up is ‘Pronti ad Offendere’ (-‘Ready To Offend’) and features Alex Alesi on vocals and shows, like all the best celtic-punk bands, a more gentler side to Tullamore before the band launch into more spirited and manic celtic-punk. While the bands music has seen a softening Iora’s vocals remain firmly embedded in the punk scene giving Tullamore a much harder edge than many fellow celtic-punk bands. Rowing towards shore we have ‘Ribelle Senza un Perché’ (-‘Rebel Without a Why’) which again features a guest vocalist with Giulio from fellow Italian punk’n’Oi! band 5MDR. It’s all great fun and made for the dance floor before the Bhoys wrap it up with a cover of the auld Irish rebel song ‘Come Out You Black and Tans’. Sometimes it takes a non-Irish band to inject some life into a song and Tullamore certainly do that here. The song may be nearly 100 years old and covered by many in the folk scene but here its given a lift with Perni singing the verses with the band joining in the chorus over the snap of the drum to keep beat and get your Irish blood pumping! The lads have been over to Ireland countless times including last years celebrations for the 100th anniversary of the Easter Rising making friends young and old. A inspiring band!
Released last week this is a fantastic EP and a great way to celebrate your anniversary. As everywhere these days there are some fantastic Italian celtic-punk bands and the one thing I have noticed is that they all manage to bring their own sound to the genre and Tullamore are no different. Brilliant band with sound politics and one to mark out for greater things.
(you hear all of Tullamore’s great EP for **FREE** before you buy by pressing play on the Bandcamp player below)
Buy Déš an pr’i strà, déš an int ál bar
Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2017. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…
6. BLACK WATER COUNTY (England)- ‘Taking Chances’ here
7. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Sign of the Fighter’ here
8. IN FOR A PENNY (USA)- ‘One More Last Hurrah’ here
9. LES RAMONEURS DE MENHIRS (Brittany)- ‘Breizh Anok’ here
10. MATILDA’S SCOUNDRELS (England)- ‘As The Tide Turns’ here
11. KILMAINE SAINTS (USA)- ‘Whiskey Blues & Faded Tattoos’ here
12. ORTHODOX CELTS (Serbia)- ‘Many Mouths Shut’ here
13. UNCLE BARD AND THE DIRTY BASTARDS (Italy)- ‘Handmade’ here
14. THE SILK ROAD (England)- ‘S/T’ here
15. FLOGGING MOLLY (USA)- ‘Life Is Good’ here
16. THE LUCKY PISTOLS (USA)- ‘Where The Orioles Fly’ here
17. THE REAL McKENZIES (Canada)- ‘Two Devils Will Talk’ here
18. DRUNKEN DOLLY (Netherlands)- ‘Alcoholic Rhapsody’ here
19. CASSIDY’S BREWERY (Serbia)- ‘One Brew Over The Cuckoo’s Nest’ here
20. CRAIC (USA)- ‘Sounds Of Vandemark’ here
21. THE MOORINGS (France)- ‘Unbowed’ here
22. JOLLY JACKERS (Hungary)- ‘Blood Sweat and Beer’ here
23. THE SCARLET (Hungary)- ‘Hardfolk Shanties’ here
24. THE DISTILLERY RATS (Germany)- ‘Tales From County Whiskey’ here
25. CELKILT (France)- ‘Stand’ here
26. DROPKICK MURPHYS (Boston)- ’11 Short Stories of Pain & Glory’ here
27. O’HAMSTERS (Ukraine)- ‘Где бы мы ни бывали’ here
28. SONS OF O’FLAHERTY (Brittany)- ‘The Road Not Taken’ here
29. THE BABES (London)- ‘Greetings From London’ here
30. CHEERS! (Czech Republic)- ‘Daily Bread’ here
Just bubbling under:
THE TEMPLARS OF DOOM (USA), GHOSTTOWN COMPANY (Germany) McSCALLYWAG (Netherlands)
No surprise here at all as all four admins voted #1 for Flatfoot 56 and their utterly brilliant ninth album. Not only that but we also all gave second spot to The Tossers, making it a Chicago #1 and #2! The year began with news of two new Dropkick Murphys albums coming but we only got the one and it met with, well quite a muted response to be honest. Saying that they were fantastic live and they certainly added a new dimension to these new songs when played in the flesh. The list leans heavy towards the bands from these shores it has to be said but it was always going to be with bands we get to see live regularly. It’s especially fitting to see The Bible Code Sundays in there too. In a year when every ‘big’ celtic-punk band released an album the competition was great so well done to all. Keep them coming. If you are not here then it just means we didn’t all agree or even all hear it and maybe we didn’t receive it too. The amount of debut albums from loads of these bodes well for both the scene here and internationally with a great mix of bands from thirteen countries.
BLACK WATER COUNTY- ‘Taking Chances’
This was a very hard category to fill with so many new bands arriving on the celtic-punk scene this past year. Soooo many to choose from but in the end we pumped for our very own Black Water County who just pipped Cassidy’s Brewery and In For A Penny to the title!
1. BLACK ANEMONE (Sweden)- ‘In It For Life’ here
2. RAIN IN SUMMER (Indonesia)- ‘Discordant Anthem From The Gutter’ here
3. IN FOR A PENNY (USA)- ‘Every Day Should be Saint Paddy’s Day’ here
4. THE BOTTLERS (Australia)- ‘The Bottlers’ (here)
5. BLACK RAWK DOG (Indonesia)- ‘Suburban’s Folk Stories’ here
6. BogZH CELTIC CATS! (Brittany)- ‘Kazh al Lagenn’ here
7. THE CRAZY ROGUES (Hungary)- ‘Rebels’ Shanties’ here
8. THE McMINERS (Brazil)- ‘Tales of Betrayal and Deceit’ here
9. BORN AGAIN HEATHENS (USA)- ‘Born Again Heathens’ here
10. THE DEAD MAGGIES (Australia)- ‘Wild Dogs And Flannies’ here
Stand out winner here from Sweden’s Black Anemone which none of us were sure was either a big EP or a small album so we gave it the benefit of the doubt and placed it in here. Outstanding! Two representatives of Indonesia’s fantastic celtic-punk scene made up for no album releases from there last year and one band from a Celtic nation with the BogZH Celtic Cats! The Bottlers sneak in as they only sent it to us the week before Christmas. Glad they did though.
1. DECLAN O’ROURKE- ‘Chronicles Of The Great Irish Famine’ (here)
2. ShamROCKS- ‘Ye Ould Chariot’ EP (here)
3. CRIKWATER- ‘Crikwater’ (here)
4. BEOGA- ‘Before We Change Our Mind’
5. FOLLOW THE CROWS- ‘West is East’ EP (here)
6. PLASTIC PADDY- ‘Lucky Enough’ (here)
7. DAMIEN DEMPSEY- ‘Soulson’
8. GALLEY BEGGAR- ‘Heathen Hymns’ (here)
9. I DRAW SLOW- ‘Turn Your Face To The Sun’
10. ANTO MORRA- ‘From The Vaults’
Absolutely no question who romped home here. from the first time I ever heard Declan O’Rourke’s monumental album Chronicles Of The Great Irish Famine I was simply blown away. I simply cannot recommend it enough. Go and acquire a copy now. A mix of folk and trad makes up the rest of the list with a special mention for Ukrainian band ShamROCKS who play Irish folk as if they were naturals! We would like to feature more trad and folk on these pages in the future hopefully. Also Vince Cayo had a fecking brilliant album but was neither celtic-punk nor folk. Was tempted to make a separate list just for him!
MERSEY CELT PUNKS
This use to be the Celtic Folk Punk And More Best Celtic Punk Web-Site award so often did they use to win but last year it went to the new kid on the block, our good mates over at Mersey Celt Punks. Well we were in a bit of a quandary about who would win this week but then in the last few weeks of the year the Mersey Bhoys upped their game and won a unanimous vote. They finally started to use their Web-Site (here) and published a whole host of great reviews and things like a events/gig section. You can also join in their fun and games at Twitter and Facebook and we heartily recommend you do.
So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the four admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up over several pints of Guinness in Mannions. Not all of us heard the same albums so like all Best Of’s ours is subjective.
Of course we cannot go any further without mention of the saddest news of the year. That of the passing of Carlton , the drummer of The Bible Code Sundays. A friend of London Celtic Punks and an absolute diamond stand up guy he will be forever sadly missed by all who met him. We are grateful To Ronan for penning a few words for him.
We lost Carlton on 3rd November 2017 unexpectedly and it has left a massive hole in our family. Carlton joined The BibleCode Sundays some twelve years ago when we were still called Slainte.
His work ethic was second to none, he even dragged us into the studio to record our first CD, he did a lot of pushing in the early days and the Lord knows we needed it!
He was always the first to say yes to any gig, whether it was a small Irish pub like The Old Crown in Hayes or The Shawl or whether it was some of our bigger gigs. Over the years we played some fantastic gigs and venues, such as The Royal Albert Hall, New York’s Beacon Theatre, The House of Blues in Boston, Shepherds Bush Empire, The Roundhouse, Glasgow Barrowlands, Indigo at The O2, Glastonbury Festival, Finsbury Park, London Irish, on the pitch at Twickenham Stadium and at Celtic Park (the night Celtic beat Barcelona). We’ve played with Elvis Costello, The Dropkick Murphys, The Wolfetones, John Lydon’s Public Image Ltd, the Saw Doctors and he even got to realise a dream when we shared a stage with Thin Lizzy. They were minus legends Phil Linnot and Gary Moore but this mattered not to Carlton, his hero Brian Downey was still behind the drums. Carlton got to meet his idol and even got some Thin Lizzy drumsticks as souvenir, he was like an excited little kid that night. We did TV appearances on Sky Sports, BT Sport and even a live St Patrick’s Day performance on BBC’s The One Show.
We got to travel around on trips and tours all around the UK and Ireland as well as Germany, Italy, Spain and the USA to mention a few. This was all just topping up the stamps on his passport that he had accrued in his days with Bad Manners, Feast of Fiddles and The Melody Fakers and many more as he spent so many years on the London Irish music scene.
Not many would know that he also wrote poetry and song lyrics, they are very clever with pun-tastic wordplay and generally came out sounding like Bernard Cribbins songs with titles like ‘Breakfast Epiphanies’ or the Brighton-themed song ‘All Things Brighton Beautiful’. He used to always say
“I try to be serious but the humour always takes over”
He did, however, manage to pen two of the best songs on our latest album, he was very proud of his songs ‘Disorganised Crime’ and the beautiful ‘Clouds’. Drummers writing songs?! Whatever next?! He truly was the engine room of the band, a quiet and gentle man off stage who turned into a one man wrecking ball when he was sat behind his drum kit.
Things will never be the same without him but he would want us to and we will carry on making music and playing his songs.
Ladies and Gentlemen, on drums.. Mr Carlton Hunt
This is the 5th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.
We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.
remember any views or comments we would love to hear them…
Sláinte, The London Celtic Punks Crew- January, 2018
Italian celtic-punk band Uncle Bard And The Dirty Bastards play fantastic celtic-punk but spice it up it with pure traditional Irish music. With uilleann pipes, tenor banjo and Irish flute no other band in the celtic punk scene can compete with these Bastards in their knowledge of Irish trad music…
as well as that they are a great bunch of lads!
It’s a long time now and in this modern age we are taught to have short memories but back before the now deceased ‘celtic tiger’ roared it’s last breath Ireland was a land of plenty. High wages, plenty of work and regular masses promised opportunities for all good Catholics that washed up on it’s shores. Plenty of Italians flocked to the dear auld sod and among those emigrants were members and friends of the band Uncle Bard And The Dirty Bastards. These Bhoys weren’t tourists they were there to work and their love of Ireland was inspired from living, working, and visiting there. So in 2007 the celtic tiger having croaked and the work dried up many of those Italians returned home but a part of their hearts remained in Ireland.
Day by day we found there what we were searching for in our entire life, something that would change us forever. That’s how we fell in love with Irish music and how we learned it”
The boys got together and with a few songs learnt in the pubs and streets they began to practise what has gone on to become a real tour-de-force within the celtic-punk scene. From dingy wee backrooms in pubs to massive rock festivals to small mountain huts Uncle Bard And The Dirty Bastards have gone down an absolute storm wherever they have set foot.
(video filmed by our good mucker Rory over at This Drinking Life web-zine here which also included an extensive interview with the Bastards so click and go there.)
They released their debut album, Drinking Not Thinking, in 2011 and soon after set out on a busking tour of Ireland, Wales and England where they fine tuned their sound and began to write some of their own material. On their return home they were joined by Irish traditional folk musician Luca Crespi who added uilleann pipes, tin whistle and the Irish flute to the bands repertoire. ‘Up The Bastards’ EP followed before 2014’s absolute stunning Get The Folk Out! took us all by surprise. Not knowing them I opened up their e-mail and my first reaction was “not another band with Bastard in the name”. I sat down to listen and my bloody jaw hit the floor with amazement. Get The Folk Out! is a masterpiece. Straddling both the Irish trad sound and celtic-punk it easily fits into both genre’s. The addition of uilleann pipes moved the bands sound into something quite incredible. You can read our review of Get The Folk Out here. The album went on to walk away with the London Celtic Punks #1 Album of 2014 here, something unheard of for a ‘unknown’ band to do.
So with such high praise and expectation it was with wonder i sat down to listen to their new album Handmade. Could they live up to what we now expected of them? Well within one listen I realised they were onto another surefire hit! Released a fortnight ago on February 9th, 2017 they have managed to squeeze more than a hour onto the CD and have done it without a single weak moment. Uncle Bard And The Bastards start the ball rolling with the album’s title song ‘Handmade’. A short refrain starring Guido and his perfectly raspy and hoarse vocals and that’s it. The words explain the bands philosophy to what they do. A beautiful song and the perfect start.
“For a labour of love, Makes a work built to last”
They swiftly turn to their more raucous sound next with ‘Gipsey Geezers’ and them uilleann pipes fill the speakers but don’t be thinking that they rely solely on them. The whole band is extremely talented but you still need the songs and these Bastards do have them. As catchy a song as any on Get The Folk Out! it’s been a couple of years and I realise how much I have missed them. Not that only that but they finish the song with a jig called ‘The Arses Of The Lasses’ written by Lorenzo the like of which you will NEVER hear a fellow celtic-punk band play.
‘Too Old To Stop Now’ explains being in a band these days is more a labour of love than anything. Fortunes are to be made but only if you do as you are told and sell your soul for success. Things the Bastards have never and will never do. Again the celtic-punk of the main tune contrasts nicely with a polka tacked seamlessly onto the end. ‘Stay Untamed!’ again shows the songwriting talents of this band. Shared between them all it amazes how people who have English as only their second language can write such brilliant words. Never be afraid to take chances is the thing here and wrapped around a real foot-tapper. The tin whistle and punky guitar leads on a right celtic-punk classic that slows and speeds up with the fastest banjo I have heard in ages. ‘The Man Who Spoke To The Earth’ speaks of the the rich man in his castle and the poor man and again the song is interspersed with some absolutely amazing Irish folk tunes.
“I am just a poor man, On his own. But they will never know, What I’ve known”
The Bogman again written by the talented Lorenzo starts the section that concludes with Séamus Egan of Solas ‘The Czar of Munster’ and the trad ‘Coleraine’s Jig’. All played as expertly as you will hear. They leave the celtic-punk behind next and present further evidence that this band can whip up a traditional celtic folk storm as good as anyone. ‘The Donegal Lass/Butler of Glen Avenue/Tell Me About You’ has the fiddle and pipes giving it all. Never afraid to dip their toes in another genre we get the first taste on Handmade with ‘The Ferryman’. Bluegrass and ‘proper’ country spice up a song written by the legendary Irish songwriter Pete St John. ‘The Ferryman’ tells of the closure of the Liffey Ferry service in 1984, the loss of jobs and the end of a 320 years-old tradition that perfectly pictures how Dublin was changing during the 70’s and 80’s. The pipes are out in force for ‘Anger’ while the short and gentle banjo and flute piece ‘The Clarenbridge Fair’ is dedicated to Fintan and Tom Cussen where Lorenzo spent time in their Galway workshop.
“I dedicate this banjo composition to both of them, with a sense of gratitude for the great instruments they build and for their unequalled kindness”
‘The Streets Of Dublin’ is Lorenzo’s ode to the city that forever captured his heart. It’s not the saccharine sweet version of Dublin presented for the tourists but the warts an’all kind. Having watched Dublin change during the years and get through the economic crisis with more homelessness and teenage drug problems than ever there is hope. The Home Sweet Home movement is occupying offices in the centre of Dublin, to give shelter to homeless people for the winter and raise awareness of the problem. The music is again superb the mix of old and new never better while the lyrics speak of the same.
“Dublin me darlin’, What’s left for those who will come?”
Lorenzo again excels as a singer-songwriter on ‘Lads From The Countryside’ where he tells of the benefits of being born in the country. That they can follow a serious song such as ‘the Streets Of Dublin’ with this speaks volumes of their talent. Their is a phrase much loved by the foreign born Irish, like myself, “More Irish than the Irish themselves” and on ‘The Luck Of The Irish’ Uncle Bard And The Dirty Bastards prove they are indeed.
“So tell me, oh dear Where’s our pot of gold? I stumbled ‘till West Clare, To find there was none. At the top of me lungs, Leaned out over the cliffs I shouted ye oversea “Lucky me arse!”
the title reminded me of the John Lennon song which had much the same theme but without any of the Bastards humour. With British occupation, war, genocide, immigration heaped upon the Irish race where is this f’ing luck I keep hearing about? Now obviously I am drawn to the next song like a moth to a flame. The phrase ‘Plastic Paddy’ is well known to us outside Ireland. We can never be Irish enough for some people, mostly those who never suffered the necessity of emigration to survive rather than as some kind of student gap year.
It was released as a single last year but has been re-recorded and tweaked for inclusion on Handmade to make it a whole lot better!
“I went back to Temple Bar in great haste and fear
since I wanted to preserve the teeth I had in me mouth
I paid my seven euro for an iced pint of stout
but as everyone knows Guinness here is not the same
thanks goodness I found a few americans there
so we went out singing aloud along Merchant’s Quay
First “Whiskey in the Jar” and then a Garth Brooks’ song
Could it be a better way to celebrate today?”
Told again with great humour and is the longest song here. Have a good read of the lyrics over at the YouTube video. The music as ever is catchy as hell and the Bhoys admit they’ll be contributing to the whole mess themselves on St Patrick’s/Paddy’s/Patty’s day! My favourite song on Handmade is up next. ‘Rust’ is a beautiful song that is more celtic-rock than punk but Guido’s great voice and his lyrics raise the song high. Superb banjo playing and the song has epic written all over it. Nearly at the end and ‘The Flat Above My Pub’ is Silvano’s turn at telling a tale. He reaches into his dark past and shares them with us in a happy-go-lucky song because
“when life hands me a lemon I just go to the pub and I ask for a pint or two. I don’t like lemonade too much”
Fast and furious and still catchy the song is possibly the best example of Uncle Bard And The Bastards on Handmade. Everything that makes them truly unique within the celtic-punk scene is here within this brilliant song. The album ends with the modern Irish folk classic ‘The Town I Love So Well’. Not much to say here except its a faithful version Phil Coulter’s classic personal lament about the war in the north of Ireland, specifically in Derry city, a republican stronghold. Written about his childhood the song begins by telling of the simple life he grew up with till he emigrated and then returned finding how his hometown become plagued with violence. Dennis Jelly, of the brilliant French celtic-punk band The Moorings, takes over on vocals and sends this album off triumphantly.
So there you go. It may not be up to Get The Folk Out! standards but fecking hell there’s only a small handful of celtic-punk albums EVER made they do. Handmade is absolutely brilliant in every way. Buy this and give it to any Irish folk/trad music fan and they will see celtic-punk in a completely different light. They don’t have producers, record labels, arrangers, lyricist’s or anyone backing them. Piece by piece Handmade was truly a labour of love. Every aspect of this album has been produced by this group of friends themselves not just from the lyrics and music arrangements and the recording but also the excellent ,and massive, CD booklet containing photos, lyrics and song explanations. This album is truly handmade and made with a genuine passion missing from most modern music. At a time when the most popular bands in celtic-punk are releasing album’s you should definitely not miss out on this album I have an inkling it will again be troubling them at the top of the Best Of charts again at the end of the year.
Drinking Not Thinking – 2011, Up the Bastards! EP – 2013, Get The Folk Out! – 2014
Buy The Album
Contact The Band
Yes I know it only seems like five minutes since the last one but it’s that time of year again when we give you, for what it’s worth, our opinion on who made the best music in the celtic-punk scene over 2016. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. So read on to find out who came #1! Remember though this is only our opinion and these twenty-five album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. We don’t pretend to be the final word as that my friends is for you…
4. MICKEY RICKSHAW (Boston)- ‘Behind The Eight Ball’ Review
5. THE WAKES (Glasgow)- ‘Venceremos!’ Review
Absolutely no surprise here at all. For the first time we had an unanimous vote from all the admin’s that sees The Rumjacks sail away with the #1 spot for the second year running. It’s been an outstanding year for the Bhoys and with an American tour on the horizon they about to take another giant step in their campaign of world domination! Other notables were NYC’s Narrowbacks whose second album really showed the depth of their songwriting and could just have easily won the folk/trad best of too! The Cloves And The Tobacco deserve plaudits galore in another fantastic year for Indonesian celtic punk bands while Mickey Rickshaw could probably be said to have won the ‘unified title’ across all the various celtic-punk sites. In all we have twenty five bands from fourteen countries including USA x 6, Australia x 3, Indonesia x2, Germany x2, Netherlands x2, Catalonia x 2, Scotland, Italy, Sweden, Brazil, Spain, Czech Republic, Russia and Belarus with The Wakes being the only Celtic country based band which goes to show how international the scene has become.
6. THE CLAN (Italy)- ‘All In The Name Of Folk’ Review
7. HOIST THE COLORS (USA)- ‘Mourners’ Review
8. SIR REG (Sweden)- ‘Modern Day Disgrace’ Review
9. FOX n FIRKIN (Australia)- ‘No Vacancy’ Review
10. FIDDLER’S GREEN (Germany)- ‘Devil’s Dozen’ Review
11. LUGH (Brazil)- ‘Histórias Do Mar’ Review
12. JAY WARS AND THE HOWARD YOUTH (Australia)- ‘Love In The Time Of Fear’ Review
13. BUNCH OF BASTARDS (Netherlands)- ‘My Drinkin’ Ain’t Done’ Review
14. SIGELPA (Catalonia)- ‘Rabant Original’ Review
15. TENHOLES (Indonesia)- ‘Loyalty’ Review
16. THE O’REILLYS AND THE PADDYHATS (Germany)- ‘Seven Hearts One Soul’ Review
17. 13KRAUSS (Spain)- TheEnd Is Nigh’ Review
18. DRINK HUNTERS (Catalonia)- ‘Shameless’ Review
19. PIRATES OF THE PUBS (Czech Republic)- ‘Drunken Forever’ Review
20. THE MUCKERS (USA)- ‘The Muckers’ Review
21. LQR (Netherlands)- ’10 Pinter’ Review
22. THE Пауки/THE PAUKI (Russia)- ‘La Isla Del Muerto’ Review
23. Всё CRAZY (Belarus)- ‘По Морям’ Review
24. RUSTY NAIL (USA)- ‘Bitter Ale, Bitter Heart’ Review
25. THE LANGER’S BALL (USA)- ‘Whiskey Outlaws’ Review
A special mention here to the ever prolific and always a pleasurable experience The Mahones who released a greatest hits entitled The Very Best: 25 Years Of Irish Punk which couldn’t be included in the Top 25 but if it did would have given The Rumjacks a run for their money!
With The Rumjacks returning a year later to sweep the Album Of The Year it’s no surprise then that Wiltshire lads Mick O’Toole follow up last year’s win in the EP Of The Year awards to do the same thing. A great year for them that has seen them play less and less within the celtic-punk scene and really start to make waves outside of it. A foreign tour and more support slots to various punk rock legends than most bands play in a lifetime and all in the space of twelve months. The Ramshackle Army EP got lost in the post leaving us to do a rush-job review and given time I’m sure they may have given the O’Toole’s a run for their money. Drunken Fairy Tales impressed everyone and Matilda’s vinyl only release deserve a mention as well Mick O’Toole grabbing the 5th spot too.
4. MATILDA’S SCOUNDRELS (England)- ‘Crowleys Curse’ Review
5. MICK O’TOOLE (England)- ‘False Flag Collapse’ Review
6. BAY STREET BASTARDS (Canada)- ‘Small Batch’ Review
7. LEXINGTON FIELD (USA)- ‘Redwood’ Review
8. HANDSOME YOUNG STRANGERS (Australia)- ‘Battle Of Broken Hill’ Review
9. MATILDA’S SCOUNDRELS (England)- ‘The Organworks Recordings Session’ Review
10. BALSALL HEATHENS (England)- ‘Life’s Too Short’ Review
Possibly the hardest Best Of List of them all to do is this one as so many releases cross over the genres between rock and punk and folk and trad but our good friend Anto Morra, the ‘London Irish folk-punker’, just edging it from The Logues with his superb tribute to the 1916 Easter Rising. Mickey Rickshaw swept to third with their specially recorded acoustic EP that came out for their European tour and ShamRocks put out an album of high quality and original Irish folk with imagination galore. A special mention for Blackwater Banshee whose EP came out later in the year and shows enormous promise and one or two original songs would have seen a much higher position I am sure.
4. ShamRocks (Ukraine)- ‘Captain’s Log’ Review
5. LARKIN (USA)- ‘A Toast To St. Jude’ Review
6. FOLK THE SYSTEM (England)- Unrest In The Wolds’ Review
7. SHAMBOLICS (Australia)- ‘Riot On Race Day’ Review
8. CLEAR THE BATTLE FIELD (USA)- ‘Set Me Free’ Review
9. SOLAS (USA)- ‘All These Years’ Review
10. BLACKWATER BANSHEE (Bristol)- ‘Blackwater Banshee’ Review
Now this has over the years become the Celtic Folk Punk And More Top Celtic Punk Web-Site award so often has that esteemed site walked away with the top spot but there’s a new kid on the block and this year we are happy to award top spot to our good mates over at Mersey Celt Punks. They only kicked off the site a few months ago but super regular postings on all manner of celtic-punkness has seen them triumphant. You can join their fun over at Twitter and Facebook and we heartily recommend you do. A special mention here also for Viva La XV another new kid on the block which looks amazing but sadly as none of us can read Spanish we can’t tell if it’s as good as it looks! We’re sure it is and you can check it out for yourselves at the Blog or over on Facebook.
Right now the details. The Best Of lists were cajoled and bullied out of the four admins on the London Celtic Punks Facebook page. The various scraps of crumpled paper were received and then tallied up over several pints of Guinness in Mannions in north London while watching the football on the telly.
We are now in our fourth year of doing these Best Of lists so if you would like to have a look at the previous years best in celtic-punk then click the link below the relevant year.
all the major players in celtic-punk do Best Of lists so click below to check out what they thought
remember any views or comments we would love to hear them…
Only one more thing to mention about 2016 and that is to remember here Erik Petersen the lead singer of the influential folk-punk band Mischief Brew who sadly passed away earlier this year. I still find it hard to believe that he has gone but he will always be commemorated.
“So tattoo our arms and raise our glasses, call out your name at New Year’s Eve, maybe next time we kneel at a casket, we can say at least the story’s complete”
Read our obituary for Erik here and raise a glass the next time you get the chance to.
Rest In Peace comrade.
Sláinte, The London Celtic Punks Crew- January, 2017
The Clan. As influenced by AC/DC , punk rock and traditional Irish folk music!
We have now been at this for so long that we have recently been doing album reviews of bands that we have already featured before and The Clan are one of those bands. Back in December 2014 we reviewed (here) their superb self-titled debut album and boy did we rave on and on about how good it was! Well this is the follow up to that and we can confirm that it is indeed equally good, if not better!
The Clan hail from the small town of Muggiò in the province of Lombardy in the north of Italy and have only been together since 2013. Maybe its a Catholic thing but their has always been a good relationship between the Irish and the Italians. I can’t speak for America (maybe one of our US readers can fill us in but I did hear their was a lot inter-marriage between us) but here in England we got on fine. A couple of my best mates at Catholic school were Italians and they were big Celtic fans too. Their has always been a lot of traffic between Ireland and Italy and so I suppose it’s only natural that some Italians will find solace in Irish music. It’s also clear that Italy’s top celtic bands like The Clan, Kitchen Implosion, Dirty Artichokes and Uncle Bard And The Dirty Bastards all have that same deep love for Ireland and it’s culture and musical traditions.
All In The Name Of Folk hit the streets the day after this years St Patrick’s Day on the 18 March which as many of you I’m sure will know it’s the a day not particularly well known to many Irish people! It came out on OnAirish Records and lasts nearly fifty minutes and where as their debut album was a straight up 50/50 mix of traditional folk covers and originals I am especially glad to report that apart from one brilliantly amazing cover these are all The Clan’s own songs.
The album begins with the sound of an ocean in ‘Overture’ which features the first of their many guests, the self taught bagpiper and whistle player, Iain Alexander Marr of The Sidh. A highly original and innovative Italian band whose combination of contemporary and electronic celtic music has led to plaudits galore. It’s a slow dirge with military style drumming that soon explodes into The Clan’s signature tune ‘Folk ‘N’ Roll’ where Iain again guests on the pipes and it’s pure 110% celtic-punk-rock!!! Utterly brilliant with a tonne and a half of energy that bursts out the speakers at you. They follow this up with ‘Second Chances’ and we are joined by fiddle and banjo and with no let up at all with Angel Rock’s vocals shining through. ‘Let Me Go’ features good mate of the band and TV and radio personality and rock star Andrea Rock and again it comes off brilliantly. ‘Jenny Porter’ was the first song they released to the world off the album via the superb video below. An absolute blinder and it has to be said that The Clan do make bloody good videos. Get yourself a beer and a pack of biscuits and be sure to check out their YouTube channel below and treat yourselves.
I don’t have a clue who Jenny Porter (bar that she’s the “queen of the pub”) is but she must be well chuffed to have such a kick-ass song written about her. The album continues with the instrumental ‘Whole Lotta Jig’ featuring one of Italy’s foremost flutists and expert Irish flute player Tommaso Tornielli. The song is yer proper authentic Irish folk jig that if I hadn’t just told you you’d have never have guessed it was played by Italians. ‘Irish Sky’ has a Poguesy feel to it led as it is by the tin whistle while ‘Angel of the Sea’ is one of those swirling around on the dance floor moments with yer arms wrapped around friends and foe alike while yer beer spills down someone’s back and grand it is too. It features Francesco Moneti fiddle player of the amazing Modena City Ramblers and has a seriously good Waterboys sound to it. ‘Horns up and Fight’ turns the volume up again kicking off with the pipes and the fastest/punkiest song on the album is heading yer way. ‘Ulysses and the Siren’ keeps the speed up but is much more traditional based while ‘Reel O’Fire’ is another class instrumental featuring both Stefano Iascone and Jacopo Ventura and comes up trumps again with a trad number that is simply outstanding with the great addition of trumpet making it stand out loud and proud. It’s possibly the best song here and shows The Clan at what they do best. ‘Home of My Heart’ slows the pace down a little but still sounds perfect Clan! They save maybe not the best for last but certainly the two songs that will stand out among the majority of celtic-punk fans. ‘True Story’ featuring the #1 geezer in celtic-punk Francis McLaughlin of Aussie band The Rumjacks who need no introduction and Frankie’s dulcet tones dominate the song as per usual everything this Bhoy turns his hand is simply magnificent and finally the album comes to an end with another Aussie connection. You may heard ‘It’s a Long Way to the Top’ before especially as just recently its been all over Facebook as performed by the brilliant AC/DC on the back of a van driving down some street in Australia (check it out here). Their are bagpipes in the original and I guess we could definitely consider it celtic-rock (even celtic-punk) these days but The Clan add to it some fiddles and mandolin among the pipes and crank the rock up too making this the perfect ending to a great album. If you can please excuse my language for a moment IT FUCKING ROCKS!!!
A fantastic album and, as others have written, a definite contender for those end of year Best Of polls. This is perhaps not ‘celtic-punk’ in as much as it is Irish-punk as their love of Irish music seeps through every pore of All In The Name Of Folk. Not a single bad track here in fact the absolute opposite. This is how celtic-punk should be played with love and respect for the past and a eye to to the future and all the time keeping it relevant for everyone from yer old folkie with a finger jammed in his ear to the young skate punker sitting in his bedroom annoying the hell out of his parents with his music. Get this album it’s far too good to miss out on!
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A huge compilation of songs written by the world’s #1 celtic-punk band as covered by today’s generation of modern celtic-punk bands from every single corner of the world!
We were sent this brilliant album by our good mate Vladimir, who also did the fantastic artwork and also seems to do the artwork for most celtic-punk releases in Russia, just before St Patrick’s Day. I had to warn him that we wouldn’t be able to do it justice in time to put a review up on release day as we would all be
in the pub busy celebrating our Irish ancestry so here a few days late is our opinion on this years must hear compilation album.
As far as I know this is the first international tribute to the Godfathers of celtic-punk – THE POGUES! Everything we hold dear in celtic-punk comes out of the influence of The Pogues and their seminal and legendary front man Shane MacGowan. What they mean to celtic-punk is unmeasurable and the only question you must ask of this album is whether or not this is a worthy tribute to them or not and the answer is of course is that it most definitely, certainly is!!! The whole thing clocks in at nearly ninety minutes and has 27 bands from right across the entire globe with just about every corner covered. The list of countries here goes from the obvious ones like the USA, Norway, England, Italy, to some ones that may surprise you like Poland, Slovenia, Czech Republic, and Russia to some that will downright shock you like Indonesia, Ukraine or Belarus. They have all combined to bring you The Pogues most popular London Irish ballads from the era of safety pins, ripped jeans and dishevelled hair!
Now this has been put together by our mucker and artist Vladimir from Novosibirsk in Russia and has a whole host of bands that are both new to us as well as some that are already firm favourites. It would be pointless here to go too far into the history of the songs as they are surely known to even the slightest fan of The Pogues. The whole thing kicks off with one of The Pogues least known songs ‘Curse Of Love’, which was a bonus track on the Hell’s Ditch re-issue album, by Indonesian band The Cloves And The Tobacco. They recently released a new album and it has been making huge waves across the international celtic punk scene and it is a fantastic start and swiftly followed by ShamRocks from the Ukraine and Dzieciuki from Belarus before the London Irish very own The Craicheads weigh in with ‘Sally MacLennane’. They give it plenty of oompf and one of The Pogues fastest ever songs is delivered more than safely with a hint of country and bluegrass. Next up is easily one of the most inventive bands in the whole scene, and one of my own personal favourites, from California are Craic Haus playing ‘A Pair Of Brown Eyes’. You won’t have heard another band like them in the world of celtic-punk I can guarantee it. They have even invented their own genre called ‘Shamrockabilly’ and though their rock’n’roll may be a little lacking on this track it is still outstanding and worthy of you checking out the rest of their back catalogue. Another bunch of my favourite bands roll up next playing some of my fave Pogues songs. A good combination indeed. Happy Ol’ McWeasel from Slovenia doing ‘Sunny Side of the Street’ with the band I once described as being a cross between The Exploited and The Chieftains Middle Class Bastards from Russia next with ‘Big City’, Ukrainian band O’Hamsters sing ‘The Sick Bed of Cuchulain’ before possibly the album’s biggest band The Greenland Whalefishers from Norway chipping in with a brilliant version of ‘Birmingham Six’. A couple of bands I don’t know follow with Kelush and the Bastards (feat. Chris Dutchak) from the Ukraine with an absolutely fantastic skate punk ‘Fairytale of New York’ before Harley McQuinn from Russia nails it with ‘London Girl’. Keeping just enough of the originals rock’n’roll sound before adding some great guitars and gang vocals. Czech’s Benjaming’s Clan and Italians Dirty Artichokes are both bands that have impressed us here over the years and you could almost call them celtic-punk veterans compared to some of the groups here! Russian band The Real Blackbeards I don’t know but they present a great fun pirate version of ‘Sea Shanty’. Americans CRAIC are another big hitter here and they also do a Hell’s Ditch classic ‘Sayonara’ and is one of the many album highlights. Troty hail from Poland and are one of the few bands with a female vocalist. They give us a faultless Polish version of Bottle of Smoke while Hell’s Ditch is revisited again by another Indonesian band Forgotten Generation with ‘Rain Street’ and again it is absolutely superb. Amach I don’t know but they offer up ‘Transmetropolitan’ and bloody great in its simplicity it is too. They come from the Crimea and like the best bands here they don’t over complicate things but just add a twist to add their own stamp to the songs. Yet another Indonesian band pops up next and The Working Class Symphony give it plenty in their cover of ‘Fiesta’. Never one of my favourite songs but this version bloody rocks and I have fallen for it big time. Like all the Indonesian bands here they play traditional Irish folk influenced punk and is so well played you would think they were all Irish if heard them on the radio! БНД I can’t even pronounce their name but ‘Boys From County Hell’ keeps up the high standard while The Humble Hooligans are a band I only got into recently and these Californians give Turkish Song of the Damned a right auld kicking complete with proper authentic moans and wails. Great accordion leads and Troy’s perfect vocals mark them out as a band to watch out for. Red Box from Russia again I don’t know but offer up a decent ‘If I Should Fall from Grace with God’ before Rum Rebellion from Portland, USA serve up an epic ‘Boat Train’. Been fans of these for a long time and they do not disappoint. Всё_CRAZY are from Belarus and their ‘My Baby’s Gone’ is another album highlight. Taken from the first post-Shane Pogues album Waiting For Herb it’s a brave choice and fits in and works perfectly. We are nearing the end of the album and the last band I know here is the marvellous Moscow Celtic Punks group Drunken Fairy Tales. Keep an eye out soon for the review of their new EP it’s both fantastic and free to download! Crow Dog Clan have another brave choice with ‘Oretown’ from the final (non-Shane) Pogues album Pogue Mahone. They take the song and give it a real shake to come up with something outstanding. Almost gothic country its actually great to hear something not so celtic. Finally the album comes to a sad end with Kozlobar from Russia bringing down the curtain on this amazing tribute with the mental instrumental ‘Battle of Brisbane’.
Well what to say now in summing up. With 27 bands you’d think their would at least be a few duffers here but you’d be mistaken. I’m sure if their were any they ended up on the cutting floor as from beginning to end the whole thing is simply fantastic. From the selection of bands to the bands own selection of songs this is as good as it could have possibly have mine. Yes this is kinda dominated by eastern European groups but it has been put together by a Russian guy and I for one am glad its not dominated by American bands. If celtic-punk exists and is to prosper beyond The Pogues/Dropkicks/Molly’s then it must also exist outside the countries of the Irish/celtic diaspora like the States, Canada, Australia or England. Compilations serve a purpose in introducing you to new bands and if there was a problem in celtic-punk it is that far too many people think the scene these days revolves solely around the Dropkicks or The Molly’s. I am sure this album will introduce everyone hearing it to today’s generation of bands that are carrying the torch for Shane and his buddies and not only that but will inspire another generation of fans as well.
any problem with Bandcamp then you should try here)
Again Waldo over at Celtic Folk Punk And More walks away with this award. There is simply no better site on the internet. Everything you would possibly need to know is here with a HUGE range of bands covered and there is no doubt in my mind that the site you are reading here now would not exist without the inspiration of Celtic Folk Punk And More. Sadly Waldo published a post on January 3rd titled ‘New Year, New Life’ (here) announcing the suspension of the site for a while. We wish Waldo well and look forward to his, and his fantastic web site’s, return.
* The lists were compiled from the scraps of crumpled paper, and one beermat, handed to me by the other three admins from the London Celtic Punks Facebook page and tallied up over several pints of beer in a seedy working man’s Irish boozer in north London.
all the major players in celtic-punk do Best Of lists so click below to check out what they thought
remember any views or comments we would love to hear them…
TOP TWENTY CELTIC PUNK ALBUMS OF 2014
TOP FIVE CELTIC PUNK EP’S OF 2015
TOP FIVE TRAD ALBUMS OF 2014
BEST CELTIC PUNK WEB-SITE OF 2014
As influenced by AC/DC , punk rock and Irish folk music!
From the small town of Muggiò in the province of Lombardy in the north of Italy comes another great Italian celtic-punk band The Clan. Formed only last year their recently released self titled album has gone down an absolute storm across Europe with its punk energy and Irish spirit. Coming along at roughly the same time as another Italian bands latest album The Clan have a lot of similarities with Uncle Bard And The Dirty Bastards (album review here) so maybe there’s something of an Italian thing going on . For sure theres always been a lot of traffic between Ireland and Italy and so only natural some will find solace in Irish music.
It’s clear that Italy’s top celtic bands The Clan, Kitchen Implosion, Dirty Artichokes and Uncle Bard all have the same deep love for Ireland and it’s musical traditions. What we have is twelve tracks of which half are covers. Their choice of covers is pretty basic with plenty of celtic-punk’s standard songs- ‘The Wild Rover’, ‘Fields Of Athenry’, ‘I’ll Tell Me Ma’ etc.,- but all are done with appropriate gusto and superb musicianship. Still would have been nice to hear some less covered covers but I can understand their choice as the album is for the Italian market primarily and these songs won’t be so well known. These are all great songs which is why they get covered so much. Hopefully on their next album they can change it up a wee bit.
The band have all your usual instruments plus fiddle , tin whistle and bagpipes and as is usual the playing is absolutely superb. The band do not miss a note and the production is spotless with the band guiding each other perfectly with nothing too high or too low and nothing over dominating. A haunting pipes and drums intro leads into ‘We Are The Clan’ a DKMish shoutalong introducing themselves to us with a loud punk rock song accompanied by just as loud fiddle and tin whistle! The first of the covers ‘I’ll Tell Me Ma’ comes next and even though it has been played pretty much to death it still sounds pretty damn fresh here and The Clan get away with it by giving it enough of their own stamp to carry it along. ‘Irish Rock Jigs’ follows and really does show The Clan’s influences stretch a lot further than AC/DC! With the reels spilling out you can close your eyes and imagine you’re in Ireland listening to the ‘real deal’. The addition of uilleann pipes really sets it aside and images of The Bothy Band and Moving Hearts come to mind.
‘Whiskey In The Jar’ we’ve all heard before but the bagpipes and punky guitars drive it along nicely. ‘Paddys Day’ is the first of The Clans originals and is a fine ole song. Tin whistle is to the fore in a song celebrating that best of days! ‘Throat Of Devil’ has Lorenzo Marchesi of folk-metal legends Folkstone guesting on medieval pipes. Certainly the fastest of the albums songs and the standout track for me. The bands quality shines through and is as catchy a song as you will find on any celtic-punk album of 2014. ‘The Irish Rover’ is punked right up and led by the fiddle. Angelo’s vocals are crystal clear and completely suits the music with just enough anguish and shoutyness. ‘Joseph, Mary And Son’ has a sort of bluegrass feel to it due mainly to Laura’s excellent fiddle. The story of the immaculate conception put together with great gusto and backing. ‘Fields Of Athenry’ begins quietly and as impossible as I would think it would be to give it any sense of originality The Clan give it a go and come as close as any to manage it. As amazing as it is this song was only written in 1970’s by Pete St.John and contrary to popular believe is not 150 years old. I once went to Ireland as a kid for the summer holidays and Paddy Reilly was #1 in the charts with it. I went home and came back the following summer and he was still #1! ‘More Than A Lie’ shows the band can do and write some downright brilliant celtic-punk material of their own. The bagpipes rule loudest on ‘The Wild Rover’ bringing a great shouty end to the album.
Twelve tracks at just under forty minutes and not a single duff one among them. I will never cease to be amazed at the quality of the writing, the vocals and the musicianship of the bands within celtic-punk. The CD comes in a nice wee digipak with an illustration of the band by The Rumjacks lead singer Frankie. Altogether a fantastic first album from The Clan though I look forward to hearing their second album with more original material though do not think this is purely an album of covers. Their own material is great and the covers they do do have The Clans stamp all over them and believe me well thats good enough for anyone.
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you can read another review of The Clan’s album at Celtic Folk Punk & More here
Hot on the heels of another superb Italian celtic-punk album release from Uncle Bard And The Dirty Bastards comes ‘Pretty Work Brave Boys!’ the new album from Kitchen Implosion. They are in fact a band with extensive roots and can be considered early pioneers of the folk-punk scene in Italy. Back in the early 90s a group of mates got together to play music and have a laugh. They called themselves In The Kitchen and slowly began to build up a enormous fan base by playing all over Italy and Switzerland for over ten years. Sadly that great band came to an end and the boys went onto other things but more than twenty years after that original bands formation In The Kitchen began to meet up and play the very occasional gig. These very occasional gigs began to get more regular and so they decided to reform but in a tribute to the original band and also a way to show their fresh start they chose the name Kitchen Implosion.
The band hail from northern-Italy and they combine the best in celtic/Irish with music from their own region with old school punk as played by the scenes greats like The Ramones or The Clash. Acoustic instruments whip up a storm as loud as any punk band could and when these guys do ‘punk out’ it turns into a proper session! The albums opener is the most popular Irish ballad of all time ‘Danny Boy’. Starting off as sounding like the aforementioned Ramones but soon turns into a great punk rock ballad. I really like Wenzo’s vocal style. Its probably very typical of a punk band but unusual in the celtic-punk scene where i think bands can try sometimes to sound too ‘correct’. The slightly anguished twist is absolutely perfect for the music.Folllowing that is ‘Barbagal’ and it can be described as the reason the word ‘catchy’ was invented! Not sure what the lyrics are about but God is it catchy. Chugging guitar and great accordion work combining brilliantly. Its a cover of a song by Piedmontese 70s folk legends ‘Cantovivo’.
Piedmont being a mainly agricultural area has a long history of immigration so they know well the story behind the next song ‘The Leaving Of Liverpool’. Again given the Kitchen Implosion treatment the guitars and accordion drive each other on and will leave you out of breath if you try to sing along. ‘Magg’, about the month of May,is another traditional Piedmont song and shows perfectly the mix of old and new that Kitchen Implosion, and celtic-punk bands in general bring breathing new life into the songs of our grandparents.
The Irish rebel song ‘Four Green Fields’ is next and Kitchen Implosion punk it up again and feck me but I’m sure Tommy Makem is staring down with a Guinness and a big grin upon hearing this. The four fields are seen as the four provinces of Ireland (Munster, Connacht, Ulster and Leinster) with the field in bondage being Ulster that Britain still controls (“though not for long”- more of that later!). Next up is ‘Sams Gone Away’ is a old sea shanty tune given a furious rejig and is up there as good as I’ve heard. Sams gone away on a ship you see.
“Sams gone away, aboard a man o’war!
Pretty work, brave boys,
Pretty work I say!
Sams gone away, aboard a man o’war!”
The band come from the region of Piedmont that has its own language that is spoken by over a million people. We are long time supporters of regional languages here and we love the fact that Kitchen Implosion sing in both Piedmontese and Italian. ‘La Bergera’ is a traditional song and once again the accordion rules with tin whistle until the band kicks in with one of the albums standout tracks. They show their love for the celtic nations with a brilliant bagpipe punk version of Scotland The Brave that sails past far too quickly. Next up is ‘South Australia’ and is a rolicking good tune to begin with but Kitchen Implosion give it as good as anyone but I do think this tune is a bit overdone in the celtic-punk scene (along with ‘Fields’). Their back on Irish soil again arguably the most famous and popular Irish rebel song of all time ‘The Merry Ploughboy’. Telling the tale of joining the IRA to fight in the War Of Independence its been adapted and changed over the years and can be heard sung regularly over the ‘terraces’ at Celtic Park. A simple and classic song that has inspired generations of people to resist tyranny and oppression
“Well some men fight for silver and some men fight for gold
But the I.R.A. is fighting for the land that the Saxon stole”
Track 11 is perhaps the song closest to the boys heart. ‘Valesia’ is an anti-fascist anthem about the Partisans who fought the nazi’s during the 2nd World War. The Italian resistance was huge and fought bravely throughout the fascist takeover and later the German invasion. The pipes are back with great effect and the vocals stir the blood as only the greatest rebel songs ever can. ‘La Maire e la Filho’ continues in much the same way with shouty choruses and reminding me of Breton legends Las Ramoneurs De Menhirs a wee bit. The album comes to an end with ‘Larmor Beach’ and begins with pipes and a punk rock guitar intro that reminds me of something but I can’t quite put me finger on it. Great stuff and sadly the only original track on the album. I say sadly as if the band can come up with stuff of this quality they need to get round a table and get writing some new material immediately! Veering from punk into new wave and ska the song never strays far from celtic-punk and I would say is the albums outstanding number.
A grand album put together by people who care and cherish the songs of a people many miles away that they have an awful lot in common with. The warm and comforting sounds of pipes, whistles and accordions with the rough and powerful sounds of electric guitars, bass and drums. The melding together of traditional celtic and northern-Italian tunes in a perfect way and as I already said breathing new life into these songs and ensuring they are passed along with our history and our heritage to another generation. This album’s thirteen songs could easily stand alone as either a celtic/ folk or a punk album but as it is it easily one of this years most impressive celtic-punk records.
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here’s another review of the album from CELTIC FOLK PUNK AND MORE blog here!
Italian celtic folk n’ roll from Büsti Grandi (Craggy Island)
Long, long, long before hordes of Polish workers settled in Ireland it was the turn of the Italians who flocked to the dear auld sod. High wages, plenty of regular masses and the, now long deceased, ‘celtic tiger’ promised good opportunities for all that came. Among those Italians were members and friends of the band Uncle Bard And The Dirty Bastards. With good mates in Ireland they saved the money and began to visit them regularly. Here’s how they put it
“Anyway, during those years we started collecting money and traveling once a month to Ireland, to meet old friends living there and spending the weekends rambling around and enjoying Irish music, culture and people.
Day by day we found there what we were searching for in our entire life, something that would change us forever. That’s how we fell in love with Irish music and how we learned it”
So in 2007 the boys got together and with just a handful of songs set out on the path that would lead them all over Europe playing with not just the celtic-punk scene’s best bands but also some of the traditional scene’s as well. From dingy wee pub backrooms to rock festivals to mountain huts the bands brand of Italian celtic-punk has gone down an absolute storm everywhere they have set foot.
Back in 2012 after the release of their first album ‘Drinking Not Thinking’ they set out on a busking tour of Ireland, Wales and England joining local musicians singing old-time stories on street corners. Returning home they were joined by world renowned Irish folk musician Luca Crespi who added uilleann pipes, tin whistle and the Irish flute to the bands repertoire. ‘Up The Bastards’ EP followed last year which brings us nicely up to date with the recently released album ‘Get The Folk Out!’.
The band members are Guido Domingo- vocals, acoustic guitar, bodhrán Lorenzo Testa- tenor banjo, mandolin, vocals, spoons Luca Crespi- tin whistle, uilleann pipes, Irish flute Silvano Ancellotti- electric and acoustic guitar, coarse vocals Uncle Bard- bass guitar, lamenting vocals and Francesco Fabris on drums. Lorenzo is the band’s main songwriter but most of the group have also written a song or two and all contributed to the songwriting process.
The album is in fact a masterpiece. It straddles nicely both Irish trad and celtic-punk and easily fits into both genre’s. The addition of uilleann pipes moves the bands sound into something quite incredible. From the very start of the album as soon as ‘The Road’ kicks in with tin whistle and vocals soon joined by a whole host of Irish instruments showing that Uncle Bard And The Dirty Bastards surely know their onions. The following ‘Black Sheep’ is a bit more celtic-punk and more reminiscent of the Molly’s or The Tossers.
Normally we would try to give you a real feel for the album by going through all the tracks and giving you a wee description of each one but there’s not much point with this as it would just say “absolutely fecking brilliant” after each track title. As hard as it is to pick a few standout tracks on this amazing album ‘Green Shamrock Shore’, is one of them, about the death of the celtic tiger and the beginning of the end of Ireland’s boom years and sadly the end of Rob’s time in Ireland. A track laced with sadness but sung in that pint in the air way that fills both yer heart and yer ears. Even more incredible than the high standard of the music is that its mostly their own work too. Only two tracks are covers ‘The Raggle Taggle Gypsy’ and the Man In Black’s ‘Ring Of Fire’, both of which are suitably twisted and turned by the band into something new and fresh and as far away from bog standard covers as could be possible without changing both the words AND the tune! Influences abound from Planxty to The Chieftains to the aforementioned Tossers and Flogging Molly but Uncle Bard And The Dirty Bastards are pretty well unique in the Euro celtic-punk scene and deserve to be fecking huge worldwide. Hopefully this album will achieve that. ‘Blue Velvet Glove’ showcases Luca and his haunting expertly played pipes. The songs last only two or three minutes each but there’s so much going on its hard for this reviewer to keep up. ‘The Rambling Bhoys’ is typical of the album with a lovely tune, clear and well sung vocals with lyrics you can easily understand.
‘Skedaddle’ is another great example, fast- slow- fast- slow the perfect song for having a breather and catching your breathe on the dance floor in between going nuts, spilling yer pint and bashing into people. ‘I Only Got One Pint’ is another Uncle Bards classic as is the following ‘Off In The Jacks’. The album ends with ‘Be’ the longest track on the album and begins with just vocals and mandolin before the band kick in and fill the air with the swirling sound of brilliantly played slow tempo Irish folk.
With fifteen songs that come in at just under a hour, the CD also comes in a very nice digipak with a whopping 16 page booklet including the song lyrics, pictures of every band member and some excellent liner notes containing introductions to all the songs. Do yourself a favour and fork out the bit extra hard earned for the CD copy of the album, you’ll not be disappointed.
Been playing this on repeat and from that very first moment it stills sounds as fresh as it did on that very first play. From the first few bars I realised I had come across something special. This is already my celtic-punk album of the year and I doubt they’ll be one better along anytime soon. The boys have an extraordinary feel for playing Irish music and I can honestly say I have never heard a non-Irish band sound so authentically Irish. I will be playing this for a long time yet and i simply cannot recommend enough that you get yer mitts on this album. If you don’t think it is “absolutely fecking brilliant” as well then you really have no place coming here!
So there they are, seven years and counting… still roving, still playing. And surely we can be grateful… too old to stop now!
Drinking Not Thinking – 2011, Up the Bastards! EP – 2013, Get The Folk Out! – 2014
Contact The Band
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the ever always excellent Spanish blog ‘Celtic Folk Punk And More’ also wrote a review of the album here.