Tag Archives: Runa

2020 ROUND-UP’S. THE MAHONES, RUNA, ALESTORM, MAGGIES FLOCK, BARBAR O’RHUM

2020 was by and large a shitty year for music. Sure their were a few bright spots… off the top of my head the many Live Streams but it was never going to replace live gigs for the Celtic-Punk scene where live gigs are everything. Even in a year with much fewer releases we still couldn’t keep up with everything! At London Celtic Punks we pride ourselves on giving detailed and extensive reviews but sometimes this isn’t quite possible so here’s the ‘Round-Up’s’ of some of the records we missed first time round.

THE MAHONES –  ’30 Years And This Is All We’ve Got To Show For It’

Just a couple of weeks ago we reviewed the 30th anniversary album of German band Fiddlers Green and around the same time was released another album by a Celtic-Punk giant on the other side of the planet celebrating thirty years in the game this time from The Mahones. Yes 30 years. THIRTY. Hard to believe isn’t it? Popular throughout the world they have recorded eleven studio albums, two live albums, an acoustic album and a compilation marking their 25 year anniversary and have covered more miles than British Airways! Here they have carefully chosen nineteen tracks of their best from across the 30 years of their career. The album is available as a ten track vinyl release (on green!) and also on CD and download with nine bonus tracks from True North Records. As for the songs they are everything you would expect. We may have heard them all before but their really is something for everyone here as The Mahones flit from raucous Irish Punk rockers to maudlin and sad ballads. The mix of songs is perfect and the balance between the harder songs and the ballads is as well. For a band that tours as much as The Mahones do 2020 must have been a particularly difficult year for The Mahones but already with dates released for 2021 (see you in London in February!) they are well prepared to take their 31st year by the throat when it arrives.

Contact The Mahones  FacebookPage  FacebookGroup YouTube  Instagram

RUNA – ‘The Tide of Winter’

American Irish ‘supergroup’ Runa are one of the best Irish Folk/Trad bands around. This is due in no small part to the beautiful voice of lead singer Shannon Lambert-Ryan (who also plays quite a mean harp!) and that they also have the ability to weave other influences into their signature sound without you even noticing. Several LP’s in Runa have become famous on both sides of the Atlantic now and continue their path with The Tide Of Winter. Now by rights this ought to have been done pre-Christmas but it slipped the net and we ran out of time. A beautiful, at times haunting and at others spirit lifting, collection of thirteen Christmas themed songs and carols. All the favourites are here (‘In The Bleak Midwinter’, ‘God Rest Ye Merry Gentlemen’, ‘Silent Night’) as well as a few new ones including a stunning version of ‘The Wexford Carol’ (also known as ‘Enniscorthy Carol’) recorded in its native Irish Gaelic.

It was in May 2019 that Runa got together for a weekend to get into the Christmas spirit and started working on arrangements for the album. Highlights beyond those already mentioned include the track ‘Instrumental’ which features the songs ‘Hark the Herald / Dixie Hoedown / Red Prairie Dawn / O Come Emmanuel / Road to Cashel’ seamlessly joined together with some amazing musical work from Fionán, Chery, Caleb and Jake. One for next Christmas I suppose but hopefully by then Runa’s joyous album really will be something to celebrate.

Buy The Tide of Winter  CD- FromTheBand  Download- Here

Contact Runa  WebSite  Facebook  Instagram  YouTube

ALESTORM – ‘Curse Of the Crystal Coconut’

From traditional Christmas folk music now to Heavy Metal! Founded in 2004 in Perth, Scotland by Christopher Bowes Alestorm are one of the pioneers and certainly the leading light of Pirate Metal! Basically the combination of Heavy Rock/Metal and Pirate music. Now Pirate music is often confused with Celtic music and for good reason too. The similarities are obvious to anyone with a pair of ears with plenty of the same melodies (and even some of the same songs) criss-crossing the genres. Alestorm have been together for fourteen years and they may have toned down the Metal side of their music a little but their popularity seems set to continue with this their sixth album. Now I don’t claim to know much about this genre but it does seem to be growing and their have been a few high profile gigs in London over the last couple of the years with Alestorm headlining some of the towns biggest venues. Released in May on Napalm Records and recorded in Thailand this is as good a place as any to start if this genre interests you. Songs like ‘Treasure Chest Party Quest’, ‘Fannybaws’ and ‘Pirate’s Scorn’ give you an idea but it is the epic eight minute ‘Wooden Leg Pt. 2 (The Woodening)’ that really stood out for me showing there’s more to Alstorm than gimmick.

Contact Alestorm  WebSite  Facebook  Instagram

MAGGIE’S FLOCK – Party At The Cemetery

The debut release from Dutch Celtic-Folk-Rockers Maggie’s Flock. The six-piece band from Nijmegen / Arnhem that play a style of music that veers from Celtic-Rock to traditional Folk with more than a little Celtic twist. The band had the novel idea to release a video/song a month on You Tube from January 2020 through to December and then compile the songs into an album and release it. We have tracked these videos over the last year and it really is worth checking them (the Party At The Cemetery YouTube play-list) out yourselves as the work the band put into them deserves it. So quite a novel idea in quite the ‘novel’ year! The Netherlands has quite the cool Celtic scene and one of our gigs last year that Covid killed off was a Dutch Celtic-Punk double-header with Pyrolysis and The Royal Spuds. Musically Maggies Flock come across to me as a ‘mature’ Dropkick Murphys. I mean the Dropkicks sound of recent rather than their punky years. Catchy, tuneful songs with chugging guitars and superb whistles and accordion. ‘The album opener ‘The Poguey Club’ is one of the many highlights here and you can tell this album has not been rushed into. The idea of releasing a song a month has worked perfectly here as the balance of songs is great and the music is not solely Celtic veering into more Folk-Rock/Punk at times. Personally I love me Tipp songs so I especially loved ‘Travelling Laddie’ but the fast ‘Bored Beyond Death’ is sure to get the toes tapping.

A lot of effort then and not just in the music with the vinyl version coming in a luxurious fold-out cover with all the lyrics while the CD has an extensive 24 page illustrated booklet.

Buy Party At The Cemetary – Vinyl/CD FromTheBand

Contact Maggie’s Flock  WebSite  Facebook  YouTube  Instagram

BARBAR’O’RHUM – Journal de B’O’R

Drawing in inspiration from sea-shanties, traditional music, Celtic-Rock and Celtic-Punk, Irish-Punk and Folk-Metal, Barbar’O’Rhum inhabit an area that sits somewhere between Alestorm and The Mahones. Founded in 2014 in the South-West Of France the band offer up their own style of music they call ‘Rock ‘n’ Rhum’. The musical style here owes much to theatrics making them more a band you would want to witness live but they have captured the sound of the band here rather well and also the atmosphere too which I would think is a lot harder. From beginning to end it’s an accessibly joyful Punk Rock stomp from album opener ‘Pirate des Champs’ which brings in some offbeat but delightful influences to eight minute epic ‘Freres de Bitte’ which brings down the curtain on the album and manages to capture all the various parts of Barbar’O’Rhum in one bombastic theatrical campy triumph. Yet in a album that lasts over an hour and the majority of the songs are around the five minute mark it’s that opening track that stand outs head and shoulders and one listen to that will tell you all you need to know about whether you would like this album or not. Me I fecking loved it!

Contact Barbar O’Rhum  WebSite  Facebook  YouTube  Instagram

So their you go our ‘last’ post of 2020. Apologies to all the bands that we weren’t able to give each album the full London Celtic Punks treatment but was just not possible this time. Remember if you are in a band then we cant do a review if we haven’t heard your release!

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ODDS’N’SODS. CELTIC-PUNK ROUND UP NOVEMBER 2020

We want to move away from just being ‘ReviewReviewReviewReview’ so we have started this monthly feature that comes out on the last day of each month. All news items that we otherwise miss will get a mention but I need YOU to be the eyes and ears if it’s going to work so send over to us any band news, record releases, videos, tours (not individual gigs though yet sadly), live streams, crowd funders etc., to us at londoncelticpunks@hotmail.co.uk or through the Contact Us page and it will go in here!

We start off November’s Odds’n’Sods with the shocking news that the classic FLOGGING MOLLY album Swagger celebrated its 20th anniversary (yikes!!!!) last month and it is now available remixed and remastered in a limited edition vinyl box set that includes a bonus LP, a never-before-seen DVD documentary plus full live performance, expanded lyric booklet featuring many unseen before photos and much more! Orders for the box set are now available at floggingmolly.com/swagger!

More news from FLOGGING MOLLY was the recent announcement that they will be returning to these shores next Summer for gigs in Manchester, Birmingham and north London. Tickets on sale here.

One of the best and productive scenes in Celtic-Punk is the one in Indonesia and one of the best of a great bunch is THE CLOVES AND THE TOBACCO who play Irish music just as if they were raised on the Emerald Isle itself. There’s not many who play Celtic-Punk and Irish music with this much talent and passion. Enjoy their great new video a bit subdued for them but still outstanding. ‘Denting Gelas Akhir Pekan’ from their new album Jalan Pulang.

The new album from Doyle Duff and his band has landed. Mistakes Were Made by ST. DOYLE AND THE LAST CALL PHILHARMONIC is available for download below.

Dutch Celtic band MAGGIE’S FLOCK continue to release a song a month through 2020. Autumn is upon us! Check out this atmospheric beauty!

BEAVER SECRET HANDSHAKE are from Helskini and have a EP out on YouTube and Spotify.

RUNA have released a cover of Hoagy Carmichaels auld hit ‘Buttermilk Sky’. The video was filmed in the French Quarter of New Orleans and I defy anyone not to enjoy it. Shannon has after all one of the best voices in Irish music.

THE PLACKS one of the brightest new bands in the scene released a new video/single ‘Sail Away’ about the Highland Clearances. Shot in Dunoon and Gourock and filmed in the first week of September. It’s been likened to an ad for Visit Scotland! Available for download for the princely sum of a fifth of a pint of beer here in London or under half a pint in Bonnie Scotland!

There was a time when SMZB were the sole Celtic-Punk band in China but since the arrival of Grass Mud Horse we could even start to claim their is some sort of scene now!! SMZB have a new album out of Punk with Pipes and its bloody great. Try and support this great band.

Speaking of GRASS MUD HORSE they have released a download only version of their debut album Beijing Bikini featuring ten songs never released before. These songs are from the band’s first year and are described as “very eclectic” and is made up of songs written in their first year together before they settled in as one of the best Celtic-Punk bands around.

Not Celtic-Punk but I really enjoyed the debut track from Scots band BRòGEAL. As they say themselves ‘four wise boys on that folk noise fresh outta Falkirk’ and it really is quite superb Celtic music. Send the lads a ‘like’ over at their Facebook Page as they just getting started.

Remember if you want your release featured then we have to have heard it first!

THE CUNDEEZ – Teckle An Hide

THE STUBBY SHILLEAGHS – Glass To Mouth (review later this week!)

ST. DOYLE AND THE LAST CALL PHILHARMONIC – Mistakes Were Made

SMZB – Once Upon A Time In The East

THE CLOVES AND THE TOBACCO Jalan Pulang

STEVE WHITE AND THE PROTEST FAMILY – The Debased Street Music Of The Vulgar

KILMURA – Hybris

Even doing this we still come across stuff we missed from the past that is worth another look. This time it’s something again a bit different… well a lot bloody different! Irish Meet the Blues by ANTONI O’BRESKEY is the first and as far as I know the only album ever recorded on piano where traditional Irish music meets Blues and Jazz. For Antoni “musical cultures are not defined by borders, but by historical roots that reach deeply across all areas of the globe.”

Another interesting band we just came across is ‘The American Irish band’ BEGORRAH. Celtic Punk/Metal band that formed in 2010 in New York City by music veterans Kevin Patrick Corrigan and Shane O’Connor. Begorrah have two albums out Molly B’gee in 2012 and Tough Guy Prayer in 2017 that you can listen to and download on Bandcamp.

Aussie band FOX’n’FIRKIN have a new song out ‘Get On The Boat’ urging us to get behind a fellow Brisbane Punk band they are mates with called Flangipanis. It’s out on Folk Til Ya Punk Records and is available for download here.

A plug for some good friends of ours over on Facebook. The Dropkick Murphys- Fan Page and the Celtic Punk, Folk And Rock Fans are two of the best music forums on FB let alone Celtic-Punk. Ran By Fans For Fans. Just like and join in the fun!

All we need to do now is for you to help fill this page with news and remember if you are new to the London Celtic Punks blog it is easy to subscribe / follow and never miss a post. Also if anyone is interested in helping out on the reviews front then let us know via the Contact Us page.

ALBUM REVIEW: RUNA- ‘Ten: The Errant Night’ (2019)

Innovative and award-winning Celtic Roots band, Runa draw on the diverse musical backgrounds of its band members and offer a modern, referential and refreshing approach to traditional and more recently composed Celtic material. 

Hear the world premier of Ten: The Errant Years tonight, Sunday, March 10th, on the Live Ireland (here) radio station on The Bill And Imelda Show. The show will begin at 18:00 GMT. So be sure to tune in and join the ever growing ranks of RUNAtics!

Runa have graced these pages a couple of times before and though you won’t ever find them supporting the Dropkick Murphys (mores the pity as that would be one hell of a gig!) they are, and remain so after Ten: The Errant Years, one of the favourite bands over here at London Celtic Punk HQ. With four studio albums behind them Runa celebrate their tenth anniversary with their first release since 2016’s imaginatively titled live album Live. Over the years their prominence has risen and risen to the point now where the guests on Ten read like a who’s who of the Folk and Country scene in north America. With several Grammy award winning musicians on board for this album, including legendary Irish singer, Moya Brennan; nine-time All-Ireland Irish fiddle champion, Eileen Ivers; Nashville session musican, Jeff Taylor; and Nashville singer-songwriter and Harmonica player, Buddy Greene, and many more, then Ten already sets the bar high before you have even listened to it.
Traditional Irish folk music has never stood still. Ever. Change may have been slow at times but it always came and always despite those who would never accept any deviation to what had become before. As Ireland’s people spread reluctantly across the world they took with them their music and so Irish music evolved. From the 1940’s onward it was seen as the music of the farming communities and the working-class and held in low esteem until The Clancy Brothers shot to fame in the 1950’s and introduced it to an audience well outside of the Irish community and suddenly it become very popular. The Dubliners moved it further on with their Guinness soaked ballads of the 60’s with the Irish showbands and Celtic-Rock of the 70’s taking us up to The Pogues and their beer soaked ballads of the 80’s and the more modern development of Celtic-Punk. Outside the island of Ireland Irish music has soaked up the influences of wherever Irish people have washed up and fully embraced it. In the States that means pushing the boundaries of Irish folk into Country and Americana and Bluegrass. Runa do all this but in a much more subtle way than any Celtic-Punk would and it has been very successful too with them being awarded several honours including Top Group and Top Traditional Group in the Irish Music Awards and three Independent Music Awards including Best Live Album, Best World/Traditional Song, and Best Bluegrass Song. They even wound as #1 in the 2014 London Celtic Punks Best Trad/Folk Album of the year for Current Affairs.

Runa from left to right: Canadian Cheryl Prashker on percussion, Jake James of New York on the fiddle, vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Caleb Edwards of Nashville on mandolin and Dublin-born Fionán de Barra on guitar, bass, vocal and bodhran.

Together they have set the Irish folk music scene alight and will continue to I am sure with the release of Ten. The songs here represent the progression of Runa from a traditional Irish folk band to what they call themselves ‘Celtic Roots’. Music that not only takes in the other Celtic nations but also their adopted home on the other side of the Atlantic. Ten begins with Glasgow-Irishman Paul McKenna’s track ‘Again For Greenland’. It’s the usual story of an Irishman going off somewhere leaving his beloved back home on the shore.

“We leave our sweethearts and our wives,
All weeping on the pier;
Cheer up my dears, we’ll soon return,
‘Tis only half a year.”

The rumble of the bass at the beginning gives way to Caleb’s amazing mandolin and Shannon’s ever amazing vocals which lead everything along and adds so much to the music. It’s for albums like this and bands like Runa that the dictionary folk invented the word ‘catchy’ so to spare me repeating it for every song just assume that every song here is and bloody well is too!

Commemorative plaque in Mexico City unveiled in 1959: “In memory of the Irish soldiers of the heroic St. Patrick’s Battalion, martyrs who gave their lives to the Mexican cause in the United States’ unjust invasion of 1847”

‘John Riley’ tells of the Irish adventurer who left Galway during the famine years and winded up enrolled in the American army where he ends up fighting in the Mexican–American War of 1846–1848. Treated terribly by the US army and suffering from the common anti-Irish and anti-Catholic discrimination of the time John led a number of fellow Irish Catholics who decided to defect to the Mexicans, where they formed the Saint Patrick’s Battalion in the Mexican Army, fighting bravely in several battles though eventually being all but wiped out in the The Battle of Churubusco on the 20th August, 1847. Their memory is still celebrated widely in Mexico today. The song speeds along at a decent pace and Buddy Greene’s harmonica certainly livens it up along with the beat of Cheryl’s percussion. A sad story but one of many times through history the Irish proved themselves in battle. Though Shannon’s voice is intrinsic to Runa’s sound the band naturally excel with pure Irish trad and with the superb ‘Kelly Man Reels’ Jake plays amazing fiddle to the opening two reels written by Fionán before ending the track with the Scots reel ‘A Trip To Strathbogie’. ‘The Green Fields Of Canada’ sees Shannon tell another tale of Irish emigration though unusually as Andy Irvine, who recorded the song with Planxty, says
“Unlike most emigration songs, the émigré in this one appears to believe he has done the right thing”.
A beautiful song tinged with sadness as the Irishman promises to himself that when he makes it big
“If ever friendless Irishmen chances my way:
With the best in the house I will greet him and welcome”

Next up is the modern day Scottish folk song ‘Thaney’ written by Karine Polwart of Malinky. Upbeat and again Cheryl’s innovative use of percussion adds so much to the sound of the song. ‘Great Lakes Of Pontchartrain’ is an American ballad telling of a man who falls in love but the love is unrequited. Thought to have originated in the southern United States in the 19th century it is perhaps most famous for its recording by the legendary Planxty in 1974. ‘Firewood Set’ is another grand set of reels with the opening track written by fiddle player Jake and June Apple and finishing with the trad ‘Chinquapin Hunting’ and the switch from fiddle to mandolin is absolutely seamless. ‘The Banks Of Newfoundland/ Jerusalems Bridge/ Crowleys’ begins with the first of the three tracks with another sad tale of emigration. Written in 1820 the subject matter belies the tune in these songs and with two fantastic reels added onto the end it’s pure upfiting. More than half way through Runa now play a glorious cover of the David Francey penned track ‘Saints & Sinners’ which could almost have written for them. They follow this with the long forgotten Hoagy Carmichael and Jack Brooks penned ‘Ole Buttermilk Sky’. Written in 1946 for the Western movie ‘Canyon Passage’ it’s pure hokum and a welcome and jolly interlude. ‘Torn Screen Door’ is a beautiful song featured here in a stunning video below. Sung unaccompanied by music this style is known across the world as acapello but in Ireland it is called sean nós (Gaelic for ‘in the old style’) and is considered the ultimate expression of traditional singing. Usually sang as a solo but not always, here Runa tell the all too common story of hardworking working class folk losing it all.

In true sean-nós style the words are considered to have as much importance as the melody as in ‘Torn Screen Door’. With ten years under their belts it’s only natural that people have come and gone but Runa always welcome them back for more, as on their last album Live, and the following few songs have a handful of ex-members joining in, like on ‘Runa Alumni Set’ which flips from folk to jazz to trad Irish and back again all seamlessly and is an absolute pure joy to listen to. Just three songs to go and on ‘An Buachaillín Bán’ Runa are joined by Clannad’s Moya Brennan as well as Fionán’s brothers Cormac on harp and Eamonn on flute for a beautiful and gentle version of this Gaelic language song. ‘Dance In The Graveyards’ again shows the bands versatility with a cover of the North Carolina-based roots-rock band Delta Rae’s 2012 hit and the curtain comes slowly down on Ten: The Errant Years with the trad Appalachian spiritual ‘Bright Morning Stars’. Slow and mournful and a superb way to end things.

CLICK HERE TO HEAR A PREVIEW OF THE ALBUM

Runa have an amazing way of interpreting work and with the songs here ranging from centuries old to modern times the selection is as varied as you could wish for while still having Runa stamped all the way through it like a stick of seaside rock. There are no boundaries for Runa as they continue to expand on their Celtic sound and even throw in such gems/surprises as ‘Ole Buttermilk Sky’ among the sometimes haunting and tragic melodies and themes from Ireland and Scotland giving such a refreshing take on Celtic traditional music. It is no wonder that Runa are well received everywhere they go and their reputation as one of the best and inventive folk bands of this modern era is well deserved.

Discography

Jealousy (2009) * Stretched On Your Grave (2011) * Somewhere Along The Road (2012) * Current Affairs (2014) * Live (2016) *

Buy Ten: The Errant Night

CDbaby  -their is no pre-release order so the CD will be available here shortly

Contact Runa

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ALBUM REVIEW: RUNA- ‘Live’ (2016)

Timeless, flawless, innovative and award-winning Irish-American Celtic roots music.

RUNA Live

After four superb studio albums the brilliant Runa release a live album, imaginatively titled Live, that captures perfectly the sound of this amazing band. With a pedigree second to none, made up of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Dave Curley of Galway on mandolin, vocals, bodhrán, and step-dancing, and Maggie Estes of Kentucky on the fiddle they are surely bound to hit the heights again with this album and they have deservedly earned their reputation as one of the most innovative and unique Irish bands of recent times.

Claude was a evangelical preacher, faith healer and singer-songwriter who helped popularise the music of the Appalachian mountains and was one of the fore-runners of the birth of rock’n’roll. Great percussion here keeping a fantastic beat while Shannon’s beautiful voice confers the greatest respect for Claude’s music. The opening song contains all those elements that make Runa such an interesting band. Based in the music of the celtic nations there is so much going on here that to simply call it celtic music does not give you anything like the full story. ‘

“Still I sing bonnie boys, bonnie mad boys,
Bedlam boys are bonnie
For they all go bare and they live by the air,
And they want no drink nor money”

In the 18th century it became a popular diversion to visit the hospital to watch the antics of the poor inmates. Admission was one penny and the hospital realized an income of four hundred pounds a year from visitors. The song Fionán de Barra takes over vocal duties and murderer. Excellent fiddle and a real thigh slapper that gets the audience here really involved and singing along.

“False Sir John’s a wooing gone
To a maid o’ beauty fair
May Colven was this lady’s name
Her faither’s only heir”

“Then myself and a hundred more to America sailed o’er
Our fortunes to be making we were thinking
When we landed in Yankeeland they shoved a gun intae our hand
Saying, Paddy you must go and fight for Lincoln

General Meagher to us said, If you get shot and lose your head
Every mother’s son of you will get a pension
In the war I lost my leg, all I’ve now is a wooden peg
By my soul it is the truth to you I mention

Now I think myself in luck to be fed on Indian buck
In old Ireland the country I delight in
And with the devil I do say, Oh Christ curse America
For I’m sure I’ve had enough of your hard fighting”

One of the saddest of the Irish emigration songs it is unusual in that songs of that time were written by the people escaping the ‘famine’ back home and extolling the virtues of the ‘land of liberty’. To put it glibly ‘out of the frying pan and into the fire’. Truly not every man is a king in the US of A. Fionán takes over the lead vocals again and his whispered hushed tones fits perfecting the sadness in the song. ‘The stereotype of whale fishermen is a of a hairy chested, hard working, hard drinking, hard fighting men of the sea and while, no doubt the description fitted many of them, they often showed a strong liking for gentle ballads like these. The first parts tells the whalefishers story while part two tells of how closely we came to the extinction of this majestic animal.

“My soul has been torn from me and I am bleeding
My heart it has been rent and I am crying
For the beauty around me pales and I am screaming
I am the last of the Great Whales and I am dying”

1947 between a young boy and a false knight (the devil in disguise). The child gets the better of him and damns him back down to hell. Steeleye Span, Oysterband, The Blue Velvet Band have all recorded the song and here Runa give it as good as anyone with Shannon’s vocals shining out. So ends Set One and begins Set Two.

RUNA inside

All rested Runa return to rapturous applause and kick off their set with fiddler and composer born to a Irish musical family in Chicago, Illinois. next up is ‘

“Mhí mise lán den tsaoil is bhi cion amuigh is istigh orm
Nach mór a dáthraigh an saol nuair nach bhfuil eion ag duine ar
bith orm? / At one time in my life I was dearly loved by everyone
Haven’t times changed when no one cares a whit for me?”

(“Fine girl you are!”) version beloved by Irish pub dwellers worldwide but another less well known song written by Gerry O’Beirne about a man who leaves Ireland and ends up in the America southwest, eventually dying fighting and dying for the Mexican Army in the San Patricio Battalion (St Patrick Brigade).

“There the winds of change they blew so far
Of liberty and revolution
And it seemed that each man heard in his breast
the drumming of a nation”

Robert Dwyer Joyce

“Twas hard the mournful words to frame
To break the ties that bound us
Ah, but harder still to bear the shame
Of foreign chains around us
And so I said, ‘The mountain glen
I’ll seek at morning early
And join the brave united men’
While soft wind shook the barley”

and Aoibhneas Eilís Ní Cheallaigh/ Filleadh An Bhadora

Discography

Jealousy (2009) * Stretched On Your Grave (2011) * Somewhere Along The Road (2012) * Current Affairs (2014)

Buy The Album

CDBaby  Amazon

Contact The Band

WebSite  Facebook  Twitter  ReverbNation  YouTube  Soundcloud

  • For the review we published of the last Runa studio album Current Affairs check here

LONDON CELTIC PUNKS PRESENTS OUR BEST OF 2014!

TOP TWENTY CELTIC PUNK ALBUMS OF 2014

Last year our ‘Best Of’ list was completely dominated by bands from these shores but this time there’s a much more international flavour to 2014’s Best Album’s list. Again Irish influenced bands dominate but the absolute standout album for me was without a doubt Uncle Bard And The Dirty Bastards from Italy who nailed their fusion of punk rock and traditional music completely. With their own roots and influences included along with some amazing uilleann piping they are deserved winners of the Best Album spot. Kitchen Implosion join them in what has been a great year for Italian bands. Sure not all of these twenty bands are celtic-punk in the dictionary definition of the phrase but sod that anyway. These are what we liked and they all fit in in some way. Twenty bands from thirteen countries (Italy, England, Sweden, Brittany, Canada, Ireland, USA, Australia, Brazil, Catalonia, Germany, Switzerland and Belguim) which only goes to show the international appeal of the celtic-punk scene these days. A special mention for London Irish band Creeds Cross superb debut album. Only just caught them live and they were awesome so hoping to see much more of them around town in 2015.
As ever we have reviewed some, though not all of these albums, so click (here) after the title and you will be re-directed to our review.
We compiled the ‘Best Of’ lists together from the scraps of paper handed to me by the various admins from the London Celtic Punks facebook page.
1. UNCLE BARD AND THE DIRTY BASTARDS- ‘Get The Folk Out!’ (here)
2. CREEDS CROSS- ‘Gods And Fighting Men (here)
3. ROVERS AHEAD- Always The Sinner, Never The Saint (here)
4. LES RAMONEURS DE MENHIRS- Tan Ar Bobl (here)
5. THE MAHONES- The Hunger And The Fight
6. BLOOD OR WHISKEY- Tell The Truth And Shame The Devil (here)
7. THE ROUGHNECK RIOT- Out Of Anger
8. BASTARD BEARDED IRISHMEN- Rise Of The Bastard (here)
9. JAY WARS- Carry Me Home (here)
10. THE RAMSHACKLE ARMY- Letters from the Road Less Travelled
11. 6’10- The Humble Beginnings Of A Rovin’ Soul (here)
12. LUGH- Quando Os Canecos Batem (here)
13. SIGELPA- TerraMorte (here)
14. KITCHEN IMPLOSION- Pretty Work Brave Boys! (here)
15. THE KILKENNY KNIGHTS- Bradys Pub Tales (here)
16. BEYOND THE FIELDS- The Falcon Lives (here)
17. THE YOUNG DUBLINERS- ‘Nine (here)
18. KELTIKON- Agenbite Of Inwit (here)
19. FM 359- Truth, Love And Liberty (here)
20. THE BLACK TARTAN CLAN – Scotland in Our Hearts
a special special mention for three absolutely brilliant compilation albums too. Can’t really include them in the Best of charts so heres all three in no particular order at all as they are all 11 out of 10!
a class album with 4 songs per band and an absolutely beautifully put together record. THE PORTERS/ THE JUDAS BUNCH/ THE MAHONES/ MALASANERS 4-WAY SPLIT DOUBLE ALBUM- ‘Welcome To The Folk Punk Show’ (2014)  here
a mostly Russian compilation paying tribute to all (lets just face it they are!) our favourite celtic-punk band- ‘Ex-USSR Tribute To The Dropkick Murphys’ (2014)  here
this ought to be the number one album of the year to be honest. a fecking amazing compilation of Indonesian celtic-punk bands.the quality is amazing throughout.absolutely stunning. I cannot recommend enough!! ‘Wind From The Foreign Land- Indonesian Celtic-Punk Compilation’ (2014)  here

TOP FIVE CELTIC PUNK EP’S OF 2015

No question which EP deserved this and Russia’s Middle Class Bastards just blasted us away with their follow up to their 2013 album. Superb use of bagpipes and brass instruments combined with fast but tuneful punk rock. A bit unfortunate for Black Water County who looked nailed on to win this for most of the year with their fantastic 2nd EP. The Breton band The Maggie Whackers released their EP back at the start of the year while The South Sea Ramblers from South Africa literally released theirs just a couple of weeks ago while LQR from Holland slipped theirs out in time for St Patricks Day… ooh err missus! So spread out across the year but these are the ones that left their mark. Looking forward to hearing more from them all and long players must be arriving soon I hope.
1. MIDDLE CLASS BASTARD- Rebel To The Core (here)
2. BLACK WATER COUNTY- Fellowship Of the Craic (here)
3. THE MAGGIE WHACKERS- Naoned Whisky (here)
4. LQR- A Touch Of Liquor (here)
5. SOUTH SHORE RAMBLERS- Bare Knuckle Blackout

TOP FIVE TRAD ALBUMS OF 2014

As the blog is for (mostly) celtic punk so it is that we only review stuff that isn’t celtic punk if we really really (really!!) like it. All these rocked our boat and we loved them all to bits. Hard to decide which order they should go in but this is how we ended up. Turned out to be an all Irish list with I DRAW SLOW from Dublin with beautiful alternative country sounds and both Cork’s THE BUACHAILLS and London’s THE CRAICHEADS going head to head with both bands playing similar styles of music while Irish-American supergroup THE ALT’s debut album was a worthy runner-up to fellow Irish-Americans RUNA’s brillliant fourth album.
1. RUNA- Current Affairs (here)
2. THE ALT- ‘The Alt (here)
3. THE CRAICHEADS- Brewed in London (here) 
3. THE BUACHAILLS- At Your Call (here)
5. I DRAW SLOW- ‘WhiteWave Chapel (here)

BEST CELTIC PUNK WEB-SITE OF 2014

Celtic Folk Punk And More Blogonce again there is no question who gets this
CELTIC FOLK PUNK AND MORE
 keeping the whole wide world up to date with what’s going on and who is doing who within celtic punk (and more!) while also supplying us with regular free downloads and free compilations. Waldo you’re great. Keep it up mate!

BEST GIGS

Apart from the ones we put on which were all amazing and showcased some amazing performances from JAY WARS and THE DEAD MAGGIES from Aus, THE GREENLAND WHALEFISHERS from Norway, a couple of benefit gigs for Mad Dog out The Popes (hope youre back on your guitar highkicking soon pal!), BLACK WATER COUNTY played their London debut and went down a fecking storm, me O’s mates STEVE WHITE AND THE PROTEST FAMILY were as superb as ever and released a fantastic album. One of the major highlights was discovering the quintessential London Celtic Punk in ANTO MORRA and we look forward to working with him again in the future. We teamed up with fellow Londoners of Urbankelt and will be doing so again too.

I also saw DAVID ROVICS for the first time, THE MEN THEY COULDN’T HANG’s amazing 30th anniversary show was incredible, NECK and their sadly ended residency at TChances which had us all pissed on Polish lager on Sunday afternoons for the first 6 months of the year, FLOGGING MOLLY in Reading in June which showed they havent lost a thing and are as great as ever, THE POGUE TRADERS were the best Pogues tribute band I ever seen. Disappointing was missing so many gigs where I just didnt have the cash especially The Pogues various outings. THE STANFIELDS from Canada seemed like a decent bunch of lads but their London gig was a total rip-off. The pre-gig ticket price was £7-50 which more than doubled to £15 on the door on the night. Oi bands watch out for charlaten promoters won’t you? Rebellion music fest brings loads of decent bands over to play but that means that they all end up playing in the same week so I had to forgo THE GO-SET’s return to London. Missed out on THE WOLFE TONES London gigs too due to work. All three of them! THE LAGAN have been brilliant. Far far too many of their gigs to go into detail so we have choosen the whole of St Patricks Weekend as our Number One! With NECK playing three gigs over the weekend and both THE BIBLE CODE SUNDAYS and THE LAGAN playing on the same day as well it seen a clean sweep of all the London bands done. Afterwards sick days were phoned in, headache pills were taken and the best St Patricks in donkeys was had.
Now were just looking forward to catching THE DROPKICK MURPHYS ‘Celtic Invasion ‘ Tour in Dublin and London this year round St Patricks Day.
Sláinte, The London Celtic Punks Crew- 2015
 London Celtic Punks
Of course all these things are very subjective so don’t be dismayed if your album ain’t here. What appeals to one don’t neccessarily appeal to another. It would be impossible to keep up with the multitude of celtic-punk related releases so these are the best of of what we actually did get to hear. All the various sites in the celtic-punk family had different winners so to see what they thought check out the Best Of lists of the following sites…
click on the blog logo at the top of the page to find more of this kind of stuff…

ALBUM REVIEW: RUNA- ‘Current Affairs’ (2014)

Runa- 'Current Affairs' (2014)
Runa were formed in Philadelphia in The USA in 2008 and consist of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Dave Curley on mandolin, vocals, bodhrán, and step-dancing, and Maggie Estes of Kentucky on the fiddle. The band often performs with world-renowned, guest musicians, including Ross Holmes (Mumford & Sons, Cadillac Sky, Chessboxer) on fiddle, Matt Mancuso (Cathie Ryan Band) on fiddle, and Isaac Alderson (The Yanks, Comas) on the uilleann pipes, flutes, and whistles.
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‘Current Affairs’ is their fourth studio album and maintains the high standards they’ve set themselves. They play highly energetic and graceful, acoustic melodies with their fusion of music from Ireland, Scotland, Canada, and the United States. Reminiscent of Irish-American legends Solas the bands Irish-American roots shine through drawing inspiration from the celtic tradition and the modern realities of being Irish in America today.

Thirteen tracks that come up just a few seconds short of a hour and if its class Irish music you want then this is the place. ‘Current Affairs’ begins with the track Pete Seeger made famous ‘The Banks Are Made Of Marble’, written by a New York apple farmer Les Rice in the 1930’s celebrating the struggles of the working class. Kicking off with acoustic guitar and harmonica before the band join in. Sadly the band recorded the song the night Pete Seeger died and it’s as good a tribute to him as would be possible. ‘The Wife Of Ushers Well’ is a sad song of a mother’s loss breaking into reels half way through before returning to the song. ‘The Hunters Set’ is a collection of tunes centred around hunting from across North America and begins with the fiddle before the whole band finish the song with a almighty racket! ‘Henry Lee’ is a tune with its roots in the celtic nations and their offspring in the Appalachians and is one of the album’s standout tracks telling the tale of a jilted lovers revenge. The guitar playing is exemplary and leads the song in a quite jazzy way. Amos Lee’s ‘Black River’ is a slow ballad capturing the simplicity of the human spirit. This is followed by a beautiful collection of songs with dual vocals in both Scots gaelic and Irish. Its great to hear our native languages and it’s a true testament to the band. ‘The False Knight Upon The Road’ is a traditional song about a young boy who meets someone who tries to trick him. Claude Ely’s gospel song ‘Ain’t No Grave’ has been covered by artists as diverse as Johnny Cash and Norah Jones but never quite like this. Starting as a mournful ballad, fiddle jumps in and the song becomes upbeat with its story of overcoming life’s trials. ‘Who Will Sing Me Lullabies’ was written by Kate Rusby who is already gaining legendary status on these shores so its great to see her influence spreading across the broad atlantic. The word beautiful crops up a awful lot in this review and I can frankly find no better word for what I’m hearing. Kate is I’m sure honoured to have Runa cover this song. ‘The Ruthless Wife’ is the story of the death of vocalist Shannon’s great-grandfather James Allen Lambert in Philadelphia back in 1922.  A proper murder ballad of a policeman (what else could he have been…) killed in the line of duty and a real ladies man. Instrumental ‘Land of The Sunshine Set’ is a set of reels and tunes that gives the whole band a chance to shine and shine they do with each instrument getting a good airing and is as perfect as they come. ‘Rairies Hill’ is a traditional Scots love song from Dundee and breaks into a lovely upbeat section in the middle. ‘The Last Trip Home’ brings the album to a close with a slow and, yes, beautiful song based on the plight of plough horses in the north of england when they had become ‘obsolete’. A truly horrible word used to describe us all when we are no longer needed and stand in the way of what they call progress.
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The CD comes in a gatefold sleeve with descriptions of all the songs and has had as much care and attention lavished on it as the music that’s inside. As mentioned Runa remind me of Solas but not in any sort of derivative way. They have their own sound and ways and this album would be a welcome addition to anyones collection. With its elements of Americana and bluegrass as well as celtic it’s perfect for those quiet times when all you want to do is relax and contemplate life and its tragedies and celebrations.

Contact The Band
Buy The CD
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