Tag Archives: Keltikon

ALBUM REVIEW: KELTIKON- ‘The Black Boar’ (2020)

An hour of original Celtic-Folk-Punk Keltikon songs and Irish and Scots traditionals. Thrilling tales of pagan creatures, esoteric TV, sea bound ships, orphans, boozers, rocky roads, atomic submariners, traveling people and Italian partisans as told by a band who combine the present and the ancient with ease.

It’s been quite a while since Keltikon graced these pages properly. You have to go right back to May, 2014 to find our review of Agenbite Of Inwit. These may have been early days for the London Celtic Punks Web-Zine but we recognised the quality and later in 2014 it made the Top Twenty Albums Of The Year in a year marked out for some outstanding releases. Agenbite Of Inwit was the bands debut release and is an old-English phrase meaning in modern terms, a crisis of conscience. Formed in 2012 in the Swiss city of Pfäffikon, not far from Zurich, they are the leading band in the Celtic scene in Switzerland playing mainly their own original songs as well as traditional Irish and Scottish jigs, reels and ballads, injected with Heavy Rock, Folk, Punk and Folk-Punk. Skilled musicians with decades of experience between them, not only of Scottish and Irish traditional music, but also the added attraction of Rock, Ska, Folk and Baltic all together creating Keltikon’s unique sound.

Keltikon have since their inception toured relentlessly and did an extensive tour of Ireland in 2018 that they were set to repeat this year till the dreaded ‘clampdown’ but their appearance at the Mary from Dungloe Festival 2020 has only been delayed and they are all set to play next years re-arranged Fest. The Black Boar plays just like a live Keltikon set with everything from maudlin ballads to high energy Celtic-Punk rockers but always with a link to something ancient.

Most of the original Keltikon songs here have been written by guitarist and vocalist Olaf Ohl and to say he delves into the past with his songs is an understatement. The album begins with the title song and  ‘The Black Boar’ and its a belter to kick things off with. Here’s the story behind the song

For old Celts pigs were spirit animals, a sign of courage and power, also a symbol for war and disorder. Tryon was the King of Boars, an giant pagan creature in Irish mythology. The the counterpart could be the Welsh legend Twrch Trwyth, a prince of Wales, who had been cursed and transformed into a wild boar. He was hunted by King Arthur and and after a long hard battle the boar swam out to the sea and disappeared. This more humorous adaption suggests that the boar tricked King Arthur and only hid under the cliff, he’s still among us…

You’ll not hear this kind of lyrics on your normal run of the mill Celtic-Punk album. I’d say it belongs in the world of Horslips or Loudest Whisper but of course with a much harder edge to it.

(The first single from the album. Video concept, filmed and produced by Steve Diener)

‘Once Upon A Time (Star Coins)’ tells of the fairy tale Star Coins written in the 19th century by the Brothers Grimm famous for collecting and publishing folklore and who wrote some of the best children’s stories ever. The music is country influenced Folk-Rock reminding me of the Bible Code Sundays with the acoustic guitar and the catchy tune but with new fiddler Mélodie Pican from Orbes, in the French part of Switzerland, amazing fiddle leading the tune along. next up is ‘We Have Been (And We’re Still Here)’ and again Olaf digs deep into Celtic history but linking it to modern times. The poor have always been exploited by the greedy but these tyrants in history never last but the little people always hold their ground. The song shows the bands imagination with the Ska beat dominating but plenty else going on. Olaf’s vocals are hard to define sitting on the edge of being both a crooner and a punk. The ached sound emphasising the meaning behoind each song and show what they mean to him. A row of traditional songs now beginning with ‘Donald McGillavry’ dealing with the feats of MacGillavry of Drumglass in the Jacobite Wars in the 18th century when this song could have been written.

“Donald was mumpit wi mirds and mockery;
Donald was blinded wi’ blads o’ property;
Arles ran high, but makings were naething, man,
Lord, how Donald is flyting and fretting, man.”

I’ve heard this song plenty of times and it lends itself well to be played upbeat and is a Celtic-Punk staple but Keltikon do more than enough to stamp their own sound all over it. Something they also do with the English folk song ‘The Lark In The Morning’. Though maybe not a song that you would think lends itself to Celtic-Punk here it is treated with reverence but the Keltikon stamp is firmly stamped and the song, first recorded in 1778, has a real catchy tune only just related to the original air.

Now I’m sure you’re going “not again” and the appearance of ‘I’ll Tell Me Ma’ had me eliciting the same response but Keltikon give it plenty of oomph and when played with a bit of imagination, humour and flair like how Keltikon do here taking it down a reggae route with Ursi Steck from Winterthur, who is Keltikon bassist’s, Dave’s daughter. Another song gaining popularity on the Celtic-Punk scene is ‘Bella Ciao’ an Italian protest folk song that originated among the paddy field workers in the late 19th century. It was sung to protest against harsh working conditions and later the song was adopted as an anti-fascist anthem by the Italian partisans against the Nazi German forces occupying Italy and more recently it has become much more internationally known and popular. 

( Recorded live in concert at Musigburg Aarburg on 15th August 2019)

A couple of originals now penned by Olaf. ‘Chartered’ a sentimental ballad about the hardships of sailors life and ‘The Three Graves’, a tale picked out from the ‘Fenian Cycle‘ and given a cheery Country-Rock sound and again the Bible Code Sundays comes to mind. Another cover next the Scottish Folk song ‘The Raggle Taggle Gypsy’ telling of a rich lady who runs off to join the gypsies and has been recorded by all the giants of Folk and traditional music. Ursi takes on vocals again and they play the song pretty straightforward though her fine voice gives the song something extra. A couple more Olaf penned songs with the Poguesy Hells Ditch era ‘Heal My Shakra’, which does drag a bit lasting as it does nearly 9 minutes, and ‘The Diving Dutchman’ one of the earliest Keltikon songs and already featured on Agenbite Of Inwit but tampered with and re-recorded to give it a bit of extra bite and even with the fiddle like guitar work it still ranks as the most Celtic-Punk song of the album and easy to see why the band love playing it. Taking the ancient old mariner’s tale about a ghost ship and turning it into a Dutch nuclear submarine with a similar problem. Only a couple left and ‘The Rocky Road To Dublin’ is always a good choice telling the tale of a 19th-century Kildare man emigrating to England who arrives in Liverpool only to have to fight his way out. There will never be a version to top Luke Kelly and The Dubliners but Keltikon give a great blast through. The album ends with ‘The Local Boozer’ written by long time friend of London Celtic Punks and a man who does immeasurable good work for Irish music. I give you John O’Donnell Cotter, songwriter, booking agent, radio presenter and resident of county Donegal. Unsurprisingly an lovely Irish air with great humour and a fantastic way to end things putting a smile on everyone’s faces.

So almost an hour of authentic Celtic Rock and Punk. The music itself leans heavily upon the Scots Folk sound but as Keltikon began with a piper rather than a fiddle player that may be why but they certainly have made the major change in the band very smoothly and their exuberant energy shines through here. A band that has crossover appeal and could I am sure find favour with your Irish Nan, your Scots Dad or the inner Punk in everyone. Olaf’s songwriting is some of the best in Celtic-Punk and always has a real story to tell whether with humour or great sadness whether wrapped around a folky, rocky, foot-stomper or a weepy ballad. A unique band that encompasses everything good about the Celtic nations and its people and stories. 

HEAR THE BLACK BOAR HERE

Buy The Black Boar  Here

Contact Keltikon  WebSite  Facebook  YouTube  Instagram

Our very good friend Rob who makes the fantastic blog This Drinking Life has just published a great interview with Olaf from Keltikon. Covering life in Switzerland over the clampdown, the release and the recording of The Black Boar (each song was done in one take. Impressive) and a hell of a lot more. Find out the origins of the bands name too!

THIS DRINKING LIFE

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2014!

TOP TWENTY CELTIC PUNK ALBUMS OF 2014

Last year our ‘Best Of’ list was completely dominated by bands from these shores but this time there’s a much more international flavour to 2014’s Best Album’s list. Again Irish influenced bands dominate but the absolute standout album for me was without a doubt Uncle Bard And The Dirty Bastards from Italy who nailed their fusion of punk rock and traditional music completely. With their own roots and influences included along with some amazing uilleann piping they are deserved winners of the Best Album spot. Kitchen Implosion join them in what has been a great year for Italian bands. Sure not all of these twenty bands are celtic-punk in the dictionary definition of the phrase but sod that anyway. These are what we liked and they all fit in in some way. Twenty bands from thirteen countries (Italy, England, Sweden, Brittany, Canada, Ireland, USA, Australia, Brazil, Catalonia, Germany, Switzerland and Belguim) which only goes to show the international appeal of the celtic-punk scene these days. A special mention for London Irish band Creeds Cross superb debut album. Only just caught them live and they were awesome so hoping to see much more of them around town in 2015.
As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review.
We compiled the ‘Best Of’ lists together from the scraps of paper handed to me by the various admins from the London Celtic Punks facebook page.
1. UNCLE BARD AND THE DIRTY BASTARDS- ‘Get The Folk Out!’ (here)
2. CREEDS CROSS- ‘Gods And Fighting Men (here)
3. ROVERS AHEAD- Always The Sinner, Never The Saint (here)
4. LES RAMONEURS DE MENHIRS- Tan Ar Bobl (here)
5. THE MAHONES- The Hunger And The Fight
6. BLOOD OR WHISKEY- Tell The Truth And Shame The Devil (here)
7. THE ROUGHNECK RIOT- Out Of Anger
8. BASTARD BEARDED IRISHMEN- Rise Of The Bastard (here)
9. JAY WARS- Carry Me Home (here)
10. THE RAMSHACKLE ARMY- Letters from the Road Less Travelled
11. 6’10- The Humble Beginnings Of A Rovin’ Soul (here)
12. LUGH- Quando Os Canecos Batem (here)
13. SIGELPA- TerraMorte (here)
14. KITCHEN IMPLOSION- Pretty Work Brave Boys! (here)
15. THE KILKENNY KNIGHTS- Bradys Pub Tales (here)
16. BEYOND THE FIELDS- The Falcon Lives (here)
17. THE YOUNG DUBLINERS- ‘Nine (here)
18. KELTIKON- Agenbite Of Inwit (here)
19. FM 359- Truth, Love And Liberty (here)
20. THE BLACK TARTAN CLAN – Scotland in Our Hearts
a special special mention for three absolutely brilliant compilation albums too. Can’t really include them in the Best of charts so heres all three in no particular order at all as they are all 11 out of 10!
a class album with 4 songs per band and an absolutely beautifully put together record. THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS 4-WAY SPLIT DOUBLE ALBUM- ‘Welcome To The Folk Punk Show’ (2014)  here
a mostly Russian compilation paying tribute to all (lets just face it they are!) our favourite celtic-punk band- ‘Ex-USSR Tribute To The Dropkick Murphys’ (2014)  here
this ought to be the number one album of the year to be honest. a fecking amazing compilation of Indonesian celtic-punk bands.the quality is amazing throughout.absolutely stunning. I cannot recommend enough!! ‘Wind From The Foreign Land- Indonesian Celtic-Punk Compilation’ (2014)  here

TOP FIVE CELTIC PUNK EP’S OF 2015

No question which EP deserved this and Russia’s Middle Class Bastards just blasted us away with their follow up to their 2013 album. Superb use of bagpipes and brass instruments combined with fast but tuneful punk rock. A bit unfortunate for Black Water County who looked nailed on to win this for most of the year with their fantastic 2nd EP. The Breton band The Maggie Whackers released their EP back at the start of the year while The South Sea Ramblers from South Africa literally released theirs just a couple of weeks ago while LQR from Holland slipped theirs out in time for St Patricks Day… ooh err missus! So spread out across the year but these are the ones that left their mark. Looking forward to hearing more from them all and long players must be arriving soon I hope.
1. MIDDLE CLASS BASTARD- Rebel To The Core (here)
2. BLACK WATER COUNTY- Fellowship Of the Craic (here)
3. THE MAGGIE WHACKERS- Naoned Whisky (here)
4. LQR- A Touch Of Liquor (here)
5. SOUTH SHORE RAMBLERS- Bare Knuckle Blackout

TOP FIVE TRAD ALBUMS OF 2014

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved them all to bits. Hard to decide which order they should go in but this is how we ended up. Turned out to be an all Irish list with I DRAW SLOW from Dublin with beautiful alternative country sounds and both Cork’s THE BUACHAILLS and London’s THE CRAICHEADS going head to head with both bands playing similar styles of music while Irish-American supergroup THE ALT’s debut album was a worthy runner-up to fellow Irish-Americans RUNA’s brillliant fourth album.
1. RUNA- Current Affairs (here)
2. THE ALT- ‘The Alt (here)
3. THE CRAICHEADS- Brewed in London (here) 
3. THE BUACHAILLS- At Your Call (here)
5. I DRAW SLOW- ‘WhiteWave Chapel (here)

BEST CELTIC PUNK WEB-SITE OF 2014

Celtic Folk Punk And More Blogonce again there is no question who gets this
CELTIC FOLK PUNK AND MORE
 keeping the whole wide world up to date with what’s going on and who is doing who within celtic punk (and more!) while also supplying us with regular free downloads and free compilations. Waldo you’re great. Keep it up mate!

BEST GIGS

Apart from the ones we put on which were all amazing and showcased some amazing performances from JAY WARS and THE DEAD MAGGIES from Aus, THE GREENLAND WHALEFISHERS from Norway, a couple of benefit gigs for Mad Dog out The Popes (hope youre back on your guitar highkicking soon pal!), BLACK WATER COUNTY played their London debut and went down a fecking storm, me O’s mates STEVE WHITE AND THE PROTEST FAMILY were as superb as ever and released a fantastic album. One of the major highlights was discovering the quintessential London Celtic Punk in ANTO MORRA and we look forward to working with him again in the future. We teamed up with fellow Londoners of Urbankelt and will be doing so again too.

I also saw DAVID ROVICS for the first time, THE MEN THEY COULDN’T HANG’s amazing 30th anniversary show was incredible, NECK and their sadly ended residency at TChances which had us all pissed on Polish lager on Sunday afternoons for the first 6 months of the year, FLOGGING MOLLY in Reading in June which showed they havent lost a thing and are as great as ever, THE POGUE TRADERS were the best Pogues tribute band I ever seen. Disappointing was missing so many gigs where I just didnt have the cash especially The Pogues various outings. THE STANFIELDS from Canada seemed like a decent bunch of lads but their London gig was a total rip-off. The pre-gig ticket price was £7-50 which more than doubled to £15 on the door on the night. Oi bands watch out for charlaten promoters won’t you? Rebellion music fest brings loads of decent bands over to play but that means that they all end up playing in the same week so I had to forgo THE GO-SET’s return to London. Missed out on THE WOLFE TONES London gigs too due to work. All three of them! THE LAGAN have been brilliant. Far far too many of their gigs to go into detail so we have choosen the whole of St Patricks Weekend as our Number One! With NECK playing three gigs over the weekend and both THE BIBLE CODE SUNDAYS and THE LAGAN playing on the same day as well it seen a clean sweep of all the London bands done. Afterwards sick days were phoned in, headache pills were taken and the best St Patricks in donkeys was had.
Now were just looking forward to catching THE DROPKICK MURPHYS ‘Celtic Invasion ‘ Tour in Dublin and London this year round St Patricks Day.
Sláinte, The London Celtic Punks Crew- 2015
 London Celtic Punks
Of course all these things are very subjective so don’t be dismayed if your album ain’t here. What appeals to one don’t neccessarily appeal to another. It would be impossible to keep up with the multitude of celtic-punk related releases so these are the best of of what we actually did get to hear. All the various sites in the celtic-punk family had different winners so to see what they thought check out the Best Of lists of the following sites…
click on the blog logo at the top of the page to find more of this kind of stuff…

ALBUM REVIEW: KELTIKON- ‘Agenbite of Inwit’ (2014)

Celtic boogie, Folk’n’Roll, Pipes-Punk
KELTIKON- 'Agenbite of Inwit' (2014)

Just recently we reviewed the debut album from Rovers Ahead , who are an  amazing celtic-punk band from Denmark (see here). Well the reason we bring that up here is their lead singer is from Dublin and Keltikon, despite hailing from Zurich in Switzerland, also have a celtic singer in Iain Duncan. That a 2nd generation Scot should wash up in Switzerland should come as no surprise as people from the celtic nations spread out in further directions than just the usual routes of the America’s or Australia/New Zealand and bring with them the knowledge and know-how and, lets face it, a extra bit of authenticity to celtic-punk bands out there in Europe.

Keltikon

Formed in March 2012 Keltikon have wasted no time in their short existence and their debut album hit the shelves in February of this year. The title of the album ‘Agenbite Of Inwit’ is an old-English phrase meaning ‘Again, a bite of inner wit’ or, put into modern terms, a crisis of conscience or remorse. Taking traditional Scottish and Irish jigs and reels, celtic songs and ballads Keltikon spice them up with their own recipe of punk and rock to come up with something relatively unique to these ears!

The album begins with the title track and with the bass thundering away it starts as any pop-punk record only for the bagpipes to kick in and once again i’m left marveling at the expert pipe playing involved. The band describe it as thus

“This is a song for anyone whose life has in some way been damaged by the decision of someone in ‘power’ that doesn’t give a jot for the consequences it causes us”

The song also has a jangly guitar feel to it reminding me of bands like The Wedding Present. They slow it right down for the following track with flute taking the lead on ‘Bonnie Ship The Diamond’, an old Scottish song popularized by Scots folk legends The Corries and more recently , the German celtic-punk band, Fiddlers Green. ‘Seven Ships’ comes next and has a real northern English folk feel to it. Traces of The Levellers too, at their best I hasten to add. ‘The Mariners Tale’ is a spoken word piece done in the style of old English TV programme Jackanory, telling the tale of a nuclear submarine called The Diving Dutchman. The story continues in the next track also called ‘The Diving Dutchman’ and steams along at a good old rate in the albums punkiest song. ‘Away To Fight’ is a beautifully slow acoustic ballad telling the tale of the WW2 invasion of Normandy beach in the words of a soldier about to disembark.Keltikon

‘The Blackbird’ a traditional Irish reel whizzes past with the band not missing a beat and the pipes in truly outstanding form. That we have returned to feudal times is the theme of ‘Hold On Tight’ another slow acoustic ballad, the female backing vocals a nice touch. The fiddle is to the fore in ‘Each Others Dreams’ a rather poppy song that never really gets going in the way you’d expect it to leaving  the epic ‘Taliesin’ to close the album. At nearly ten minutes long its pretty risky but completely works as all the band members get a chance to show what they can do and none come up short. Taliesin was a renowned Welsh bard who is believed to have sung at the courts of at least three Brythonic kings and lived during the 6th century. It has a bit of a prog-rock feel to it and comes in waves getting louder and louder building up to a crescendo and despite its length does not outstay its welcome.

With ten tracks and clocking in at just under a hours worth of music it’s great value and even though the tracks are quite lengthy it never drags for a second. The various elements of celtic music are all represented so this album will appeal to anyone with even the slightest interest in celtic music.

Contact Keltikon  WebSite  Facebook  Reverbnation  Twitter

Buy The Black Boar  Here

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