Category Archives: Bagpipes

MUIRSHEEN DURKIN RELEASE NEW SINGLE. COVER OF THE UK SUBS ‘RIOT’

German Celtic rockers Muirsheen Durkin release ‘Riot’ as a tribute to old school indestructible Punk-Rock legend Charlie Harper of the UK Subs.

“Closing down our club for no good reason” A wake-up call after the forced Corona break!

Having known each other for some thirty years it was only a few years back in 2009 that the idea to start something new came up. Wanting a band with its feet based firmly in traditional Irish music and with an emphasis on emigration songs Muirsheen Durkin & Friends was born. Their feet may be in trad music with mandolin, banjo, tin whistle, accordion and two pipers but the addition of classic rock and Punk sees Muirsheen Durkin as one of the leading lights in the German Celtic-punk scene.

Their latest single is a pretty damn good cover of the UK Subs ‘Riot’. Released in 1997 on the album of the same name which was the first in decades to re-unite original members Nicky Garrett and Alvin Gibbs back together with the Peter Pan of Punk Charlie Harper. Formed in 1976 the UK Subs were one of the original bands in the first wave of Punk in the UK. Famous outside of Punk for their album releases starting with consecutive letters of the alphabet from Another Kind Of Blues in 1979 to Ziezo in 2016. Since then this most prolific of bands have added another two albums and a EP. Born in Hackney and now aged an incredible 77 years old Charlie Harper has been the mainstay of the band throughout the years. Still energetically performing at up to 200 UK Subs gigs a year he is an inspiration to us all.

Inner City life
Is getting me down
Police and gang wars
All over town
Closing down our clubs
For no good reason
Hassle us on the street
Take away our freedoms
*
Oh, oh, we want a riot
Oh, oh, so sick and tired
*
Here come the riot squad
They’re closing in
Guns and riot shields
And gas grenades
They see us standing there
All in a line
Black and white unite
Confrontations high
*
Oh, oh, we want a riot
Oh, oh, we’re sick and tired
*
Oh, oh, leave us alone
They have a justice bill
That’s what they say
Now, they have the power now
To put us away
There were four of us
Minding our own
We’re a riotous assembly
Walking down the road
*
Oh, oh, we want a riot
Oh, oh, so sick and tired
Oh, oh, we wanna riot
Oh, oh, leave us alone
*
The song is available on the MacSlon’s Irish Pub Radio compilation album Raise Your Pints #6 – Coronoa Sessions which features twenty bands from eleven countries celebrating (might be the wrong word- editor) the virus lockdowns in Celtic-Folk-Punk style. Every variation of Celtic-Punk is covered from trad to Hardcore and is available from the link below.

RAISE YOUR PINTS #6

Contact Muirsheen Durkin  WebSite  Facebook  ReverbNation  Spotify  YouTube

ALBUM REVIEW: RAISE YOUR PINTS. CELTIC- PUNK SAMPLER. VOLUME 6 – VARIOUS ARTISTS (2021)

From the scene. For the scene.

After months of planning, organising and fund-raising the compilation album Raise Your Pints #6 has finally been delivered. Twenty bands from eleven countries celebrating (might be the wrong word- editor) the virus lockdowns in Celtic-Folk-Punk style. 

Anyone remember the original Celtic-Punk samplers from Shite’n’Onions? I think they stretched to three volumes and came at a time when I had never been on the internet. Yes I was one of the select few who never even had a MySpace account! So to come across these samplers with upwards of twenty  bands on and pretty much all new to me (even the English ones) was eye-opening… or should that be ear-opening? Them days are long ago and we can thank Shite’n’Onions for being early pioneers of the Celtic-Punk sampler though they have long passed the baton onto MacSlon’s Irish Radio. Now in their 11th year the radio station brings out the best in Celtic-Rock, Celtic-Punk and trad Irish Folk both modern and ancient(!). They have also for the last few years been a major player on the merchandise front organizing merch for a whole host of bands from across mainland Europe and even the United States.

This is the 6th in the Raise Your Pints series and all the songs have been written and recorded over the last 16 months while the Corona virus has done it’s best to wreck the music industry. We are yet to see what long term damage the lockdown have caused but already here in London, and across England, many music venues have closed their doors permanently and several bands have handed in their guitar straps. The thirst for live music though seems at a all time high but bands are still finding it difficult to book gigs and tours with so much uncertainty around about whether or not the lockdown will return.

So the arrival of Raise Your Pints #6 is to applauded for many reasons but chiefly among them is that the bands will directly benefit from the sales of the CD and with not much else going on it’s a chance for them to remind their fans and followers that they are still here and still fighting.

Reviewing a compilation album is hard enough but one made up of different bands is even harder so I will forego the usual review and just tell you a small bit about each artist and song and link to them so they can tell you more. Of course the best way to find out more is to buy the album!!!

RAISE YOUR PINTS VOLUME 6

THE MULLINS (France) – ‘Part Of Me’

The album kicks off with The Mullins. Hailing from the south of France their song began life before the lockdown but the band took the opportunity to perfect it and even managed to get together inbetween lockdowns to record the cracking video!

THE CEILI FAMILY (Germany) – ‘Corona Chesay’

The album is perhaps a bit top heavy with German bands but that is totally understandable. They do have the #1 scene in Europe you know. The Ceili Family are one of the better known established bands. The band first stirred back in 1996 and even had a great recommendation from the late Philip Chevron: “Enjoyed listening to the CD, by the way. Always good to see people doing something of their own with the basic idea we invented!”

THE FEELGOOD McLOUDS (Germany) – ‘Dirty Bastards’

More Germans here with The Feelgood McLouds formed in January 2015 southwestern Germany. More than any country in Europe the Germans have embraced Celtic-Punk with the number of bands, gigs and fans far outstripping anywhere else this side of the Atlantic. This track is taken from this years critically popular ‘Saints & Sinners’ EP.

GRASS MUD HORSE (China) ‘ Absent Friends’

Grass Mud Horse only seem to have around a year or two but already have more releases than many more well established bands. Formed when Scouse-Irish musician Chris Barry mover to China the band has had some set backs with members coming and going because of the virus (they are based in Wuhan) but luckily things have settled down and they recently recorded a single with yer man Frankie McLoughlin.

UNCLE BARD AND THE DIRTY BASTARDS (Italy) – ‘Back On Your Feet’

From playing with ALL the Celtic-Punk superstars to headlining festivals across Europe and even getting to the United States several times Uncle Bard And The Dirty Bastards are without a doubt one of the select few you could describe as ‘Premier League’ Celtic-Punk bands. ‘Back On Your Feet’ is one of the standout tracks from last years album Men Behind The Glass that the Bhoys have recorded an acoustic version for here. One of many great Celtic-Punk highlights during the lockdown was the Bastards hour long acoustic live stream. Brilliant!

JACK IN THE GREEN (Germany) – ‘Old Maui’

Yeah we may have all heard it a 100 times by now but popular covers are popular for a reason. That we never tire of hearing them! Hamburg’s Jack In The Green play a great acoustic version rather than the ‘choir/acapello’ type I’m more use to hearing. Vocals remind me a lot of from The Whisky Priests who in their day were massive so wonder if they were an influence here. 

THE MOORINGS (France) – ‘Champion At Keeping It Rolling’

Cracking version of the Ewan MacColl penned classic about lorry driving from French band The Moorings. Formed in 2011 the band have released several albums and EP’s a Folky version of this song appears on their debut EP Pints & Glory but they have re-recorded it in proper Celtic-PUNK style here. They have just completed a successful crowd-funding campaign for a new album so can’t wait for that.

JOHNNY HASH (Ireland) – ‘Ride On’

Johnny Hash is a bunch of people from various Belfast bands who got together during the lockdown and released a few videos of Irish Folk classics. Christy Moore’s ‘Ride On’ was their first attempt at a video. Still knocking them out months later let’s hope they develop into something more permanent.

THE RUMPLED (Italy) – ‘If I Should Fall from Grace With God’

The Pogues track gets an airing here from the Italian band The Rumpled. Hard to compete with the originals but gutsy to try and they give it a great go. A relatively new band having got together in 2013 in Trento, Italy. Known for fast paced Celtic-Punk, combining Irish Folk, Rock, Ska and Punk. They have a new album out at any moment so watch this space for news on that.

MEDUSAS WAKE (Australia) – War Of Independence

The debut album from Sydney based Celtic-Folk-Rockers Medusa’s Wake hit the top spots in all of 2018’s Celtic-Punk medias yearly ‘best of’s’ and since then they have gone from strength to strength. Writted by Tipperary born Eddie Lawlor, he sings from the heart of the war back home between 1919 and 1921 against the British. Much of that war took part in the fields and villages of the ‘Premier County’ and those of us with Tipp backgrounds grew up hearing of the tales of heroic activities of those ordinary men who took on the worlds strongest army.

HELLRAISERS AND BEERDRINKERS (Germany) – ‘Stay At Home’

Hellraisers And Beerdrinkers may just have the best name in Celtic-Punk but they are a pretty shit-hot band as well. They take their name from a song by rockers Motorhead so should give you an idea about them! Another band that hails from Germany from the small town of Schwäbisch Gemünd. ‘Stay At Home’ is a re-recorded re-jigged new version of a song from their debut album Folk’s Gaudi in 2016.

AN SPIORAD (Germany) – ‘Carry Me Home’

German band that began life as a two-piece band “The Plästik Päddies” in 1997 before changing name to the far more complicated An Spiorad (Scots Gaelic for The Spirit). ‘Carry me Home’ is taken from their recent album Album Dord Na Mara.

SONS OF O’FLAHERTY (Brittany) – ‘The Pack’

More Celtic Celtic-Punk now from Vannes in Brittany Sons Of O’Flaherty formed as a duo in 2010 they soon fleshed out to a whole band due in no small part to the popularity of Irish music in this Celtic nation. ‘The Pack’ is a new song and with it being four years since the release of their last album The Road Not Taken hopefully this signifies some new sounds on the way.

NEVERMIND NESSIE (Belgium) – ‘Lock Him Up’

Formed in Belgium in 2009 Nevermind Nessie‘s track comes from this years EP Another Six Pack Of Drinking Songs that came out in March. A fast, raucous song about Donald Trump.

KILKENNY BASTARDS (Germany) – ‘Be A Bastard’

More bastards!! This time from Iserlohn in North Rhine-Westphalia, Germany. Like many German bands their emphasis is on playing live such is the demand for their music so their recording output sometimes doesn’t match up with the age of the band. Kilkenny Bastards are one such band and we look forward to them rectifying this soon!

ALL THOSE EMPTY PUBS (Switzerland) – ’40 Days’

Based up in the Swiss alps ’40 Days’ was the debut release from All Those Empty Pubs (what a great name!) earlier this year. We loved it so much we ran a feature and a small interview with Diego the genius behind this one-man-band. Diego utilises all his talents here with mandolin, flute, acoustic guitar and even Hammond organ alongside your more usual Rock band instruments. It just don’t get more DIY than this.

RAPPAREES (Germany) – ‘Las Vegas (In The Hills Of Donegal)’

Another band from Hamburg Rapparees kicked off thirty years ago in the dive bars before changing their name. A straight up acoustic cover of the Goats Don’t Shave song. A ‘raparee’ was the name given to Irish soldiers who survived the Williamite war with the British in the 1690’s and used guerilla tactics or became highwaymen after the war ended.

LA STOATS (Germany) – ‘Raise Your Pints’

German band La Stoats come from Essenbach in Bavaria in the south-east of Germany and incorporate the traditional tunes and melodies of their Bavarian home into their brand of Celtic-Punk. ‘Raise Your Pints’ is one of the standout songs here with chugging guitar and a real cool early 80’s Punk Rock sound with some superb bagpipes. Definitely a band worth checking out.

MUIRSHEEN DURKIN (Germany) – ‘Riot’

The last of nine German bands on Raise Your Pints features one of the best Muirsheen Durkin And Friends. ‘Riot’ is a bloomin’ brilliant Celtic-Punk cover of a UK Subs song from 1997. The original is superb but here it is mastered with the energy intact and growling vocals and a core of Celtic instruments chugging along.

SEAN TOBIN (USA) – ‘St. Patrick’s Day Forever’

The last of the 20th songs belongs to New Jersey Irish singer/ songwriter Sean Tobin. Theirs 2 versions of ‘St’ Patrick’s Day Forever’ and I guess you could call this the ‘radio edit’. Blue-collar, working-class Irish American Folk music and one of the standout tracks on the album to bring down the curtain.

So that’s yer lot. There’s bound to be a load of bands here that you have never heard of. Some are new even to us and the styles of music is varied from Folk and trad right across to Punk but the songs are all totally accessible at all times. This (like the previous five volumes) is essential listening to all fans of Celtic-Punk and we cannot put it any clearer than that! Raise Your Pints #6 is out on July 9th and is available for pre-release order from the link below.

https://macslons-shop.com/v-a-raise-your-pints-vol-6-cd

ALBUM REVIEW: DROPKICK MURPHYS – ‘Turn Up The Dial’ (2021)

Now the dust has settled and everyone else has had a go and published their reviews of the latest Dropkick Murphys album ‘Turn Up The Dial’ it is our turn. We see our role here as to promote the little known bands in the Celtic-Punk scene but we have always got time for the ‘big-hitters’ too. We are pleased to have guest reviewer Rory Quinn of New York-Irish-Celtic-Punk band The Templars Of Doom to give us a unique insight of the album from a American-Irish perspective. 

The Bastion Bhoys of Boston do it again!

After a year like 2020 you have two options for your fans: wallow in the suffering, or present the world a reprieve. Dropkick Murphys have (wisely I feel) opted for the latter. Not particularly a surprise from a band that spent the pandemic raising money for others and offering live-streamed performances to keep people entertained. So before you listen you have to ask yourself? Am I ready to say “forget the nonsense, let’s crank the music!”

Anyway, let’s dive in!

Arrangement wise this album has hooks and riffs for days between the multiple instrumental melodies to the gang vocal chant of chorus’s urging you to sing along before you’ve even finished the first listen! This band is tight, the parts fleshed out, the vocals good and snarky. Really what more could you want from classic Celtic-punk?

The Dropkick Murphy’s have had the means to create sonically fantastic worlds on record for a while now and ‘Turn Up That Dial’ is no exception. Every facet is crystal clear from the roar of the guitars to the lightest folk instruments. What really draws me in is their ability to match the intensity of their legendary live performances. At points I completely lost track of the fact I was listening home alone. I would have sworn I was in the middle of a crowd cheerfully chanting as I picked up the lyric!

Speaking of lyrics DKM are known for a combination of comedic and heartfelt songs with ’Turn Up That Dial’ continuing that tradition. You’ve got classic self deprecating “Middle Finger” vs the longing/sorrow of “I Wish You Were Here.” And of course, the occasional grateful power song as found with the albums namesake. Without explaining every song to you dear reader I believe you’ll get the idea, it’s the DKM, they have a style they love and we love ‘em for it!

We are blessed to be living in an age where the internet allows access to Celtic-Punk from throughout the globe. It’s easy to forget that not long ago this wasn’t so. My first experience with Dropkick Murphys came in the late 90’s. A cousin of mine HAD to show me this new record he got, one that combined Punk with our Irish heritage. I didn’t believe it until I heard it, and my life changed from the first riff. Being Irish was something that (as an American) was celebrated by my family and not much else. Sure the St. Patrick’s Day parade existed but it seemed more an excuse to party than to honor heritage. To hear in that music a shared sense of community opened my eyes to a world in which I firmly belonged, an understanding of family that exists from afar. Every year I hear more people dismiss DKM, maybe because they’re the easy target or because they’ve survived long enough to suffer “It’s not as good as their old stuff” syndrome. My retort is NONE OF THAT MATTERS. Love ‘em or hate them Dropkick Murphy’s opened the door for Celtic-Punk and a celebration of Irish culture all the world over, and for that I am eternally grateful. 

If you’re a Celtic-Punk fan lend this album your ear. It’s a prime example of what the DKM have been about for a while, story songs to improve your life from the sheer enjoyment of it all. This collection of 11 songs will have you moving, laughing, forgetting your problems, and most importantly turning up that dial!

Dropkick Murphys  WebSite  Facebook  Store

Now seems the perfect time to mention the #1 Dropkick Murphys group on Facebook. Ran by fans for fans. Simply click the link and join up and join in the Murphys related fun.

Dropkick Murphys – Fan Page

Thanks to Rory for the great review. The Templars Of Doom are soon to begin the recording of their third album but you can listen for free to both their previous albums at the link below.

https://templarsofdoom.bandcamp.com/

ALBUM REVIEW: BUGUL NOZ – ‘Chat In The Freezer’ (2021)

The second album from Bugul Noz. Belgian Celtic-Punk with major influences from both Metal and Brittany especially.

Apologies to Bugul Noz as their email somehow ended up in a file I no longer use so when I came across it four months later I dashed off an apology to the Bhoys and settled down to have a listen to their new album with a big mug of tea. The band hail from Namur in Belguim which is the capital of Wallonia one of the three federal regions that make up the country and has a history of coal mining and iron works. The band were formed in 2016 and as is usual their list of Celtic-Punk influences cites all the usual suspects but also bands like Les Beruriers Noirs and Trust and and Celtic music, whether Irish, Breton or Scottish.

Their debut self titled album of thirteen original tracks was released in the Summer of 2017. With the songs split fairly even between French and English it is the opening track that is my favourite even though I don’t speak French! Another great highlight is ‘Fucking Irish Song’ with Metal guitar and over the top vocals. Class! The whole album can be streamed via YouTube here. The Metal influence sometimes outstrips the Punk here but always with both feet anchored by Celtic music. The music does seem to have a Breton edge to it which is hardly suprising I suppose especailly when we learn that the band take their name from a Breton legend.

The Bugul Noz ‘Night Shepherd’ is a fae-like being who lives in the woodlands of Brittany. He is the last of his kind and is said to be incredibly ugly, which causes him distress. His appearance is so awful that even woodland animals avoid him, and he sometimes cries out to warn others nearby of his approach, so that he won’t frighten them and that they will go home. He is called the night shepherd because it is generally not safe in forests late at night. The Bugul Noz is not malicious (indeed, rather kind and gentle), he is always alone because of his hideous visage.

The bands second album was released back in January and no doubt they were expecting London Celtic Punks to be a bit more professional …well now now they know! Still here we are in the end and just a shame I missed out on hearing this earlier. The album is again all original tracks and with the songs split between French and English. I look forward one day to being able to write a review without having to mention the dreaded co*id lockdown but the inevitable delays and problems the lockdown presented don’t seem to have affected the finished article at all an Bugul Noz still managed to work together to get the album delivered.

Chat In The Freezer begins with ‘I’m Not Crazy’ and the familair drone of the pipes. How someone from Belguim decides to learn the bagpipes is a mystery to me but Fred is an excellent player and accompanied here by Candice on fiddle the song soon opens up into a real Celtic-Punk-Rocker. There’s plenty of Metal style flourishes and the song flashes by despite its length at almost five minutes. This is not Celtic-Punk for your Nan this is for the moshpit and shaking the dandruff out your hair. Tremendous!! As Bugul Noz are a brand new band to my ears I literally had no idea what to expect but one song in and I’m already loving it. ‘Ton Opinion’ is a more basic number and I can’t understand but the words are flying out at me as the fiddle leads. Next up is ‘Cat In The Freezer’ and no I haven’t left out the ‘h’. Strange name for a album song and being a cat fan I wondered what was ahead of me. Starting off with a sort of Gothic rumble and a cat meowing it soon develops into a punky chugging guitar classic. My favourite song of the album it builds up and up taking in a multitude of influences telling of a poor cat trapped in a freezer… I think anyway.  A couple of songs in French follow with ‘Meurs En Silence’ and ‘Chance D’exister’ and one thing that stands out a mile is the amount of lyrics here. Imagine that chorus of ‘The Rocky Road To Dublin’ over and over again. The music is fast and furious and I’m stuck somewhere between the Dropkicks and the Mollys here as a way to describe them. Of course they sound nothing like either but have perhaps the power of the Murphys and their Folkier side is more akin to Flogging Molly, To keep the tunes so faithful to Celtic music when ‘punking out’ is quite an achievement. ‘Donald’ begins with a spoken word intro in French so I can’t tell you anymore but the song does have a medieval feel to it, at least until Andy and Gilles come marching in with loud thrashy guitars. ‘From Hell To Freedom’ is, at five minutes, the albums longest track and with the whole album lasting nearly fifty minutes all the songs are given a chance to develop and its good to see the band taking their time. Not that they do here as Fred shouts out Conflict style over a thrashy-hardcore number not for the faint-hearted or them dreaded snowflakes I keep seeing mentioned everywhere.  Fred exhibits his superb piping again next on ‘Copier – Coller’ and believe me it is superb.

‘Sunday Morning’ has a more overt Murphys influence as well as 80’s English Punk thing going on. After several months confinement the band took advantage of the temporary cessation of the lockdown to get together to record the video for the lead single of the album ‘No Way’. As with all the songs on Chat In The Freezer the English language tracks take a more Punk approach while the French have a more Celtic feel. Still the bagpipes blare loud as hell and God alone knows how Fred managed to keep up with himself at the rate he does!

They pushed the boat out for the video for ‘Comme Une Licorne (Punk En Kilt)’ a hilarious romp through the Walloon countryside with transvestites, unicorns and drumming horses! The song is all pipes, fiddle, drums, pounding bass and chugging guitar and, of course, Fred and his distinctive vocals. We have reached the end and the decision must have been “shall we go out in style or show the skeptics that Celtic-Punk bands can play a mean traditional tune”? Well ‘Ciao L’ami’ takes both routes starting with with a nice gentle folky tune with gang vocals before the heavens open and they go out in Punk rock style.

So a cracker of an album that came as a very pleasant surprise. As I may have hinted this album is for the rockers out there but the all round musicianship is extremely good and the Celtic instrumentation is particularly good. You won’t be shocked to hear that I have a feeling that it is in the live setting that Bugul Noz really come into their own. Having already reached Moscow it’s not beyond the realm of possibility that London may be on their radar. I certainly hope so!

Contact Bugul Noz  WebSite  Facebook  YouTube  Instagram

ALBUM REVIEW: THE PEELERS – ‘Down And Out In The City Of Saints’ (2021)

Immersed in a hotbed of Gaelic culture that smashed head on into a love of whiskey, poetry, footy, debauchery, ska and punk The Peelers may not be the most prolific band on the Celtic-Punk scene but  for 20 odd years they have certainly been one of its best! 

Sadly for The Peelers the release of their fantastic new album Down And Out In The City Of Saints was overshadowed by the release of the new Rumjacks album. Coming out around St. Patrick’s Day we are normally overwhelmed with releases but it’s understandably been more of a slow trickle so far during 2021!

The Peelers left to right: Scotty Mitchell – Bass * Jonny Mooreman – Fiddle * Steve Creep – Lead Guitar * Dave Barton – Lead Vocals/ Rhythm Guitar * Eric Diamond – Organ/ Irish Whistles * Will Laurin – Drums *

One of North America’s more popular bands The Peelers are celebrating their 22nd anniversary this year after forming in 1999 in a small farmhouse kitchen in North Glengarry County in Eastern Ontario, Canada. Glengarry holds a special place in Canadian Irish history being separated from New York State by the St. Lawrence river it was originally settled by Irish immigrants who chose the name Glengarry in memory of home. It was where, during Án Gorta Mór, the coffin ships sailed to after being refused entry from America. It is thought over 15,000 Irish people are buried on the small island of Grosse Île where a huge Celtic cross now stands as a memorial to their poor souls. Nowadays though The Peelers are based in Montréal, the largest city in the French speaking province of Québec and The Peelers and their fame has long spread beyond Canada.

Their debut album Boots And Suits came out in 2002 followed by Liquordale in 2004 but it was an incredible 13 (thirteen!) years before they released another album with Palace Of The Fiend arriving on January 3rd, 2017. Recorded in five different studios, located in Montreal, Toronto and Morocco it was very well received across the Celtic-Punk world reaching #4 on the LCP Best Of 2017 list that year. So it is that a four year gap is not bad at all for The Peelers! The new album was again recorded in multiple places in Montreal, Dundee and Vancouver (sounds a bit like a version of Del Boy’s three wheeled van!) between December 2019 and June 2020. We can thank Covid for the gap this time with recording and production interrupted for several months while most of the world went into lockdown. The new material again reflects the North American experience of the Irish diaspora

“blending truth and fiction, glory and sport, love and loss, darkness and despair, while introducing composites of individuals, companions, friends and foes met along the punk rock journey.”

​Now signed to local record label Stomp Records Down And Out In The City Of Saints begins with ‘Give Us A Roar’ and its Celtic-Punk in it’s purest form. A backbone of Irish music ably joined by Punk and Rock’n’Roll that from the first few notes lets you know what you’re in for here! The title track follows and ‘Down And Out In The City Of Saints’ follows in the same energetic mode of music to beat up the floor to. Lyrically these are not your usual Celtic-Punk fayre of drinking and fighting songs (though their is some of that!) and these songs tell stories in the traditional sense.

“You can drive me to drink, I’ll give you the keys And I’ll chart a path to the sea”

The first track from the album to be released was ‘Prizefight’ and a great decision being the album’s standout track for me with singer/songwriter Dave Barton again coming up tops with a sing that channels both Rancid and The Tossers. Bagpipes appear for the next track on ‘Spirits Seldom Sober’ and if you can keep up with Dave here singing along to the words then hats off to ye. Heavy but not fast it has slower interludes of gang vocals and a brilliant pint in the air chorus.

“In bliss or torment judge him now but it’s not what you are thinking. It was an angel that put it in his hands but a devil made him drink it”

We step into real Irish territory with ‘Stick And Move’ a corker of a Gaelige rocker about Irish boxer Gary ‘Spike’ O’Sullivan, the pride of Cork city! Holder of multiple belts including Irish, WBA and WBO titles he also tread the boards starring in several films. ‘Rakes Around The Point’ carries on in the same Irish vein with a track telling of hoods, gun and gangsters.

The only video to promote the album was for ‘Glad To See The Back Of You’ which came out on St. Patrick’s Day. The song itself was actually a reworking of a demo from 2004 along with the album closer ‘From Here To Halifax’. The band excell themselves next with ‘Last Glass’ a rather beautiful wee gentle number with piano with Dave’s words spilling over with emotion proving again this guy is up there with the best in Celtic-Punk history.

“And what if this is our last glass
Just know I loved you all along
If all we’ve done is all we have
And all I’ve left you is this song”

The boxing metaphors continue on ‘Harder They Fall’ an irish rocker laced with a spirit of rebellion and defiance. The curtain comes down with ‘From Here To Halifax’ and I don’t think they mean the market town in West Yorkshire so it must be Halifax in the overseas Celtic territory of Nova Scotia. A working class fishing port it has long been associated with Celtic culture and immigration. The track is a cracking light hearted drinking song celebrating the town and a real good way to end things.

It may only be their third album in 22 years but isurely a case of quality over quantity! The albums ten tracks last almost forty minutes and has superb production as well as a pretty amazing cover by Canadian / Filipino artist @therealdannyrebel. Hope you guys are getting this knocked up as t-shirt? So St. Patrick’s 2021 did come good in the end and I look forward to still be playing this on next years one too!

(Stream / download Down And Out In The City Of Saints on the Bandcamp player below)

Buy Down And Out In The City Of Saints  Download / Vinyl – Bandcamp

The album is also available from Stomp Records

Contact The Peelers  WebSite  Facebook  YouTube 

EP REVIEW: THE WORKING CLASS SYMPHONY – ‘Mulat Sarira Angrasa Wani’ (2021)

A island nation with a great seafaring tradition and history of invasion and occupation that became a republic two years after Ireland. Why Indonesia of course and one of the leading lights of the Celtic-Punk scene are The Working Class Symphony.

Over the years that this site has existed we have reviewed many Celtic-Punk releases from Indonesia. In fact I’d go so far as to say that the scene there rivals Germany in it’s number of bands away from the traditional Irish/ Celtic diaspora communities. Tenholes, Black Rawk Dog, The Cloves And The Tobacco, Rain In Summer, Dirty Glass have all graced these pages but it was the magnificent Wind From The Foreign Land compilation that really exposed the Celtic-Punk scene to many outside the region. Featuring fourteen bands it is still one of the best compilation albums I have ever heard. Of course todays band The Working Class Symphony were one of the highlights and have gone on to feature here several times subsequently, the last time being August last year.

Founded in 2010 in Surakarta, in central Indonesia, a couple of good friends (one a drunk and the other a musician!) were working together in an internet cafe listening to Irish pub song compilations. Inspired by the music it sparked an idea to get together with some other friends and play similar music. When this became a solid group shortly afterwards they decided to take the name The Working Class Symphony to reflect their roots and positive attitude.

Life in this country is already very difficult, if it still has to be added by listening to mainstream music as it is today … Really it will be FORGETTING..There is no other way than making music that can be uplifting … God Save The Working Class !!!!!

So having missed their 10th anniversary due to the Covid lockdown they see in their 11th with the new EP Mulat Sarira Hangrasa Wani. Recording did actually begin last year at the Biru Solo Studios but were delayed until recently. For those of you not too fluent in Indonesian the phrase translates roughly as “brave with sincerity to see one’s shortcomings”.

The Working Class Symphony in no particular order: @alby.moreno – Guitar/ Vocals * @andreaspyex – Lead Vocals * @mistergomz – Bass * @ami.ragil.sagita – Bagpipes * @erwin_ardz – Tin Whistle * @bimoaryp – Banjo/Mandolin @dannyfvckinshit : Drums @tuan.duaempat : Violin

Their are six songs here. Four new ones a previously released single and a cover. The EP begins with ‘Wani Perang’ and the drone of bagpipes soon gives way to the rest of the band and this is top quality Celtic-Punk. It owes a lot to the sound of Oi! (another genre popular in the underground music scene there) with its catchy rockin’ tune, gang vocals, great hooks and the pure ‘pint in the air’-ness about it! Several elements at play here that all work great together.

Next up is ‘Alerta Song’. This came out as a single last year and is a tribute to Cornel Simanjuntak an important figure in the development of Indonesian music. The song includes many of Cornel’s words and still inspire many today.

The Working Class Symphony dedicate this song to Cornel. With straightforward lyrics, as a picture of the reality that is happening here. Finally, keep on loving our country no matter what happens until the end of closing of your eyes… Freedom.

‘Don’t Forget Your Roots’ sees the Symphony take a much more Punk/ Hardcore route but still with their trademark sound intact. Not a band to stand still and without the confines of a more traditional Celtic-Punk band The Working Class Symphony show their not afraid to get a bit heavy at times. We can only guess at the lyrics but I’m sure from the title we can all agree. A lot of the island’s Celtic-Punk bands play more Trad Folk based Celtic-Punk while The Working Class Symphony have always edged towards that early Dropkicks sound but on ‘Lelaki Bekarja Dan Kemaki’ they show they can do the trad Folk sound too. They continue in this style with ‘Sahabat Yang Telah Pergi’ and every Celtic-Punk release needs a ballad and this is this ones and it is terrific. Sung with passion and gusto it really does soar and it needed worry you that you can’t understand the words. Wrapping up the EP is a cover of ‘The Holy Ground’ and what a fantastic cover it is too. On hearing it I am actually a bit surprised it hasn’t been covered by more Celtic-Punk bands as it has the perfect chorus for shouting and banging tables! Made famous by The Dubliners and Luke Kelly and his dulcet tones here the guys give it the pub feel with plenty of oomph among the “fine girl you are” chorus. The best song here for me but I love the whole EP so I’ll probably change that to something else by the time this comes out. Lyrically The Working Class Symphony usual staples are that of hard work, football and the real events that surround them. To close with The Holy Ground is a real good touch and I’m sure Luke is looking down with a twinkle in his eye at a bunch of young Indonesians paying this tribute to him and Irish music.

The EP artwork is by good friend of the band Jahlo Gomez from Belukar and those with an interest in Indonesian Celtic-Punk will recognise his artwork from other bands releases and logos. It is great to hear from the band that for this release many people were asking for a physical release and has been not only across Indonesia but the entire world. All the great things about Celtic-Punk are present here. Think of the Claddagh ring and its motto of friendship, loyalty and love. That is The Working Class Symphonys message and I’ll leave off with their words

“We hope that this can be the embryo of the rebirth of the punk spirit with its various variations.
Keep on trying, towards infinity and beyond.”

For the moment contact TWCS to buy the CD via Instagram/Facebook

Download coming soon!

Contact The Working Class Symphony Facebook  ReverbNation  Instagram  YouTube

ALBUM REVIEW: THE RUMJACKS – ‘Hestia’ (2021)

The long awaited and hotly anticipated new studio album from The Rumjacks is now out and available everywhere. We missed the release date last week as we didn’t get an advance copy for the first time (!) but better late than never and who better to judge it for us than the ‘FolkPunker’ himself Anto Morra

This arrived just in time to put on while I made my breakfast on St Patrick’s Day, the opening track ‘Naysayers’ had me pogoing around the kitchen and the second ‘Bullhead’ had me attempting to step dance on the tiled floor so that’s a pretty good start I’d say! Both songs have Irish Rebel fury and ‘Bullhead’ not only has a tongue twisting refrain ‘If my will is the wind, then I will die willing and free’ but also borrows the brilliant line ‘I’ll not die ‘till you bury me’ from Shane MacGowan’s song ‘Aishling’ from there it’s straight into the mouth of the craicin’ title track ‘Hestia’ which starts like a sea shanty before bursting into a pure rock wig-out. The celtic sound freely ploughs through but if it wasn’t there you might think you were listening to a hair less Punk band.

I think they must have channeled the late great Ennio Morricone for the intro of ‘Through These Iron Sights’ just over 60 seconds of moody bliss before 15 seconds of metal, then we remember we’re listening to a Celtic-Punk band again. ‘Sainted Millions’ can only be described as an anthemic war cry to the Celtic diaspora and it’s fantastic to hear a really distinctive accent from down under in the shared lead vocal. Here is a great live acoustic version (that makes me wonder is Mick a closet morris dancer with ‘bells on his toes he’ll have music where ever he goes’)

“Sleeping sainted millions, can you tell me what you know? Sing to me a song you wrote beneath your pile of stone.”

“I wouldn’t trade it for another, and I would do it all again.”

It’s a challenge for any band to replace a vocalist when they’re as established as The Rumjacks but the choice of ‘Mickey Rickshaw’s’ Mike Rivkees is a very wise one as he clearly has the range and aggressive delivery needed. This is very different from past offerings but still has the elements we love. More of the same would be… well just the same and bands and audiences need to progress and grow and the Celtic-Punk genre needs this new line up. The musicality is top notch and with a younger singer the energy pours out of the recordings. The generation that saw Punk arrive in ’76 / ’77 and then The Pogues carry a certain amount of baggage that a band like The Rumjacks new line up don’t and that makes them much more confident to lift influences from places us oldies would never dream of.

The Rumjacks left to right: Johnny McKelvey- Bass, Vocals * Pietro Della Sala- Drums, Vocals * Mike Rivkees – Vocals, Tin Whistle, Accordion * Gabriel Whitbourne- Guitar * Adam Kenny – Bouzouki. Mandolin *

Although there is a lot more of heavy rock influence here, it still maintains a celtic charm and punky reggae party feel even if it lacks some of the humour of punk and Irish folk. That is until we hit ‘Tell me what Happened’ which ticks both boxes ‘The girls that carried you home have left you to rot in the bars alone’. There’s a beautiful simplicity to the ‘Rhythm Of Her Name’, it’s catchy and classy and one of those songs that you could do anything to and it would work. I could even imagine The Proclaimers doing it. As for ‘Lizzy Borden’ the folk story telling tradition at it’s gruesome best. ‘Light in My Shadow’ is up there with the best really abrasively catchy with bagpipes to die for.

‘Wunderlust’ is for some reason reflective of something that may have come out on the Two Tone Label in 1979. ‘Goodnight & Make Mends’ is the perfect closer.

In conclusion this is a belting new start for one of the best bands on the Celtic Punk scene. There is not a bad track on it, 14 songs and no dud’s or fillers- what you hear is a band re-invigorated and joyous. They’ll probably hate me for saying some of this but I was hearing all sort through this record so I’ll just list ‘em in no particular order, Big Country, Metallica, Green Day, Madness, Kiss, The Levellers and most obviously The Rumjacks right back on form.

Buy Hestia  (CD/ Download/ Vinyl) Here

Contact The Rumjacks   WebSite  Facebook  Instagram  YouTube

Born and raised in London by immigrant parents from Ireland Anto Morra swapped the Smoke for the Swamp in 1989 and adopted Norfolk as home but still returns often to visit his Mammy and play for London Celtic Punks. At times a pogoing, gobbing Punk, a lazy pot smoking hairy Hippy, a bopping Rock-A-Billy, a sharp dressed Mod and even a Bauhaus loving Goth he’s soaked it all in and none of it and all of it has been an influence on him.

https://www.antomorra.com/

EP REVIEW: THE FEELGOOD McLOUDS – ‘Saints & Sinners’ (2021)

A new five track EP of original top class Celtic-Punk from German band The Feelgood McLouds.

Before all this Covid nonsense March use to be the busiest month for us by far. We would still be reviewing St. Patrick’s releases into April and May but as with everything else normal service is suspended. Luckily their are a places where gigs are allowed and even better that some bands have still managed to get releases out in these strange times. So with the light of the end of the tunnel not a upcoming train for the first time in over a year we can only hope the bands we love can return to the stager and the recording studios soon.

The Feelgood McLouds were formed back in January 2015 in the city of Saarbrücken in the southwestern German state of Saarland. More than any country in Europe the Germans have embraced Celtic-Punk and with the scene there and number of bands it’s hard to make yourselves stand out but The Feelgood McLouds have managed it with ease. Most of the German Celtic-Punk bands take a more traditional route while the McLouds are unashamedly Celtic-PUNK ROCK! You could maybe categorise the difference as that between Flogging Molly and the Dropkick Murphys. Their combining of an authentic Streetpunk sound with Irish/Celtic melodies and instrumentation works really well. Make no mistake they sacrifice none of their Celtic side to be a Punk band and everything revolves around their Celtic instrumentation. So far they have released two long-players, their debut self titled album in 2017 and the well received Life On A Ferris Wheel from last year.

Saints And Sinners is released on Wolverine Records, one of  the best known labels in Germany that is home to several Celtic-Punk bands (Bastards On Parade, Jamie Clarkes Perfect, Malasaners) alongside some of Europe’s best Psychobilly, Rockabilly, Ska and Punk bands. Saints & Sinners is four new original McLouds songs (plus a bonus acoustic number) released just in time for St. Patrick’s Day. The EP begins with ‘Dirty Bastards’ and the dual sound of bagpipes and banjo played expertly by Woll and Benni before Gunther’s vocals kick in. I would describe him as a ‘gruff’ singer. You know the sound of Tom Waits when he was a heavy smoker!! It works very well in Punk usually and here among the fast paced Celtic sounds it does as well. The recording is brilliant and the various Celtic instruments at play here compliment each other perfectly. They folk it up next with a bit more than a tinge of country with ‘Tales Of Snotty Nosed Sam’ introducing accordion to the EP. Thrashy guitars come in eventually but the catchiness doesn’t stop and even the mouth organ appears (one of my favourite instruments and sadly underused in Celtic-Punk) at one point. A talented band with very good musicians. Sally is the lass as featured on the EP’s cover as well a as on the next song too. ‘The Ballad Of Sally And Sam’ has a Celtic opening before again the thrashy guitars erupt and they have by now carved out a typical McLouds sound. One that even though the songs have different styles and tempos you would recognise. Time for the title track and ‘Saints & Sinners’ doesn’t disappoint. A fast, catchy track to beat the floor up to with some smoking banjo work. The highlight here but all the songs are high quality and absolutely no sign of the ‘Fields Of Athenry’! Take away the Celtic-ness and you would still have a decent enough Punk song but its thanks to that Celtic-ness that The Feelgood McLouds are lifted into something really special. The EP comes with a bonus track the acoustic ‘Cheerio (dirty pub version)’ and a nod to traditional Celtic-Punk with a catchy folky drinking song that ends proceedings nicely and fits just right.

The Feelgood McLouds: Gunther – Vocals * Matze – Drums * Schirra – Bass * Ben – Guitar * Benni – Banjo/ Accordion * Woll – Bagpipes/ Accordion/ Tin Whistle *

The EP is available direct from the band and Wolverine Records and is available in a couple of different packages so support the band and get the CD, patch, stickers, buttons and McLouds beermats. Not a great time to release anything that is obvious so we should do our best to those that are helping to keep the Celtic-Punk ship afloat during these troubled times.

Buy Saints & Sinners  FromTheBand

Contact The Feelgood McLouds  WebSite  Facebook  Instagram  YouTube

Wolverine Records  WebSite  Facebook

INTERVIEW WITH WU WEI FROM CHINESE CELTIC-PUNK BAND SMZB

We here at London Celtic Punks have a passion for music but what about those who use music to try and achieve a higher goal than just pure enjoyment. The Chinese Celtic-Punk band SMZB are such a band and here Michael X. Rose interviews WuWei their lead singer/ songwriter and reviews their latest album, Once Upon A Time in The East.

Interview with Wu Wei, vocalist and songwriter for SMZB. January 2021.

I was discussing Once Upon a Time in the East, with him, the latest LP from SMZB released in August, 2020. It’s a great album and a fantastic follow up to 2016’s The Chinese are Coming.
If you haven’t heard SMZB before, their sound is a blend of classic Punk- energy and chords- with Celtic rhythms and instruments. They use bagpipes, tin whistle, banjo that give it the Celtic feel. They also add brass trumpets on some which give those songs a kind of totalitarian terror, like the Communists are about to kick down your door.
I asked WuWei about the band name, what does it mean? There is a microphone called an SM7B, was it related to that? I was curious. WuWei replied,

It is the abbreviation of the band’s earliest Chinese name Pinyin SHENG MING ZHI BING, Chinese name means “BREAD OF LIFE” or “BISCUIT OF LIFE.” In 2002, the Chinese name was no longer used, only the acronym was retained, and the band’s logo (attached) was a four-letter acronym, we love it!

Biscuit of Life, there you have it. I love it too!

If you go to purchase the album on Bandcamp, don’t be afraid of the 78$ price tag, that’s in Hong Kong Dollars, and is only about 10$ US/Euro or so.

Many of the songs on Once Upon a Time… are listed on in Chinese, so here are the translated titles, the * means its in Chinese only on the Bandcamp;

1. Red Riot
2. All Red the River *
3. Lumo Road
4. Slap Like Teen Spirit
5. Old Guns *
6. Great Hall of Rock ’N Roll *
7. Brewing Freedom *
8. Get the World Drunk *
9. Emma the River Dolphin
10. Mao’s Great Famine
11. Happiness Camp ( Slavery Manifesto) *
12. A New World Of Misery *
13. Three Women *

First, Thank You for doing this interview. I’m so excited about this. I am a big fan of SMZB ever since I heard The Chinese are Coming.
Red Riot, first song on the album. The siren intro is amazing, it’s like the Bell tolling Doom. You mention several times kids and parents ratting out on each other, and not being able to trust anybody. What is it like to live in a Police State?

My feeling is that there is no safety or dignity in China.

SMZB – Red Riot (Fight Or Die)’ Official Video

There are six members of SMZB, a large group. Where are you all from, is anybody Irish or of partly Irish descent? How did you get into doing the Irish Sound? Personally, I hear a Chinese influence you bring to the Irish Punk, and it fits well and adds a new dimension.

Our band members are from three different cities in China, Wuhan, Beijing and Changsha. None of us have Irish links but enjoy the music from the Pogues and the Dubliners. That began my interest in Irish Punk.

How many LP’s does the band have out? When did you switch from “plain” Punk to Celtic Punk and why? What converted you?

The band has 10 albums. I wanted to do Celtic punk from the beginning but it was difficult for me to find the instruments or the musicians. But in 2005 I met the bands bagpipe player and we toured Europe where I was able to buy some instruments such as the tin whistle. From then on we made the Celtic Punk music.

Who writes the songs, is it collaborative, or separately?

I write the lyric and melody and then work together with the band to complete the songs and get their input.

I hope you don’t mind me asking, your songs are so clearly and strongly against the CCP (Chinese Communist Party) which is fantastic, how do you not get arrested? Are you worried about that?

Well so far I haven’t been arrested but my social media and phone is under surveillance. Probably my band is not big enough to cause the CCP much trouble, if I was too famous then perhaps I would be arrested by now. But it doesn’t worry me.

What do you think of the One Child Policy and the deaths that it caused? Is the Common Chinese person fed up with the CCP? Will there be Freedom for the good people of China anytime soon?

The one child policy was scraped a few years ago now, it was a stupid policy and of course had tragic consequences. Most Chinese people are content with the CCP, they don’t question them. I think one day there will be freedom in China but who can say when, although my thoughts and hopes are that it will be soon.

Where is the band from? I think it says Wuhan on Bandcamp, do you still live there? Sometimes it says you are located in Hong Kong. Do you think you need to defect? Where are you located currently?

The band began in Wuhan, at the moment there are two band members still living in Wuhan. I moved to Portugal last year and other band members live in Beijing and Changsha.

How has the Corona Virus impacted you in ways we may not expect? Is Wuhan devastated? Are you aware that it was made in a CCP lab as a Bio Weapon? Is the average Chinese citizen aware that the CCP created this virus?

Thankfully the virus has not impacted me or my family and friends very much. Other than we of course stay home more. Wuhan has recovered very well since last year and the virus rate is low, most daily life is back to normal. I believe the virus was created in the bio lab but most Chinese people do not think this.

Slap Like Teen Spirit, fourth song on the album is such a great song. My reflection on the lyrics is; Do you feel like China is one giant prison camp? Do you know about the Uighur prison camps and their extermination by the CCP? What advice do you have for Westerners now that CCP style censorship has come to the West?

Yes my feeing is that China is a prison camp, I know about the Uighur camps but most Chinese people are not aware of it.

Lyrics:
Sit around a table with your classmates,
Remember how people fight on the streets,
Watch violent videos on your cellphone,
No one is your friend, everybody is your enemy.

You can learn nothing, waste time in your school,
Make yourself brutal and cold-hearted,
Practice abuse, Insult and bully,
Laws and rules mean nothing to you.

Stand in a circle, rip off your uniform,
Slap each other, then kick kick harder.
Spit like a gangster, speak like a rogue,
Stare like a killer, hurt like an avenger.

Track 6, Great Hall of Rock ‘N Roll, the chorus musically references an Irish song The Waves Down in the Ocean. I love it. Can you talk about its inspiration?

I hadn’t heard the waves down in the ocean, but the song is inspired by traditional Irish music. This songs title translates to ‘Great hall of rock and roll’.

Emma the River Dolphin (Track 8). You sing a lot about pollution, Communist China is well known as one of the most environmentally polluted countries on Earth. What are your goals here? Can China be saved?

China is developing fast and it is destroying the nature. But nature is strong and it can be saved if things change. I hope they do.

SMZB – ‘Mao’s Great Famine Official Video

The song Mao’s Great Famine. I’m sure many Chinese know how Mao killed over 100 million Chinese and the horrors of the Cultural Revolution. Most Westerners don’t know this history and may even hang paintings of Mao on their wall by Andy Warhol or carry a Little Red Book. Tell me about the Lyrics for Mao’s Great Famine for the Westerners reading this interview.

Most people in China know about the famine but they don’t blame Mao, they have been taught it was a natural disaster.

Song 11, Happiness Camp. This song is so great. There is a slide guitar lead break in it, maybe mixed with a woman’s vocal on the breaks? It’s a very ghostly haunting sound. Can you tell me about the production of this song a little bit?

Track 12,this songs title is ‘Happiness camp’ with the camp referring to the prison camps. The women’s vocal is with the guitar solo, it’s a tribute to Ennio Morricone.

Lyrics:
HAPPINESS CAMP(SLAVERY MANIFESTO)
Cleanse your brain, or change its makeup, and use your anger as needed at all times.
No more extra complaints, no more words, let them play and emasculate you, cooperate with their hand-to-hand combat.
You suck what they exhale and eat what they shit, nothing is important, as long as you can flirt.
Even the cold will be proud, the hunger will be proud, and it is here that you will have equality and still feel the embrace of God.

Sign this declaration of slavery, there is no bottom line to happiness here.
Serve your master with all your heart and soul, and you will be happy in this concentration camp.

Be reluctant to open those doors and windows and let the sun shine in front of you, be infinitely loyal to your leaders and help them move bricks and build walls.
You say you are all sober, you are all calm, and say forget those sufferings and enjoy the happiness and peace that you have now.

Sign this declaration of slavery, there is no bottom line for happiness here.
Serve your masters with all your heart and soul, there is only happiness in this concentration camp.

Track 12, A New World of Misery. I really like the stripped down songs you do. They remind me of Spaghetti Westerns. This song is so great with just acoustic guitar, tin whistle, and fiddle, it refreshes between full punk blasts. Tell me about this one.

Track 13.This song is called ‘A new world of misery’. It was inspired by a visit I made to villages in the Sichuan province in China 25 years ago which had a huge amount of poverty. What really shocked me was that when I returned to the same area, the situation was the same.

Are there any other great Chinese Irish Punk Bands we should know about?

There are some good Chinese punk bands but no Irish punk bands in China. (Editor – China is a BIG BIG country so a big shout to Grass Mud Horse here!)

SMZB – ‘Happy Concentration Camp (Declaration of Slavery)’ Official Video

What does the band like to drink Guinness? Whiskey? What brand? Or is there a Chinese brand of Stout we should all look out for?

I like Guinness and whiskey, Jameson is my favorite for the price. Recently the craft brewery business is expanding in China, there are now many good craft stout made in China. But Guinness is unique.

1/17/21  Michael X. Rose

Contact SMZB  Facebook

Thanks to Wu Wei and the guys and to Michael for the interview. Michael also sings and plays guitar in New York state Celtic-Punk band The Templars Of Doom whose latest album Hovels Of The Holy is still available (and now out on vinyl too).

Ten years old but what a great show. SMZB play their 15th Anniversary Show @ VOX Livehouse, Wuhan, Hubei Province, China. Christmas Day 2011.

ALBUM REVIEW: CELT AND PIPER – ‘No Mercy’ (2020)

Breton Celtic-Punk group Celt And Piper unleash their debut album No Mercy. Eight songs of bagpipe heavy rocking Celtic music!

What could be a more Celtic band name than Celt And Piper I wonder? Answers on a postcard please but this newish band from Nantes in Brittany (NOT France) certainly nail their colours to the wall and their debut release No Mercy has to be one of the most authentic ‘Celtic’ Celtic-Punk releases of 2020.

Most of the band have played together before Celt & Piper so an actual start date is a bit vague but they reckon on October 2018. Put together by lead singer Fabien and his drummer brother Hervé who had both plenty of experience playing in native Breton and Celtic bands. Joined by Alain, Jean Jacques, Maxime and Jonathan the band was not only complete but every base was covered and looking for a name that conveyed ‘celtitude’ that also had a bit of an memorable and original feel to it and so they settled on Celt & Piper. Gig offers flooded in and the Celt & Piper sound was soon heard at home from Nantes to the Côtes d’Armor moors and Penn Ar Bed while also crossing the border into Vendée, Paris and even eastern France. Their march was sadly soon halted by the dreaded ‘clampdown’ and like a lot of bands whose major concern is playing live they decided to record instead and on the evidence here I’m very glad they did and look forward to a few more too.

https://youtu.be/87dJlpyzIP8

No Mercy begins with ‘Go Hard Or Go Home’ with AC/DC style guitars followed in quick succession by bagpipes it’s a real foot tapper about a St. Patrick’s Day night out in a Irish pub.

“Go hard or go home you’re all in a Irish pub”

Not clear if this is a Irish pub or Ireland or Brittany but as they are all closed anyway at the moment it don’t matter so much. Fabien’s vocals remind me instantly of Jesse from legendary Baltimore Irish Celtic-Punk band the Charm City Saints. A kind of hoarse growl that gives the music a Punky edge and with the pattern set by the opening track Celt & Piper continue in the vein with firm Irish Folk favourite ‘The Wild Rover’. It’s impossible not to think of this song as a rabble rouser. We use to sing this in school music lessons as it was one of only a handful of songs they could get the boys to sing as we could beat up the desks with our fists in the chorus! Here it’s Jonathan’s fiddle that leads things along as Celt & Piper breathe new life into this well known song.

‘It’s Gone Again’ is up next and you can hear influences from across the Rock scene here with the song taking in several genres. Catchy as hell with some cool chugging guitar work and piping. Title track ‘No Mercy’ is my standout track here though the album is a good mix of covers and originals it’s always the original songs that get my juices flowing and their is of course nothing like the sound of bagpipes to stir the blood and in Maxime they have a superb piper.

‘The Last Day’ starts off as another Dropkicks/AC/DC flavoured but has several Folky interludes along the way. Time for another trad Folk song and the raucous ‘All For Me Grog’ may have started off as a sailor’s song before being adopted by the Irish. Made popular by the Dubliners the song tells of a man who sells everything, and even his wife, to buy drink and tobacco. As is the way in Irish music a man’s life is ruined by drink but the song is celebratory rather than regretful. Celt & Piper play in ‘pub style’ win a ska-ish style. Great fun and nice to hear this standard done in a unusual manner. The pipes reign again during ‘Brace Yourselves’ and No Mercy comes to an end with the brilliant Irish Folk standard ‘The Foggy Dew’. Nowadays quite common on the Celtic-Punk scene (any idea who was the first to record their version of it?) not many songs suit being ‘punked’ up like this one. Celt & Piper again give it a respectful thrashing and once again the superb piping takes it to another level. A great way to end proceedings.

No Mercy came out on November 1st and was mixed at Garage Hermétique in Rezé by Nico and Pierre who have done a fantastic job. Only eight songs but still over thirty minutes, Celt & Piper have produced a great record here though I would like to hear more of their own compositions as they are the standout tracks here for me. For lovers of harder edged blue-collar style Celtic-Punk and bagpipes Celt & Piper have leapt into the list of best European bands with No Mercy and I can’t wait to hear more.

(you can stream or download No Mercy on the Bandcamp player below)

Buy No Mercy  FromTheBand

Contact Celt And Piper  WebSite  Facebook  Instagram  YouTube

ALBUM REVIEW: THE CUNDEEZ – ‘Teckle An Hide’ (2020)

Dundee is a truly unique place in Scotland becoming known as YES City after 57% voted in favour of Scottish independence in 2014’s referendum – the highest proportion of Yes votes in Scotland.

Like their hometown The Cundeez are also unique. Unashamedly Dundonian Working-Class with a fast and heavy sound, straight out of the Punk-Rock tradition, but with pipes and kilts!

The Cundeez are back with their fifth album of Highland bagpipes driven Punk Rock hot off the presses. One of the London Celtic Punk favourite bands they safely saw off their 10th anniversary recently and never ones to rest on their laurels five minutes after finishing Teckle An Hide they began work on their next album!

Teckle An Hide kicks off with the simply titled instrumental ‘Dundee’. The first of a trio of home town dedicated songs dotted through the album. Now every town needs an anthem, one to play as the local football team comes out and with two teams, Dundee and Dundee United, I hope one or both take the opportunity as the song is a belter. Building up slowly (for them anyway!) before Gary’s brilliant piping comes in and you can tell why for years opposition forces on the field of war recoiled in fear as the sound of pipes filled the air. This takes us into ‘Peat & Diesel’ a song dedicated to their friends in Peat & Diesel, a three-piece band from Stornoway on the Isle of Lewis in the Highlands of Scotland. They are a young band that have been steadily on the rise over the last couple of years so great to see this solidarity between an experienced band like The Cundeez and a band just setting out. The song itself shows The Cundeez wicked sense of humour as new drummer Shaun Kerr stamps his arrival in the band with fierce tribal drumming while long time members Stevie and Trotsky on guitar and bass supply the perfect backing. At nearly six minutes it’s the albums longest track and sways from Gothic in places to hardcore Punk and back to melodic rock while the pipes are again in evidence.

Never afraid in throw in a bit of Ska and with ‘Teckle’ an obvious comparison here is with early Rumjacks when they were based in Oz. Now we are three songs in and my Dad was Scots but a lot of this is passing even me by! The Dundee accent has a very particular sound and is integral to the band’s identity. The band take their name from the Scots word ‘cundie’, meaning a drain, which comes originally from the French word conduit. Having said that piper and songwriter Gary’s vocals are very clear despite being delivered in trademark Punk Rock shouty sneer. ‘Scooby Dubh’ tells of a serious pub crawl delivered in speedy breakneck form. They follow this with the first of the albums three cover versions and ‘LWTUA’ is a fancy unexpected instrumental Ska version of Joy Division’s ‘Love Will Tear Us Apart’ with skanking guitars and piping. Who would have thunk it possible and it may have hardcore JD fans writing to their MP’s but I bloody love it! The Cundeez have always enjoyed themselves and their sense of humour is legendary but they also have a serious side and in ‘Bow To No One’ they take the well trodden Punk path of anti-religion.

They continue the combativeness with ‘Them And Us’ as the band unleash on the divides in society that leave the working classes at the bottom while pumping out a 1981 style UK Punk classic. Another cover next and after two Punk thrashers it’s time for Gary to get out the pipes for ‘Horo’, a cover of ‘Horo Gheallaidh’ by the aforementioned Peat & Diesel. Now this is another highpoint with the catchiest track on the album. Fast, thrashy guitars telling the tale of a night out in the Highlands. Brilliant!

Another hometown anthem next with ‘Made In Dundee’ but perhaps not one for the Tangerines to run out to. A warts an’ all expose of Dundee in all it’s misery and glory wrapped in a dark plodding ‘dub’ number. Next up is ‘Rebellion’. Originally released as a 7″ vinyl single on Urinal Records in early 2016 and at the time The Cundeez were on a bit of a high performing at Punk festivals in England and even travelling all the way down from Dundee to London town for a couple of gigs in north and south London. The single was limited to only 300 copies and sold out in no time so its fair to say it probably passed most fans by seeing as it was just before the return of vinyl as a popular format.

The album continues with ‘Up For The Craic’ a jolly Punk Rock ride that again shows the bands lighter side before they again tackle something a bit darker in ‘I Am Gangster’ about the desperate life of a poor soul destined for jail. Appearing on the album listings as ‘Buzzcocks’ the lads next tear into ‘Ever Fallen In Love’ and it’s another corker of a cover with the pipes lifting it out of this world. We’re steering towards the end and if I was to have one wee quibble it would be that the album is a tad on the long side with sixteen songs with a running time of almost a hour. You certainly get yer hard earned worths but I wonder if the album could have been trimmed a little with the album closing with two reworked versions of ‘Sehturday Night’ from 2011’s ‘Lend Wiz Yir Lugz’ and ‘Gangs O’Dundee’ from 2010’s album Radio Cundee taking us into the anarcho styled curtain closer ‘Austerity’.

Released on the American Punk label Tarbeach Records and recorded at Seagate Studios in their hometown the album is an outstanding success, especially considering that a lot of it was done under the restrictions placed upon the band because of the Covid ‘clampdown’. Make no mistake it may have been very tempting for us to rope The Cundeez in with other bagpipe heavy Celtic-Punk bands but they are no Real McKenzies and, more importantly, have never tried to be. The Cundeez are a Punk band with Celtic roots but even then there is much more to them as they are never afraid to stray off into other genres. Teckle An Hide is possibly their most accessible album to date. It still has their trademark fast, punchy, catchy Punk-Rock and the same shouty vocals delivered in that raw Dundee dialect but their Celtic and Ska influences see them moving into new territory without ever watering down their music or their identity.

(The Cundeez playing a socially distanced Facebook Live Stream from the end of last September. As Gary said afterwards “a crazy surreal experience doing a ‘gig’ all split from band members but thankfully we got there. It was rough and raw and absolutely nerve-wracking.”)

Buy Teckle An Hide  TarbeachRecords

Contact The Cundeez  Facebook  YouTube  Spotify  Twitter

ALBUM REVIEW: PADDY MURPHY- ‘Rams Rebels Goats And Girls’ (2020)

If you want to indulge in Celtic Folk Rock, you will definitely take pleasure in Paddy Murphy. Homesickness, the struggle for freedom, sailor’s yarns, love of the odd drink and the rebellious Irish spirit coming together in a musical whirlwind from Austria!

With the popularity of Celtic-Punk in Germany second to none it’s perhaps no surprise that this love should have spread to their next door neighbours in Austria. Still it’s not a country particularly well endowed with bands with only Scotch from Weyer in Upper Austria making a mark upon the scene (their fantastic debut EP Last In The Bar is still available for free download). In common with the bands from Germany Paddy Murphy (a band not a fella!) don’t just perform straight up Celtic-Punk but rather their own interpretation. An individualist streak that flows through the scene that manages to stop bands being too samey.

In common with Scotch Paddy Murphy also hail from Upper Austria in particular the town of Steyr and though they not be particularly well known this side of the English channel in Europe they have a strong pedigree of touring going back well over a decade. Paddy Murphy have been taking their brand of Irish Speed ​​Folk Rock as they describe it themselves to a multitude of festivals across Germany, France and Switzerland in particular and headlined to tens of thousands at festivals in Italy in Padova and Rasa. Founded in 2008 Rams, Rebels, Goats & Girls is Paddy Murphy’s third studio album after 2012’s Dog’s Dinner and 2014’s Coffin Ship. Both of which you can hear on their Web-Site. They also released a handful of singles and EP’s over the last few years (all with absolutely stunning artwork most featuring their logo of a goat!) which has boosted their popularity with a great selection of covers and original material.

Paddy Murphy from left to right: Florian Aufreiter – Drums * Franz Höfler – Acoustic Guitar, Banjo, Mandolin, Irish-Bouzouki, Harp, Vocals * Ingolf Wolfsegger – Bass, Vocals * Hermann Hartl – Fiddle, Vocals * Oliver Loy – Electric Guitar, Vocals

Rams, Rebels, Goats & Girls was released in early March and came out on ATS Records. It’s been sitting round LCP Towers ever since and due to a mix up over who was going to do it it never got the review it deserved at the time. Still hopefully this will make up for it! Fourteen songs (the CD has a extra two live tracks) in total that comes to just under a hour about that green island, women, whiskey and Guinness! The album begins with ‘We Hoist The Sail’ and bursts with energy out of the speakers and if its top quality Celtic-Punk you are after then you have come to the right place my friends. Echos of fellow German bands The O’Reillys And The Paddyhats and The Feelgood MacLouds but this band have their own style. A great opener and vocalist and multi-instrumentalist Franz Höfler certainly knows his history of Ireland in a song that even uses the popular Irish term ‘Amerikay’. ‘My Dark Foamy Friend’ is a song that has a dual meaning of the sea or the pint but I know which one is preferred! Released as a single it reached over 20,000 listeners within a few weeks on Spotify. I have to say that the fiddle on this album is absolutely brilliant so hats off to Hermann Hartl for his incredible work. It is seriously some of the best fiddle I have ever heard on a Celtic-Punk album and i Happy to hear it used extensively throughout the thirteen tracks. ‘Black Ones Brown Ones Blond Redhead’ is another dual song meaning beer and this time women and this time they prefer women to beer! Fast and energetic and whats that I hear its the harmonica one of my favourite instruments and criminally underused in Celtic-Punk.  When I first played this album the next track stood out on its own. Paddy Murphy like their own stuff but are not averse to the odd cover and their ‘Basket Case’ by Green Day done Irish style and it is an absolute belter of a song! Give it a listen and be hooked.

Very clever and highly original it is a great choice of song and makes a change from ‘I’ll Tell Me Ma’. If I’ve played this song once I’ve played it a 1,000 times. Another couple of drinking songs follow telling the different sides of life ‘Just One Drink’ is a jaunty wee number while ‘Time to Make Some Changes’ sees a life in turmoil on a visit to Ireland. Slow, sad and swirling in that traditional Irish way that makes you want to put your arms around a complete stranger (even in these strange times!). Who said Celtic-Punk can’t do emotional? We do it better than fecking anyone! Time for a famous song and they don’t come more famous than ‘The Irish Rover’. Known to everyone and covered by just about everyone too. They make a decent job of it nothing particularly special but you know if you heard this down the pub you’d be banging on tables and shouting your lungs out along to it. The Country influenced ‘At Least for Tonight’ is catchy as hell. What I call a thigh slapper.

“Get up and dance and drink all night”

‘American Dreams’ is the albums longest song heading towards six minutes and not for one second outlives its welcome. Franz again opens up and his aching vocals make for a great song. Irish themes abound and one of the standout things about this album is the quality of the lyrics. Pure poetry and proper story telling whether its a pub song’ or a Punk-Rock thrasher. We in Pop-Punk territory next with ‘You’ll Never Bring Us Down’ with the Celtic competing with the Punk. The song ends with being both and will be a real dance floor filler once we’re allowed back on the dance floor that is.

So we’ve had quite the album so far that has taken us around the Celtic-Punk scene and it’s many influences and they may have almost gone ballad in places they deliver it next with ‘The Cliffs of Grey’. A beautiful and touching yet haunting ballad whose depth will shock those here only for the drinking songs. After that the aptly titled ‘Gloomlifter Jig’ shows Paddy Murphy have even more left in their arsenal with a perfect traditional Irish that soon enough sees the electric side of the band coming in and we end up with a song that would have graced any Horslips album. Another catchy as hell number on a album where their is absolutely no filler at all. Each song is of an incredibly high standard and it’s no surprise why when you trawl their photos on Facebook their live gigs are always packed out. The work for Rams, Rebels, Goats & Girls began a whole year before its release and the hard work shows. ‘Epic Scene of Life’ is a perfect example of their sound.

Uplifting and bursting with energy and at all times refreshing in a scene that as I said can be a bit samey. The curtain comes down on the album with a amazing version of Scottish singer-songwriter Eric Bogle’s ‘No Man’s Land’, probably better known as ‘The Green Fields Of France Written in 1976 it’s message is ever lasting sadly and here Paddy Murphy perform one of the best versions I have ever heard. Bagpipes add to the songs emotional roller-coaster and is the perfect way to see the album out.

Irish and Celtic music appeals to people of all ages and nationalities. That is what is really special about it and Paddy Murphy are immersed in that sound and this Austrian Irish Folk-Rock Band is committed to continuing that tradition! Celtic-Punk is often derided or misunderstood by Irish Folk snobs purists who think the artists are more influenced by Sid Vicious than Matt Molloy but this is a direct descendant of the music played in Ireland 100’s of years ago. That they can keep that tradition while also throwing in the Punk/Rock sound they have is testament to the bands outstanding musical ability. Fiddle, banjo, mandolin, acoustic guitar, bodhran, drums, electric bass, electric guitar and five male voices have made this album what it is and it would be a act of criminal negligence for the Irish music scene and its fans to pass it by.

Buy Rams Rebels Goats & Girls – CD- FromTheBand   ATS Records  Download- AppleMusic  

Contact Paddy Murphy – WebSite  Facebook  Instagram  YouTube

ALBUM REVIEW: THE REAL McKENZIES- ‘Beer And Loathing’ (2020)

Their eleventh full-length album Beer And Loathing is a true return to form for Canada’s The Real McKenzies. Dueling guitars double up against soaring bagpipes while Paul regales the listener with epic tales of alcohol soaked debauchery, historic sagas and hard-fought personal battles.

The Real McKenzies need little introduction having founded in 1992 in Vancouver, Canada. They have established themselves as one of the most formidable the Celtic Punk bagpipe bands on the scene. Hard to believe they have been around for almost 30 years!!!!

(Great interview with Paul from The Real McKenzies from April, 2020)

Although they have gone through many line-up changes, Paul McKenzie remains at the helm leading the crew into another decade of Scottish influenced celtic punk and mayhem. The Real McKenzies have kicked off 2020 with the release of their new album Beer and Loathing. Now its fair to say 2020 hasn’t been the best year so far but its not all doom and gloom. Beer and Loathing is guaranteed to take your mind off small matters such the worldwide pandemic, the potential for WW3 etc etc. It’s a crackin album and I must say one of my favourite from the Real McKenzies.

(Video by: Eric Dieterich  https://solomanmedia.com)

The new album has been released on Fat Wreck Records and contains 12 rockin’ tunes. It opens with a bagpipe lead instrumental The Widow’s Watch but quickly ramps up though the gear to a faster tempo with notable song such as Nary Do Gooder, Death of the Winnepeg Scene and The Cremation of Sam Mcgee. The Real McKenzies stick with the Scottish flavour with Cock up Your Beaver. It’s a slower song which is a version of a Robert Burns poem. Probably not what you were thinking when you read the title first (tut, tut)!!! All in this is a great album and good to have the Real McKenzies back three years after the last release. It’s a reminder why the band have lasted almost 30 years on the scene where others have fallen by the wayside. So grab yourself a wee dram, stick on Beer and Loathing and crank it up to 10. It’s time like this we need music like this to get us through all the other crap in the world !!!

The vinyl for the album is available on swamp green and beer, oxblood and gold!

(Grab a listen to Beer And Loathing on the Bandcamp player below)

Buy Beer and Loathing  CD/LP-FatWreckRecords  Download

Contact The Real McKenzies  WebSite  Facebook  YouTube

(On March 13th, 2020 the Real McKenzie’s live show at the Starlite Room in Edmonton, Alberta, Canada was canceled by Alberta Health Services due to the COVID-19 virus. As to not let the all their fans down, the gig went ahead as a live stream!)

ALBUM REVIEW: CelKILT- ‘The Next One Down’ (2020)

French band CelKIlt have long established themselves as one of the Celtic-Punk/Rock scenes heavyweights and here they return with their seventh album The Next One Down.

Trad Celtic-Rockers CelKIlt are back with their seventh album, recorded in Italy, France and Switzerland over several months, its time has unfortunately come in the middle of the clampdown doing away with any chance of decent promotion and it would be tragic if this album were to pass people by because of that. Reviewing CelKilt’s last album in 2017 I made the bold statement that “I’ve had to promote CelKilt up to the Premier League of top celtic-punk bands” and their new album hasn’t changed my opinion much either. They might be famous to a lot of London Celtic Punks readers for their song ‘Everyday’s St Patrick’s Day’ which kicks off the #1 Celtic-Punk compilation (still free and now at well over 1,500 downloads!) Irish Pub Songs- Celtic Punk Sampler.

CelKilt are a five piece Celtic-Punk band from Roanne, near to Lyon, which is pretty much bang in the middle of France and have been together since 2011 what is quite remarkable is that The Next One Down makes it seven albums in only nine years. I know a band who got together in 2010 and are still on one. Not mentioning any names!?!? Their releases include a whole album of Christmas themed originals titled Kiltmas Songs from 2015 as well as a Live album and on top of over 500 live shows they have even toured the USA not once, not twice but an amazing three times!!! They have been invited to play Shamrock Fest twice and in 2018 they returned to the States to play the Flogging Molly Salty Dog Cruise in 2018 (the lucky bastards!). Now not many Euro bands get the chance to go ‘Stateside’ so if you do then that means an awful lot. Last week we reviewed the new album from Uncle Bard And The Dirty Bastards, who also toured the USA, and I would very much class CelKIlt as being in the same league.

Their last album, the excellent Stand, made the Top Thirty Best Celtic-Punk Album of 2017 and when I reviewed it I hadn’t quite realised that their was such a thing as Google Translate so some of the bands history passed me by still it made me concentrate much more on the music than I would perhaps would do for an ‘Irish’ band. A superb mix of AC/DC hard rock, Celtic/Irish melodies and even Pop-Punk and ballads it is a brilliant album and one that I still play regularly. The Next One Down begins with the title track and some heavy and atmospheric piping from new team member Iain are joined by loud guitar before Titou’s great rock vocals come in. He sings in English and it’s clear as crystal and rather ‘theatrical’ in the style I can only describe as Freddie Mercury-esque. The music is more Rock style than Punk influenced but they make up for that next on ‘The Best I Can’ and a straight up Celtic-Punk masterpiece. Lyrically it’s about the environment but not preachy. In fact the opposite in saying it’s good enough to try our best and not make things worse. The song is only just over two minutes long and new band member Iain is much in evidence.

A great video which gets across the energy of the band and considering it’s their live performances that are mainly responsible for winning them their legions of fans it’s done a good job of portraying that. ‘Dig Around’ has some amazing piping and the more rocky sound reminds me of Fiddlers Green or the American bands Seven Nations and the Young Dubliners. Titou’s vocals throughout are another instrument for a band that you’d be amazed consists of only five members. ‘People Are Crazy’ dips it’s toe into some catchy ska/reggae but all the time firmly anchored in Celtic music.

‘Carry On’ is the albums longest song and I suppose a type of bombastic rock ballad. The Celtic side of things on The Next One Down is more subdued than on previous albums I would say but it still makes for a fantastic album given that they always had more of a Celtic spirit than 95% of bands in the scene anyway! The first of the album’s two instrumental is next and while ‘Their Wasabi’ may not be the massive free for all you’re expecting it is extremely well played and as catchy as hell. A word for the cracking video too a perfect example of ‘necessity breeds ingenuity’. The foreboding start to ‘The Road That Takes Me Home’ does not disappoint with its great gang chorus and heavy beat and clever and poignant lyrics.

‘Your Hand’ is the albums most accessible song to ‘outsiders’. The type of song that would appeal to everyone from Celtic-Punk extremists like me right up to your Mam! The Celtic takes a back seat except for Ana’s, as ever, amazing fiddle playing and has traces of Celtic-Rock from bands like U2, Simple Minds or even The Alarm. ‘Dewey’ is the second of the instrumentals here and at only ninety seconds it’s pipe heavy with a hard rock feel. Only a couple to go and both standout tracks with ‘Can’t Go Back’ the fastest song here taking in US style Pop-Punk as well as Calypso too. It’s all here folks!! The curtain comes down with the glorious singalong ‘Whaole’. A modern take on a sea-shanty and bloody brilliant and set to become a crowd favourite I would bet my shirt on.

CelKIlt continue to push the boundaries of Celtic music and with The Next One Down are right to be considered one of the scenes leading lights and internationally acclaimed. The album was mastered by Howie Weinberg, famous for his work with the Dropkick Murphys and other such giants such as Nirvana, Jeff Buckley and Deftones, and it cannot be understated what an amazing job he has done. The album is as close to perfection as you can get. The Celtic base to every song gives CelKilt the chance to spread their wings a little compared to their last LP but doesn’t detract from the overall feel. A great album and in this time of clampdown a ‘goodfeel’ album we desperately need.

Buy The Next One Down  Download  CD-FromTheBand   Vinyl-FromTheBand

Contact CelKilt WebSite  Facebook  Twitter  YouTube 

EP REVIEW: 7 STOUT CLAN- ‘7 Stout Clan’ (2020)

Another EP release this time three original songs from Eastern Finland from a band that deserve a lot more recognition. I give you 7 Stout Clan.

I find it quite hard to fathom how a band that has been together since 2008 has only just released a small handful of recordings! I suppose its quite heartening as it means this is literally a band that are in it for the love of the music. This is the bands fourth release which includes their sold out debut Demo from 2009 and Too Drunk To Punk EP from 2010. Another EP from 2018, Alcohostility, is still available from the band. While this may not be exactly groundbreaking it is bloody great stuff and abso-bloody-lutely perfect music for the pub (especially at a time when the pubs are all closed!). There’s only three songs sadly but each is damn good and significantly different enough from each other to show a band with a great depth.

7 Stout Clan left to right: Elias – Drums * Juho – Vocals, Tenor Banjo, Mandolin * Julius – Guitar, Backing Vocals * Taavi – Vocals, Bagpipes, Tin-Whistle, Mandolin * Kalle – Bass, Backing Vocals *

7 Stout Clan were formed in 2008 in Savonlinna in Eastern Finland and take hard drivin’ Punk and team it with Celtic and Finnish Folk music influences and the result is pretty spectacular. The opening song is ‘Wretch Robert’s Grin’ and theirs a certain UK Punk sound going on here but with a catchy Celtic-Punk style chorus. The pounding bass and tin-whistle combined with Taavi’s breathless vocals make a great combination. Over in just three minutes it seems even shorter such is it’s style.

Like I said only three songs and ‘Good People’ showcases Taavi’s bagpipes well with another catchy as hell Punk Rock number with not just great piping but great use of the pipes within the songs framework also. The UK Punk sound is still evident and the energy here is overwhelming. Even just listening to it on the computer gets the blood racing and the foot tapping. The last song and the whole EP is done and dusted in just three minutes which is a great shame but they go out in style with ‘Pogo Stick’ and the Bhoys crank it up with a great singalonga gang chorus.

“Damn right you’re a lunatic bouncing ’round like a pogo stick
Get your feet off the ground for a while but it ain’t much fun, anyway
Damn right you’re a lunatic treating me like a pogo stick
You should get a new that’ll get you through from this little thing called life”

A fast Punky number that’s a surefire dance floor filler I’d say as all the songs here here. Catchy, Celtic-Punk that is heavy but still accessible but if you’re a fan of the Real McKenzies then 7 Stout Clan is a band you will really get.

“Staying still will get you killed”

The 7 Stout Clan single is only available in digital format at the moment from the links below but I’m hopeful the guys will get a Bandcamp account started soon and get their entire back catalogue uploaded. Hint- Hint!!!

Download 7 Stout Clan  Apple  Spotify

Contact 7 Stout Clan WebSite  Facebook  YouTube

LIVE STREAM

The hardest hitting bands of Finnish Celtic-Punk, 7 Stout Clan and Band Of Shysters are joining forces and this time the good times are brought to you right into your living room via live stream from restaurant Maxim!
7 Stout Clan are joined by Band Of Shysters. Pseudo-Celtic-Savonian folk orchestra from pre-historic fog to cyber punk. Showtime is Saturday 30th May at 8pm (which is 7pm UK time) and their is a Facebook event with all the details you need.

NEW SINGLE FROM INDONESIAN CELTIC-PUNK BAND THE WORKING CLASS SYMPHONY

The new single/ video release from one of the best bands around and from a non-English speaking country too! The Working Class Symphony play a brand of Celtic-Punk that is totally influenced by Irish traditional folk music. If only more Irish bands played with this much passion and pride!

The new single ‘Alerta Song’ from one of the best bands in today’s Celtic-Punk scene who also happen to be one of the most under rated too!) The Working Class Symphony. Formed in 2010 in Surakarta, in central Indonesia when a couple of friends were listening to Irish music in an internet cafe in the city. This sparked the idea to start up a band playing similar music and soon after The Working Class Symphony were born!

Life in this country is already very difficult, if it still has to be added by listening to mainstream music as it is today … Really it will be FORGETTING..There is no other way than making music that can be uplifting … God Save The Working Class !!!!!

Their new single is a tribute to Cornel Simanjuntak who is credited with the development of Indonesian music with his heroic and patriotic songs against the occupation of Indonesia. His words still inspire today to inflame the spirit of resistance to fight injustice, fight for rights and for truth. The Working Class Symphony dedicate this song to Cornel. With straightforward lyrics, as a picture of the reality that is happening here. Finally, keep on loving our country no matter what happens until the end of closing of your eyes… Freedom.

 

Cornel Simanjuntak 1921 – 1946

“Those in power write the history, while those who suffer write the songs.”

so said Frank Harte and by heavens he was right you know. The man that The Working Class Symphony pay tribute to is little known outside Indonesia and even at home his contribution is almost never taught in the schools anymore. Part of Cornel’s song ‘Maju Tak Gentar’ are incorporated into the Alerta Song! A man who fought for Indonesia  in every way possible and in the end gave his life for Indonesia’s independence. 

THE SMART MUSIC LOVING KID

Cornel was born in Pematang Siantar in 1921. His musical talent has emerged when he attended school and at that time he was already playing guitar and singing western songs that he heard on the radio and watching movies. Around 1937, Cornel went to school in Muntilan and his friends recall he was an intelligent, brave, honest student and never reluctant to defend his and others stand. While there he learnt to play music joining the symphony orchestra playing the work of Beethoven, Bach, Haydn, Wagner and Schubert. One of Franz Schubert’s songs, Ave Maria, became Cornel’s favorite song. Here he discovered the works of Indonesian poets: Amir Hamzah, Sanusi Pane, JE Tatengkeng, and Sutomo Djauhar Arifin and a love of literature becoming familiar with familiar with Goethe, Schiller, Heine and Shakespeare among others.

SONGWRITER

Cornel would become a teacher in Magelang, Central Java around the time Japanese fascist forces attacked in 1942 leading to the one of his earliest songs ‘Mekar Melatiku’. In 1943 having moved to Jakarta he worked at the Japanese Culture Office where he was assigned to make propaganda songs. Many songs were created: ‘Asia Has Awakened’, ‘Destroy Our Enemies’ and ‘Beware Of Britain And America’. The 1943-1945 period was the peak of Cornel’s creativity making songs simple songs that were easy to understand, but very agitative and able to capture the feelings and spirit of the common person

INTO THE REVOLUTION

In 1945, when the fire of revolution burned the bosom of youth and people everywhere, he chose to go directly into the revolution. Cornel said to a close friend at the time

“If you want to find me, don’t look at home. I am at API headquarters, Menteng 31. For a while I leave music. I now feel free as freely as I can and with the freedom I have gained, I will certainly be able to block my soul. I don’t want that feeling of freedom to disappear. If our independence is taken by people, it will also disappear. Now there is a battle for this freedom. I’m stuck in it.”

He shouldered a rifle involved in battle until he was shot. Not fully recovered, the allied forces conducted a sweep in the hospital he was being treated in and Cornel was hurriedly evacuated by comrades and taken outside the city of Jakarta. From there he was sent to Yogyakarta and it was in this city that his many heroic and patriotic songs were born. ‘Land Of Blood Spilt’, ‘Forward Undaunted’, ‘In Heroes’, ‘Indonesia Remains Independent’ and many others. His body weakened he cared little for his health and continued to work to produce songs of struggle hoping to ignite the heroic spirit of the Indonesian people. On September 15, 1946, Cornel, sadly only 25 years old, breathed his last. He was buried in the Kerkop Cemetery in Yogyakarta. He had given his life to the revolution and to the liberation of his country.

Contact The Working Class Symphony  Facebook  ReverbNation  Instagram  YouTube

For the best introduction to the Celtic-Punk scene in Indonesia you simply cannot go wrong than checking out Wind From The Foreign Land- Indonesian Celtic Punk Compilation’ from 2014. An album of fourteen tracks from fourteen different and diverse Celtic-Punk bands from right across Indonesia. From traditional Irish folk right up to Celtic-Oi! and ballads to full on rockers its all here and just goes to show why the scene in Indonesia is both wonderful and always interesting. No self respecting Celtic-Punker should not have at least a couple of favourite Indonesian bands in their arsenal so get along here Wind From The Foreign Land is one of the best compilation albums you will ever here. That’s a London Celtic Punks guarantee!

ALBUM REVIEW: KRAKIN’ KELLYS- ‘Burn Your Flag’ (2020)

My favourite Celtic-Punk band in the whole wide world are back with their second album and needless to say it’s another belter to beat up the floor to.

The last couple of years have been out of this world for Belgian band Krakin’ Kellys. Only formed in 2017 they have far and away been the Celtic-Punk critics and fans favourite band. Announcing their arrival on the scene with debut album Promised Land and a series of fantastic videos I even used the phrase I hate the most “this is a must have album!” to end the review! It’s fair to say it bowled me over and at the end of 2018 the album romped home as Best Debut Album of the year and 4th best overall. They cemented their popularity further by winning the London Celtic Punks Readers Pick of the year polling and incredible 32.38% out of 522 votes. Since then they have consolidated their popularity and last year saw them release of the Irish Tribute EP. Six classic Irish folk music tunes beefed up with heavy punk-rock riffs. The songs were an inspired choice with, bar ‘The Irish Rover (!), them avoiding the world of ‘I’ll Tell Me Ma’ and ‘Black Velvet Band’. David’s vocals standing out loud and proud and gruff and smoky against a backdrop of pure Irish Folk-Punk. I ended that review with a very telling quote about them “they show a love and respect for source material that you would not expect for a band from the heavier side of Celtic-Punk” and this is one of the reasons they have gone down so well.

Their third release is Burn Your Flags and came out on this years ill fated St. Patrick’s Day (every single year I am still reviewing Paddy’s Day releases well into May!!!) and like everyone else their album promotional tour fell at the corona virus hurdle. So much thought and planning and thought had gone into making this years even more spectacular than usual only for the day to fall apart as cancellations began in the run up to the 17th eventually taking pretty each everything worldwide. Just to make matters worse the sun was cracking the pavement here in south-west London! Trapped in the house with only Guinness Original and pizza and crisps the day was made better by a handful of things. Among them the stella live stream performances from New Yorkers 1916 and, of course, the Dropkick Murphys and the chance to play Burn Your Flag every opportunity I could. So without any live gigs to promote it the album has had a rather subdued release which we hope to rectify now if only in a very small way.

Krakin’ Kellys from left to the right : Olivier Drèze (Drum) * Stephan Mossiat (Bass) * Pierre-Yves Berhin (Accordion) * David Leroy (Lead Vocals) * Matthieu Hendrick (Guitar) * Rémi Decker (Bagpipes & Whistles )

Burn Your Flag offers nothing new in the Krakin’ Kellys arsenal that is true. Twelve original songs all written by the band that continue in pretty much exactly the same vein as their previous two releases have. Now their is nothing wrong with that at all. After all when you got a winning formula you don’t suddenly start chopping and changing especially when it starts working for you and a winning formula is what Krakin’ Kellys have. They got the formula but have they got the tunes and once again the answer is a resounding YES! The album kicks off with the sound of bagpipes onFreedom And Whiskey’ and Krakin’ Kellys have not only one of the best pipers in Celtic-Punk with Rémi but also one of the best accordion players too in Pierre-Yves who also does the fabulous artwork for the Kellys releases under his ‘business’ name Hamo. Guitarist Matthieu is responsible for much of the leg work in promoting the band and their fantastic videos (more on them in a bit) and also helped record and master the album with Nicola Lomartire. The song drifts along at a fair old pace and is very Celtic but it is only when David’s vocals start that the song become proper Krakin’ Kellys fair. His raspy vocals sit nicely on top of chugging guitars and Punk drums and bass. It’s the sort of song you could play someone and they wouldn’t necessarily get the Celtic aspect of the song. A great fist in the air chorus and as catchy as anything I’ve heard this year it already says to me that Finnegans Hell will have competition for the Best Album Of 2020. I can see I’m going to over-use the word ‘catchy’ doing this review so from now on just assume each song is ca**hy. ‘Bigger Plan’ keeps the energy level to max and tin-whistle adds to the Celtic feel to it alongside, even for them, heavy guitar. The style of Punk I feel they are closest too would be that of bands like Leatherface who could play at 100 mph and still be totally melodic and accessible. Like Leatherface they also possess a wonderful sense of humour like o‘Not A Mermaid’. Another reason for their immediate success in the scene was their brilliant videos (as directed by Matthieu) and they nail again in the video for ‘Today’s The Day’. Seemingly filmed at the last available chance before ‘virus lockdown’ its shows the band members playing their bits at home surrounded by their families. Truly wonderful piece of work and a nice insight into their lives.

Most of the songs here hover around three and a half minutes. Standard in Punk really. Their are no ‘epics’ just speedy Punk Rock with a tonne of Celtic/ Gaelic melodies. On ‘Just Remember’ they also throw a touch of ‘Gallic’ flair too while ‘Payback’ actually at times comes close to trad Irish. ‘The Champ Is Here’ seems like straight forward Punk but those Folk instruments come in and take the song in another direction. These songs are written with the Celtic side very much in mind and though they could probably get away with being just another decent Punk band it is with the addition of those Celtic instruments that they stand out from the crowd. The title song, ‘Burn Your Flag’, is of course one of the highlights and half way through gives Pierre-Yves the opportunity to play a Punk-Rock accordion solo.  ‘Crazy Dancer’, ‘Golden Youth’, ‘No Regrets’ and ‘Cletus The Great’ all follow the same standard. Catchy (their I have said it!) as hell, super energetic Celtic-Punk that manages to keep the songs completely different enough in style so that nothing here sounds the same so the running length of the album never starts to grate on you.

We are nearing the end and ‘We Are The Freaks’ was the albums first single and another outstanding video too. I implore you to take the time out to watch their videos. Their is so much going on that the music only adds to their appeal. The albums ‘curtain closer’ is ‘Scars’ and a positive message played in a fast punk song with a singalong chorus and pint in the air close. There’s a great version of it here on RTBF a French language web-site so foo,ow the link and check that out.

So if you are stuck at home, like you should be, then if you are anything like me it is music that is keeping you sane. It’s no wonder Krakin’ Kellys are considered one of the best bands in Celtic-Punk and it is at times like this we need to support the people who bring us such enjoyment so please consider buying the album and give these guys. This is music to dance your ass off to and though it may be a while before we get the chance to do so together move the chairs back and let yourself go after all we still have beer!!!

(you can stream Burn Your Flag below on the Bandcamp player before you buy it!)

Buy Burn Your Flag  FromTheBand

Contact Krakin’ Kellys WebSite  Facebook  YouTube  Instagram  Twitter

EP REVIEW: THE CLOVERHEARTS- ‘The Sacred’ (2020)

The second EP from one of the brightest new bands in the Celtic-Punk scene has descended! The Cloverhearts follow a great tradition of Italian bands that capture perfectly what Celtic-Punk is about. 
Only a few months after their debut release The Sick took the Celtic-Punk scene by storm The Cloverhearts return with another blockbuster EP. Like their debut its six original tracks that pull in influences from around the scene and their obvious affiliation to The Rumjacks sound is not just down to Sam their Australian singer but one that doesn’t overpower their own sound. The Sick came a very respectful 4th in the London Celtic Punks Top Ten EP’s/Singles Of 2019 for last year. Not bad at all for a release that had only been out a matter of weeks before the Poll took place.
(you can stream The Sick on the Bandcamp player below)
So The Cloverhearts stick to exactly the same format for The Sacred. Six songs all original compositions and they even come in at virtually the same length of time (only one minute short!). The EP begins with the single ‘Caught Ya In A Lie’, basically a ‘Pop’-Punk song with some fantastic bagpipes laid on top. When you have a piper that is good as Chiara is then it makes perfect sense to fit the songs around her piping. The Folk melodies are left at the dock as The Cloverhearts concentrate on their harder edge and Punkier sound. Catchy as hell melodic Punk and definitly the right choice to lead the EP.

A song about people trying to get the better of you and the consequences of lying. A great start to things that they follow up with the pipes heavy ‘Drunk Tank’ where Sam tackles that most prevalent of Celtic-Punk subjects! On ‘I’ll Be Home Soon’ they showcase a whole raft of genres with Celtic and Country among others. The most folky of all their songs so far but still that melodic Punk attitude. Sam’s vocals are great and unusually for Celtic-Punk he makes absolutely no attempt at a Shane MacGowan drawl but croons away magnificently! A very personal song for Sam about never feeling at home after a lifetime spent living in Australia, Singapore, England and Italy. They return to harder material on ‘Walk’ with plenty of band “Wo-Oh” chants and chugging guitar and a cool chorus it’s a class song that at four minutes has plenty of time to develop. It leads us nicely into ‘Gutters To Graves’ another catchy number and though I may be making it sound like I’m reviewing the same song six times The Sacred is a very diverse sounding EP. It all revolves around the tight melodic Punk sound with Sams clear as crystal vocals and Chiara’s excellent piping. I wouldn’t come to The Sacred perhaps as a lover of Celtic music but if you like your Punk well played and gimmick free then The Cloverhearts are a band that you will love. The last song here ‘Where Did We Go Wrong?’ just goes to show how wrong I can be with a song that revisits the Celtic/Country sound from earlier but much more blatantly and I bloody love it!!

So another successful release but tempered with the sad news that their most ambitious tour to date has had to be cancelled due to the current medical crisis in Italy. A tour that would have took them to Germany, Czech Republic, Austria and around Italy so hopefully it will be re-scheduled soon. Their are some utterly fantastic Italian bands around and its good that The Cloverhearts have found their niche among them. A bunch of bands that fit nicely together with all them sounding just that bit different from each other. A while back I went to a Psychobilly all-dayer and it got a bit boring but a all-dayer starring The Cloverhearts, The Rumpled, The Clan, Uncle Bard And The Dirty Bastards, Tullamore and Dirty Artichiokes  would be one hell of a gig. Any millionaires out there give me a shout!!
(Stream The Sacred before you buy it on the Bandcamp player below)
Buy The Sacred EP  FromTheBand  AppleMusic
Contact The Cloverhearts  Facebook  YouTube  Twitter
Black Dingo Records  WebSite  Facebook

EP REVIEW: THE KILMAINE SAINTS- ‘Off The Wagon Acoustic Sessions’ (2020)

The Kilmaine Saints are back! One of the best Celtic-Rock bands Irish-America has ever produced with a seven track acoustic EP that includes two new songs and five re-imagined Saints classics.

This explosive, high-energy Celtic rock band from Central PA will lift your hearts, your spirits, and your pint when you’re not looking!

Well what to say about the Kilmaine Saints? One of my favourite bands and one that all the writers here would agree is and has been one of the best and not only that but it is widely agreed that when the definitive history of Celtic-Punk is put to paper then the Kilmaine Saints will have one or maybe two of the best Celtic-Punk albums and maybe even a third as well!
Formed in Central Pennsylvania when two members of the Harrisburg Pipe & Drum with a mutual love of the flourishing Irish-American Celtic-Punk scene decided to kick something off with the aim of getting them free beers at local St. Patrick’s Day shows. Well from small acorns they have blossomed into a band that has always stood just a small step away from Celtic-Punk stardom. One of only a few American bands whose fame has translated into overseas success and it’s no surprise to occasionally spot a Saints shirt at gigs over the years. Others in this league would be The Tossers, Mickey Rickshaw or Flatfoot 56. One of the scenes most consistently good bands they have released four albums, a live album and a couple of EP’s with the most outstanding of all being their debut in 2010 The Good, The Plaid, And The Ugly which Paddyrock called “the BEST Celtic Rock release of 2010 hands down!” and introduced me, and many others, to the Kilmaine Saints thanks to the now long gone Paddy Punx web site.
This was followed up  a couple of years later with Drunken Redemption which made the top ten of all four leading Celtic-Punk web-sites for 2012. Five years of intensive gigging led to the release of their last studio album and Whiskey Blues And Faded Tattoos really exploded the Saints back onto the national scene. With over seventeen songs they managed not a single duffer and from the first seconds to last dirge of the bagpipes it remains, along with The Good, The Plaid, And The Ugly, one of the albums any Celtic-Punk fan must seek out.
Now a band needs a good set of releases to achieve this level of attention but in their beginning it is their live shows that sees people coming back for more and even though separated by hundreds of miles of ocean one of the things I have consistently read about is the Saints and their high-octane, blistering, high-energy live sets that keep people singing along, stomping their feet, lifting their pints and shouting for more. So the two come together and top of that the people in the band have always taken an interest in the scene and not just in how it can help them which is something that we here appreciate especially.
So history lesson delivered and what does 2020 give us? Well another drawback to being so far away from the main home of Celtic-Punk is bands can go quiet on you and you don’t always get to realise why so with a couple of years of quiet I was delighted to receive Off The Wagon from band guitarist  Rich. Quickly adding it to my phone I played the EP’s seven songs about a dozen times and then sat through the whole Kilmaine Saints back catalogue at the weekend to remind me what a utterly fantastic band they are. Their albums have tended to be a solid mix of amped up Irish and Celtic classics with extremely good compositions of their own thrown in as well. It has to be said though you can be a great band playing covers, and especially if you do something with them rather than being just a standard cover, but to go further you need strong songs of your own and this is what sets The Kilmaine Saints apart. Here though on Off The Wagon they have gone for a acoustic setting. Not that it doesn’t still mean it can be as noisy and raucous as most thrash metal bands but that the progression of the Kilmaine Saints is far is far from over yet!

Kilmaine Saints left to right: Bill Brown- Pipes, Whistle, Bouzouki * Jon Heller- Bass/Pipes * Tommy Leanza- Drums * Liz Mallin- Fiddle * Rich Lipski- Mandolin, Banjo, Acoustic Guitar * Brendan Power- Vocals * Erich Arndt- Guitar *

The EP’s seven songs consist of five older tracks re-imagined and two completely new ones. The EP begins with a new one the title track ‘Off The Wagon’. With a tune flitting from a Walt Disney favourite to an Irish jig the song flies through in just over two minutes and is typical Kilmaine Saints. These guys can write a serious song and have done many times but its the love of a good time that dominates and their sense of humour shines through here. Next up is a song where the serious nature of the lyrics (the poor Irish arriving in the USA during the Great Hunger and the prejudice they received) belies the jaunty tune that accompanies it. Something you often find in Irish music. ‘Painting Paradise Square’ first appeared on their debut album and was written by former band member and multi-instrumentalist (tenor banjo, bass, mandolin) Frank Aponte.
“I suffered to get here and I’m not going to leave
And if you knock me down, you’d best be sure I’m dead
‘Cause when I get back on me feet, and I promise you that I will
I’ll steal your life and use your blood to paint Paradise Square!”
‘With Regrets’ is next up from Drunken Redemption and while the original was a full throttle Celtic rocker about a wastrel of a man and attempting to make sure his son doesn’t follow the same roads as him. The song is a beautiful ballad with great mournful fiddle work from Liz. Great heartfelt lyrics and Mayo born vocalist Brendan’s great voice is accompanied by Liz to great effect. A real choker of a song. ‘MacGowans Wake’ is not a tribute as I had originally thought to the Godfather of Celtic-Punk but a loving salute to a friend of the band Eddie McGowan.

Eddie was a very proud Irish-American born in Baltimore, Maryland and was a founder member of Celtic-Rock band Dublin 5 who shared many’s a stage with the Kilmaine Saints. Eddie MacGowan was a

Eddie MacGowan 1969-2018 RIP

friend, musician and father who on February 5, 2018, lost his nearly four-year battle with Amyotrophic Lateral Sclerosis (ALS). His energy, humor, generosity, love and friendship will be deeply missed by the multitude of people who have been lucky to know him. He made everyone he met feel like they mattered to him, and they truly did. He gave everything he had to family and friends. Those who loved him have set up a foundation the Eddie MacGowan Foundation so please take a look. Funds raised through their activities will be donated to organizations that supported Eddie through his illness and that continue to support patients with similar disabilities. A sad loss for the Irish in America. Another beautiful choker of a song and following this we are back again to their last album for ‘Pennsylvania’s Finest’ what you might call a ‘American Rebel Song’. Again the original was a barnstormer of a song fast, furious and full of righteous anger, rousing the masses to remember the War Of Independence.

“And all the world shall know, Americans are free
Nor slaves nor cowards we will prove, And England soon shall see
We’re Pennsylvania’s Finest,
And we will proudly fight our hearts are strong our aim is true,
We’ll stand up for our rights”
The English making friends wherever they go since 1776!! Played here with with an ever such slight ska-ish beat but with much the same tempo of the original. Their last album provides the last two tracks here with the marvellous ‘Whiskey Blues And Faded Tattoos’ leaping out at you as the standout track. A superb song carefully crafted and here presented in such a beautiful way. The lyrics are amazing and a positive call to sort ourselves out. 
“Don’t waste another night, getting lost in your pint
Wasted memories of wasted yesterdays
Get up off the bar stool Get your boots on the ground
You’ll never reach the top at the bottom of a round
‘Cuz age is just a number not the sum of our mistakes
Always search for new tomorrows Always hope for better days”

The EP ends with ‘Golden Pen’ and a perfect way to leave with another great song Liz wrote about the death of a friend’s Mother. A great EP that shows the amazing talent of a band that is not resting on its laurels and hopefully new material will be following soon. The Celtic-Punk scene needs The Kilmaine Saints.

(Whiskey Blues And Faded Tattoos- not the acoustic version as featured on Off The Wagon but what the hell you get the drift and I bloody love this song!)

The Kilmaine Saints are equal parts Irish swagger, Scottish pride and whiskey. Their usual explosive Celtic-Rock has taken a back seat for now but is sure to return. The scene in America is still standing strong and bands like the Saints have now begun to influence a new breed of band setting out and it’s fair to say that there’s not much better bands to take that influence from. The Kilmaine Saints have become over the years a focal point for not just their local Irish-American community but nationwide too. A band that captures what it is to be Irish in America today. A symbol for a community that isn’t just there so that TV executives can make gangster programmes about them or TV series taking the piss out of their religion. The Irish community is still very much alive just like, thank heavens, The Kilmaine Saints.

Buy Off The Wagon Acoustic Sessions  FromTheBand

Contact The Kilmaine Saints WebSite  Facebook  Bandcamp  ReverbNation  YouTube

The Kilmaine Saints cross the broad Atlantic later in the year to play a series of gigs in the auld country taking in some of Ireland’s biggest tourist attractions. Sadly they won’t be coming to Ireland’s 33rd county (London) so my wait to see them goes on. You can still join them as a fan if you’re in America I think but best to check with them and if you in Ireland or going to be there at the same time (April 18-25) then be sure to find out where they are playing and get along!

The Kilmaine Saints performed the whole of Off The Wagon EP live on Facebook on Saturday 29th February and its a wonderful hour+ of the Saints talking about all manner of stuff and playing the songs. Well worth the watch.

ALBUM REVIEW: PATRICKS- ‘Rocky Road To Ireland’ (2020)

“When we need to escape from reality, and it’s not possible to take a trip to the green land, have a couple of glasses of mead instead and fly inside the head to the land we love so much”
Rocky Road to Ireland is the second full length album from Italian band Patricks does much the same thing!

When this album popped through the letterbox I took one look at the cover and thought “Oh, an Irish band” and on putting on the disc inside I was further impressed by this ‘Irish’ band. Came as quite the shock then to find out that Patricks may play top quality Irish Folk-Rock and have all the attributes of an actual Irish band but they hail many miles from the Emerald Isle in the Italian home of famed doomed lovers Romeo And Juliet- Verona. Formed in 2012 in no short time Patricks had played right across the north-east of Italy bringing their energy to both the big stages of festivals and their warmth and joy to intimate small pubs venues. In 2014 and 2015 they went down a storm at the ‘Ireland In Festivals’ in Bologna and Padua, opening for Cisco (formerly the legendary Modena City Ramblers). Their debut album, Tales From Irish Waves, hit the shops in June 2016 after eighteen months of hard work. Recorded at Verona’s Bass Department Studio the album was very well received and led to them being invited to headline the 2017 Triskell Celtic Festival in Trieste and for the last couple of years the main spot on St. Patrick’s Day evening in the centre of Verona making over 3,000 people dance for two hours! Tales From Irish Waves was a collection of Irish folk favourites like ‘The Rising Of The Moon’, ‘Star Of The County Down’ and ‘Leaving Of Liverpool’ all done in Patricks very own individual manner. With over 150 concert behind them, these Veronese continue to impress and with the release of Rocky Road To Ireland international growth beckons.
The Rocky Road To Ireland carries on from their debut album in much the same way. Ten tracks of popular Irish folk songs but this time the collection has a lot less emphasis on the more popular songs and includes instrumentals and even a couple of originals too. You actually get almost twenty here with songs mashed together in a incredibly seamless way taking it as far away from the realm of cover albums as you could possibly get. The album starts with ‘The Kesh Jig / Blarney Pilgrim’ and while it may not be only be Irish music that has songs instantly recognisable without words not many also come with the ability to cheer. As is common with a lot of Irish/Celtic bands in Europe the flute is to the fore here while the band cheerfully get through both songs in under three minutes. Next up we are introduced to Margot on vocals whose beautiful voice leads us through ‘Finnegan’s Wake’ a banjo heavy tune owing a lot to the Dubliners famous version though it sounds a little odd not having Ronnie Drew’s gravelly voice (or even Mike McColgan!) accompanying the song! Next is ‘Spancil Hill’ one of the saddest (and let’s face it the competition is immense!) of all the Irish emigration songs. The longest song here at over five minutes and played upbeat rather than its usual slow and maudlin. Margot’s voice dominates as is usually the case with Irish music (see bands like Runa and Solas). I still remember listening to this song for the first time. I had heard it 100’s of times growing up but the first time I took care to listen to the words brought a tear to my eye the sadness of it all.
“Then the cock he crew in the morning, he crew both loud and shrill
I awoke in California, many miles from Spancil Hill”
Here though the famous last lines are missing and replaced with a different last chorus I had never heard before. Next a bunch of songs unfamiliar with me on paper, ‘ ‘The Butterfly / Golden Stud / The Man Of The House’, but ‘Golden Stud’ was recognisable at least. Accordion, fiddle and flute pushing the boundaries and while at times you do wish they would really really cut loose they still manage to beat up the floor. The Dubliners influence here is not just confined to the album’s title with ‘The Rocky Road To Dublin’ played at a steady pace and seeing as i can never quite keep up with the lyrics here Margot does a wonderful job especially in the chorus about bashing up two Liverpudlians! Another song I wasn’t sure I had heard before was ‘P Stands For Paddy’ but on hearing realised i had heard a version of it by German Celtic-Punk band Fiddler’s Green but whether it was this version, a love song, or the one written by Gerry Carney, a bittersweet tribute to the Irish in England that never made it I can’t remember. Here the influences from English Folk-Rock scene of the 70’s are evident with Patricks sounding remarkably like Steeleye Span in places. The Dubs return with a rowdy pub setting performance of ‘Whiskey, You’re The Devil/The Silver Spear/The Mountain Road’ and a professional sets of reels and jigs ‘Glasgow Reel / Aaron’s Key / Banshee Reel’ before we settle down to a modern day Irish folk music classic. ‘The City Of Chicago’ was written by Barry Moore and made famous by Christy Moore the song is a tribute to those who battled all the odds and made it to relative safety across the oceans during the great Hunger.
“Some of them knew fortune
Some of them knew fame
More of them knew hardship
And died upon the plain
They spread throughout the nation
They rode the railroad cars
Brought their songs ant music to ease their lonely hearts”
A fantastic song that that brings the curtain down but NO that’s not it! For they have squeezed in a bonus track at the end!

‘They’re Taking The Hobbits To Isengard / The Fellowship / The Shire’ are songs recognisable from the Lord Of The Rings films and show a sense of humour that has is evident in all the best Irish folk music. So almost forty minutes of quality Irish folk music as interpreted bu one of Europe’s best Irish bands. The album was recorded, mixed and produced by Max Titi at Maxy Sound Studio in Verona for Maxy Sound and if I did have one mixed opinion on the album I would like the band to follow though it is that they should ‘rock out’ a bit more and really go for it but Rocky Road To Ireland is still a fine album and a great way to start March off which is always traditionally our busiest month at London Celtic Punk for obvious reasons!!

Contact Patricks  Facebook  YouTube  Spotify  Instagram

Buy Rocky Road To Ireland  FromTheBand

ALBUM REVIEW: BODH’AKTAN- ‘De Temps Et De Vents’ (2019)

The seventh album of Bodh’aktan from Québec. Seven rogues fusing elements of Celtic, Rock, Trad, Pop and Punk and the music of the Celtic Nations, especially Brittany and Ireland. With bagpipes, flute, accordion, violin and bouzouki and vocals in both French and English they are a force to be reckoned with!

We are well into 2020 now but we couldn’t let last year go without paying homage to one of the best, and most active, bands in the Celtic-Punk scene. This will definitely be the last review from 2019 and what a great way to bid farewell then with a band that really encapsulates everything that Celtic-Punk should be about. A link from the traditions of the past to both the present and the future. On their last album, Ride Out The Storm, they were assisted by the legendary uileann piper Paddy Moloney of The Chieftains and it was not the first time Bodh’aktan have embraced the ‘old world’ of Celtic music.

Bodh’aktan formed in Québec in 2011 and they have released several acclaimed albums. Regular visitors to Europe, especially, of course, France they are yet to visit the Irish and British isles but as their fame spreads I’m sure it is only a matter of time. The vast majority of their releases have been in their native tongue but they have also had the novel idea of re-recording a couple of albums into English for their Anglo fans. Their new album De Temps Et De Vents has been recorded in French or as one reviewer hilariously described it as a

“return to the language of Molière after an incursion in Shakespeare”.

The Québec flag, the Fleurdelisé (Lily-flower)

Québec is a semi-autonomous region of eastern Canada and is home to 8,500,000 residents. The official language is French and is spoken by the vast majority of residents (78%). The region has a totally different feel to the rest of Canada and French dominates every aspect of life. Within this French culture is a strong Breton influence and their are no shortage of Celtic influenced bands both traditional and modern. The French population of Québec stands at around 30% with the Irish and the Scots making up a further 10% so the Celt identity there is very strong! Their have been referendums about independence in 1980 and 1995 that have been defeated (in 1995 by a margin of only 1%!) and so they remain, for the time being, subjects of the British crown. This led in 2006, to the House Of Commons of Canada passing a motion to recognise the “Québécois as a nation within a united Canada”.

So onto the actual album and De Temps Et De Vents is twelve original songs lasting nearly forty minutes that starts off where Ride Out The Storm left us. They have been moving away from the harder rock/punk sound of their earlier days into a much more Folk and trad style that is instantly recognisable in modern day Celtic-Punk. With all the lyrics in French and being a pupil of the English school system my knowledge of the language is pretty damn basic to non existent! With that in mind I can really only review the music here so please bear with me.

The album begins with the short ‘Ouverture’ a Celtic-Punk heavy intro which starts with drums but with the rest of the band joining in at intervals building up and up and leading straight into ‘Capitaine Deux-Cennes’. My first impression is that Alexandre Richard has a fine voice that really jollies the music along during the fast songs but can also wrap itself around a ballad too. The music is reminiscent of Flogging Molly with its high tempo danceable style. For the album Bodh’aktan added a fiddler and Marc-Etienne Richard’s work is pure excellent shining alongside the rest of the band. Hopefully he will become a permanent fixture. Only a couple of songs in and you are already left with the impression this is the type of album that is for celebrating along to. The tempo does change from time to time with ‘L’orage’ for example when the bagpipes add a sorrowful side to the song. It’s the first ‘slower’ song but played with a heaviness that belies its speed. ‘L’amer’ is a straight up rock number and also one of the highlights of the album with a ‘Wo-Ho-Oh’ chorus that is just ripe for roaring along to!

‘Le Jardinier Du Couvent’ (in English ‘The Gardener Of The Convent’) is a slow beautiful ballad which slowly builds into a wonderful song. Despite not knowing the words it seems full of sorrow and sadness with Alexandre wringing every bit of emotion out of it. Hidden away among the Breton/French influenced tunes is the Irish trad ‘Set Béquate’ played to absolute perfection and a great example of a band that can turn it’s hand to anything. From Celtic-Punk rockers to trad tunes like this they know how to fill up a dance floor and the song speeds along at such an intensity that i’m sure by the end many drinks will have been spilt and many ankles turned over!

‘La Tournée’ is a fast and furious (120 seconds) number that takes in bands like Neck and The Tossers. Banjo heavy and over in a flash before ‘Le Retour’, a bagpipe Celtic-Rock number with a definite Scots feel and not just because of the pipes while ‘Le Dernier Bateau’ is a slower number with very much a ‘epic’ feel to the song. We are nearing the end of our voyage and Bodh’aktan see us out with two of the longest songs on the album. ‘Dans Le Bois’ carries on in in the same vein with an acoustic Celtic jolly wee number while the curtain comes down on De Temps Et De Vents with the amazing ‘Tant Qu’il Restera Du Rhum’ (in English ‘As Long As There Is Rum’!). At over five minutes all Celtic-Punk fans will know the kind of song when i say that its the end of the night, drink has been taken and you find yourself in the middle of the dance floor holding onto a stranger with your fist (or pint) in the air belting out the words at the top of your lungs. A slow heavy swirling way to see things out.

There is literally something here to keep everyone happy. When they ‘punk’ it up they are brilliant and when they ‘folk’ it up they are as well. For an album that varies from genre to genre the album flows magnificently (something I have noticed on their previous albums too) and you barely notice that the last song was a punk or folk number. The music is a joy to listen and the band are absolutely fantastic musicians and although the obvious humour here is lost on me this is a band who put out consistently great music and have done it yet again.

Buy De Temps Et De Vents  FromTheBand  Coop Breizh France

Contact Bodh’aktan  WebSite  Facebook  YouTube  Twitter  LastFM  Soundcloud

Disography Au Diable Les Remords (2011) * Against Winds And Tides (2013) * Tant Qu’il Restera Du Rhum… (2013) * Mixtape (2015) * Bodh’aktan (2016) * Ride Out The Storm (2018) *

(the brand new video for ‘Mick McGuire’ taken from 2018’s acclaimed album Ride Out The Storm just released on January 9th!)

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2019!

Well here we go again. It only seems like five minutes since I was compiling all the votes into last years Best Of that saw The Rumjacks romping home with Album Of The Year. This year has been a bit quieter on the Celtic-Punk front but as last year was so busy that is perhaps not surprising. That’s not to say their weren’t some fantastic releases as their were plenty and it was still really difficult to come up with the various lists below. Not so many big bands this year so it was left to the lesser known bands to shine but remember this is only our opinion and these releases are only the tip of the iceberg of what came out last year. Feel free to comment, slag off or dissect our lists. As a bonus we are adding the Readers Poll again this year so you can even vote on your favourite release of 2019 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

(click on the green link to go where you will find more information on the release)

1. THE WALKER ROADERS – Self Titled

2. MICKEY RICKSHAW – Home In Song

3. FEROCIOUS DOG – Fake News And Propaganda

4. GREENLAND WHALEFISHERS – Based On A True Story

5. BARLEYJUICE – The Old Speakeasy

6. THE NARROWBACKS – By Hook Or By Crook

7. McDERMOTTS TWO HOURS – Besieged

8. PIPES AND PINTS – The Second Chapter

9. THE RUMJACKS – Live In Athens

10. SELFISH MURPHY – After Crying

11. TORTILLA FLAT – Live At The Old Capitol

12. FIDDLERS GREEN – Heyday

13. THE RUMJACKS – Live In London Acoustic Sessions

14. THE WHIPJACKS – This Wicked World

15. 13 KRAUSS – Redención

16. ALTERNATIVE ULSTER – Craic Agus Ceol

17. AIRES BASTARDOS – Self Titled

18. THE TEMPLARS OF DOOM – Hovels Of The Holy

19. THE FIGHTING JAMESONS – A Moment In California

20. ANGRY McFINN AND THE OLD YANK – Songs of Whiskey, Women & War

21. THE SHILLELAGHS – Ripples In The Rye

22. HELLRAISERS AND BEERDRINKERS – Pub Crawl

23. BODH’AKTAN – De Temps Et De Vents

24. HEATHEN APOSTLES – Dust To Dust

25. SONS OF CLOGGER – Return To The Stones’

26. THE CHERRY COKE$ – Old Fox

27. THE FILTHY SPECTACULA – The Howl Of The Underclasses

28. THE POTATO PIRATES – Hymns For The Wayward

29. TC COSTELLO– Horizon Songs

30. THE TENBAGS – ‘Bags o’ Craic’

How to compete with last year? Every single top band in the genre released an album so things were always going to be a bit quieter for 2019. Top spot this year unsurprisingly goes to The Walker Roaders Celtic-Punk super group! With Pogues, Mollys and Dropkicks making up the team how could they possibly go wrong! Everyone’s ‘next big thing’ Mickey Rickshaw came in a well deserved second and Ferocious Dog took third after releasing their best album, for me, since From Without. Greenland Whalefishers celebrated 25 years on the road with their best album for quite a while and what Best Of would be right without some bloody brilliant Irish-American bands challenging at the top too. Pipes And Pints new album with a new singer received acclaim from across the Punk media and The Rumjacks couldn’t follow up last years unanimous victory despite having two album releases (both sort of live) in the top thirteen. Fiddlers Green continue to make consistently great albums and go into 2020 celebrating thirty years together! Good to see homegrown bands The Whipjacks, The Tenbags, The Filthy Spectacula and Sons Of Clogger making it too. The top thirty was made up of thirteen countries from USA, England, Norway, Czech Republic, Australia, Switzerland, Germany, Argentina, Japan, Quebec, Hungary, Spain and Japan.

1. THE LUCKY TROLLS – Self Titled

2. DRUNKEN DOLLY – The Party

3. LORETTA PROBLEM – The Waltz Of My Drunken Dream

4. THE CLOVERHEARTS – Sick

5. KRAKIN’ KELLYS – Irish Tribute

6. THE PLACKS – Rebellious Sons

7. GYPSY VANNER – Five Distilled Celtic Punks

8. THE RUMPLED – Grace O’ Malley

9. FOX’N’FIRKIN – Hey Ho! We’re Fox n Firkin

10. SHANGHAI TREASON – Devil’s Basement

The Lucky Trolls took #1 spot with their brilliant self-titled EP following on from fellow countrymen the Krakin’ Kellys multi award winning 2018. Trust me it would have taken an exceptionally good release to keep The Party by Drunken Dolly off the top spot but that is what happened. Dolly’s excursions over to these shores this year j=has seen them grown in stature and you can’t go to a Ferocious Dog gig without spotting at least a dozen of their shirts. Loretta Problem wowed us with their single ‘Waltz Of My Drunken Dream’ which took us right back back to The Pogues glory days and what about that accompanying video too!! If we had a award for best video then that would have walked it. The Kellys had a quiet year with comparison to ’18 but still managed a respectable #5 and great debut releases from The Placks our sole representative from a Celtic nation (big things are going to happen to this band in 2020 mark my words), Italian/Aussies The Cloverhearts and, from just down the road from my Mammy, Shanghai Treason from Sheffield who only put out one song… but what a song! Eight countries represented from Belgium, Netherlands, Finland, Italy, Scotland, Argentina, Australia and Yorkshire!

AIRES BASTARDOS– ‘Self-Titled’

Argentina is becoming a bit of a hot-spot for Celtic-Punk with not only some well established bands but also some new ones starting up too and with this release Aires Bastardos announced their arrival on the international scene too. Not afraid to dive straight into a folk number after a Cock Sparrer cover they veer from standard Celtic-Punk to Folk and back to fast as hell Punk but in that really accessible way that only Celtic-Punk (and maybe Ska-Punk) bands can do.

1. THE DREADNOUGHTS – Into The North

2. CROCK OF BONES – Celtic Crossbones

3. 6’10 – Where We Are

4. BRYAN McPHERSON – Kings Corner

5. CALLUM HOUSTON – Gravities

6. PYROLYSIS – Daylight Is Fading

7. SEAMUS EGAN – Early Bright

8. LE VENT DU NORD – Territoires

9. DONNY ZUZULA – Chemicals

10. DERVISH – Great Irish Songbook

The Dreadnoughts don’t really think of themselves as Celtic-Punk so I reckon they’d be happier to win this than Celtic-Punk Album Of The Year. A superb collection of sea shanties that is a pleasure to listen to that was always going to be #1. Crock Of Bones representing the London Irish in 2nd with an album of trad folk with punk rock attitude and it’s especially good to hear some originals done in the style of the ‘auld ways’. 6’10 challenged for the top spot as they always do with everything they release and Bryan MacPherson and Callum Houston both produced great releases of singer-songwriter acoustic folk with Irish roots.

Sadly the Celtic-Punk world has shrunk a little regarding Web-Sites. Winners of the last two years the Mersey Celt Punks have been slacking (sort it out lads!) and enjoying their gigs too much to tell us while Shite’n’Onions have been too busy transferring everything onto a different platform and preparing for a bit of a re-launch I expect. Sadly celtic-rock.de have shut up shop after twelve years so it just makes it all the more clear how much we all miss Waldo and his fantastic Celtic-Folk-Punk And More site. As regular as clockwork and all the news that was ever fit (or not!) to print. Closing down the site in its 10th year in March must have been a tough decision to make and so this year we award best Website to Waldo and let it be known that no Celtic-Punk site will ever come close to replacing you. We would certainly not exist without his kind help and inspiration. All the best comrade enjoy your retirement! One welcome addition is Michu and his Celtic-Punk Encyclopedia site from Poland. Worth checking out especially if you are in a band.

We are not alone in doing these Best Of 2019 lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

FOLK’N’ROCK

MERSEY CELT PUNKS

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other Celtic-Punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 8th year of making these Best Of lists so if you would like to check out out who was where in our previous ones then just click on the link below the relevant year.

Last year we introduced a new feature THE READERS PICK. We had no idea if it would work or not but it was a raging success so we going to do it all again this year. With well over 500 votes cast you lot chose the debut album from the Krakin’ Kellys as a worthy winner. Only the Top Ten albums are listed but there is an option to write in your favourite release or just to send us love… or abuse!

You are allowed to vote twice but not for the same artist.

The Poll will close at midnight on Friday 31st January with the result announced soon after.

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2020

ALBUM REVIEW: BARLEYJUICE- ‘The Old Speakeasy’ (2019)

Barleyjuice out of Philadelphia are back with their seventh studio album with fourteen never before released recordings featuring ‘Juice members old and new!

Drinking, singing about drinking, singing while drinking, drinking while singing. We never drive while drinking, but we do drive while singing drinking songs, which drives others to drink, giving our drinking songs more drive.

Six studio albums in, as well as a Best Of double CD collection, Barleyjuice have, i am reliably informed, become one of the most popular Celtic bands in the USA. As far as I am concerned though this is the first time I have heard one of their records even though I have come across the name of the band several times while writing reviews for this here site. Their music is of the Celtic-Rock variety but with enough bite for it to cross over into our territory at regular intervals! Such is their regard that they have had songs featured in two of my favourite TV programmes in The Office and King Of The Hill as well as the Sly Stallone film, Driven. Barleyjuice were founded in 1998 beginning as a side project for a couple of bagpipers in the Loch Rannoch Pipes & Drums of Pineville, Pennsylvania. The Bhoys are now into their third decade together and if the previous six albums are half as good as The Old Speakeasy then I have been missing out on something!

(a short promo film featuring American celtic rock band Barleyjuice celebrating 20 years of live performances. Edited by Hiu Yau)

The album itself is fourteen songs coming in at a very healthy fifty minutes and is a smattering of old and new songs including some classic Irish folk songs and some other inspired covers. Led by Kyf Brewer, who also produced and recorded the album, who plays a multitude of instruments here including guitars, mandola, bouzouki, bagpipes, piano and also lead vocals. Kyf started the band alongside Staten Island, NYC native Keith ‘Swanny’ Swanson as a side project having both been members of the same pipe band. Kyf has been playing music ever since his first band, The Ravyns, had ‘Raised On The Radio’ featured in the successful 1982 movie Fast Times At Ridgemont High. He also has a rather successful career in acting having appeared in VH1’s Before They Were Rock Stars as well as such cult films as Serial Mom and Fahrenheit 911 and also playing a cop in NBC’s Homicide and a sleazy photographer in CBS’ Hack.

Barleyjuice left to right: Eric Worthington- Vocals, Bass * Chris Shepherd- Guitar, Mandolin * Kyf Brewer- Lead Vocals, Guitar, Mandola, Bouzouki, Bagpipes, Piano, 
Harmonium, Garden Shears, Drums * Kyle Blessing- Fiddle * John Tracey- Drums

Backing Kyf and Swanny on this album is bassist Eric Worthington, fiddler Alice Marie and fellow ex-member of The Ravyns John Tracey on drums. As solid a team of Irish-Americans (and Irish/Scots American in Eric’s case) as can be found in American Celtic music. But the rota of musicians doesn’t end there as Barleyjuice have rounded up a staggering fifteen ex-members, including violinists Shelley Weiss and Billy Dominick, bassist Dennis Schocket, mandolinist Graham Ford, guitarist Dave Woodworth along with friends and family who had contributed over the years. Brewer’s daughter,  Scotlyn and wife Beth provided backing vocals while another daughter, Claire plays trumpet on The Old Speakeasy. By its time of The Old Speakeasy’s release, Keith Swanson and Alice had retired, replaced by guitarist/mandolinist Chris Shepherd and fiddle player Kyle Blessing. Now it’s not uncommon for a Celtic band to have a sort of revolving door policy but at a minimum of fifteen they may be pushing for the record here!

So the most obvious thing to ask about Barleyjuice is are all their songs about drinking and the answer is maybe not all but a good few are! Even the album’s title, The Old Speakeasy, gives it away with ‘Speakeasy’ being the name given to a saloon selling alcohol illegally, especially during the time of the American Prohibition when there was a nationwide ban on the production, importation, transportation, and sale of alcoholic beverages from 1920 to 1933. The album kicks off with the albums title song and from the off you get what they are about with Kyf’s laconic voice dragging itself along a song that has elements of The Beatles and Stones as well as an undeniable Celtic base. The many instruments here give it a layered effect used to great measure. An awesome start that only gets better when they follow it up with the classic Irish rebel song Join The British Army’. Played with passion and a great dose of black humour The Wolfe Tones may have made it famous but Barleyjuice make it their own as well with a brief interlude into ‘Some Say The Divil Is Dead’, another famous Tones track, while they are it. A real foot stomper and the line between Celtic-Rock and Punk is blurred at times and this is a classic example of that blurred line. Barleyjuice may have a serious side but here on The Old Speakeasy they go for your funny bone most of the time and on their tribute to Scots life ‘High On Highland Life’, away from shortbread box covers (or maybe not!) and ‘Don’t Call Me A Pirate’ they manage to combine genuine funny lyrics with some catchy as fecking hell Irish Rock’nFolk!

(a stripped down live version from the end of last year of ‘High On Highland Life’ featuring a rare performance from Swanny before he retired from the band)

Those 60’s influences pop up again on the lovely love song ‘Rose Of Garden City’ and we only five songs in and they manage to craic every boundary. A slowish song about Irish emigration sung from the heart and experience. This is a band with its finger on the pulse of Irish-America. They follow this with one of the album’s standout songs ‘A Fine Lass’. The famous ‘Maggie May’ follows and it’s not the version you may have expected as Barleyjuice give us a song about a sailor and a Irish lass who fall foul of both love and the law. The song takes in both Americana and Country as the band sound like they having a whale of a time. Most of the songs here are written by the band with most of the band members involved like on ‘State Of Desiree’ written by Kyf and Dave Woodworth  and the Irish trad influenced ‘A Winter Toast’ written by Swanny. A couple of serious ones sees the Bhoys need to return to a bit of daftness and on ‘Merry Queen Of Scotch’ they even venture into Ska sounding like a Celtic Mighty Mighty Bosstones with a fast and furious song about a whiskey loving lass that is utterly mad and while completely different to everything around it on this album somehow manages to slot in perfectly.

‘It Takes A Village (To Raise A Drunk)’ is the albums longest song at over five minutes and is the type of epic songwriting that Celtic-Punk is famous for. A grand song that slowly builds up and up and swirls round yer head and when played live I am sure is the kind of song perfect for wrapping your arms around a loved one and belting out the chorus at the top of your lungs. We coming up to the end and the standard so far has been exemplary and they keep it up over the whole album with the instrumental ‘Crackin’ Jenny’s Teacup’ a Horslips inspire Celtic-Rock/Trad Irish masterpiece. The albums opening track is revisited as ‘The Old Speakeasy (return)’ and Kfy leaves the Tom Waits/Shane vocals to one side to show he can croon as well as anyone in a slow ballad with the whole gang joining him in the background. The curtain comes down on the album with ‘Hail Ye Merry Maids’

It doesn’t take a genius to tell why I was desperate to fit this album review in before next weeks Best Of 2019 as it will definitely be bothering the top spot i can reveal. A pity it took the last couple of weeks before the end of the year for me to hear one of the years best albums. A utterly superb album that encompasses all of the different traditions and influences an Irish-American band could soak up. As I said a band with its finger on the pulse of the community that they hail from and not afraid to show their pride in what makes it both great and sometimes not so. A stunning album and every single song is a standout in it’s own right and someone tell me how this fecking great band managed to hide itself from me for so long???

Buy The Old Speakeasy  CD-Here  Download-Here
Contact Barleyjuice  WebSite  Facebook  YouTube

Discography One Shilling (1999) * Another Round (2003) * Six Yanks (2006) * Bonny Prince Barley (2008) * The Barleyjuice Irish Collection (2009) * Skulduggery Street (2010) * This Is Why We Can’t Have Nice Things (2013)

(Barleyjuice takes it to the streets and festivals, welcoming all weekend Irish to join them!)

2019 REVIEW ROUND-UP’S PART TWO: EUROPE- BROPHY’S LAW, DIE DÖDELSÄCKE, HELLRAISERS’N’BEERDRINKERS, PYROLYSIS, SCHËPPE SIWEN

We continue in our vain attempt to catch up with the Celtic-Punk and related releases we missed throughout the year! Each year the number of releases we receive here at 30492- LONDON CELTIC PUNKS continues to amaze us. Now this is great news but it does mean that we cannot keep up with everything we receive. We simply don’t have time to give a review to everything so each December we have a week to catch up with any we missed first time round. We like to write detailed reviews so apologies to the band’s concerned that we had to squeeze them in this way. Each and every band featured here are worthy of your time so please be sure to check them out. Today in Part Two we have five releases from Germany, Holland, Luxembourg and a sort of Euro collaboration between Scandinavia and the British Isles! To check out Part One which featured North America then visit here. Our final part will be in a few days when we round up the rest of the world! So please be sure to check back soon.

BROPHY’S LAW- ‘True Stories’ (Buy)

The perfect place for Brophy’s Law seeing as despite being based in Copenhagen they actually contain members from Cornwall, England, Scotland and Denmark. They came to prominence last year as they embarked on a UK wide tour with Swedish Celtic-Punk heavyweights Sir Reg as The Neil Brophy Band. A year later and a new name to reflect the full band sound and a new album of thirteen self penned songs spanning the Folk-Punk genre. The album touches on themes as diverse as world travel, revelry, small-town England, record collecting, refugees, propaganda, vikings, lucky people, fishing and homecoming. Their single from the album, Nice To Know, released on Record Store Day received plenty of favourable press and airplay most notably from Steve Lamacq on the UK’s favourite alternative music station BBC6. The song reflects on Neil’s return to his home town of Northampton after a few years away. Life in the city may seem to change fast to us but the reality is at local community level some things never change. As Neil sings: “my country, my heritage will remain!”

Other album highlights are the acerbic politically charged ‘Fear Of Fear’ with it’s raw, brash Celtic soul sound and poetical social commentary, the fun filled C’n’W tinged ‘Bears Go Fishing’ and the lovely ballad ‘Far Away’. Prominent use of the harmonica and banjo always wins bonus points with me! As we have said the music throughout spans several genres of folk including Country, Celtic, and Americana. They are tailor made for the new generation of music festivals aimed at a slightly older sort of festival goer. Where people look after the bogs and the music finishes at midnight! The band go by the motto of ‘Whatever Happens-Happens Whatever’ and in these uncertain times that’s a good way to think.

Brophy’s Law- Facebook  WebSite  YouTube

DIE DÖDELSÄCKE- Letzte Fahrt (Buy)

Die Dödelsäcke are a German band from Mülheim and are not a band I have been previously aware of. This is a shame as this EP of seven songs is their swansong and the band officially split up in September after playing a gig in Oberhausen. Not only that but they have chosen to split up on what would have been their 30th anniversary together making them one of the oldest Punk bands in Germany. Even stranger is that they have a massive discography going right back to 2002’s Durst 609 and a reputation as being ‘The Kings Of German Bagpipe Punk’. An affinity with Scotland is evident on this album despite all the songs being sung in German. The band has eight members combining your traditional punk rock instruments alongside bagpipes, mandolin, banjo, flute and tin whistle. Vocalist Andel McGoy has the perfect voice for Celtic-Punk being just the right side of hoarse! The first single from the EP was ‘Letzte Fahrt’ which wraps up proceedings on the EP and is a great example of the German style of Celtic-Punk.

Heavy on the mandolin and also the vocals its a great romp and catchy as hell while still being as Punk As Feck! The rest of the EP is just as good with notable tracks being the excellent bagpipe heavy ‘Far Far Away’ with its chugging guitar, gang vocals and rather slow build up as well as ‘Küss Mich Mit Whisky’, probably the most ‘Celtic’ song here. Fast and furious the song would stand on its own as a Punk song. ‘Jokers Billardzimmer’ begins slowly with the dirge of the bagpipes before kicking off and picking up the pace. I’ve not a clue what they are singing about here but you do hear the word ‘Whiskey’ dotted throughout the EP so that should give you a clue. Like a Celtic version of Peter And The Test Tube Babies this is a brilliant release and I’m only sad that I discovered them too late. 

Die Dödelsäcke-  Facebook  Bandcamp  YouTube

HELLRAISERS’N’BEERDRINKERS- ‘Pub Crawl’

Taking their name from a 1980 release by rockers Motorhead Hellraisers And Beerdrinkers are a band that also hail from Germany and the small town of Schwäbisch Gemünd. This is their second album after 2016’s Folk’s Gaudi. They play a style of Celtic-Punk that is more Folk related but with a Punk Rock attitude. Most of the songs are sung in English bar a couple in their native German but with a name like Hellraisers And Beerdrinkers you can kinda guess that this band is in it for the kicks and throughout it’s dance able Irish influenced folk music but with loads of other influences thrown into the mix like the excellent reggae and metal enthused ‘Gaudium Fürs Folk’. They lay claim to be the original purveyors of ‘Gaudi Folk’. Now I’m not sure what this is and whether it relates to the geezer who designed all the wacky buildings in Barcelona is anyone’s guess. With  mandolin, banjo and accordion as well as double bass the boys have quite an original sound with the songs ranging throughout the Folk-Punk genre starting with another album high point the opening track ‘Honkytonk’ which brings in elements of Country and Americana. ‘1000’ is another great track with the words sung in immaculate English and its positive message dedicated to rebels everywhere. Slow starting but building up throughout.

The albums ends with three outstanding songs that are all completely different and showcase the range of Hellraisers And Beerdrinkers. The first of the trio is a story of being trapped in a pub. The pub in question is also the title of the song and the bands local. ‘Piston’s Pub’ is accordion led and proper catchy tune that is followed by ‘Abserviert’ a slow waltzy type number sung in German and shows that despite their name they know their way round a good tune. The album ends with their ode to that most Celtic-Punk of subjects- ‘Beer’!!! A fast and furious accordion led tune with a distinct ‘pirate’ style. Ten self-penned songs that clock in at a very healthy thirty-five minutes that manages to cover so much ground but still keep its feet firmly in Celtic/Folk-Punk.

Hellraisers’N’Beerdrinkers  WebSite  Facebook  YouTube  Soundcloud

PYROLYSIS- ‘Daylight Is Fading’ (Buy)

The fourth release from Pyrolysis (all are available on Bandcamp) and happy to say they are still pumping out fast-paced and energetic acoustic folk alongside the odd dark and intense ballad and all the time still not wearing any shoes! Completely acoustic (well except for the bass!) and with a bodhrán (Irish hand held instrument) instead of drums they manage to kick up quite a din and the music would definitely be classed as Celtic-Punk if there was an electric guitar in there. Their music ranges across the Folk genre with Punk, Gypsy and even Pirate music getting a nod but it’s their energy that gives them that Celtic-Punk feel. Founded in 2010 in the small Dutch town of Zaltbommel Celtic-Folkies Pyrolysis have been a regular fixture in their home countries festival scene over the years but have also made it over to these shores too. Daylight Is Fading is twelve songs, mostly originals but with a few traditional Folk covers, that comes in just shy of fifty minutes. The opening track is a short instrumental setting the scene for the storming ”The Pace’ which may sound like an electric guitar but you are wrong. The song is as Punk as you can get without electric and the Celtic tinged number rattles along at a grand old pace while main songwriter and lead vocalist Tim has that rather typical Dutch accent where he sounds completely English! In common with a lot of Folk (and Celtic-Punk too) his voice is just another instrument here and used to great effect. They can also turn their hand to a mean traditional song like the instrumental ‘Cooley’s Reel’ or a real foot stomper like the auld Scots classic ‘Donald McGillavry’ as well which leads nicely up to ‘Never Fade’ an album highlight and we are fortunate that they have just released a pretty damn good video to accompany it.

This is one band I would have really loved to have done a detailed review of as they are such an interesting band. They may look a bit ‘hippie-ish’ and that may be so but their music reminds me in style, not content, of those 70’s Irish Folk bands like The Bothy Band, Planxty or 1691 whose innovation lay the groundwork for much of what came afterwards on the island. It can definitely be traced to what we now call Celtic-Punk. I said before in a review of their second album ‘‘On Mountains I Stand‘ that the band I am most reminded of here was The Whisky Priests who flamed very brightly cross Europe in the 90’s with their unique brand of Geordie (Newcastle) English folk-punk music and you can still hear that a lot in what Pyrolysis do especially as the accordion is at the forefront of so much. ‘This is How’ begins as a sorrowful song about a sailor with amazing fiddle work in an Eastern European style. ‘Captain Cray’ has an somewhat English feel to it apart from the Celtic fiddle and the album is coming to an end and you can always tell a good band when they play a really long song that holds your interest. Here it’s ‘Rainy Road’ at seven minutes that closes the album and it’s a real masterpiece with fiddler Rikke taking over the vocals and her beautiful voice matching well the beautiful music. The slowest song here but the most dramatic and my absolute favourite. A great album. One the best I have heard this year so highly recommended.

Contact Pyrolysis  WebSite  Facebook  Bandcamp  YouTube

SCHËPPE SIWEN- ‘Wat Bleift’ (Buy/Buy)

Here’s a first for London Celtic Punks. We thought we had covered just about every country in Europe and then this little beauty arrived on our doorstep all the way from the wee country of Luxembourg. Famous in my youth for always finishing bottom of their European Championship group I knew very little more about them. Joined these days by even smaller countries they have at least risen to second bottom these days! With a population of just over 600,000 with only just over half the population being Luxembourgers with the other 44.5% made up of mainly Portuguese, French and Germans. So it’s a small country but perfectly placed between Belgium, Germany and France. Perfect indeed for a Folk-Punk band looking for gigs! Schëppe Siwen were founded in December 2009 and released their debut self titled album three years later and the follow up Sprëtztour in 2016. These passed us by but not this years Wat Bleift. Mixing Folk, Rock, Pop, Reggae, Punk and Ska and proudly eschewing the opportunity to sing in either French or German they proudly sing in their native Luxembourgish. Of course these means two things. 1) that we really admire them and 2) that we haven’t a clue what the songs are about! Still anything that involves a trumpet is bound not to be too downbeat. Here we have ten songs that clock in at 33 minutes and all original material. Like Pyrolysis I would have really liked to get my teeth into this review as their is so much going on in here but alas I just have to do my best. The album starts with bar talk followed by accordion and then trumpet. The olde world of Folk comes crashing together with more modern sounds and before long the song is hurtling through your ears. With eight members and an astonishing three trumpet players alongside the aforementioned accordion as well as fiddle with yer more traditional rock instruments keeping it all ticking along. An instrumental that leaves you not quite knowing what you have just listened to but in a good way. The influences are all here and play alongside each other nicely creating a danceable happy sound. ‘Looss Alles Zreck!’ sees the album turn almost full on punk but they reign it in and while Jojo’s gruff vocals may sound punkish to us here the style is more common in Europe and they give the music a bit of bite. With a more conventional singer the temptation would have been to go a bit lightweight but I’m glad they keep well away from that. Their are several outstanding tracks here and while none could be described as Celtic it sits snugly within the Folk-Punk genre or maybe a new genre Folk-Ska.

The title track gives it some old school ska (video above) while ‘Heif Deng Fauscht’ sees the album pause for its first breath with a slower track while ‘D’Auer Leeft’ is another instrumental that again takes all the influences imaginable blending them together. The bands earlier heavier days have been replaced with a love of ska but ‘De Klenge Männchen’ sees a return to form and opening with some classic Rock guitar they sound almost Californian for a minute. Jojo’s voice comes into it’s own here and the band deliver one hell of a tune. Catchy as hell and a real foot stomper. They quickly dust of the Folk instruments for ‘Fett Ewech’ while the album closes with two songs, ‘De Leschten Danz’ and ‘Starenhimmel’, that show the breadth of what the band can offer. From almost Tex-Mex-Ska-Folk-Punk to a heartfelt ballad accompanied by a children’s school choir. An album I thoroughly enjoyed and while I’m not sure of where Schëppe Siwen have come from musically I can safely say that on Wat Bleift they have delivered an album of pure originality where the traditional meets contemporary but still seems perfectly in time with both. There’s an excellent interview with the band about the album and the recording process in Tough Magazine just remember to run it through Google translate.

Contact Schëppe Siwen  WebSite  Facebook  YouTube  Instagram

So ends the second part of our 2019 Round-Up’s and again apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have probably still missed some fantastic music so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. And finally if you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

EP REVIEW: THE CLOVERHEARTS- ‘The Sick’ (2019)

From false friends, to (temporary) sobriety, to lovable junkies and the world’s worst public transport however you like your Celtic Punk’n’Roll – the debut release from The Cloverhearts will have you covered!
No country in the world had had such a relationship with Ireland and the Irish as Italy. From the poverty stricken roots of our mass migration to the new world and then living side by side in American slums to the eventual ‘coupling’ of their communities to the influence of a shared religion that dominated every strand of life back home and that they also helped spread around the world. When I was a kid on holiday back in the ‘auld country’ it was pretty common to bump into foreign travellers and in my experience the Italians always outnumbered everyone else. Even these days its common to meet young Italians experiencing the real Ireland away from gentrified Dublin. These links have now gone full circle and we have those same Italians going back home with a love of Irish culture and music (that many sadly in Ireland no longer have) and re-inventing it. To that end no countries in Europe have adopted Celtic-Punk as Germany and Italy have. With The Rumjacks Italy has took them to their bosom and several bands have hit the streets with an obvious affiliation with The Rumjacks sound.
The Rumjacks sound is a good place to start here as both they and The Cloverhearts have a very unusual thing in common. The Rumjacks have a Italian drummer and The Cloverhearts have a Australian singer in Sam Cooper not only that but Sam and Italian tin-whistle/bagpipe extraordinarie, Chiara de Sio first met at a Rumjacks show in Manhattan, New York fresh from Chiara’s departure from fellow Italian Celtic-Punkers, The Clan. Fast forward and joined by guitarist JJ Bassi, bassist Stefano ‘Cione’ Becce, and drummer Christian Amendolara The Cloverhearts have unleashed their first record alongside two recent high profile support slots with (them again!) The Rumjacks. So considering the band have only been together for just a short time their rise has been meteorically and this new EP is a great way to start.

The Cloverhearts left to right: Cione Becce – Bass, Backing Vocals *Christian Amendolara – Drums, Percussions * Chiara De Sio – Tin Whistle, Bagpipes * Sam Cooper – Vocal , Songwriter * Luigi JJ Bassi – Guitar, Backing Vocals

The Sick came out at the beginning of last month on the Italian record label, Black Dingo Records and has six new songs all written by Sam and the band themselves. The EP begins with ‘Always Monday’ which was the first single and shows how much those Europeans love their ska. I’m not such a big fan myself preferring sad tearful songs about hunger, famine and forced emigration to happy-go-lucky joyful bouncy Ska like this! I know this all makes me somewhat of a pariah. “How can anyone not like Ska” has been said to me many a time. Luckily this song has a tough edge to it and threatens to turn Punk at any moment meaning that I can just about tolerate it. Basically a song everyone else will love and enjoy so just ignore this miserable bastard.

I’m in much more favourable territory next with what I consider the EP’s standout track, ‘Black Eyes And Broken Hearts’. Kicking off with chunky loud guitars and bagpipes the music has the same sort of Pop-Punk air to it as Dutch Celtic-Punk band Drunken Dolly or more famous bands like NOFX or Blink 182. Catchy as hell with great lyrics smothered in black humour and Sam has a great voice too for this. I was also a big fan of Chiara and her piping while with The Clan and here again it is absolutely note perfect. This leads us onto ‘Drinking Songs’ and with its tin-whistle opener it is more yer typical standard Celtic-Punk song. Played fast and with passion this is a sure fire dance floor filler leading us onto ‘Fuck Trenitalia’, a story about Italy’s national rail way service. Funny enough I first heard this while waiting for a train that was running late whilst in deepest Surrey so can sympathise 100% with the sentiments expressed. I’m guessing a lot of people in Italy would as well as within ten days the video had amassed a staggering 170,000+ views on You Tube!
(Warning- “this video may be unsuitable for some”)

Loads of ‘effing and blinding’ throughout this exceedingly catchy number. Again played at full throttle and plenty of The Cloverhearts usual humour. No time for any ballads on The Sick and ‘Junky’ keeps the pace going. About a junky friend of the band and we should remember that inside everyone cursed with this terrible addiction is a real person who needs support to rid themselves of it. Anyone immersed in the punk scene will know a person who has lost everything to addiction and the sentiments in ‘Junky’ are beautiful. Not a bad song either and the catchiness keeps coming at you with the EP’s final track and a return to some Ska with ‘No Time For False Friends’. No lecture from me this time as the whole EP (including the Ska-ish) tracks have grown on me and it’s an excellent song to bring the curtain down. Veering from Ska to Punk and back to Ska again the whole band sound magnificent. The bagpiping sounds fantastic and though the bagpipes don’t appear on every track you can hear that the songs have been written with the pipes in mind and they haven’t just been tacked onto any old song. 

The Cloverhearts opening up for them Rumjacks recently in Bergamo

So there you go the debut EP from a band that has only been together for a blink of an eye and already one of my favourite releases of the year. We always delight in the arrival of another new band on the scene and its unusual for a band to come straight out the blocks and find their niche straight away but The Cloverhearts have done just that. They may be influenced by others in the scene (who isn’t?) but they have come out with an EP that has their individual sound stamped all over it. Highly recommended!

Buy The Sick EP  FromTheBand  AppleMusic
Contact The Cloverhearts  Facebook  YouTube  Twitter
Black Dingo Records  WebSite  Facebook

EP REVIEW: KRAKIN’ KELLYS- ‘Irish Tribute’ (2019)

Celtic Skate Punk, beer and bar fight !

What happens when traditional Irish Rock n’Roll meets American Punk music? Here the Krakin’ Kellys take six Irish folk music classics and unite punk-rock riffs with Gaelic-inspired melodies. Angry microphones, greasy bass lines meet bagpipes, flutes and accordion for a drunken party which will leave everyone pumped up!

Since forming in 2017 Krakin’ Kellys have its fair to say taken the Celtic-Punk scene by storm. Their debut album from last year was a double winner in the London Celtic Punks Best Of 2018 lists romping home with the Best Debut Album and the Best Album Readers Pick as chosen by the readers of the Blog (nearly 39% of the total vote!). It was a breath of fresh air to the scene with its energetic blend of punk rock and accordions and bagpipes. Allied to this was a bunch of absolutely fantastic videos that the band released that showcase a band at the very top of their game. In fact we only said
“It’s not often I use the words this is a must have album but this is a must have album!”
about one album in 2018 and it was the Krakin’ Kellys Promised Land. Full of energy and bounce and humour. There’s no revelations about politics here and no songs about nuclear war and I can only say thank the heavens. Sometimes music needs to take our minds away from the daily grind. Music to drink to, to dance to, to meet folks and make friends and on Promised Land Krakin’ Kellys delivered us quite a unique Celtic-Punk album.
(You can download/stream Promised Land at the Bandcamp link below)

Krakin’ Kellys hail from the city of Namur in Belgium. The city is the capital of the self-governing Walloon Region which was created, largely along language lines. Wallonia consists of the French-speaking provinces of Hainaut, Liège, Luxembourg, Walloon Brabant and Namur. There is a burgeoning independence movement in Wallonia that seeks to split Belgium into Dutch speaking Flanders in the north and French speaking Wallonia in the south. As is usually the history behind the conflict is complicated so I think I better go on with the review and leave the controversial stuff alone!

Krakin’ Kellys from left to the right : Olivier Drèze (Drum) * Stephan Mossiat (Bass) * Pierre-Yves Berhin (Accordion) * David Leroy (Lead Vocals) * Matthieu Hendrick (Guitar) * Rémi Decker (Bagpipes & Whistles )

The EP begins with possibly the best known Irish song of all time, ‘The Wild Rover’. The song is about a utter wastrel of a man who spends his life drinking and carousing before coming to the realisation he has wasted his life and returns to the home of his parents and promises to reform his ways. The origins of the song are vague and thought to originate via Ireland, Scotland or from the fishing industry but there’s no arguing that it is indeed the most popular Irish song of all time. The Kellys play it as a rock ballad with the amazing chorus the highlight. Pierre-Yves’s accordion and Rémi’s bagpipes supply the Celtic instrumentation while the rest of the band keep the heavy sound of their previous releases intact while still playing a glorious homage to this wonderful song.

As I have mentioned recently sometimes the best of videos are recorded in pubs (the natural home of all Celtic-Punk) with a crowd of friends enjoying themselves and ‘The Wild Rover’ fits the bill perfectly. Take a couple of minutes to check it out as it’s another in Krakin’ Kellys long line of great vids. See how many band t-shirts you can spot. I lost count at a dozen! Next up is ‘The Foggy Dew’ a song about the glorious 1916 Irish uprising against British rule in Ireland. The song has become pretty popular in the Celtic-Punk scene of late due in main to its Celtic-Punk friendly air. Again its done very much in the Krakin’ Kellys style and David’s vocals may divide people along the lines of those who are expecting someone crooning but KK are a Punk band at the heart and I think they fit perfectly. Raspy and semi-shouty they are nothing if not passionate. Time for a more ‘trad’ approach next as the Bhoys mix up three songs you may not know by their names but will from the airs. Of course Thin Lizzy made ‘Whiskey In The Jar’ a international smash hit back in 1973. The song morphs into ‘The Kesh Jig’, an old traditional Irish tune. It’s popularity is attributed to The Bothy Band who recorded the song on their debut album in 1975 and then another traditional song ‘Morrison’s Jig’. Here the band push their trad side to the limit while still remaining at heart the skate-punk band they are. Here again Pierre-Yves proves he’s one of the best accordion players in the business. Half way through now and it’s time for a couple of Dubliners songs starting with Free The People’. Although performed and released by The Dubiners the song was in fact written by Phil Coulter and relates to the struggle for racial equality in the USA and the struggle in the northern 6 counties of Ireland against British occupation and discrimination against Catholics.

“What does it profit him
The right to be born
If he suffers the loss of liberty?
Laws were made for people
And the law can never scorn
The right of a man to be free
We are the people
And we shall overcome”

The Kellys play the song as normal but with a heaviness that belies whatever version you have previously heard before. Next is a mention for a familiar name here on the London Celtic Punks site, that of Ewan MacColl the writer of  ‘Champion At Keeping Them Rolling’. The Dubliners recorded the song in 1972 and perhaps because it was the last recordings of the original line up the song is often thought to be written by them but Ewan was a master of songwriting and telling the story and tribulations of working class life.

“I am an old-timer, I travel the road, I sit in me wagon and lumber me load”

The song speaks of a long distance lorry driver and contains everything you need to know about Ewan. Humour, anger, social injustice and more humour. Again it’s not a song that needs much doing to change it to a Celtic-Punk song, none of the songs The Dubliners recorded do! So onto the last song and the second song from Phil Coulter. ‘The Town I Love So Well’ was written by Phil Coulter, renowned musician, songwriter and record producer about his childhood in Derry city, a place at the centre of Irish resistance to British rule. The song begins with the simple tale of his upbringing in a place filled with warmth and love before ‘The Troubles’ began and Derry became a place plagued with violence. The songs final verse includes a message of hope for a “bright, brand new day”, saying “They will not forget but their hearts are set / on tomorrow and peace once again”. Phil Coulter is also responsible for one of the most beautiful songs ever written, ‘Scorn Not His Simplicity’ about the birth of his first daughter with Down’s Syndrome and later died aged four. Take another minute or two to check out the song here as sung by Luke Kelly. Anyway back to the Krakin’ Kellys and they go out on a high! Beginning as a acapello version with the band led by David bagpipes come in and it soon erupts into as class a Celtic-Punk song you will ever hear. Fast and furious and full of passion.

Six songs and over twenty minutes of one of the very best bands around in the scene at the moment. Krakin’ Kellys are an interesting band for a number of reasons. Their output is regular and of a very high standard alongside their videos which are always worth several viewings and here they show a love and respect for source material that you would not expect for a band from the heavier side of Celtic-Punk. One of the favourite (if not my actual favourite) bands of the assorted London Celtic Punks collective we are all gagging to see them live and hopefully appear alongside them in one of their fantastic videos!!

(You can stream Irish Tribute on the Bandcamp player below)

Buy Irish Tribute  FromTheBand

Contact Krakin’ Kellys WebSite  Facebook  YouTube  Instagram  Twitter

EP REVIEW: THE FIGHTING 69th- ‘FAMOUS FOR NOTHING. TRIBUTE TO THE DROPKICK MURPHYS. VOLUME 2 (2019)

Back again for more it’s Celtic-Punk’s most prolific artist the Buffalo, New York based ‘One Man Band’ The Fighting 69th release their second tribute to Celtic-Punk’s #1 band this year. Five more songs given an affectionate twist and again available as a free download.

Was only in September we reviewed Volume 1 of the Fighting 69th tribute EP to the Dropkick Murphys and already hot on its heels lands Volume 2! Again the songs chosen are a mix of the more famous and perhaps some lesser known songs as well and give Raymond ample opportunity to show off his amazing musicianship for he plays every instrument here including piano, bagpipes, tin whistle, drums, bass guitar, electric guitar… all played by the man himself including vocals too!

We went into how the band first formed back in 2007 in our review of Volume one here and even a bit of history of who the original Fighting 69th were and where the band took their name from. So rather than repeat ourselves head over there and read up on some proud Irish-American history and also grab yourself the first Volume of this series for free. The EP starts with ‘Paying My Way’ from the rather cooly received last album 11 Short Stories Of Pain And Glory. On reflection the album has grown on me and ‘Paying My Way’ has gone onto become a staple of their live shows, as well as ‘Blood’, so perhaps it’s worthy of another listen. Next up is ‘Ten Years Of Service’ from the Murphs second studio album The Gang’s All Here (this is also the album that featured the Bhoys version of The Fighting 69th). It was Al Barr’s first album with the group and ‘Ten Years Of Service’ was the first big exposure of him as the new lead singer. I think Ray tries a bit too much punk rock snarl here on his version but there you go.

“Who’s gonna save us from this lonely picket line,
10 years of service but I’m still not worth your time.
And I’ve seen men give their lives,
and heard the stories that they tell of how they labored
for this company which sold it’s soul to hell”

Not strictly a Murphys song but they did record ‘The Green Fields Of France’ on their best selling album The Warriors Code from 2005. Graced by just about every Irish artist worth their salt it was actually written in 1976 by Scottish folk singer-songwriter Eric Bogle, reflecting on the grave of a young Irishman who had died fighting in the First World War. A sad song and suitably played here. Now to perhaps the fans most favourite Murphys song ‘Kiss Me, I’m Shitfaced’. Played at every gig since they wrote it it’s usually the start of their encore and the beginning of bringing the curtain down on a sweaty night of Celtic-Punk rocking! Featuring on Blackout the fourth studio album released in 2003. The EP comes to an end with another song from their last album and its another live favourite in ‘Blood’ and it’s a pretty decent cover of the original with plenty of piping! The Fighting 69th show that none of the Murphys songs are beyond them and end on the EP on a glorious high!

(You can listen to Famous For Nothing below on the Bandcamp. It’s available as a  free download but chuck a price of the ‘Black Stuff’ over if you can afford it. Now get downloading!) 

Download the EP FromTheBand  Contact The Fighting 69th  Bandcamp  YouTube  Instagram

ALBUM REVIEW: 13 KRAUSS- ‘Redención’ (2019)

Spanish Celtic-Punk band 13Krauss may be part Dropkicks and another wee part Molly’s but 100% Celtic-Folk-Punk!

Redención is the third studio album (all independent releases) from Zaragoza based Celtic-Punk band 13Krauss. They were delivered kicking and screaming on 8th December 2012 and a year later they released their first demo Atlántida (available here for free download) which they followed up later that year with their debut album Seguir En Pie, which went on to to garner some great reviews from around the worlds Celtic-Punk media. This album was succeeded by The End Is Nigh in and again was met by universal acclaim from the scene and even went on to reach the dizzy heights of #17 in the London Celtic Punks Best Of 2016 awards. Not bad at all in a year when all the big hitters of Celtic-Punk released album’s. The band were formed as a straight up, heads down Punk-Rock band but after attending a concert by the legendary Real McKenzies it was decided to spice things up a bit and with the addition of accordion, fiddle and bagpipes a new Celtic-Punk band was set to hit the streets!

The album kicks off with ‘Dark Times’ and from the very start its fast and energetic Celtic-Punk but still tuneful. It’s a punk of course but Viktor’s banjo leads the song from beginning to end in a way that reminds me a bit of English band Mick O’Toole. 13Krauss tend to slip between English and Spanish in their songs and they do again on Redención with the majority in Spanish but Mario’s vocals are clear as a bell and Punky enough for the music too. On ‘Verte Perder’ Mario is joined on vocals by Pimen Tonazo from the Catalonioan band Milenrama for a punk rock duet and again the energy is in yer face! The pace they set only lets up briefly for the next track ‘Maggie Dickson’. The first release from the album back in March.

The song begins with some amazing fiddle from Guillermo with an Eastern European feel to it before the band kicks in and Mario tells the tale of the execution by hanging of poor Maggie. A cracking song that is one of the album highlights and even includes a bit of local flavour too showing that 13Krauss are not one trick ponies. We love to see bands taking in from influences from home and they are at it again on the next track ‘Años Perdidos’ which includes a nice bit of manic country style fiddle. They need to hang onto Guillermo he is one of the best fiddle players in Celtic-Punk I think. On their first album they were done and dusted in just over twenty minutes while on The End Is Nigh they expanded to just under thirty minutes and I have always thought they have rushed things along too much. Here though they have got the balance perfect with no compromise with the pace of the songs with nearly the whole lot played at breakneck speed but with plenty of room for them to be expanded on and the great news is that with the added depth to the songs they still never get tired. They leave the punk behind now for ‘Love At First Gig’ and a humorous look at a punk rock love affair and a song with its tongue firmly in its cheek with a Hillbilly/C’n’W tune that again shows some real quality in the musicianship of 13Krauss. Outstanding! With ‘Mary Tempestad’ we are back again in Celtic-PUNK territory and the albums longest song. Where once this would have flown by the Bhoys take their time and the song is another album standout. The album’s only cover has been well chosen and is a staple of Celtic-Punk bands around the world and for a good reason as ‘Star Of The County Down’ lends itself very well to being ‘punked’ up. Here the song is of course done brilliantly and I’m sure is a real crowd pleaser when played live. They slow it down again now for ‘El Sendero’ and while I cannot tell you what they are singing about I can tell you it is sung and played with passion and is one of them songs for raising a pint to the air and holding onto your nearest and dearest tightly. The bagpipes from the earlier releases are missing on Redenciónbut the album doesn’t suffer for it as on ‘Voces Quebradas’ where the dual sound of banjo/fiddle more than makes up for its absence. Gang vocals rule and here is a great example of them on my favourite tune here. We are heading towards the end and so far their hasn’t been a single weak song with ‘Mil Pedazos’ another standout kicking off with SLF style guitar before settling into a catchy Celtic influenced punk number before the curtain is brought down with perhaps the Dropkick Murphys influenced ‘Sinners & Liars’. The intro to the song anyway as before too long the song shoots off into traditional Irish folk and what I can say except a song you can well imagine Luke Kelly belting out with The Dubliners.

As usual in Celtic-Punk is it possible for the more folky fans to appreciate Redención and the answer is yes. I may have made it sound like Hardcore Punk but as fast as it is it is always accessible and catchy and the folk is always to the forefront in both melody and instruments. A great album that captures both the essence of Celtic music while never losing their Spanish identity and both work extremely well together. They may have once appealed more to fans of the Dropkicks but as they have progressed through their career 13Krauss have never towed the line and continue to do their own thing and that includes moving away from the more obvious DKM/Celtic-Punk sound to something that is both original and utterly brilliant!

(you can stream Redención on the Bandcamp player below before you buy it!)

Buy Redención  FromTheBand  (Download/CD)  iTunes

Contact 13Krauss  Facebook  YouTube  Bandcamp  Twitter  Instagram

Act I: Slow Down

Act II: Don’t Feed the Goblin

Act III: En mi Ataúd

ALBUM REVIEW: PIPES AND PINTS- ‘The Second Chapter’ (2019)

One of the best known, most popular and most travelled bands in the the Celtic-Punk scene Pipes And Pints from Czech Republic are back with their third album and a radically different sound!

Pipes And Pints are definitely one of the better known Celtic-Punk bands around so it was a bit of a shock when I sat down to do this review that I realised The Second Chapter is actually only their third album release. Their debut album Until We Die coming out in 2009 and the follow up Lost And Found in 2012. So what have the Bhoys been doing during that time? Well the answer is of course touring. One of the busiest bands in the scene a moment never seemed to pass at one point that I don’t see a tour poster packed with Pipes And Pints dates invading my FB timeline. They even made it over to these shores a few times with performances at Rebellion festival and a rather unfortunate (but still pretty damn amazing!) St. Patrick’s Day London Celtic Punks show at Mannions in Tottenham when the tube network went down and their was travel chaos in London like I had never seen before at that time.

Formed in Prague in 2006 the guy whose inspiration got Pipes And Pints started on the road was the self taught bagpiper Vojta Kalina. He had dreamt of a band that would make Punk and Folk its home in equal measures with the idea of combining all the elements of good old fashioned Rock’n’Roll and Punk with the sound of some glorious Highland bagpipes. This combination served them well in the early days as they played all over Europe and at Europe’s biggest alternative music festivals. The pipes were an integral part of their sound and they were not just a punk band with a piper tacked onto them. Their first release, a Demo, back in 2007 took the punk rock sound to the extreme and won over legions of fans at home while their first single the self titled EP from the following year contained the track ‘City By The Sea’ (here) which went viral across the scene and, until The Rumjacks and their multi-multi-million viewed ‘An Irish Pub’, was one of the most watched Celtic-Punk videos on the internet. This set the scene for their debut album and they celebrated the release of Until We Die with a tour that took them across Europe, Russia and the UK for the next two years. This version of the band featured Californian Syco Mike on vocals who had scrapped plans to return home from Austria and moved to Prague with only his dog Tequila to his name just to join them.

Pipes And Pints left to right: Vojta Kalina- Highland Bagpipes * Ondra Balvin- Bass * Travis O´Neill – Lead Vocal/ Banjo * Lukas Vincour- Drums * Ivo ‘Rafan’ Traxmandl – Guitar

The second album Found And Lost was recorded with well known Californian producer Darian Rundall (Pennywise/ US Bombs/ Suicidal Tendencies) and again the heavy sound of the band didn’t neglect Vojta’s bagpipes. Released towards the end of 2012 the album was very well received by both fans and critics alike winning many awards back home and universally applauded within the Celtic-Punk scene too. The years of touring took their toll and following some band changes including Mike moving back to the USA the group took a two year hiatus before returning. The first signs of life of the new Pipes And Pints was the release of a video for ‘Raise Our Flag’ in November 2017 and featured the new voice of the band in Travis O’Neill a singer/songwriter from County Sligo, Ireland who had washed up in Prague as a member of the, now defunct, 5 Foot Assassins. Incidentally Travis also performs as Travis O’Neill And His Cardinal Sins and are well worth checking out in their own right.

So this brings us slap bang up to date and the release last week of their third album The Second Chapter. Yeah I know it don’t make sense to me that either! It may be a new line up but have they still got the same passion and enthusiasm that made them so popular in the first place? Well the first thing I noticed is the sound of the band is much less Punk-Rock. In fact they could easily have been filed in the Hardcore section back in the day so the new melodic more folky sound was still a bit of a surprise despite the slow trickle of videos the band have put out in the run up to the album’s release. The Second Chapter begins with ‘A Million Times More’ and Vojta’s Highland bagpipes fill the airwaves as the band eventually join in and some class gang vocals before Travis takes over and while his vocal style is nothing like Mike its a new beginning from the band so no more comparisons. Travis vocals are strong and perfect for this Pipes And Pints sound. Chugging guitar and a catchy as hell chorus makes this a fantastic opener for the album and only sets the scene for the other nine tracks. Next up they leave you in no uncertainty that they are a Celtic-Punk band on ‘Raise Our Flag’ as they proclaim allegiance to Ireland

“you know I love this Green, White and Gold”

The song was the first that introduced fans of the band to the new line up and owes a lot to the crossover punk/metal influence of bands like AC/DC. Melodic and catchy and packed with Gaelic references and accompanied with a killer video that you must take the time to watch below. The pipes sail along neither dominating or dominated and it’s fantastic to have them back.

The majority of the songs hover around the three minute plus mark and give them plenty of chance to give full reign to exactly what they want. ‘Shadow On Your Wall’ is a slow rock ballad of a song that still comes across as heavy and gives Lukas a chance to shine with some excellent drumming alongside Ondra and Rafan on bass and guitar. ‘Rebel In My Veins’ speeds it up again with some great lyrics about taking the past and conquering it.

“Straight edge x’s on my hands
and old lovers names I don’t regret
Blood red roses, punk rock bands
all are memories we cant forget”

They keep the pace up with ‘Diamonds And Dreams’ a more traditional straight forward Punk-Rock song while ‘Dark Into The Night’ is the classic tale of a man who is left by the love of his life but finds redemption in the arms of his punk rock family. The song introduces us to something I thought I would never say and that is a Pipes And Pints country song! Of course it’s not straight up country and Travis on banjo gives it an extra buzz but the catchyness is still there and though I think that could have gone heavier with the sound it’s still a great tune.

‘Fist Of Defiance’ has more of that punk/metal crossover appeal while on the short ‘We Are The Scene’ they even chuck in a spot of Ska-Pop and a real positive message of acceptance as well.

“Some scenes are pretend, tattoos and t-shirts are a trend,
Stand with me and sing with us friends
we want you to join our celtic rock and roll family”

‘Karma Killer’ is an album standout for me and represents one of many diverse directions that the new Pipes And Pints take us in on The Second Chapter. Influenced by Rock’n’Roll here the pipes shine as the song keeps up a fast pace that show the progression of the band into what Votja says “is a cutting of ties to the past and taking destiny back in our hands”.

“No tear was dry, singing Fields of Athenry
Standing for what I lived and the days gone by
Eireanns soil beneath my fingernails
It don’t mean a thing unless you lived my life twice!”

A fantastic song and a bit of a warning the accompanying video is a bit … er  … risque so watch at your own peril. The album ends with ‘Wait For You’ and we are back in rock ballad territory with the Pipes leading the way throughout a great ‘lighter/pint/fist in the air’ moment to bring down the curtain.

 

So a new direction for one of my favourite bands and do I approve? Well I loved the hardcore-Celtic-Punk sound of the early days of Pipes And Pints but on The Second Chapter they have managed to still convince me they are the same band. They may have replaced hardcore with a much more melodic base but have done it in a way that will not alienate old fans which is always the danger when a band goes in a new direction. It’s a cracker of an album that I have been playing solidly now for three days and show no sign of getting sick of! A fantastic return and will open many doors to them I am sure.

( You can stream the whole of The Second Chapter on the Bandcamp player below before you buy it that is! Its only $7!)

Buy The Second Chapter  Tape/LP/CD- FromTheBand  Download- Here / iTunes

Contact Pipes And Pints  WebSite  Facebook  Instagram  YouTube  Bandcamp

“YOU’RE A ENGLISH BASTARD, YOU’RE A IRISH BASTARD”

“You’re a English Bastard, You’re a Irish Bastard”

is funny way to explain the situation of Irish folks born outside of Ireland. Stephen Gara, a friend, musician who plays in Neck, and who currently lives in the Hudson Valley was born in London to Irish parents. He told how the English referred to him as “the Irish Bastard.” But when he went back ‘home’ as they called Ireland, the folks there called him “the English Bastard.” But more on Stephen and his interesting story later!

While talking to Eddie of London Celtic Punks, we decided it might be interesting to write an article about the Irish who are outside of Ireland and their experience. Like the London Celtic Punks, we’ve also got the American Irish, world famous and well known now. New York and Boston are probably the most famous cities for their Irish immigrants. But New Orleans was the third most popular destination for Irish immigrants at one time.

This story will focus on where I live, the Hudson Valley, New York, USA and the Irish who live here. It is about 2 to 3 hours north of NYC up the Hudson River and would include the cities of Peekskill, Newburgh and Kingston.

IRISH BY THE NUMBERS

The population of Ireland is a grand 4.8 million or so as of 2017 (*1). The UK Irish Population is 869,00 as of 2001. 6 million people live in the UK who have an Irish Grandparent (10% of the population)(*2.)

AMERICAN IRISH POPULATION

Irish-Americans number 34.5 million, or 7 times the population of Ireland. Irish is the second most common ancestry of Americans, just behind German. (3.) 10% of the USA population is of Irish Descent (4.) The city of Boston has the highest Irish percentage, 21.5%, followed by Philadelphia at 14.5%. (5.) 126,000 people born in Ireland live in the USA.

The highest concentrations of Irish descent in America are the Mid-Atlantic States and New England. Mid- Atlantic includes Delaware, Pennsylvania, New York, and New Jersey. The New England region is Connecticut, New Hampshire, Vermont, Rhode Island, Massachusetts, and Maine. By population they should rightfully call the region New Ireland, not ‘New England’.

New York has the highest sheer number of Irish by descent in the USA, 2.5 million excluding California which has 2.6 million. (6.)

And lest we forget, Ireland’s first president Eamon de Valera was born in NYC in 1882.

NYC’s SAINT PATRICK’S CATHEDRAL AND SAINT PATRICK’S DAY PARADE

The First New York City Saint Patrick’s Day Parade was on March 17, 1762, 14 years before the signing of the Declaration of Independence. Homesick Irish serving in the British Army organised it and played the pipes, wore green, and spoke Irish, all of which were forbidden at the time in their native homeland. (7A)

In 1837, John Joseph Hughes, nick-named ‘Dagger John’ because he signed his name beginning with a cross, was made Archbishop of the NYC Archdiocese. Born in County Tyrone in 1797, he emigrated with his family to America in 1816 to escape persecution by Orangemen. (7B)

In May and June of 1844, Nativist riots in Philadelphia led to Irish- American homes being attacked and burned. More than 30 homes were burned and the militia was called out. (7C) After 2 Catholic churches and a seminary in Philadelphia were torched by Anti-Catholic Protestant mobs, Archbishop Hughes put armed guards with brickbats at Catholic Churches and he invoked memories of Russia before Napoleon’s troops, saying “If a single Catholic church is burned in New York, the city would become a second Moscow.” (7C) New York City leaders believed him, and the Anti-Catholic Nativist Protestant march was not allowed to happen.

The land for the present Saint Patrick’s Cathedral had been acquired by the diocese in 1810. In 1853, Archbishop John Joseph Hughes intends to build the present day Cathedral on it. Building was begun in 1858 and completed in 1879. By then , Archbishop Hughes had died in 1864. (7D)

Philadelphia Anti-Catholic Riots, 1844

HUDSON VALLEY: MUCH IN COMMON WITH LONDON IRISH

I interviewed four people Stephen Gara, Terry McCann, Jim Carey and Bill Kearney to get their personal stories and unique points of view. They represent a broad assortment of Irish immigration waves. Stephen, Terry, and Sean are musicians and Jim and Bill are the President and Vice-President of the Ulster County AOH respectively. For those unfamiliar, the Ancient Order of Hibernians is a charitable fraternal organisation formed by Irish Catholics to protect churches from destruction by Protestant mobs and to aid widows and orphans.

Over a course of a coupla-three-four pints at a break in a T. McCann Band gig in Kingston, I spoke with Stephen Gara and Terry McCann.

Stephen Gara

First generation Stephen Gara is the newest Irish comer to the Hudson Valley. He played with the London Irish Punk band Neck for many years, recorded three albums with them, and toured Ireland with them opening for Black 47. When forced to pick, his favourite Neck album is Sod ‘Em & Begorrah. He is master musician on the tin whistles, uilleann pipes, and highland Bagpipes. He is the newest immigrant to the Hudson Valley coming here to live with his wife in Peekskill, NY. They met when she toured Ireland on a Black 47 tour that brought “busloads of Irish-Americans around Ireland” on their tour. They fell in love and the rest is history. He moved to Amerikay to be with her and they now have a young son named Paddy. His parents were born in Donegal. Though born in London, he proudly only has, and has only ever had, an Irish passport. He told me how he was surprised to see American flags hung with papal flags on the altars of Catholic churches in America. Yes, well they wouldn’t put the Union Jack up in a Catholic church in England!

Stephen points out that there are more bagpipe bands in New York State than in all of Scotland. He also marches with the Firefighter McPadden Pipes and Drums. The band is named after a fire fighter who lost his life on 9/11/01 in NYC. Many NYC firefighters live in the Hudson Valley as it is a relatively short one hour commute to NYC to work.

Stephen Gara now plays uilleann pipes and tin whistles with T. McCann in the Terry McCann Band.

Firefighter McPadden Pipes and Drums

Terry McCann is a multi-talented musician who’s alto voice can hit the highest of notes when he’s strumming his mandolin. The leader of the T.McCann Band, he often breaks out into a jig set on a special wooden stage when playing. This is a real treat. Terry lives in Red Hook , NY on the “other side” of the Hudson River (the Connecticut or east side). By day he teaches Math to surly Middle Schoolers in Kingston when not running Marathons. They have their first album out, a recording of Irish Trad songs called “All for the Grog.” Terry’s personal fave from the album is “The Curr of Kildare.” Third-generation Terry was born in Kingston NY and Grandparents came from County Derry but had first migrated to Glasgow, Scotland. There Terry’s grandfather met his grandmother and they ended up in the USA working in sand and gravel pits in Long Island. Terry’s Dad Dennis, is the youngest of 11 kids. Terrence is named after his uncle, Terrence Michael.

T. McCann Band, Stephen Gara- centre, Terry McCann- far right.

THE ULSTER COUNTY AOH

Jim Carey and Bill Kearney are the President and Vice-President respectively of the Ulster County AOH, Ancient Order of the Hibernians. They are both fifth generation or so Irish immigrants. They revitalised the organisation in about 2002 when, Jim says, everyone in the AOH at the time was “Older than dirt!” Jim and Bill were elected as officers and the first they did was start up a bagpipe band., The Ulster County AOH Pipe and Drums. This brought in lots of new and younger members, and lessons were and still are free. You get set up with a kilt and all the gear, and sometimes even a loaner set of pipes if there’s one left about. The first parade the pipe band did in 2002 they only knew 2 songs, The Minstrel Boy and the Marine Corp Hymn. They played those two songs over and over during the 3 mile parade. The laughingly said they were lucky cuz the crowd never knew as they just kept marching along to fresh audiences along the route.

Jim and Bill both tell that their relatives came over in the 1850’s straight to the Hudson Valley area to build the D&H Canal. The Delaware and Hudson Canal was a very big deal up here. It moved coal from deep in Pennsylvania to Kingston, NY where it was then shipped down the Hudson River to heat NYC.

The D&H Canal in its heyday. The Aqueduct in High Falls , NY.

Paddy worked on the Canal. Irish digging the D&H Canal.

The D&H Canal today, a graffiti strewn rubble hidden in the woods.

All that remains of the aqueduct in High Falls, NY on the D&H Canal. Hidden in the woods. Today it is used as a diving platform for brave drunken youth to jump in the Rondout Creek.

Later the canal was used to ship some of the best naturally occurring cement in the world, Rosendale Cement, from Rosendale, NY, which is just south of Kingston, down to NYC to build the Brooklyn Bridge in the 1860’s. The Canal was closed in 1898. Yet the D& H Canal was open for 60 years, starting in 1828. Kingston’s first Catholic Church, St. Mary’s on Broadway opened in 1835, and later St. Joseph’s in Kingston in 1868.(8) Today, St. Mary’s is the home of a large stone Celtic cross that is the basis of a memorial to the great hunger in Ireland. It was erected on the Church grounds by the Ulster County AOH.

The AOH Cross to the Great Hunger at St. Mary’s Church.

Jim Carey’s great-great paternal grandfathers Carey and Tully, came from County Tipperary in 1850’s. His maternal great-great grandfathers Cooney and Eagan came at the same time. Before the Ancient Order of Hibernians, Jim tried the Knights of Columbus but being run by Italians, they told him to ‘Beat it’! Since that time Jim says he’s

“swung over to the Olive Branch of the Family tree”

by marrying an Italian, the lovely and gracious Fran Carey, the first time a family member has left the Irish enclave since 1850! She puts up with the Pipe Band and the St. Patrick’s Day Parade with charm!

Bill’s Great-grandfather James Kearney was one of eight children and came over in 1860 from County Meath. Bill’s wife’s uncle re-started the then defunct Ulster County AOH in 1969. Bill’s father wanted him to join as a young man, but it was only for the very old and a boring operation at that time.

AOH Member “Gunny” at the Hooley

Bill and Jim, besides starting the pipe band set up a great Irish Festival in 1998 with the help of Bill Yosh another AOH member and local legend. For many years Bill has hosted a famous local Irish music radio show. They started what is called the Hooley in Kingston and it draws about 20,000 people per year. It is always the Sunday before Labor Day, which in America is the first Monday on September and a National holiday. Sponsored and produced by the Ulster County AOH, The Hooley has hosted such acts as Black 47, and Derek Warfield and the Young Wolfe Tones. The Irish Ambassador, based in NYC, is normally in attendance. Guinness is a sponsor and the beer follows freely. The Ulster County AOH Pipe and Drum band performs several sets and there is a National Stage and a Local Talent Stage. Where I have been lucky enough to performed for several years with my family band, The Wild Irish Roses. They have recently added a Trad Stage which features performers from Ireland who perform mainly in the Irish Language.

The Ulster County AOH has broken ground on a grand Irish Cultural Center in Kingston New York, the county seat. Referred to as the ICCHV (Irish Cultural Center of the Hudson Valley) It is to be a grand hall for the Irish overlooking the Hudson River access of Kingston. The concept for the ICCHV was born in 2011, when a group of well established residents and business leaders set their minds on creating and celebrating the passionate community that is the Irish-American experience.

A CHANCE MEETING

I first saw Blood or Whiskey when I did not know it or expect it. In 2001 I returned from a trip to Ireland with a great new CD in hand. Picked up in a music shop, The Record Room in Sligo, it was Blood or Whiskey’s first album, produced by Kim Fowley. Little did I expect to see them on the cover of the local Hudson Valley newspaper when I returned to the USA! They were actually playing near me that weekend in Middletown, NY at a punk rock fest at a bar called the Celtic Horse. The festival was organized by the guys in The Anti-Socials who were huge Blood or Whiskey fans, Los Jimbos and Jimmy Pogo, who I didn’t know at the time, but have become great friends with since. About 4 great punk bands played and BoW headlined the show. They were in the States touring , promoting the album No Time To Explain which was just out. The Anti-Socials, The Nogoodnix were two of the supporting bands opening up for BoW and they were great. Years later, about 2011, I met James Pogo again through his new band The Armedalite Rifles, who I now play bass for, when sharing the bill at a local club. I was fronting in a Heavy Psych band called The Brian Wilson Shock Treatment at the time.

The Wild Irish Roses at The Hooley

And me? I’m third generation, my grandfather Joseph Patrick Michael Mullally being born on St. Patrick’s Day in Kilross, County Tipperary. March 17, 1913. World War I broke out, and with German subs sinking neutral ships, he did not see his parents until he was 5 years old in 1918 when the war ended. At the age of 5, he emigrated through Ellis Island with an aunt and his name is on the wall there. Three of my daughters and me play bagpipes and march with the Ulster County AOH Pipe and Drum Band. My son Aenghus is a snare drummer. The Templars of Doom, my Irish Punk band has our second album out Hovels Of The Holy. We’re looking forward to travelling to Toronto to play our first ‘international’ gig in May and hope to make it over to London sometime soon. Say “Hello!” and we’ll share a pint if we meet! Slainte! – Michael X. Rose

The Templars of Doom

Footnotes:

1. Eurostat via Google

2. Irish Diaspora Wikipedia

3. Washington Post, 3/17/2013

4. 2016 US Census.

5. Wikipedia

6. US Census Bureau vis mongabay.com 7A. here

7B. NY Times , Don’t Mess with Dagger John, March 7, 2018

7C.  here

7D. Wikipedia, “John Hughes, Archbishop of New York

8. HudsonValleyOne.co

Huge thanks to Mike for writing this great article and with good folk like himself the Irish-American community will continue to go from strength to strength. Here’s a few links for you to check out his most excellent band The Templars Of Doom.

(you can hear the new Templars Of Doom album Hovels Of The Holy for free -before you buy it!- on the Bandcamp player below)

The Templars Of Doom  Facebook   Bandcamp  YouTube  Spotify  Instagram

ALBUM REVIEW: ALTERNATIVE ULSTER- ‘Craic Agus Ceol’ (2019)

Energetic Irish-American Celtic-Punk experience fuelled by Irish whiskey, Irish History and Great Highland Bagpipes!

The roots of Alternative Ulster began in March 2015 in NY State’s Catskill’s region. Since then album’s have have been released at regular intervals starting with their debut album, Rebellion. Raw punk rock with Highland bagpipes or as piper John McGovern says ‘1916 meets 1977′. A reference to both the Irish Uprising and the year Punk Rock exploded onto the streets of London. An amazing three albums last year with Pog Mo Thoin, then Boobies, Bagpipes, Banjos & Beer’ and finally the Christmas themed Merry Feckin’ Christmas kept their name in the air and so it is again with the release of Craic Agus Ceol last month which translates quite simply into Fun And Music.

The album starts off where all the other albums have left off. The guitars may not be fast but they are hard, heavy and loud and the same can be said about the pipes too! Though we are in for a shock as the singing starts and Wendy takes over the vocal duties. A strong voice that fits the music well and we not one of those sites that’s going to go mad just because its a women it is still a refreshing change. It was while recording their Christmas album the Bhoys thought it would be cool to get a female voice in for some vocals and so blown away were they that now Wendy has become a full member of the band. 

(hear Merry Feckin’ Christmas below on the Bandcamp player)

On ‘It Took A Lot Of Love (To Hate You The Way I Do)’ the band have a perfect vehicle for their sound in-between the rocking of AC/DC and the Celtic of the Dropkicks when they thrash it out. Next up is a song very close to our hearts. In fact we were the ones that suggested Alternative Ulster might cover it and cover it they have done. They took the simple acoustic folk of Pól MacAdaim’s ‘Justice For The Craigavon 2’ and have turned it into a proper punk rock anthem. Telling the story of Brendan McConville and John Paul Wootton two innocent guys who were convicted of the Murder of PSNI constable Stephen Carroll and sentenced to life imprisonment. London Celtic Punks firmly believe that the case was corrupt and the ‘evidence’ used inconclusive, contradictory and discredited. Both men found themselves victims of a system that sought to find scapegoats in the wake of the political and media backlash following the killing. We are doing our wee bit for the lads over on our Bandcamp page where every single penny raised goes direct to the #JFTC2 campaign. 

(you can hear the original version of ‘Justice For The Craigavon 2’ by Pól MacAdaim below for free and download it for a pound)

A rousing and righteous track where this time it’s Todd that spits out the angry words while on ‘Port Of New York’ Wendy returns to vocal duties and again its that heavy rock/punk sound dominates while Johnny’s pipes wail along in the background on a song that tells of the ‘welcome’ the Irish received on arriving in the States.

“We were not welcome
But you feckin got us now!”

is but one of the excellent lines in this song. A fantastic song that really gets the blood pumping and easily as good as any modern day rebel song I have heard. That love of Irish history again rears its head during ‘Battle Lines’ a slower heavy number about Irish people forced to take part in the American Civil War. To fight or starve many were signed into the army as they disembarked ships not knowing what they agreeing to.

Alternative Ulster left to right: Todd Henry- Drums, Vocals) * John McGovern- Bagpipes, Banjo * Wendy Henry- Vocals * Jay Andersen- Guitars, Recording/Mixing/Mastering * Steve Hoelter- Bass *

One of the things I loved on previous albums was Alternative Ulsters choice of unusual covers and they don’t disappoint here either with the Eurythmics ‘Sweet Dreams (Are Made Of This)’ with Wendy taking on the role of ‘Scots’ unionist Annie Lennox.

‘Drunken English Punk’ has Todd loudly reciting the angry words over a Celtic-PUNK tune while and ‘Swine Before Pearls’ also takes an different path to the rest of the album. While the rock element of the album has been self evident they take it to another level here with a slow(ish) rock ballad with Wendy’s powerful voice again dominating proceedings. Next up is ‘Punch A Nazi’ and a sentiment we can all agree with especially the band as they all had family members who fought actual Nazi’s in the 2nd World War.

“When I was a lad on grandpa’s knee
This is what he said to me
Because we live in the land of the free
It’s our duty to punch a nazi”

The only thing I would add is not to get carried away and start believing everyone you don’t like is a Nazi. Sadly a trait all too common in America and now stupid ‘identity politics’ are infesting politics over here as well. Short and sweet and to the point Alternative Ulster don’t go in for subtleties! Next up is probably the song that most divides the Irish communities around the world with it being the most popular song in North America but thought of as being among the corniest of Irish songs! Still, here ‘Danny Boy’ is given a face lift that would melt the hardest of faces with Todd and Wendy combining on vocals (something the band should experiment with a lot more as it sounds absolutely brilliant!) while Jay’s chugging guitar, Johnny’s wailing pipes making it one of the highlights of the album. Not something I ever thought i’d say about ‘Danny Boy’ ever. Alternative Ulster play music from both the heart and the head and occasionally the sleeve too as on ‘If It Ain’t Scottish It’s Crap’ which a good Catholic boy like myself cannot tell you what the song is about suffice to say its great craic and the piping here is amazing. We are nearing the end and the last of the self penned tracks ‘Drinking Tonight’ which again takes the rock road but is catchy and a with a great driving tune. All the Alternative Ulster lyrics were written by either piper Johnny or guitarist Jay and the tune put together by the band which leads us up to possibly the best known Celtic-Punk song of all time and well I couldn’t actual believe it when I saw it was a cover of a cover! I must have played and heard ‘Shipping Up To Boston’ 1000’s of times but never did i know it was written by Woody Guthrie!

“I’m sailor peg
And I’ve lost my leg
A climbing up the topsails
I’ve lost my leg”

Sadly I couldn’t find a video of Woody recording it so if you know of one please leave it in the comments. Alternative Ulster give it plenty of oompf and to be honest its as perfect a song as any written and would be impossible to play it any other way than utterly brilliantly!

They surely can’t keep up the pace of three albums a year but even one we’d be happy with! Plans are afoot to bring their raw rock’n’roll bagpipe Celtic-Punk rock over to these shores in the summer and London Celtic Punks will of course be heavily involved in helping out so keep your ear to the ground for more details of that as they come in.

(you can hear Craic Agus Ceol for *FREE* before you buy on the Bandcamp player below)

Buy Craic Agus Ceol

FromTheBand  iTunes

Contact Alternative Ulster

Facebook  Bandcamp  YouTube  Spotify

To find out more on the Craigavon 2 case please visit either jftc2.com or on Facebook here. Offers of help or donations via PayPal are welcomed at justice4thetwo@gmail.com and check out the London Celtic Punks Bandcamp page here for a list of albums available for download for free or donation to the campaign.

EP REVIEW: THE PLACKS- ‘Rebellious Sons’ (2019)

The debut release from The Placks based in the Scottish Highlands and Islands. World champion Pipers and Punk-Rock legends combine to play a concoction of Celtic infused Punk-Rock and Trad-Folk, but with melody, mirth and a message!

One thing that is always levelled at the Celtic-Punk scene is that it is often inauthentic. There are two kinds of people who make this allegation usually. One is the folk music snobs purists who cannot stand to see their music ‘fiddled’ about with and updated. These people are usually happy for ‘folk’ music to remain isolated from the public within their own ghettos where they can remain ‘big fishes in little ponds’. The other kind is those that quite simply do not understand the Celtic diaspora. Many in Scotland and Ireland consider the children of those forced into exile as little more than a joke. I think this is mainly because we share the values and culture of those original exiled people and in modern day Ireland and Scotland this is seen as old fashioned and outdated. Where the children of Ireland may listen to the latest American ‘Grime’ artist those same children if born in Milwaukee or London or Memphis or Brisbane could be learning the traditional folk music of their ancestors or, even better, playing it. Celtic-Punk is a direct link for many of us to what we consider as ‘Home’ but it doesn’t worry me at all that folk back ‘home’ don’t get it. After all it was the same children of the Celtic diaspora at the forefront of the Punk revolution in the late 70’s.

Even so it is always a blessing to discover a Celtic-Punk band from one of the various Celtic nations. From Ramoneurs De Menhirs in Brittany, Ireland’s Blood Or Whiskey, from Wales Anhrefn, in Galicia the Bastards On Parade and Falperrys. All bands that have embraced their local languages and cultures and have, sometimes against the will of many of those snobs purists, dragged it kicking and screaming into a new era. In Scotland that is exactly what Oi Polloi have done with the Scottish language. It is undeniable that in the Celtic nations our languages are in desperate trouble. The tidal wave of globalisation threatens the Celtic nations and the possible damage could be greater than the British (and French) ever did to them. So it makes no sense for the Scottish language community to turn its back on a band that is helping promote the Scots language in a style never before attempted. A band that plays all over the world and sings and releases records in Scottish that is basically shunned by the people who are supposedly in place to help save it. Still they are getting through. From packed gigs in the Highlands of Scotland to having one of the best selling Scots language records of all time maybe the time has come for the Scottish nation to embrace Celtic-Punk and The Placks could be the band to make them do it!

For Oi Polloi it is uncompromising anti-fascist political hardcore-punk that gets the message across but for the The Placks it’s a dynamite mixture of Celtic infused melodic punk rock and folk music. The bands ranks include, alongside guitar, accordion and fiddle, Fraser and Black Jack Rees, two former world champion pipe band members in their ranks as well as vocalist Iain who spent his youth in various punk bands that both helped shape punk rock (Intensive Care) and toured worldwide and were very successful (Beerzone) so you know these guys are a perfect example of the overlap between traditional music and punk. This new EP came about as The Placks were offered a support slot on the recent Flogging Molly European tour. The original idea being to release a four track CD to sell at the concert. Sadly that gig had to be cancelled due to the recent political upheaval over in Paris so the Bhoys decided that the best thing to do would be to release them digitally instead and get the band’s name out there. It’s certainly done them no harm and offers have been flying in from all over the world for The Placks to play and record. The band’s name comes from the Gaelic Scots word Plack which was an ancient Scottish coin worth four Scottish pennies.

So the question is all this is well and good but are The Placks really deserving of the accolade ‘The future of Celtic-Punk comes from Scotland’ as our comrades over at the Celtic Folk Punk site suggest? Well the answer my friends, on the evidence of these four songs, is POSSIBLY! All the elements that float my boat are here. A pride in their country and it’s value and culture that is not hampered by prejudice and bigotry in any way. Joyous uplifting music that sweeps you away but is just ramshackle enough without being too polished. A style of music that would be at home in either the pub or the stadium. The opening track ‘Stealing Bread’ reminds me of 80’s Highlands punk rockers Toxic Ephex with the simple story of of someone being deported for stealing bread. Not much lyrically here to get your tongue round but its a great opening track before the blistering pro-independence ‘Nation In Chains’ erupts and fills your lugholes. Whilst the band are strong believers, as we are too, in Scottish freedom they make it clear they are not anti-English in any way and that it was/is the English ruling classes to blame for the crimes committed against Scotland and the Celtic nations and further afield. Next up is ‘The Mountain Men’ and definitely a trad air to this. Fiddle and accordion lead the way until the music speeds up and certainly gets the blood racing.

Rebellious Sons ends with my favourite track here ‘Let’s Pretend’ and its funky acoustic base tells of the wish for a perfect world away from the reality of what is really happening. Great meaningful lyrics with a novel way of getting them across… and a great tune as well. It bodes well for this great bands next release which is an album (out soon I am promised!). It’s a fantastic four minute history lesson through Scotland’s tragic history away from tartan trousers and shortbread and as I say promises much more of the same I hope. It can be guaranteed that we will be hearing much more from this great band and the chances are that if you live in the States or Canada you may well have the pleasure of seeing them well before me!!

Buy Rebellious Sons  iTunes  Amazon  Spotify

Contact The Placks  WebSite  Facebook  Twitter  YouTube

Read a interview with The Placks Clan Chief MacPlack here from Transceltic from last month.

LONDON CELTIC PUNKS PRESENTS THE BEST OF 2018!

Well it seems like only yesterday that I was sitting in Mannions in north London totting up the votes for the Best Album Of 2017 over a couple of pints and so here we are again. Everyone loves to give out there opinions and we are no different so for what it’s worth, here’s who we think made the best music in the celtic-punk scene over the last year. It’s been another outstanding year for the music that we all love and some truly fantastic records came out in the last twelve months. 2017 saw just about every major player in the scene release an album while in 2018 they left it to many of the lesser known bands to dominate! Remember though this is only our opinion and these thirty album’s are only the tip of the iceberg of what was released last year. Feel free to comment, slag off or dissect our lists. As a bonus we figured out how to attach a poll at the end so you can even vote on your favourite release of 2018 yourself. If it’s not listed then simply add your choice.

We don’t pretend to be the final word as that my friends is for you…

1. THE RUMJACKS- Saints Preserve Us  here

2. 1916- Far Beyond The Pale  here

3. CLAN OF CELTS- Beggars, Celts & Madmen  here

4. KRAKIN’ KELLYS- Promised Land  here

5. THE O’REILLYS AND THE PADDYHATS- Green Blood  here

6. SIR REG- The Underdogs  here

7. TIR NA OG- From The Gallows  here

8. FIRKIN- We Are The Ones  here

9. THE MAHONES- Love + Death + Redemption  here

10. THE MUCKERS- One More Stout  here

11. BASTARD BEARDED IRISHMEN- Drinkin’ To The Dead  here

12. HOLD FAST- Black Irish Sons  here

13. LEXINGTON FIELD- Dreamers  here

14. THE RUMPLED- Ashes & Wishes  here

15. TAN AND SOBER GENTLEMEN- Veracity  here

16.THE KILLIGANS- Dance On Your Grave  here

17. ALTERNATIVE ULSTER- Pog Mo Thoin  here

18. PADDY AND THE RATS- Riot City Outlaws  here

19. IRISH MOUTARDE- Perdition  here

20. BASTARDS ON PARADE- Cara a Liberdade  here

21. MR. IRISH BASTARD- The Desire for Revenge  here

22. PIRATE COPY- Swashbuckle & Swagger  here

23. SINFUL MAGGIE- S/T

24. JOLLY JACKERS- Out Of The Blue  here

25. MUIRSHEEN DURKIN AND FRIENDS- 11 Pints And 3 Shots  here

26. THE CHERRY COKE$- The Answer

27. THE CLAN- Here To Stay  here

28. KINGS & BOOZERS- Still Got The Booze  here

29. FALPERRYS- Nova Abordagem  here

30. AIRS & GRACES- Voting At The Hall  here

bubbling under: MALASANERS- Footprints  here

So absolutely no surprises here at all. In fact The Rumjacks have pretty much swept the board across the Celtic-Punk scene with what we even thought was their best release since their groundbreaking debut album Gangs Of New Holland. The Bhoys are going from strength to strength and are set to go through the roof in 2019. They remain as humble as ever and downright lovely folk to know which reminds me, congrats from us all here to Frankie and LCP’er Anna on their engagement. Other notables were Sir Reg who even flew over to London to premier their new album The Underdogs before later returning to embark on a successful nationwide tour… while I was on holiday! London-Irish band Clan Of Celts, despite a few teething problems, delivered a fantastic debut album as well as, my personal favourite of the year, Belgium’s Krakin’ Kellys. A dual release of an album and a EP on the same day is a novel approach but it paid dividends for Lexington Field as they were both brilliant. Sinful Maggie have just been getting bigger and bigger all year and we expect this to continue into 2019. Three albums from the Celtic nations with two from Galicia from Falperrys and Bastards On Parade and Cornwall’s Pirate Copy. All together we have bands from twelve countries with Germany with the most placings alongside  Australia, USA, England, Belgium, Sweden, Hungary, Canada, Italy, Galicia, Cornwall and Japan.

KRAKIN’ KELLYS- Promised Land  here

I was not the only one at London Celtic Punks Towers to be abso-fecking-lutely blown away by the Krakin’ Kellys debut album. Fast and melodic skater style punk rock with bagpipes that will blow the cobwebs away off off anyone! They made quite a wave in the scene thanks to their brilliant videos so go check them out here. This section was the easiest one to award by far!

1. THE LAGAN- Let’s Do It Again

2. MEDUSA’S WAKE- Rascals & Rogues  here

2. HANDSOME YOUNG STRANGERS- The Bleeding Bridge  here

4. THE DANGEROUS FOLK- One  here

5. LEXINGTON FIELD- Modern Times  here

6. SCOTCH- Last In The Bar  here

7. TULLAMORE- Déš An Pr’i Strà, Déš An Int ál Bar  here

8. THE GRINNING BARRETTS- The St. Padraigs  here

9. IN FOR A PENNY- Sometimes Its Better To Not  here

10. THE ROYAL SPUDS- Unforgotten Lore  here

bubbling under…

MOSCHE DI VELLUTO GRIGIO- Of Pain And Glory here and RAISE MY KILT- A New Tartan  here

At one point this was heading towards being an Australian #1, #2 and #3 but at the last minute our local favourites The Lagan released Let’s Do It Again at the end of December and wrestled it away from Medusa’s Wake. Their first studio release in a hell of a long time it came out too late to trouble many of our friends ‘Best Of’ lists but their loss is our gain! Besides them and our Aussie friends the list was made up from bands from the USA, Holland, Italy and Austria which goes to show the international nature of the scene. As an aside you can get the brilliant bagpipe punk debut EP from Scotch for free by following the link to their review. For lovers of the McKenzies you’ll not be disappointed!

1. MARYS LANE- Wild Unknown  here

2. LOUIS RIVE- The Cheap Part Of Town  here

3. THE CRAICHEADS- S/T  here

4. LANKUM-  Between Earth and Sky here

5. MAN THE LIFEBOATS- Man The Lifeboats  here

6. SLIOTAR- Voyage

7. CLOVER’S REVENGE- Gotta Get O’Raggednized  here

8. BLACKBEARDS TEA PARTY- Leviathan  here

9. THE LED FARMERS- Irish Folk Out Straight

10. FINBAR FUREY- Don’t Stop This Now  here

bubbling under: THE BRANDY THIEVES- The Devil’s Wine  here

Always the hardest to do this section as our scope has become fairly wide over the years and gone beyond Celtic-Punk but Irish-American’s Marys Lane managed at once to be a record both me and my Mammy love! Even better the Cleveland based band have made it available to download for free/donation so follow the link above. Scot Louis Rive’s debut album really impressed me and was one of my most played albums of the year and The Craicheads capped a great year with a fantastic single and their lead singer Mick making the papers and the telly for saving a Mum and her babies lives (here). Good on yer Mick. It’s a privilege to know you. More local talent at #4 which ended a year where Man The Lifeboats have gone from first band on to headline shows and a mention for the amazing Finbar Furey who put a most excellent LP at the tender age of only 72.

MERSEY CELT PUNKS

We may be a wee bit biased here but last years winners take it again this year too. 2018 saw them continue to develop the site into an all-round resource for Liverpudlians and further afield. Yeah these guys are always blowing our trumpet we know and we have shared a good few scoops with them, and will again not long after this is published, but we enjoy what they write and it’s all done with an enthusiasm that us auld hacks are constantly jealous of. Plus you are not a major player in the Celtic-Punk scene unless you had your picture took with Elliot! You can also join in their fun and games on their Twitter and Facebook and their Web-Zine. Be sure to subscribe.

So there you go. Remember we don’t pretend to be the final word on things in fact if you check the other celtic-punk media I’m sure we’ve all come up with relatively different lists. Our Best Of’s are cajoled and bullied out of the admins from the London Celtic Punks Facebook page. The assorted scraps of paper and beer mats were then tallied up please remember not all of us heard the same albums so like all the various Best Of’s ours is also subjective.

This is our 6th year of us making these lists so if you would like to check out out who was where in our previous Best Of’s then just click on the link below the relevant year.

We are not alone in doing these Best Of lists in fact all the major players in celtic-punk do them so click below to check out what they thought.

THE CELTIC PUNKCAST

CELTIC FOLK PUNK AND MORE

FOLK’N’ROCK

PADDYROCK

MERSEY CELT PUNKS

MacSLONS IRISH RADIO

Now here’s a new feature. Pick your own favourite below! The Poll will end on the final day of the month!

remember any views, comments or abuse or slander we would love to hear it…

 Sláinte, The London Celtic Punks Crew- January, 2019

2018 REVIEW ROUND-UP’S. PART ONE: THE CELTIC NATIONS- CRAIC’n’ROLL, DAMIEN DEMPSEY, PIRATE COPY, FALPERRYS

Every year we are completely shocked by the sheer number of Celtic-Punk releases we receive here at 30492- LONDON CELTIC PUNKS. As happy as this makes us it unfortunately means that we cannot keep up with everything out there. Sometimes we will receive music that we simply don’t have time to give a review to and others just simply get lost in the ether so every year we have a week at the end of the year to catch up with the ones we missed first time round. We prefer to do detailed reviews so apologies to the band’s concerned that we had to squeeze them in this way. Each and every band featured here are worthy of your time so please be sure to check them out. To start with in Part One we will be concentrating on releases from the Celtic nations. In a few days time we will head to Europe and then we will focus on the America’s so please be sure to check back.

CRAIC’n’ROLL- ‘The Early House’ (BUY)

The older I get the more and more I get back into Rockabilly I have to tell you. Having grown up listening to Elvis and The Dubliners at my Mammy’s knee this hasn’t been too much of a shock to anyone in my family as they are all rock’n’rollers. My Mammy would definitly approve of Craic’n’Roll. Basically a duo of fantastic Irish singer Donna Dunne and London based psychobilly legend Phil Doyle once of legendary Dublin psychos the Klingonz. The Early House is ten songs of mostly gentle rockin’ acoustic rock’n’roll with the odd flash of something a bit harder. Donna’s voice is utterly fantastic and although she is probably sick and tired of being compared to Imelda May its a very favourable comparison I think. The album is a lovely mix of a few well chosen covers and their own compositions of which the Guinness tinged title track about a pub called The Early House, the 50’s style ‘Treat Me Nice’ and the bonus track ‘Arizona Sky’ with full band backing are the highlights.

Donna released one of my favourite albums of last year called Voodoo that I heartily recommend and still play all the time. She’s got one hell of a voice and it gets a good workout here. Donna seems to be always busy juggling several different projects at once and hopefully Craic’n’Roll won’t be put on a back burner and will be back again soon.

Contact Craic’n’Roll- WebSite Bandcamp Facebook YouTube

DAMIEN DEMPSEY- ‘Union’ (BUY)

Having already milked the Greatest Hits market a couple of Christmasses ago Damien Dempsey has released this unashamed Christmas cash-in album but unlike the sweet and sickly Christmas album’s that we’re use to this does have some redeeming features. Damo hails from the north of Dublin and is, I suppose, as famous for his affected vocals as any song he has written. A renowned singer-songwriter his last couple of albums have left me fairly cold bar one or two songs and here on his latest their are no new compositions just a selection of fourteen of his better known songs or ones he has performed and given a bit of spit’n’polish and recorded with some of the bigger names in the Irish and folk scenes. So we have Damo collaborating with the likes of John Grant on ‘Soulsun’, Kate Tempest on ‘A Child is An Open Book’, Imelda May on ‘Big Big Love’, and even rapper Maverick Sabre on ‘You’re Like the Water’. It’s all strong stuff and each collaboration is worthy of further experimentation as Damo continues his quest to wrap Irish folk around every kind of music possible though we still waiting on that Celtic-Punk number mate! The highlights for me are ‘Singing Bird’ with the legend that is Finbar Furey and as amazing a version of the rebel ballad ‘Kevin Barry’ with Damo accompanied by an understated Seamus Begley.

Back in the early days of his career the Dublin intelligensee scoffed at Damo and his mainly working class audience who not only got what he was singing about but also liked the idea of someone with their accent singing it. He’s become part of the furniture in Ireland now, reluctantly I would guess, but he’s still with the ability to turn a head and if you can release an album like this and have no one question your integrity then that definitly means something.

Damien Dempsey- WebSite Facebook YouTube Twitter

PIRATE COPY- ‘Swashbuckle And Swagger’ (BUY)

Proper authentic Celtic Celtic-Punk from the ancient kingdom of Kernow and the small fishing village of Portreath. Pirate Copy were formed in December, 2011 and have featured on these pages a couple of time before with a couple of EP previous releases but now is time for their debut album. Swashbuckle And Swagger is released on the appropriatly named Black Sail Records and is twelve songs of over forty minutes of high octane shouty punk rock about pirates. They may have no Celtic instruments in the band and Pirate Copy are most certainly a punk band but they make use of Celtic/Pirate tunes and arrangements and as it’s as catchy as anything you’ll hear with a mandolin I think its fair enough to grab them for our wee scene!

Pirate Copy: The Admiral – Bass * Ashtiki The Caveman – Drums * Johnny ‘Danger’ Danger – Guitar, Vocals and being crushed underfoot The Captain – Vocals.

Several highlights here including the first single release from the album ‘Reckless Alice’ based on a true story about a drunken lass called Alice who after a night on the lash in Torquay, nicked a ferry, declared herself a pirate then crashed the ferry, trashing everything in sight, and got arrested. Hilarious! The rest of the album veers from songs based on stories from the rich history of the south-west coast of England steeped in smuggling, rebellion and general buccaneering to more modern day tracks like ‘Somalian Pirates Suck’ and ‘Kicked Out The Pub’ all done with tongue firmly in cheek and with bottles of Rum on standby. Vocalist Cap’n Kernow has a strong growl that fits the music superbly and the rest of the band chugg away to their hearts content and while some of the songs may go on a tad too long this is the kind of punk rock that come’s into it’s own live on stage which is where they shine. Feel good punk rock with a wide appeal and hopefully 2019 promises to be a special year for Pirate Copy which will see them come busting out of Kernow over the English border and with appearances at many a festival coming up be sure to keep an eye out for them on the circuit. A dirty dozen ditties that clocks in at forty-two minutes all marinated in rum and ready to pillage your eardrums!

Contact Pirate Copy- Facebook Bandcamp YouTube

FALPERRYS- ‘Nova Abordagem’ (BUY)

More traditional Celtic-Punk from a somewhat lesser known Celtic nation with the Falperrys second album Nova Abordagem. The Falperrys were formed in 2010 and hail from Vigo in seventh Celtic nation of Galicia. Released in June we only got a copy when one of the band sent us one just like the others here fully deserved a more detailed review but with time was against us. The albums title in English is New Approach but they sound just the old brilliant Falperrys to me! A seven piece fast as feck accordion led Celtic-Punk band. In fact it is the dual sound of Manolo’s accordion and Don Xosé’s thrashy guitar that gives Falperrys their sound. Thirteen tracks here packed with energy and all expertly played. Mostly Falpeerrys own composiotions but with a handful of covers like ‘Nove Crozes’ which is a cover of Irish folk legends ‘Go On Home British Soldiers’ while The Pogues Streams of Whiskey’ and ‘The Irish Rover get a Galician make-over along with the famous instrumental ‘John Ryan’s Polka’. Well known musicians Rubén de Donramiro, Suso Soak, Sime Keltoi!, María de Gaioso, Kg o Boticario and María de Gaioso from the Galician folk and rock scene guest on this brilliant album.

Falperrys know their way round a cover but as is usual it is with their own material they are the strongest with opening track ‘O Meu Alento’, ‘Aboiado’ and ‘Taberneiro’ standing out but my absolute fave here is the album closer ‘Arousa’ which is just pure traditional folk heaven. The lads show they can play their instruments here and knock out one hell of a tune. We nearly brought them over to play in LOndon a few years ago with a friend of ours who was living in London but he returned home to Vigo and the plan never came to fruitition. It is said that Galicia and Ireland in particular have much in common with the weather and music being just two things and their is no mistaking the Galician love of Celtic music and culture. Located Occupied in the green and lush north-west corner of Spain and faces out towards the Atlantic ocean it is also known as ‘the land of the 1000 rivers’. They have their own language which we are proud to say that the Falperrys are one of a small group of Celtic Celtic-Punk bands to use regularly. Celtic customs are embedded in Galician culture with the bagpipesthe national symbol of the country. Gaitas, as the pipes are called locally, rule Galician music and the city of Ourense alone has over 5,000 registered bagpipers. A fantastic album and I am sure they are a belting band to see live too. The album is available as a Pay Whatever You Want download which means the band would like you to have it for free if you don’t have much money but please leave enough for a Guinness or two if you do.

Contact Falperrys- Facebook YouTube Bandcamp

So ends the first part of our 2018 Round-Up’s and apologies to all the bands as each and every release deserved that full London Celtic Punks treatment. We have probably still missed some fantastic music so all the more reason to send us your releases to review. We are also always looking for people to join the reviews team so don’t be shy if you fancy giving it a go. And finally if you don’t want to miss any of our posts then you can follow us by simply filling in your e-mail address in the box that is either below or to the left depending how you are viewing and you will receive every post to your in-box.

THE CELTIC PUNKCAST. BONUS EPISODE- TOP 10 ALBUMS OF 2018

December is usually the time when all the various Celtic-Punk media begin to compile and release their Best Of charts. There’s already been a couple and we are no different with ours traditionally released in the first couple of weeks of January. Our stablemates over at The Celtic Punkcast have just put out a special episode featuring the best song from the ten best Celtic-Punk albums of 2018 and I can tell you it’s a good one. 

Hi everyone, I thought I’d drop a little something extra this year for December in addition to the Christmas Special, it’s my top 10 albums of 2018 as judged by me and my old kelpie Banji. Some fantastic music came out this year and I swapped a lot of these artists albums positions around many a time before settling on the final rankings. Rankings are always suggestive so if you disagree with my list then feel free to let me know yours. Here’s the rankings/playlist:

10: ALTERNATIVE ULSTER – ‘No Queen, No Crown’  from BOOBIES BANJOS BEER AND BAGPIPES

9: THE LANGERS BALL – ‘No Irish Need Apply’ from HARD TIMES IN THE COUNTRY

8: THE O’RIELLYS AND THE PADDYHATS – ‘Green Blood’  from GREEN BLOOD

7: BASTARD BEARDED IRISHMEN – ‘Pirates Of Three Rivers’ from DRINKIN’ TO THE DEAD

6: MR. IRISH BASTARD – ‘Oliver Cromwells Head’  from THE DESIRE FOR REVENGE

5: KRAKIN’ KELLYS – ‘Anarchy In The Double K’  from PROMISED LAND

4: SIR REG – ‘Don’t Let Go’  from THE UNDERDOGS

3: MEDUSAS WAKE – ‘Hobart Sailor’  from RASCALS AND ROGUES

2: THE RUMJACKS – ‘The Foreman O’Rourke’  from S